Podcast appearances and mentions of robert fairchild

Robert Fairchild began dancing at the age of four in Salt Lake City. He began his training at the School of American Ballet at the age of 15 and shortly after rose through the ranks of the prestigious New York City Ballet. He became an apprentice with NYCB in June 2005. The following June, he joined the Company as a member of the corps de ballet. He was promoted to soloist in May 2007 and was promoted to Principal Dancer in October 2009.Robert Fairchild made his Broadway debut with his breakout role as ‘Jerry Mulligan' in the Tony Award-winning musical An American in Paris. He was nominated for the Tony Award for Best Performance By An Actor in a Leading Role in a Musical, and won the 2015 Drama Desk and Outer Critics Circle Awards for Outstanding Actor in a Musical, the 2015 Astaire Award for Best Male Dancer, and the 2015 Theatre World Award. He was also nominated for the 2015 Drama League Award for Distinguished Performance.He appeared for 12 years in NYCB's seasons at the Lincoln Center. His roles ranged from Prince Desirè in The Sleeping Beauty to works by world renowned choreographer William Forsythe.Television appearances include Julie's Greenroom on Netflix, Romeo in NYCB's Romeo and Juliet and Carousel Boy in NY Philharmonic's Carousel, both for PBS; Live From Lincoln Center, Dancing With The Stars, The Late Show with Stephen Colbert, Live with Kelly and Michael, CBS Sunday Morning, 60 Minutes.On film, Robert played a regal Munkustrap in the screen adaptation of Cats.He is charm personified and easily carries the mantle of Song & Dance man. STAGES caught up with him soon after his arrival in Australia, as he prepares to commence rehearsals for An American in Paris down under.The STAGES podcast is available from Apple podcasts, Spotify and Whooshkaa. Also where you find your favourite podcasts. www.stagespodcast.com.au

Genesis 1:11-14

Hosts Josh Levitsky and Roz Mannon are joined by fellow AJT editorial board member, Dr. Robert Fairchild, to discuss some of the key papers in the January 2020 issue.

Judy Carmichael interviews Robert Fairchild

Katie Derham delves into the work of the iconic choreographer Jerome Robbins in his centenary year. Best known as creator, choreographer, and co-director of West Side Story, Robbins' career spanned success not only in film and on Broadway, but importantly at the heart of the New York City Ballet where, as Associate Director, he worked closely with George Balanchine. Katie is joined by Robert Fairchild, former New York City Ballet Principal, to explore Robbins' unique way of telling stories through movement.

Dr. Robert Fairchild discusses a 1983 article by Bass and coworkers on the use of flow cytometry in the intracellular analysis of NADPH oxidase function in human neutrophils.

Broadway has been going to the movies for so long now that it’s almost surprising that the beloved 1951 movie-musical “An American in Paris” has only now been turned into a stage show. The man who finally undertook the challenge of brining the Gene Kelly-Leslie Caron romance to the stage is the internationally acclaimed ballet choreographer Christopher Wheeldon. He created the dances and directs the new production, which this week earned 12 Tony Award nominations, including best new musical. The film "An American in Paris" celebrated the City of Light, but even more so the music of George Gershwin. His songs were integrated into Alan Jay Lerner’s story about an American ex-patriate, played by Kelly, and his romance with a Parisian woman, played by Caron. The climactic dance scene was scored to the Gershwin concert work for which the picture was named. The film won seven Oscars, including an honorary one for Kelly. Now, given Wheeldon’s presence, one might assume that this stage version is a dance-driven production. Is it a ballet on Broadway, a Broadway musical, or something in between? Wheeldon is a former principal dancer with New York City Ballet and most of the dancers come from the ballet world, too, including the leads, Robert Fairchild and Leanne Cope, who get to do something rarely required of ballet artists — they sing. The playwright Craig Lucas has adapted the original screenplay by Lerner.   New York Times theater critic Charles Isherwood visits this week to say if the stage version swings — and sings.

Sara and Norma review An American in Paris (and fangirl all over Robert Fairchild and Max von Essen), and Gigi, starring Vanessa Anne Hudgens

Tiler Peck was born in Bakersfield, California. She began her dance training at the age of seven, studying privately with former Bolshoi Ballet Principal Dancer Alla Khaniashvili in Hollywood. At the age of 11 she began studying at Conjunctive Point in Culver City, California, with former New York City Ballet dancers Colleen and Patricia Neary. During this time she also studied with former NYCB Principal Yvonne Mounsey at Westside School of Ballet in Santa Monica. At the age of 12, Ms. Peck entered the School of American Ballet, the official school of New York City Ballet, for most of the 2000-2001 Winter Term. She returned to SAB during the summers of 2002 and 2003, and that fall began as a full time student. In September 2004, Ms. Peck became an apprentice with New York City Ballet. In February 2005 she joined the Company as a member of the corps de ballet and was promoted to soloist in December 2006 and principal dancer in October 2009. Robert Fairchild was born in Salt Lake City, Utah, and began his dance training at Dance Concepts at the age of four with Rebecca Bateman and Kaelynne Oliphant. His formal ballet training began at the age of ten at the Ballet West Conservatory with Sharee Lane. Other various teachers include: Laura King, Trey Barber, Brooke Healy, and Jaqueline and Heather College of Utah Regional Ballet.   Mr. Fairchild attended the 2002 and 2003 summer courses at the School of American Ballet (SAB), the official school of New York City Ballet, and enrolled as a full time student in the fall of 2003. In June 2005, Mr. Fairchild became an apprentice with NYCB, and the following June, he joined the Company as a member of the corps de ballet. He was promoted to soloist in May 2007, and in October 2009 was promoted to principal dancer.

Earlier this year, Tiler and Robbie were in St. Louis for NYCB MOVES. It's interesting having a conversation in the middle of a hotel business center! People were checking email, mailing packages and slamming doors. We had fun. They were both very generous and St. Louis loved them.