Podcasts about Audition

Admission to music programs and conservatories is a specialized process that involves more steps than simply sending application material and essays to the admissions office. This week Megan is joined by Darren Sacks, a professional double bassist and music college admissions expert to discuss key aspects of music education and the audition preparation. Darren shares: the importance of early music lessons and private instruction quality participation in youth orchestras and summer festivals the significance of developing musical maturity, technical proficiency, and consistent practice systems guidance on selecting appropriate instructors and maintaining professional standards throughout the application process the significance of choosing appropriate pieces that showcase a student’s current level without being too challenging Darren discusses the importance of finding a balance between coaching and consulting when selecting a one-on-one music instructor for students, emphasizing the need for instructors to demonstrate and provide practical examples alongside guidance. He shared his approach of combining tough love with empathy to help students improve, using examples like helping a student win an all-states competition after an initial setback. If you are interested in learning more, you can find Darren at: Home Page: www.darrensacksbasscoach.com Instagram: @darrensacks.bostonbass Specifically parents of double bassists or students interested in orchestral double bass, if parents click on the “Work With Me” page, they can schedule a phone call with Darren to book a Zoom Audition Strategy Call + 30-Minute Playing Session for their child. The post 619: From Local Youth Orchestras to Top Conservatories – Strategies that Win the Audition with Darren Sacks appeared first on The College Prep Podcast.

Tonight, join the AHH Crew as they travel back in time to 1999 for the latest installment of our ongoing series: This Year in Horror!You know how at the end of every year news outlets come out with a year in review, pop culture year in review, or music year in review? Well, it's time horror fans had something similar for the turn of the millennium.1999 was a monumental year for the genre, defined by found-footage revolutions, psychological twists, and some serious Y2K anxiety. From massive cultural shifts like The Blair Witch Project and The Sixth Sense to cult favorites and international shocks like Audition or Ravenous, we've got you covered!Also discussed: THE UGLY STEPSISTER, PSYCHO KILLER & going down the POLYBIUS rabbit hole.#1999movies #1999horror #horrormovies #foundfootage #psychologicalhorror #theblairwitchproject #thesixthsense #audition #ravenous #lakeplacid #sleepyhollow #stirofechoes #idlehands #theuglystepsister #psychokiller #polybius #horrorpodcast #horrorfactsdotcom #fangoria #ahhpod #americashometownhorror #plymouthmaBecome a supporter of this podcast: https://www.spreaker.com/podcast/america-s-hometown-horror--4187035/support.Support the Show:FANGORIA: We are a proud affiliate of Fangoria! Visit the Fangoria Shop and use code HOMETOWNHORRORPOD for an exclusive 20% discount on mags and merch.HORROR FACTS: Check out more in-depth reviews and horror news at HorrorFacts.com.SUPPORT US: Love the show? Become a supporter on Spreaker to help us keep the lights on.All Music, Sound Editing & Audio Production by Shaun O'Loughlin of Sky Wheel Media.

This episode opens with an improvised serialized scene called “The Rusted Lantern” — a short noir novella-style reading performed live — then unfolds into a wide-ranging, candid conversation about auditions, writing, producing indie films, creative burnout, social-media monetization, sobriety, pacing your career, and practical tips for makers trying to get work done with limited time and money. The trio (Jen Bartels, Caitlin Brodnick, Isaac Abrams) balance a playful creative exercise with honest, useful career talk for actors, writers, creators and anyone making art in the modern media ecosystem.Episode highlights and expanded description- Live novella performance: Isaac prompts an AI-style 90-second soap-opera novella; the group performs multiple takes of a moody scene set in a corner table at “The Rustic Lantern.” - Performance craft & acting advice: After the reading the hosts debrief on cold reads, self-tape auditions, the tension between following explicit direction vs. owning the moment, and strategies for staying present in auditions. - Writing & making your own work: The hosts discuss how to move from performer to creator — startup routines for writing a script or short, how to attack a seemingly overwhelming feature project (write the small scene you can't stop thinking about), using collaboration and iterative drafts, and practical tools (writer-duet workflows, co-writing in a room, and the value of deadlines).- Indie filmmaking realities: Low-budget production advice — how to make content when money is scarce- Encouraging closing: the hosts emphasize longevity in creative careers — the importance of craft, tenacity, and staying connected to why you started. They invite listeners to submit novella prompts, short scenes, and theme-song ideas for future episodes.video chapters00:00 — Opening banter & show settling (names, tone) 02:50 — Novella setup: prompt, characters, and format explained 03:50 — First full read: “The Rusted Lantern” — take one (moody intro) 06:15 — Key reveal: leather case, Cassandra Hale photograph, stakes established 07:10 — Cliffhanger note & “To be continued” title card 07:40 — Take two: refined performance, additional screen-direction beats 11:10 — Performance debrief: cold reads vs acting-from-truth, practical audition tactics 13:30 — Audition horror stories and director/room etiquette (what to expect) 16:00 — Writing advice: micro-goals, “write the scene you can't stop thinking about” technique 18:10 — Indie film logistics: crew, budget tiers, attaching names & fundraising realities 21:30 — Monetization talk: social clout, viral jingles, content reuse issues and legal basics 24:15 — Vertical platforms vs long-form: pros, cons, and creative strategies 27:40 — Personal check-in: sobriety, routines, naps, and creative energy management 31:05 — Genre tastes, movie talk, and quick career anecdotes (commercials, background work) 34:20 — Creative collaboration: building teams, finding faithful collaborators vs “traders” 37:50 — Tools & workflow: writing software, co-write sessions, timeline tips for busy creators 40:30 — Closing: production ideas, call for submissions (theme songs, novella prompts), final banter#Podcast #Improv #Screenwriting #IndieFilmmaking #AuditionTips #VerticalVideo #CreativeBurnout #Sobriety #ContentCreationClosing note and inviteWe close by inviting listeners to submit short novellas, two-line scene prompts, theme-song demos, or project ideas — whether you're an actor, writer, director or first-time creator. We'll sample listener submissions, read prompts on air, and possibly develop serialized shorts based on the best seeds. If you want to contribute, email goodtoseeyoupodcast@gmail.com or DM the show on Instagram with your clip or idea.Thanks for listening — if this episode sparked even one idea or made you feel less alone in the hustle, subscribe and drop a rating.

Interview Date: February 8th, 2026Episode Summary:In this powerful and entertaining episode of The Business of Dance, Menina Fortunato sits down with legendary casting director, choreographer, and creative producer Tony Gonzalez (Tony G). With credits spanning the Bring It On franchise, Olivia Rodrigo's “Good 4 U,” Britney Spears' Femme Fatale Tour, Wayne's World, The Birdcage, The Masked Singer, and Kids Bop, Tony shares the real story behind his decades-long career in Hollywood. From being told he was “too short” and “not the look,” to building an empire rooted in hustle and business savvy, Tony proves longevity comes from mindset—not just movement.Tony dives deep into the difference between being talented and being bookable, why dancers must understand they are a business first, and how listening (ears before movement) is the true audition superpower. He unpacks pivotal career moments—including being fired from the first Bring It On film only to choreograph the next six installments—and how advocating for dancers' pay shaped his reputation.From TikTok virality (“Unk” with 315K+ followers) to creative directing large-scale productions, Tony reminds dancers that opportunity is everywhere—not just in LA or New York. This episode is perfect for dancers who want longevity, leadership, and a competitive edge in auditions, choreography, and beyond.Shownotes:(0:00) –  Intro to Tony G(11:50) – Early roots: Soul Train to modern dance(14:11) – Meeting Paula Abdul & industry breakthrough(19:56) – Rejection from agents & pivot to choreography(24:27) – Wayne's World & Birdcage career milestones(28:32) – Fired from Bring It On, built the franchise(31:29) – Audition advice: ears first, then movement(36:53) – Creative director vs. choreographer explained(43:53) – TikTok fame: “Rooftop Tony” & 315K followers(1:09:16) – Final message: you are the businessBiography:With four decades of genre-shaping experience in entertainment, Tony Gonzalez—better known as Tony G—is a creative force in Hollywood. A casting director, acclaimed choreographer, creative director, and producer, his work spans dance, film, television, and music videos. Tony G has shaped movement and storytelling across more than 360 broadcast television commercials, iconic episodic and sitcom series including The Office, Community, Up All Night, and 3rd Rock from the Sun, as well as feature films such as Universal Pictures' Bring It On franchise.Known for capturing the essence of movement on screen, Tony G thrives in the moment—crafting, adjusting, and elevating choreography instantly on set. His passion for teaching while creating fuels collaboration and opportunity, resulting in bold staging, electric flow, and unforgettable visual storytelling. Whether on a film, television, commercial, or music video set, Tony G delivers precision, adaptability, and undeniable vibe.Connect on Social Media:Instagram -  https://www.instagram.com/tonygcast/Tik Tok - https://www.tiktok.com/@gfresh

After 75 takes and 3 hours of vocal gymnastics, the results are in. Kyle Sandilands might have thoughts, but the Duck is finally satisfied. A few weeks ago, John Stanley made a bold promise to the Duck: a live radio singalong. He didn’t realize it would take three grueling hours and seventy-five takes to get there—but a promise is a promise. The wait is officially over. Witness the musical masterpiece (or at least the first draft) right now! Listen to John Stanley live on air from 8pm Monday to Thursday and 7pm on Friday on 2GB Sydney and 4BC BrisbaneSee omnystudio.com/listener for privacy information.

Well, the day has finally arrived... After nearly four years of consistently praising Merauder's debut album, Master Killer (one of our favorite records ever) we're finally joined in person for a full length episode by vocalist Jorge Rosado.We discuss his early life in Brooklyn, the Sunset Skins, meeting the late great Javier "Sob" Carpio, being asked to eventually join Merauder (& recording Master Killer just a few months later), the complicated timeline of Five Deadly Venoms, his love for the Eddie Leeway versions of the songs, the rejection of not landing the Sepultura gig and much, much, MUCH more.A loaded episode that's been a long time coming. Thank you Jorge for joining us as we all celebrate 30 years of one of the best albums ever. Enjoy._______________Cool links:• Get 10% off GUILTY PARTY site-wide with code HARDLORE and grab some of our favorite clothing brands of all time• Get 10% off MILLS VINTAGE site-wide with code HARDLORE.• HardLore Official Website/HardLore Records STORE._______________00:00:00 - Start00:01:00 - Jorge Rosado00:04:55 - Brooklyn, Puerto Rico, Finding Music00:09:14 - Early Bands He Connected With00:12:16 - Meeting Javier "Sob" Carpio00:14:29 - CARNIVORE's Influence on Merauder00:15:55 - Jorge Rosado: The First Spinkicker?00:20:56 - Merauder Before Jorge, Attempts on His Life00:24:52 - "Sob Stories"00:29:08 - Merauder Demo With Minus, Full Contact00:33:29 - Joining Merauder00:35:50 - Jorge The Runner00:38:51 - Writing For Master Killer00:40:10 - Master Killer Demos, Contact with the Original Lineup00:43:37 - Pardon this Interruption...00:46:44 - Breaking Down Master Killer00:57:00 - Reaction To Master killer00:58:45 - Five Deadly Venoms01:05:46 - Merauder Tours01:08:39 - Auditioning For Sepultura01:20:12 - Bluetality01:23:57 - Reflecting On Five Deadly Venoms, Re-recording "Final War"01:24:57 - Thoughts on Merauder Merch Prices01:26:34 - Rag Men01:30:40 - God Is I (AKA Gangsta)01:36:56 - Jorge's Favorite Merauder Set, Relationship with Minus Now01:40:00 - HardLore Loves Merauder01:42:50 - Looking Back On Merauder01:46:08 - Top 4 Hardcore Records HardLore: A Knotfest Series, Fueled by Monster EnergyEdited by Steven Grise • Title sequence by Nicholas MarzlufJoin the HARDLORE PATREON to watch every single weekly episode early and ad-free, alongside exclusive monthly episodes.Join the HARDLORE DISCORD for community discussions and to participate in our future Q&A episodes.FOLLOW HARDLORE: INSTAGRAM, TWITTER, SPOTIFY, APPLEFOLLOW COLIN: INSTAGRAMFOLLOW BO: INSTAGRAM, TWITTER For sponsorship opportunities, email us! hardlore@knotfest.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Never Not Funny is off this week, but we'll be back to start Season 38 on February 25th. In the meantime, enjoy this episode of our sister show How To Survive with Danielle & Kristine, hosted by Danielle Koenig and Kristine Kimmel and produced by our own Garon Cockrell! In this episode, Danielle and Kristine learn how to survive traveling to space — zero gravity, cosmic rays, and all! Writer/Professional Dancer Dennis Hensley joins the fun to share his hilarious story about auditioning to be a backup dancer for Madonna.

Carl and Mike get back into Falcons talk as they share more thoughts on Kyle Pitts and whether or not the team should franchise tag him, which the guys agree the team should do so as it would allow the team to "truly audition" for a bigger a contract and give the team an opportunity to see if he will be a perfect fit for Kevin Stefanski's offense.

On this episode of Fox Across America, Jimmy Failla explains how New York Congresswoman Alexandira Ocasio-Cortez's first big audition for the 2028 presidential election did not reflect well on her knowledge about foreign policy. Superstar criminal defense attorney Donna Rotunno stops by to talk about her new Fox News true crime podcast, “Crime & Justice with Donna Rotunno”. PLUS, America First Policy Institute Chair of Education Opportunity Erika Donalds sheds light on how Secretary of State Marco Rubio's speech at the Munich Security Conference is an indication that Western values are making a comeback across the board. [00:00:00] AOC struggles her way through speech in Munich [00:39:45] Rep. McBride says trans rights are women's rights [00:50:53] Donna Rotunno [00:58:40] More climate change insanity from the left [01:17:03] Previous doomsday climate change predictions from liberals [01:35:20] Erika Donalds Learn more about your ad choices. Visit podcastchoices.com/adchoices

Audition is a 1999 Japanese horror film directed by Takashi Miike and written by Daisuke Tengan, who adapted it from Ryu Murakami's 1997 novel of the same name. It follows a middle-aged widower who enlists the help of his film producer friend to stage fake auditions in order to meet a new girlfriend, only to find that the young woman he chooses has a dark past. The film's score was composed by Koji Endo. If you have anything to add to the discussion, please don't hesitate to do so by reaching out to us on social media @TheFilmFlamers, or call our hotline and leave us a message at 972-666-7733!    Watch Audition: https://amzn.to/4rvyWck    Out this Month: Hot Take: Whistle Audition The Vanishing Patreon: TBD      Get in Touch:  Support us on Patreon: https://www.patreon.com/TheFilmFlamers  Visit our Store: https://the-film-flamers.printify.me/  Instagram: https://www.instagram.com/thefilmflamers  Facebook: https://www.facebook.com/TheFilmFlamers/ Letterboxd: https://letterboxd.com/thefilmflamers/  (NEW!) SCANS Movie Rating Calculator: https://scans.glide.page/  Our Website: https://www.filmflamers.com  Call our Hotline: 972-666-7733     Our Patrons:    Alex M Andrew Bower Ashlie Thornbury BattleBurrito Benjamin Gonzalez Bennett Hunter BreakfastChainsawMassacre Call me Lestat. Canadianmatt3 Christopher Nelson Dan Alvarez Dirty Birdy eliza mc Gia Gillian Murtagh GlazedDonut GWilliamNYC Irwan Iskak James Aumann Jessica E Joanne Ellison Josh Young Karl Haikara Kimberly McGuirk Kyle Kavanagh Laura O'Malley Lisa Libby Lisa Söderberg Livi Loch Hightower M Hussman Matthew McHenry MissBooMissQuick Nicole McDaniel Nikki Nimble Wembley Pablo the Rhino Penelope Nelson random dude Richard Best Robert Eppers Rosieredleader Ryan King SHADOW OF THE DEAD SWANN Sharon Sinesthero Snake Plissken William Skinner   Sweet dreams...      "Welcome to Horrorland" by Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ Includes music by Karl Casey @ White Bat Audio

This week on The Last Gay Conservative Podcast, we connect three seemingly unrelated stories that reveal the same dangerous pattern: performance replacing governance.• American politicians campaigning in Munich• A Senate candidate's radical past rebranded mid-campaign• Congress fumbling the Farm Bill• A federal judge redefining what counts as a constitutional burdenDifferent arenas. Same instinct: control optics, adjust definitions, avoid friction.When diplomacy becomes content, campaigns become cosplay, and courts start redefining thresholds, the guardrails don't collapse loudly — they move quietly.This episode breaks down:✔ Why international political theater carries real geopolitical risk✔ The danger of “wolf in sheep's clothing” candidates✔ What's really inside the new Farm Bill✔ How subtle judicial redefinitions shift power✔ Why performance culture erodes accountabilityThis isn't about outrage. It's about incentive structures.

In Episode 95, Brennan is joined by actor/ fellow audition monitor, Kevin Herrera, as they talk about audition season and all of the common questions/ situations they experience! The audition process can be very daunting and scary, but above all else, they want you to know that they are there to help!Support the showHost/ Production/ Editing: Brennan StefanikMusic: Dylan KaufmanGraphic Design: Jordan Vongsithi@batobroadway on Instagram, Threads, and TikTokPatreon.com/batobroadway

It's 'Revelations Week' and there's finally some good drama!! Audition tapes come back to haunt the participants, the rankings cause issues, and some couples are really on the rocks... This episode only covers Episode 7 because there was so much to unpack, so there'll be another ep all about Episode 8! LINKS Check out @itsalotpod on IG at https://bit.ly/itsalot-instagram Review the podcast on Apple Podcasts https://bit.ly/ial-review Follow LiSTNR Entertainment on IG @listnrentertainment Follow LiSTNR Entertainment on TikTok @listnrentertainment Get instructions on how to access transcripts on Apple podcasts https://bit.ly/3VQbKXY CREDITS Host: Abbie Chatfield @abbiechatfield Executive Producer and Editor: Amy Kimball @amy.kimballDigital and Social and Video Producer: Oscar Gordon @oscargordon Social and Video Producer: Justin Hill @jus_hillIt's A Lot Social Media Manager: Julia ToomeyManaging Producer: Sam Cavanagh Find more great podcasts like this at www.listnr.com/See omnystudio.com/listener for privacy information.

Love isn't soft this week — it's sharp. In Valentine's Week Horror History (Feb 9–15), we trace the anniversaries where romance curdles into obsession, suburbia turns sinister, and the holiday's heart-shaped sheen hides something mean underneath.Inside this episode (Quick Hits + Spotlight):Feb 11, 1981 — My Bloody Valentine: blue-collar slasher dread in a mining town where the tunnels feel alive and the “tradition” is murder. (U.S. this week: free via Kanopy / buy-rent on major VOD.) Feb 13, 2009 — Friday the 13th (reboot): Jason's modern-era brutality — fast, nasty, and built like a greatest-hits mixtape of the franchise's worst impulses. (U.S. this week: Netflix and Tubi, plus VOD.) Feb 14, 1991 — The Silence of the Lambs: prestige terror and psychological horror that changed the culture — and proved “thriller” can still be nightmare fuel. (U.S. this week: AMC+.) Feb 13, 2019 — Happy Death Day 2U: time-loop mayhem with real heart and a wicked sense of humor. (U.S. this week: HBO Max.) Deep-Cut Spotlight:Feb 12, 1975 — The Stepford Wives: no monster suit required — just a perfect town, perfect smiles, and a nightmare hiding behind domestic bliss. (U.S. this week: Tubi.) Birthday Roll (4): Emma Roberts (1991), Natalie Dormer (1982), Simon Pegg (1970), Claire Bloom (1931).Weekly Recommendation (Valentine's “bouquet” stack): Misery (1990) (MGM+), Audition (1999), The Fly (1986) (Tubi), plus modern Valentine carnage with Heart Eyes (2025) (Netflix) and Companion (2025) (HBO Max).  If you like your romance with slashers, psychological dread, body horror, and suburban nightmares, this week's timeline is a whole box of chocolates… and at least one of them bites back.

This week I'm joined by Caitlin Sloan of The Brainy Ballerina to talk about all things related to auditions. Caitlin shares her approach to helping dancers not just survive, but thrive during audition season. She answers questions such as:How far in advance you should be preparing for an auditionWhen to consider in-person vs a video auditionHow to approach an audition when dealing with or recovering from an injuryAbout Caitlin:Caitlin Sloan, founder & CEO of The Brainy Ballerina, is a Dance Educator and Career Mentor based in Madison, WI. She received her Bachelor of Arts in Dance from Grand Valley State University and Graduate Certificate in Nonprofit Management from the University of Missouri. Caitlin danced professionally for nearly a decade with companies including Ballet Tucson and Mareck Dance (formerly Missouri Contemporary Ballet). She has served as Director of The School of Missouri Contemporary Ballet and on faculty of Central Indiana Academy of Dance and the School of Madison Ballet. In 2019, Caitlin founded The Brainy Ballerina, a virtual resource providing support and guidance for aspiring ballet dancers. Through 1-1 career mentorship, workshops and digital resources, her mission is to help dancers gain the skills necessary to build a smart and sustainable career in the dance industry. Connect with Caitlin:The Brainy Ballerina WebsiteThe Brainy Ballerina on InstagramResources:The Ultimate Audition GuideLearn more about Erika Mayall:Follow me on Instagram: @dancephysioerikaLearn more about me on my website: https://www.allegroperformance.comSign up for my newsletter: Click hereSend me an email: hello@allegroperformance.comSupport the showSupport the show

Someone at the Grammy's listens to the Psyce, and as they should because we are what? Loud + Right!!!!!!Follow the cast everywhere @thepsycepodcast

Lynne Charles, Artistic Director of English National Ballet School, discusses the school's new Graduate Artist Programme (GAP), a postgraduate program that combines performing with English National Ballet and continued education. Unlike traditional programs where students serve as "free labor," GAP dancers perform with the company while continuing ballet, repertoire, strength training, and audition prep. Lynne shares how ENBS prepares students for professional life, from teaching them to research companies and understand the difference between repertory and choreographer companies, to building sustainable careers through community over competition. She also discusses creating the 4 Pointe method, a holistic approach to pointe work that's reduced injuries by 48% at BYU, and her stance against early competition culture and starting pointe before age 12. Lynne offers refreshingly direct advice on honest teaching, helping dancers showcase their strengths in auditions, and finding companies where they'll thrive. Plus: the school's robust health and wellbeing protocols, the "no phones in the studio" policy, why repertoire class builds community better than variations class, and why being in the corps de ballet is a rite of passage, not a punishment. KEY TOPICS: ENBS Graduate Artist Programme structure and opportunities Understanding different company cultures and contracts 4 Pointe method and injury prevention Audition strategies and company research Building community over competition Safeguarding and student wellbeing protocols LINKS: Read Our Ballet School Summer & Year-Round Reviews: Buy Corrections Journals Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk TikTok: @BalletHelpDesk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI            

In the Big Apple today to chat with the smart and savvy talent agent Albert Bramante of Bramante Artists - and he covers it all when it comes to the present AND future state of the voiceover industry! Not only is he a hypnotherapist, he also holds a Ph.D in Clinical Psychology (his dissertation - "Correlation between Self-Esteem, Self-Efficacy, Personality, Fear of Success, and Self-Defeating Behaviors of Performing Artists" from Walden University), so with all that understanding of how a performer's brain works - along with years of agency experience - Bramante shares with us the concept of how to "get out of your head" at your next voiceover or acting audition (yup, it's a thing!); how the first step to success is building good relationships, what it means to 'book the room'; the future of AI and voiceovers and so much more. Definitely get his book "Rise Above The Script: Confronting Self Doubt and Mastering Self Sabotage for Performing Artists". Bring along your expressive selves and join us! About the Spotlight Conversations podcast:Tune in as I invite friends inside my cozy linoleum free recording studio to talk about all things media - radio, television, music, film, voiceovers, audiobooks, publishing - if guests are in the spotlight, we're talkin'! Refreshingly unscripted and unusually entertaining, listen in as each guest gets real about their careers in the entertainment biz, from where they started to how it's going. Settle into my swanky studio where drinks are on ice and the conversation starters are music + media - always a deal breaker for the rock and roll homemaker! Listen to Donna every night starting at 9 on Houston Radio Platinum, along with a special program she hosts every Tuesday and Thursday night at 10 called 'Late Night Music Stories'. Love the conversations? Follow @donnareedvo @spotlightconversations @rockandrollhomemaker New episodes drop every Tuesday. Social media links, website and more hereFollow and subscribe to my podcast hereBooth Announcer: Joe Szymanski ('Joe The Voice Guy')Theme Song Composer: Mark Sparrow, SongBird Studios...

Chroniqueurs : Gauthier Le BretChristophe BordetOlivier BenkemounSabrina MedjebeurVous voulez réagir ? Appelez-le 01.80.20.39.21 (numéro non surtaxé) ou rendez-vous sur les réseaux sociaux d'Europe 1 pour livrer votre opinion et débattre sur grandes thématiques développées dans l'émission du jour.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Chroniqueurs : Gauthier Le BretChristophe BordetOlivier BenkemounSabrina MedjebeurVous voulez réagir ? Appelez-le 01.80.20.39.21 (numéro non surtaxé) ou rendez-vous sur les réseaux sociaux d'Europe 1 pour livrer votre opinion et débattre sur grandes thématiques développées dans l'émission du jour.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

By little we mean you Rich! TODAY on the SHOW Johnjay has an AUDITION! Also, is it okay in the big 26 to "self launch" relationships like picking a goldfish at the pet store? Also, new JJRism ALERT, "Quinn Wouldn't Do This" coming as MERCH SOON! You'll understand after you hear it. Then, Payton's friend who stood her up... did it AGAIN! All of this and SO MUCH MORE TODAY! See omnystudio.com/listener for privacy information.

In today's episode Robert Kirkwood chats to Katie Kitamura about her novel Audition, an exhilarating, destabilising novel that asks whether we ever really know the people we love.They chat about dimension shifts, narration and why the book was almost called Performance.Plus we find some new books in the RNIB Library.

Part-Time Justin is sharing the 3 best things he has found online this week. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textThank you for tuning in. Since we're all about service we ask that you support the show through our books , products and services visit www.donaldperattis.com click here Support the showThe Exoticprenuer has multiple layers that we can explore. Creating a series of books and audio coaching programs for us to understand our powers and achievements further. I consider the Exoticprenuer Path to Greatness Series. A five-part journey that covers the beginning the end and all the messiness in the middle. You can find out more on my site www.donaldperattis.com. Make your like subscribe and leave a comment on how you feel about the show. New Episodes Every Thursday at 9 pm EST. Follow me on Instagram and Tiktok.Thank you for your support. Stay Healthy Let's Get Wealthy Don P OUT

This is horrible!See omnystudio.com/listener for privacy information.

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It was a day like any other Sunday, and Roy sings a song with dale. I come to the garden Alone. Then they found a strange thing. A puppet is…

Cette semaine, je suis ravie de recevoir Guigui Pop, humoriste, podcasteur et... ancien batteur (vous comprendrez pourquoi) qui me raconte un moment charnière de sa vie : le jour où il a raté l'audition pour devenir le batteur d'Orelsan !Un rêve immense. Une opportunité unique. Et puis paf… l'échec.Dans cet épisode, Guigui Pop revient sur :les coulisses de cette audition hors normela remise en question qui suitet surtout, la leçon qu'il a tirée de ce momentParce que parfois, ne pas être choisi nous pousse à nous choisir nous-mêmes.

Download Welcome to LOTC episode 463 and it is a new year which means the crew is tackling a new decade. This year the decade of 2000 will be covered and we begin with the year 2000. A new millennium and new group of movies. We are joined by the Unknown Caller during the show and we want to thank him for bringing the heat. We hope you enjoy us breaking down our top 5 horror movies from 2000. We also want to congratulate Bill Van Veghel for his 7 years of Podcasting with LOTC. Bill was not able to make the live show but you still get to hear from him as he gives his list. Sit back and grab those favorite snacks and beverages as you journey with us through the Land Of The Creeps.HELP KEEP HORROR ALIVE!!TOP 5 LIST'SDAVE1. SHADOW OF THE VAMPIRE2. AUDITION3. GINGER SNAPS4. AMERICAN PSYCHO5. FINAL DESTINATIONUNKNOWN CALLER1. SUBCONSCIOUS CRUELTY2. CITIEN TOXIE : THE TOXIC AVENGER IV3. THE CELL4. BATTLE ROYALE5. FINAL DESTINATIONPEARL1. GINGER SNAPS2. FINAL DESTINATION3. WHAT LIES BENEATH4. DRACULA 20005. BLESS THE CHILD / BLAIR WITCH 2 : BOOK OF SHADOWSGREG1. GINGER SNAPS2. FREEZE ME3. SHADOW OF THE VAMPIRE4. FINAL DESTINATION5. FAUST : LOVE OF THE DAMNEDBILL1. BATTLE ROYALE2. AUDITION3. FINAL DESTINATION4. CHERRY FALLS5. THE PERFECT STORMLOTC Links :Land Of The Creeps InstagramGregaMortisFacebookTwitterLand Of The Creeps Group PageLand Of The Creeps Fan PageJay Of  The Dead's New Horror Movie PodcastYoutubeInstagramEmailLetterboxdDr. ShockDVD Infatuation TwitterDVD Infatuation WebsiteFacebookHorror Movie PodcastJay Of The Dead's New Horror Movies PodcastYouTube ChannelLetterboxdDVD Infatuation PodcastThe Illustrated Fan PodcastBill Van Veghel LinkFacebookLetterboxdMusic,Movies,Sports & Stuff PodcastFacebook Music Movies Sports & StuffTwisted Temptress LinkLetterboxdLOTC Hotline Number1-804-569-56821-804-569-LOTCLOTC Intro is provided by Andy Ussery, Below are links to his social mediaEmail:FacebookTwitterOutro music provided by Greg Whitaker Below is Greg's Twitter accountTwitterFacebook

ON TODAYS SHOW: Azura has discovered the latest galantines event, think striper tease and romance books. Charlie shares his top 3 songs that would feature on his posthumous album. Plus, special guests Johnny Suite and Matthew Fairbrother For more, follow our socials: Instagram Facebook TikTokSee omnystudio.com/listener for privacy information.

With Still Dead film festival not far away, local film makers are getting their stuff in order and casts assembled! And AJ is looking for his big break.

C. Thomas Howell is an actor, filmmaker, and musician best known for his iconic roles in The Outsiders, Red Dawn, and The Hitcher. In addition to his extensive film and television career, Howell is also a recording artist, with his album Damned Good Man available now. He stars in the feature film One Mile and its sequel One More Mile, hitting theaters in late February. Follow him on Insta: @cthomashowell and X: @C_Thomas_Howell for updates on new projects, music, and live appearances.FOR MORE WITH C. THOMAS HOWELL:SIGNING: With ET cast THIS WEEKEND at Los Angeles Marriott Burbank Hotel FILM: “One Mile” & sequel “One More Mile” in theaters late FebruaryALBUM: ‘Damned Good Man' AVAILABLE NOW NON-PROFIT: The Stay Gold FoundationFOR MORE WITH ELISHA KRAUSS: INSTAGRAM: @elishakraussWEBSITE: elishakrauss.com JOURNAL: https://www.washingtonexaminer.com/author/elisha-krauss/LIVE SHOWS: January 8 - Loveland, COJanuary 9 - Colorado Springs, COJanuary 10 - Colorado Springs, CO (2 shows)January 11 - Greenwood Village, COJanuary 16 - Grants Pass, ORJanuary 17 - Bend, ORThank you for supporting our sponsors:BetOnlineChime.com/ADAMHomes.comForThePeople.com/Adamoreillyauto.com/adampluto.tvSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Day six: Heart - Private Audition (1982) Learn more about your ad choices. Visit megaphone.fm/adchoices

The OTRNow Radio Program 2013-SP-007 New YearsThe Capture Of Lizzie Stone 1940s Audition with Ginger RogersGreat Gildersleeve 1944-12-31 Big New Year's Eve PartyCasey Crime Photographer 1948-01-01 Hot New Year's PartySilver Theater 1941-03-09 Murder Unlimited with Carole LombardSherlock Holmes 1947-12-28 New Years Eve Off Scilly IslesMysterious Traveler 1947-01-05 New Years Nightmare

Auditions take on a new clarity as John Corella shows how dancers can stay grounded, choose an outfit that supports their presence, rely on their 3 tricks, and move through the journey with steadier confidence.   John talks openly about the pressure dancers feel and the emotional weight parents carry. It raises important questions. What helps someone stay centered in a room full of nerves? How does a dancer build confidence when the result is out of their hands? He explains why courage grows in spaces where dancers can try, fail, and continue without shame. He also breaks down what teachers actually notice, from focus and kindness to an outfit that helps them remember you. His take on improv feels especially helpful. The 3 tricks approach gives dancers something reliable to lean on when the moment feels unpredictable.   Listeners will leave with a clearer sense of the audition journey and the mindset that helps a dancer stay steady through every high and low.   Episode Breakdown: 00:00 Introduction to Dance and Auditions 03:03 Navigating the Audition Process 05:52 Preparing for Auditions: Tips and Tricks 08:46 The Importance of Presentation and Focus 12:10 Understanding the Audition Environment 15:10 Improv and Showcasing Your Strengths 18:04 Coping with Rejection and Disappointment 20:57 Post-Audition Reflections and Growth 23:50 Final Thoughts and Encouragement Connect with John Corella: Follow Dance Dad with John Corella on Instagram Follow John on Instagram Join Dance Dad with John Corella on Patreon Visit John Corella's website Podcast production and show notes provided by HiveCast.fm

 DownloadWelcome to LOTC episode 459. This week is the decades finale episode. All year we have been looking year to year of the horror movies from the 1990's decade. During this show you will hear the crew with special guest Nicloe Trawick counting down their top 10 horror movies from the entire decade. This was lots of fun compiling our lists as well as hearing from each other. We are also going to hear from You the listener, what was your lists? Listen now and see what movies made the cut and which ones were left off. We also want to wish each and every one out in podcast world a Merry Christmas , Happy Holidays and Happy New Year. We will be back once again in 2026, bigger and better. Thank You so much for all your love and support through out the year. Grab those favorite snacks and beverages as you journey with us through the Land Of The Creeps.HELP KEEP HORROR ALIVE!!TOP 10 LIST'SDAVE1. 1996 SCREAM2. 1999 SLEEPY HOLLOW3. 1990 TREMORS4. 1992 CANDYMAN5. 1994 CEMETERY MAN6. 1997 FUNNY GAMES7. 1996 FROM DUSK TIL DAWN8. 1990 EXORCIST 39. 1995 SEVEN10. 1998 THE FACULTYNICOLE1. 1991 SILENCE OF THE LAMBS2. 1996 FROM DUSK TIL DAWN3. 1996  SCREAM4. 1994 IN THE MOUTH OF MADNESS5. 1996 BAD MOON6. 1990 STEPHEN KING'S IT7. 1998 HALLOWEEN H208. 1998 RINGU9. 1997 EVENT HORRIZON10. 1999 RAVENOUSBILL1. 1990 MISERY2. 1997 CUBE3. 1997 FUNNY GAMES4. 1996 SCREAM5. 1990 JACOBS LADDER6. 1993 NEEDFUL THINGS7. 1998 THE FACULTY8. 1992 DEAD ALIVE AKA BRAINDEAD9. 1996 THINNER10. 1993 THE VANISHINGPEARL1. 1996 BAD MOON2. 1999 STORM OF THE CENTURY / 1991 CAPE FEAR3. 1993 NEEDFUL THINGS4. 1990 TALES FROM THE DARKSIDE5. 1994 THE CROW6. 1994 WES CRAVENS' NEW NIGHTMARE7. 1996 THINNER8. 1997 THE DEVIL'S ADVOCATE9. 1998 STRANGELAND10. 1999 HOUSE ON HAUNTED HILL / 1999 SIXTH SENSEGREG1. 1999 AUDITION 2. 1998 HALLOWEEN H203. 1996 SCREAM4. 1994 WES CRAVENS' NEW NIGHTMARE5. 1993 BODY BAGS6. 1993 THE UNTOLD STORY7. 1994 CEMETERY MAN8. 1997 NIGHT FLIER9. 1999 RAVENOUS10. 1990 MISERYLOTC Links :Land Of The Creeps InstagramGregaMortisFacebookTwitterLand Of The Creeps Group PageLand Of The Creeps Fan PageJay Of  The Dead's New Horror Movie PodcastYoutubeInstagramEmailLetterboxdDr. ShockDVD Infatuation TwitterDVD Infatuation WebsiteFacebookHorror Movie PodcastJay Of The Dead's New Horror Movies PodcastYouTube ChannelLetterboxdDVD Infatuation PodcastThe Illustrated Fan PodcastBill Van Veghel LinkFacebookLetterboxdMusic,Movies,Sports & Stuff PodcastFacebook Music Movies Sports & StuffTwisted Temptress LinkLetterboxdLOTC Hotline Number1-804-569-56821-804-569-LOTCLOTC Intro is provided by Andy Ussery, Below are links to his social mediaEmail:FacebookTwitterOutro music provided by Greg Whitaker Below is Greg's Twitter accountTwitterFacebook

Caryn Richman joined me in The Locher Room for a heartfelt and wide-ranging conversation about a career that spans Broadway, daytime, primetime, film, and beyond.Caryn shared her early dream of performing on Broadway and the audition that changed her life, landing her in the original run of Grease as Sandy. We talked about what those early years taught her about discipline, storytelling, and finding her voice as a performer.Daytime fans will love hearing what her three-year run on NBC's Texas meant to her, both professionally and personally, and what it was like stepping into the role of Lauren Fenmore on The Young and the Restless. Caryn also reflected on the fun of playing the iconic Gidget in The New Gidget, joining television history as part of the Brady family in A Very Brady Christmas and The Bradys, and the joy she found working on Hollywood Safari.Along the way, Caryn opened up about nearly pursuing a career in psychiatric social work, the mentors who guided her, and how her love of animals shaped a lifelong dream of one day opening an animal shelter. She also talked about her more recent work in film and television, including The Potwins, and co-hosting the podcast Chatterbinge.It was an honest, nostalgic, and inspiring conversation about following your instincts, embracing change, and staying connected to what matters most.

If you've ever thought, “It probably won't matter anyway” — this episode is for you.In this episode of That Actor Couple, Jesse and Candace Malinowski break down a real, recent audition experience and the mindset shift that every actor needs: give yourself the shot to win.This conversation also covers:Deciding before you audition if a job is worth itWorking local and understanding worst-case scenariosWhy productions don't “owe” actors anythingHow following directions protects casting directorsLive auditions vs self-tapes and controlling what you canWhy stacking income and stability matters for actorsIf you want fewer regrets, fewer “what ifs,” and more confidence in your submissions — this is a must-watch.

This week on From the Front Porch, Annie and Hunter discuss their top 10 favorite books of 2025! Annie 1. A Guardian and a Thief by Megha Majumdar 2. The Correspondent by Virginia Evans 3. Flashlight by Susan Choi 4. Tilt by Emma Pattee 5. The Road to Tender Hearts by Annie Hartnett 6. Things in Nature Merely Grow by Yiyun Li 7. Memorial Days by Geradine Brooks 8. Buckeye by Patrick Ryan 9. Life, and Death, and Giants by Ron Rindo 10. Awake by Jen Hatmaker Hunter 1. Audition by Katie Kitamura 2. Flashlight by Susan Choi 3. Ordinary Time by Annie B. Jones 4. Lightbreakers by Aja Gabel 5. Minor Black Figures by Brandon Taylor 6. A Guardian and a Thief by  Megha Majumdar 7. Mothers and Sons by Adam Haslett 8. Middle Spoon by Alejandro Varela 9. The Road to Tender Hearts by Annie Hartnett 10. Alligator Tears by Edgar Gomez Annie - July picks 1. Tilt by Emma Pattee 2. Flashlight by Susan Choi 3. The Correspondent by Virginia Evans 4. Things in Nature Merely Grow by Yiyun Li 5. Show Don't Tell by Curtis Sittenfeld 6. Memorial Days by Geraldine Brooks 7. Everything Is Tuberculosis by John Green 8. The Road to Tender Hearts by Annie Hartnett 9. Lucky Night by Eliza Kennedy 10. Playworld by Adam Ross Hunter - July picks 1. Audition by Katie Kitamura 2. Ordinary Time by Annie B Jones 3. Mothers and Sons by Adam Haslett 4. Alligator Tears by Edgar Gomez 5. Among Friends by Hal Ebbott 6. The Wilderness by Angela Flourney 7. Open, Heaven by Sean Hewitt 8. The Road to Tender Hearts by Annie Hartnett 9. Perfection by Vincenzo Latronico 10. Exit Zero by Marie-Helene Bertino From the Front Porch is a weekly podcast production of The Bookshelf, an independent bookstore in South Georgia. You can follow The Bookshelf's daily happenings on Instagram, Tiktok, and Facebook, and all the books from today's episode can be purchased online through our store website, www.bookshelfthomasville.com.  A full transcript of today's episode can be found here. Special thanks to Dylan and his team at Studio D Podcast Production for sound and editing and for our theme music, which sets the perfect warm and friendly tone for our Thursday conversations.  This week, Annie is reading Grace and Henry's Holiday Movie Marathon. Hunter is reading Saturday Night at the Lakeside Supper Club. If you liked what you heard in today's episode, tell us by leaving a review on Apple Podcasts. You can also support us on Patreon, where you can access bonus content, monthly live Porch Visits with Annie, our monthly live Patreon Book Club with Bookshelf staffers, Conquer a Classic episodes with Hunter, and more. Just go to patreon.com/fromthefrontporch. We're so grateful for you, and we look forward to meeting back here next week. Our Executive Producers are...Beth, Stephanie Dean, Linda Lee Drozt, Ashley Ferrell, Wendi Jenkins, Martha, Nicole Marsee, Gene Queens, Cammy Tidwell, Jammie Treadwell, and Amanda Whigham.

Interview Date: September 14th, 2025Episode Summary:In this inspiring conversation, Carol Borjas Cantrell shares her remarkable evolution from a Venezuelan rhythmic gymnast to touring the world as a professional dancer and raising the next generation of talent, including her daughter Kylie Cantrell (Disney's Descendants: The Rise of Red).Carol walks listeners through her early ballet training, her scholarship to Tremaine in Los Angeles, and how she built a 30-year career dancing for icons such as Paul McCartney, Lou Bega, and Brian McKnight. She opens up about adapting to the U.S. industry, navigating agencies and visas, and the lessons that have shaped both her and her daughter's artistic paths.Throughout the episode, Carol offers practical insight on auditions, tour life, staying “camera-ready,” and balancing motherhood with a professional career. Her message to dancers is simple but powerful — prepare relentlessly, stay grounded, and do the brave thing, even when the path ahead feels uncertain.This episode is perfect for dancers, parents of young performers, and aspiring pros who want an inside look at what it takes to sustain longevity in the ever-changing dance world.Shownotes:(0:00) – Welcome & intro to Carol Borjas Cantrell's journey(3:44) – Tour credits with Paul McCartney, Brian McKnight & Lou Bega(10:51) – Early training in Venezuela & rhythmic gymnastics foundation(13:56) – Tremaine scholarship & moving to L.A. at 17(16:50) – Audition evolution: from in-person to self-tapes(21:37) – Visa journey & path to U.S. citizenship(29:32) – Tour highlights & behind-the-scenes moments(35:18) – Advice for Kylie on tour life & balance(47:42) – Teaching resilience & confidence to young performers(1:26:19) – Closing words: live your passion & stay camera-readyBiography:This Venezuelan born dancer/choreographer has over 20 years experience. She began with ballet and contemporary dance. Carol also trained in Rhythmic gymnastics for 12 years receiving numerous honors… including, five consecutive years, Venezuela's “Best Gymnast”. Once she moved to Los Angeles she began working in the industry with artists like, Paul McCartney, (World tour), Country icons Brookes and Dunn, Hip Hop legends: Will Smith, P Diddy, Snoop Dogg, LL Cool J. Brian Mc Night etc. 
She has appeared in movies like Austin Powers, Cinderella Story & more. She hosted an Entertainment Television show called “Hablemos De Cine” on Azteca America, interviewing both Spanish and American celebrities. She has done several national TV commercials including Dodge Durango with Will Ferrel, Gain Detergent, AT&T, Pepsi, Sprite and many more. In television she has danced on MTV Movie Awards, Guys Choice awards, Image Awards etc. She appeared on television series like Alias, American Idol to name a few. For the past seven years Carol is the choreographer of a Spanish TV network ( Estrella TV)  Choreographing, and appearing and some of the shows including the Spanish version of Dancing with the Stars, and Los Premios de la Radio a la musical regional Mexicana.Carol also had a special appearance, on the ABC series,"America's Got Talent.”Carol has appeared on several Warner Brothers productions for the famous series “Gilmore Girls” also Netflix shows “Fuller House”,  “Jane the Virgin” and Show Time series “Penny Dreadful” and she recently also appeared on the new prequel “Dexter”.Connect on Social Media:Instagram: https://www.instagram.com/caroljborjas?igsh=NTc4MTIwNjQ2YQ%3D%3D&utm_source=qr  

How can we use negative spaces in fiction to engage with readers' imaginations? How are memory and trauma passed onto us through language? How do we become more than the stories we tell ourselves?KATIE KITAMURA (Author, Audition, Intimacies) emphasizes that a book is created in collaboration with the reader, using negative spaces in the narrative structure to allow for reader interpretation, paralleling the space between audience and actor in performance.PAUL LYNCH (Booker Prize-winning Novelist, Prophet Song) discusses the richness and slipperiness of the English language in Ireland, shaped by the overlay of English onto Irish grammatical constructions, resulting in unique phrasing and a capacity to create new constructions.DANIEL PEARLE (Screenwriter, Playwright, The Beast in Me) shares that audiences are fascinated by the unfettered, uncensored ID in characters, reflecting the universal fantasy of acting without consequences. He advises writers to put people who deeply irritate them into a play, as those characters often become the audience's favorites.HALA ALYAN (Novelist, Poet, I'll Tell You When I'm Home: A Memoir) describes her work as an excavation of the darkest hours and intergenerational trauma carried by her lineage, which has endured repeated exile. She links exile from the body to the larger patterns of not having a place in the world.T.C. BOYLE(Novelist, Short Story Writer, Environmentalist) shares that the creative process involves a magic in reaching for the unconscious and the surprise of the creative process. He emphasizes that art and nature are our salvations, over money. He advocates for solitude in nature—alone on a beach or in the woods—to connect with the natural world.ADAM ALTER (Author of Anatomy of a Breakthrough) discusses the axioms of creativity, noting that being around more people, even those who are "deeply incompetent," is generally beneficial for creativity by providing diversity of opinion and information, preceding the necessary time for solitary focus.SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) explains his decision to write in the second person as a way of exploring the spiritual dimension of the internal voice. He posits that the "you" could be a spirit whispering thoughts, leading people (and nations) astray.DANIEL HANDLER A.K.A LEMONY SNICKET (Author, A Series of Unfortunate Events) argues that his books for children and adults are not fundamentally different and says everyone's childhood is full of powerful emotions derived from ordinary injustices, noting that we cry hardest over hurt feelings, not global catastrophes.ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) talks about her responsibility as a writer to honor her ancestors, specifically her grandfather, who had to sublimate his creative spirit for safety and belonging, leading her to prioritize grace and freedom in her own writing.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

How can we use negative spaces in fiction to engage with readers' imaginations? How are memory and trauma passed onto us through language? How do we become more than the stories we tell ourselves?KATIE KITAMURA (Author, Audition, Intimacies) emphasizes that a book is created in collaboration with the reader, using negative spaces in the narrative structure to allow for reader interpretation, paralleling the space between audience and actor in performance.PAUL LYNCH (Booker Prize-winning Novelist, Prophet Song) discusses the richness and slipperiness of the English language in Ireland, shaped by the overlay of English onto Irish grammatical constructions, resulting in unique phrasing and a capacity to create new constructions.DANIEL PEARLE (Screenwriter, Playwright, The Beast in Me) shares that audiences are fascinated by the unfettered, uncensored ID in characters, reflecting the universal fantasy of acting without consequences. He advises writers to put people who deeply irritate them into a play, as those characters often become the audience's favorites.HALA ALYAN (Novelist, Poet, I'll Tell You When I'm Home: A Memoir) describes her work as an excavation of the darkest hours and intergenerational trauma carried by her lineage, which has endured repeated exile. She links exile from the body to the larger patterns of not having a place in the world.T.C. BOYLE(Novelist, Short Story Writer, Environmentalist) shares that the creative process involves a magic in reaching for the unconscious and the surprise of the creative process. He emphasizes that art and nature are our salvations, over money. He advocates for solitude in nature—alone on a beach or in the woods—to connect with the natural world.ADAM ALTER (Author of Anatomy of a Breakthrough) discusses the axioms of creativity, noting that being around more people, even those who are "deeply incompetent," is generally beneficial for creativity by providing diversity of opinion and information, preceding the necessary time for solitary focus.SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) explains his decision to write in the second person as a way of exploring the spiritual dimension of the internal voice. He posits that the "you" could be a spirit whispering thoughts, leading people (and nations) astray.DANIEL HANDLER A.K.A LEMONY SNICKET (Author, A Series of Unfortunate Events) argues that his books for children and adults are not fundamentally different and says everyone's childhood is full of powerful emotions derived from ordinary injustices, noting that we cry hardest over hurt feelings, not global catastrophes.ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) talks about her responsibility as a writer to honor her ancestors, specifically her grandfather, who had to sublimate his creative spirit for safety and belonging, leading her to prioritize grace and freedom in her own writing.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

How can we use negative spaces in fiction to engage with readers' imaginations? How are memory and trauma passed onto us through language? How do we become more than the stories we tell ourselves?KATIE KITAMURA (Author, Audition, Intimacies) emphasizes that a book is created in collaboration with the reader, using negative spaces in the narrative structure to allow for reader interpretation, paralleling the space between audience and actor in performance.PAUL LYNCH (Booker Prize-winning Novelist, Prophet Song) discusses the richness and slipperiness of the English language in Ireland, shaped by the overlay of English onto Irish grammatical constructions, resulting in unique phrasing and a capacity to create new constructions.DANIEL PEARLE (Screenwriter, Playwright, The Beast in Me) shares that audiences are fascinated by the unfettered, uncensored ID in characters, reflecting the universal fantasy of acting without consequences. He advises writers to put people who deeply irritate them into a play, as those characters often become the audience's favorites.HALA ALYAN (Novelist, Poet, I'll Tell You When I'm Home: A Memoir) describes her work as an excavation of the darkest hours and intergenerational trauma carried by her lineage, which has endured repeated exile. She links exile from the body to the larger patterns of not having a place in the world.T.C. BOYLE(Novelist, Short Story Writer, Environmentalist) shares that the creative process involves a magic in reaching for the unconscious and the surprise of the creative process. He emphasizes that art and nature are our salvations, over money. He advocates for solitude in nature—alone on a beach or in the woods—to connect with the natural world.ADAM ALTER (Author of Anatomy of a Breakthrough) discusses the axioms of creativity, noting that being around more people, even those who are "deeply incompetent," is generally beneficial for creativity by providing diversity of opinion and information, preceding the necessary time for solitary focus.SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) explains his decision to write in the second person as a way of exploring the spiritual dimension of the internal voice. He posits that the "you" could be a spirit whispering thoughts, leading people (and nations) astray.DANIEL HANDLER A.K.A LEMONY SNICKET (Author, A Series of Unfortunate Events) argues that his books for children and adults are not fundamentally different and says everyone's childhood is full of powerful emotions derived from ordinary injustices, noting that we cry hardest over hurt feelings, not global catastrophes.ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) talks about her responsibility as a writer to honor her ancestors, specifically her grandfather, who had to sublimate his creative spirit for safety and belonging, leading her to prioritize grace and freedom in her own writing.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

How can we use negative spaces in fiction to engage with readers' imaginations? How are memory and trauma passed onto us through language? How do we become more than the stories we tell ourselves?KATIE KITAMURA (Author, Audition, Intimacies) emphasizes that a book is created in collaboration with the reader, using negative spaces in the narrative structure to allow for reader interpretation, paralleling the space between audience and actor in performance.PAUL LYNCH (Booker Prize-winning Novelist, Prophet Song) discusses the richness and slipperiness of the English language in Ireland, shaped by the overlay of English onto Irish grammatical constructions, resulting in unique phrasing and a capacity to create new constructions.DANIEL PEARLE (Screenwriter, Playwright, The Beast in Me) shares that audiences are fascinated by the unfettered, uncensored ID in characters, reflecting the universal fantasy of acting without consequences. He advises writers to put people who deeply irritate them into a play, as those characters often become the audience's favorites.HALA ALYAN (Novelist, Poet, I'll Tell You When I'm Home: A Memoir) describes her work as an excavation of the darkest hours and intergenerational trauma carried by her lineage, which has endured repeated exile. She links exile from the body to the larger patterns of not having a place in the world.T.C. BOYLE(Novelist, Short Story Writer, Environmentalist) shares that the creative process involves a magic in reaching for the unconscious and the surprise of the creative process. He emphasizes that art and nature are our salvations, over money. He advocates for solitude in nature—alone on a beach or in the woods—to connect with the natural world.ADAM ALTER (Author of Anatomy of a Breakthrough) discusses the axioms of creativity, noting that being around more people, even those who are "deeply incompetent," is generally beneficial for creativity by providing diversity of opinion and information, preceding the necessary time for solitary focus.SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) explains his decision to write in the second person as a way of exploring the spiritual dimension of the internal voice. He posits that the "you" could be a spirit whispering thoughts, leading people (and nations) astray.DANIEL HANDLER A.K.A LEMONY SNICKET (Author, A Series of Unfortunate Events) argues that his books for children and adults are not fundamentally different and says everyone's childhood is full of powerful emotions derived from ordinary injustices, noting that we cry hardest over hurt feelings, not global catastrophes.ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) talks about her responsibility as a writer to honor her ancestors, specifically her grandfather, who had to sublimate his creative spirit for safety and belonging, leading her to prioritize grace and freedom in her own writing.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

How can we use negative spaces in fiction to engage with readers' imaginations? How are memory and trauma passed onto us through language? How do we become more than the stories we tell ourselves?KATIE KITAMURA (Author, Audition, Intimacies) emphasizes that a book is created in collaboration with the reader, using negative spaces in the narrative structure to allow for reader interpretation, paralleling the space between audience and actor in performance.PAUL LYNCH (Booker Prize-winning Novelist, Prophet Song) discusses the richness and slipperiness of the English language in Ireland, shaped by the overlay of English onto Irish grammatical constructions, resulting in unique phrasing and a capacity to create new constructions.DANIEL PEARLE (Screenwriter, Playwright, The Beast in Me) shares that audiences are fascinated by the unfettered, uncensored ID in characters, reflecting the universal fantasy of acting without consequences. He advises writers to put people who deeply irritate them into a play, as those characters often become the audience's favorites.HALA ALYAN (Novelist, Poet, I'll Tell You When I'm Home: A Memoir) describes her work as an excavation of the darkest hours and intergenerational trauma carried by her lineage, which has endured repeated exile. She links exile from the body to the larger patterns of not having a place in the world.T.C. BOYLE(Novelist, Short Story Writer, Environmentalist) shares that the creative process involves a magic in reaching for the unconscious and the surprise of the creative process. He emphasizes that art and nature are our salvations, over money. He advocates for solitude in nature—alone on a beach or in the woods—to connect with the natural world.ADAM ALTER (Author of Anatomy of a Breakthrough) discusses the axioms of creativity, noting that being around more people, even those who are "deeply incompetent," is generally beneficial for creativity by providing diversity of opinion and information, preceding the necessary time for solitary focus.SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) explains his decision to write in the second person as a way of exploring the spiritual dimension of the internal voice. He posits that the "you" could be a spirit whispering thoughts, leading people (and nations) astray.DANIEL HANDLER A.K.A LEMONY SNICKET (Author, A Series of Unfortunate Events) argues that his books for children and adults are not fundamentally different and says everyone's childhood is full of powerful emotions derived from ordinary injustices, noting that we cry hardest over hurt feelings, not global catastrophes.ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) talks about her responsibility as a writer to honor her ancestors, specifically her grandfather, who had to sublimate his creative spirit for safety and belonging, leading her to prioritize grace and freedom in her own writing.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

You ever notice that actors can make anything stressful? Audition? Stressful. Callback? Stressful. Self-tape? Stressful. Meeting someone who might know someone in the industry? Oh, that's a full-blown cardio event. Actors are the only people who can turn reading two pages of dialogue in their own living room into a scene from “Mission Impossible.” Meanwhile, your acting career just left you a voicemail: “Hi… yeah, it's me… could you just… relax?” Let's talk about it. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 213, Sarah and Chrissie (@ChrissieWhitley) wrap up the year with the Best Books of 2025 Genre Awards. They reveal their Overall Best Books (Fiction and Nonfiction) and a full breakdown by genre, including: Best Literary Fiction, Best Romance, Best Brain Candy, Best Genre Mash-Up, and more! Plus, they share the winners for these same genres as chosen by the Sarah's Bookshelves Live Member Community. This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. Announcements The 2026 Reading Tracker is out! This year brings upgraded features across the board — including NEW average star rating and 5-star book tracking for every stat on the Dashboard — plus an updated Lite Tracker for those who prefer a streamlined version. Both Trackers are ONLY available to paid Patreon or Substack subscribers ($7/month) and is no longer sold separately. To avoid Apple's 30% fee, be sure to join directly from the Patreon website (mobile or desktop). Join our Patreon Community (here) OR become a Substack Paid Member (here)! Highlights Podcast reflections from 2025 — including top episodes based on download stats. A brief overview of Sarah's and Chrissie's 2025 year in reading. Their favorite books of the year: overall and by genre, including the SBL Member Community's picks. 2025 Genre Awards [12:39] Sarah The River Is Waiting by Wally Lamb (2025) | Amazon | Bookshop.org  [12:45]  The Favorites by Layne Fargo (2025) | Amazon | Bookshop.org  [16:32]  The Death of Us by Abigail Dean (2025) | Amazon | Bookshop.org  [20:13]  One Good Thing by Georgia Hunter (2025) | Amazon | Bookshop.org   [23:48]  The Compound by Aisling Rawle (2025) | Amazon | Bookshop.org  [28:47]  August Lane by Regina Black (2025) | Amazon | Bookshop.org  [36:03]  The Road to Tender Hearts by Annie Hartnett (2025) | Amazon | Bookshop.org  [41:54]  Family of Spies by Christine Kuehn (2025) | Amazon | Bookshop.org  [45:36] This American Woman by Zarna Garg (2025) | Amazon | Bookshop.org  [50:00] Broken Country by Clare Leslie Hall (2025) | Amazon | Bookshop.org  [52:59] The Bright Years by Sarah Damoff (2025) | Amazon | Bookshop.org  [54:44]  Finding Grace by Loretta Rothschild (2025) | Amazon | Bookshop.org  [56:29] Next of Kin by Gabrielle Hamilton (2025) | Amazon | Bookshop.org   [1:00:10]  The Elements by John Boyne (2025) | Amazon | Bookshop.org  [1:03:10] Chrissie Fox by Joyce Carol Oates (2025) | Amazon | Bookshop.org  [13:42]  Joy Moody Is Out of Time by Kerryn Mayne (2025) | Amazon | Bookshop.org [17:36]  Marble Hall Murders (Susan Ryeland, 3) by Anthony Horowitz (2025) | Amazon| Bookshop.org  [21:39]  The Pretender by Jo Harkin (2025) | Amazon | Bookshop.org  [25:51]  What We Can Know by Ian McEwan (2025) | Amazon | Bookshop.org  [30:28]  To Clutch a Razor (Curse Bearer, 2) by Veronica Roth (2025) | Amazon | Bookshop.org  [32:39]  The Love Haters by Katherine Center (2025) | Amazon | Bookshop.org  [37:03]  These Heathens by Mia McKenzie (2025) | Amazon | Bookshop.org  [43:31]  The Zorg by Siddarth Kara (2025) | Amazon | Bookshop.org  [47:11]  Misbehaving at the Crossroads by Honorée Fanonne Jeffers (2025) | Amazon | Bookshop.org  [51:09] A Sea of Unspoken Things by Adrienne Young (2025) | Amazon | Bookshop.org [53:38]  Awake in the Floating City by Susanna Kwan (2025) | Amazon | Bookshop.org[55:11] Heartwood by Amity Gaige (2025) | Amazon | Bookshop.org  [57:16]  Future Boy by Michael J. Fox (2025) | Amazon | Bookshop.org  [1:01:23]  Reports of His Death Have Been Greatly Exaggerated by James Goodhand (2025) | Amazon | Bookshop.org  [1:06:07]  SBL Member Community The Correspondent by Virginia Evans (2025) | Amazon | Bookshop.org [15:43] The Road to Tender Hearts by Annie Hartnett (2025) | Amazon | Bookshop.org  [19:02] Heartwood by Amity Gaige (2025) | Amazon | Bookshop.org  [22:52]  Broken Country by Clare Leslie Hall (2025) | Amazon | Bookshop.org [27:21] The Compound by Aisling Rawle (2025) | Amazon | Bookshop.org [31:28]  The River Has Roots by Amal El-Mohtar (2025) | Amazon | Bookshop.org [35:23]  One Golden Summer by Carley Fortune (2025) | Amazon | Bookshop.org [38:39] Witchcraft for Wayward Girls by Grady Hendrix (2025) | Amazon | Bookshop.org  [40:57] Big Dumb Eyes by Nate Bargatze (2025) | Amazon | Bookshop.org  [45:15] Hot Air by Marcy Dermansky (2025) | Amazon | Bookshop.org  [45:17] Jane and Dan at the End of the World by Colleen Oakley (2025) | Amazon | Bookshop.org  [45:19] The Road to Tender Hearts by Annie Hartnett (2025) | Amazon | Bookshop.org  [45:22] Run for the Hills by Kevin Wilson (2025) | Amazon | Bookshop.org  [45:24] So Far Gone by Jess Walter (2025) | Amazon | Bookshop.org  [45:27] This American Woman by Zarna Garg (2025) | Amazon | Bookshop.org [45:28] Everything is Tuberculosis by John Green (2025) | Amazon | Bookshop.org [48:20] Ordinary Time by Annie Jones (2025) | Amazon | Bookshop.org  [52:32] Wild Dark Shore by Charlotte McConaghy (2025) | Amazon | Bookshop.org [54:31]  Among Friends by Hal Ebbott (2025) | Amazon | Bookshop.org  [59:25] Awake by Jen Hatmaker (2025) | Amazon | Bookshop.org  [1:02:33] Other Books Mentioned Leaving by Roxana Robinson (2024) [13:51]  Heart the Lover by Lily King (2025) [15:35]  Wild Dark Shore by Charlotte McConaghy (2025) [15:58]  Audition by Katie Kitamura (2025) [16:09]  The Names by Florence Knapp (2025) [16:11] Dream State by Eric Puchner (2025) [16:13] Lenny Marks Gets Away with Murder by Kerryn Mayne (2023) [17:45]  Great Big Beautiful Life by Emily Henry (2025) [18:46]  Say You'll Remember Me by Abby Jimenez (2025) [18:56]  The Academy by Elin Hilderbrand and Shelby Cunningham (2025) [19:18] Abigail and Alexa Save the Wedding by Lian Dolan (2025) [19:23] Bright Young Women by Jessica Knoll (2023) [21:28]  The Ghostwriter by Julie Clark (2025) [23:03] The Impossible Fortune by Richard Osman (2025) [23:07]   Dead Money by Jakob Kerr (2025) [23:13] The Boomerang by Robert Bailey (2025) [23:15]   We Were the Lucky Ones by Georgia Hunter (2017) [24:09]  Tell Me an Ending by Jo Harkin (2022) [26:03] What Kind of Paradise by Janelle Brown (2025) [26:55] Atmosphere by Taylor Jenkins Reid (2025) [27:06]   The Stolen Queen by Fiona Davis (2025) [27:12] Isola by Allegra Goodman (2025) [28:13]  Merge by Grace Walker (2025) [31:35] The Memory Collectors by Dete Meserve (2025) [31:43]  Sunrise on the Reaping by Susanna Collins (2025) [31:48] Death of the Author by Nnedi Okorafor (2025) [31:01] The Strange Case of Jane O. by Karen Thompson Walker (2025) [32:05] When Among Crows by Veronica Roth (2024) [33:05]  Katabasis by R. F. Kuang (2025) [34:23] Babel by R. F. Kuang (2022) [34:36] Yellowface by R. F. Kuang (2023) [34:37] A Drop of Corruption by Robert Jackson Bennett (2025) [34:49] The Tainted Cup by Robert Jackson Bennett (2024) [34:54] Onyx Storm by Rebecca Yarros (2025) [34:58] The Everlasting by Alix E. Harrow (2025) [35:05] Bury Our Bones in the Midnight Soil by V. E. Schwab (2025) [35:31] The Art of Scandal by Regina Black (2023) [36:49] The Favorites by Layne Fargo (2025) [38:54]  The Buffalo Hunter Hunter by Stephen Graham Jones (2025) [40:30] Hungerstone by Kat Dunn (2025) [40:37] We Love You, Bunny by Mona Awad (2025) [40:42] The Staircase in the Woods by Chuck Wendig (2025) [41:19] Bat Eater and Other Names for Cora Zeng by Kylie Lee Baker (2025) [41:30] When the Moon Hits Your Eye by John Scalzi (2025) [44:56] The Wager by David Grann (2023) [47:34]  Replaceable You by Mary Roach (2025) [49:04] The Gales of November by John U. Bacon (2025) [49:11] Careless People by Sarah Wynn-Williams (2025) [51:58] All the Way to the River by Elizabeth Gilbert (2025) [52:08] Awake by Jen Hatmaker (2025) [52:24] Nobody's Girl by Virginia Roberts Giuffre (2025) [52:28] One Day, Everyone Will Always Have Been Against This by Omar El Akkad (2025) [52:49] The God of the Woods by Liz Moore (2024) [53:22] Broken Country by Clare Leslie Hall (2025) [54:21] Life, and Death, and Giants by Ron Rindo (2025) [54:27] Woodworking by Emily St. James (2025) [56:16] Buckeye by Patrick Ryan (2025) [58:57] The Elements by John Boyne (2025) [59:15]   Deep Cuts by Holly Brickley (2025) [59:49] My Friends by Fredrik Backman (2025) [59:51] The Heart's Invisible Furies by John Boyne (2017) [1:05:51] James by Percival Everett (2024) [1:08:07]  Top Podcast Episodes Ep. 199: Best Books of 2025 (So Far) with Catherine (@GilmoreGuide) and Susie (@NovelVisits) Ep. 184: Best Books of 2024 Genre Awards with Susie (@NovelVisits) Ep. 185: Winter 2025 Book Preview with Catherine (@GilmoreGuide) Ep. 205: Fall 2025 Book Preview with Catherine (@GilmoreGuide) Ep. 192: Spring 2025 Book Preview with Catherine (@GilmoreGuide) Ep. 198: Best of Thrillers with Anderson McKean of Page & Palette (@PagePalette) Ep. 188: Best of Fantasy with Chrissie (@ChrissieWhitley) Ep. 193: Clare Leslie Hall (author of Broken Country) Ep. 187: State of the Industry in 2024 with Kathleen Schmidt (@KathMSchmidt), author of the Publishing Confidential Substack Ep. 208: Best of Narrative Nonfiction with Elizabeth Barnhill of Fabled Bookshop (@FabledBookshop)

On this episode of the Orange and Brown Talk podcast, Mary Kay Cabot, Ashley Bastock and Dan Labbe set up Bears week. With the Browns eliminated from the playoffs, the focus shifts to the future, and that means all eyes are on quarterback Shedeur Sanders. They discuss his four-game audition for the starting job, breaking down his impressive performance against the Titans, the explosiveness he brings to the offense and the critical need for game management and avoiding costly mistakes. They also get into how Sanders will fare against the Bears' turnover-happy defense and how the Browns' own run defense will handle Chicago's top-tier rushing attack after a poor showing against Tennessee. Lance Reisland joins the show to break down the film from the loss to the Titans. Lance offers his perspective on Sanders' growth, toughness and improved processing. He also provides a detailed schematic breakdown of exactly why the run defense struggled. The show wraps up with a “Start-Bench-Cut” segment, debating everything from Hall-of-Fame quarterbacks to Christmas cookies. Follow us: On X: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://x.com/orangebrowntalk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YouTube: h⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ttps://www.youtube.com/@ClevelandBrownsonclevelandcom⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/orangeandbrowntalk/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Music credits: Ice Flow by Kevin MacLeod Link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://incompetech.filmmusic.io/song/3898-ice-flow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ License: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://filmmusic.io/standard-license⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In Ep. 212, Sarah and Catherine of Gilmore Guide to Books start wrapping up 2025 with the first of the two year-end episodes: Best Books of 2025 Superlatives. In this episode, they share their picks for over 25 superlative categories, including Weirdest 5-Star Read of 2025, The Book That Made Us Furious, Most Underrated Gem, Too Dark Even for Me, and so much more! This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. Highlights Our best books of the year from over 25 categories, including: My First 5-Star 2025 Release of the Year Weirdest 5-Star Read of 2025 The Book That Made Us Furious Most Underrated Gem Most Perplexing Book Best Book to Be Made into a Reality Series Too Dark Even for Me Most Crushingly Depressing Book I Loved Best Horror Book in the Victorian-Feminist-Gory Category The Crime Novel That Hit Me Hardest Emotionally 2025 Superlatives [7:32] Sarah Penitence by Kristin Koval (2025) | Amazon | Bookshop.org [7:58] What Kind of Paradise by Janelle Brown (2025) | Amazon | Bookshop.org[12:38] Culpability by Bruce Holsinger (2025)| Amazon | Bookshop.org [13:22]  Maggie; a Man and a Woman Walk Into a Bar by Katie Yee (2025) | Amazon | Bookshop.org [17:43]  The Slip by Lucas Schaefer (2025) | Amazon | Bookshop.org [19:25]  Audition by Katie Kitamura (2025) | Amazon | Bookshop.org  [24:22]  The Dinner Party by Viola Van de Sandt (2025)  | Amazon | Bookshop.org[29:25]  Fox by Joyce Carol Oates (2025) | Amazon | Bookshop.org [33:35] When the Cranes Fly South by Lisa Ridzén (US release 2025) | Amazon | Bookshop.org [36:37]  Dominion by Addie E. Citchens (2025) | Amazon | Bookshop.org [41:30] What Happened to the McCrays? by Tracey Lange (2025) | Amazon | Bookshop.org [44:53] Dream State by Eric Puchner (2025) | Amazon | Bookshop.org [47:52] Heart the Lover by Lily King (2025) | Amazon | Bookshop.org [51:06] The Boomerang by Robert Bailey (2025) | Amazon | Bookshop.org [54:38] Awake by Jen Hatmaker (2025) | Amazon | Bookshop.org [57:07] Catherine What Kind of Paradise by Janelle Brown (2025) | Amazon | Bookshop.org[9:58] The Staircase in the Woods by Chuck Wendig (2025) | Amazon | Bookshop.org[14:37] The Compound by Aisling Rawle (2025) | Amazon | Bookshop.org [21:31] Murderland by Caroline Fraser (2025) | Amazon | Bookshop.org [26:53] Heart, Be At Peace by Donal Ryan (2025) | Amazon | Bookshop.org [31:07] The Names by Florence Knapp (2025) | Amazon | Bookshop.org [35:13] Wild Dark Shore by Charlotte McConaghy (2025) | Amazon | Bookshop.org[38:31] The Correspondent by Virginia Evans (2025) | Amazon | Bookshop.org [43:12] Sweet Fury by Sash Bischoff (2025) | Amazon | Bookshop.org [45:45] Muse of Nightmares (Strange the Dreamer, 2) by Laini Taylor (2018) | Amazon | Bookshop.org [49:40] Let's Call Her Barbie by Renée Rosen (2025) | Amazon | Bookshop.org [52:39] Victorian Psycho by Virginia Feito (2025) | Amazon | Bookshop.org [55:31] The Death of Us by Abigail Dean (2025) | Amazon | Bookshop.org [1:00:18] Other Books Mentioned Defending Jacob by William Landay (2012) [8:59]  All That Is Mine I Carry With Me by William Landay (2023) [9:00] Pretty Things by Janelle Brown (2020) [10:40]  I'm Thinking of Ending Things by Iain Reid (2016) [30:25]  The Spinning Heart by Donal Ryan (2012) [33:08] Buckeye by Patrick Ryan (2025) [45:20]  The Connellys of County Down by Tracey Lange (2023) [45:39]  Tender Is the Night by F. Scott Fitzgerald (1934) [46:13] The Paper Palace by Miranda Cowley Heller (2021) [48:34] Shotgun Lovesongs by Nickolas Butler (2013) [48:35]   Writers and Lovers by Lily King (2020) [51:32]