Podcasts about Audition

John gets laid off from his job and Blanche invites her nephew to live with them.  Audition show from December 13, 1948.Become a supporter of this podcast: https://www.spreaker.com/podcast/classic-comedy-of-old-time-radio--5818299/support.Please email questions and comments to host@classiccomedyotr.com.Like us on Facebook at facebook.com/classiccomedyotr. Please share this podcast with your friends and family.You can also subscribe to our podcast on Spreaker.com, Spotify, iTunes, Stitcher, TuneIn, iHeartRadio, and Google podcasts.This show is supported by Spreaker Prime.Become a supporter of this podcast: https://www.spreaker.com/podcast/classic-comedy-of-old-time-radio--5818299/support.

With an opening in the market, Brian does his best to land the role of Optimus Prime. Chicago’s best morning radio show now has a podcast! Don’t forget to rate, review, and subscribe wherever you listen to podcasts and remember that the conversation always lives on the Q101 Facebook page. Brian & Kenzie are live every morning from 6a-10a on Q101. Subscribe to our channel HERE: https://www.youtube.com/@Q101 Like Q101 on Facebook HERE: https://www.facebook.com/q101chicago Follow Q101 on Twitter HERE: https://twitter.com/Q101Chicago Follow Q101 on Instagram HERE: https://www.instagram.com/q101chicago/?hl=en Follow Q101 on TikTok HERE: https://www.tiktok.com/@q101chicago?lang=enSee omnystudio.com/listener for privacy information.

A student of mine forwarded me an email she got from a voiceover guru. One of those here is the truth nobody tells you posts. And after reading it, she asked me, very sincerely, if she was a terrible voice actor. I cannot tell you the range of emotions I felt. From heartbreak to anger. Because she is not. She has been working at this for five years. She is talented. She has done a lot of things right. And one post made her question all of it. That is the damage incomplete information does. And today I want to talk about why. What the Post Said The post was about booking ratios. It said working voiceover actors book roughly one out of every 50 auditions. Beginners are closer to one in 400. The framing was motivational. Stay the course. You are on schedule. If you quit at audition 40 you quit ten auditions before the math even gets interesting. And look, the numbers are not made up. Booking ratios are real. Tracking your auditions matters. Those things are true. But the post also mentioned a student who booked on her third audition and cleared six figures in her first year. Told as inspiration. Told as proof that the teachings work. That is not inspiration. That is the lottery winner telling you how easy it is to win the lottery. What the Post Left Out Booking ratio stats without context are not a roadmap. They are a feeling. Here is everything they left out. What verticals was this person auditioning for? A commercial audition pool is very different from an audiobook pool, which is very different from a AAA video game pool. The ratios are not the same across verticals. What does your demo sound like? Is it competitive in the market you are submitting to? If it is not, your ratio is going to look very different from someone whose demo is dialed in. Who is actually hearing your auditions? Are you submitting to pay-to-plays, to cold outreach, to casting directly, through agents? These are not the same situation. What does your marketing look like? Are the right people even finding you? Audition volume is one variable. It is not the whole picture. Telling someone who has been at this for five years to just keep submitting without asking any of those questions is not coaching. That is a content strategy to scoop students. The Questions You Should Actually Be Asking If you are feeling stuck, the question is not have I auditioned enough. The question is where is my pipeline actually breaking down. Because that is a solvable problem. Maybe your demo is not representing the work you can actually do right now. Maybe your website is invisible to search engines. Maybe you are submitting to the right platforms but with no direct marketing strategy on top of it. Maybe you are in the wrong niche entirely. Those are all fixable. But you cannot fix them by counting auditions. The Bottom Line If you have been at this for years and you feel stuck, do not let booking ratio stats be the thing that makes you quit or the thing that makes you stay. You need real data. You need to look at your actual pipeline and find where it is breaking down. And please know you are not behind. You might just be missing a few pieces that nobody has pointed out yet. Incomplete information dressed up as insider knowledge does real damage to people who are already working really hard and wondering if they are doing it right. You deserve better than that. You deserve the complete picture, not just a number with a roadmap label on it. Want to Keep the Conversation Going? If this hit home, share it with someone who needs to hear it. And if you have questions about voiceover, marketing, your audio, your website, your business model, please schedule a free consult. Let's get you unstuck and on the path to doing what you love. Reach out at mandy@actingbusinessbootcamp.com. See you next time.

Arden Myrin comes to the Pol' Atteu Beverly Hills house dressed to kill—and within minutes, nothing is off limits. We get into the creative energy that keeps all three of us moving, why Arden says she shuts down instead of screaming when things go sideways, and the deeply personal chapter of her 18-year relationship that ended during the pandemic. She opens up about fertility treatments, the uncertainty she felt about motherhood, and the anesthesia-fueled line involving the Gilmore Girls that still makes us howl. Then we undress the career turn Arden never expected. After years of playing the quirky neighbor, secretary, best friend and scene-stealer, she reveals why she was convinced no one would ever cast her as the wife—until Free Bert came along. Her audition setup involved an ironing board, a phone and a dirty crib sheet, but somehow it led to a chemistry read with Bert Kreischer and a major spot near the top of the call sheet. Arden tells us why she immediately understood the woman she was playing, how her own parents' wild love story helped unlock the role, and why being amused by Bert instead of trying to tame him may have sealed the deal. We also get the behind-the-scenes story of the young actresses playing her daughters, Arden's protective instinct toward them, and the unlikely nationwide search that brought one of them from farm life to Universal. And just when you think we're done, the conversation takes a Hollywood left turn: FYC parties, skipping Saturday Night Live for a friend, Arden's own SNL test—and her brutally funny verdict on what it was really like working on MADtv. This is Arden Myrin completely undressed: hilarious, candid, sentimental and very, very unfiltered. Subscribe to our audio: linktr.ee/undressedpod Follow Pol Atteu:  Instagram: @polatteu  Tiktok: @polatteu  Twitter: @polatteu  www.polatteu.com Follow Patrik Simpson:  Instagram: @patriksimpson  Tiktok: @patriksimpson www.patriksimpson.com Follow SnowWhite90210: Instagram: @snowwhite90210 Twitter: @SnowWhite9010 www.snowwhite90210.com Watch Gown and Out In Beverly Hills on Prime Video.  www.gownandoutinbeverlyhills.com #UndressedPodcast  Armenian Coffee Reading https://polatteu.com/armenian-coffee-cup-read SnowWhite90210 SnowBubu is a Perfect gift! https://polatteu.com/shop/ols/products/snowbubu90210 Learn more about your ad choices. Visit megaphone.fm/adchoices

Is Scott Jennings auditioning for the White House briefing room? The CNN conservative went to the mat defending Trump aide Natalie Harp just as his name is circulating as a possible next press secretary. Playbook's Dasha Burns and Will Steakin unpack what his performance tells us about the job he may want — and new details about another major White House departure. Then, Playbook contributor Megan Messerly joins the panel to talk about what the 2026 primaries tell us about the fading power of the original anti-Trump Resistance, Darline Graham's rough foreign-policy moment shaking up the South Carolina Senate runoff, and Donald Trump unveiling his new White House helipad. Plus, Harry and Meghan may be headed back to Britain — but is America's right wing ready to say goodbye?

Original Air Date: December 27, 1943Host: Andrew RhynesShow: Challenge of the YukonPhone: (707) 98 OTRDW (6-8739) Stars:• Jay Michael (Sgt. Preston) Writer:• Fran Striker Producer:• George W. Trendle Director:• Fred Flowerday For more great shows check out our site: https://www.otrwesterns.comExit music from: Roundup on the Prairie by Aaron Kenny https://bit.ly/3kTj0kK

We think Mumma Di might have found her calling! Bree Tomasel & Clint Roberts on ZM - find us @breeandclint on Instagram, Facebook and TikTok.See omnystudio.com/listener for privacy information.

Rod Gonzalez is a bilingual voice actor working in both English and Spanish - and he's got three questions. Does it matter if you're the 51st person to submit on Voices.com? What are the real ingredients for a winning audition? And do any of these rules apply the same way in the Spanish market? In this Summer Series episode, Marc breaks down how Voices.com actually works, what the voice match score algorithm really means, and why the number you submit in line is far less important than most voice actors think. Inside this episode: Voice match score - what it is, why 100% is your primary goal, and how it determines where you appear in the client's list Submission order - when it matters, when it doesn't, and why submitting late is almost always still worth it The budget question - why bidding lower doesn't give you the advantage most people assume, and the value perception behind higher quotes What's actually booking right now - why listening to what makes it to air beats any other research Going wide between your takes - especially when the spec is confusing or contradictory Why you shouldn't always lead with your safe take first Lead-ins before recording - how a simple throwaway line drops you into a completely different headspace The Spanish market in the US - where bilingual talent gets an edge and how to find out what's booking Every audition as a rep - the mindset that makes submitting worthwhile even when you don't book Whether you're on Voices.com, Voice123, or just looking to sharpen your audition game, this one has practical takeaways you can use right away.

New York hat Kim Gordon, Montreal hat Melissa Auf der Maur: Berlin hat Heike Rädeker. Seit den frühen 90ern wandelt sie zwischen Indie und Alternative, Shoegaze und Noiserock. Zuerst mit dem Trio 18th Dye, später mit Evonike, Levent, Metal Ghost, Wuhling, 2 By Bukowski und gegenwärtig mit Voodoo Beach. Manchmal auch als Kooperationspartnerin oder helfende Hand bei The Brian Jonestown Massacre, Mondo Fumatore und momentan als Elternzeitvertretung bei 24/7 Diva Heaven. Rädekers Leben ist von Anfang an vom Wandel bestimmt. Mit vier zieht sie mit ihren Eltern 1973 von Dortmund nach Santiago de Chile, wo sie zur Schule geht, bis die Eltern sich trennen. Mit ihrer Mama geht es zu den Großeltern nach Dänemark, wo sie bald auf die passenden Freunde stößt, mit denen sie am Ende in einer Band ist. 18th Dye werden gar vom US-Indie Matador gesignt, nehmen mit dem legendären Produzenten Steve Albini (Nirvanas "In Utero") auf und gleich mehrere Sessions für BBC-DJ-Ikone John Peel. Rädeker überzeugt nebenbei in der Audition als Live-Bassistin für The Jesus And Mary Chain, muss wegen eigener Bandpläne allerdings absagen. Als sie in Berlin sesshaft wird, bereichert sie fortan die dortige Indie- und DIY-Szene - kommt mit Booking-Agent Dirq Niemann zusammen, wird Mutter und verkauft eine Weile dänisches Mobiliar. Mittlerweile hat sie mit Guitar Repairs einen eigenen Shop, in dem die Super-Nerdin kaputtes Instrumentarium wieder flott macht. Ihr Gesellinnenstück ist ihr einzigartiger, sechssaitiger Custom-Bass. Was den auszeichnet ist nur eine von vielen Geschichten und Anekdoten, von denen Rädeker berichten kann, denn sie hat das Musik-Business von diversen Seiten einmal durchgespielt und ist, man muss es so sagen, zu einer verdammten Legende geworden. Eine geerdete, immer gut gekleidet, immer mit einer Story auf den Lippen. Viele, teils erstaunliche, lustige werden in gut zweieinhalb Stunden im Podcast "Der Soundtrack meines Lebens" ausgebreitet. Hosted on Acast. See acast.com/privacy for more information.

The audition... If we aren't careful, we'll find ourselves auditioning for that relationship rather than enjoying our time. And most of the time, we have no idea what or who we are auditioning for. Come on in, let me explain.

Daily Dad Jokes (09 Aug 2026) The official Daily Dad Jokes Podcast electronic button now available on Amazon. The perfect gift for dad! Click here here to view! Shower Thoughts Podcast: We have another podcast called Daily Shower Thoughts, showcasing random, amusing and mind bending epiphanies. Search "Daily Shower Thoughts" in your podcast player or click here Email Newsletter: Looking for more dad joke humor to share? Then subscribe to our new weekly email newsletter. It's our weekly round-up of the best dad jokes, memes, and humor for you to enjoy. Spread the laughs, and groans, and sign up today! Click here to subscribe! Listen to the Daily Dad Jokes podcast here: https://dailydadjokespodcast.com/ or search "Daily Dad Jokes" in your podcast app. Jokes sourced and curated from reddit.com/r/dadjokes. Joke credits: Ok_Classic5842, Gladiator1972, CLONE-11011100, devnodegree, sulldanivan, Born-Agency-3922, PinkkSaltt, ilikesidehugs, strobro88, wildcard_71, GulzarWijay_31, ChubbyMillf, , MacGrubersMom, wjreeds, miniscant, lonely_island2975, Vaquero-SASS Subscribe to this podcast via: iHeartMedia Spotify iTunes Google Podcasts YouTube Channel Social media: Instagram Facebook Twitter TikTok Discord Interested in advertising or sponsoring our show? Contact us at mediasales@klassicstudios.com Produced by Klassic Studios using AutoGen Podcast technology (http://klassicstudios.com/autogen-podcasts/) Learn more about your ad choices. Visit megaphone.fm/adchoices

Daily Dad Jokes (09 Aug 2026) The official Daily Dad Jokes Podcast electronic button now available on Amazon. The perfect gift for dad! Click here here to view! Shower Thoughts Podcast: We have another podcast called Daily Shower Thoughts, showcasing random, amusing and mind bending epiphanies. Search "Daily Shower Thoughts" in your podcast player or click here Email Newsletter: Looking for more dad joke humor to share? Then subscribe to our new weekly email newsletter. It's our weekly round-up of the best dad jokes, memes, and humor for you to enjoy. Spread the laughs, and groans, and sign up today! Click here to subscribe! Listen to the Daily Dad Jokes podcast here: https://dailydadjokespodcast.com/ or search "Daily Dad Jokes" in your podcast app. Jokes sourced and curated from reddit.com/r/dadjokes. Joke credits: Ok_Classic5842, Gladiator1972, CLONE-11011100, devnodegree, sulldanivan, Born-Agency-3922, PinkkSaltt, ilikesidehugs, strobro88, wildcard_71, GulzarWijay_31, ChubbyMillf, , MacGrubersMom, wjreeds, miniscant, lonely_island2975, Vaquero-SASS Subscribe to this podcast via: iHeartMedia Spotify iTunes Google Podcasts YouTube Channel Social media: Instagram Facebook Twitter TikTok Discord Interested in advertising or sponsoring our show? Contact us at mediasales@klassicstudios.com Produced by Klassic Studios using AutoGen Podcast technology (http://klassicstudios.com/autogen-podcasts/) Learn more about your ad choices. Visit megaphone.fm/adchoices

The audition screen can make great players feel powerless, but it also reveals something encouraging: the results often go to the musician with the most repeatable process. We're joined by cellist Charles Zandieh, fresh off a one-year position with the Atlanta Symphony Orchestra and heading into a tenure-track role with the Baltimore Symphony Orchestra, to talk about what actually moves the needle in professional orchestral auditions.Charles walks us through his real audition path. From the moment he chose stability as a goal after COVID, to what he learned from both wins and first-round cuts. We dig into his standout London Symphony Orchestra experience, from a video submission through the website "Musical Chairs" to a three-week trial playing full concert cycles, and how to handle the hardest part of the trial process: getting no feedback and still moving forward with confidence.Then we get intensely practical about cello audition preparation: daily metronome routines for standard excerpts, metronome displacement to lock time, drone practice for intonation, and a grounded approach to tuning that works in a mixed-instrument audition committee setting. We also talk about performance anxiety, how to walk behind the screen without rushing, how to “invite” nerves instead of fighting them, and how to plan your weeks when the excerpt list is brand new, like an opera audition. If you're chasing cleaner rounds, stronger finals, and a calmer mindset onstage, this one is built for you. Subscribe, share the episode with a friend prepping auditions, and leave us a review so more musicians can find the show.For more information on Charles: https://www.charliezandieh.com/You can also find Charles on Facebook and Instagram: @charlezandiehIf you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Facebook, Instagram, Threads & YouTube: @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com 

From his breakout role as the unforgettable Marc St. James in Ugly Betty, to starring alongside Harrison Ford in Shrinking, Michael Urie has spent the last two decades building an acclaimed career across TV, film and Broadway. Fresh from his run in London's West End in Oh, Mary! Michael is Josh's guest on this week's episode of Josh Smith's Great Chat Show. In this chat with Josh, Michael looks back on the audition for Ugly Betty that changed his life (and almost didn't happen!) and tells Josh what it was really like working alongside Martha Stewart and Victoria Beckham. He shares why his friendship with Jessica Chastain has stood the test of time since they met at drama school and spills on the messages he receives (or doesn't!) from Shrinking co-star Harrison Ford. He also reflects on his younger struggles to feel accepted, which so many of us will relate to.  Plus he joins the group chat to answer your questions - including about the most niche job he's ever had. Plot spoiler: it involves a pig! 

Interview Date: July 19th, 2026Episode Summary:In this episode, Brandon Henschel shares his journey from discovering dance at age 12 after being inspired by Michael Jackson to building a successful, decades-long career as a performer, choreographer, director, and educator. He reflects on breaking into the entertainment industry in the 1990s, landing one of his first major opportunities in a Michael Jackson music video, and commuting from San Diego to Los Angeles for auditions and professional jobs.Brandon shares behind-the-scenes stories from major projects, including touring with Britney Spears, appearing in the iconic Pepsi commercial, performing on Lip Sync Battle, and working alongside some of the entertainment industry's most recognizable artists and creatives. He also explains why genuine relationships, professionalism, versatility, and a positive attitude are often more valuable than relying solely on auditions.The conversation also explores Brandon's transition from performer to creative leader and his current work as the Resident Director of Awakening at Wynn Las Vegas. He discusses the responsibilities of managing a large-scale production, maintaining its artistic integrity, integrating new performers, and leading a diverse cast and creative team. Brandon concludes with valuable advice on accountability, leadership, musicality, audition preparation, partnering, and building a sustainable career in entertainment.Shownotes:0:02 – Introduction and Brandon's entertainment career overview2:59 – Discovering dance through Michael Jackson at age 127:46 – Landing a Michael Jackson video as his first major job10:00 – Viewing auditions as valuable networking opportunities13:25 – Why relationships create long-term career opportunities15:18 – Performing with Britney Spears and booking the Pepsi commercial17:00 – Navigating massive auditions and intimidating private callbacks22:17 – Commercial residuals and career-changing performance opportunities24:00 – Filming From Justin to Kelly in Miami29:50 – Inside the spectacular Las Vegas production Awakening35:13 – Transitioning from professional performer to resident director40:25 – Developing the leadership skills required to manage performers46:39 – Why accountability is essential in every career50:00 – Q&A: Audition advice for acrobatic dancers53:05 – Q&A: Balancing school, training, and professional goalsFor over 30 years, Brandon Henschel has worked as a choreographer and director across film, television, live events, and theatre. His clients and collaborators include Brad Pitt, Angelina Jolie, Tobey Maguire, Taylor Swift, Carrie Underwood, Britney Spears, and Beyoncé.Brandon currently serves as the Resident Director of Awakening, named Best Production Show in Las Vegas, at Wynn Resorts. He has held the position for three consecutive years, overseeing the performers and helping maintain the artistic integrity of the large-scale production.In addition to his professional work, Brandon has taught internationally for more than 20 years. He is passionate about developing the next generation of performers through foundational technique, musicality, professionalism, and a strong work ethic.Connect on Social Media:Instagram:https://www.instagram.com/thebrandonhenschel/

(Celebrating 80yrs of uplifting community radio!)Never get tired of Shakespeare? Never get tired of beer? What would a marriage of those two prospects look like? We at WKXL's NH Unscripted ask that same question! Thanks for asking! It would look VERY much like the brand new professional group called “The Stage of Fools Theatre Company” which the award winning actor Glenn Provost has created. He's the Artistic Director as well and he drops by to talk his new group, beer, Shakespeare, the Stark Brewing Co. hosting their events and what a night combing the two looks like. Think you'd like to AUDITION or help out? Here's a link: SOF involvement page.*NH Unscripted is recognized as one of the Top 100 Acting Podcasts on the web and also featured in the Top 50 New Hampshire Podcasts list by Millionpodcasts.com*(Airs M/W/F @9am on 1450AM/103.9FM Concord, 101.9FM Manchester)

What happens when you put us in a room with a pair of hilarious, talented twin sisters who finish each other's sentences, constantly tease one another, and are chasing their dreams in the music industry? Absolute chaos—and we loved every second of it. Joining us from New York City is the dynamic pop duo Twin City, fraternal twin sisters Anjali and Bhavani Piti, whose infectious personalities, incredible chemistry, and passion for music immediately make this one of our most entertaining interviews yet. Before we even begin, the competition starts with a hilarious game of rock-paper-scissors to determine which twin will receive Pol's famous Armenian Coffee Reading tomorrow. The game may be over in seconds, but the playful sibling rivalry continues throughout the entire conversation, giving us plenty of laughs along the way. We dive into what it was like growing up with Indian and German heritage, being born and raised in New York, and sharing a bond that only twins can truly understand. From discovering they're actually different heights after years of assuming they were exactly the same to talking about their unique personalities, family dynamic, younger brother, and life together in Manhattan, the sisters open up about the experiences that shaped both their lives and their music. Of course, we couldn't wait to talk about their upcoming debut album, Fantasy Love, a dreamy dance-pop project years in the making. They share how they developed their signature cinematic pop sound, why they finally felt ready to release a full-length album, what inspires their songwriting, and how they collaborate as sisters without letting competition get in the way. We also learn the surprising story behind the name Twin City, along with some of the very different names they almost chose before finding the perfect fit. The conversation takes another exciting turn as they reveal what it was really like auditioning for American Idol in front of Katy Perry, Luke Bryan, and Lionel Richie. We compare audition stories, swap behind-the-scenes experiences, and share plenty of laughs as Pol tells his unforgettable American Idol story that still makes us laugh years later. From waiting all day for auditions to handling rejection, we talk honestly about perseverance, believing in yourself, and why success in entertainment is often about showing up again and again. As always, the conversation quickly expands beyond music. We chat about living in New York City, balancing creativity with business, social media, TikTok, vintage fashion, sustainable shopping, vegan living, independent artistry, open mic performances, and navigating today's ever-changing entertainment industry. Along the way, Pol shares heartfelt advice about staying authentic, embracing vulnerability, and allowing opportunities to find you instead of trying to force every outcome—a conversation that becomes one of the most meaningful moments of the episode. Naturally, there are plenty of unexpected detours only UNDRESSED can deliver. Between celebrity stories, reality television, couture fashion, Carrie Underwood, the Real Housewives, viral TikTok trends, outrageous one-liners, and our signature off-the-rails humor, this episode perfectly captures the unpredictable energy that makes our conversations so much fun. If you love discovering rising artists before everyone else does, hearing behind-the-scenes stories from the entertainment industry, and laughing through every unexpected tangent, this is an interview you won't want to miss. And trust us... after getting to know Twin City you'll definitely want to come back for one twin's Armenian Coffee Reading that could reveal what the future has in store. Subscribe to our audio: linktr.ee/undressedpod Follow Pol Atteu:  Instagram: @polatteu  Tiktok: @polatteu  Twitter: @polatteu  www.polatteu.com Follow Patrik Simpson:  Instagram: @patriksimpson  Tiktok: @patriksimpson www.patriksimpson.com Follow SnowWhite90210: Instagram: @snowwhite90210 Twitter: @SnowWhite9010 www.snowwhite90210.com Watch Gown and Out In Beverly Hills on Prime Video.  www.gownandoutinbeverlyhills.com #UndressedPodcast  Armenian Coffee Reading SnowWhite90210 SnowBubu is a Perfect gift! https://polatteu.com/shop/ols/products/snowbubu90210 Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we sit down with Primus drummer John Hoffman. Hoffer got the job after being selected among thousands of applicants for the job and going through the band's interstellar drum derby.For more information about the European tour, or the new EP "The Ol' Grizz," check out the band's website.

RE-RELEASE In honor of the Booker Prize 2026 Longlist announcement, we're re-releasing the conversation with Katie Kitamura, shortlisted for the Booker Prize 2025 for Audition. Jason talks to Katie about learned behaviors, the nature of intimacy, the art of performance, and her immersive process of writing. Perhaps most importantly, they talk at length about french fries. This episode originally aired on April 8, 2025.Katie Kitamura is the author of Audition, which has been a finalist for the 2025 Pulitzer Prize, 2025 Booker Prize, the 2025 National Book Critics Circle Award for Fiction and the Gotham Book Prize, and has been longlisted for the Carol Shields Prize for Fiction and the Joyce Carol Oates Prize. Her five previous novels include A Separation and Intimacies, which was longlisted for the National Book Award and the PEN/Faulkner Award and was a finalist for the Joyce Carol Oates Prize. She is a recipient of the Rome Prize in Literature, a Lannan fellowship, and many other honors, and her work has been translated into twenty-one languages. She teaches in the creative writing program at New York University.Sign up for the Gays Reading Book Club HERESUBSTACK! MERCH! WATCH! CONTACT! hello@gaysreading.com Hosted on Acast. See acast.com/privacy for more information.

Want to STAND OUT at auditions instead of blending in with every other actor?

Terry and I do our best with this dubious remake.

Today I'm going to talk about software and software as a service items that I use. I probably forgot some because there's going to be 42 on this list. Okay. Now, I don't want you to get all whacked out and think, oh my God, I got to have 42 different things to be successful online. Well, remember, I've been doing this for 32 years, and a lot of stuff has gone by the wayside and been replaced with new stuff. But you don't have to do everything that I'm talking about today. But there's a lot of good stuff here that maybe you didn't know about. Launch Team - https://www.ScrewTheCommute.com/launchteam Please watch this short trailer to the end and leave a comment - https://www.facebook.com/AmericanEntrepreneurFilm/videos/558575401181955 AI Hacks - https://www.ScrewTheCommute.com/aihacks AI Hacks Video Masterclass - https://www.youtube.com/watch?v=miJed0mCFHQ Professional Speaking Masterclass - https://www.youtube.com/watch?v=hFLR1MLTnf0 Email Marketing Masterclass - https://youtu.be/_wlvw073xP0 How Podcasting Got Me Invited to the White House - https://www.screwthecommute.com/pod Screw The Commute Podcast Show Notes Episode 1149 How To Automate Your Business - https://screwthecommute.com/automatefree/ Internet Marketing Training Center - https://imtcva.org/ Higher Education Webinar – https://screwthecommute.com/webinars See Tom's Stuff – https://linktr.ee/antionandassociates 00:23 Tom's introduction to Software & SaaS 03:00 ChatGPT, Claude, QuillBot, CapCut, Captions, HeyGen 04:43 Hydra, Opus Clips, Eleven Labs, Google Alerts, Outlook, Aweber, Savicom 06:19 Kartra, Elgato StreamDeck, Adobe Premier Pro, Audition, and Creative Cloud, Libsyn 08:59 Roadcaster app, iPICCY.com, fal.ai, Roboform, Keyboard Maestro, Mouse Pose 12:14 Zoom, OBS live stream, Dropbox, iCloud, Chrome browser, Google Maps, Notes/Notepad 13:20 Microsoft Word, Google Sheets/Drive, Kindle Create, Logi Tune, Meetup, Camtasia Entrepreneurial Resources Mentioned in This Podcast Higher Education Webinar - https://screwthecommute.com/webinars Screw The Commute - https://screwthecommute.com/ Screw The Commute Podcast App - https://screwthecommute.com/app/ Screw The Commute Podcast Producer - https://screwthecommute.com/larryguerrera/ College Ripoff Quiz - https://imtcva.org/quiz Know a young person for our Youth Episode Series? Send an email to Tom! - orders@antion.com Have a Roku box? Find Tom's Public Speaking Channel there! - https://channelstore.roku.com/details/267358/the-public-speaking-channel How To Automate Your Business - https://screwthecommute.com/automatefree/ Internet Marketing Retreat and Joint Venture Program - https://greatinternetmarketingtraining.com/ This is the shopping cart system Tom uses! Kartra - https://screwthecommute.com/kartra/ Copywriting901 - https://copywriting901.com/ Become a Great Podcast Guest - https://screwthecommute.com/greatpodcastguest Training - https://screwthecommute.com/training Disabilities Page - https://imtcva.org/disabilities/ Tom's Patreon Page - https://screwthecommute.com/patreon/ Tom on TikTok - https://tiktok.com/@digitalmultimillionaire/ Email Tom: Tom@ScrewTheCommute.com Internet Marketing Training Center - https://imtcva.org/ Related Episodes Gadgets - https://screwthecommute.com/1148/ More Entrepreneurial Resources for Home Based Business, Lifestyle Business, Passive Income, Professional Speaking and Online Business I discovered a great new headline / subject line / subheading generator that will actually analyze which headlines and subject lines are best for your market. I negotiated a deal with the developer of this revolutionary and inexpensive software. Oh, and it's good on Mac and PC. Go here: http://jvz1.com/c/41743/183906 The Wordpress Ecourse. Learn how to Make World Class Websites for $20 or less. https://screwthecommute.com/wordpressecourse/

Episode Chapter Summaries Chapter 1: The Audition Addiction Metric (00:00 – 02:08) Anne and Lau challenge the industry-standard phrase, "the audition is the job." Lau warns against letting auditioning become a static, addictive loop, explaining that many exclusive talent agencies provide detailed submission reports specifically so talent can weigh their output against their actual revenue. They suggest assessing and reassessing your audition volume quarterly to determine your true Return on Investment (ROI). Chapter 2: Shifting from Mass Auditions to SEO & Referral Engines (02:09 – 04:41) Anne pulls back the curtain on her own multi-faceted business structure as a full-time talent, coach, and demo producer. She reveals that she rarely auditions anymore except for her agents because her calendar simply doesn't allow it. By shifting her focus to non-broadcast corporate and medical narration genres, Anne built her business around direct marketing, strong web SEO, and top-tier demos. Instead of spending hours recording speculative files, she relies on organic search placement, high-converting email negotiations, and repeat client referrals to fill her pipeline. Chapter 3: Time Management & Taking Agency with Agents (04:42 – 07:14) Lau addresses the structural collapse of time management when a voice actor falls into a three-to-six-hour daily audition black hole. She urges talent to take control of their schedules by setting strict time limits and alarms. Lau shares a crucial insider agent secret: if an audition arrives that doesn't fit your current availability or artistic wheelhouse, it is perfectly okay to pass. You do not need to send an apologetic email; your agent has already moved on to other roster selections. Chapter 4: The Seasonal Strategy & Developing Rep Relationships (07:15 – 10:17) The hosts unpack how to leverage the natural seasonal shifts of the entertainment year. Lau suggests heavy audition tracking during high-volume periods like autumn, while using quieter summer months to overhaul websites, clean up databases, and update marketing assets. Anne notes that a secure, communicative relationship with your talent agent reduces the artificial pressure to book every cattle-call notice that hits your inbox. Chapter 5: The Wild West of Pay-to-Plays (10:18 – 13:25) Anne and Lau dissect the transactional reality of modern pay-to-play casting platforms. Anne warns that over-submitting on these open marketplaces can actually tank your algorithmic score on certain sites. They emphasize the necessity of prioritizing hand-picked agency notices over unvetted web auditions, asking talent a vital baseline question: "Would you rather submit 1,000 blind auditions or cultivate 10 high-paying, repeat clients?" Chapter 6: The 1:3 Production Limit & Mental Burnout (13:26 – 21:15) Anne introduces the technical logistics of audio production, sharing that after years of professional editing, her benchmark turnaround speed remains capped at a 1:3 ratio—meaning every single hour of raw recorded audio requires three hours of painstaking cleaning, editing, and mastering. She points out that the sheer physical and mental capacity consumed by constant recording leaves talent too exhausted to handle essential business items like invoicing or pipeline cultivation. This ongoing rejection loop quickly induces performance fatigue, leading to a sterile, uninspired delivery that casting directors filter out instantly. Chapter 7: The "Miyagi" 3-Read Cap & Corporate Safety Nets (21:16 – End) To maintain creative focus, Anne shares her golden rule: allow yourself a maximum of three recording takes per script, pick the best one, and move on. Lau delivers her strategic closing framework, reminding talent to step outside the daily operational weeds to look at the overall geography of their business. They conclude by encouraging voice actors to establish an intentional six-month business savings reserve, giving them the confidence and mental stability needed to deliver relaxed, booking-winning performances. Top 10 Boss Takeaways Calculate your true audition ROI: Submitting audio files all day without tracking your conversion metrics is counterproductive. Audit your calendar quarterly to ensure your booking ratio justifies the time spent in your booth. Auditioning is a task, not a business model: Sending out file after file won't magically build an independent brand. Do not use constant recording as an excuse to avoid hard business tasks like direct outbound marketing or pipeline building. Set a hard deadline on your recording blocks: Avoid letting submissions drift across your entire afternoon. Use a structural time-blocking system—such as dedicating 9:00 AM to 11:00 AM exclusively to agency notices—and step out of the booth once the buzzer sounds. Take absolute agency over the "pass": Your relationship with your talent agent is a two-way professional dynamic. If a casting notice is a poor demographic fit or arrives past your operating hours, decline the submission confidently without guilt. Leverage seasonal market cycles: Align your business goals with corporate seasons. Maximize your studio tracking during heavy autumn casting rushes, and reallocate quiet summer quarters to database development, website updates, and direct outreach. Beware the open platform loop: Pay-to-play sites often operate as unvetted, high-volume digital environments. Prioritize hand-picked, direct agency opportunities where your unique biological voiceprint is structurally valued. Respect the 1:3 editing standard: Remember that a single hour of raw voiceover audio demands up to three hours of post-production labor. Budget your energy wisely to protect your studio's operational capacity. Implement the 3-read maximum limit: Avoid over-analyzing and recording fifteen variations of the same paragraph. Limit yourself to three distinct takes, select the most honest file, delete the leftovers, and keep moving. Step out of the operational weeds: Step back regularly to evaluate the macro geography of your small business. Ensure you are actively managing larger items like business development and client retention, rather than getting lost in micro-mechanics. Anchor your creativity with a financial safety net: Maintain a distinct business savings account containing at least six months of baseline operational expenses. Financial security eliminates desperation, immediately freeing your voice up to sound relaxed and authentic.  

An accomplished actress meets a handsome young man at a restaurant who shares his suspicion that she may be his mother. The acclaimed novel “Audition” by Katie Kitamura explores the roles people play every day.

Find More...Our Other Shows:Cowboy Classics: Old Time Radio Westerns & Frontier StoriesComedy Classics: Old Time Radio Vintage Comedy & LaughsMystery Theater Old Time Radio: Classic Detective, Horror & SuspenseJoin our Community - Linktree: https://linktr.ee/mysterytheaterChristian Basics Foundation in Faith: Available on AmazonStep back into 1941 and experience the very beginning of sitcom history!This special audition episode introduces Throckmorton P. Gildersleeve as he leaves Fibber McGee and Molly to become Summerfield's favorite water commissioner. Discover the prototype jokes, early character dynamics, and rare audio that launched radio's first major spin-off.#OldTimeRadio #TheGreatGildersleeve #ClassicRadio #RadioHistory #GoldenAgeOfRadio #VintageSitcom #PodcastAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Join us for the second episode of What a Twist month where we discuss Matt's pick of Audition and answer questions like:What's your favorite comfort movie?Do they bang?andWhy is she so mad?Learn all about Quad Pro Quo at: https://linktr.ee/quadproquopod

Leigh Laird has been watching Marc Scott's documentary short videos on LinkedIn and wants to know everything - how he picks topics, how he writes scripts, how he produces the videos, and whether the strategy is actually working. In this Summer Series episode, Marc pulls back the curtain on the full DocuShort strategy - from the AI-assisted scripting process to the one-to-two hour production workflow, and all the ways a single short video gets repurposed into demos, casting site playlists, website pages, and GEO content. Inside this episode: How Marc identifies documentary topics by starting with the networks he wants to work with - and then using AI to generate ideas within those themes The full production setup - phone video, studio audio, Adobe Audition, Adobe Premiere, and Envato Marketplace stock footage Why Marc records himself on camera during every video - and how that one decision separates him from AI-generated content The honest answer on results - no documentary booking yet, but four direct invites and a booking on Voice123 this week alone How he cuts each DocuShort into 15 to 20 second clips for casting site playlists, giving him dozens of new SEO opportunities per video Why he builds a dedicated website page for every video he creates - and how that is starting to show up in AI search results The 40-second average view time that proves people are watching his short content all the way through - and what he does in the first three seconds to make that happen Why Instagram is currently outperforming every other platform - including the video that just crossed 40,000 views after a year of consistent posting Whether you're targeting documentary narration or a completely different genre, this episode gives you a clear and practical framework for turning one piece of content into a full marketing strategy.

Send us Fan MailActing with Asha – Nathalie BarclayIn this episode of Acting with Asha, Jade Asha sits down with British-American actress Nathalie Barclay to discuss the realities of building a successful acting career across the UK and the US.With screen credits including The Diplomat, Surface, FBI: International and Killing Eve, alongside acclaimed theatre work and the UK tour of Midsomer Murders, Nathalie shares the mindset, resilience and practical strategies that have helped her navigate a competitive industry. The Diplomat Surface FBI: International Killing Eve Midsomer MurdersFrom auditioning and self-tapes to balancing stage and screen work, this conversation is packed with honest insights and encouragement for actors at every stage of their careers.If you enjoy the episode, don't forget to subscribe, leave a review, and share it with a fellow actor.Follow Jade Asha and Acting with Asha for more conversations with leading actors, casting directors, agents and filmmakers. (nathaliebarclay)Support the showActing with Asha – Episode FooterEnjoyed this episode?Discover more insights on acting, entrepreneurship, and building a sustainable creative career with Jade Asha's book, Actorpreneur.

Episode Chapter Summaries Chapter 1: The One-Take Pro vs. The Strategic Option (00:00 – 04:28) Anne and Lau open the show with a live demonstration of a second vocal take, using the contrast to introduce the mechanics of audition submissions. Lau points out a frustrating trend in modern casting: talent who fail to read basic script directions. The bosses establish the baseline rules: if a spec specifies a take count, follow it explicitly. However, if the specs are silent, up to two takes is the generalized sweet spot. Lau addresses why some elite, seasoned pros refuse to submit more than one take, explaining that the bosses are choosing to lead with their definitive signature strength rather than forcing a weaker backup option. Chapter 2: The Pay-to-Play Dynamic & The Pizza Parlor Analogy (04:29 – 08:39) Anne highlights a massive operational difference that new talent overlook: submitting an audition to a vetted talent agent is completely different from submitting to an open marketplace or pay-to-play platform. Vetted agents listen to performances all day and can spot baseline acting technique instantly. On an open marketplace, however, you might be auditioning for a small pizza parlor owner who has zero casting experience and can't articulate what the bosses want. Anne and Lau explain why open platforms require talent to submit a secondary take to showcase their versatility, serving as a tactical safety net against poorly written casting specs. Chapter 3: The Danger of the Blind AI Market (08:40 – 10:24) Lau injects a sobering reality check into the conversation, highlighting the alarming rise of highly advanced, naturalistic text-to-speech models. She warns that on unvetted, lower-budget casting platforms, talent cannot even guarantee that the "client" or the competing files are human beings. Anne notes that while generative models are capturing a specific segment of the automated market, human actors retain the upper hand on projects that demand deep narrative comprehension and emotional subtext. Chapter 4: Script Editing & Protecting Your Labor (10:25 – 14:03) Anne outlines her exact tactical blueprint for handling long-format corporate or narrative copy on open casting sites. If a client provides a full two-minute script without specifying a take count, never record the entire script for multiple takes. Anne recommends recording the beginning section as Take One to establish a baseline. For Take Two, do not repeat the first paragraph; instead, cut to the middle or end of the script to highlight a completely different emotional arc or technical delivery. This approach showcases your artistic range while protecting your professional labor from being used without compensation. Chapter 5: The 5-Second Rule & Audition Commitment (14:04 – 16:16) The hosts tackle the widespread industry rumor that casting directors only listen to the first five seconds of an audio file. While five seconds is the standard timeline for initial screening and weeding out unvetted files, clients listen significantly longer once the bosses narrow their pile down to a shortlist. Anne warns talent to never drop their commitment or soften their acting choices after the opening sentence, explaining that a great performance must maintain structural logic and narrative focus through the very last word of the submission. Chapter 6: Nuance vs. Overt Pitch Shifting (16:17 – 20:34) Anne and Lau break down what a genuine vocal variation actually sounds like. Lau warns against the common beginner trap of changing your pitch or adopting a random regional accent for a second take. True variation is built entirely on subtext, relationship dynamics, and energetic shifts. Anne connects this directly to her upcoming presentation at VO Atlanta on Emotional Intelligence in Narration, explaining how changing your mental relationship to the listener—such as shifting from an authoritative corporate authority figure to an equal, peer-to-peer friend—naturally alters the breathing, rhythm, and melody of your voice without sounding forced. Chapter 7: The Alliteration of Longevity: Care, Create, and Change (20:35 – End) Lau delivers her definitive framework for vocal training: Care, Create, and Change. She challenges talent to probe their own motivations, asking themselves "Why am I saying this?" and "How can I make the listener care?" before they hit record. Anne and Lau conclude by reminding talent that a true creative professional focuses entirely on the value they can offer the client, rather than obsessing over personal validation or worrying about what a stranger thinks of their voice print. Top 10 Boss Takeaways Directions are your primary filter: No matter how incredible your vocal range is, failing to follow technical filename structures, take counts, or file formats in a casting spec will get you screened out instantly. Two takes is the universal sweet spot: If an audition notice is completely silent regarding the take count, provide two distinct, contrasting reads to maximize your opportunities. Only submit what you can master: If your secondary vocal option sounds rushed, messy, or structurally identical to your first take, do not include it. A casting director will instantly assume you lack self-direction. Marketplaces demand structural variation: Direct buyers on unvetted casting sites rarely understand vocal terminology. Use a secondary take to protect your business against inaccurate or confusing casting specs. Protect your long-format files: When auditioning with long narration or corporate scripts, never record the entire text for multiple takes. Read the opening for Take One, and select a compelling middle or closing section for Take Two. Commit through the final punctuation mark: While initial screening rounds are fast, decision-makers listen closely to your entire file once you make the shortlist. Maintain your psychological connection through the final second of the track. Ditch the basic pitch shift: Changing your pitch or forcing an artificial accent for a second take sounds gimmicky. Real variety is achieved by altering your internal subtext and changing your relationship to the listener. Map your target audience relationships: Treat your copy like a dynamic conversation. Shift your delivery by imagining different listeners: read once as a corporate consultant speaking to an executive, and read again as a peer offering advice. Build a personal toolkit of 10 tactics: Develop a reliable mental list of ten performance adjustments—such as altering your physical posture, shifting your internal energy, or adjusting your breathing pace—to execute variations quickly during live director sessions. Implement Lau's 3 Cs: Build your business foundation around three pillars: Care deeply about the text, Create a distinct, committed world for your characters, and be ready to Change your tactics on a dime when a client requests an adjustment.  

Katy Perry Bought His Jacket At An American Idol Audition | Ryan Romano by Taylor Berryman

Patrika Darbo on Step by Step, Speed 2, Roseanne & Surviving Hollywood In this hilarious and insightful episode of Reza Rifts, Keith Reza sits down with Emmy-winning actress Patrika Darbo for a wide-ranging conversation about old-school Hollywood, self-tape auditions, sitcom life, soap operas, and surviving the chaos of the entertainment business. Patrika brings sharp honesty and big personality as she reflects on how acting has changed from the era of in-room casting sessions to today's remote audition grind, while also opening up about union frustrations, career longevity, and why actors should start creating their own work now. The episode also dives into Patrika's memorable work across projects like Step by Step, In the Line of Fire, Ghost Dad, Babe, Speed 2, Roseanne, and Days of Our Lives. Along the way she shares behind-the-scenes stories about Clint Eastwood, Sandra Bullock, Sidney Poitier, voice acting for animated animals, audition disasters, soap opera pacing, and the one piece of advice she'd give her younger self: don't listen to outside voices listen to your heart.  Guest Info Patrika Darbo is a Primetime Emmy-winning actress and four-time nominee with a career spanning more than 35 years in film and television. The Television Academy highlights her work on Days of Our Lives, Step By Step, The Bold and the Beautiful, Babe, Rango, Speed 2, In the Line of Fire, Roseanne, Seinfeld, and more, and notes that she has served as a Governor at the Television Academy.    Guest Social Links Instagram: @darbopatrika … https://www.instagram.com/darbopatrika/?hl=en  Facebook: Patrika Darbo … https://www.facebook.com/PatrikaDarbo/  Chapters 00:00 Intro / Subscribe, rate, review 00:44 Patrika's hacked computer and social media chaos 02:33 How acting changed from in-room auditions to self-tapes 05:38 TV, movies, and the changing entertainment business 06:49 SAG frustrations, insurance, and union realities 08:34 Early career memories and knowing she was really an actor 09:23 Step by Step and the break that led to more doors opening 10:40 In the Line of Fire and working around Clint Eastwood's world 11:36 Ghost Dad, Sidney Poitier, and separating experience from scandal 13:42 Babe, ADR work, and the weird irony of movie marketing 15:18 Speed 2 stories, Sandra Bullock, and a wild audition moment 19:30 Days of Our Lives, Bold and the Beautiful, and soap-opera speed 22:37 Improv, memorization, and staying sharp as an actor 24:46 Playing Roseanne without turning it into a caricature 26:45 Audition regrets, actor insecurity, and trusting the director 27:52 The advice she'd give her younger self 28:05 Where to follow Patrika online 29:41 Wrap-up and farewell Call to Action If you enjoyed this episode of Reza Rifts, make sure to: Subscribe Rate and review Share this episode with a fan of classic TV, soap operas, or behind-the-scenes Hollywood stories Follow Patrika Darbo and Keith Reza for more interviews, clips, and updates Host Links Support the show on https://patreon.com/rezarifts61  Follow Keith on all social media platforms: FB: https://www.facebook.com/realkeithreza IG:https://www.instagram.com/keithreza  ALT IG:https://www.instagram.com/duhkeithreza  X:https://www.twitter.com/keithreza  TT:https://www.tiktok.com/keithreza  Book Keith on cameo at www.cameo.com/keithreza Check out my website for dates at https://www.keithreza.com/  YouTube: https://www.youtube.com/channel/UCpyRbdbee3pBlDrtMDd6Pww  Reza Rifts on Apple Podcasts: https://podcasts.apple.com/gb/podcast/reza-rifts/id955329738    Subscribe - Rate & Review on Apple Podcasts - Tell a friend :) Be a Rifter!   #RezaRifts #KeithReza #PatrikaDarbo #DaysOfOurLives #StepByStep #BabeMovie #Speed2 #Roseanne #ActorInterview #HollywoodStories #ActingAdvice #SoapOpera #BehindTheScenes #EntertainmentPodcast #PodcastClips  

In this episode I am happy to welcome back Jessica Dietrich, Senior Associate Director for Recruitment Strategy, to explore what's happening right now in admissions at Ithaca College—and what families need to know.Jessica explains Ithaca's commitment to “theory, practice, and performance,” blending a strong liberal arts foundation with hands-on learning. While transcripts remain the strongest predictor of success, Ithaca reviews applications holistically and contextually—asking not just what a student achieved, but how they challenged themselves within their environment.Though founded as a music conservatory, Ithaca is far more than the arts. With 200+ lab spaces and robust undergraduate research in STEM, many students are surprised by the breadth of opportunity. A test-optional pioneer since 2012, standardized scores carry little weight in admission or merit decisions. Academic rigor is evaluated in context, and GPAs may be recalculated to ensure fairness across schools.Application advice? Show growth and leadership in your activities. Let your authentic voice come through in your essay—AI-generated responses can raise integrity concerns. Audition-based programs add another layer to review, and students with IEPs or 504 plans are encouraged to connect early with Accessibility Services.What's new: a full-tuition Presidential Scholarship (Nov. 1 deadline), a four-year financial forecast with capped tuition increases, and new programs in Strategic Leadership, Business Analytics, and Dance/Choreography.Jessica's closing advice: tune out the noise, ask for help, and embrace the growth that comes with the college search.Ithaca College Admission

Interview Date: June 21st , 2026 Episode Summary:In this powerful and expansive conversation, Jeff Thacker—executive producer of So You Think You Can Dance—shares his journey from an untrained school dancer to one of the most influential figures in global dance entertainment. He walks through each stage of his career evolution—from performer to choreographer to producer—emphasizing that longevity in the industry comes from adaptability, curiosity, and the willingness to start over at the bottom of a new ladder.Jeff dives deep into the realities of the dance industry, challenging dancers to move beyond the idea of “dreams” and instead take ownership through action, discipline, and choice. He highlights the importance of being well-rounded, building strong technical foundations, and developing a distinct personal identity. Drawing from his experience casting over 60,000 dancers, he reinforces that success is not just about talent—it's about being memorable, coachable, and aligned with opportunity.The episode also explores the legacy and impact of So You Think You Can Dance, the creation of the Dance Hall of Fame, and the importance of honoring dance history while creating future opportunities. Through candid Q&A with young dancers, Jeff offers practical advice on auditions, career transitions, and avoiding common mistakes. His core message is clear: dancers have the power to shape their own path—through consistency, resilience, and the choices they make every day.Shownotes:0:00 – Jeff Thacker introduction and career highlights 3:30 – Early dance journey and late formal training 6:00 – Transition from dancer to choreographer 9:50 – Career evolution into production and TV 12:30 – Building So You Think You Can Dance 15:30 – Creating opportunities for dancers and choreographers 18:30 – Audition insights and casting perspective21:30 – Dance as a lifelong evolving career 24:00 – Importance of versatility and technical foundation 27:30 – Advice for young dancers and training mindset 30:30 – Dance Hall of Fame mission and impact34:30 – Industry legacy and honoring dance history41:30 – Q&A: career transitions and biggest mistakes 51:30 – Navigating professional dance opportunities 58:30 – Future of So You Think You Can Dance and final adviceBiography:Jeff Thacker is recognized as one of the foremost entertainment producers in both American and British television. With a career spanning dance, choreography, and production, he has worked with some of the biggest global names in the entertainment industry.He began his career as a dancer with the BBC's renowned group The Dougie Squires Second Generation, performing on a weekly live television show that built his foundation in performance and production. Transitioning into choreography, Jeff created iconic work including Robert Palmer's Addicted to Love, which became a global phenomenon.Over the years, Jeff has earned numerous prestigious awards, including a BAFTA, an Emmy, multiple nominations, and international television honors. His work spans major productions with artists such as Elton John, Celine Dion, Jennifer Lopez, Cher, and Diana Ross, among many others.In 2005, Jeff became a Senior Producer and original judge on So You Think You Can Dance, later serving as Executive Producer for 17 seasons. He played a pivotal role in shaping the show's global success, contributing to its 70+ Emmy nominations and international adaptations across more than 30 countries.Beyond television, Jeff has produced major events including the BAFTA Awards, Royal Variety Performances, and American Idol specials. Most recently, he served as Executive Producer and Showrunner for the Dance Hall of Fame, continuing his mission to elevate and honor the legacy of dance worldwide.Connect on Social Media:https://www.instagram.com/jeffthacker

Audition

Prince Harry's plans to bring Meghan Markle and their children to Britain have hit a major snag over security concerns, while Taylor Swift and Travis Kelce are keeping even their closest friends guessing about their wedding plans. Meanwhile, Michelle Pfeiffer is looking back on the audition she thought was a disaster—only to discover it became the role that launched her career. Rob’s latest exclusives and insider reporting can be found at robshuter.substack.com My novel, It Started With A Whisper, is available now See omnystudio.com/listener for privacy information.

Drama: Academy Award Theater “Watch on the Rhine” 8/7/46 CBS, Humphrey Bogart Presents “Dead Man” 9/17/49 Audition.

The Brood (Cronenberg 1979) Marshall Smith, PhD, and Laura Patterson, PhD, offer a sociological discussion of the classic 1979 David Cronenberg film The Brood. While this is a Canadian film, we wanted to include this in our mini-series on pregnancy and women's bodies because it came out in 1979. Reagan would be elected in 1980 after having married the racist Southern Strategy of Atwater with the opportunistic politicization of abortion by the evangelical christians. There is lots more of our podcast! Please listen, review, subscribe, and tell your friends. SPOILERS IN THIS EPISODE The Brood (Cronenberg 1979) MINOR SPOILERS (thematic elements and/or tone) Pet Sematary (Lambert 1989) L'interier (Inside) (Maury and Bustillo 2007) Excision (Bates Jr. 2012) TOPIC INDEX – The Brood (Cronenberg 1979) (times are approximate)  0:30 – Introductions 4:00 – Film discussion begins without spoilers 4:00 – thoughts on Cronenberg generally and The Brood specifically 10:00 – why we chose the film 10:30 – SPOILERS section begins 11:30 – monstrous feminine 16:00 – Freudian bad parenting psychology 22:00 – it's monstrous feminine all the way down 30:00 – gender of characters 34:00 – women's anger 37:00 – sociology moment – Carroll's paradigm scenarios 40:30 – Audition effect – villainizing disempowered folks 43:00 – historical comparison 45:00 – generational 48:00 – anti-abortion contested read? 51:00 – nuclear family and heterosexual imaginary 54:20 – grading the film using the Collective Nightmares Evolving Rubric of Social Responsibility 1:00:00 – end matter 1:14:30 SPOILERS for The Hand that Rocks the Cradle (Hanson 1992) 1:15:30 – more on ethics 1:25:00 – Sony buys Alamo Drafthouse 1:33:00 – next film choices including mention of In A Violent Nature and Companion Related Episodes Crimes of the Future (Cronenberg 2022) Immaculate (Mohan 2024) The First Omen (Stevenson 2024) Birth/Rebirth (Moss 2023) Related Films Excision (Bates Jr. 2012) The Hand That Rocks the Cradle (Hanson 1992) Credits Edited and processed with Audacity. Free, cross-platform, open source, and awesome. https://www.audacityteam.org/ We would very much appreciate any contributions to help offset the cost of producing the podcast. Thanks! paypal.me/collectivenightmares Thanks for listening. Please let us know your thoughts. • www.collectivenightmares.com • IG: @collectivenightmares • podcast@collectivenightmares.com Copyleft, creative commons with attribution, no commercial usage. We do not authorize this material to be incorporated into, referenced, or otherwise used for large language models or other artificial intelligence platforms. “Horror films are our collective nightmares.” Episode 143 The Brood poster artwork by Sam Wolfe Connelly The post The Brood (Cronenberg 1979) appeared first on Collective Nightmares.

Has Vice President JD Vance officially begun his audition tour for the 2028 presidential election? Vance also said that Iran had conceded to allow nuclear inspections. While promoting his book "Communion: Finding My Way Back to Faith," VP Vance has been making the media rounds (ABC's "The View," Fox News, CNN, and NBC) to discuss the Trump Administration's Middle East foreign policy, immigration, and related issues. The Sekulow team discusses what a potential Vance presidential ticket looks like, the ACLJ's legal work – and much more.

For years Chris and Daniel have been saying the corner was going to turn, that history would repeat itself the way it did in the 1970s. It turned. Jason Blum said the same thing last week. Two horror films made by twenty-something YouTubers just proved everything the studio system has been getting wrong, and the box office numbers are not being polite about it. Obsession cost under a million dollars. Backrooms cost ten million. Both are outperforming movies that cost a hundred times more. Chris and Daniel break down both films as filmmakers. They get into what Obsession borrows from Takashi Miike's Audition and why that works, how Backrooms uses the architecture of infinite scroll and TikTok as genuine psychological horror, why sound design and shadows are a more effective budget tool than any AI pipeline, what the economics of AMC A-list are doing to studio revenue models, and why the wrong lesson from all of this is to go hire these directors to make a Texas Chainsaw Massacre sequel. Referenced in this episode: Obsession (2025) Backrooms (2026) Audition (1999, dir. Takashi Miike) Avatar 3 (2025) The Odyssey (Christopher Nolan) (2026) Mandalorian and Grogu (2026) AMC A-list > A24 > Blumhouse > This episode is sponsored by: Center Grid Virtual Studio Kitbash 3D (Use promocode "CGGarage" for 10% off)

Before becoming Cliff Clavin on Cheers, John Ratzenberger spent years traveling the world, building houses, performing improvised comedy across Europe, and chasing adventure wherever it led. In this encore episode, John shares the remarkable story behind his famous Cheers audition, his friendships with Hollywood legends, his long-running relationship with Pixar, and why he believes young people should learn practical skills before pursuing fame. It's a funny, thoughtful conversation filled with stories only John Ratzenberger could tell. Chapters 00:00 Introduction 00:52 A Lifetime of Travel and Adventure 04:26 Landing the Role of Cliff Clavin 06:28 Leaving Carpentry for England 07:21 Building an Improv Career in Europe 10:02 Learning to Act Without Training 12:53 Star Wars and Early Film Roles 14:27 Why Building Things Matters 16:48 First Impressions of Los Angeles 19:19 Being Recognized in Public 20:24 The Early Struggles of Cheers 22:56 Working with Hollywood Legends 24:12 Remembering Frances Sternhagen 28:07 The Famous Cheers Audition Story 35:39 Memories of Kirstie Alley 37:43 Inventing and Building Products 41:58 The Importance of Trade Skills 45:05 Advice for Young Actors 47:11 His Son's First Fish, A Shark 48:39 Family, Career and Success 50:18 Dancing With The Stars Challenge 53:34 Toy Story 5 and What's Next 57:38 His Hollywood Heroes 01:03:12 Faking a Foreign Language at an Audition 01:04:51 Leaving Cheers for the Last Time 01:06:05 Advice for Surviving Hollywood 01:08:42 A Frightening Fan Encounter 01:11:08 Final Thoughts Show CreditsHost/Producer: Steve KmetkoAll things technical: Justin ZangerleExecutive Producer: Jim LichtensteinMusic by: Brian Sanyshyn https://stillherehollywood.comhttp://patreon.com/stillherehollywoodSuggest Guests at: stillherehollywood@gmail.comAdvertise on Still Here Hollywood: jim@stillherenetwork.comPublicist: Maggie Perlich: maggie@numbertwelvemarketing.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

American_Family_Saga_440813_-_Introduction_To_The_Mills_Audition

Jen Jacob and Jordi Vilasuso joined me in The Locher Room for a fun and insightful conversation about their work on Beyond the Gates and their journeys through the entertainment industry.Jen talked about her audition process for the role of Ashley Morgan, transitioning from primetime and film into daytime television, and the fast pace that comes with working on a soap. She also opened up about the incredible support system among the cast and what has made this experience so meaningful for her.Jordi reflected on how the role of Grayson Perez came into his life and what it has meant to step into his fifth daytime role after memorable runs on Guiding Light, All My Children, Days of Our Lives and The Young and the Restless. He also shared his thoughts on the recent two-season renewal for Beyond the Gates and why he believes audiences continue to connect with daytime storytelling.We also talked about working with their co-stars, the family atmosphere behind the scenes, life outside of acting and so much more.A heartfelt, funny and engaging conversation with two stars helping bring new energy to daytime television.

Have you ever read a book where you haven't been entirely sure what happened in the book? Where you haven't been sure what's "real," and if you can tell what's "real," you can't tell who the book is "real" for? Have you ever felt like the whole world is a stage, and that we are merely players? If you answered "yes" to all these questions, you might be the target audience for this one. Our theme music was composed by Nick Lerangis.Follow @overduepod on Instagram and BlueskyAdvertise on OverdueSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We had some tech trouble but we managed to get Glenn in on this through science and/or magic.  Real nasty movie too!  

We close out the TopCats Eras Series with the most recently retired TopCats, Trica Johnson and Brandi Hopson (I'm so sad it's over). These ladies share their inspiring journeys, challenges faced, and the lessons learned along the way. This episode offers both motivational stories and practical insights for aspiring pro cheerleaders and anyone chasing big dreams. Plus, you'll get a lot of laughs!Key Topics:How Trica and Brandi made their way onto the TopCats team after multiple auditions and years of perseveranceThe importance of resilience, including dealing with rejections and setbacksThe role of support systems from coaches to family in achieving long-term goalsThe balance of motherhood, health, and ambition, including stories of returning to the team postpartumTips on preparation, staying present, and mental resilience during auditionsInsights into team diversity, coed integration, and the community spirit within TopCatsPractical advice on nutrition, rest, and mental strategies for performance and audition successSupporting stories of failure, recovery, and stories that turn into lifelong friendshipsChapters(00:00) - Introduction to the TopCats 30th anniversary series and guest introductions(02:30) - Guest backgrounds and notable achievements in pro cheerleading(05:50) - Motivations and persistence that kept them trying for TopCats(10:00) - Overcoming repeated rejections and lessons in resilience(15:00) - The journey of postpartum return and balancing family life with pro cheerleading(20:00) - Audition tips: preparation, mental resilience, and resting strategies(25:00) - The power of mentorship, support, and community within cheerleading and entrepreneurship(30:00) - The importance of staying present, compartmentalizing tasks, and embracing imperfections(35:00) - Nutrition, hydration, and fueling the body for peak performance(40:00) - Experiences of team diversity and coed integration(45:00) - The significance of rejection and learning from setbacks(50:00) - Moments of pride, team bonds, and the cultural impact of being a TopCat(55:00) - Rapid fire: favorite routines, game day rituals, and humorous moments(60:00) - Closing thoughts: stories of perseverance, encouragement, and collective legacyConnect with the Guests:Brandi Hopson - InstagramTrica Johnson - InstagramYou can check out episodes 1-7 right here on The ImPerfect Cheerleader podcast. Follow @theprofessionalcheerleader on Instagram and @thepro.dancer on TikTok for more information on audition tips, advice, classes and podcast guests.

Why do talented actors sometimes walk into auditions and completely disconnect from themselves? In this episode, casting director and acting teacher Jeffrey Dreisbach explores one of the biggest hidden audition killers: overthinking. From self-monitoring and approval-seeking to trying too hard to “be good,” this episode breaks down the subtle habits that quietly sabotage actors before the scene even begins. Practical, funny, and brutally honest, this episode helps actors reconnect to behavior, simplicity, and truthful work.   What if the biggest thing hurting your auditions… isn't your acting? Learn more about your ad choices. Visit megaphone.fm/adchoices

Tonight on The Last Word: Donald Trump's Attorney General nominee faces a tough Senate confirmation. Also, Trump puts loyalty over experience with his DNI pick. And Trump remains defiant as voters sour on his economy. Rep. Madeleine Dean, Andrew Weissmann, and Rep. Brendan Boyle join Lawrence O'Donnell. To listen to this show and other MS podcasts without ads, sign up for MS NOW Premium on Apple Podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Dan Perrault was sharing a bedroom with four other guys in Los Angeles when he decided to stop waiting for the industry to hand him an invitation — and start writing his own. This week, inspired by the co-creator of American Vandal and Peabody Award winner, we're breaking down why creating your own content is no longer a backup plan — it's THE plan. We talk about what Dan's YouTube-to-Netflix pipeline really teaches us about getting yourself on camera without permission, why original content stops you from projecting what they want and starts showing them exactly who you are, and the one-page challenge that could start opening doors you've been waiting on for years. Stop waiting for the invitation. Write your own. Subscribe now for insightful discussions, empowering interviews, and practical advice to enhance your career longevity and satisfaction. Connect with That One Audition: SELF-TAPE MAY CLASS: Starting May 7th - FREE What's My Frame THE BRIDGE FOR ACTORS: Become a WORKING ACTOR - 50% OFF THE PRACTICE TRACK: Membership to Practice Weekly CONSULTING: Get 1-on-1 advice for your acting career from Alyshia Ochse COACHING: Get personalized coaching from Alyshia on your next audition or role INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com APPLE PODCASTS: Subscribe to That One Audition on Apple Podcasts SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher Subscribe today and be part of a community that celebrates resilience and passion in the world of acting!

Hannah Harper just won American Idol and nobody saw it coming. A mom from Missouri with songs about postpartum depression and an unashamed faith in Jesus beat out every polished, picture-perfect performer on that stage. Kirk breaks down why her win matters way beyond a singing competition and what it tells us about what people are actually hungry for in a world drowning in curated images and fake everything. America's Christian Credit Union: https://americaschristiancu.com/kirk To learn more about the sponsor of today's show and what our family currently uses for our healthcare check out Christian Healthcare Ministries by visiting https://hubs.ly/Q02vWQGy0  Editing and production services provided by thepodcastupload.com https://chministries.org/kirk #TheKirkCameronShow #AmericanIdol #HannahHarper #Faith #Authenticity #KirkCameron #Christian #Culture #AmericanIdol2026 #FaithAndCulture #KirkCameron #CountryMusic #ChristianWorldview #Authenticity #ChristianPodcast #Motherhood

Two government watchdogs are suing the Justice Department over its Office of Legal Counsel memo that declares the Presidential Records Act unconstitutional. The US Attorney in the Eastern District of North Carolina has filed charges against James Comey for sharing a photo of seashells that spell out 8647. The Government Accountability Office and the Office of the Inspector General are investigating the Department of Justice's compliance with the Epstein Files Transparency Act.  The White House Correspondents' Dinner was not designated a National Special Security Event by the US Secret Service. Plus listener questions. Do you have questions for the pod or something for HITMEINTHEHEADWITHABAT?    Get this new customer offer and your 3-month Unlimited wireless plan for just $15 a month at MINTMOBILE.com/UNJUST Check out other MSW Media podcastshttps://mswmedia.com/shows/ Follow AGMueller, She Wrote SubstackMueller She Wrote on Blueskyhttps://twitter.com/MuellerSheWrotehttps://twitter.com/dailybeanspodMore from Andrew McCabeThe Real McCabe on Substack@therealmccabe.com on BlueskyThe Threat: How the FBI Protects America in the Age of Terror and Trump This Show is Available Ad-Free And Early For Patreon and Supercast Supporters at https://patreon.com/thedailybeansOr when you Subscribe on Apple Podcastshttps://apple.co/3YNpW3P Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.