Podcasts about sabh

Jis Simarat Sabh Kilavikh Nasah, ਜਿਸੁ ਸਿਮਰਤ ਸਭਿ ਕਿਲਵਿਖ ਨਾਸਹਿ (Sri Guru Granth Sahib Page 496 Sabad 1286)

Raam Raam Sabh Ko Kahai, ਰਾਮ ਰਾਮ ਸਭੁ ਕੋ ਕਹੈ (Sri Guru Granth Sahib Page 491 Sabad 1272)

Sabh Tunhai Karata, ਸਭੁ ਤੂੰਹੈ ਕਰਤਾ ਸਭ ਤੇਰੀ ਵਡਿਆਈ (Sri Guru Granth Sahib Page 448 Sabad 1171)

Satajug Sabh Santokh Sarira, ਸਤਜੁਗਿ ਸਭੁ ਸੰਤੋਖ ਸਰੀਰਾ (Sri Guru Granth Sahib Page 445 Sabad 1168)

Ayo Annai Sabh Jag Aaia, ਅਯੋ ਅੰਙੈ ਸਭੁ ਜਗੁ ਆਇਆ (Patee Likhi 1-4) (Sri Guru Granth Sahib Page 434 Sabad 1157)

Sabh Bidh Tum He Janate, ਸਭ ਬਿਧਿ ਤੁਮ ਹੀ ਜਾਨਤੇ (Sri Guru Granth Sahib Page 432 Sabad 1155)

Sabh Navai No Lochadi, ਸਭ ਨਾਵੈ ਨੋ ਲੋਚਦੀ (Sri Guru Granth Sahib Page 427 Sabad 1145)

Gharai Andar Sabh Vath Hai, ਘਰੈ ਅੰਦਰਿ ਸਭੁ ਵਥੁ ਹੈ (Sri Guru Granth Sahib Page 425 Sabad 1141)

Aasa Aas Kare Sabh Koie, ਆਸਾ ਆਸ ਕਰੇ ਸਭੁ ਕੋਈ (Sri Guru Granth Sahib Page 423 Sabad 1138)

Keith Cantú's Like a Tree Universally Spread: Sri Sabhapati Swami And Śivarājayoga (Oxford UP, 2023) examines the life of a nineteenth- to early twentieth-century Tamil yogin named Sri Sabhapati Swami (Śrī Sabhāpati Svāmī or Capāpati Cuvāmikaḷ, ca. 1828-1923/4) and his unique English, Tamil, Hindi, and Bengali literature on a Sanskrit-based system of yogic meditation known as the "Rājayoga for Śiva" (Tamil: civarājayōkam, Sanskrit: śivarājayoga), the full experience of which is compared to being like a "tree universally spread." Its practice was based on a unique synthesis of Tamil Vīraśaiva and Siddhar cosmologies in the colonial period, and the yogic literature in which it is found was designed to have universal appeal across boundaries of caste, gender, and sectarian affiliation. His works, all of which are here analyzed together for the first time, are an important record in the history of yoga, print culture, and art history due to his vividly-illustrated and numbered diagrams on the yogic body with its subtle physiology. This book opens with a biographical account of Sabhapati, his editor Shrish Chandra Basu, and his students as gleaned from textual sources and the author's ethnographic field work. Sabhapati's literature in various languages is then analyzed, followed by a comprehensive exposition of his Śaiva cosmology and religious theories. Sabhapati's system of Śivarājayoga and its subtle physiology is then treated in detail, followed by an analysis of Sabhapati's aesthetic integration of aural sound and visual diagrams and an evaluation of the role of "science" in the swami's literature. Sabhapati also appealed to global authors and occultists outside of South Asia, so special attention is additionally given to his encounter with the founders of the Theosophical Society and the integration of his techniques into the thelemic "Magick" of Aleister Crowley, the German translation of Bavarian theosophical novelist Franz Hartmann, and the American publication of New Thought entrepreneur William Estep. To these are appended a never-before-translated Tamil hagiography of Sabhapati's life, a lexicon in table-form that compiles some archaic variants and Roman transliterations of technical terms used in his work, and a critically-edited passage on an innovative technique of Śivarājayoga that included visualizing the yogic central channel as a lithic "pole." Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Keith Cantú's Like a Tree Universally Spread: Sri Sabhapati Swami And Śivarājayoga (Oxford UP, 2023) examines the life of a nineteenth- to early twentieth-century Tamil yogin named Sri Sabhapati Swami (Śrī Sabhāpati Svāmī or Capāpati Cuvāmikaḷ, ca. 1828-1923/4) and his unique English, Tamil, Hindi, and Bengali literature on a Sanskrit-based system of yogic meditation known as the "Rājayoga for Śiva" (Tamil: civarājayōkam, Sanskrit: śivarājayoga), the full experience of which is compared to being like a "tree universally spread." Its practice was based on a unique synthesis of Tamil Vīraśaiva and Siddhar cosmologies in the colonial period, and the yogic literature in which it is found was designed to have universal appeal across boundaries of caste, gender, and sectarian affiliation. His works, all of which are here analyzed together for the first time, are an important record in the history of yoga, print culture, and art history due to his vividly-illustrated and numbered diagrams on the yogic body with its subtle physiology. This book opens with a biographical account of Sabhapati, his editor Shrish Chandra Basu, and his students as gleaned from textual sources and the author's ethnographic field work. Sabhapati's literature in various languages is then analyzed, followed by a comprehensive exposition of his Śaiva cosmology and religious theories. Sabhapati's system of Śivarājayoga and its subtle physiology is then treated in detail, followed by an analysis of Sabhapati's aesthetic integration of aural sound and visual diagrams and an evaluation of the role of "science" in the swami's literature. Sabhapati also appealed to global authors and occultists outside of South Asia, so special attention is additionally given to his encounter with the founders of the Theosophical Society and the integration of his techniques into the thelemic "Magick" of Aleister Crowley, the German translation of Bavarian theosophical novelist Franz Hartmann, and the American publication of New Thought entrepreneur William Estep. To these are appended a never-before-translated Tamil hagiography of Sabhapati's life, a lexicon in table-form that compiles some archaic variants and Roman transliterations of technical terms used in his work, and a critically-edited passage on an innovative technique of Śivarājayoga that included visualizing the yogic central channel as a lithic "pole." Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Keith Cantú's Like a Tree Universally Spread: Sri Sabhapati Swami And Śivarājayoga (Oxford UP, 2023) examines the life of a nineteenth- to early twentieth-century Tamil yogin named Sri Sabhapati Swami (Śrī Sabhāpati Svāmī or Capāpati Cuvāmikaḷ, ca. 1828-1923/4) and his unique English, Tamil, Hindi, and Bengali literature on a Sanskrit-based system of yogic meditation known as the "Rājayoga for Śiva" (Tamil: civarājayōkam, Sanskrit: śivarājayoga), the full experience of which is compared to being like a "tree universally spread." Its practice was based on a unique synthesis of Tamil Vīraśaiva and Siddhar cosmologies in the colonial period, and the yogic literature in which it is found was designed to have universal appeal across boundaries of caste, gender, and sectarian affiliation. His works, all of which are here analyzed together for the first time, are an important record in the history of yoga, print culture, and art history due to his vividly-illustrated and numbered diagrams on the yogic body with its subtle physiology. This book opens with a biographical account of Sabhapati, his editor Shrish Chandra Basu, and his students as gleaned from textual sources and the author's ethnographic field work. Sabhapati's literature in various languages is then analyzed, followed by a comprehensive exposition of his Śaiva cosmology and religious theories. Sabhapati's system of Śivarājayoga and its subtle physiology is then treated in detail, followed by an analysis of Sabhapati's aesthetic integration of aural sound and visual diagrams and an evaluation of the role of "science" in the swami's literature. Sabhapati also appealed to global authors and occultists outside of South Asia, so special attention is additionally given to his encounter with the founders of the Theosophical Society and the integration of his techniques into the thelemic "Magick" of Aleister Crowley, the German translation of Bavarian theosophical novelist Franz Hartmann, and the American publication of New Thought entrepreneur William Estep. To these are appended a never-before-translated Tamil hagiography of Sabhapati's life, a lexicon in table-form that compiles some archaic variants and Roman transliterations of technical terms used in his work, and a critically-edited passage on an innovative technique of Śivarājayoga that included visualizing the yogic central channel as a lithic "pole." Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Keith Cantú's Like a Tree Universally Spread: Sri Sabhapati Swami And Śivarājayoga (Oxford UP, 2023) examines the life of a nineteenth- to early twentieth-century Tamil yogin named Sri Sabhapati Swami (Śrī Sabhāpati Svāmī or Capāpati Cuvāmikaḷ, ca. 1828-1923/4) and his unique English, Tamil, Hindi, and Bengali literature on a Sanskrit-based system of yogic meditation known as the "Rājayoga for Śiva" (Tamil: civarājayōkam, Sanskrit: śivarājayoga), the full experience of which is compared to being like a "tree universally spread." Its practice was based on a unique synthesis of Tamil Vīraśaiva and Siddhar cosmologies in the colonial period, and the yogic literature in which it is found was designed to have universal appeal across boundaries of caste, gender, and sectarian affiliation. His works, all of which are here analyzed together for the first time, are an important record in the history of yoga, print culture, and art history due to his vividly-illustrated and numbered diagrams on the yogic body with its subtle physiology. This book opens with a biographical account of Sabhapati, his editor Shrish Chandra Basu, and his students as gleaned from textual sources and the author's ethnographic field work. Sabhapati's literature in various languages is then analyzed, followed by a comprehensive exposition of his Śaiva cosmology and religious theories. Sabhapati's system of Śivarājayoga and its subtle physiology is then treated in detail, followed by an analysis of Sabhapati's aesthetic integration of aural sound and visual diagrams and an evaluation of the role of "science" in the swami's literature. Sabhapati also appealed to global authors and occultists outside of South Asia, so special attention is additionally given to his encounter with the founders of the Theosophical Society and the integration of his techniques into the thelemic "Magick" of Aleister Crowley, the German translation of Bavarian theosophical novelist Franz Hartmann, and the American publication of New Thought entrepreneur William Estep. To these are appended a never-before-translated Tamil hagiography of Sabhapati's life, a lexicon in table-form that compiles some archaic variants and Roman transliterations of technical terms used in his work, and a critically-edited passage on an innovative technique of Śivarājayoga that included visualizing the yogic central channel as a lithic "pole." Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Keith Cantú's Like a Tree Universally Spread: Sri Sabhapati Swami And Śivarājayoga (Oxford UP, 2023) examines the life of a nineteenth- to early twentieth-century Tamil yogin named Sri Sabhapati Swami (Śrī Sabhāpati Svāmī or Capāpati Cuvāmikaḷ, ca. 1828-1923/4) and his unique English, Tamil, Hindi, and Bengali literature on a Sanskrit-based system of yogic meditation known as the "Rājayoga for Śiva" (Tamil: civarājayōkam, Sanskrit: śivarājayoga), the full experience of which is compared to being like a "tree universally spread." Its practice was based on a unique synthesis of Tamil Vīraśaiva and Siddhar cosmologies in the colonial period, and the yogic literature in which it is found was designed to have universal appeal across boundaries of caste, gender, and sectarian affiliation. His works, all of which are here analyzed together for the first time, are an important record in the history of yoga, print culture, and art history due to his vividly-illustrated and numbered diagrams on the yogic body with its subtle physiology. This book opens with a biographical account of Sabhapati, his editor Shrish Chandra Basu, and his students as gleaned from textual sources and the author's ethnographic field work. Sabhapati's literature in various languages is then analyzed, followed by a comprehensive exposition of his Śaiva cosmology and religious theories. Sabhapati's system of Śivarājayoga and its subtle physiology is then treated in detail, followed by an analysis of Sabhapati's aesthetic integration of aural sound and visual diagrams and an evaluation of the role of "science" in the swami's literature. Sabhapati also appealed to global authors and occultists outside of South Asia, so special attention is additionally given to his encounter with the founders of the Theosophical Society and the integration of his techniques into the thelemic "Magick" of Aleister Crowley, the German translation of Bavarian theosophical novelist Franz Hartmann, and the American publication of New Thought entrepreneur William Estep. To these are appended a never-before-translated Tamil hagiography of Sabhapati's life, a lexicon in table-form that compiles some archaic variants and Roman transliterations of technical terms used in his work, and a critically-edited passage on an innovative technique of Śivarājayoga that included visualizing the yogic central channel as a lithic "pole." Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Keith Cantú's Like a Tree Universally Spread: Sri Sabhapati Swami And Śivarājayoga (Oxford UP, 2023) examines the life of a nineteenth- to early twentieth-century Tamil yogin named Sri Sabhapati Swami (Śrī Sabhāpati Svāmī or Capāpati Cuvāmikaḷ, ca. 1828-1923/4) and his unique English, Tamil, Hindi, and Bengali literature on a Sanskrit-based system of yogic meditation known as the "Rājayoga for Śiva" (Tamil: civarājayōkam, Sanskrit: śivarājayoga), the full experience of which is compared to being like a "tree universally spread." Its practice was based on a unique synthesis of Tamil Vīraśaiva and Siddhar cosmologies in the colonial period, and the yogic literature in which it is found was designed to have universal appeal across boundaries of caste, gender, and sectarian affiliation. His works, all of which are here analyzed together for the first time, are an important record in the history of yoga, print culture, and art history due to his vividly-illustrated and numbered diagrams on the yogic body with its subtle physiology. This book opens with a biographical account of Sabhapati, his editor Shrish Chandra Basu, and his students as gleaned from textual sources and the author's ethnographic field work. Sabhapati's literature in various languages is then analyzed, followed by a comprehensive exposition of his Śaiva cosmology and religious theories. Sabhapati's system of Śivarājayoga and its subtle physiology is then treated in detail, followed by an analysis of Sabhapati's aesthetic integration of aural sound and visual diagrams and an evaluation of the role of "science" in the swami's literature. Sabhapati also appealed to global authors and occultists outside of South Asia, so special attention is additionally given to his encounter with the founders of the Theosophical Society and the integration of his techniques into the thelemic "Magick" of Aleister Crowley, the German translation of Bavarian theosophical novelist Franz Hartmann, and the American publication of New Thought entrepreneur William Estep. To these are appended a never-before-translated Tamil hagiography of Sabhapati's life, a lexicon in table-form that compiles some archaic variants and Roman transliterations of technical terms used in his work, and a critically-edited passage on an innovative technique of Śivarājayoga that included visualizing the yogic central channel as a lithic "pole." Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions

Keith Cantú's Like a Tree Universally Spread: Sri Sabhapati Swami And Śivarājayoga (Oxford UP, 2023) examines the life of a nineteenth- to early twentieth-century Tamil yogin named Sri Sabhapati Swami (Śrī Sabhāpati Svāmī or Capāpati Cuvāmikaḷ, ca. 1828-1923/4) and his unique English, Tamil, Hindi, and Bengali literature on a Sanskrit-based system of yogic meditation known as the "Rājayoga for Śiva" (Tamil: civarājayōkam, Sanskrit: śivarājayoga), the full experience of which is compared to being like a "tree universally spread." Its practice was based on a unique synthesis of Tamil Vīraśaiva and Siddhar cosmologies in the colonial period, and the yogic literature in which it is found was designed to have universal appeal across boundaries of caste, gender, and sectarian affiliation. His works, all of which are here analyzed together for the first time, are an important record in the history of yoga, print culture, and art history due to his vividly-illustrated and numbered diagrams on the yogic body with its subtle physiology. This book opens with a biographical account of Sabhapati, his editor Shrish Chandra Basu, and his students as gleaned from textual sources and the author's ethnographic field work. Sabhapati's literature in various languages is then analyzed, followed by a comprehensive exposition of his Śaiva cosmology and religious theories. Sabhapati's system of Śivarājayoga and its subtle physiology is then treated in detail, followed by an analysis of Sabhapati's aesthetic integration of aural sound and visual diagrams and an evaluation of the role of "science" in the swami's literature. Sabhapati also appealed to global authors and occultists outside of South Asia, so special attention is additionally given to his encounter with the founders of the Theosophical Society and the integration of his techniques into the thelemic "Magick" of Aleister Crowley, the German translation of Bavarian theosophical novelist Franz Hartmann, and the American publication of New Thought entrepreneur William Estep. To these are appended a never-before-translated Tamil hagiography of Sabhapati's life, a lexicon in table-form that compiles some archaic variants and Roman transliterations of technical terms used in his work, and a critically-edited passage on an innovative technique of Śivarājayoga that included visualizing the yogic central channel as a lithic "pole." Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Keith Cantú's Like a Tree Universally Spread: Sri Sabhapati Swami And Śivarājayoga (Oxford UP, 2023) examines the life of a nineteenth- to early twentieth-century Tamil yogin named Sri Sabhapati Swami (Śrī Sabhāpati Svāmī or Capāpati Cuvāmikaḷ, ca. 1828-1923/4) and his unique English, Tamil, Hindi, and Bengali literature on a Sanskrit-based system of yogic meditation known as the "Rājayoga for Śiva" (Tamil: civarājayōkam, Sanskrit: śivarājayoga), the full experience of which is compared to being like a "tree universally spread." Its practice was based on a unique synthesis of Tamil Vīraśaiva and Siddhar cosmologies in the colonial period, and the yogic literature in which it is found was designed to have universal appeal across boundaries of caste, gender, and sectarian affiliation. His works, all of which are here analyzed together for the first time, are an important record in the history of yoga, print culture, and art history due to his vividly-illustrated and numbered diagrams on the yogic body with its subtle physiology. This book opens with a biographical account of Sabhapati, his editor Shrish Chandra Basu, and his students as gleaned from textual sources and the author's ethnographic field work. Sabhapati's literature in various languages is then analyzed, followed by a comprehensive exposition of his Śaiva cosmology and religious theories. Sabhapati's system of Śivarājayoga and its subtle physiology is then treated in detail, followed by an analysis of Sabhapati's aesthetic integration of aural sound and visual diagrams and an evaluation of the role of "science" in the swami's literature. Sabhapati also appealed to global authors and occultists outside of South Asia, so special attention is additionally given to his encounter with the founders of the Theosophical Society and the integration of his techniques into the thelemic "Magick" of Aleister Crowley, the German translation of Bavarian theosophical novelist Franz Hartmann, and the American publication of New Thought entrepreneur William Estep. To these are appended a never-before-translated Tamil hagiography of Sabhapati's life, a lexicon in table-form that compiles some archaic variants and Roman transliterations of technical terms used in his work, and a critically-edited passage on an innovative technique of Śivarājayoga that included visualizing the yogic central channel as a lithic "pole."

Sabh Jap Sabh Tap, ਸਭਿ ਜਪ ਸਭਿ ਤਪ ਸਭ ਚਤੁਰਾਈ (Sri Guru Granth Sahib Page 412 Sabad 1115)

Naam Japat Man Tan Sabh Haria, ਨਾਮੁ ਜਪਤ ਮਨੁ ਤਨੁ ਸਭੁ ਹਰਿਆ (Sri Guru Granth Sahib Page 395 Sabad 1047)

Jis Ka Sabh Kish Tis Ka Hoi, ਜਿਸ ਕਾ ਸਭੁ ਕਿਛੁ ਤਿਸ ਕਾ ਹੋਇ (Sri Guru Granth Sahib Page 388 Sabad 1020)

Agai He Te Sabh Kish Hua, ਆਗੈ ਹੀ ਤੇ ਸਭੁ ਕਿਛੁ ਹੂਆ (Sri Guru Granth Sahib Page 383 Sabad 997)

Tun Visareh Tanh Sabh Ko Lagu, ਤੂੰ ਵਿਸਰਹਿ ਤਾਂ ਸਭੁ ਕੋ ਲਾਗੂ (Sri Guru Granth Sahib Page 383 Sabad 998)

ਬਾਬੀਹਾ ਸਗਲੀ ਧਰਤੀ ਜੇ ਫਿਰਹਿ ਉਡਿ ਚੜਹਿ ਆਕਾਸਿ ॥ baabeehaa sagalee dhharathee jae firehi oodd charrehi aakaas || The rainbird wanders all over the earth, soaring high through the skies. ਸਤਿਗੁਰਿ ਮਿਲਿਐ ਜਲੁ ਪਾਈਐ ਚੂਕੈ ਭੂਖ ਪਿਆਸ ॥ sathigur miliai jal paaeeai chookai bhookh piaas || But it obtains the drop of water, only when it meets the True Guru, and then, its hunger and thirst are relieved. ਜੀਉ ਪਿੰਡੁ ਸਭੁ ਤਿਸ ਕਾ ਸਭੁ ਕਿਛੁ ਤਿਸ ਕੈ ਪਾਸਿ ॥ jeeo pi(n)dd sabh this kaa sabh kishh this kai paas || Soul and body and all belong to Him; everything is His. ਵਿਣੁ ਬੋਲਿਆ ਸਭੁ ਕਿਛੁ ਜਾਣਦਾ ਕਿਸੁ ਆਗੈ ਕੀਚੈ ਅਰਦਾਸਿ ॥ vin boliaa sabh kishh jaanadhaa kis aagai keechai aradhaas || He knows everything, without being told; unto whom should we offer our prayers? ਨਾਨਕ ਘਟਿ ਘਟਿ ਏਕੋ ਵਰਤਦਾ ਸਬਦਿ ਕਰੇ ਪਰਗਾਸ ॥੫੮॥ naanak ghatt ghatt eaeko varathadhaa sabadh karae paragaas ||58|| O Nanak, the One Lord is prevading and permeating each and every heart; the Word of the Shabad brings illumination. ||58|| (Bhai Joginder Singh ji Riar) ਭਾਈ ਜੋਗਿੰਦਰ ਸਿੰਘ ਜੀ ਰੀਆਰ --- Send in a voice message: https://podcasters.spotify.com/pod/show/transform-your-life/message Support this podcast: https://podcasters.spotify.com/pod/show/transform-your-life/support

Moh Kutanb Moh Sabh Kar, ਮੋਹੁ ਕੁਟੰਬੁ ਮੋਹੁ ਸਭ ਕਾਰ (Sri Guru Granth Sahib Page 356 Sabad 905)

Paun Upai Dhari Sabh Dharati, ਪਉਣੁ ਉਪਾਇ ਧਰੀ ਸਭ ਧਰਤੀ (Sri Guru Granth Sahib Page 350 Sabad 889)

Sun Vada Akhai Sabh Koi, ਸੁਣਿ ਵਡਾ ਆਖੈ ਸਭੁ ਕੋਇ (Sri Guru Granth Sahib Page 348 Sabad 883)

Liau Liau Karat Phirai Sabh Log, ਲਿੰਉ ਲਿੰਉ ਕਰਤ ਫਿਰੈ ਸਭੁ ਲੋਗੁ (Sri Guru Granth Sahib Page 342 Sabad 872)

Sharif Abou Sabh's overall success in the Engineering field has inspired Fikry F. Andrawes and Mahmoud A. Elshazly to include Sharif as one of the featured  contributors on their book "Egyptian American Journeys". During this episode, Sharif speaks about his upbringing in Egypt and his adjustment to his new life in the US. In his 40 years of diverse engineering experience, he has managed multiple complex, billion dollars large scale transit infrastructure projects.  He serves HNTB as a Partner/Senior VP with responsibilities including the organization direction of civil and structural engineering design and construction function, schedules, budgets, profit margins and feasibility studies.

Jih Marnai Sabh Jagat Tarasia, ਜਿਹ ਮਰਨੈ ਸਭੁ ਜਗਤੁ ਤਰਾਸਿਆ (Sri Guru Granth Sahib Page 327 Sabad 817)

Rich returns to the Bonelang studio wearing a pink boa and chats with Samy Sabh. He shares his experience at the Harry Styles concert and his appreciation for artists who truly express themselves and reach popular success. Samy and Rich talk The Beatles, Andy Warhol, and Mark Rothko. Samy expresses his positive state of mind and gratitude for life over the past month creating their song "Love Like You" and the beauty of their upcoming album, 2 Crows. He's looking forward to his upcoming trip to Europe, starting in Vienna then Berlin, Paris, and London.   Bonelang on Spotify Bonelang on Instagram Bonelang website  

Sabh Ras Tin Kai Ridhai Heh, ਸਭਿ ਰਸ ਤਿਨ ਕੈ ਰਿਦੈ ਹਹਿ (Sri Guru Granth Sahib Page 310 Sabad 760)

Har Prabh Ka Sabh Khet Hai, ਹਰਿ ਪ੍ਰਭ ਕਾ ਸਭੁ ਖੇਤੁ ਹੈ (Sri Guru Granth Sahib Page 304 Sabad 752)

In the Bonelang studio, Samy Sabh and Rich have a conversation about the challenges they're facing—professionally and personally. They discuss the feeling of the energy and light inside them and the desire to reveal to the world. But how as independent artists? Does the necessity of participating on social media and attention economy dilute the beauty and message of the craft? The unhealthy nature of comparison and obsession over data. Samy and Rich share where they're at in life, their goals, and struggles.  Bonelang on Spotify Bonelang on Instagram Bonelang website    

Nan Ghale Sabh Divas Sas, ਙਣਿ ਘਾਲੇ ਸਭ ਦਿਵਸ ਸਾਸ (Sri Guru Granth Sahib Page 254 Sabad 667)

Ghokhe Sasatr Bedh Sabh, ਘੋਖੇ ਸਾਸਤ੍ਰ ਬੇਦ ਸਭ (Sri Guru Granth Sahib Page 254 Sabad 666)

Último episódio do quarto parva, chamado Virata Parva.

Har Sio Jurai Tan Sabh Ko Mit, ਹਰਿ ਸਿਉ ਜੁਰੈ ਤ ਸਭੁ ਕੋ ਮੀਤੁ (Sri Guru Granth Sahib Page 238 Sabad 625)

Har Simrat Sabh Miteh Kales, ਹਰਿ ਸਿਮਰਤ ਸਭਿ ਮਿਟਹਿ ਕਲੇਸ (Sri Guru Granth Sahib Page 194 Sabad 484)

Bhai Meh Rachio Sabh Sansara, ਭੈ ਮਹਿ ਰਚਿਓ ਸਭੁ ਸੰਸਾਰਾ (Sri Guru Granth Sahib Page 192 Sabad 472)

Jis Simrat Dukh Sabh Jai, ਜਿਸੁ ਸਿਮਰਤ ਦੂਖੁ ਸਭੁ ਜਾਇ (Sri Guru Granth Sahib Page 192 Sabad 471)

Sabh Jug Kalai Vas Hai, ਸਭੁ ਜਗੁ ਕਾਲੈ ਵਸਿ ਹੈ ਬਾਧਾ ਦੂਜੈ ਭਾਇ (Sri Guru Granth Sahib Page 162 Sabad 375)

Ekas Te Sabh Roop Hai Ranga, ਏਕਸੁ ਤੇ ਸਭਿ ਰੂਪ ਹਹਿ ਰੰਗਾ (Sri Guru Granth Sahib Page 160 Sabad 368)

Haumai Vich Sabh Jag Baurana, ਹਉਮੈ ਵਿਚਿ ਸਭੁ ਜਗੁ ਬਉਰਾਨਾ (Sri Guru Granth Sahib Page 159 Sabad 365)

Dena Ganje, My Mechanic, Tuscon, AZ.  At 19 she received her first car as a surprise from her future husband Billy, this was a vehicle he restored and since then she have been a part of the automotive industry in one aspect or another. Key Talking Points Community help- you have the time even if you don't think you do. If you're thinking about it, you're already doing it and you need to put it into action. People think the little things don't add up but it does. If your customers or employees ask for your help (sponsoring little league) find a way to help. What's important to them should be important to you. Don't feel pressured to purchasing top-level sponsorships, consider smaller donations so you do more.   “People don't care how much you know, they want to know how much you care.” Driving Forward by My Mechanic is an idea in process. They have to date given away 4 vehicles to persons in need. These vehicles are either donated to or purchased by My Mechanic, typically from customers. They also include a care package of support with the donation such as a gift certificate for future maintenance or repair needs that may come up within the next year.   Community support for someone else's charity that helped with Dena's charity- Southern Arizona Book Heroes is a Tucson local nonprofit that provides books to first responders to distribute to the Children within their reach. For Example, when a Police Officer is responding to an event and there is a child present they will have a duffel bag of books to choose something to share with the child. This effort will hopefully provide a distraction to the child reducing trauma as well as break down the barriers that 1st responders often face when working with Children. Lastly and equally important is to encourage literacy. The founder of SABH is a single mom, working full time and volunteers for the American Legion as well as running her own nonprofit. When she said she needed help to sort, organize and fill the bags Dena organized a volunteer day at My Mechanic to fill that need.  Employees, customers, and friends came to help. They sorted thousands of books, we filled almost a hundred bags. Over the next two weeks, SABH was able to deliver bags of books to 5 precincts all over Arizona. During the volunteer day, Dena became aware of the condition of the founder's own vehicle. It was not reliable or safe. Everyone at My Mechanic nominated her for a car from driving forward. Following all that she posted about it on Facebook which created a great buzz online about our business and our charity. Resulting in another running vehicle to be donated to the program for the next person in need.    “Cars are vessels of freedom.” Culture- employees are able to see an impact of what they do beyond the day-to-day work. They are helping their community, they see the donation vehicle they've worked on be donated to someone in need. It's more than a job.   1999- Billy Ganje worked as a full-time technician at local shops while working on vehicles on his own on the side. In 2008 opened his own repair shop. 2013 moved to a bigger building.  BNI (Business Networking International- making a commitment to learn about other businesses in the community Thanks to Dena Ganje for her contribution to the aftermarket's premier podcast. Link to the ‘BOOKS‘ page, highlighting all books discussed in the podcast library https://remarkableresults.biz/books/ (HERE). Leaders are readers. Listen for free on Apple Podcasts, Google Podcasts, Spreaker, iHeart Radio, Spotify, Podchaser, and many more. https://remarkableresults.biz/listen/ (Mobile Listening APP's HERE) Find every podcast episode https://remarkableresults.biz/episodes/ (HERE). Every episode is segmented by Series https://remarkableresults.biz/series/ (HERE). Key Word Search https://remarkableresults.biz/tag-cloud/ (HERE). Be socially involved and in touch with the show:...

Mera Prabh Bharpur Rahia Sabh Thai, ਮੇਰਾ ਪ੍ਰਭੁ ਭਰਪੂਰਿ ਰਹਿਆ ਸਭ ਥਾਈ (Sri Guru Granth Sahib Page 126 Sabad 299)

Varan Roop Vartey Sabh Tere, ਵਰਨ ਰੂਪ ਵਰਤਹਿ ਸਭ ਤੇਰੇ (Sri Guru Granth Sahib Page 120 Sabad 290)

Aap Vannjae Ta Sabh Kich Paae, ਆਪੁ ਵੰਞਾਏ ਤਾ ਸਭ ਕਿਛੁ ਪਾਏ (Sri Guru Granth Sahib Page 115 Sabad 282)

Sabh Ghat Apey Bhoganhara, ਸਭ ਘਟ ਆਪੇ ਭੋਗਣਹਾਰਾ (Sri Guru Granth Sahib Page 113 Sabad 278)

Jennifer Dillon, PresidentSouthern Arizona Book Heroes616 E. BroadwayTucson, AZ  85716soazbookheroes@gmail.com520-409-1751soazbookheroes.org SOCIAL MEDIA:  Alignable | Facebook | Instagram | LinkedIn | Twitter  |Jennifer Dillon, the founder of Southern Arizona Book Heroes, has lived in Tucson for almost 30 years. Her family owns Sahuaro Trophy, of which she is proud to be the 3rd generation working there and serving Tucson.Southern Arizona Book Hero's From violent acts to car crashes to a growing opioid epidemic, Southern Arizona Book Heroes™ (SABH) joins the front lines with first responders giving comfort to our youngest and most vulnerable citizens. SABH provides resources that help treat children's unseen injuries—their emotional wounds. We equip first responders, victim advocates, social workers, and child-centric agencies with new books and new plush toys, to distract, comfort, and soothe traumatized children. Reading a book is just the first step in building a strong relationship with children in our community. We support our first responders and believe this program helps to build a partnership with our most important community members, our kids. Our hope is that future generations of this community will be comfortable interacting with emergency responders in every capacity. 

This month we have the pleasure of speaking with Keith E. Cantú, a doctoral student in Religious Studies (South Asian religions with an additional emphasis in European medieval studies). We discuss the critical influences on Thelemic Yoga; especially the life and work of nineteenth-century Tamil Śaiva yogī Śrī Sabhāpati Swāmī, Begali Sufism and other early modern and medieval yogic, tantric, and alchemical traditions