Podcast appearances and mentions of sarah bramao ramos

In this captivating translation of the imaginative prose essay collection Wild Grass (1927) and experimental memoir Morning Blossoms Gathered at Dusk (1928), Eileen J. Cheng expertly showcases the range and imagination of Lu Xun (1881–1936), generally considered to be the father of modern Chinese literature. Combined, these two books include stories and essays that touch on a wide range of topics including fallen leaves, alms seekers, dreams, dead fires, and all the different individuals who inspired Lu Xun's writing. Through surreal prose and unreliable narrators, the books consider wide-reaching questions: What does it mean to be human? How can we know anything? Is pursuing self-knowledge necessary, even if it is impossible? Each translation is accompanied by an introduction that effectively situates the story within the life and work of Lu Xun. As a whole, Eileen's translation Wild Grass and Morning Blossoms Gathered at Dusk (Harvard University Press, 2022) is an intriguing read, and for anyone who is used to Lu Xun's more straightforward prose, it is entirely eye-opening, showing a radically different side to this canonical writer. Sarah Bramao-Ramos is a Research Assistant Professor at the Society of Fellows in the Humanities at the University of Hong Kong. She can be reached at sarahbr@hku.hk Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

In this captivating translation of the imaginative prose essay collection Wild Grass (1927) and experimental memoir Morning Blossoms Gathered at Dusk (1928), Eileen J. Cheng expertly showcases the range and imagination of Lu Xun (1881–1936), generally considered to be the father of modern Chinese literature. Combined, these two books include stories and essays that touch on a wide range of topics including fallen leaves, alms seekers, dreams, dead fires, and all the different individuals who inspired Lu Xun's writing. Through surreal prose and unreliable narrators, the books consider wide-reaching questions: What does it mean to be human? How can we know anything? Is pursuing self-knowledge necessary, even if it is impossible? Each translation is accompanied by an introduction that effectively situates the story within the life and work of Lu Xun. As a whole, Eileen's translation Wild Grass and Morning Blossoms Gathered at Dusk (Harvard University Press, 2022) is an intriguing read, and for anyone who is used to Lu Xun's more straightforward prose, it is entirely eye-opening, showing a radically different side to this canonical writer. Sarah Bramao-Ramos is a Research Assistant Professor at the Society of Fellows in the Humanities at the University of Hong Kong. She can be reached at sarahbr@hku.hk Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

In this captivating translation of the imaginative prose essay collection Wild Grass (1927) and experimental memoir Morning Blossoms Gathered at Dusk (1928), Eileen J. Cheng expertly showcases the range and imagination of Lu Xun (1881–1936), generally considered to be the father of modern Chinese literature. Combined, these two books include stories and essays that touch on a wide range of topics including fallen leaves, alms seekers, dreams, dead fires, and all the different individuals who inspired Lu Xun's writing. Through surreal prose and unreliable narrators, the books consider wide-reaching questions: What does it mean to be human? How can we know anything? Is pursuing self-knowledge necessary, even if it is impossible? Each translation is accompanied by an introduction that effectively situates the story within the life and work of Lu Xun. As a whole, Eileen's translation Wild Grass and Morning Blossoms Gathered at Dusk (Harvard University Press, 2022) is an intriguing read, and for anyone who is used to Lu Xun's more straightforward prose, it is entirely eye-opening, showing a radically different side to this canonical writer. Sarah Bramao-Ramos is a Research Assistant Professor at the Society of Fellows in the Humanities at the University of Hong Kong. She can be reached at sarahbr@hku.hk Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Why do so many contemporary Chinese artists use porcelain in their work? How do artists make sense of the legacy that porcelain has in China, and how do they use it to transmit ideas about China, Chinese art, and Chinese culture? In New Export China: Translations across Time and Place in Contemporary Chinese Porcelain Art (University of California Press, 2023), Alex Burchmore explores the place of ceramics in the work of four artists: Liu Jianhua, Ai Weiwei, Ah Xian, and Sin-ying Ho. By unpacking the history of porcelain production and export in China, the way artists make use of the unique features of ceramics, and the global reception of ceramics, Burchmore effectively demonstrates why understanding ceramics is central to understanding Chinese contemporary art. Filled with wonderfully nuanced readings of artworks and equally beautiful images, this book is sure to be of interest to readers looking to learn more about contemporary art and porcelain, and anyone looking to think about phrases like "Chinese art" and "mass production" in new ways.  Sarah Bramao-Ramos is a Research Assistant Professor at the Society of Fellows in the Humanities at the University of Hong Kong. She can be reached at sarahbr@hku.hk Learn more about your ad choices. Visit megaphone.fm/adchoices

Why do so many contemporary Chinese artists use porcelain in their work? How do artists make sense of the legacy that porcelain has in China, and how do they use it to transmit ideas about China, Chinese art, and Chinese culture? In New Export China: Translations across Time and Place in Contemporary Chinese Porcelain Art (University of California Press, 2023), Alex Burchmore explores the place of ceramics in the work of four artists: Liu Jianhua, Ai Weiwei, Ah Xian, and Sin-ying Ho. By unpacking the history of porcelain production and export in China, the way artists make use of the unique features of ceramics, and the global reception of ceramics, Burchmore effectively demonstrates why understanding ceramics is central to understanding Chinese contemporary art. Filled with wonderfully nuanced readings of artworks and equally beautiful images, this book is sure to be of interest to readers looking to learn more about contemporary art and porcelain, and anyone looking to think about phrases like "Chinese art" and "mass production" in new ways.  Sarah Bramao-Ramos is a Research Assistant Professor at the Society of Fellows in the Humanities at the University of Hong Kong. She can be reached at sarahbr@hku.hk Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Why do so many contemporary Chinese artists use porcelain in their work? How do artists make sense of the legacy that porcelain has in China, and how do they use it to transmit ideas about China, Chinese art, and Chinese culture? In New Export China: Translations across Time and Place in Contemporary Chinese Porcelain Art (University of California Press, 2023), Alex Burchmore explores the place of ceramics in the work of four artists: Liu Jianhua, Ai Weiwei, Ah Xian, and Sin-ying Ho. By unpacking the history of porcelain production and export in China, the way artists make use of the unique features of ceramics, and the global reception of ceramics, Burchmore effectively demonstrates why understanding ceramics is central to understanding Chinese contemporary art. Filled with wonderfully nuanced readings of artworks and equally beautiful images, this book is sure to be of interest to readers looking to learn more about contemporary art and porcelain, and anyone looking to think about phrases like "Chinese art" and "mass production" in new ways.  Sarah Bramao-Ramos is a Research Assistant Professor at the Society of Fellows in the Humanities at the University of Hong Kong. She can be reached at sarahbr@hku.hk Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Why do so many contemporary Chinese artists use porcelain in their work? How do artists make sense of the legacy that porcelain has in China, and how do they use it to transmit ideas about China, Chinese art, and Chinese culture? In New Export China: Translations across Time and Place in Contemporary Chinese Porcelain Art (University of California Press, 2023), Alex Burchmore explores the place of ceramics in the work of four artists: Liu Jianhua, Ai Weiwei, Ah Xian, and Sin-ying Ho. By unpacking the history of porcelain production and export in China, the way artists make use of the unique features of ceramics, and the global reception of ceramics, Burchmore effectively demonstrates why understanding ceramics is central to understanding Chinese contemporary art. Filled with wonderfully nuanced readings of artworks and equally beautiful images, this book is sure to be of interest to readers looking to learn more about contemporary art and porcelain, and anyone looking to think about phrases like "Chinese art" and "mass production" in new ways.  Sarah Bramao-Ramos is a Research Assistant Professor at the Society of Fellows in the Humanities at the University of Hong Kong. She can be reached at sarahbr@hku.hk Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Why do so many contemporary Chinese artists use porcelain in their work? How do artists make sense of the legacy that porcelain has in China, and how do they use it to transmit ideas about China, Chinese art, and Chinese culture? In New Export China: Translations across Time and Place in Contemporary Chinese Porcelain Art (University of California Press, 2023), Alex Burchmore explores the place of ceramics in the work of four artists: Liu Jianhua, Ai Weiwei, Ah Xian, and Sin-ying Ho. By unpacking the history of porcelain production and export in China, the way artists make use of the unique features of ceramics, and the global reception of ceramics, Burchmore effectively demonstrates why understanding ceramics is central to understanding Chinese contemporary art. Filled with wonderfully nuanced readings of artworks and equally beautiful images, this book is sure to be of interest to readers looking to learn more about contemporary art and porcelain, and anyone looking to think about phrases like "Chinese art" and "mass production" in new ways.  Sarah Bramao-Ramos is a Research Assistant Professor at the Society of Fellows in the Humanities at the University of Hong Kong. She can be reached at sarahbr@hku.hk Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

The invention of an easily learned Korean alphabet in the mid-fifteenth century sparked an "epistolary revolution" in the following century as letter writing became an indispensable daily practice for elite men and women alike. The amount of correspondence increased exponentially as new epistolary networks were built among scholars and within families, and written culture created room for appropriation and subversion by those who joined epistolary practices. Focusing on the ways that written culture interacts with philosophical, social, and political changes, The Power of the Brush: Epistolary Practices in Chosŏn Korea (U Washington Press, 2020) examines the social effects of these changes and adds a Korean perspective to the evolving international discourse on the materiality of texts. It demonstrates how innovative uses of letters and the appropriation of letter-writing practices empowered elite cultural, social, and political minority groups: Confucians who did not have access to the advanced scholarship of China; women who were excluded from the male-dominated literary culture, which used Chinese script; and provincial literati, who were marginalized from court politics. New modes of reading and writing that were developed in letter writing precipitated changes in scholarly methodology, social interactions, and political mobilization. Even today, remnants of these traditional epistolary practices endure in media and political culture, reverberating in new communications technologies. The Power of the Brush is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem) and the generous support of Emory University and the Andrew W. Mellon Foundation. Sarah Bramao-Ramos is a Research Assistant Professor at the Society of Fellows in the Humanities at the University of Hong Kong. She can be reached at sarahbr@hku.hk Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The invention of an easily learned Korean alphabet in the mid-fifteenth century sparked an "epistolary revolution" in the following century as letter writing became an indispensable daily practice for elite men and women alike. The amount of correspondence increased exponentially as new epistolary networks were built among scholars and within families, and written culture created room for appropriation and subversion by those who joined epistolary practices. Focusing on the ways that written culture interacts with philosophical, social, and political changes, The Power of the Brush: Epistolary Practices in Chosŏn Korea (U Washington Press, 2020) examines the social effects of these changes and adds a Korean perspective to the evolving international discourse on the materiality of texts. It demonstrates how innovative uses of letters and the appropriation of letter-writing practices empowered elite cultural, social, and political minority groups: Confucians who did not have access to the advanced scholarship of China; women who were excluded from the male-dominated literary culture, which used Chinese script; and provincial literati, who were marginalized from court politics. New modes of reading and writing that were developed in letter writing precipitated changes in scholarly methodology, social interactions, and political mobilization. Even today, remnants of these traditional epistolary practices endure in media and political culture, reverberating in new communications technologies. The Power of the Brush is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem) and the generous support of Emory University and the Andrew W. Mellon Foundation. Sarah Bramao-Ramos is a Research Assistant Professor at the Society of Fellows in the Humanities at the University of Hong Kong. She can be reached at sarahbr@hku.hk Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/korean-studies

The invention of an easily learned Korean alphabet in the mid-fifteenth century sparked an "epistolary revolution" in the following century as letter writing became an indispensable daily practice for elite men and women alike. The amount of correspondence increased exponentially as new epistolary networks were built among scholars and within families, and written culture created room for appropriation and subversion by those who joined epistolary practices. Focusing on the ways that written culture interacts with philosophical, social, and political changes, The Power of the Brush: Epistolary Practices in Chosŏn Korea (U Washington Press, 2020) examines the social effects of these changes and adds a Korean perspective to the evolving international discourse on the materiality of texts. It demonstrates how innovative uses of letters and the appropriation of letter-writing practices empowered elite cultural, social, and political minority groups: Confucians who did not have access to the advanced scholarship of China; women who were excluded from the male-dominated literary culture, which used Chinese script; and provincial literati, who were marginalized from court politics. New modes of reading and writing that were developed in letter writing precipitated changes in scholarly methodology, social interactions, and political mobilization. Even today, remnants of these traditional epistolary practices endure in media and political culture, reverberating in new communications technologies. The Power of the Brush is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem) and the generous support of Emory University and the Andrew W. Mellon Foundation. Sarah Bramao-Ramos is a Research Assistant Professor at the Society of Fellows in the Humanities at the University of Hong Kong. She can be reached at sarahbr@hku.hk Learn more about your ad choices. Visit megaphone.fm/adchoices

Why did the letter-writing culture of Korea diversify in the sixteenth century? How did this “epistolary revolution” change textual norms, modes of knowledge production, the ways that people interacted, and the methods of political mobilization? The Power of the Brush: Epistolary Practices in Chosŏn Korea (U Washington Press, 2020) by Hwisang Cho tackles these questions, exploring the materiality of epistles in Chosŏn Korea. It demonstrates how letter-writing practices were used by women, Confucian scholars, and provincial schools — those who had no other means of political activism — to advance political goals, thus offering a new perspective on the relationship between writing and politics in the Chosŏn period. While The Power of the Brush does focus on Korea, it does a wonderful job of continually contextualizing Korea's epistolary culture within a global context. The parallels that are drawn in this book between letter writing in Europe, America, Islamic societies, and East Asia thus offer entirely new perspectives on global letter writing. Beautifully written and rich in detail, this book should be of interest to scholars of Korean studies, the history of the book, and anyone who has ever sent off a missive of their own. The Power of the Brush is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem) and the generous support of Emory University and the Andrew W. Mellon Foundation. Sarah Bramao-Ramos is a Research Assistant Professor at the Society of Fellows in the Humanities at the University of Hong Kong. She can be reached at sarahbr@hku.hk Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

The invention of an easily learned Korean alphabet in the mid-fifteenth century sparked an "epistolary revolution" in the following century as letter writing became an indispensable daily practice for elite men and women alike. The amount of correspondence increased exponentially as new epistolary networks were built among scholars and within families, and written culture created room for appropriation and subversion by those who joined epistolary practices. Focusing on the ways that written culture interacts with philosophical, social, and political changes, The Power of the Brush: Epistolary Practices in Chosŏn Korea (U Washington Press, 2020) examines the social effects of these changes and adds a Korean perspective to the evolving international discourse on the materiality of texts. It demonstrates how innovative uses of letters and the appropriation of letter-writing practices empowered elite cultural, social, and political minority groups: Confucians who did not have access to the advanced scholarship of China; women who were excluded from the male-dominated literary culture, which used Chinese script; and provincial literati, who were marginalized from court politics. New modes of reading and writing that were developed in letter writing precipitated changes in scholarly methodology, social interactions, and political mobilization. Even today, remnants of these traditional epistolary practices endure in media and political culture, reverberating in new communications technologies. The Power of the Brush is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem) and the generous support of Emory University and the Andrew W. Mellon Foundation. Sarah Bramao-Ramos is a Research Assistant Professor at the Society of Fellows in the Humanities at the University of Hong Kong. She can be reached at sarahbr@hku.hk Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The invention of an easily learned Korean alphabet in the mid-fifteenth century sparked an "epistolary revolution" in the following century as letter writing became an indispensable daily practice for elite men and women alike. The amount of correspondence increased exponentially as new epistolary networks were built among scholars and within families, and written culture created room for appropriation and subversion by those who joined epistolary practices. Focusing on the ways that written culture interacts with philosophical, social, and political changes, The Power of the Brush: Epistolary Practices in Chosŏn Korea (U Washington Press, 2020) examines the social effects of these changes and adds a Korean perspective to the evolving international discourse on the materiality of texts. It demonstrates how innovative uses of letters and the appropriation of letter-writing practices empowered elite cultural, social, and political minority groups: Confucians who did not have access to the advanced scholarship of China; women who were excluded from the male-dominated literary culture, which used Chinese script; and provincial literati, who were marginalized from court politics. New modes of reading and writing that were developed in letter writing precipitated changes in scholarly methodology, social interactions, and political mobilization. Even today, remnants of these traditional epistolary practices endure in media and political culture, reverberating in new communications technologies. The Power of the Brush is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem) and the generous support of Emory University and the Andrew W. Mellon Foundation. Sarah Bramao-Ramos is a Research Assistant Professor at the Society of Fellows in the Humanities at the University of Hong Kong. She can be reached at sarahbr@hku.hk Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The invention of an easily learned Korean alphabet in the mid-fifteenth century sparked an "epistolary revolution" in the following century as letter writing became an indispensable daily practice for elite men and women alike. The amount of correspondence increased exponentially as new epistolary networks were built among scholars and within families, and written culture created room for appropriation and subversion by those who joined epistolary practices. Focusing on the ways that written culture interacts with philosophical, social, and political changes, The Power of the Brush: Epistolary Practices in Chosŏn Korea (U Washington Press, 2020) examines the social effects of these changes and adds a Korean perspective to the evolving international discourse on the materiality of texts. It demonstrates how innovative uses of letters and the appropriation of letter-writing practices empowered elite cultural, social, and political minority groups: Confucians who did not have access to the advanced scholarship of China; women who were excluded from the male-dominated literary culture, which used Chinese script; and provincial literati, who were marginalized from court politics. New modes of reading and writing that were developed in letter writing precipitated changes in scholarly methodology, social interactions, and political mobilization. Even today, remnants of these traditional epistolary practices endure in media and political culture, reverberating in new communications technologies. The Power of the Brush is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem) and the generous support of Emory University and the Andrew W. Mellon Foundation. Sarah Bramao-Ramos is a Research Assistant Professor at the Society of Fellows in the Humanities at the University of Hong Kong. She can be reached at sarahbr@hku.hk Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The Qing dynasty's office purchase system (juanna) allowed men to legally and openly pay for appointments in the civil service — enabling them to skip the much-lauded civil service examination entirely. Thoroughly forgotten by historians and often dismissed as "corruption," Lawrence Zhang's meticulous book, Power for a Price: The Purchase of Official Appointments in Qing China (Harvard University Asia Center, 2022), unpacks this system. Through a thorough analysis of archival and other print sources — including personnel files, lists of buyers, and late Qing novels — Zhang shows that office purchase was widespread, common, and an important part of the state's recruitment strategy.   By upending the "ladder of success" narrative of the Qing, Zhang's book challenges the characterization of the Qing as a meritocracy and calls into question how we (and historians) today think of merit. As he writes in the book: "The link between wealth and power has always been one of the most important relationships in any organized society. Rarely do we get a chance to understand it as a fresh problem that undermines so many existing assumptions about a society we thought we knew well. Office purchase is precisely such a system" (p. 266). Listeners interested in bureaucracy, Chinese history, examination systems, and the lengths that parents will go to to ensure their children's success should seek it out. Listeners especially interested in meritocracy might also want to check out the edited volume mentioned in the episode (which Lawrence Zhang also contributed to!): Making Meritocracy: Lessons from China and India, from Antiquity to the Present (Oxford University Press, 2022). It was also discussed on another NBN podcast, hosted by Nicholas Gordon, over here.    Sarah Bramao-Ramos is a Research Assistant Professor at the Society of Fellows in the Humanities at the University of Hong Kong. She can be reached at sarahbr@hku.hk Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Qing dynasty's office purchase system (juanna) allowed men to legally and openly pay for appointments in the civil service — enabling them to skip the much-lauded civil service examination entirely. Thoroughly forgotten by historians and often dismissed as "corruption," Lawrence Zhang's meticulous book, Power for a Price: The Purchase of Official Appointments in Qing China (Harvard University Asia Center, 2022), unpacks this system. Through a thorough analysis of archival and other print sources — including personnel files, lists of buyers, and late Qing novels — Zhang shows that office purchase was widespread, common, and an important part of the state's recruitment strategy.   By upending the "ladder of success" narrative of the Qing, Zhang's book challenges the characterization of the Qing as a meritocracy and calls into question how we (and historians) today think of merit. As he writes in the book: "The link between wealth and power has always been one of the most important relationships in any organized society. Rarely do we get a chance to understand it as a fresh problem that undermines so many existing assumptions about a society we thought we knew well. Office purchase is precisely such a system" (p. 266). Listeners interested in bureaucracy, Chinese history, examination systems, and the lengths that parents will go to to ensure their children's success should seek it out. Listeners especially interested in meritocracy might also want to check out the edited volume mentioned in the episode (which Lawrence Zhang also contributed to!): Making Meritocracy: Lessons from China and India, from Antiquity to the Present (Oxford University Press, 2022). It was also discussed on another NBN podcast, hosted by Nicholas Gordon, over here.    Sarah Bramao-Ramos is a Research Assistant Professor at the Society of Fellows in the Humanities at the University of Hong Kong. She can be reached at sarahbr@hku.hk Learn more about your ad choices. Visit megaphone.fm/adchoices

The Qing dynasty's office purchase system (juanna) allowed men to legally and openly pay for appointments in the civil service — enabling them to skip the much-lauded civil service examination entirely. Thoroughly forgotten by historians and often dismissed as "corruption," Lawrence Zhang's meticulous book, Power for a Price: The Purchase of Official Appointments in Qing China (Harvard University Asia Center, 2022), unpacks this system. Through a thorough analysis of archival and other print sources — including personnel files, lists of buyers, and late Qing novels — Zhang shows that office purchase was widespread, common, and an important part of the state's recruitment strategy.   By upending the "ladder of success" narrative of the Qing, Zhang's book challenges the characterization of the Qing as a meritocracy and calls into question how we (and historians) today think of merit. As he writes in the book: "The link between wealth and power has always been one of the most important relationships in any organized society. Rarely do we get a chance to understand it as a fresh problem that undermines so many existing assumptions about a society we thought we knew well. Office purchase is precisely such a system" (p. 266). Listeners interested in bureaucracy, Chinese history, examination systems, and the lengths that parents will go to to ensure their children's success should seek it out. Listeners especially interested in meritocracy might also want to check out the edited volume mentioned in the episode (which Lawrence Zhang also contributed to!): Making Meritocracy: Lessons from China and India, from Antiquity to the Present (Oxford University Press, 2022). It was also discussed on another NBN podcast, hosted by Nicholas Gordon, over here.    Sarah Bramao-Ramos is a Research Assistant Professor at the Society of Fellows in the Humanities at the University of Hong Kong. She can be reached at sarahbr@hku.hk Learn more about your ad choices. Visit megaphone.fm/adchoices

The Qing dynasty's office purchase system (juanna) allowed men to legally and openly pay for appointments in the civil service — enabling them to skip the much-lauded civil service examination entirely. Thoroughly forgotten by historians and often dismissed as "corruption," Lawrence Zhang's meticulous book, Power for a Price: The Purchase of Official Appointments in Qing China (Harvard University Asia Center, 2022), unpacks this system. Through a thorough analysis of archival and other print sources — including personnel files, lists of buyers, and late Qing novels — Zhang shows that office purchase was widespread, common, and an important part of the state's recruitment strategy.   By upending the "ladder of success" narrative of the Qing, Zhang's book challenges the characterization of the Qing as a meritocracy and calls into question how we (and historians) today think of merit. As he writes in the book: "The link between wealth and power has always been one of the most important relationships in any organized society. Rarely do we get a chance to understand it as a fresh problem that undermines so many existing assumptions about a society we thought we knew well. Office purchase is precisely such a system" (p. 266). Listeners interested in bureaucracy, Chinese history, examination systems, and the lengths that parents will go to to ensure their children's success should seek it out. Listeners especially interested in meritocracy might also want to check out the edited volume mentioned in the episode (which Lawrence Zhang also contributed to!): Making Meritocracy: Lessons from China and India, from Antiquity to the Present (Oxford University Press, 2022). It was also discussed on another NBN podcast, hosted by Nicholas Gordon, over here.    Sarah Bramao-Ramos is a Research Assistant Professor at the Society of Fellows in the Humanities at the University of Hong Kong. She can be reached at sarahbr@hku.hk Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

The Qing dynasty's office purchase system (juanna) allowed men to legally and openly pay for appointments in the civil service — enabling them to skip the much-lauded civil service examination entirely. Thoroughly forgotten by historians and often dismissed as "corruption," Lawrence Zhang's meticulous book, Power for a Price: The Purchase of Official Appointments in Qing China (Harvard University Asia Center, 2022), unpacks this system. Through a thorough analysis of archival and other print sources — including personnel files, lists of buyers, and late Qing novels — Zhang shows that office purchase was widespread, common, and an important part of the state's recruitment strategy.   By upending the "ladder of success" narrative of the Qing, Zhang's book challenges the characterization of the Qing as a meritocracy and calls into question how we (and historians) today think of merit. As he writes in the book: "The link between wealth and power has always been one of the most important relationships in any organized society. Rarely do we get a chance to understand it as a fresh problem that undermines so many existing assumptions about a society we thought we knew well. Office purchase is precisely such a system" (p. 266). Listeners interested in bureaucracy, Chinese history, examination systems, and the lengths that parents will go to to ensure their children's success should seek it out. Listeners especially interested in meritocracy might also want to check out the edited volume mentioned in the episode (which Lawrence Zhang also contributed to!): Making Meritocracy: Lessons from China and India, from Antiquity to the Present (Oxford University Press, 2022). It was also discussed on another NBN podcast, hosted by Nicholas Gordon, over here.    Sarah Bramao-Ramos is a Research Assistant Professor at the Society of Fellows in the Humanities at the University of Hong Kong. She can be reached at sarahbr@hku.hk Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The Qing dynasty's office purchase system (juanna) allowed men to legally and openly pay for appointments in the civil service — enabling them to skip the much-lauded civil service examination entirely. Thoroughly forgotten by historians and often dismissed as "corruption," Lawrence Zhang's meticulous book, Power for a Price: The Purchase of Official Appointments in Qing China (Harvard University Asia Center, 2022), unpacks this system. Through a thorough analysis of archival and other print sources — including personnel files, lists of buyers, and late Qing novels — Zhang shows that office purchase was widespread, common, and an important part of the state's recruitment strategy.   By upending the "ladder of success" narrative of the Qing, Zhang's book challenges the characterization of the Qing as a meritocracy and calls into question how we (and historians) today think of merit. As he writes in the book: "The link between wealth and power has always been one of the most important relationships in any organized society. Rarely do we get a chance to understand it as a fresh problem that undermines so many existing assumptions about a society we thought we knew well. Office purchase is precisely such a system" (p. 266). Listeners interested in bureaucracy, Chinese history, examination systems, and the lengths that parents will go to to ensure their children's success should seek it out. Listeners especially interested in meritocracy might also want to check out the edited volume mentioned in the episode (which Lawrence Zhang also contributed to!): Making Meritocracy: Lessons from China and India, from Antiquity to the Present (Oxford University Press, 2022). It was also discussed on another NBN podcast, hosted by Nicholas Gordon, over here.    Sarah Bramao-Ramos is a Research Assistant Professor at the Society of Fellows in the Humanities at the University of Hong Kong. She can be reached at sarahbr@hku.hk Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

The Perils of Interpreting: The Extraordinary Lives of Two Translators Between Qing China and the British Empire (Princeton UP, 2021) is a fascinating history of China's relations with the West--told through the lives of two eighteenth-century translators. The 1793 British embassy to China, which led to Lord George Macartney's fraught encounter with the Qianlong emperor, has often been viewed as a clash of cultures fueled by the East's lack of interest in the West. In The Perils of Interpreting, Henrietta Harrison presents a more nuanced picture, ingeniously shifting the historical lens to focus on Macartney's two interpreters at that meeting--Li Zibiao and George Thomas Staunton. Who were these two men? How did they intervene in the exchanges that they mediated? And what did these exchanges mean for them? From Galway to Chengde, and from political intrigues to personal encounters, Harrison reassesses a pivotal moment in relations between China and Britain. She shows that there were Chinese who were familiar with the West, but growing tensions endangered those who embraced both cultures and would eventually culminate in the Opium Wars. Harrison demonstrates that the Qing court's ignorance about the British did not simply happen, but was manufactured through the repression of cultural go-betweens like Li and Staunton. She traces Li's influence as Macartney's interpreter, the pressures Li faced in China as a result, and his later years in hiding. Staunton interpreted successfully for the British East India Company in Canton, but as Chinese anger grew against British imperial expansion in South Asia, he was compelled to flee to England. Harrison contends that in silencing expert voices, the Qing court missed an opportunity to gain insights that might have prevented a losing conflict with Britain. Uncovering the lives of two overlooked figures, The Perils of Interpreting offers an empathic argument for cross-cultural understanding in a connected world. Sarah Bramao-Ramos is a Research Assistant Professor at the Society of Fellows in the Humanities at the University of Hong Kong. She can be reached at sarahbr@hku.hk Learn more about your ad choices. Visit megaphone.fm/adchoices

The Perils of Interpreting: The Extraordinary Lives of Two Translators Between Qing China and the British Empire (Princeton UP, 2021) is a fascinating history of China's relations with the West--told through the lives of two eighteenth-century translators. The 1793 British embassy to China, which led to Lord George Macartney's fraught encounter with the Qianlong emperor, has often been viewed as a clash of cultures fueled by the East's lack of interest in the West. In The Perils of Interpreting, Henrietta Harrison presents a more nuanced picture, ingeniously shifting the historical lens to focus on Macartney's two interpreters at that meeting--Li Zibiao and George Thomas Staunton. Who were these two men? How did they intervene in the exchanges that they mediated? And what did these exchanges mean for them? From Galway to Chengde, and from political intrigues to personal encounters, Harrison reassesses a pivotal moment in relations between China and Britain. She shows that there were Chinese who were familiar with the West, but growing tensions endangered those who embraced both cultures and would eventually culminate in the Opium Wars. Harrison demonstrates that the Qing court's ignorance about the British did not simply happen, but was manufactured through the repression of cultural go-betweens like Li and Staunton. She traces Li's influence as Macartney's interpreter, the pressures Li faced in China as a result, and his later years in hiding. Staunton interpreted successfully for the British East India Company in Canton, but as Chinese anger grew against British imperial expansion in South Asia, he was compelled to flee to England. Harrison contends that in silencing expert voices, the Qing court missed an opportunity to gain insights that might have prevented a losing conflict with Britain. Uncovering the lives of two overlooked figures, The Perils of Interpreting offers an empathic argument for cross-cultural understanding in a connected world. Sarah Bramao-Ramos is a Research Assistant Professor at the Society of Fellows in the Humanities at the University of Hong Kong. She can be reached at sarahbr@hku.hk Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

The Perils of Interpreting: The Extraordinary Lives of Two Translators Between Qing China and the British Empire (Princeton UP, 2021) is a fascinating history of China's relations with the West--told through the lives of two eighteenth-century translators. The 1793 British embassy to China, which led to Lord George Macartney's fraught encounter with the Qianlong emperor, has often been viewed as a clash of cultures fueled by the East's lack of interest in the West. In The Perils of Interpreting, Henrietta Harrison presents a more nuanced picture, ingeniously shifting the historical lens to focus on Macartney's two interpreters at that meeting--Li Zibiao and George Thomas Staunton. Who were these two men? How did they intervene in the exchanges that they mediated? And what did these exchanges mean for them? From Galway to Chengde, and from political intrigues to personal encounters, Harrison reassesses a pivotal moment in relations between China and Britain. She shows that there were Chinese who were familiar with the West, but growing tensions endangered those who embraced both cultures and would eventually culminate in the Opium Wars. Harrison demonstrates that the Qing court's ignorance about the British did not simply happen, but was manufactured through the repression of cultural go-betweens like Li and Staunton. She traces Li's influence as Macartney's interpreter, the pressures Li faced in China as a result, and his later years in hiding. Staunton interpreted successfully for the British East India Company in Canton, but as Chinese anger grew against British imperial expansion in South Asia, he was compelled to flee to England. Harrison contends that in silencing expert voices, the Qing court missed an opportunity to gain insights that might have prevented a losing conflict with Britain. Uncovering the lives of two overlooked figures, The Perils of Interpreting offers an empathic argument for cross-cultural understanding in a connected world. Sarah Bramao-Ramos is a Research Assistant Professor at the Society of Fellows in the Humanities at the University of Hong Kong. She can be reached at sarahbr@hku.hk

The Perils of Interpreting: The Extraordinary Lives of Two Translators Between Qing China and the British Empire (Princeton UP, 2021) is a fascinating history of China's relations with the West--told through the lives of two eighteenth-century translators. The 1793 British embassy to China, which led to Lord George Macartney's fraught encounter with the Qianlong emperor, has often been viewed as a clash of cultures fueled by the East's lack of interest in the West. In The Perils of Interpreting, Henrietta Harrison presents a more nuanced picture, ingeniously shifting the historical lens to focus on Macartney's two interpreters at that meeting--Li Zibiao and George Thomas Staunton. Who were these two men? How did they intervene in the exchanges that they mediated? And what did these exchanges mean for them? From Galway to Chengde, and from political intrigues to personal encounters, Harrison reassesses a pivotal moment in relations between China and Britain. She shows that there were Chinese who were familiar with the West, but growing tensions endangered those who embraced both cultures and would eventually culminate in the Opium Wars. Harrison demonstrates that the Qing court's ignorance about the British did not simply happen, but was manufactured through the repression of cultural go-betweens like Li and Staunton. She traces Li's influence as Macartney's interpreter, the pressures Li faced in China as a result, and his later years in hiding. Staunton interpreted successfully for the British East India Company in Canton, but as Chinese anger grew against British imperial expansion in South Asia, he was compelled to flee to England. Harrison contends that in silencing expert voices, the Qing court missed an opportunity to gain insights that might have prevented a losing conflict with Britain. Uncovering the lives of two overlooked figures, The Perils of Interpreting offers an empathic argument for cross-cultural understanding in a connected world. Sarah Bramao-Ramos is a Research Assistant Professor at the Society of Fellows in the Humanities at the University of Hong Kong. She can be reached at sarahbr@hku.hk Learn more about your ad choices. Visit megaphone.fm/adchoices

The Perils of Interpreting: The Extraordinary Lives of Two Translators Between Qing China and the British Empire (Princeton UP, 2021) is a fascinating history of China's relations with the West--told through the lives of two eighteenth-century translators. The 1793 British embassy to China, which led to Lord George Macartney's fraught encounter with the Qianlong emperor, has often been viewed as a clash of cultures fueled by the East's lack of interest in the West. In The Perils of Interpreting, Henrietta Harrison presents a more nuanced picture, ingeniously shifting the historical lens to focus on Macartney's two interpreters at that meeting--Li Zibiao and George Thomas Staunton. Who were these two men? How did they intervene in the exchanges that they mediated? And what did these exchanges mean for them? From Galway to Chengde, and from political intrigues to personal encounters, Harrison reassesses a pivotal moment in relations between China and Britain. She shows that there were Chinese who were familiar with the West, but growing tensions endangered those who embraced both cultures and would eventually culminate in the Opium Wars. Harrison demonstrates that the Qing court's ignorance about the British did not simply happen, but was manufactured through the repression of cultural go-betweens like Li and Staunton. She traces Li's influence as Macartney's interpreter, the pressures Li faced in China as a result, and his later years in hiding. Staunton interpreted successfully for the British East India Company in Canton, but as Chinese anger grew against British imperial expansion in South Asia, he was compelled to flee to England. Harrison contends that in silencing expert voices, the Qing court missed an opportunity to gain insights that might have prevented a losing conflict with Britain. Uncovering the lives of two overlooked figures, The Perils of Interpreting offers an empathic argument for cross-cultural understanding in a connected world. Sarah Bramao-Ramos is a Research Assistant Professor at the Society of Fellows in the Humanities at the University of Hong Kong. She can be reached at sarahbr@hku.hk Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The Perils of Interpreting: The Extraordinary Lives of Two Translators Between Qing China and the British Empire (Princeton UP, 2021) is a fascinating history of China's relations with the West--told through the lives of two eighteenth-century translators. The 1793 British embassy to China, which led to Lord George Macartney's fraught encounter with the Qianlong emperor, has often been viewed as a clash of cultures fueled by the East's lack of interest in the West. In The Perils of Interpreting, Henrietta Harrison presents a more nuanced picture, ingeniously shifting the historical lens to focus on Macartney's two interpreters at that meeting--Li Zibiao and George Thomas Staunton. Who were these two men? How did they intervene in the exchanges that they mediated? And what did these exchanges mean for them? From Galway to Chengde, and from political intrigues to personal encounters, Harrison reassesses a pivotal moment in relations between China and Britain. She shows that there were Chinese who were familiar with the West, but growing tensions endangered those who embraced both cultures and would eventually culminate in the Opium Wars. Harrison demonstrates that the Qing court's ignorance about the British did not simply happen, but was manufactured through the repression of cultural go-betweens like Li and Staunton. She traces Li's influence as Macartney's interpreter, the pressures Li faced in China as a result, and his later years in hiding. Staunton interpreted successfully for the British East India Company in Canton, but as Chinese anger grew against British imperial expansion in South Asia, he was compelled to flee to England. Harrison contends that in silencing expert voices, the Qing court missed an opportunity to gain insights that might have prevented a losing conflict with Britain. Uncovering the lives of two overlooked figures, The Perils of Interpreting offers an empathic argument for cross-cultural understanding in a connected world. Sarah Bramao-Ramos is a Research Assistant Professor at the Society of Fellows in the Humanities at the University of Hong Kong. She can be reached at sarahbr@hku.hk Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

The Perils of Interpreting: The Extraordinary Lives of Two Translators Between Qing China and the British Empire (Princeton UP, 2021) is a fascinating history of China's relations with the West--told through the lives of two eighteenth-century translators. The 1793 British embassy to China, which led to Lord George Macartney's fraught encounter with the Qianlong emperor, has often been viewed as a clash of cultures fueled by the East's lack of interest in the West. In The Perils of Interpreting, Henrietta Harrison presents a more nuanced picture, ingeniously shifting the historical lens to focus on Macartney's two interpreters at that meeting--Li Zibiao and George Thomas Staunton. Who were these two men? How did they intervene in the exchanges that they mediated? And what did these exchanges mean for them? From Galway to Chengde, and from political intrigues to personal encounters, Harrison reassesses a pivotal moment in relations between China and Britain. She shows that there were Chinese who were familiar with the West, but growing tensions endangered those who embraced both cultures and would eventually culminate in the Opium Wars. Harrison demonstrates that the Qing court's ignorance about the British did not simply happen, but was manufactured through the repression of cultural go-betweens like Li and Staunton. She traces Li's influence as Macartney's interpreter, the pressures Li faced in China as a result, and his later years in hiding. Staunton interpreted successfully for the British East India Company in Canton, but as Chinese anger grew against British imperial expansion in South Asia, he was compelled to flee to England. Harrison contends that in silencing expert voices, the Qing court missed an opportunity to gain insights that might have prevented a losing conflict with Britain. Uncovering the lives of two overlooked figures, The Perils of Interpreting offers an empathic argument for cross-cultural understanding in a connected world. Sarah Bramao-Ramos is a Research Assistant Professor at the Society of Fellows in the Humanities at the University of Hong Kong. She can be reached at sarahbr@hku.hk Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

The Perils of Interpreting: The Extraordinary Lives of Two Translators Between Qing China and the British Empire (Princeton UP, 2021) is a fascinating history of China's relations with the West--told through the lives of two eighteenth-century translators. The 1793 British embassy to China, which led to Lord George Macartney's fraught encounter with the Qianlong emperor, has often been viewed as a clash of cultures fueled by the East's lack of interest in the West. In The Perils of Interpreting, Henrietta Harrison presents a more nuanced picture, ingeniously shifting the historical lens to focus on Macartney's two interpreters at that meeting--Li Zibiao and George Thomas Staunton. Who were these two men? How did they intervene in the exchanges that they mediated? And what did these exchanges mean for them? From Galway to Chengde, and from political intrigues to personal encounters, Harrison reassesses a pivotal moment in relations between China and Britain. She shows that there were Chinese who were familiar with the West, but growing tensions endangered those who embraced both cultures and would eventually culminate in the Opium Wars. Harrison demonstrates that the Qing court's ignorance about the British did not simply happen, but was manufactured through the repression of cultural go-betweens like Li and Staunton. She traces Li's influence as Macartney's interpreter, the pressures Li faced in China as a result, and his later years in hiding. Staunton interpreted successfully for the British East India Company in Canton, but as Chinese anger grew against British imperial expansion in South Asia, he was compelled to flee to England. Harrison contends that in silencing expert voices, the Qing court missed an opportunity to gain insights that might have prevented a losing conflict with Britain. Uncovering the lives of two overlooked figures, The Perils of Interpreting offers an empathic argument for cross-cultural understanding in a connected world. Sarah Bramao-Ramos is a Research Assistant Professor at the Society of Fellows in the Humanities at the University of Hong Kong. She can be reached at sarahbr@hku.hk Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Perils of Interpreting: The Extraordinary Lives of Two Translators Between Qing China and the British Empire (Princeton UP, 2021) is a fascinating history of China's relations with the West--told through the lives of two eighteenth-century translators. The 1793 British embassy to China, which led to Lord George Macartney's fraught encounter with the Qianlong emperor, has often been viewed as a clash of cultures fueled by the East's lack of interest in the West. In The Perils of Interpreting, Henrietta Harrison presents a more nuanced picture, ingeniously shifting the historical lens to focus on Macartney's two interpreters at that meeting--Li Zibiao and George Thomas Staunton. Who were these two men? How did they intervene in the exchanges that they mediated? And what did these exchanges mean for them? From Galway to Chengde, and from political intrigues to personal encounters, Harrison reassesses a pivotal moment in relations between China and Britain. She shows that there were Chinese who were familiar with the West, but growing tensions endangered those who embraced both cultures and would eventually culminate in the Opium Wars. Harrison demonstrates that the Qing court's ignorance about the British did not simply happen, but was manufactured through the repression of cultural go-betweens like Li and Staunton. She traces Li's influence as Macartney's interpreter, the pressures Li faced in China as a result, and his later years in hiding. Staunton interpreted successfully for the British East India Company in Canton, but as Chinese anger grew against British imperial expansion in South Asia, he was compelled to flee to England. Harrison contends that in silencing expert voices, the Qing court missed an opportunity to gain insights that might have prevented a losing conflict with Britain. Uncovering the lives of two overlooked figures, The Perils of Interpreting offers an empathic argument for cross-cultural understanding in a connected world. Sarah Bramao-Ramos is a Research Assistant Professor at the Society of Fellows in the Humanities at the University of Hong Kong. She can be reached at sarahbr@hku.hk Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Porcelain for the Emperor: Manufacture and Technology in Qing China (University of Washington Press; 2023) looks at the history of court-sponsored porcelain production in Qing China through the work and career of the Manchu polymath Tang Ying (1682-1756). Viewing him as a technocrat — an official who combined technological specialization and managerial expertise — Kai Jun Chen uses Tang to explore how porcelain manufacture was carried out in the Qing, how technological innovations were created and passed on, and how technocrats learned their skills. At the same time, the book shows how technocrats imposed and extended imperial order over local society, and how essential technocrats were to the operation and success of Qing cultural policies. Lucidly written and complete with truly striking images, Porcelain for the Emperor is a beautiful combination of the study of material culture, literature, art history, and technology. This book should be of interest not only to historians of the Qing and the early modern world, but also art historians and curators, as well as anyone who has ever seen a piece of Qing porcelain and wondered how it came to be. Curious readers should also seek out Making the Palace Machine Work, co-edited by Kai Jun Chen, Martina Siebert, and Dorothy Ko. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. She can be reached at sbramaoramos@g.harvard.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Porcelain for the Emperor: Manufacture and Technology in Qing China (University of Washington Press; 2023) looks at the history of court-sponsored porcelain production in Qing China through the work and career of the Manchu polymath Tang Ying (1682-1756). Viewing him as a technocrat — an official who combined technological specialization and managerial expertise — Kai Jun Chen uses Tang to explore how porcelain manufacture was carried out in the Qing, how technological innovations were created and passed on, and how technocrats learned their skills. At the same time, the book shows how technocrats imposed and extended imperial order over local society, and how essential technocrats were to the operation and success of Qing cultural policies. Lucidly written and complete with truly striking images, Porcelain for the Emperor is a beautiful combination of the study of material culture, literature, art history, and technology. This book should be of interest not only to historians of the Qing and the early modern world, but also art historians and curators, as well as anyone who has ever seen a piece of Qing porcelain and wondered how it came to be. Curious readers should also seek out Making the Palace Machine Work, co-edited by Kai Jun Chen, Martina Siebert, and Dorothy Ko. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. She can be reached at sbramaoramos@g.harvard.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Porcelain for the Emperor: Manufacture and Technology in Qing China (University of Washington Press; 2023) looks at the history of court-sponsored porcelain production in Qing China through the work and career of the Manchu polymath Tang Ying (1682-1756). Viewing him as a technocrat — an official who combined technological specialization and managerial expertise — Kai Jun Chen uses Tang to explore how porcelain manufacture was carried out in the Qing, how technological innovations were created and passed on, and how technocrats learned their skills. At the same time, the book shows how technocrats imposed and extended imperial order over local society, and how essential technocrats were to the operation and success of Qing cultural policies. Lucidly written and complete with truly striking images, Porcelain for the Emperor is a beautiful combination of the study of material culture, literature, art history, and technology. This book should be of interest not only to historians of the Qing and the early modern world, but also art historians and curators, as well as anyone who has ever seen a piece of Qing porcelain and wondered how it came to be. Curious readers should also seek out Making the Palace Machine Work, co-edited by Kai Jun Chen, Martina Siebert, and Dorothy Ko. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. She can be reached at sbramaoramos@g.harvard.edu Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Porcelain for the Emperor: Manufacture and Technology in Qing China (University of Washington Press; 2023) looks at the history of court-sponsored porcelain production in Qing China through the work and career of the Manchu polymath Tang Ying (1682-1756). Viewing him as a technocrat — an official who combined technological specialization and managerial expertise — Kai Jun Chen uses Tang to explore how porcelain manufacture was carried out in the Qing, how technological innovations were created and passed on, and how technocrats learned their skills. At the same time, the book shows how technocrats imposed and extended imperial order over local society, and how essential technocrats were to the operation and success of Qing cultural policies. Lucidly written and complete with truly striking images, Porcelain for the Emperor is a beautiful combination of the study of material culture, literature, art history, and technology. This book should be of interest not only to historians of the Qing and the early modern world, but also art historians and curators, as well as anyone who has ever seen a piece of Qing porcelain and wondered how it came to be. Curious readers should also seek out Making the Palace Machine Work, co-edited by Kai Jun Chen, Martina Siebert, and Dorothy Ko. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. She can be reached at sbramaoramos@g.harvard.edu Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Porcelain for the Emperor: Manufacture and Technology in Qing China (University of Washington Press; 2023) looks at the history of court-sponsored porcelain production in Qing China through the work and career of the Manchu polymath Tang Ying (1682-1756). Viewing him as a technocrat — an official who combined technological specialization and managerial expertise — Kai Jun Chen uses Tang to explore how porcelain manufacture was carried out in the Qing, how technological innovations were created and passed on, and how technocrats learned their skills. At the same time, the book shows how technocrats imposed and extended imperial order over local society, and how essential technocrats were to the operation and success of Qing cultural policies. Lucidly written and complete with truly striking images, Porcelain for the Emperor is a beautiful combination of the study of material culture, literature, art history, and technology. This book should be of interest not only to historians of the Qing and the early modern world, but also art historians and curators, as well as anyone who has ever seen a piece of Qing porcelain and wondered how it came to be. Curious readers should also seek out Making the Palace Machine Work, co-edited by Kai Jun Chen, Martina Siebert, and Dorothy Ko. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. She can be reached at sbramaoramos@g.harvard.edu Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Porcelain for the Emperor: Manufacture and Technology in Qing China (University of Washington Press; 2023) looks at the history of court-sponsored porcelain production in Qing China through the work and career of the Manchu polymath Tang Ying (1682-1756). Viewing him as a technocrat — an official who combined technological specialization and managerial expertise — Kai Jun Chen uses Tang to explore how porcelain manufacture was carried out in the Qing, how technological innovations were created and passed on, and how technocrats learned their skills. At the same time, the book shows how technocrats imposed and extended imperial order over local society, and how essential technocrats were to the operation and success of Qing cultural policies. Lucidly written and complete with truly striking images, Porcelain for the Emperor is a beautiful combination of the study of material culture, literature, art history, and technology. This book should be of interest not only to historians of the Qing and the early modern world, but also art historians and curators, as well as anyone who has ever seen a piece of Qing porcelain and wondered how it came to be. Curious readers should also seek out Making the Palace Machine Work, co-edited by Kai Jun Chen, Martina Siebert, and Dorothy Ko. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. She can be reached at sbramaoramos@g.harvard.edu Learn more about your ad choices. Visit podcastchoices.com/adchoices

Porcelain for the Emperor: Manufacture and Technology in Qing China (University of Washington Press; 2023) looks at the history of court-sponsored porcelain production in Qing China through the work and career of the Manchu polymath Tang Ying (1682-1756). Viewing him as a technocrat — an official who combined technological specialization and managerial expertise — Kai Jun Chen uses Tang to explore how porcelain manufacture was carried out in the Qing, how technological innovations were created and passed on, and how technocrats learned their skills. At the same time, the book shows how technocrats imposed and extended imperial order over local society, and how essential technocrats were to the operation and success of Qing cultural policies. Lucidly written and complete with truly striking images, Porcelain for the Emperor is a beautiful combination of the study of material culture, literature, art history, and technology. This book should be of interest not only to historians of the Qing and the early modern world, but also art historians and curators, as well as anyone who has ever seen a piece of Qing porcelain and wondered how it came to be. Curious readers should also seek out Making the Palace Machine Work, co-edited by Kai Jun Chen, Martina Siebert, and Dorothy Ko. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. She can be reached at sbramaoramos@g.harvard.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Porcelain for the Emperor: Manufacture and Technology in Qing China (University of Washington Press; 2023) looks at the history of court-sponsored porcelain production in Qing China through the work and career of the Manchu polymath Tang Ying (1682-1756). Viewing him as a technocrat — an official who combined technological specialization and managerial expertise — Kai Jun Chen uses Tang to explore how porcelain manufacture was carried out in the Qing, how technological innovations were created and passed on, and how technocrats learned their skills. At the same time, the book shows how technocrats imposed and extended imperial order over local society, and how essential technocrats were to the operation and success of Qing cultural policies. Lucidly written and complete with truly striking images, Porcelain for the Emperor is a beautiful combination of the study of material culture, literature, art history, and technology. This book should be of interest not only to historians of the Qing and the early modern world, but also art historians and curators, as well as anyone who has ever seen a piece of Qing porcelain and wondered how it came to be. Curious readers should also seek out Making the Palace Machine Work, co-edited by Kai Jun Chen, Martina Siebert, and Dorothy Ko. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. She can be reached at sbramaoramos@g.harvard.edu Learn more about your ad choices. Visit megaphone.fm/adchoices

Buddhist cosmological history of the universe, history of Chinggis Khan, history of China, and history of the Mongols — The Precious Summary, written in 1662 by Sagang Sechen, is many things. As a whole, it is the most important work of Mongolian history on the period before the rise of the Manchu Qing dynasty. The Precious Summary: A History of the Mongols from Chinggis Khan to the Qing Dynasty (Columbia University Press 2023), translated by Johan Elverskog, is not only a fluid and lucid translation, but by adding extensive annotations and helpful introductions, Elverskog has made this epic history approachable to readers today. Whether you are well-versed in the Mongol-Oirat wars or if the name Altan Khan doesn't (yet) mean anything to you, this is a fabulous introduction to Mongolian historiography that should be of interest to anyone looking to learn more about Mongolian sources, Inner Asian history, and the history of Buddhism in Asia. Johan Elverskog is Dedman Family Distinguished Professor, Professor of Religious Studies, and, by courtesy, Professor of History at Southern Methodist University. This is his second time on New Books, and you can hear a conversation about one of his other books, The Buddha's Footprint: An Environmental History of Asia (University of Pennsylvania Press 2020) here. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. She can be reached at sbramaoramos@g.harvard.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Buddhist cosmological history of the universe, history of Chinggis Khan, history of China, and history of the Mongols — The Precious Summary, written in 1662 by Sagang Sechen, is many things. As a whole, it is the most important work of Mongolian history on the period before the rise of the Manchu Qing dynasty. The Precious Summary: A History of the Mongols from Chinggis Khan to the Qing Dynasty (Columbia University Press 2023), translated by Johan Elverskog, is not only a fluid and lucid translation, but by adding extensive annotations and helpful introductions, Elverskog has made this epic history approachable to readers today. Whether you are well-versed in the Mongol-Oirat wars or if the name Altan Khan doesn't (yet) mean anything to you, this is a fabulous introduction to Mongolian historiography that should be of interest to anyone looking to learn more about Mongolian sources, Inner Asian history, and the history of Buddhism in Asia. Johan Elverskog is Dedman Family Distinguished Professor, Professor of Religious Studies, and, by courtesy, Professor of History at Southern Methodist University. This is his second time on New Books, and you can hear a conversation about one of his other books, The Buddha's Footprint: An Environmental History of Asia (University of Pennsylvania Press 2020) here. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. She can be reached at sbramaoramos@g.harvard.edu Learn more about your ad choices. Visit megaphone.fm/adchoices

Buddhist cosmological history of the universe, history of Chinggis Khan, history of China, and history of the Mongols — The Precious Summary, written in 1662 by Sagang Sechen, is many things. As a whole, it is the most important work of Mongolian history on the period before the rise of the Manchu Qing dynasty. The Precious Summary: A History of the Mongols from Chinggis Khan to the Qing Dynasty (Columbia University Press 2023), translated by Johan Elverskog, is not only a fluid and lucid translation, but by adding extensive annotations and helpful introductions, Elverskog has made this epic history approachable to readers today. Whether you are well-versed in the Mongol-Oirat wars or if the name Altan Khan doesn't (yet) mean anything to you, this is a fabulous introduction to Mongolian historiography that should be of interest to anyone looking to learn more about Mongolian sources, Inner Asian history, and the history of Buddhism in Asia. Johan Elverskog is Dedman Family Distinguished Professor, Professor of Religious Studies, and, by courtesy, Professor of History at Southern Methodist University. This is his second time on New Books, and you can hear a conversation about one of his other books, The Buddha's Footprint: An Environmental History of Asia (University of Pennsylvania Press 2020) here. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. She can be reached at sbramaoramos@g.harvard.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Buddhist cosmological history of the universe, history of Chinggis Khan, history of China, and history of the Mongols — The Precious Summary, written in 1662 by Sagang Sechen, is many things. As a whole, it is the most important work of Mongolian history on the period before the rise of the Manchu Qing dynasty. The Precious Summary: A History of the Mongols from Chinggis Khan to the Qing Dynasty (Columbia University Press 2023), translated by Johan Elverskog, is not only a fluid and lucid translation, but by adding extensive annotations and helpful introductions, Elverskog has made this epic history approachable to readers today. Whether you are well-versed in the Mongol-Oirat wars or if the name Altan Khan doesn't (yet) mean anything to you, this is a fabulous introduction to Mongolian historiography that should be of interest to anyone looking to learn more about Mongolian sources, Inner Asian history, and the history of Buddhism in Asia. Johan Elverskog is Dedman Family Distinguished Professor, Professor of Religious Studies, and, by courtesy, Professor of History at Southern Methodist University. This is his second time on New Books, and you can hear a conversation about one of his other books, The Buddha's Footprint: An Environmental History of Asia (University of Pennsylvania Press 2020) here. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. She can be reached at sbramaoramos@g.harvard.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Buddhist cosmological history of the universe, history of Chinggis Khan, history of China, and history of the Mongols — The Precious Summary, written in 1662 by Sagang Sechen, is many things. As a whole, it is the most important work of Mongolian history on the period before the rise of the Manchu Qing dynasty. The Precious Summary: A History of the Mongols from Chinggis Khan to the Qing Dynasty (Columbia University Press 2023), translated by Johan Elverskog, is not only a fluid and lucid translation, but by adding extensive annotations and helpful introductions, Elverskog has made this epic history approachable to readers today. Whether you are well-versed in the Mongol-Oirat wars or if the name Altan Khan doesn't (yet) mean anything to you, this is a fabulous introduction to Mongolian historiography that should be of interest to anyone looking to learn more about Mongolian sources, Inner Asian history, and the history of Buddhism in Asia. Johan Elverskog is Dedman Family Distinguished Professor, Professor of Religious Studies, and, by courtesy, Professor of History at Southern Methodist University. This is his second time on New Books, and you can hear a conversation about one of his other books, The Buddha's Footprint: An Environmental History of Asia (University of Pennsylvania Press 2020) here. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. She can be reached at sbramaoramos@g.harvard.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Buddhist cosmological history of the universe, history of Chinggis Khan, history of China, and history of the Mongols — The Precious Summary, written in 1662 by Sagang Sechen, is many things. As a whole, it is the most important work of Mongolian history on the period before the rise of the Manchu Qing dynasty. The Precious Summary: A History of the Mongols from Chinggis Khan to the Qing Dynasty (Columbia University Press 2023), translated by Johan Elverskog, is not only a fluid and lucid translation, but by adding extensive annotations and helpful introductions, Elverskog has made this epic history approachable to readers today. Whether you are well-versed in the Mongol-Oirat wars or if the name Altan Khan doesn't (yet) mean anything to you, this is a fabulous introduction to Mongolian historiography that should be of interest to anyone looking to learn more about Mongolian sources, Inner Asian history, and the history of Buddhism in Asia. Johan Elverskog is Dedman Family Distinguished Professor, Professor of Religious Studies, and, by courtesy, Professor of History at Southern Methodist University. This is his second time on New Books, and you can hear a conversation about one of his other books, The Buddha's Footprint: An Environmental History of Asia (University of Pennsylvania Press 2020) here. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. She can be reached at sbramaoramos@g.harvard.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/buddhist-studies

The Opium Business: A History of Crime and Capitalism in Maritime China (Stanford UP, 2022) explores the opium trade — but not through the relatively well-trodden history of the ‘Opium Wars.' Instead, in this wonderfully rich book Peter Thilly investigates the little known social history of the opium trade in coastal southern Fujian province. The Opium Business focuses on the relationship between the state and local businesses, charting how it changed as opium went from contraband to tax staple in the late nineteenth century, and then from tax staple to prohibited commodity in the early twentieth century.  While this book is sure to interest anyone keen to learn more about modern Chinese history, the history of capitalism, and the history of global narcotics, this book should also be of interest to anyone looking to read about some truly fascinating individuals who made the 'opium business' happen. By uncovering the history of the tax farmers, roving gangs, smugglers, and 'opium kings' who moved, sold, and hid opium, Thilly's book reminds us that it was people — with competing motivations, complicated backgrounds, and networks of friends — who made the opium trade happen. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. She can be reached at sbramaoramos@g.harvard.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

The Opium Business: A History of Crime and Capitalism in Maritime China (Stanford UP, 2022) explores the opium trade — but not through the relatively well-trodden history of the ‘Opium Wars.' Instead, in this wonderfully rich book Peter Thilly investigates the little known social history of the opium trade in coastal southern Fujian province. The Opium Business focuses on the relationship between the state and local businesses, charting how it changed as opium went from contraband to tax staple in the late nineteenth century, and then from tax staple to prohibited commodity in the early twentieth century.  While this book is sure to interest anyone keen to learn more about modern Chinese history, the history of capitalism, and the history of global narcotics, this book should also be of interest to anyone looking to read about some truly fascinating individuals who made the 'opium business' happen. By uncovering the history of the tax farmers, roving gangs, smugglers, and 'opium kings' who moved, sold, and hid opium, Thilly's book reminds us that it was people — with competing motivations, complicated backgrounds, and networks of friends — who made the opium trade happen. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. She can be reached at sbramaoramos@g.harvard.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The Opium Business: A History of Crime and Capitalism in Maritime China (Stanford UP, 2022) explores the opium trade — but not through the relatively well-trodden history of the ‘Opium Wars.' Instead, in this wonderfully rich book Peter Thilly investigates the little known social history of the opium trade in coastal southern Fujian province. The Opium Business focuses on the relationship between the state and local businesses, charting how it changed as opium went from contraband to tax staple in the late nineteenth century, and then from tax staple to prohibited commodity in the early twentieth century.  While this book is sure to interest anyone keen to learn more about modern Chinese history, the history of capitalism, and the history of global narcotics, this book should also be of interest to anyone looking to read about some truly fascinating individuals who made the 'opium business' happen. By uncovering the history of the tax farmers, roving gangs, smugglers, and 'opium kings' who moved, sold, and hid opium, Thilly's book reminds us that it was people — with competing motivations, complicated backgrounds, and networks of friends — who made the opium trade happen. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. She can be reached at sbramaoramos@g.harvard.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

The Opium Business: A History of Crime and Capitalism in Maritime China (Stanford UP, 2022) explores the opium trade — but not through the relatively well-trodden history of the ‘Opium Wars.' Instead, in this wonderfully rich book Peter Thilly investigates the little known social history of the opium trade in coastal southern Fujian province. The Opium Business focuses on the relationship between the state and local businesses, charting how it changed as opium went from contraband to tax staple in the late nineteenth century, and then from tax staple to prohibited commodity in the early twentieth century.  While this book is sure to interest anyone keen to learn more about modern Chinese history, the history of capitalism, and the history of global narcotics, this book should also be of interest to anyone looking to read about some truly fascinating individuals who made the 'opium business' happen. By uncovering the history of the tax farmers, roving gangs, smugglers, and 'opium kings' who moved, sold, and hid opium, Thilly's book reminds us that it was people — with competing motivations, complicated backgrounds, and networks of friends — who made the opium trade happen. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. She can be reached at sbramaoramos@g.harvard.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What is the nature of language? This is the question that Nathan Vedal's book, The Culture of Language in Ming China: Sound, Script, and the Redefinition of Boundaries of Knowledge (Columbia University Press; 2022), explores. And ‘explore' is indeed the best word to describe what this beautifully rich book does, for it looks at how language was conceived, discussed, and debated in a wide range of little-known texts from the Ming and Qing, including works of philosophy, philology, literature, and music. Through this exploration, The Culture of Language in Ming China looks at how a community interested in philology formed in the sixteenth century. More importantly, this book examines Ming philology on its own terms, making the point that constrained disciplinary boundaries around philology and around what constitutes the study of language simply didn't apply in this period; such restrictions would come later. As such, this book should be of interest to anyone curious in learning more about Chinese intellectual history, the history of the Ming and Qing, and the study of language in East Asia — but also anyone interested in thinking critically about the formation and history of disciplinary boundaries. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. She can be reached at sbramaoramos@g.harvard.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

What is the nature of language? This is the question that Nathan Vedal's book, The Culture of Language in Ming China: Sound, Script, and the Redefinition of Boundaries of Knowledge (Columbia University Press; 2022), explores. And ‘explore' is indeed the best word to describe what this beautifully rich book does, for it looks at how language was conceived, discussed, and debated in a wide range of little-known texts from the Ming and Qing, including works of philosophy, philology, literature, and music. Through this exploration, The Culture of Language in Ming China looks at how a community interested in philology formed in the sixteenth century. More importantly, this book examines Ming philology on its own terms, making the point that constrained disciplinary boundaries around philology and around what constitutes the study of language simply didn't apply in this period; such restrictions would come later. As such, this book should be of interest to anyone curious in learning more about Chinese intellectual history, the history of the Ming and Qing, and the study of language in East Asia — but also anyone interested in thinking critically about the formation and history of disciplinary boundaries. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. She can be reached at sbramaoramos@g.harvard.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network