Linear succession of musical tones in the foreground of a work of music
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Australian singer Grace Cummings is the kind of songwriter who believes in the spontaneity of the creative process. “I'm a loner. I talk to myself a lot,” she says, and amid those internal conversations, she stumbles upon some mistakes that eventually lead to good writing. She's no longer a stranger to how songs make their way out of her brain, having already recorded four albums. Her latest record, titled Bloodhorse!, is filled with snapshots of her tumultuous emotions, referencing both religious and mythological themes in a grand musical context of orchestral folk-rock arrangements. But when she picks up the guitar or sits in front of a piano for a solo performance, it's hard to predict how far she'll stretch her deep, soulful voice into visceral cries that, evidently, can't be contained.For this edition of Soundcheck, Cummings performs a few songs from her latest record in a way that can only be described as personal, inimitable, and untamed. - Sırma MunyarSetlist: 1.John Lennon 2.I'm Not Crazy 3.FAKEWatch the live performance videos on our YouTube channel: https://www.youtube.com/newsoundsmusic Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
The Rise of the Electric state! Welcome Music lovers of the world and beyond… Whilst we are close to the Star-Date that everyone in the know remembers 1989 for so many uplifting reasons! I have so far taken you on an audio safari through-the second cultural transformation in musical, the first being the DNA of dance rhythm & blues no! not of the 90's But the tru origins of Jazz, fusion to the dance R&B of the 1970s. We are Indebted I guess to pivotal moments in history that have a direct impact on society's that shape our ways of life! Hence the term Cultural Vibes I guess! Actually Im sure and so should anyone who have had the absolute pleasure and good fortune to have had the Soul-Unique experiences of living your lives to a back drop to so many talented and inspirational performing artist of whom have provided timeless Lyrics and Melodies to capture our lived Memories preserved forever more not only inside the deepest recessed of your inner minds, But your Physical actual record collections. The 1980s itself started with a revival post Disco and within a calendar year in acts a sequence of transformational enhancements that shaped in sequences from Electro Be-Bop to Street Dance. You have experienced Dance productions designed to feed the Dance-Floors, 1984 the year that I have consistently interpreted through enhanced productions values that this very year! Soul Music got it so right! This milestone year we have learned that 84 was not alone as 85 also maintained Legendary status in the annals of delivering the pinnacles of Dance… Whilst outside raged silently a global Cold War, Hence my term! The year that nearly wasn't. House Musics origins go back to post Disco Ironically forged out of the Beats of classic sounds of Philly and Co plus many more! 1986 experienced a war for the label domination as imported LPs, The high street record stores became ever popular to the mainstream witnessing its meteoric rise and production houses literally could not reframe from noticing house music's influence and they set out to cash out instead! It looked and Felt dangerous as they did not understand It could not be contained… So dilution looked to be the Plan by the MAN! The BBC once flippantly quoted to say on the news of which I personally observed regarding...House Music It just won't last? that was quoted 40 years ago! Then same UK that paved the way for Acid House, Jungle etc. 1987 If you still played Soul in the bars and clubs You like I felt a decline as artists struggle to be supported by many labels as a shift in styled undermined what you could play out. Raves innadvertantly affected the Bars as a once prominent stable struggled against the popularity in BPM shift threatened to impact the once packed out popular venues… In 77 Sampling was embedded into Dance Trax, The Mix doctor [Les Adams] you are forever within my mind, Influencing our generation to believe in being different! Something that has guided my style to this very day… To be Unique. Thankfully 1988 House music gets Soulful with the reintroduction of Soul Sampled Vocals to the beats created now historic super-clubs of London and beyond to set the Stage by laying the foundations for both this weeks production but also prepare us for the Year that Dance-Music once again got it soul right next weeks conclusion to the season 1989 next weeks concluding episode to the season. Welcome back to your Melodies that serve as direct access to your Memories, Press Play to Unlock the Star-Date 1988 this weeks penultimate episode of the Dance-Decade, Subscribe to Keep the Good Groove alive. DJ, Historian Master J.
Historian will discuss early American music "Yankee Doodle" is the oldest patriotic song that many Americans still know. And, unlike "The Star-Spangled Banner," it's associated with the Revolutionary War, the country's crucible. During the War of 1812, when the British evacuated after launching a failed land strike on Baltimore and bombarding Fort McHenry for almost 24 hours, the rampart's defenders hoisted a giant flag and played "Yankee Doodle" in defiance. Few people nowadays take the ditty seriously, but it helped spread news and boost morale during the fight for independence, says Manley Roberts, who is presenting a three-pronged program, Music of the American Revolution, at 7 p.m. on Thursday (Oct. 1) at the Howland Cultural Center in Beacon. The event is being organized by the Beacon Historical Society and Mayor Lee Kyriacou. Roberts, who volunteers at Cowpens National Battlefield in South Carolina, provides cultural context for the sounds of the conflict. A friend of Kyriacou since they met at Yale Law School, he's in town to attend his daughter's wedding at The Yard. She lives in New York City and is enamored with Beacon. Roberts plays piano and performs with the Charlotte Master Chorale, which occasionally augments the Charlotte Symphony Orchestra. "Music is a great way to teach history because it gets people involved and they feel like they're part of it," says Roberts, who will project song lyrics and encourage a singalong. After covering musical life in the colonies, he will play popular selections from both sides during the war, including the laudatory "British Grenadiers" contrasted with the patriot version, "Free America." Melodies remained recognizable, but words shifted around like folk tunes, he says. With copyrights nonexistent, "they all freely borrowed from each other." "Yankee Doodle," known as the song with 100 verses, began as a British diss toward Americans during the French and Indian War (1756-63), "but we turned it into a badge of honor" and used the tune to pass messages and propaganda, says Roberts. In one version, a purported visitor to a Continental Army camp reported: "There we saw the men and boys as thick as hasty pudding." One aspect of the program that often surprises people, Roberts says, is the military use of fifes, drums and bugles in the field to drill and conduct battles. "You couldn't hear the human voice above the muskets and cannons, so they developed a communications system; when bands played a particular drum pattern, everyone turned to the right. Even in camp, they had signals for doing chores." Though "Yankee Doodle" remains part of the country's cultural lexicon, Roberts contends that "Chester," written by the first American composer of note, William Billings (1746-1800), served as the war's de facto anthem. "It was an important song that helped support the cause," Roberts says. "Musicians played it all the time, and the army marched to it." Like many repetitive tunes from the era, "Chester" is written for four-part harmony in a stilted religious style that hindered its legacy. "A lot of the music from the period is church-like, militant or arranged for chamber voicing and instrumentation," says Roberts. "It's telling that 'Yankee Doodle' is the most enduring song from the Revolution."
In Chapter 13 of Bloody Be the Turnips, our agents continue their search for stencils... and also Benedict, I guess.Featuring Matt Taylor (the Dungeon Master), Jordan McDonough (Agent Deedee Bete), Erica Ito (Georgie de Leyo), Talon Ackerman (Luca Rysynthian), Deirdre Manning (Min Lethelenel), and Anthony Cascio (Cade Barrett).Artist Credits:Title sequence music "The Clock is Ticking" by Evan MacDonaldCharacter art by Gabriel Dias: https://www.behance.net/diasartworkCase file art by João de Sá (AKA Wickard): https://joaodesa.artstation.com/Background music courtesy of several talented TTRPG artists, including..."Lasting Hope" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/ASKII https://askii.bandcamp.comDreyma www.youtube.com/@DreymaComposer/Ian Fisher https://www.tabletoprpgmusic.com/Steven Lynn https://www.stevenlynnmusic.com/Maps & Melodies https://www.patreon.com/mapsandmelodiesJohn Bartmann https://johnbartmann.com/Tabletop Audio https://tabletopaudio.com/Will Savino https://wsavino.com/Michael Ghelfi Studios https://michaelghelfistudios.com/You can view our master list of attribution here: https://bit.ly/3zuNC33
Here is your Daily Disney News for Monday, September 21, 2026 - Disneyland Tokyo unveils a new "Big Hero 6" ride, offering a high-speed adventure through San Fransokyo. - Epcot revives the "Horizons" attraction with a modern twist, featuring virtual reality elements. - Disney+ launches "Melodies from the Magic Kingdom," a musical series with classic Disney tunes. - Disney announces a global initiative to reduce plastic waste and increase renewable energy at theme parks. Have a magical day and tune in again tomorrow for more updates.
Norwegian singer-songwriter Sondre Lerche defines himself as a “chord progression artist”: “You establish a pattern, and then of course, you have to break it,” he says. This line of thinking is likely what drives him to disrupt the normal sequence of his daily life too, by staying out all night before a recording session, just to tap into the right emotion for a song the next day. Some artists don't respond well to structure while creating and Sondre Lerche is definitely one of them. Whether he's exploring acrobatic melodies that push his lungs to their limits or jumping from one genre to another, he seems to put the art first and figure out where he fits in it as a vessel later.Sondre Lerche's latest album, aptly titled Acrobats, contains a big, cinematic sound, while blending elements of folk, jazz, pop, and rock. But his background in musical theatre becomes more apparent when it's just him and his guitar, as he addresses the subjects of his songs as though they're right by his side with unmistakable realism, for this episode of Soundcheck. - Sırma MunyarPS – Sondre Lerche is on tour in North America and Europe this Fall: https://www.sondrelerche.com/tour(Photo of Sondre Lerche by Hilde Solli)Setlist: 1.Little Kids 2.Acrobats 3.How Much of This Was Planned Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
In Chapter 12 of Bloody Be the Turnips, our agents ask for Ezra.Featuring Matt Taylor (the Dungeon Master), Jordan McDonough (Agent Deedee Bete), Erica Ito (Georgie de Leyo), Talon Ackerman (Luca Rysynthian), Deirdre Manning (Min Lethelenel), and Anthony Cascio (Cade Barrett).Artist Credits:Title sequence music "The Clock is Ticking" by Evan MacDonaldCharacter art by Gabriel Dias: https://www.behance.net/diasartworkCase file art by João de Sá (AKA Wickard): https://joaodesa.artstation.com/Background music courtesy of several talented TTRPG artists, including..."Lasting Hope" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/ASKII https://askii.bandcamp.comDreyma www.youtube.com/@DreymaComposer/Ian Fisher https://www.tabletoprpgmusic.com/Steven Lynn https://www.stevenlynnmusic.com/Maps & Melodies https://www.patreon.com/mapsandmelodiesJohn Bartmann https://johnbartmann.com/Tabletop Audio https://tabletopaudio.com/Will Savino https://wsavino.com/Michael Ghelfi Studios https://michaelghelfistudios.com/You can view our master list of attribution here: https://bit.ly/3zuNC33
Hello Beautiful, I'm so grateful you're here with me. Slow, flowing piano music creates a calming atmosphere perfect for bedtime relaxation and restorative sleep. These soothing melodies help ease tension, quiet the mind, and support a peaceful nighttime routine. Let the music gently carry you into sleep. Love,
Fluent Fiction - Swedish: Mysterious Melodies: Unveiling Secrets of the Swamp Find the full episode transcript, vocabulary words, and more:fluentfiction.com/sv/episode/2026-09-15-07-38-19-sv Story Transcript:Sv: Varje kväll, när solen hade sjunkit bakom Molnig Kärr och den djupa höstskymningen svepte in, började en mystisk melodi att eka genom den täta dimman.En: Every evening, when the sun had sunk behind Molnig Kärr and the deep autumn twilight swept in, a mysterious melody began to echo through the thick fog.Sv: Melodin var vacker men hemsökande, och dess ursprung var okänt.En: The melody was beautiful yet haunting, and its origin was unknown.Sv: Invånarna i den närliggande byn viskade historier om andar och förlorade själar.En: The inhabitants of the nearby village whispered stories of spirits and lost souls.Sv: Men Lisbeth, en nyfiken och modig ung kvinna, blev fascinerad.En: But Lisbeth, a curious and brave young woman, became fascinated.Sv: Lisbeth bodde nära träsket.En: Lisbeth lived close to the swamp.Sv: Hon älskade de gamla berättelserna om det övernaturliga och folktron.En: She loved the old stories about the supernatural and folklore.Sv: Hennes hjärta slog i takt med den främmande melodin som man sade kom från själv träskets hjärta.En: Her heart beat in time with the strange melody that was said to come from the very heart of the swamp.Sv: Trots varningar från de äldre i byn, beslöt hon sig för att följa melodin och upptäcka dess hemlighet.En: Despite warnings from the elders in the village, she decided to follow the melody and uncover its secret.Sv: Det var Midsommarets Spökfestival, en tid för att hylla de bortgångna och hedra de mystiska krafter som sades dväljas i området.En: It was the Midsommarets Spökfestival, a time to honor the departed and pay tribute to the mysterious forces said to dwell in the area.Sv: Med en enkel lykta i handen och ett orubbligt beslut drog Lisbeth ut i den dimmiga skogen den natten.En: With a simple lantern in hand and an unyielding resolve, Lisbeth ventured into the misty forest that night.Sv: Hennes vänner, Olle och Maja, hade försökt övertala henne att stanna, men hennes nyfikenhet var för stark.En: Her friends, Olle and Maja, had tried to persuade her to stay, but her curiosity was too strong.Sv: Träsket var farligt.En: The swamp was dangerous.Sv: Dimmiga virvlar gömde stigarna och förvrängde ljuden i natten.En: Misty swirls hid the paths and distorted the sounds of the night.Sv: Lisbeth behövde hålla huvudet kallt för att inte gå vilse.En: Lisbeth needed to keep her head clear to avoid getting lost.Sv: Hon hade hört historier om vilda djur och förrädiska sinkhål.En: She had heard stories of wild animals and treacherous sinkholes.Sv: Men det var melodin som drev henne framåt, klingande som en viskning från det förflutna.En: But it was the melody that drove her forward, ringing like a whisper from the past.Sv: Till slut nådde hon en liten glänta, omgiven av krokiga träd vars grenar bredde ut sig som skelettarmar.En: Eventually, she reached a small clearing, surrounded by gnarled trees whose branches spread out like skeletal arms.Sv: Här var musiken som starkast, och lysande i nattens mörker såg hon den – ett gammalt instrument, som spelades av en genomskinlig gestalt.En: Here, the music was the strongest, and glowing in the night's darkness, she saw it—a weathered instrument, played by a translucent figure.Sv: En spöklik figur med en vänlig uppsyn.En: A ghostly figure with a friendly demeanor.Sv: Lisbeth kände inte rädsla, bara djup respekt och fascination.En: Lisbeth felt no fear, only deep respect and fascination.Sv: Hon närmade sig försiktigt och figuren vände sig mot henne utan att sluta spela.En: She approached cautiously, and the figure turned toward her without stopping its playing.Sv: Genom intuitioner och känslor förstod hon att melodin skyddade träskets hemligheter och säkerställde att skogens balans bevarades.En: Through intuitions and feelings, she understood that the melody protected the swamp's secrets and ensured the forest's balance was maintained.Sv: Den var inte avsedd för människor att störa utan för att hedra träskets andar.En: It was not meant for humans to disturb but to honor the swamp's spirits.Sv: Med en lätt nick lovade Lisbeth att inte störa musiken eller sprida dess hemligheter.En: With a gentle nod, Lisbeth promised not to disturb the music or spread its secrets.Sv: Figuren försvann sakta och lämnade kvar en ömt avklingande ton i nattluften.En: The figure slowly vanished, leaving behind a tender, dwindling note in the night air.Sv: Lisbeth återvände hem med ett lugn i hjärtat.En: Lisbeth returned home with a calmness in her heart.Sv: Hon hade förstått kraften i det okända och respekterade nu träskets magi.En: She had understood the power of the unknown and now respected the swamp's magic.Sv: När gryningen kom kände Lisbeth sig förändrad.En: When dawn came, Lisbeth felt changed.Sv: Hon hade upptäckt en ny dimension av världen, där det mystiska och magiska kunde rymmas i harmoni.En: She had discovered a new dimension of the world, where the mystical and magical could coexist in harmony.Sv: Hennes mod hade lett henne genom farorna och gett henne en djupare insikt.En: Her courage had led her through the dangers and given her a deeper insight.Sv: Melodin fortsatte varje mest varje kväll efter det, men ingen frågade sig längre var den kom ifrån.En: The melody continued almost every evening after that, but no one asked anymore where it came from.Sv: Lisbeth hade gjort sin del för att skydda det mystiska som omringade Molnig Kärr, och byn levde vidare under dess mystiska klang.En: Lisbeth had done her part to protect the mysteries surrounding Molnig Kärr, and the village carried on under its mystical sound. Vocabulary Words:twilight: skymninghaunting: hemsökandewhispered: viskadeuncertain: okäntcurious: nyfikenbrave: modigfascinated: fascineradswamp: träsketsupernatural: övernaturligafolklore: folktronelders: äldresecret: hemlighetmysterious: mystisklantern: lyktaunyielding: orubbligtventure: drogmisty: dimmigadistorted: förvrängdetreacherous: förrädiskasinkholes: sinkhålgnarled: krokigaskeleton: skeletttranslucent: genomskinligdemeanor: uppsynintuition: intuitionerbalance: balansdisturb: störavanished: försvanndwindling: avklingandeharmony: harmoni
#289 - We are PBA Radio - Deep melodic and more - Your melodies feat Clau by Ariel Palacio
Welcome back to purgatory!!! On this week's episode the boys get hammered on some high volume, flushed and glazed tracks!!! Please go and check out and support these bands!!! Thanks for hanging with us and we hope you dig the bands that we featured on the pod!!! If you want to find our past and most recent episodes on Podbean.com and where other podcasts are found!!! Please do not support us on spotify, they take down our music episodes. Outro The Legend of Zelda-Great Fairy Princess Remix by Video Game Remixes https://youtu.be/2XJRu2WQu1I?si=V2tDSRs888gpqSnd
In Chapter 11 of Bloody Be the Turnips, our agents play I Spy and drink tea.Featuring Matt Taylor (the Dungeon Master), Jordan McDonough (Agent Deedee Bete), Erica Ito (Georgie de Leyo), Talon Ackerman (Luca Rysynthian), Deirdre Manning (Min Lethelenel), and Anthony Cascio (Cade Barrett).Artist Credits:Title sequence music "The Clock is Ticking" by Evan MacDonaldCharacter art by Gabriel Dias: https://www.behance.net/diasartworkCase file art by João de Sá (AKA Wickard): https://joaodesa.artstation.com/Background music courtesy of several talented TTRPG artists, including..."Lasting Hope" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/ASKII https://askii.bandcamp.comDreyma www.youtube.com/@DreymaComposer/Ian Fisher https://www.tabletoprpgmusic.com/Steven Lynn https://www.stevenlynnmusic.com/Maps & Melodies https://www.patreon.com/mapsandmelodiesJohn Bartmann https://johnbartmann.com/Tabletop Audio https://tabletopaudio.com/Will Savino https://wsavino.com/Michael Ghelfi Studios https://michaelghelfistudios.com/You can view our master list of attribution here: https://bit.ly/3zuNC33
Fluent Fiction - French: Unveiling Melodies: Élodie's Journey from Shadows to Spotlight Find the full episode transcript, vocabulary words, and more:fluentfiction.com/fr/episode/2026-08-27-22-34-02-fr Story Transcript:Fr: Le soleil de fin d'été baignait l'auditorium du lycée de sa douce lumière dorée.En: The late summer sun bathed the school's auditorium with its gentle golden light.Fr: Les rayons traversaient les grandes fenêtres et ajoutaient une aura magique à cet endroit déjà chargé d'histoires passées.En: The rays passed through the large windows, adding a magical aura to this place already filled with past stories.Fr: Les élèves s'affairaient à préparer leurs performances pour le grand spectacle de talents de l'école.En: The students were busy preparing their performances for the school's big talent show.Fr: Élodie, une élève discrète et réservée, observait cette animation depuis un coin tranquille de la salle.En: Élodie, a quiet and reserved student, observed the hustle and bustle from a quiet corner of the room.Fr: Ses yeux suivaient les allées et venues de Thibault, son meilleur ami, qui, comme à son habitude, gérait tout avec un sourire encourageant.En: Her eyes followed the comings and goings of Thibault, her best friend, who, as usual, was managing everything with an encouraging smile.Fr: Près de lui, Camille, la présidente du conseil des élèves, distribuait les tâches avec assurance, bien que secrètement, elle se sentît seule.En: Near him, Camille, the president of the student council, was distributing tasks with confidence, though secretly, she felt lonely.Fr: Depuis longtemps, Élodie nourrissait un secret.En: For a long time, Élodie had been harboring a secret.Fr: Un amour profond pour la musique, en particulier le piano.En: A deep love for music, especially the piano.Fr: Elle s'entraînait dans l'ombre, aussi silencieuse que les murmures des feuilles d'automne.En: She practiced in the shadows, as silent as the whispers of autumn leaves.Fr: Ce spectacle représentait une occasion unique pour elle.En: This show represented a unique opportunity for her.Fr: Le désir de partager sa passion était puissant, mais la peur de monter sur scène la paralysait.En: The desire to share her passion was strong, but the fear of going on stage paralyzed her.Fr: Un après-midi, alors que l'école se vidait lentement de ses élèves, Élodie s'appliqua à la tâche.En: One afternoon, as the school was slowly emptying of its students, Élodie diligently applied herself to the task.Fr: La salle de musique devint son refuge, ses doigts dansaient sur les touches comme par magie.En: The music room became her refuge, her fingers danced on the keys as if by magic.Fr: Sans le savoir, Thibault, qui était resté tard pour finir les dernières préparations, l'entendit.En: Without knowing it, Thibault, who had stayed late to finish the final preparations, heard her.Fr: Touché par la mélodie, il décidait de ne rien dire sur cette découverte, respectant le secret d'Élodie.En: Touched by the melody, he decided to say nothing about this discovery, respecting Élodie's secret.Fr: Les jours passèrent et la date du spectacle approchait.En: Days went by and the date of the show was approaching.Fr: Les répétitions battaient leur plein.En: Rehearsals were in full swing.Fr: Élodie essaya de masquer ses hésitations par des sourires forcés.En: Élodie tried to mask her hesitations with forced smiles.Fr: Alors que le grand soir arrivait, elle céda à son désir.En: As the big night arrived, she gave in to her desire.Fr: Elle s'inscrit anonymement à la liste des participants.En: She anonymously enrolled herself on the list of participants.Fr: La soirée tant attendue était enfin là, chaque siège de l'auditorium occupé par l'attente.En: The long-awaited night was finally here, every seat in the auditorium filled with anticipation.Fr: Élodie, cachée dans les coulisses, sentait son cœur battre à toute vitesse.En: Élodie, hidden in the wings, felt her heart racing.Fr: À cet instant critique, Thibault la trouva.En: At this critical moment, Thibault found her.Fr: Étonné mais compréhensif, il lui chuchota des mots de soutien.En: Surprised but understanding, he whispered words of support to her.Fr: « Tu peux le faire, Élodie.En: "You can do it, Élodie.Fr: Montre-leur qui tu es.En: Show them who you are."Fr: » Rassurée par cette amitié sincère, Élodie se dirigea vers le piano sous les projecteurs.En: Reassured by this sincere friendship, Élodie moved towards the piano under the spotlights.Fr: La salle silencieuse, tous les regards fixés sur elle.En: The silent hall, all eyes fixed on her.Fr: Elle ferma les yeux un instant, inspira profondément, et se laissa emporter par la musique.En: She closed her eyes for a moment, took a deep breath, and let the music carry her away.Fr: Les notes flottaient, captivant l'audience.En: The notes floated, captivating the audience.Fr: La mélodie résonnait comme un doux secret révélé.En: The melody resonated like a sweet secret revealed.Fr: À la fin de sa performance, le tonnerre des applaudissements retentit.En: At the end of her performance, the thunder of applause echoed.Fr: Parmi la foule, Camille, impressionnée, s'avança pour la féliciter.En: Among the crowd, Camille, impressed, stepped forward to congratulate her.Fr: « C'était magnifique, Élodie.En: "It was magnificent, Élodie.Fr: Tu as un vrai don.En: You have a true gift."Fr: » Ces mots, venant d'elle, marquèrent un changement.En: These words, coming from her, marked a change.Fr: Élodie avait trouvé sa voix, et Camille, une amitié sincère.En: Élodie had found her voice, and Camille, a sincere friendship.Fr: En quittant la scène, Élodie réalisa que ce moment n'était pas seulement une victoire personnelle.En: Leaving the stage, Élodie realized that this moment was not just a personal victory.Fr: C'était une ouverture vers un monde où elle pouvait être elle-même, inspirant les autres à faire de même.En: It was an opening to a world where she could be herself, inspiring others to do the same.Fr: L'auditorium vibrait encore de la musique lorsqu'elle comprit la force de la vulnérabilité et de l'honnêteté, illuminant sa nouvelle confiance et, peut-être, un avenir plein de mélodies à partager.En: The auditorium still vibrated with music when she understood the power of vulnerability and honesty, illuminating her newfound confidence and, perhaps, a future full of melodies to share. Vocabulary Words:the auditorium: l'auditoriumthe rays: les rayonsthe aura: l'auraa performance: une performancethe hustle and bustle: l'animationthe president: la présidentethe student council: le conseil des élèvesthe love: l'amoura fear: une peurthe stage: la scènethe refuge: le refugethe notes: les notesthe eyes: les yeuxthe magic: la magiethe discovery: la découvertethe hesitation: l'hésitationthe big night: le grand soirthe wings: les coulissesthe spotlights: les projecteursthe audience: l'audiencethe applause: les applaudissementsthe gift: le donthe change: le changementthe personal victory: la victoire personnellethe world: le mondethe vulnerability: la vulnérabilitéthe honesty: l'honnêtetéthe confidence: la confiancethe future: l'avenirthe melodies: les mélodies
In Chapter 10 of Bloody Be the Turnips, our agents launch their investigation into the disappearance of Professor Benedict Ellison.Featuring Matt Taylor (the Dungeon Master), Jordan McDonough (Agent Deedee Bete), Erica Ito (Georgie de Leyo), Talon Ackerman (Luca Rysynthian), Deirdre Manning (Min Lethelenel), and Anthony Cascio (Cade Barrett).Artist Credits:Title sequence music "The Clock is Ticking" by Evan MacDonaldCharacter art by Gabriel Dias: https://www.behance.net/diasartworkCase file art by João de Sá (AKA Wickard): https://joaodesa.artstation.com/Background music courtesy of several talented TTRPG artists, including..."Lasting Hope" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/ASKII https://askii.bandcamp.comDreyma www.youtube.com/@DreymaComposer/Ian Fisher https://www.tabletoprpgmusic.com/Steven Lynn https://www.stevenlynnmusic.com/Maps & Melodies https://www.patreon.com/mapsandmelodiesJohn Bartmann https://johnbartmann.com/Tabletop Audio https://tabletopaudio.com/Will Savino https://wsavino.com/Michael Ghelfi Studios https://michaelghelfistudios.com/You can view our master list of attribution here: https://bit.ly/3zuNC33
Most of the Yiddish songs we know today were created in the first half of the 20th century and distributed through commercial channels such as sheet music, concerts, radio broadcasts, records and CDs, theater stages, and more recently through songbooks produced in educational settings around the world. Our discussion focuses on lesser-known songs – Eastern Yiddish musical folklore, which emerged over a period of approximately four hundred years preceding the formation of the “popular” repertoire. Although we lack transcriptions of melodies or lyrics from before the end of the 19th century, a comparative study of documentation collected from then until the middle of the 20th century reveals that older layers of this musical-poetic creativity had been preserved over long periods of time. I refer to this older repertoire as the "musical pripetshik." Similar to the traditional combined home-heat-generating cooking oven known as the pripetshik, this old song repertoire was an integral part of Jewish culture, evolving in meaning and function over time. While for many, the image of the pripetshik corresponds to the nostalgic song by Mark Varshavski of 1901, this lecture will explore the earlier history of this and other poetic and musical images to offer an appreciation of their significance. This lecture originally took place on July 23, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Most of the Yiddish songs we know today were created in the first half of the 20th century and distributed through commercial channels such as sheet music, concerts, radio broadcasts, records and CDs, theater stages, and more recently through songbooks produced in educational settings around the world. Our discussion focuses on lesser-known songs – Eastern Yiddish musical folklore, which emerged over a period of approximately four hundred years preceding the formation of the “popular” repertoire. Although we lack transcriptions of melodies or lyrics from before the end of the 19th century, a comparative study of documentation collected from then until the middle of the 20th century reveals that older layers of this musical-poetic creativity had been preserved over long periods of time. I refer to this older repertoire as the "musical pripetshik." Similar to the traditional combined home-heat-generating cooking oven known as the pripetshik, this old song repertoire was an integral part of Jewish culture, evolving in meaning and function over time. While for many, the image of the pripetshik corresponds to the nostalgic song by Mark Varshavski of 1901, this lecture will explore the earlier history of this and other poetic and musical images to offer an appreciation of their significance. This lecture originally took place on July 23, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies
Most of the Yiddish songs we know today were created in the first half of the 20th century and distributed through commercial channels such as sheet music, concerts, radio broadcasts, records and CDs, theater stages, and more recently through songbooks produced in educational settings around the world. Our discussion focuses on lesser-known songs – Eastern Yiddish musical folklore, which emerged over a period of approximately four hundred years preceding the formation of the “popular” repertoire. Although we lack transcriptions of melodies or lyrics from before the end of the 19th century, a comparative study of documentation collected from then until the middle of the 20th century reveals that older layers of this musical-poetic creativity had been preserved over long periods of time. I refer to this older repertoire as the "musical pripetshik." Similar to the traditional combined home-heat-generating cooking oven known as the pripetshik, this old song repertoire was an integral part of Jewish culture, evolving in meaning and function over time. While for many, the image of the pripetshik corresponds to the nostalgic song by Mark Varshavski of 1901, this lecture will explore the earlier history of this and other poetic and musical images to offer an appreciation of their significance. This lecture originally took place on July 23, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
Most of the Yiddish songs we know today were created in the first half of the 20th century and distributed through commercial channels such as sheet music, concerts, radio broadcasts, records and CDs, theater stages, and more recently through songbooks produced in educational settings around the world. Our discussion focuses on lesser-known songs – Eastern Yiddish musical folklore, which emerged over a period of approximately four hundred years preceding the formation of the “popular” repertoire. Although we lack transcriptions of melodies or lyrics from before the end of the 19th century, a comparative study of documentation collected from then until the middle of the 20th century reveals that older layers of this musical-poetic creativity had been preserved over long periods of time. I refer to this older repertoire as the "musical pripetshik." Similar to the traditional combined home-heat-generating cooking oven known as the pripetshik, this old song repertoire was an integral part of Jewish culture, evolving in meaning and function over time. While for many, the image of the pripetshik corresponds to the nostalgic song by Mark Varshavski of 1901, this lecture will explore the earlier history of this and other poetic and musical images to offer an appreciation of their significance. This lecture originally took place on July 23, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
Most of the Yiddish songs we know today were created in the first half of the 20th century and distributed through commercial channels such as sheet music, concerts, radio broadcasts, records and CDs, theater stages, and more recently through songbooks produced in educational settings around the world. Our discussion focuses on lesser-known songs – Eastern Yiddish musical folklore, which emerged over a period of approximately four hundred years preceding the formation of the “popular” repertoire. Although we lack transcriptions of melodies or lyrics from before the end of the 19th century, a comparative study of documentation collected from then until the middle of the 20th century reveals that older layers of this musical-poetic creativity had been preserved over long periods of time. I refer to this older repertoire as the "musical pripetshik." Similar to the traditional combined home-heat-generating cooking oven known as the pripetshik, this old song repertoire was an integral part of Jewish culture, evolving in meaning and function over time. While for many, the image of the pripetshik corresponds to the nostalgic song by Mark Varshavski of 1901, this lecture will explore the earlier history of this and other poetic and musical images to offer an appreciation of their significance. This lecture originally took place on July 23, 2024.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Join us for Travel Is Back episode 213 as we explore Detroit, Michigan — Motor City melodies, grit, and a modern renaissance. This warm, conversational guide covers things to do in Detroit, practical travel tips, and the flavors that make the city sing. Highlights include the Motown Museum for music history, the Detroit Institute of Arts for world-class galleries, Eastern Market for local food and farmers, Belle Isle for green space and skyline views, and the Detroit RiverWalk for peaceful waterfront strolls. We'll share travel tips on getting around via the QLINE and rideshares, best neighborhoods to stay like Midtown and Corktown, where to park, and ideal times to visit in spring and fall. Food lovers will want to try classic Coney Islands, square Detroit-style pizza, soul food spots, and local craft breweries. You'll hear stories of resilience, the booming arts scene, and must-see landmarks from the Renaissance Center to the Fox Theatre. This episode was prepared with the assistance of AI tools, giving us more time to travel and bring you even more destinations. Travel Is Back -- over 200 episodes covering destinations across America and beyond.Some episodes use AI for research, writing assistance, and occasional voiceover when Johnny Mac is unavailable. His point of view, and his insistence on finding the best local taco remains entirely human.
New York City jazz bassist Neal Miner joins the podcast to talk about his new book of original bass-feature compositions, an 11-song collection designed for students and professionals to use in ensemble settings. Neal shares how longtime collaborator Chris Byars encouraged the project, how the book grew into play-alongs and a My Music Masterclass, and how his work as a bassist, teacher, composer, and documentary filmmaker all connect through a patient "chip away" creative process. We dig into Neal's love of bass melodies, contrafacts, gut strings, his longtime Juzek bass, Golden Spiral strings, DPA mic setup, recording acoustic bass, and the realities of playing unfamiliar instruments on the road. Neal also talks about his YouTube documentaries, his trio album Invisibility on Cellar Music, and life as an active New York jazz musician. Enjoy, and learn more at Neal's website, follow him on Instagram, and check out his work on YouTube! Be sure also to check out Neal's excellent appearance on Discover Double Bass. Thank you to our sponsor! Carnegie Mellon University Double Bass Studio – CMU is dedicated to helping each student achieve their goals as a musician. Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city's ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah's website and to sign up for a free online trial lesson. Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ. Theme music by Eric Hochberg
In Chapter 9 of Bloody Be the Turnips, our agents fight to bring their case to a close.Featuring Matt Taylor (the Dungeon Master), Jordan McDonough (Agent Deedee Bete), Erica Ito (Georgie de Leyo), Talon Ackerman (Luca Rysynthian), Deirdre Manning (Min Lethelenel), and Anthony Cascio (Cade Barrett).Artist Credits:Title sequence music "The Clock is Ticking" by Evan MacDonaldCharacter art by Gabriel Dias: https://www.behance.net/diasartworkCase file art by João de Sá (AKA Wickard): https://joaodesa.artstation.com/Background music courtesy of several talented TTRPG artists, including..."Lasting Hope" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/ASKII https://askii.bandcamp.comDreyma www.youtube.com/@DreymaComposer/Ian Fisher https://www.tabletoprpgmusic.com/Steven Lynn https://www.stevenlynnmusic.com/Maps & Melodies https://www.patreon.com/mapsandmelodiesJohn Bartmann https://johnbartmann.com/Tabletop Audio https://tabletopaudio.com/Will Savino https://wsavino.com/Michael Ghelfi Studios https://michaelghelfistudios.com/You can view our master list of attribution here: https://bit.ly/3zuNC33
Mangionean updates/legal gambits. William Burroughs' "A Thanksgiving Prayer" vs Francesca Hong's unhinged diabtribe against our most sacred national traditions. Operation Chestburster electorialism updates. A Bill MarHAR blast from the past, informs the present. Cuba remains in dire straights. BreakThrough News tells Congress to fuck itself, legally speaking. Trump will never apologize for gas prices or anything else, ever. A few "creative and outside the box" ways to "punish Iran": Bill O'Reilly's jostled corpse, go! The dumbfuck pickle jar guy and Dave Rubin kinda weigh in as well. Sound of Freedom-style NGO gets $244 million to "rep[resent] kids." USS Lincoln is totally fine, everybody, in fact one Don Trump said it hadn't been at sea long at all: "No, no, no, not nearly enough." Another utterly fake assassination attempt on Presinald Trunt and I've actually lost count now on how many have been made a big public deal of only to be forgotten in the same daily news cycle. Plus, some digressions about performance art and prostate health and the mysteries of human body. And whatever you do, don't bogart DeBussy.Recorded on Saturday, August 15th, 2569 B.E. around 11.00AM Korea Standard Time. Commiserate on Discord: discord.gg/aDf4Yv9PrYNever Forget: standwithdanielhale.orgGenral RecommendationsJosh's Recommendations: 1) The Uninhabitable Earth ("I guess I like beautiful melodies telling me terrible things") 2) Why Israel has no right to exist, with Craig Mokhiber Tim's Recommendations: 1) I Hate Bill Maher (podcast) 2) LegendsHandholding Recommendation: Hamlet 2Further Reading, Viewing, ListeningShow notes + Full list of links, sources, etcEternal thanks to Rm Brown ("King of the Soundboard")More From Timothy Robert BuechnerPodcast: Q&T ARE / violentpeople.co Tweets: @ROHDUTCHLocationless Locationsheatdeathpod.comEvery show-related link is corralled and available here.Twitter: @heatdeathpodPlease send all Letters of Derision, Indifference, Inquiry, Mild Elation, et cetera to: heatdeathoftheuniversepodcast@gmail.comSend us Fan MailSupport the showSupport: patreon / buzzsprout
In Chapter 8 of Bloody Be the Turnips, our agents begin tracking down their prime suspects in the kidnapping of Deshi Perim.Featuring Matt Taylor (the Dungeon Master), Jordan McDonough (Agent Deedee Bete), Erica Ito (Georgie de Leyo), Talon Ackerman (Luca Rysynthian), Deirdre Manning (Min Lethelenel), and Anthony Cascio (Cade Barrett).Artist Credits:Title sequence music "The Clock is Ticking" by Evan MacDonaldCharacter art by Gabriel Dias: https://www.behance.net/diasartworkCase file art by João de Sá (AKA Wickard): https://joaodesa.artstation.com/Background music courtesy of several talented TTRPG artists, including..."Lasting Hope" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/ASKII https://askii.bandcamp.comDreyma www.youtube.com/@DreymaComposer/Ian Fisher https://www.tabletoprpgmusic.com/Steven Lynn https://www.stevenlynnmusic.com/Maps & Melodies https://www.patreon.com/mapsandmelodiesJohn Bartmann https://johnbartmann.com/Tabletop Audio https://tabletopaudio.com/Will Savino https://wsavino.com/Michael Ghelfi Studios https://michaelghelfistudios.com/You can view our master list of attribution here: https://bit.ly/3zuNC33
Dominican-Italian singer-songwriter YEИDRY has been around for over a decade, and in the span of her rich music career that's lived many lives, she compiled highly personal songs, some of which would eventually end up on her debut album coming out this Fall. She called it “Como Agua”, which translates to “Like Water”, aptly summarizing not only YEИDRY's way of making music, but also her way of life. In the process, she learned to go with the flow, taking her notebook filled with scribbled lyrics into the studio each day and getting comfortable with the cathartic moments of translating her experiences into music. Twice an immigrant with loved ones living all over the world, she hasn't quite figured out where home is yet; she has found a sanctuary in her art instead. Having already sustained through many years of her “expensive” music career, YEИDRY likens herself to the mythological character of Icarus, flying too close to the sun. “I'm going to fall at some point if I keep wanting more,” she says, but all that fear disappears as soon as she starts singing her delicate melodies for this edition of Soundcheck. - Sırma Munyar Setlist: 1.Amapolas 2.Mala Mia 3.Espejo Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
NSW Kuzey Kıbrıs Türk Derneği, Ada'nın kültürel mirasını müzik aracılığıyla anlatacak bir etkinliğe imza atıyor. 15 Ağustos'ta Sydney Bryan Brown Tiyatrosu'nda düzenlenecek Melodies of Cyprus konseri öncesinde, konserin sanat yönetmeni İskender Ozan Toprak ve Dernek Başkanı Müge Hüdaverdi, konuğumuz oldu.
Fluent Fiction - Spanish: Melodies & Magic: Unexpected Wonders at Playa Iluminada Find the full episode transcript, vocabulary words, and more:fluentfiction.com/es/episode/2026-08-11-22-34-02-es Story Transcript:Es: Bajo la suave luz de la luna, la Playa Iluminada brillaba con su arena dorada, rodeada de acantilados verdes.En: Under the soft moonlight, Playa Iluminada shone with its golden sand, surrounded by green cliffs.Es: A pesar del frío invierno del hemisferio sur, la playa irradiaba un ambiente cálido y acogedor.En: Despite the cold winter of the southern hemisphere, the beach exuded a warm and welcoming atmosphere.Es: Las linternas colgadas iluminaban los puestos improvisados que preparaban la escena para un imprevisto festival playero.En: The hanging lanterns illuminated the improvised stalls that set the scene for an unexpected beach festival.Es: Mateo, el organizador del evento, se paseaba de un lado a otro, preocupado.En: Mateo, the organizer of the event, paced back and forth anxiously.Es: Le encantaba el orden y la planificación meticulosa.En: He loved order and meticulous planning.Es: Sin embargo, la noticia del festival había llegado de improviso, dejando poco tiempo para preparativos.En: However, the news of the festival had come unexpectedly, leaving little time for preparations.Es: Mateo quería que todo saliera perfecto, pero con recursos limitados y cambios repentinos en el clima, la tarea se complicaba.En: Mateo wanted everything to be perfect, but with limited resources and sudden changes in the weather, the task became complicated.Es: Isabela, amiga de Mateo, pintaba coloridas pancartas.En: Isabela, Mateo's friend, painted colorful banners.Es: Su actitud positiva y creativa siempre traía nuevas ideas al grupo.En: Her positive and creative attitude always brought new ideas to the group.Es: Estaba emocionada ante el desafío de crear algo memorable con poco tiempo.En: She was excited at the challenge of creating something memorable in a short time.Es: "Mateo," dijo, "podemos usar lo que tenemos y divertirnos.En: "Mateo," she said, "we can use what we have and have fun.Es: La belleza está en lo inesperado."En: Beauty lies in the unexpected."Es: Javier, un músico local conocido por su talento y su calma, afinaba su guitarra cerca de una fogata.En: Javier, a local musician known for his talent and his calm demeanor, tuned his guitar near a bonfire.Es: Secretamente deseaba que su música llamara la atención y este festival podría ser su oportunidad.En: He secretly wished that his music would draw attention, and this festival could be his chance.Es: Al ver a Mateo preocupado, le dijo tranquilamente: "La playa tiene su propia magia.En: Seeing Mateo worried, he calmly said, "The beach has its own magic.Es: Dejémosla sorprendernos."En: Let's allow it to surprise us."Es: Todo estaba casi listo cuando, de repente, el cielo se cubrió de nubes oscuras.En: Everything was almost ready when suddenly, the sky filled with dark clouds.Es: Mateo miró angustiado cómo comenzaban a caer las primeras gotas de lluvia.En: Mateo watched anxiously as the first drops of rain began to fall.Es: "¿Qué hacemos ahora?"En: "What do we do now?"Es: preguntó, sintiendo que su trabajo se desmoronaba.En: he asked, feeling his work unraveling.Es: Isabela se acercó, sin perder la sonrisa.En: Isabela approached without losing her smile.Es: "Mateo, podemos movernos a los acantilados.En: "Mateo, we can move to the cliffs.Es: La lluvia pasará y mientras tanto, ¡podemos improvisar!"En: The rain will pass, and in the meantime, we can improvise!"Es: Con poco tiempo que perder, Mateo hizo caso de la sugerencia de Isabela.En: With little time to waste, Mateo heeded Isabela's suggestion.Es: Movieron rápidamente todo el equipo a una zona más resguardada.En: They quickly moved all the equipment to a more sheltered area.Es: A los pocos minutos, una fuerte tormenta azotó la playa.En: Within minutes, a strong storm hit the beach.Es: Sin embargo, como si el universo conspirara a su favor, la lluvia cesó justo antes de que la fiesta comenzara.En: However, as if the universe was conspiring in their favor, the rain ceased just before the party was set to begin.Es: El cielo despejado dejó ver un brillante arco iris sobre el mar.En: The clear sky revealed a brilliant rainbow over the sea.Es: La gente, que se había refugiado bajo las carpas y en los acantilados, salió a disfrutar de la vista.En: The people, who had taken refuge under the tents and in the cliffs, came out to enjoy the view.Es: Mateo, ya sin el peso de la presión, observó cómo Isabela y Javier transformaban el momento.En: Mateo, relieved of the pressure, watched as Isabela and Javier transformed the moment.Es: Javier comenzó a tocar una melodía alegre en su guitarra y la multitud se reunió a su alrededor, comenzando a bailar al ritmo.En: Javier began to play a cheerful melody on his guitar, and the crowd gathered around him, starting to dance to the rhythm.Es: El festival improvisado se convirtió en una celebración espontánea, llena de risas, música y luces de linternas moviéndose al compás del viento.En: The impromptu festival turned into a spontaneous celebration, full of laughter, music, and lantern lights swaying with the wind.Es: Mateo, al ver la alegría en los rostros de los asistentes, comprendió que a veces la belleza de la vida residía en dejar de lado el control rígido y disfrutar del momento.En: Mateo, seeing the joy on the faces of the attendees, realized that sometimes the beauty of life lay in letting go of rigid control and enjoying the moment.Es: Esa noche, en la Playa Iluminada, Mateo aprendió a apreciar la magia de lo inesperado y el valor de la amistad y la creatividad.En: That night, at Playa Iluminada, Mateo learned to appreciate the magic of the unexpected and the value of friendship and creativity.Es: Mientras la luna brillaba sobre el mar, él prometió recibir cada nuevo reto con una mente abierta y un corazón dispuesto a sorprenderse.En: As the moon shone over the sea, he promised to face each new challenge with an open mind and a heart ready to be surprised. Vocabulary Words:the moonlight: la luz de la lunathe sand: la arenathe cliffs: los acantiladosthe lanterns: las linternasthe stalls: los puestosthe organizer: el organizadorthe resources: los recursosthe weather: el climathe task: la tareathe banners: las pancartasthe attitude: la actitudthe guitar: la guitarrathe bonfire: la fogatathe rain: la lluviathe sky: el cielothe clouds: las nubesthe drops: las gotasthe storm: la tormentathe universe: el universothe tents: las carpasthe view: la vistathe attendees: los asistentesthe melody: la melodíathe rhythm: el ritmothe celebration: la celebraciónthe wind: el vientothe joy: la alegríathe faces: los rostrosthe friendship: la amistadthe creativity: la creatividad
Happy Sunday! Here's your Disney News for August 9th, 2026. - Disneyland Resort's Haunted Mansion in Anaheim is getting an exciting refurbishment post-summer with enhanced special effects, perfect for Halloween. - Walt Disney World in Orlando is revamping "Journey into Imagination with Figment 2.0" at Epcot with state-of-the-art technology for an immersive experience. - Tokyo Disneyland will debut "Dreaming with Disney," a vibrant fall parade with beloved characters, featuring colorful floats and performances. - Disney+ will release "The Melodies of Disney," a new musical series exploring the stories behind iconic Disney songs with exclusive composer interviews. Have a magical day, and tune in tomorrow for more updates.
In this episode, we perceive the piercing pain of parting, as depicted in Sangam Literary work, Aganaanooru 305, penned by Vadama Vannakkan Peri Saathanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse sketches the changes in the season and the sounds in the breeze. பகலினும் அகலாதாகி, யாமம்தவல் இல் நீத்தமொடு ஐயெனக் கழிய,தளி மழை பொழிந்த தண் வரல் வாடையொடுபனி மீக்கூரும் பைதல் பானாள்,பல் படை நிவந்த வறுமை இல் சேக்கை,பருகுவன்ன காதலொடு திருகி,மெய் புகுவன்ன கை கவர் முயக்கத்து,ஓர் உயிர் மாக்களும் புலம்புவர்மாதோ;அருளிலாளர் பொருள்வயின் அகல,எவ்வம் தாங்கிய இடும்பை நெஞ்சத்துயான் எவன் உளெனோ தோழி! தானேபராரைப் பெண்ணைச் சேக்கும், கூர்வாய்,ஒரு தனி அன்றில் உயவுக் குரல் கடைஇய,உள்ளே கனலும் உள்ளம் மெல்லெனக்கனை எரி பிறப்ப ஊதும்நினையா மாக்கள் தீம் குழல் கேட்டே? Rather than stepping onto that barren domain, we step into the lady’s heart, as we listen to her say these words to her confidante, when she receives the news that the man has parted away, in search of wealth: “Without dispersing during the day, not ceasing at night too, bringing heavy floods, rainclouds pour down and then move away slowly, ushering in the cold and moist northern winds. On one such freezing midnight hour of suffering, imagine a couple, who lies on a mattress, bereft of poverty, stacked to many levels, with love that seems like a drink to be relished, intertwined in an embrace, tied by hands of desire, and seem to be made of one life. Even they would feel lonely! While that is so, when that man without grace any has parted away in search of wealth, at this time, with an angst-ridden heart, where sorrow has taken residence, how can I bear this, my friend? Especially, as the solitary, sharp-beaked red-naped ibis, sitting on a rough-trunked palmyra tree, kneads me with its melancholic song, and without thinking that the burning embers in my heart will burst into flames when I hear that, those thoughtless people play on their sweet flutes?” Time to let our empathy surface as we listen to this song of separation! The lady starts by talking about how the rains have poured, day in and day out, without taking a break even at night, and then decided to move away. Immediately following in their tracks, the northern winds had entered the scene, the lady adds. She declares that even a couple, inseparably intertwined in love, would feel lonely in those brief moments this northern wind assails them. Then as if saying ‘imagine my plight’, she goes on to talk about how the man has decided to leave at such a time, without thinking of the angst in her heart, which will have to host sorrow until his return. The lady concludes by telling her friend her pain is specially sharp when she hears the twin sounds of a solitary ‘Andril’ bird calling out to its mate, from atop a palmyra tree, and that of flutes being played by people, who spare no thought for the flames that erupt from the embers of her heart! What is exquisitely beautiful in the world outside becomes extraordinarily painful, when the eyes within see it so! The only cure is for the rains of these pains to part and for the man to return like the timely northern winds, and make these sounds become the solace they truly are!
In Chapter 7 of Bloody Be the Turnips, our agents leap fences and jump to conclusions.Featuring Matt Taylor (the Dungeon Master), Jordan McDonough (Agent Deedee Bete), Erica Ito (Georgie de Leyo), Talon Ackerman (Luca Rysynthian), Deirdre Manning (Min Lethelenel), and Anthony Cascio (Cade Barrett).Artist Credits:Title sequence music "The Clock is Ticking" by Evan MacDonaldCharacter art by Gabriel Dias: https://www.behance.net/diasartworkCase file art by João de Sá (AKA Wickard): https://joaodesa.artstation.com/Background music courtesy of several talented TTRPG artists, including...ASKII https://askii.bandcamp.comDreyma www.youtube.com/@DreymaComposer/Ian Fisher https://www.tabletoprpgmusic.com/Steven Lynn https://www.stevenlynnmusic.com/Maps & Melodies https://www.patreon.com/mapsandmelodiesJohn Bartmann https://johnbartmann.com/Tabletop Audio https://tabletopaudio.com/Will Savino https://wsavino.com/Michael Ghelfi Studios https://michaelghelfistudios.com/You can view our master list of attribution here: https://bit.ly/3zuNC33
In Chapter 6 of Bloody be the Turnips, our agents gather up a new team member AND new evidence...Featuring Matt Taylor (the Dungeon Master), Jordan McDonough (Agent Deedee Bete), Erica Ito (Georgie de Leyo), Talon Ackerman (Luca Rysynthian), Deirdre Manning (Min Lethelenel), and Anthony Cascio (Cade Barrett).Artist Credits:Title sequence music "The Clock is Ticking" by Evan MacDonaldCharacter art by Gabriel Dias: https://www.behance.net/diasartworkCase file art by João de Sá (AKA Wickard): https://joaodesa.artstation.com/Background music courtesy of several talented TTRPG artists, including...ASKII https://askii.bandcamp.comDreyma www.youtube.com/@DreymaComposer/Ian Fisher https://www.tabletoprpgmusic.com/Steven Lynn https://www.stevenlynnmusic.com/Maps & Melodies https://www.patreon.com/mapsandmelodiesJohn Bartmann https://johnbartmann.com/Tabletop Audio https://tabletopaudio.com/Will Savino https://wsavino.com/Michael Ghelfi Studios https://michaelghelfistudios.com/You can view our master list of attribution here: https://bit.ly/3zuNC33
Drew and Sean cover the 12th Garrett book, a surprising standout in the series! The Final Draft features drinks from Savyll, Long Live, Maine, and Outlaw Light. IOL is sponsored by Bricks & Minifigs Centennial. Visit www.bamcentennial.com and use code INKINGOUTLOUD for 10% off your orders! Visit our website at www.iolpodcast.com and join the conversation on Twitter @IOLPodcast Support us on Patreon: www.patreon.com/inkingoutloud Send us a tip on Ko-fi: ko-fi.com/inkingoutloud Inking Out Loud is Drew McCaffrey and Rob Santos. Sound engineering by Drew McCaffrey. Artwork by Danielle "FelCandy" Prosperie. Intro/outro music: "Moonlight" by Jivemind.
Fluent Fiction - Norwegian: Solving the Melodies of Mystery in a Mountain Cabin Find the full episode transcript, vocabulary words, and more:fluentfiction.com/no/episode/2026-07-26-07-38-19-no Story Transcript:No: Stille fjell og mystiske toner pakket om hytta.En: Quiet mountains and mysterious tones enveloped the cabin.No: Fjellhytta, der Erik, Sigrid, og Lars bodde, lå som et gjemt smykke i de norske fjellene.En: The mountain cabin, where Erik, Sigrid, and Lars lived, lay like a hidden gem in the Norwegian mountains.No: Store furutrær og grønne enger omringet dem, himmelen var klar blå.En: Tall pine trees and green meadows surrounded them; the sky was a clear blue.No: Det var sommer, og vennene ønsket fred og sammenkomster.En: It was summer, and the friends longed for peace and gatherings.No: Men hver natt hendte noe rart.En: But each night something strange happened.No: En gammel spilledåse begynte å spille av seg selv.En: An old music box began playing by itself.No: Melodien var lokkende, men også fremmed.En: The melody was enticing, yet foreign.No: Ingen av de tre kunne forstå hvorfor.En: None of the three could understand why.No: Erik var nysgjerrig.En: Erik was curious.No: Han taklet mysterier som puslespill.En: He handled mysteries like puzzles.No: Sigrid, derimot, var litt mer nervøs, men også besluttsom.En: Sigrid, however, was a bit more nervous, but also determined.No: Hun ville vite mer.En: She wanted to know more.No: Lars trodde på logikken, mer vitenskapelig enn følelsesmessig, men på innsiden likte han mystikkens sjarm.En: Lars believed in logic, more scientific than emotional, but inside he enjoyed the charm of mysteries.No: "Vi må finne ut av dette," sa Erik.En: "We must figure this out," said Erik.No: "I kveld deler vi nattevakt."En: "Tonight, we'll take turns keeping watch."No: Erik begynte.En: Erik began.No: Å sitte våken i den lune hytta om natten, med kun peislyset og den dunkle melodien fra spilledåsen, fikk ham til å tenke.En: Sitting awake in the cozy cabin at night, with only the light of the fireplace and the dim melody from the music box, made him think.No: Men han så ingenting spesielt.En: But he saw nothing special.No: Bare mørket og stillheten.En: Just darkness and silence.No: Neste kveld var det Lars sin tur.En: The next evening, it was Lars' turn.No: Han satt med notatbok og en lommelykt.En: He sat with a notebook and a flashlight.No: Men natten forble et mysterium; spilledåsen spilte, men løsningen unnslapp hans analytiske sinn.En: But the night remained a mystery; the music box played, but the solution eluded his analytical mind.No: På Sigrids vakt, derimot, skjedde noe uventet.En: On Sigrid's watch, however, something unexpected happened.No: Klokken passerte midnatt da melodien startet igjen.En: The clock passed midnight when the melody started again.No: Hun stirret mot spilledåsen, og da, som fra intet, så hun en skyggelignende bevegelse gli rolig over rommet.En: She stared at the music box, and then, as if out of nowhere, she saw a shadow-like movement glide quietly across the room.No: Med pulsen rask, nesten som spilledåsens tempo, rørte hun seg ikke.En: With her pulse racing, almost at the tempo of the music box, she did not move.No: Da morgenlyset snek seg over horisonten, samlet hun de andre.En: When the morning light crept over the horizon, she gathered the others.No: "Jeg så noe," hvisket Sigrid oppspilt.En: "I saw something," Sigrid whispered excitedly.No: De undersøkte stedet.En: They investigated the area.No: Det viste seg å være en liten sprekke i veggen hvor vinden snek seg inn.En: It turned out to be a small crack in the wall where the wind snuck in.No: Den lekne sommervinden traff mekanismen i spilledåsen, og startet musikken.En: The playful summer wind hit the mechanism in the music box and started the music.No: Venner lo.En: The friends laughed.No: Et mysterium løsnet.En: A mystery unraveled.No: Erik smilte.En: Erik smiled.No: Ikke alle mysterier trengte løsning.En: Not all mysteries needed solving.No: Noen ganger kunne skjønnheten i det ukjente være nok.En: Sometimes, the beauty of the unknown could be enough.No: Varmet av morgenens første stråler, satte de seg utendørs, tok inn fjelluftens klare pust og takket for små, magiske øyeblikk, der logikk og mystikk samspilte i naturens under.En: Warmed by the first rays of the morning, they sat outside, took in the clear breath of mountain air, and gave thanks for small, magical moments where logic and mystery intertwined in nature's wonder.No: Slik avsluttet de en reise fylt med vennskap, latter og et lite stykke norsk mystikk.En: Thus, they concluded a journey filled with friendship, laughter, and a small slice of Norwegian mystique. Vocabulary Words:mysterious: mystiskeenvelopment: pakketecabins: hytterenticing: lokkendeforeign: fremmedcurious: nysgjerrigpuzzles: puslespillnervous: nervøsdetermined: besluttsomscientific: vitenskapeliglogical: logikkenfireplace: peislysetmelody: melodiendarkness: mørketsilence: stillhetenflashlight: lommelyktanalyzed: analytiskeunexpected: uventetshadow: skyggemovement: bevegelsehorizon: horisontenexcitedly: oppstiltmechanism: mekanismenunraveled: løstcrept: snekgathered: samletcrack: sprekkewind: vindcharm: sjarmmystique: mystikk
In Chapter 5 of Bloody be the Turnips, our agents get a peek inside the forbidden tavern...Featuring Matt Taylor (the Dungeon Master), Jordan McDonough (Agent Deedee Bete), Erica Ito (Georgie de Leyo), Talon Ackerman (Luca Rysynthian), Chris London (Nigel Karakinos), Avery Banks (Camille Anders), and Anthony Cascio (Cade Barrett).Artist Credits:Title sequence music "The Clock is Ticking" by Evan MacDonaldCharacter art by Gabriel Dias: https://www.behance.net/diasartworkCase file art by João de Sá (AKA Wickard): https://joaodesa.artstation.com/Background music courtesy of several talented TTRPG artists, including...ASKII https://askii.bandcamp.comDreyma www.youtube.com/@DreymaComposer/Ian Fisher https://www.tabletoprpgmusic.com/Steven Lynn https://www.stevenlynnmusic.com/Maps & Melodies https://www.patreon.com/mapsandmelodiesJohn Bartmann https://johnbartmann.com/Tabletop Audio https://tabletopaudio.com/Will Savino https://wsavino.com/Michael Ghelfi Studios https://michaelghelfistudios.com/You can view our master list of attribution here: https://bit.ly/3zuNC33
Fluent Fiction - Danish: Melodies in Nyhavn: A Jazz Encounter That Changed Everything Find the full episode transcript, vocabulary words, and more:fluentfiction.com/da/episode/2026-07-21-07-38-19-da Story Transcript:Da: Nyhavn var fuld af liv.En: Nyhavn was full of life.Da: Farverige, gamle huse stod ved kanalen, som stolte vagter over det summende folkeliv.En: Colorful, old houses stood by the canal, like proud guards over the bustling people.Da: Alle var samlet for jazzfestivallen.En: Everyone was gathered for the jazz festival.Da: Musikken svævede let i luften, en varm sommerbrise kærtegnede de mange ansigter, der drejede i nydelse mod musikere.En: The music floated lightly in the air, a warm summer breeze caressed the many faces, which turned in enjoyment towards the musicians.Da: Midt i denne sprudlende scene stod Niels.En: In the midst of this vibrant scene stood Niels.Da: Han var en stille sjæl, der gemte dybe følelser bag hans indadvendte ydre.En: He was a quiet soul, hiding deep emotions behind his introverted exterior.Da: Musikken var hans flugt og trøst.En: Music was his escape and solace.Da: Han drømte om at finde nogen at dele denne passion med.En: He dreamed of finding someone to share this passion with.Da: I aften ledte han efter et langsomt stykke, hvor han kunne forsvinde i tankerne.En: Tonight, he was searching for a slow piece, where he could disappear into his thoughts.Da: På den anden side af kanalen var Sara.En: On the other side of the canal was Sara.Da: Hun var kommet til København for at opleve dansk kultur.En: She had come to København to experience Danish culture.Da: En spontan beslutning, der bragte hende til jazzens hjerte.En: A spontaneous decision that brought her to the heart of jazz.Da: Hun elskede eventyr og nye oplevelser.En: She loved adventure and new experiences.Da: Nyhavn, med sin charme, havde vundet hendes hjerte.En: Nyhavn, with its charm, had won her heart.Da: Hun glædede sig til at lade sig føre med af jazzens rytmer.En: She was excited to let herself be carried away by the rhythm of jazz.Da: Mens skumringen dæmpede byens hastværk, begyndte et særligt melodisk stykke at spille.En: As the dusk dimmed the city's haste, a particularly melodic piece began to play.Da: Det greb Niels.En: It captivated Niels.Da: Han så sig om og opdagede Sara, der også blev fanget af musikken.En: He looked around and discovered Sara, who was also entranced by the music.Da: Hendes blik hvilte på bandet, men lejlighedsvis gled det hen over flokken, indtil det mødte Niels.En: Her gaze rested on the band but occasionally slid over the crowd until it met Niels.Da: Han vidste, hun mærkede noget lignende.En: He knew she felt something similar.Da: Det var første gang, han ønskede at bryde sin egen barriere.En: It was the first time he wanted to break his own barrier.Da: Med et dybt åndedrag samlede han mod og gik over til Sara.En: With a deep breath, he gathered the courage and walked over to Sara.Da: Musikken smeltede nervøsiteten, og de begyndte at tale.En: The music melted the nervousness, and they began to talk.Da: "Jeg elsker jazz," sagde Niels stille, men bestemt.En: "I love jazz," said Niels quietly but firmly.Da: "Den her solo... den gør noget helt særligt."En: "This solo... it does something really special."Da: Sara smilede og nikkede ivrigt.En: Sara smiled and nodded eagerly.Da: "Ja, det er utroligt, hvordan musikken føles.En: "Yes, it's incredible how the music feels.Da: Det føles som om, den fortæller en historie uden ord."En: It feels as if it tells a story without words."Da: De stod længe og lyttede sammen, mens natten foldede sig ud omkring dem.En: They stood for a long time listening together, as the night unfolded around them.Da: De delte historier om deres yndlingsstykker, kunstnere og koncerter.En: They shared stories about their favorite pieces, artists, and concerts.Da: Musikken blev deres sprog, og de forstod dybderne i hinandens passion.En: The music became their language, and they understood the depths of each other's passion.Da: Da aftenen nærmede sig sin slutning, udvekslede de numre.En: As the evening came to a close, they exchanged numbers.Da: De lovede at mødes igen og udforske mere musik sammen.En: They promised to meet again and explore more music together.Da: For Niels var det en sejr.En: For Niels, it was a victory.Da: Han havde åbnet sig og fundet nogen, der kunne spejle hans entusiasme.En: He had opened up and found someone who could mirror his enthusiasm.Da: Sara og Niels gik hver sin vej den aften, men begge med et smil på læben.En: Sara and Niels went their separate ways that night, but both with a smile on their faces.Da: Nyhavn forblev travl og lysende, men for dem var noget nyt begyndt.En: Nyhavn remained busy and bright, but for them, something new had begun.Da: Musikkens magi havde bundet et venskab, der bar potentiale til mere.En: The magic of music had forged a friendship with the potential for more.Da: Niels gik hjem med en varm følelse indeni.En: Niels went home with a warm feeling inside.Da: Han forstod nu, at når man åbner sig op for verden, kan man finde forbindelser, hvor man mindst venter det.En: He now understood that when you open yourself to the world, you can find connections where you least expect them.Da: Og den aften i Nyhavn blev starten på noget helt særligt.En: And that evening in Nyhavn became the start of something truly special. Vocabulary Words:bustling: summendecaressed: kærtegnedeintroverted: indadvendtesolace: trøstdisappear: forsvindespontaneous: spontanhast: hastværkmelodic: melodiskcaptivated: grebenthralled: fangetoccasional: lejlighedsvisgaze: blikcourage: modsmelted: smeltedeeagerly: ivrigtunfolded: foldede sig udfavorite: yndlingsstykkervicinity: nærhedenenthusiasm: entusiasmefriendship: venskabbreezy: brisecharisma: charmeventures: oplevelserbarrier: barrieredybderne: depthsexchanged: udveksledemirror: spejleremained: forblevpotential: potentialemagic: magi
In this final episode of our 13-part exploration of folk music history we are concluding with Death and Afterlife Songs!We welcome our musical collaborators for the series Ben and Katie to join us for this bumper-length episode, which includes a conversation at the end in which we reflect on the journey we have been on together over the last 15 months.As for the songs, we begin with Death and the Lady, a song that feels like it ought to have Medieval roots and which seems inspired by the Black Death, yet which is only recorded for the first time in the 18th century.Next, we sing and discuss one of the finest English songs of all, The Lyke Wake Dirge, with Martin deploying his shruti box and his snare drum to get the skeleton parade marching along...Lastly, we go out on a very Ben choice with Fiddler's Green, a song which is the 40th we've recorded together.We really hope you enjoy the songs, the conversations about death, the afterlife, reincarnation, and more, and remember, every new person who listens to this episode, or who joins our Patreon, enables us to be more ambitious with our projects and push Three Ravens into new and exciting places.So, thank you very much for listening, we hope to release mastered versions of some of the songs as an album (funds and time willing) and thank you for spreading the word about what we're doing so that this can be how we make our living.We really hope you enjoy the episode, and we will speak to you again on Thursday for our final stories from the Lang Red Fairy Book, featuring The Marvellous Musician and The Story of Sigurd!The Three Ravens is a Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on a historic county, exploring the heritage, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?REGISTER FOR THE TALES OF SOUTHERN ENGLAND TOURVisit our website Join our Patreon Social media channels and sponsors Hosted on Acast. See acast.com/privacy for more information.
Fluent Fiction - Hungarian: Melodies of Home: A Hungarian Connection in Central Park Find the full episode transcript, vocabulary words, and more:fluentfiction.com/hu/episode/2026-07-20-22-34-02-hu Story Transcript:Hu: A nyári nap sütött Central Parkban.En: The summer sun shone in Central Park.Hu: A levegő tele volt az élet és a zene hangjaival.En: The air was filled with the sounds of life and music.Hu: A fák alatt egy padon ült István, kezében a hegedűjével.En: Under the trees, István sat on a bench, with his violin in hand.Hu: Magyarországról jött, hogy koncertet adjon New Yorkban, de most inkább magányos volt.En: He had come from Hungary to give a concert in New York, but now he felt rather lonely.Hu: Gondolt a hazájára, az otthoni barátaira.En: He thought of his homeland, his friends back home.Hu: Kicsit feszélyezettnek érezte magát ebben a nagyvárosban.En: He felt a bit uneasy in this big city.Hu: Réka vidáman sétált a parkban, színes ceruzákkal és vázlatfüzettel a kezében.En: Réka cheerfully walked through the park, with colored pencils and a sketchbook in her hand.Hu: Magyar anyától született, de Amerikában nőtt fel.En: Born to a Hungarian mother, but she grew up in America.Hu: Hiányérzete volt.En: She felt a sense of longing.Hu: Hiányzott neki valami, amit nem talált meg a nagyvárosi életben.En: She missed something she couldn't find in city life.Hu: Talán saját gyökerei adhatnának választ, gondolta.En: Perhaps her own roots could provide the answer, she thought.Hu: István hirtelen döntött: előveszi a hegedűjét és játszani kezd.En: Suddenly István decided: he would take out his violin and start playing.Hu: Hallani lehetett a magyar népdalokat, amik betöltötték a levegőt.En: You could hear the Hungarian folk songs filling the air.Hu: Az emberek megálltak hallgatni.En: People stopped to listen.Hu: Réka is felfigyelt a dallamokra.En: Réka also noticed the melodies.Hu: A zene ismerősnek tűnt, mintha otthonról szólna, és elindult a hangok irányába.En: The music seemed familiar, as if it was coming from home, and she headed in the direction of the sounds.Hu: A műsor végén Réka közelebb lépett Istvánhoz.En: At the end of the performance, Réka stepped closer to István.Hu: Mosolyogva mondta: „Gyönyörű zene. Magyarország emlékeztet."En: Smiling, she said: “Beautiful music. It reminds me of Hungary."Hu: István örömmel fordult felé, bár kicsit még izgatott volt az új ismeretségtől.En: István turned to her with joy, though still a bit excited by the new acquaintance.Hu: „Köszönöm. Régóta játszom, és most keresem itt a kapcsolatot az otthonommal."En: “Thank you. I've been playing for a long time, and now I'm looking to connect with my home here."Hu: Réka nevetett. „Én is hasonló utat keresek. Az anyukám magyar, de itt nőttem fel. Néha olyan nehéz kapcsolódni a gyökereimhez."En: Réka laughed. “I'm seeking a similar path. My mother is Hungarian, but I grew up here. Sometimes it's so hard to connect with my roots."Hu: A két fiatal hosszasan beszélgetett Magyarországról, az otthoni ízekről és a régi hagyományokról.En: The two young people talked at length about Hungary, the flavors from home, and old traditions.Hu: Ahogy a nap lassan lenyugodott, a park elcsendesedett.En: As the sun slowly set, the park quieted down.Hu: István és Réka telefonszámot cserélt.En: István and Réka exchanged phone numbers.Hu: Megbeszélték, hogy máskor is találkoznak.En: They agreed to meet again another time.Hu: „Szívesen megmutatnám a kedvenc helyeimet a városban," mondta Réka.En: “I'd happily show you my favorite places in the city," said Réka.Hu: „Én pedig szívesen olvasnék fel neked magyar költészetet," válaszolta István lelkesen.En: “And I would love to read you Hungarian poetry,” replied István eagerly.Hu: Egy új barátság kezdődött, melyben mindketten megtalálták, amit kerestek: a kapcsolódást és az inspirációt.En: A new friendship began, where both found what they were looking for: connection and inspiration.Hu: Central Park már nem csak egy hely volt számukra, hanem a találkozásuk színtere, ahol otthon érezhették magukat.En: Central Park was no longer just a place for them, but the stage of their meeting, where they could feel at home. Vocabulary Words:shone: sütöttsounds: hangjaivallonely: magányoshomeland: hazájauneasy: feszélyezettcheerfully: vidámansketchbook: vázlatfüzettellonging: hiányérzeteroots: gyökereifolk songs: népdalokatperformance: műsorfamiliar: ismerősnekacquaintance: ismeretségtőlconnection: kapcsolatotlaughed: nevetettseek: keresektraditions: hagyományokrólquieted: elcsendesedettexchange: cseréltinspiration: inspirációtstage: színterefavorite: kedvencpoetry: költészeteteagerly: lelkesenconcert: koncertetuneasy: feszélyezettnekfill: betöltöttéknoticed: felfigyeltmelodies: dallamokrareminds: emlékeztet
In Chapter 4 of Bloody be the Turnips, our agents discover that just because the town lacks a falconry doesn't mean it lacks a few vultures...Featuring Matt Taylor (the Dungeon Master), Jordan McDonough (Agent Deedee Bete), Erica Ito (Georgie de Leyo), Talon Ackerman (Luca Rysynthian), Chris London (Nigel Karakinos), Avery Banks (Camille Anders), and Anthony Cascio (Cade Barrett).Artist Credits:Title sequence music "The Clock is Ticking" by Evan MacDonaldCharacter art by Gabriel Dias: https://www.behance.net/diasartworkCase file art by João de Sá (AKA Wickard): https://joaodesa.artstation.com/Background music courtesy of several talented TTRPG artists, including...ASKII https://askii.bandcamp.comDreyma www.youtube.com/@DreymaComposer/Ian Fisher https://www.tabletoprpgmusic.com/Steven Lynn https://www.stevenlynnmusic.com/Maps & Melodies https://www.patreon.com/mapsandmelodiesJohn Bartmann https://johnbartmann.com/Tabletop Audio https://tabletopaudio.com/Will Savino https://wsavino.com/Michael Ghelfi Studios https://michaelghelfistudios.com/You can view our master list of attribution here: https://bit.ly/3zuNC33
In Chapter 3 of Bloody be the Turnips, our agents ingratiate themselves amongst the locals.Featuring Matt Taylor (the Dungeon Master), Jordan McDonough(Agent Deedee Bete), Erica Ito (Georgie de Leyo), Talon Ackerman (Luca Rysynthian), Chris London (Nigel Karakinos), Avery Banks (Camille Anders), and Anthony Cascio (Cade Barrett).Artist Credits:Title sequence music "The Clock is Ticking" by Evan MacDonaldCharacter art by Gabriel Dias: https://www.behance.net/diasartworkCase file art by João de Sá (AKA Wickard): https://joaodesa.artstation.com/Background music courtesy of several talented TTRPG artists, including...ASKII https://askii.bandcamp.comDreyma www.youtube.com/@DreymaComposer/Ian Fisher https://www.tabletoprpgmusic.com/Steven Lynn https://www.stevenlynnmusic.com/Maps & Melodies https://www.patreon.com/mapsandmelodiesJohn Bartmann https://johnbartmann.com/Tabletop Audio https://tabletopaudio.com/Will Savino https://wsavino.com/Michael Ghelfi Studios https://michaelghelfistudios.com/You can view our master list of attribution here: https://bit.ly/3zuNC33
Welcome to episode 91 of The Longest Turn! Tyler and Logan recap their Origins Trip.00:00:00 - Intro00:03:10 - Unmatched: Cobble and Fog00:05:25 - Moytura00:13:13 - Kabuto Sumo: Sakura Slam00:16:41 - Soda Jerk00:21:21 - Hercules and the 12 Labors00:26:27 - Unmatched Tournament00:29:53 - General Orders & Night Witches00:33:40 - Schmidt's Sausage Haus00:35:05 - Asmodee Media Event (KPop Demon Hunters: Battle for the Spotlight, Melodies, etc.)00:40:09 - Game Library and donated games from Rio Grand Games00:42:40 - Sea Salt and Paper: Extra Pepper00:44:53 - Sail00:45:30 - Ankh: Gods of Egypt00:46:05 - Got Five!00:47:07 - Excalibur00:47:58 - All In: Predictions00:49:30 - FoodJoin our Discord: https://discord.gg/F4kX3Faxxf Other links : https://linktr.ee/LongestturnAffiliate codes: GameNerdz Support us on Buy Me a Coffee!
In Chapter 2 of Bloody be the Turnips, our agents begin their investigation into the missing politician Deshi Perim.Featuring Matt Taylor (the Dungeon Master), Jordan McDonough(Agent Deedee Bete), Erica Ito (Georgie de Leyo), Talon Ackerman (Luca Rysynthian), Chris London (Nigel Karakinos), Avery Banks (Camille Anders), and Anthony Cascio (Cade Barrett).Artist Credits:Title sequence music "The Clock is Ticking" by Evan MacDonaldCharacter art by Gabriel Dias: https://www.behance.net/diasartworkCase file art by João de Sá (AKA Wickard): https://joaodesa.artstation.com/Background music courtesy of several talented TTRPG artists, including...ASKII https://askii.bandcamp.comDreyma www.youtube.com/@DreymaComposer/Ian Fisher https://www.tabletoprpgmusic.com/Steven Lynn https://www.stevenlynnmusic.com/Maps & Melodies https://www.patreon.com/mapsandmelodiesJohn Bartmann https://johnbartmann.com/Tabletop Audio https://tabletopaudio.com/Will Savino https://wsavino.com/Michael Ghelfi Studios https://michaelghelfistudios.com/You can view our master list of attribution here: https://bit.ly/3zuNC33
In Chapter 1 of Bloody be the Turnips, we meet the agents assigned to the Inactive Missing Persons unit of the O.E.I as they pore over the unit's unsolved cases.Featuring Matt Taylor (the Dungeon Master), Jordan McDonough(Agent Deedee Bete), Erica Ito (Georgie de Leyo), Talon Ackerman (Luca Rysynthian), Chris London (Nigel Karakinos), Avery Banks (Camille Anders), and Anthony Cascio (Cade Barrett).Artist Credits:Title sequence music "The Clock is Ticking" by Evan MacDonaldCharacter art by Gabriel Dias: https://www.behance.net/diasartworkCase file art by João de Sá (AKA Wickard): https://joaodesa.artstation.com/Background music courtesy of several talented TTRPG artists, including...ASKII https://askii.bandcamp.comDreyma www.youtube.com/@DreymaComposer/Ian Fisher https://www.tabletoprpgmusic.com/Steven Lynn https://www.stevenlynnmusic.com/Maps & Melodies https://www.patreon.com/mapsandmelodiesJohn Bartmann https://johnbartmann.com/Tabletop Audio https://tabletopaudio.com/Will Savino https://wsavino.com/Michael Ghelfi Studios https://michaelghelfistudios.com/You can view our master list of attribution here: https://bit.ly/3zuNC33
Hello, Beautiful...I'm so grateful you're here with me. These gentle sleep sounds create a peaceful atmosphere to help you unwind at the end of the day. Soft melodies encourage relaxation, stress relief, and deep sleep throughout the night. Allow the calming music to guide you into restful dreams. Love,
Get ready to escape to the lake isle of Innisfree, because for the penultimate episode of Forgotten Melodies we're talking all about Nature Songs!We explore the English trees and plants which have inspired folk musicians, poets and all true Romantics, and the songs which use them as motifs.First, we look at stone cold classic A North Country Maid, and its oak, ash and bonny ivy.More oak and ash abound in our second selection, A Tree Song, written by Rudyard Kipling for the 1906 book Puck of Pook's Hill, and set to music by Peter Bellamy. The third song might just be the best known song we've covered in the series, a staple of pub folk sessions, ideal for the end of the night. We'll be gathering the Wild Mountain Thyme - or possibly just making an elaborate excuse to take our sweethearts up into the hills...Martin and Eleanor explore the history and context behind each song, and the surrounding folklore for the plants and trees which inspired them!We really hope you enjoy the episode, and we will speak to you again on Thursday for a new Lang Fairy Tale triple bill, featuring Rapunzel, The Nettle Spinner, and Farmer Weatherbeard!The Three Ravens is a Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on a historic county, exploring the heritage, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?REGISTER FOR THE TALES OF SOUTHERN ENGLAND TOURVisit our website Join our Patreon Social media channels and sponsors Hosted on Acast. See acast.com/privacy for more information.
Hello, Beautiful...I'm so grateful you're here with me. Let the soft sounds of midnight melodies guide you into calm and stillness tonight. This relaxing sleep story for women gently eases anxiety, quiets overthinking, and prepares your body for deep sleep. Drift peacefully into rest with soothing narration and dreamy nighttime imagery. Love,
Hello, Beautiful...I'm so grateful you're here with me. Gentle nighttime melodies and calming sleep music help you slowly release the stress and energy of the day. This relaxing ambient soundscape is perfect for bedtime routines, meditation, stress relief, and deep sleep. Let the soft music quiet your thoughts and guide you peacefully into rest. Love,
Quarteto Em Cy - Cavalo-Ferro Sir Victor Uwaifo – Osalobua Rekpama Ella Jenkins – Yemayah Slim Young – Bisa Secos & Molhados - Sangue Latino Zé Roberto – Lotus Los Beats – Veronica Les Twins - Et Moi Aussi Saint-Preux – L'ivresse Des Profondeurst
Journey into sleep in a Healing River Forest. This binaural beats soundscape consists of peaceful ambient forest music featuring a native flute melody, a gentle river sound, and 8 Hz theta wave binaural beats for meditation, relaxation, and deep sleep. Immerse yourself in the sound of a tranquil river forest while you get settled into bed. The 8+ hours of music and binaural beats will continue uninterrupted, so you can stay asleep all night. For a version of this episode without binaural beats, check out the 8 Hour Sleep Music podcast. Thank you and sleep well!
Welcome back to When Words Fail, Music Speaks, the show where host James Cox—himself a survivor of depression—leaves no stone unturned in the quest to prove that music can heal the soul.In today's episode James sits down with emerging singer‑songwriter Cattsue, the Jacksonville‑based artist behind the tender, genre‑blending debut single “Come Home to Me.” Cattsue's music walks the line between country storytelling and pop intimacy, offering listeners a quiet sanctuary where the lyrics can truly be heard.During the conversation we'll learn:The personal story behind “Come Home to Me”—a love‑letter‑turned‑song written for her partner during a difficult birthday period.How Cattsue's quiet, acoustic‑driven style creates a space for listeners to “let the world stay outside” and find comfort in vulnerability.Her quick rise in the industry, from signing with MTS Records and Ron Anthony Music to preparing two more releases this summer—a heartfelt tribute to her late mother, A Whisper in the Wind, and a nostalgic love story about meeting her partner decades ago.The philosophy that music, especially the softer, more introspective songs, can act as emotional support on the darkest days, reaching listeners from Florida to far‑flung corners of the globe.If you've ever needed a musical hug, a moment of peace, or simply a reminder that you're not alone, stay tuned. Katsu's story proves that sometimes the most powerful love is simply being there—coming home to the music that speaks when words can't.Let's dive in.
Keep watch for that Captain trying to slip you the King's Shilling, as on this month's episode of Forgotten Melodies we're talking all about Soldiers and Sailors!We're discussing two different kinds of broadside at once today - both ballads and rows of cannon, with explorations of the contexts of three old folk songs we've recorded.The first, William Taylor, sees us folding together two folk classics to have another bite at a familiar enough theme.The second, Stand By Your Guns, gives Eleanor cover to tell us all about canon management during the Napoleonic era.The third, The Soldier's Prayer, then skewers the grand irony of many songs sung by soldiers and sailors - they're often about peace!We - Ben, Eleanor and Martin - dig into each, and, around moistening our cannon holes and trying not to get shot, very much hope you enjoy the episode.Speak to you again on Thursday for our Lang Fairy Tale triple-bill featuring The Voice of the Devil, The Six Sillies, and Drakestail!The Three Ravens is a Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on a historic county, exploring the heritage, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?REGISTER FOR THE TALES OF SOUTHERN ENGLAND TOURVisit our website Join our Patreon Social media channels and sponsors Hosted on Acast. See acast.com/privacy for more information.
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