Podcasts about sabh

Vótáil scrúdaitheoirí tiomána atá fostaithe ag an Údarás Sabháilteachta Bóthair an RSA ar son gníomhaíocht thionsclaíoch an tseachtain seo caite, toisc nach féidir a dhearbhú go bhfuil siad clúdaithe faoi arachas nuair a shuíonn siad isteach i gcarr príobháideach chun tiomanaí a mheas.

Sevak Sikh Pujan Sabh Avah, ਸੇਵਕ ਸਿਖ ਪੂਜਣ ਸਭਿ ਆਵਹਿ (Sri Guru Granth Sahib Ang 669 Sabad 1765)

Vin Navai Sabh Bharamade, ਵਿਣੁ ਨਾਵੈ ਸਭਿ ਭਰਮਦੇ (Sri Guru Granth Sahib Ang 645 Sabad 1693)

Sabh Jag Jinah Upaia, ਸਭੁ ਜਗੁ ਜਿਨਹਿ ਉਪਾਇਆ (Sri Guru Granth Sahib Ang 639 Sabad 1682)

Ji Jant Sabh Vas Kar Dine, ਜੀਅ ਜੰਤ ਸਭਿ ਵਸਿ ਕਰਿ ਦੀਨੇ (Sri Guru Granth Sahib Ang 631 Sabad 1662)

10 ਅਗਸਤ 2025 | ਜੈ ਜੈ ਕਾਰੁ ਕਰੇ ਸਭੁ ਕੋਈ ॥ (ਜਨਮ ਦਿਨ ਬ੍ਰਹਮ ਗਿਆਨੀ ਸੰਤ ਬਾਬਾ ਈਸ਼ਰ ਸਿੰਘ ਜੀ ਰਾੜਾ ਸਾਹਿਬ ਵਾਲੇ) | ਕੀਰਤਨ ਬਾਬਾ ਲਖਬੀਰ ਸਿੰਘ ਜੀ ਰਤਵਾੜਾ ਸਾਹਿਬ | ਗਰਦੁਆਰਾ ਈਸ਼ਰ ਪ੍ਰਕਾਸ਼ ਰਤਵਾੜਾ ਸਾਹਿਬ | 10 AUGUST 2025 | JAI JAI KAAR KARAE SABH KOEE || (JANAMDIN BRAHM GIANI SHRIMAN SANT BABA ISHER SINGH JI RARA SAHIB WALE) | KIRTAN BABA LAKHBIR SINGH JI RATWARA SAHIB | GURDWARA ISHER PARKASH RATWARA SAHIB |ਬਾਬਾ ਲਖਬੀਰ ਸਿੰਘ ਜੀ ਮੌਜੂਦਾ ਮੁਖੀ ਰਤਵਾੜਾ ਸਾਹਿਬ | BABA LAKHBIR SINGH JI CHAIRMAN RATWARA SAHIB⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://t.me/ratwarasahib⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ਰਤਵਾੜਾ ਸਾਹਿਬ ਦੇ ਟੈਲੀਗ੍ਰਾਮ ਗਰੁੱਪ ਵਿਚ ਸ਼ਾਮਲ ਹੋਣ ਲਈ ਆਪਣਾ ਨਾਮ ਅਤੇ ਸ਼ਹਿਰ, ਸਾਨੂੰ ਇਹਨਾਂ ਨੰਬਰਾਂ ਤੇ ਲਿਖ ਕੇ ਭੇਜੋ ਜੀ :- +919814712900, +919569455861.To join the Telegram or WhatsApp group, please send us your name and city on these numbers :- +919814712900, +919569455861.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube Ratwara Sahib⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter Ratwara Sahib⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram Ratwara Sahib⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook Ratwara Sahib⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠sratwarasahib.in@gmail.comApp :- Ratwara Sahib Ji (for both Apple and Android Users.

Ji Jantr Sabh Tis Ke Kie, ਜੀਅ ਜੰਤ੍ਰ ਸਭਿ ਤਿਸ ਕੇ ਕੀਏ (Sri Guru Granth Sahib Ang 621 Sabad 1618)

Gae Kales Rog Sabh, ਗਏ ਕਲੇਸ ਰੋਗ ਸਭਿ (Sri Guru Granth Sahib Ang 619 Sabad 1610)

Sukhie Kau Pekhai Sabh Sukhia, ਸੁਖੀਏ ਕਉ ਪੇਖੈ ਸਭ ਸੁਖੀਆ (Sri Guru Granth Sahib Ang 610 Sabad 1574)

Aape He Sabh Aap Hai, ਆਪੇ ਹੀ ਸਭੁ ਆਪਿ ਹੈ (Sri Guru Granth Sahib Ang 605 Sabad 1562)

Satgur No Sabh Ko Vekhada, ਸਤਿਗੁਰ ਨੋ ਸਭੁ ਕੋ ਵੇਖਦਾ (Sri Guru Granth Sahib Ang 594 Sabad 1535)

Bhai Vich Sabh Aakar Hai, ਭੈ ਵਿਚਿ ਸਭੁ ਆਕਾਰੁ ਹੈ (Sri Guru Granth Sahib Ang 586 Sabad 1516)

Gurmukh Sabh Vaapar Bhala, ਗੁਰਮੁਖਿ ਸਭੁ ਵਾਪਾਰੁ ਭਲਾ (Sri Guru Granth Sahib Ang 568 Sabad 1489)

ਬਾਕੀ ਸਭ ਸੁੱਖ ਸਾਂਦ ਹੈ!- ਮੋਹਨ ਭੰਡਾਰੀBaki Sabh Sukh saand Hai!- Mohan BandhariBaki Sabh Sukh saand Hai! is a beautiful Punjabi Short Story written by the famous Punjabi writer of all time i.e. Mohan Bandhari who is best known for his storyline and character formulation.The plot of the story revolves around the village life where the protagonist represents post modern Punjabi. Fellow villagers come to him to get assistance regarding 'Letter Writing'.He life turns upside down when he encounters an old lady whom he listens to write her letter and gets engulfed in her episode. The story would take you through transitional essence, which is full of emotions and tries to encapsulate the consciousness of every literature lover.The cover art of this audiobook has been made by Artist Gurdish Pannu and Dr. Ruminder has given voice to this punjabi short story.#popularstories#famous#audiobook#punjabiculture#family#punjabimaaboli#motherhood#punjabistories#writer#punjabibooks#punjabiculture#ਪੰਜਾਬੀ#punjabifolk

Man Mailai Sabh Kish Maila, ਮਨਿ ਮੈਲੈ ਸਭੁ ਕਿਛੁ ਮੈਲਾ (Sri Guru Granth Sahib Ang 558 Sabad 1463)

Sabh Kich Hukame Avada, ਸਭੁ ਕਿਛੁ ਹੁਕਮੇ ਆਵਦਾ (Sri Guru Granth Sahib Ang 556 Sabad 1459)

Raam Raam Karta Sabh Jag Phirai, ਰਾਮੁ ਰਾਮੁ ਕਰਤਾ ਸਭੁ ਜਗੁ ਫਿਰੈ (Sri Guru Granth Sahib Ang 555 Sabad 1455)

Karam Dharam Sabh Bandhana, ਕਰਮ ਧਰਮ ਸਭਿ ਬੰਧਨਾ (Sri Guru Granth Sahib Ang 551 Sabad 1445)

Sabh Jee Tere, ਸਭਿ ਜੀਅ ਤੇਰੇ (Sri Guru Granth Sahib Ang 541 Sabad 1429)

Sabh Kich Jeevat Ko Bivahaar, ਸਭ ਕਿਛੁ ਜੀਵਤ ਕੋ ਬਿਵਹਾਰ (Sri Guru Granth Sahib Ang 536 Sabad 1420)

Sabh Din Ke Samarath, ਸਭ ਦਿਨ ਕੇ ਸਮਰਥ (Sri Guru Granth Sahib Ang 536 Sabad 1418)

Micheál Mac Donnacha, oifigeach sláinte & sabháilteacht & timpeallacht ag labhairt faoina chuid oibre agus ag tabhairt comhairle do dhaoine faoi chúrsaí sabháilteacht.

Eh Sabh Kish Aavan Jaan Hai, ਏਹੁ ਸਭੁ ਕਿਛੁ ਆਵਣ ਜਾਣੁ ਹੈ (Sri Guru Granth Sahib Page 516 Sabad 1343)

Jis Simarat Sabh Kilavikh Nasah, ਜਿਸੁ ਸਿਮਰਤ ਸਭਿ ਕਿਲਵਿਖ ਨਾਸਹਿ (Sri Guru Granth Sahib Page 496 Sabad 1286)

Raam Raam Sabh Ko Kahai, ਰਾਮ ਰਾਮ ਸਭੁ ਕੋ ਕਹੈ (Sri Guru Granth Sahib Page 491 Sabad 1272)

Sabh Tunhai Karata, ਸਭੁ ਤੂੰਹੈ ਕਰਤਾ ਸਭ ਤੇਰੀ ਵਡਿਆਈ (Sri Guru Granth Sahib Page 448 Sabad 1171)

Satajug Sabh Santokh Sarira, ਸਤਜੁਗਿ ਸਭੁ ਸੰਤੋਖ ਸਰੀਰਾ (Sri Guru Granth Sahib Page 445 Sabad 1168)

Ayo Annai Sabh Jag Aaia, ਅਯੋ ਅੰਙੈ ਸਭੁ ਜਗੁ ਆਇਆ (Patee Likhi 1-4) (Sri Guru Granth Sahib Page 434 Sabad 1157)

Sabh Bidh Tum He Janate, ਸਭ ਬਿਧਿ ਤੁਮ ਹੀ ਜਾਨਤੇ (Sri Guru Granth Sahib Page 432 Sabad 1155)

Sabh Navai No Lochadi, ਸਭ ਨਾਵੈ ਨੋ ਲੋਚਦੀ (Sri Guru Granth Sahib Page 427 Sabad 1145)

Gharai Andar Sabh Vath Hai, ਘਰੈ ਅੰਦਰਿ ਸਭੁ ਵਥੁ ਹੈ (Sri Guru Granth Sahib Page 425 Sabad 1141)

Aasa Aas Kare Sabh Koie, ਆਸਾ ਆਸ ਕਰੇ ਸਭੁ ਕੋਈ (Sri Guru Granth Sahib Page 423 Sabad 1138)

Keith Cantú's Like a Tree Universally Spread: Sri Sabhapati Swami And Śivarājayoga (Oxford UP, 2023) examines the life of a nineteenth- to early twentieth-century Tamil yogin named Sri Sabhapati Swami (Śrī Sabhāpati Svāmī or Capāpati Cuvāmikaḷ, ca. 1828-1923/4) and his unique English, Tamil, Hindi, and Bengali literature on a Sanskrit-based system of yogic meditation known as the "Rājayoga for Śiva" (Tamil: civarājayōkam, Sanskrit: śivarājayoga), the full experience of which is compared to being like a "tree universally spread." Its practice was based on a unique synthesis of Tamil Vīraśaiva and Siddhar cosmologies in the colonial period, and the yogic literature in which it is found was designed to have universal appeal across boundaries of caste, gender, and sectarian affiliation. His works, all of which are here analyzed together for the first time, are an important record in the history of yoga, print culture, and art history due to his vividly-illustrated and numbered diagrams on the yogic body with its subtle physiology. This book opens with a biographical account of Sabhapati, his editor Shrish Chandra Basu, and his students as gleaned from textual sources and the author's ethnographic field work. Sabhapati's literature in various languages is then analyzed, followed by a comprehensive exposition of his Śaiva cosmology and religious theories. Sabhapati's system of Śivarājayoga and its subtle physiology is then treated in detail, followed by an analysis of Sabhapati's aesthetic integration of aural sound and visual diagrams and an evaluation of the role of "science" in the swami's literature. Sabhapati also appealed to global authors and occultists outside of South Asia, so special attention is additionally given to his encounter with the founders of the Theosophical Society and the integration of his techniques into the thelemic "Magick" of Aleister Crowley, the German translation of Bavarian theosophical novelist Franz Hartmann, and the American publication of New Thought entrepreneur William Estep. To these are appended a never-before-translated Tamil hagiography of Sabhapati's life, a lexicon in table-form that compiles some archaic variants and Roman transliterations of technical terms used in his work, and a critically-edited passage on an innovative technique of Śivarājayoga that included visualizing the yogic central channel as a lithic "pole." Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Keith Cantú's Like a Tree Universally Spread: Sri Sabhapati Swami And Śivarājayoga (Oxford UP, 2023) examines the life of a nineteenth- to early twentieth-century Tamil yogin named Sri Sabhapati Swami (Śrī Sabhāpati Svāmī or Capāpati Cuvāmikaḷ, ca. 1828-1923/4) and his unique English, Tamil, Hindi, and Bengali literature on a Sanskrit-based system of yogic meditation known as the "Rājayoga for Śiva" (Tamil: civarājayōkam, Sanskrit: śivarājayoga), the full experience of which is compared to being like a "tree universally spread." Its practice was based on a unique synthesis of Tamil Vīraśaiva and Siddhar cosmologies in the colonial period, and the yogic literature in which it is found was designed to have universal appeal across boundaries of caste, gender, and sectarian affiliation. His works, all of which are here analyzed together for the first time, are an important record in the history of yoga, print culture, and art history due to his vividly-illustrated and numbered diagrams on the yogic body with its subtle physiology. This book opens with a biographical account of Sabhapati, his editor Shrish Chandra Basu, and his students as gleaned from textual sources and the author's ethnographic field work. Sabhapati's literature in various languages is then analyzed, followed by a comprehensive exposition of his Śaiva cosmology and religious theories. Sabhapati's system of Śivarājayoga and its subtle physiology is then treated in detail, followed by an analysis of Sabhapati's aesthetic integration of aural sound and visual diagrams and an evaluation of the role of "science" in the swami's literature. Sabhapati also appealed to global authors and occultists outside of South Asia, so special attention is additionally given to his encounter with the founders of the Theosophical Society and the integration of his techniques into the thelemic "Magick" of Aleister Crowley, the German translation of Bavarian theosophical novelist Franz Hartmann, and the American publication of New Thought entrepreneur William Estep. To these are appended a never-before-translated Tamil hagiography of Sabhapati's life, a lexicon in table-form that compiles some archaic variants and Roman transliterations of technical terms used in his work, and a critically-edited passage on an innovative technique of Śivarājayoga that included visualizing the yogic central channel as a lithic "pole." Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Keith Cantú's Like a Tree Universally Spread: Sri Sabhapati Swami And Śivarājayoga (Oxford UP, 2023) examines the life of a nineteenth- to early twentieth-century Tamil yogin named Sri Sabhapati Swami (Śrī Sabhāpati Svāmī or Capāpati Cuvāmikaḷ, ca. 1828-1923/4) and his unique English, Tamil, Hindi, and Bengali literature on a Sanskrit-based system of yogic meditation known as the "Rājayoga for Śiva" (Tamil: civarājayōkam, Sanskrit: śivarājayoga), the full experience of which is compared to being like a "tree universally spread." Its practice was based on a unique synthesis of Tamil Vīraśaiva and Siddhar cosmologies in the colonial period, and the yogic literature in which it is found was designed to have universal appeal across boundaries of caste, gender, and sectarian affiliation. His works, all of which are here analyzed together for the first time, are an important record in the history of yoga, print culture, and art history due to his vividly-illustrated and numbered diagrams on the yogic body with its subtle physiology. This book opens with a biographical account of Sabhapati, his editor Shrish Chandra Basu, and his students as gleaned from textual sources and the author's ethnographic field work. Sabhapati's literature in various languages is then analyzed, followed by a comprehensive exposition of his Śaiva cosmology and religious theories. Sabhapati's system of Śivarājayoga and its subtle physiology is then treated in detail, followed by an analysis of Sabhapati's aesthetic integration of aural sound and visual diagrams and an evaluation of the role of "science" in the swami's literature. Sabhapati also appealed to global authors and occultists outside of South Asia, so special attention is additionally given to his encounter with the founders of the Theosophical Society and the integration of his techniques into the thelemic "Magick" of Aleister Crowley, the German translation of Bavarian theosophical novelist Franz Hartmann, and the American publication of New Thought entrepreneur William Estep. To these are appended a never-before-translated Tamil hagiography of Sabhapati's life, a lexicon in table-form that compiles some archaic variants and Roman transliterations of technical terms used in his work, and a critically-edited passage on an innovative technique of Śivarājayoga that included visualizing the yogic central channel as a lithic "pole." Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Keith Cantú's Like a Tree Universally Spread: Sri Sabhapati Swami And Śivarājayoga (Oxford UP, 2023) examines the life of a nineteenth- to early twentieth-century Tamil yogin named Sri Sabhapati Swami (Śrī Sabhāpati Svāmī or Capāpati Cuvāmikaḷ, ca. 1828-1923/4) and his unique English, Tamil, Hindi, and Bengali literature on a Sanskrit-based system of yogic meditation known as the "Rājayoga for Śiva" (Tamil: civarājayōkam, Sanskrit: śivarājayoga), the full experience of which is compared to being like a "tree universally spread." Its practice was based on a unique synthesis of Tamil Vīraśaiva and Siddhar cosmologies in the colonial period, and the yogic literature in which it is found was designed to have universal appeal across boundaries of caste, gender, and sectarian affiliation. His works, all of which are here analyzed together for the first time, are an important record in the history of yoga, print culture, and art history due to his vividly-illustrated and numbered diagrams on the yogic body with its subtle physiology. This book opens with a biographical account of Sabhapati, his editor Shrish Chandra Basu, and his students as gleaned from textual sources and the author's ethnographic field work. Sabhapati's literature in various languages is then analyzed, followed by a comprehensive exposition of his Śaiva cosmology and religious theories. Sabhapati's system of Śivarājayoga and its subtle physiology is then treated in detail, followed by an analysis of Sabhapati's aesthetic integration of aural sound and visual diagrams and an evaluation of the role of "science" in the swami's literature. Sabhapati also appealed to global authors and occultists outside of South Asia, so special attention is additionally given to his encounter with the founders of the Theosophical Society and the integration of his techniques into the thelemic "Magick" of Aleister Crowley, the German translation of Bavarian theosophical novelist Franz Hartmann, and the American publication of New Thought entrepreneur William Estep. To these are appended a never-before-translated Tamil hagiography of Sabhapati's life, a lexicon in table-form that compiles some archaic variants and Roman transliterations of technical terms used in his work, and a critically-edited passage on an innovative technique of Śivarājayoga that included visualizing the yogic central channel as a lithic "pole." Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Keith Cantú's Like a Tree Universally Spread: Sri Sabhapati Swami And Śivarājayoga (Oxford UP, 2023) examines the life of a nineteenth- to early twentieth-century Tamil yogin named Sri Sabhapati Swami (Śrī Sabhāpati Svāmī or Capāpati Cuvāmikaḷ, ca. 1828-1923/4) and his unique English, Tamil, Hindi, and Bengali literature on a Sanskrit-based system of yogic meditation known as the "Rājayoga for Śiva" (Tamil: civarājayōkam, Sanskrit: śivarājayoga), the full experience of which is compared to being like a "tree universally spread." Its practice was based on a unique synthesis of Tamil Vīraśaiva and Siddhar cosmologies in the colonial period, and the yogic literature in which it is found was designed to have universal appeal across boundaries of caste, gender, and sectarian affiliation. His works, all of which are here analyzed together for the first time, are an important record in the history of yoga, print culture, and art history due to his vividly-illustrated and numbered diagrams on the yogic body with its subtle physiology. This book opens with a biographical account of Sabhapati, his editor Shrish Chandra Basu, and his students as gleaned from textual sources and the author's ethnographic field work. Sabhapati's literature in various languages is then analyzed, followed by a comprehensive exposition of his Śaiva cosmology and religious theories. Sabhapati's system of Śivarājayoga and its subtle physiology is then treated in detail, followed by an analysis of Sabhapati's aesthetic integration of aural sound and visual diagrams and an evaluation of the role of "science" in the swami's literature. Sabhapati also appealed to global authors and occultists outside of South Asia, so special attention is additionally given to his encounter with the founders of the Theosophical Society and the integration of his techniques into the thelemic "Magick" of Aleister Crowley, the German translation of Bavarian theosophical novelist Franz Hartmann, and the American publication of New Thought entrepreneur William Estep. To these are appended a never-before-translated Tamil hagiography of Sabhapati's life, a lexicon in table-form that compiles some archaic variants and Roman transliterations of technical terms used in his work, and a critically-edited passage on an innovative technique of Śivarājayoga that included visualizing the yogic central channel as a lithic "pole." Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Keith Cantú's Like a Tree Universally Spread: Sri Sabhapati Swami And Śivarājayoga (Oxford UP, 2023) examines the life of a nineteenth- to early twentieth-century Tamil yogin named Sri Sabhapati Swami (Śrī Sabhāpati Svāmī or Capāpati Cuvāmikaḷ, ca. 1828-1923/4) and his unique English, Tamil, Hindi, and Bengali literature on a Sanskrit-based system of yogic meditation known as the "Rājayoga for Śiva" (Tamil: civarājayōkam, Sanskrit: śivarājayoga), the full experience of which is compared to being like a "tree universally spread." Its practice was based on a unique synthesis of Tamil Vīraśaiva and Siddhar cosmologies in the colonial period, and the yogic literature in which it is found was designed to have universal appeal across boundaries of caste, gender, and sectarian affiliation. His works, all of which are here analyzed together for the first time, are an important record in the history of yoga, print culture, and art history due to his vividly-illustrated and numbered diagrams on the yogic body with its subtle physiology. This book opens with a biographical account of Sabhapati, his editor Shrish Chandra Basu, and his students as gleaned from textual sources and the author's ethnographic field work. Sabhapati's literature in various languages is then analyzed, followed by a comprehensive exposition of his Śaiva cosmology and religious theories. Sabhapati's system of Śivarājayoga and its subtle physiology is then treated in detail, followed by an analysis of Sabhapati's aesthetic integration of aural sound and visual diagrams and an evaluation of the role of "science" in the swami's literature. Sabhapati also appealed to global authors and occultists outside of South Asia, so special attention is additionally given to his encounter with the founders of the Theosophical Society and the integration of his techniques into the thelemic "Magick" of Aleister Crowley, the German translation of Bavarian theosophical novelist Franz Hartmann, and the American publication of New Thought entrepreneur William Estep. To these are appended a never-before-translated Tamil hagiography of Sabhapati's life, a lexicon in table-form that compiles some archaic variants and Roman transliterations of technical terms used in his work, and a critically-edited passage on an innovative technique of Śivarājayoga that included visualizing the yogic central channel as a lithic "pole." Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions

Keith Cantú's Like a Tree Universally Spread: Sri Sabhapati Swami And Śivarājayoga (Oxford UP, 2023) examines the life of a nineteenth- to early twentieth-century Tamil yogin named Sri Sabhapati Swami (Śrī Sabhāpati Svāmī or Capāpati Cuvāmikaḷ, ca. 1828-1923/4) and his unique English, Tamil, Hindi, and Bengali literature on a Sanskrit-based system of yogic meditation known as the "Rājayoga for Śiva" (Tamil: civarājayōkam, Sanskrit: śivarājayoga), the full experience of which is compared to being like a "tree universally spread." Its practice was based on a unique synthesis of Tamil Vīraśaiva and Siddhar cosmologies in the colonial period, and the yogic literature in which it is found was designed to have universal appeal across boundaries of caste, gender, and sectarian affiliation. His works, all of which are here analyzed together for the first time, are an important record in the history of yoga, print culture, and art history due to his vividly-illustrated and numbered diagrams on the yogic body with its subtle physiology. This book opens with a biographical account of Sabhapati, his editor Shrish Chandra Basu, and his students as gleaned from textual sources and the author's ethnographic field work. Sabhapati's literature in various languages is then analyzed, followed by a comprehensive exposition of his Śaiva cosmology and religious theories. Sabhapati's system of Śivarājayoga and its subtle physiology is then treated in detail, followed by an analysis of Sabhapati's aesthetic integration of aural sound and visual diagrams and an evaluation of the role of "science" in the swami's literature. Sabhapati also appealed to global authors and occultists outside of South Asia, so special attention is additionally given to his encounter with the founders of the Theosophical Society and the integration of his techniques into the thelemic "Magick" of Aleister Crowley, the German translation of Bavarian theosophical novelist Franz Hartmann, and the American publication of New Thought entrepreneur William Estep. To these are appended a never-before-translated Tamil hagiography of Sabhapati's life, a lexicon in table-form that compiles some archaic variants and Roman transliterations of technical terms used in his work, and a critically-edited passage on an innovative technique of Śivarājayoga that included visualizing the yogic central channel as a lithic "pole." Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Sabh Jap Sabh Tap, ਸਭਿ ਜਪ ਸਭਿ ਤਪ ਸਭ ਚਤੁਰਾਈ (Sri Guru Granth Sahib Page 412 Sabad 1115)

Naam Japat Man Tan Sabh Haria, ਨਾਮੁ ਜਪਤ ਮਨੁ ਤਨੁ ਸਭੁ ਹਰਿਆ (Sri Guru Granth Sahib Page 395 Sabad 1047)

Jis Ka Sabh Kish Tis Ka Hoi, ਜਿਸ ਕਾ ਸਭੁ ਕਿਛੁ ਤਿਸ ਕਾ ਹੋਇ (Sri Guru Granth Sahib Page 388 Sabad 1020)

Agai He Te Sabh Kish Hua, ਆਗੈ ਹੀ ਤੇ ਸਭੁ ਕਿਛੁ ਹੂਆ (Sri Guru Granth Sahib Page 383 Sabad 997)

Tun Visareh Tanh Sabh Ko Lagu, ਤੂੰ ਵਿਸਰਹਿ ਤਾਂ ਸਭੁ ਕੋ ਲਾਗੂ (Sri Guru Granth Sahib Page 383 Sabad 998)

Moh Kutanb Moh Sabh Kar, ਮੋਹੁ ਕੁਟੰਬੁ ਮੋਹੁ ਸਭ ਕਾਰ (Sri Guru Granth Sahib Page 356 Sabad 905)

Paun Upai Dhari Sabh Dharati, ਪਉਣੁ ਉਪਾਇ ਧਰੀ ਸਭ ਧਰਤੀ (Sri Guru Granth Sahib Page 350 Sabad 889)

Sun Vada Akhai Sabh Koi, ਸੁਣਿ ਵਡਾ ਆਖੈ ਸਭੁ ਕੋਇ (Sri Guru Granth Sahib Page 348 Sabad 883)

Liau Liau Karat Phirai Sabh Log, ਲਿੰਉ ਲਿੰਉ ਕਰਤ ਫਿਰੈ ਸਭੁ ਲੋਗੁ (Sri Guru Granth Sahib Page 342 Sabad 872)

Jih Marnai Sabh Jagat Tarasia, ਜਿਹ ਮਰਨੈ ਸਭੁ ਜਗਤੁ ਤਰਾਸਿਆ (Sri Guru Granth Sahib Page 327 Sabad 817)

Sabh Ras Tin Kai Ridhai Heh, ਸਭਿ ਰਸ ਤਿਨ ਕੈ ਰਿਦੈ ਹਹਿ (Sri Guru Granth Sahib Page 310 Sabad 760)