Podcasts about East Asian languages

Wayfaring: Photography in Taiwan, 1950s–1980s (Australian Centre on China in the World, 2025) explores four transformative decades of photography in Taiwan, tracing its evolution amid the island's emergence from Japanese colonialism and integration into Nationalist China, largely under martial law (1949–87). Through a dozen richly illustrated essays and interviews, the book bridges the gap between vigorous Chinese-language scholarship on photography in Taiwan and its limited representation in English. Essays on photographers in the 1950s–60s, including Long Chin-San (Lang Jingshan) (1892-1995), Deng Nan-Guang (1907-1971), Chang Chao-Tang (1943-2024), Liu An-Ming (1928-2022), Hwang Pai-Chi (b. 1931), Hsu Yuan-Fu (1932-2018) and Tsai Hui-Feng (1928-2005), reveal photography's pivotal role in documenting ‘local' culture and shaping cultural identity, while challenging ideas of ‘amateur' and ‘realist' practices and recognising the importance of transnational connections. Meanwhile, essays on Hsu Jen-Shiu (b.1946), Lin Bo-Liang (b. 1952), Kao Chung-Li (b. 1958), Lien Hui-Ling (b. 1961) and Hou Tsung-Hui (b. 1960), along with interviews sharing the firsthand experiences of Liu Chen-Hsiang (b.1963), Lulu Shur-tzy Hou (1962-2023) and Yao Jui-Chung (b.1969), highlight the experience of photography in 1970s–80s Taiwan, as both witness and agent of social transformation, addressing issues such as environmental protection, mental health and gender politics, as well as being a crucial vehicle for the transdisciplinary nature of contemporary art, theatre, cinema and performance in Taiwan at that time. Chen Shuxia is a historian and curator of Chinese art. Her research concerns art collectives, diasporic artistic practice, and reciprocal relations between people and objects. Her most recent books include Wayfaring: Photography in Taiwan, 1950s–1980s (2025), Chinese Toggles: Culture in Miniature (2024) and A Home for Photography Learning: the Friday Salon, 1977-1980 (2024). Her most recent curated exhibitions include “Merchants of Haymarket: the Making of Sydney's Chinatown” (2026), “The trace is not a presence…” (2025), “Chinese Toggles: Culture in Miniature” (2024). Chen is the inaugural curator of the Chau Chak Wing Museum's China Gallery, and a Senior lecturer in the Master's degree programme in Curating and Cultural Leadership, at the University of New South Wales School of Art & Design. Olivier Krischer is a historian and curator of art from East Asia and the Asian Australian diaspora, whose research concerns modern and contemporary transcultural art, photography and intermedia practices. His curatorial projects include “Assembly” (2023), featuring eight Hong Kong-born artists, “Wayfaring: Photography in 1970s-80s Taiwan” (2021) and “Between: Picturing 1950-1960s Taiwan” (2016). His publications include John Young: The History Projects (2025), Zhang Peili: From Painting to Video (2019) and Asia through Art and Anthropology: Cultural Translation Across Borders (with F. Nakamura and M. Perkins, 2013). Krischer is currently a lecturer and program convenor for the Master's degree programe in Curating and Cultural Leadership, at the University of New South Wales School of Art & Design. Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Li-Ping's NBN episodes on Taiwan Studies are supported by the Chun and Jane Chiu Family Foundation Taiwan Studies Program at Oregon State University. Relevant Links: Open Access for Wayfaring: Photography in Taiwan 1950s−1980s Wayfaring 找路: Photography in 1970s–80s Taiwan Exhibition Webpage Wayfaring Exhibition Pamphlet Wayfaring Exhibition Video Tour | Part 1 — Overview “Between: Picturing 1950s-60s Taiwan / 間：臺灣五六十年代面影” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Wayfaring: Photography in Taiwan, 1950s–1980s (Australian Centre on China in the World, 2025) explores four transformative decades of photography in Taiwan, tracing its evolution amid the island's emergence from Japanese colonialism and integration into Nationalist China, largely under martial law (1949–87). Through a dozen richly illustrated essays and interviews, the book bridges the gap between vigorous Chinese-language scholarship on photography in Taiwan and its limited representation in English. Essays on photographers in the 1950s–60s, including Long Chin-San (Lang Jingshan) (1892-1995), Deng Nan-Guang (1907-1971), Chang Chao-Tang (1943-2024), Liu An-Ming (1928-2022), Hwang Pai-Chi (b. 1931), Hsu Yuan-Fu (1932-2018) and Tsai Hui-Feng (1928-2005), reveal photography's pivotal role in documenting ‘local' culture and shaping cultural identity, while challenging ideas of ‘amateur' and ‘realist' practices and recognising the importance of transnational connections. Meanwhile, essays on Hsu Jen-Shiu (b.1946), Lin Bo-Liang (b. 1952), Kao Chung-Li (b. 1958), Lien Hui-Ling (b. 1961) and Hou Tsung-Hui (b. 1960), along with interviews sharing the firsthand experiences of Liu Chen-Hsiang (b.1963), Lulu Shur-tzy Hou (1962-2023) and Yao Jui-Chung (b.1969), highlight the experience of photography in 1970s–80s Taiwan, as both witness and agent of social transformation, addressing issues such as environmental protection, mental health and gender politics, as well as being a crucial vehicle for the transdisciplinary nature of contemporary art, theatre, cinema and performance in Taiwan at that time. Chen Shuxia is a historian and curator of Chinese art. Her research concerns art collectives, diasporic artistic practice, and reciprocal relations between people and objects. Her most recent books include Wayfaring: Photography in Taiwan, 1950s–1980s (2025), Chinese Toggles: Culture in Miniature (2024) and A Home for Photography Learning: the Friday Salon, 1977-1980 (2024). Her most recent curated exhibitions include “Merchants of Haymarket: the Making of Sydney's Chinatown” (2026), “The trace is not a presence…” (2025), “Chinese Toggles: Culture in Miniature” (2024). Chen is the inaugural curator of the Chau Chak Wing Museum's China Gallery, and a Senior lecturer in the Master's degree programme in Curating and Cultural Leadership, at the University of New South Wales School of Art & Design. Olivier Krischer is a historian and curator of art from East Asia and the Asian Australian diaspora, whose research concerns modern and contemporary transcultural art, photography and intermedia practices. His curatorial projects include “Assembly” (2023), featuring eight Hong Kong-born artists, “Wayfaring: Photography in 1970s-80s Taiwan” (2021) and “Between: Picturing 1950-1960s Taiwan” (2016). His publications include John Young: The History Projects (2025), Zhang Peili: From Painting to Video (2019) and Asia through Art and Anthropology: Cultural Translation Across Borders (with F. Nakamura and M. Perkins, 2013). Krischer is currently a lecturer and program convenor for the Master's degree programe in Curating and Cultural Leadership, at the University of New South Wales School of Art & Design. Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Li-Ping's NBN episodes on Taiwan Studies are supported by the Chun and Jane Chiu Family Foundation Taiwan Studies Program at Oregon State University. Relevant Links: Open Access for Wayfaring: Photography in Taiwan 1950s−1980s Wayfaring 找路: Photography in 1970s–80s Taiwan Exhibition Webpage Wayfaring Exhibition Pamphlet Wayfaring Exhibition Video Tour | Part 1 — Overview “Between: Picturing 1950s-60s Taiwan / 間：臺灣五六十年代面影” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Wayfaring: Photography in Taiwan, 1950s–1980s (Australian Centre on China in the World, 2025) explores four transformative decades of photography in Taiwan, tracing its evolution amid the island's emergence from Japanese colonialism and integration into Nationalist China, largely under martial law (1949–87). Through a dozen richly illustrated essays and interviews, the book bridges the gap between vigorous Chinese-language scholarship on photography in Taiwan and its limited representation in English. Essays on photographers in the 1950s–60s, including Long Chin-San (Lang Jingshan) (1892-1995), Deng Nan-Guang (1907-1971), Chang Chao-Tang (1943-2024), Liu An-Ming (1928-2022), Hwang Pai-Chi (b. 1931), Hsu Yuan-Fu (1932-2018) and Tsai Hui-Feng (1928-2005), reveal photography's pivotal role in documenting ‘local' culture and shaping cultural identity, while challenging ideas of ‘amateur' and ‘realist' practices and recognising the importance of transnational connections. Meanwhile, essays on Hsu Jen-Shiu (b.1946), Lin Bo-Liang (b. 1952), Kao Chung-Li (b. 1958), Lien Hui-Ling (b. 1961) and Hou Tsung-Hui (b. 1960), along with interviews sharing the firsthand experiences of Liu Chen-Hsiang (b.1963), Lulu Shur-tzy Hou (1962-2023) and Yao Jui-Chung (b.1969), highlight the experience of photography in 1970s–80s Taiwan, as both witness and agent of social transformation, addressing issues such as environmental protection, mental health and gender politics, as well as being a crucial vehicle for the transdisciplinary nature of contemporary art, theatre, cinema and performance in Taiwan at that time. Chen Shuxia is a historian and curator of Chinese art. Her research concerns art collectives, diasporic artistic practice, and reciprocal relations between people and objects. Her most recent books include Wayfaring: Photography in Taiwan, 1950s–1980s (2025), Chinese Toggles: Culture in Miniature (2024) and A Home for Photography Learning: the Friday Salon, 1977-1980 (2024). Her most recent curated exhibitions include “Merchants of Haymarket: the Making of Sydney's Chinatown” (2026), “The trace is not a presence…” (2025), “Chinese Toggles: Culture in Miniature” (2024). Chen is the inaugural curator of the Chau Chak Wing Museum's China Gallery, and a Senior lecturer in the Master's degree programme in Curating and Cultural Leadership, at the University of New South Wales School of Art & Design. Olivier Krischer is a historian and curator of art from East Asia and the Asian Australian diaspora, whose research concerns modern and contemporary transcultural art, photography and intermedia practices. His curatorial projects include “Assembly” (2023), featuring eight Hong Kong-born artists, “Wayfaring: Photography in 1970s-80s Taiwan” (2021) and “Between: Picturing 1950-1960s Taiwan” (2016). His publications include John Young: The History Projects (2025), Zhang Peili: From Painting to Video (2019) and Asia through Art and Anthropology: Cultural Translation Across Borders (with F. Nakamura and M. Perkins, 2013). Krischer is currently a lecturer and program convenor for the Master's degree programe in Curating and Cultural Leadership, at the University of New South Wales School of Art & Design. Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Li-Ping's NBN episodes on Taiwan Studies are supported by the Chun and Jane Chiu Family Foundation Taiwan Studies Program at Oregon State University. Relevant Links: Open Access for Wayfaring: Photography in Taiwan 1950s−1980s Wayfaring 找路: Photography in 1970s–80s Taiwan Exhibition Webpage Wayfaring Exhibition Pamphlet Wayfaring Exhibition Video Tour | Part 1 — Overview “Between: Picturing 1950s-60s Taiwan / 間：臺灣五六十年代面影” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Wayfaring: Photography in Taiwan, 1950s–1980s (Australian Centre on China in the World, 2025) explores four transformative decades of photography in Taiwan, tracing its evolution amid the island's emergence from Japanese colonialism and integration into Nationalist China, largely under martial law (1949–87). Through a dozen richly illustrated essays and interviews, the book bridges the gap between vigorous Chinese-language scholarship on photography in Taiwan and its limited representation in English. Essays on photographers in the 1950s–60s, including Long Chin-San (Lang Jingshan) (1892-1995), Deng Nan-Guang (1907-1971), Chang Chao-Tang (1943-2024), Liu An-Ming (1928-2022), Hwang Pai-Chi (b. 1931), Hsu Yuan-Fu (1932-2018) and Tsai Hui-Feng (1928-2005), reveal photography's pivotal role in documenting ‘local' culture and shaping cultural identity, while challenging ideas of ‘amateur' and ‘realist' practices and recognising the importance of transnational connections. Meanwhile, essays on Hsu Jen-Shiu (b.1946), Lin Bo-Liang (b. 1952), Kao Chung-Li (b. 1958), Lien Hui-Ling (b. 1961) and Hou Tsung-Hui (b. 1960), along with interviews sharing the firsthand experiences of Liu Chen-Hsiang (b.1963), Lulu Shur-tzy Hou (1962-2023) and Yao Jui-Chung (b.1969), highlight the experience of photography in 1970s–80s Taiwan, as both witness and agent of social transformation, addressing issues such as environmental protection, mental health and gender politics, as well as being a crucial vehicle for the transdisciplinary nature of contemporary art, theatre, cinema and performance in Taiwan at that time. Chen Shuxia is a historian and curator of Chinese art. Her research concerns art collectives, diasporic artistic practice, and reciprocal relations between people and objects. Her most recent books include Wayfaring: Photography in Taiwan, 1950s–1980s (2025), Chinese Toggles: Culture in Miniature (2024) and A Home for Photography Learning: the Friday Salon, 1977-1980 (2024). Her most recent curated exhibitions include “Merchants of Haymarket: the Making of Sydney's Chinatown” (2026), “The trace is not a presence…” (2025), “Chinese Toggles: Culture in Miniature” (2024). Chen is the inaugural curator of the Chau Chak Wing Museum's China Gallery, and a Senior lecturer in the Master's degree programme in Curating and Cultural Leadership, at the University of New South Wales School of Art & Design. Olivier Krischer is a historian and curator of art from East Asia and the Asian Australian diaspora, whose research concerns modern and contemporary transcultural art, photography and intermedia practices. His curatorial projects include “Assembly” (2023), featuring eight Hong Kong-born artists, “Wayfaring: Photography in 1970s-80s Taiwan” (2021) and “Between: Picturing 1950-1960s Taiwan” (2016). His publications include John Young: The History Projects (2025), Zhang Peili: From Painting to Video (2019) and Asia through Art and Anthropology: Cultural Translation Across Borders (with F. Nakamura and M. Perkins, 2013). Krischer is currently a lecturer and program convenor for the Master's degree programe in Curating and Cultural Leadership, at the University of New South Wales School of Art & Design. Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Li-Ping's NBN episodes on Taiwan Studies are supported by the Chun and Jane Chiu Family Foundation Taiwan Studies Program at Oregon State University. Relevant Links: Open Access for Wayfaring: Photography in Taiwan 1950s−1980s Wayfaring 找路: Photography in 1970s–80s Taiwan Exhibition Webpage Wayfaring Exhibition Pamphlet Wayfaring Exhibition Video Tour | Part 1 — Overview “Between: Picturing 1950s-60s Taiwan / 間：臺灣五六十年代面影” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Wayfaring: Photography in Taiwan, 1950s–1980s (Australian Centre on China in the World, 2025) explores four transformative decades of photography in Taiwan, tracing its evolution amid the island's emergence from Japanese colonialism and integration into Nationalist China, largely under martial law (1949–87). Through a dozen richly illustrated essays and interviews, the book bridges the gap between vigorous Chinese-language scholarship on photography in Taiwan and its limited representation in English. Essays on photographers in the 1950s–60s, including Long Chin-San (Lang Jingshan) (1892-1995), Deng Nan-Guang (1907-1971), Chang Chao-Tang (1943-2024), Liu An-Ming (1928-2022), Hwang Pai-Chi (b. 1931), Hsu Yuan-Fu (1932-2018) and Tsai Hui-Feng (1928-2005), reveal photography's pivotal role in documenting ‘local' culture and shaping cultural identity, while challenging ideas of ‘amateur' and ‘realist' practices and recognising the importance of transnational connections. Meanwhile, essays on Hsu Jen-Shiu (b.1946), Lin Bo-Liang (b. 1952), Kao Chung-Li (b. 1958), Lien Hui-Ling (b. 1961) and Hou Tsung-Hui (b. 1960), along with interviews sharing the firsthand experiences of Liu Chen-Hsiang (b.1963), Lulu Shur-tzy Hou (1962-2023) and Yao Jui-Chung (b.1969), highlight the experience of photography in 1970s–80s Taiwan, as both witness and agent of social transformation, addressing issues such as environmental protection, mental health and gender politics, as well as being a crucial vehicle for the transdisciplinary nature of contemporary art, theatre, cinema and performance in Taiwan at that time. Chen Shuxia is a historian and curator of Chinese art. Her research concerns art collectives, diasporic artistic practice, and reciprocal relations between people and objects. Her most recent books include Wayfaring: Photography in Taiwan, 1950s–1980s (2025), Chinese Toggles: Culture in Miniature (2024) and A Home for Photography Learning: the Friday Salon, 1977-1980 (2024). Her most recent curated exhibitions include “Merchants of Haymarket: the Making of Sydney's Chinatown” (2026), “The trace is not a presence…” (2025), “Chinese Toggles: Culture in Miniature” (2024). Chen is the inaugural curator of the Chau Chak Wing Museum's China Gallery, and a Senior lecturer in the Master's degree programme in Curating and Cultural Leadership, at the University of New South Wales School of Art & Design. Olivier Krischer is a historian and curator of art from East Asia and the Asian Australian diaspora, whose research concerns modern and contemporary transcultural art, photography and intermedia practices. His curatorial projects include “Assembly” (2023), featuring eight Hong Kong-born artists, “Wayfaring: Photography in 1970s-80s Taiwan” (2021) and “Between: Picturing 1950-1960s Taiwan” (2016). His publications include John Young: The History Projects (2025), Zhang Peili: From Painting to Video (2019) and Asia through Art and Anthropology: Cultural Translation Across Borders (with F. Nakamura and M. Perkins, 2013). Krischer is currently a lecturer and program convenor for the Master's degree programe in Curating and Cultural Leadership, at the University of New South Wales School of Art & Design. Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Li-Ping's NBN episodes on Taiwan Studies are supported by the Chun and Jane Chiu Family Foundation Taiwan Studies Program at Oregon State University. Relevant Links: Open Access for Wayfaring: Photography in Taiwan 1950s−1980s Wayfaring 找路: Photography in 1970s–80s Taiwan Exhibition Webpage Wayfaring Exhibition Pamphlet Wayfaring Exhibition Video Tour | Part 1 — Overview “Between: Picturing 1950s-60s Taiwan / 間：臺灣五六十年代面影” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography

Kaitlyn Ugoretz (Lecturer, Nanzan Institute for Religion and Culture, Nanzan University, Japan; PhD, East Asian Languages and Cultural Studies, University of California, Santa Barbara, in progress) is an anthropologist of religion focused on the globalization of Japanese Shinto practices through popular culture such as anime, video games, and Marie Kondo's decluttering. The Associate Editor of The Japanese Journal of Religious Studies, and a member of the Sacred Writes 2021 public scholarship training cohort, Prof. Ugoretz also promotes public scholarship on Japanese religions through her award-winning educational YouTube channel Eat Pray Anime, in podcast interviews, cultural consulting, and her writing for venues including Religion News Service and The Conversation. Ugoretz will conduct a digital ethnography of Japanese tidying guru Marie Kondo. She notes that while Western scholarship tends to consider Kondo to be "spiritual," the Japanese find her to be too "religious," reflecting aspects of Buddhist and Shinto traditions. This leads Ugoretz to argue that our understanding of spiritual yearning should expand---it is neither a new nor an American phenomenon. The boundary between what is "religious" and what is "spiritual" is historically and cultural constructed, and shaped by ideas of race, class, and globalization. She argues that spiritual yearning emerges from human existential needs and concerns, and should be distinguished from the capitalistic patterns of "spiritual consumption" that it often inspires. Visit Sacred Writes: https://www.sacred-writes.org/templeton-working-group Visit Eat, Pray, Anime: https://www.youtube.com/c/eatprayanime  

Lyrical Translation: The Creation of Modern Poetry in Colonial Korea (U Hawai'i Press, 2026)is a literary history of modern Korean poetry's origins and its development through translation. As the use of Korean became increasingly restricted during the Japanese occupation, translation was not a choice but a necessity for higher education and intellectual labor. Yet it also had an expansive, creative function: Korean poets wielded it as an instrument to reimagine their literature. Around the turn of the twentieth century, intellectuals began abandoning classical Chinese as the default written language to embrace a new vernacular style in prose and verse that was closer to everyday speech. Pushing back against the perception of translation as a process of simple replication, Lyrical Translation reveals how poets used it to forge an entirely new mode of poetic composition. Dr. David Krolikoski is an assistant professor at the University of Hawaiʻi at Mānoa in the Department of East Asian Languages & Literatures. His research interests include modern Korean poetry, translation, poetics, postcolonial theory, and transnational literature, and his articles have appeared in Azalea: Journal of Korean Literature and Culture, The Routledge Companion to Korean Literature, Hyŏndae sihak, among others. Visit Dr. David Krolikoski's University Profile here Buy Lyrical Translation: The Creation of Modern Poetry in Colonial Korea here About the host: Leslie Hickman is an Anthropology graduate student at Emory University. She has an MA in Korean Studies and a KO-EN translation certificate from the Literature Translation Institute of Korea. You can contact her at leslie.hickman@emory.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Lyrical Translation: The Creation of Modern Poetry in Colonial Korea (U Hawai'i Press, 2026)is a literary history of modern Korean poetry's origins and its development through translation. As the use of Korean became increasingly restricted during the Japanese occupation, translation was not a choice but a necessity for higher education and intellectual labor. Yet it also had an expansive, creative function: Korean poets wielded it as an instrument to reimagine their literature. Around the turn of the twentieth century, intellectuals began abandoning classical Chinese as the default written language to embrace a new vernacular style in prose and verse that was closer to everyday speech. Pushing back against the perception of translation as a process of simple replication, Lyrical Translation reveals how poets used it to forge an entirely new mode of poetic composition. Dr. David Krolikoski is an assistant professor at the University of Hawaiʻi at Mānoa in the Department of East Asian Languages & Literatures. His research interests include modern Korean poetry, translation, poetics, postcolonial theory, and transnational literature, and his articles have appeared in Azalea: Journal of Korean Literature and Culture, The Routledge Companion to Korean Literature, Hyŏndae sihak, among others. Visit Dr. David Krolikoski's University Profile here Buy Lyrical Translation: The Creation of Modern Poetry in Colonial Korea here About the host: Leslie Hickman is an Anthropology graduate student at Emory University. She has an MA in Korean Studies and a KO-EN translation certificate from the Literature Translation Institute of Korea. You can contact her at leslie.hickman@emory.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Lyrical Translation: The Creation of Modern Poetry in Colonial Korea (U Hawai'i Press, 2026)is a literary history of modern Korean poetry's origins and its development through translation. As the use of Korean became increasingly restricted during the Japanese occupation, translation was not a choice but a necessity for higher education and intellectual labor. Yet it also had an expansive, creative function: Korean poets wielded it as an instrument to reimagine their literature. Around the turn of the twentieth century, intellectuals began abandoning classical Chinese as the default written language to embrace a new vernacular style in prose and verse that was closer to everyday speech. Pushing back against the perception of translation as a process of simple replication, Lyrical Translation reveals how poets used it to forge an entirely new mode of poetic composition. Dr. David Krolikoski is an assistant professor at the University of Hawaiʻi at Mānoa in the Department of East Asian Languages & Literatures. His research interests include modern Korean poetry, translation, poetics, postcolonial theory, and transnational literature, and his articles have appeared in Azalea: Journal of Korean Literature and Culture, The Routledge Companion to Korean Literature, Hyŏndae sihak, among others. Visit Dr. David Krolikoski's University Profile here Buy Lyrical Translation: The Creation of Modern Poetry in Colonial Korea here About the host: Leslie Hickman is an Anthropology graduate student at Emory University. She has an MA in Korean Studies and a KO-EN translation certificate from the Literature Translation Institute of Korea. You can contact her at leslie.hickman@emory.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Lyrical Translation: The Creation of Modern Poetry in Colonial Korea (U Hawai'i Press, 2026)is a literary history of modern Korean poetry's origins and its development through translation. As the use of Korean became increasingly restricted during the Japanese occupation, translation was not a choice but a necessity for higher education and intellectual labor. Yet it also had an expansive, creative function: Korean poets wielded it as an instrument to reimagine their literature. Around the turn of the twentieth century, intellectuals began abandoning classical Chinese as the default written language to embrace a new vernacular style in prose and verse that was closer to everyday speech. Pushing back against the perception of translation as a process of simple replication, Lyrical Translation reveals how poets used it to forge an entirely new mode of poetic composition. Dr. David Krolikoski is an assistant professor at the University of Hawaiʻi at Mānoa in the Department of East Asian Languages & Literatures. His research interests include modern Korean poetry, translation, poetics, postcolonial theory, and transnational literature, and his articles have appeared in Azalea: Journal of Korean Literature and Culture, The Routledge Companion to Korean Literature, Hyŏndae sihak, among others. Visit Dr. David Krolikoski's University Profile here Buy Lyrical Translation: The Creation of Modern Poetry in Colonial Korea here About the host: Leslie Hickman is an Anthropology graduate student at Emory University. She has an MA in Korean Studies and a KO-EN translation certificate from the Literature Translation Institute of Korea. You can contact her at leslie.hickman@emory.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language

Lyrical Translation: The Creation of Modern Poetry in Colonial Korea (U Hawai'i Press, 2026)is a literary history of modern Korean poetry's origins and its development through translation. As the use of Korean became increasingly restricted during the Japanese occupation, translation was not a choice but a necessity for higher education and intellectual labor. Yet it also had an expansive, creative function: Korean poets wielded it as an instrument to reimagine their literature. Around the turn of the twentieth century, intellectuals began abandoning classical Chinese as the default written language to embrace a new vernacular style in prose and verse that was closer to everyday speech. Pushing back against the perception of translation as a process of simple replication, Lyrical Translation reveals how poets used it to forge an entirely new mode of poetic composition. Dr. David Krolikoski is an assistant professor at the University of Hawaiʻi at Mānoa in the Department of East Asian Languages & Literatures. His research interests include modern Korean poetry, translation, poetics, postcolonial theory, and transnational literature, and his articles have appeared in Azalea: Journal of Korean Literature and Culture, The Routledge Companion to Korean Literature, Hyŏndae sihak, among others. Visit Dr. David Krolikoski's University Profile here Buy Lyrical Translation: The Creation of Modern Poetry in Colonial Korea here About the host: Leslie Hickman is an Anthropology graduate student at Emory University. She has an MA in Korean Studies and a KO-EN translation certificate from the Literature Translation Institute of Korea. You can contact her at leslie.hickman@emory.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/korean-studies

When Shogun was released last year on Hulu, it featured a great cast, spectacular visuals, and a gripping story. It was a commercial and critical success on release, and again when awards season came around. So of course, academic historians fretted. Were they concerned that it painted sixteenth-century Japan as another Game of Thrones (with more ninjas and fewer dragons)? Maybe a little. But most scholars were anxious because they understood how important the show would be, how profound an impact it would have, for years to come, on the public's perception of Japanese culture and history — all the more so because the story captures a moment of extraordinary significance, in such vivid detail, on such a vast canvas. In this talk, David Spafford, Associate Professor of Premodern Japanese History at the University of Pennsylvania, takes a closer look at the complexities of the period and unpacks why this particular moment in history matters so much — and how the hit Shogun series does (or doesn't) help us understand it. David Spafford was born and raised in Rome and first moved to the States to earn his PhD. He is currently Associate Professor of Premodern Japanese History in the Department of East Asian Languages and Civilizations at the University of Pennsylvania, where he teaches courses on samurai and the invention of the Way of the Warrior, on early modern urbanization, and on premodern law and violence. He is the author of A Sense of Place: The Political Landscape in Late Medieval Japan (2013), which explores the resilience of medieval regional identities and cultural geographies during the early Warring States period. In recent years, he has written about the role and boundaries of kinship in warrior society between 1450 and 1650. He is currently completing a short monograph on the writings of a sixteenth-century widow, known to us only as Jukeini, the only woman to rule a warrior domain. Paul Atkins is professor of Japanese in the Department of Asian Languages and Literature at the University of Washington, Seattle, where he teaches and writes about the literature, drama, and culture of medieval Japan. He holds a Ph.D. in Japanese from Stanford University. Professor Atkins was awarded the William F. Sibley Memorial Translation Prize by the University of Chicago in 2011 and the Kyoko Selden Memorial Translation Prize by Cornell University in 2021 for his translations of classical Japanese texts into English. Publications include the monographs Teika: The Life and Works of a Medieval Japanese Poet (University of Hawai'i Press, 2017) and Revealed Identity: The Noh Plays of Komparu Zenchiku (Center of Japanese Studies, University of Michigan, 2006) as well as a number of articles. Presented by Town Hall Seattle and Washin Kai. This event is sponsored by the UW Center for Japanese Studies and the UW Department of Asian Languages and Literature. Nominal support provided by Consulate-General of Japan in Seattle.

How Taiwan rose to global prominence in high tech manufacturing, from computer maker to the world's leading chip manufacturer. How did Taiwan, a former Japanese colony and the last fortress of the defeated Chinese Nationalists, ascend to such heights in high-tech manufacturing? In Island Tinkerers: Innovation and Transformation in the Making of Taiwan's Computing Industry (MIT Press, 2024), Honghong Tinn tells the critical history of how hobbyists and enthusiasts in Taiwan, including engineers, technologists, technocrats, computer users, and engineers-turned-entrepreneurs, helped transform the country with their hands-on engagement with computers. Rather than engaging in wholesale imitation of US sources, she explains, these technologists tinkered with imported computing technology and experimented with manufacturing their own versions, resulting in their own brand of successful innovation. Defying the stereotype of “the West innovates, and the East imitates,” Tinn tells the story of Taiwanese technologists' efforts over the past six decades. Beginning in the 1960s, they grappled with the “black-boxed” computers that were newly available through international technical-aid programs. Shortly after, multinational corporations that outsourced transistor and integrated circuit assembly overseas began employing Taiwanese engineers and factory workers. Island tinkerers developed strategies to adapt, modify, assemble, and work with computers in an inventive manner. It was through this creative and ingenious tinkering with computers that they were able to gain a better understanding of the technology, opening the door to future manufacturing endeavors that now include Acer, Foxconn, Asus, and Taiwan Semiconductor Manufacturing Company (TSMC). Honghong Tinn is Assistant Professor in the Program in the History of Science, Technology, and Medicine and the Department of Electrical and Computer Engineering at the University of Minnesota, Twin Cities. Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Li-Ping's NBN episodes on Taiwan Studies are supported by the Chun and Jane Chiu Family Foundation Taiwan Studies Program at Oregon State University. Relevant Links: Open Access for Island Tinkerers here Island Tinkerers' Book Talk with Honghong Tinn here Chinese language translation of Island Tinkerers 科技造浪者: 一部奇蹟般的台灣科技產業史，揭開全球都想知道的人脈網絡 here Fly up with Love (1978) here “Labour and (De)Industrialisation in East Asia” in Gateway To Global China Podcast here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

How Taiwan rose to global prominence in high tech manufacturing, from computer maker to the world's leading chip manufacturer. How did Taiwan, a former Japanese colony and the last fortress of the defeated Chinese Nationalists, ascend to such heights in high-tech manufacturing? In Island Tinkerers: Innovation and Transformation in the Making of Taiwan's Computing Industry (MIT Press, 2024), Honghong Tinn tells the critical history of how hobbyists and enthusiasts in Taiwan, including engineers, technologists, technocrats, computer users, and engineers-turned-entrepreneurs, helped transform the country with their hands-on engagement with computers. Rather than engaging in wholesale imitation of US sources, she explains, these technologists tinkered with imported computing technology and experimented with manufacturing their own versions, resulting in their own brand of successful innovation. Defying the stereotype of “the West innovates, and the East imitates,” Tinn tells the story of Taiwanese technologists' efforts over the past six decades. Beginning in the 1960s, they grappled with the “black-boxed” computers that were newly available through international technical-aid programs. Shortly after, multinational corporations that outsourced transistor and integrated circuit assembly overseas began employing Taiwanese engineers and factory workers. Island tinkerers developed strategies to adapt, modify, assemble, and work with computers in an inventive manner. It was through this creative and ingenious tinkering with computers that they were able to gain a better understanding of the technology, opening the door to future manufacturing endeavors that now include Acer, Foxconn, Asus, and Taiwan Semiconductor Manufacturing Company (TSMC). Honghong Tinn is Assistant Professor in the Program in the History of Science, Technology, and Medicine and the Department of Electrical and Computer Engineering at the University of Minnesota, Twin Cities. Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Li-Ping's NBN episodes on Taiwan Studies are supported by the Chun and Jane Chiu Family Foundation Taiwan Studies Program at Oregon State University. Relevant Links: Open Access for Island Tinkerers here Island Tinkerers' Book Talk with Honghong Tinn here Chinese language translation of Island Tinkerers 科技造浪者: 一部奇蹟般的台灣科技產業史，揭開全球都想知道的人脈網絡 here Fly up with Love (1978) here “Labour and (De)Industrialisation in East Asia” in Gateway To Global China Podcast here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

How Taiwan rose to global prominence in high tech manufacturing, from computer maker to the world's leading chip manufacturer. How did Taiwan, a former Japanese colony and the last fortress of the defeated Chinese Nationalists, ascend to such heights in high-tech manufacturing? In Island Tinkerers: Innovation and Transformation in the Making of Taiwan's Computing Industry (MIT Press, 2024), Honghong Tinn tells the critical history of how hobbyists and enthusiasts in Taiwan, including engineers, technologists, technocrats, computer users, and engineers-turned-entrepreneurs, helped transform the country with their hands-on engagement with computers. Rather than engaging in wholesale imitation of US sources, she explains, these technologists tinkered with imported computing technology and experimented with manufacturing their own versions, resulting in their own brand of successful innovation. Defying the stereotype of “the West innovates, and the East imitates,” Tinn tells the story of Taiwanese technologists' efforts over the past six decades. Beginning in the 1960s, they grappled with the “black-boxed” computers that were newly available through international technical-aid programs. Shortly after, multinational corporations that outsourced transistor and integrated circuit assembly overseas began employing Taiwanese engineers and factory workers. Island tinkerers developed strategies to adapt, modify, assemble, and work with computers in an inventive manner. It was through this creative and ingenious tinkering with computers that they were able to gain a better understanding of the technology, opening the door to future manufacturing endeavors that now include Acer, Foxconn, Asus, and Taiwan Semiconductor Manufacturing Company (TSMC). Honghong Tinn is Assistant Professor in the Program in the History of Science, Technology, and Medicine and the Department of Electrical and Computer Engineering at the University of Minnesota, Twin Cities. Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Li-Ping's NBN episodes on Taiwan Studies are supported by the Chun and Jane Chiu Family Foundation Taiwan Studies Program at Oregon State University. Relevant Links: Open Access for Island Tinkerers here Island Tinkerers' Book Talk with Honghong Tinn here Chinese language translation of Island Tinkerers 科技造浪者: 一部奇蹟般的台灣科技產業史，揭開全球都想知道的人脈網絡 here Fly up with Love (1978) here “Labour and (De)Industrialisation in East Asia” in Gateway To Global China Podcast here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

How Taiwan rose to global prominence in high tech manufacturing, from computer maker to the world's leading chip manufacturer. How did Taiwan, a former Japanese colony and the last fortress of the defeated Chinese Nationalists, ascend to such heights in high-tech manufacturing? In Island Tinkerers: Innovation and Transformation in the Making of Taiwan's Computing Industry (MIT Press, 2024), Honghong Tinn tells the critical history of how hobbyists and enthusiasts in Taiwan, including engineers, technologists, technocrats, computer users, and engineers-turned-entrepreneurs, helped transform the country with their hands-on engagement with computers. Rather than engaging in wholesale imitation of US sources, she explains, these technologists tinkered with imported computing technology and experimented with manufacturing their own versions, resulting in their own brand of successful innovation. Defying the stereotype of “the West innovates, and the East imitates,” Tinn tells the story of Taiwanese technologists' efforts over the past six decades. Beginning in the 1960s, they grappled with the “black-boxed” computers that were newly available through international technical-aid programs. Shortly after, multinational corporations that outsourced transistor and integrated circuit assembly overseas began employing Taiwanese engineers and factory workers. Island tinkerers developed strategies to adapt, modify, assemble, and work with computers in an inventive manner. It was through this creative and ingenious tinkering with computers that they were able to gain a better understanding of the technology, opening the door to future manufacturing endeavors that now include Acer, Foxconn, Asus, and Taiwan Semiconductor Manufacturing Company (TSMC). Honghong Tinn is Assistant Professor in the Program in the History of Science, Technology, and Medicine and the Department of Electrical and Computer Engineering at the University of Minnesota, Twin Cities. Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Li-Ping's NBN episodes on Taiwan Studies are supported by the Chun and Jane Chiu Family Foundation Taiwan Studies Program at Oregon State University. Relevant Links: Open Access for Island Tinkerers here Island Tinkerers' Book Talk with Honghong Tinn here Chinese language translation of Island Tinkerers 科技造浪者: 一部奇蹟般的台灣科技產業史，揭開全球都想知道的人脈網絡 here Fly up with Love (1978) here “Labour and (De)Industrialisation in East Asia” in Gateway To Global China Podcast here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

On this episode of LID Radio Podcast, we're joined by Catherine Xiang, author of Harmony in Differences: An Introduction to Politeness in Intercultural Communication with China.About Catherine XiangDr Catherine Xiang is an applied linguist and established author, and Head of East Asian Languages at LSE. She is also Programme Director for LSE's BSc International Relations and Chinese, and UK Director of the LSE Confucius Institute for Business London.About Harmony in DifferencesHarmony in Differences explores the role of politeness in intercultural communication with China, offering practical insight into navigating relationships, communication styles, and cultural expectations in international business contexts.

In Literature for Little Bodhisattvas: Making Buddhist Families in Modern Taiwan (U Hawai'i Press, 2025), Natasha Heller makes two key interventions: first, she argues that picturebooks are a new genre of Buddhist writing, and second, she calls attention to an emergent family Buddhism in Taiwan that fashions children as religious subjects through shared attention with adult readers. Surveying Taiwanese Buddhism from the ground up, Heller explores the changing family dynamics that have made children into a crucial audience for Buddhist education and the home a key site for Buddhist cultivation. By taking picturebooks seriously as part of the Buddhist textual tradition, Heller demonstrates their engagement with canonical sources alongside innovations formodern audiences. Close readings analyzing both text and image trace narrative themes aboutBuddhist figures, and connect representations of buddhas and bodhisattvas to a visual culturewhere new values such as cuteness are articulated. Heller shows that picturebooks have becomean integral part of a contemporary Buddhist education that equips children with strategies tointerpret everyday life in Buddhist ways and provides religious models for action in the modern world. Literature for Little Bodhisattvas is a pathbreaking work revealing how contemporary picturebooks reframe Buddhism and offer fresh perspectives on its teachings and ideals of family for both children and adults. Natasha Heller is associate professor in the Department of Religious Studies at the University of Virginia. She is a cultural historian of Chinese Buddhism with research interests spanning the premodern period (primarily 10th through 14th c.) and the contemporary era. Illusory Abiding: The Cultural Construction of the Chan Monk Zhongfeng Mingben, her first book, is a study of an eminent monk of the Yuan dynasty using poetry, calligraphy, and gong'an commentary to explore the social and cultural dimensions of Chan Buddhism. Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Literature for Little Bodhisattvas: Making Buddhist Families in Modern Taiwan (U Hawai'i Press, 2025), Natasha Heller makes two key interventions: first, she argues that picturebooks are a new genre of Buddhist writing, and second, she calls attention to an emergent family Buddhism in Taiwan that fashions children as religious subjects through shared attention with adult readers. Surveying Taiwanese Buddhism from the ground up, Heller explores the changing family dynamics that have made children into a crucial audience for Buddhist education and the home a key site for Buddhist cultivation. By taking picturebooks seriously as part of the Buddhist textual tradition, Heller demonstrates their engagement with canonical sources alongside innovations formodern audiences. Close readings analyzing both text and image trace narrative themes aboutBuddhist figures, and connect representations of buddhas and bodhisattvas to a visual culturewhere new values such as cuteness are articulated. Heller shows that picturebooks have becomean integral part of a contemporary Buddhist education that equips children with strategies tointerpret everyday life in Buddhist ways and provides religious models for action in the modern world. Literature for Little Bodhisattvas is a pathbreaking work revealing how contemporary picturebooks reframe Buddhism and offer fresh perspectives on its teachings and ideals of family for both children and adults. Natasha Heller is associate professor in the Department of Religious Studies at the University of Virginia. She is a cultural historian of Chinese Buddhism with research interests spanning the premodern period (primarily 10th through 14th c.) and the contemporary era. Illusory Abiding: The Cultural Construction of the Chan Monk Zhongfeng Mingben, her first book, is a study of an eminent monk of the Yuan dynasty using poetry, calligraphy, and gong'an commentary to explore the social and cultural dimensions of Chan Buddhism. Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

In Literature for Little Bodhisattvas: Making Buddhist Families in Modern Taiwan (U Hawai'i Press, 2025), Natasha Heller makes two key interventions: first, she argues that picturebooks are a new genre of Buddhist writing, and second, she calls attention to an emergent family Buddhism in Taiwan that fashions children as religious subjects through shared attention with adult readers. Surveying Taiwanese Buddhism from the ground up, Heller explores the changing family dynamics that have made children into a crucial audience for Buddhist education and the home a key site for Buddhist cultivation. By taking picturebooks seriously as part of the Buddhist textual tradition, Heller demonstrates their engagement with canonical sources alongside innovations formodern audiences. Close readings analyzing both text and image trace narrative themes aboutBuddhist figures, and connect representations of buddhas and bodhisattvas to a visual culturewhere new values such as cuteness are articulated. Heller shows that picturebooks have becomean integral part of a contemporary Buddhist education that equips children with strategies tointerpret everyday life in Buddhist ways and provides religious models for action in the modern world. Literature for Little Bodhisattvas is a pathbreaking work revealing how contemporary picturebooks reframe Buddhism and offer fresh perspectives on its teachings and ideals of family for both children and adults. Natasha Heller is associate professor in the Department of Religious Studies at the University of Virginia. She is a cultural historian of Chinese Buddhism with research interests spanning the premodern period (primarily 10th through 14th c.) and the contemporary era. Illusory Abiding: The Cultural Construction of the Chan Monk Zhongfeng Mingben, her first book, is a study of an eminent monk of the Yuan dynasty using poetry, calligraphy, and gong'an commentary to explore the social and cultural dimensions of Chan Buddhism. Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Literature for Little Bodhisattvas: Making Buddhist Families in Modern Taiwan (U Hawai'i Press, 2025), Natasha Heller makes two key interventions: first, she argues that picturebooks are a new genre of Buddhist writing, and second, she calls attention to an emergent family Buddhism in Taiwan that fashions children as religious subjects through shared attention with adult readers. Surveying Taiwanese Buddhism from the ground up, Heller explores the changing family dynamics that have made children into a crucial audience for Buddhist education and the home a key site for Buddhist cultivation. By taking picturebooks seriously as part of the Buddhist textual tradition, Heller demonstrates their engagement with canonical sources alongside innovations formodern audiences. Close readings analyzing both text and image trace narrative themes aboutBuddhist figures, and connect representations of buddhas and bodhisattvas to a visual culturewhere new values such as cuteness are articulated. Heller shows that picturebooks have becomean integral part of a contemporary Buddhist education that equips children with strategies tointerpret everyday life in Buddhist ways and provides religious models for action in the modern world. Literature for Little Bodhisattvas is a pathbreaking work revealing how contemporary picturebooks reframe Buddhism and offer fresh perspectives on its teachings and ideals of family for both children and adults. Natasha Heller is associate professor in the Department of Religious Studies at the University of Virginia. She is a cultural historian of Chinese Buddhism with research interests spanning the premodern period (primarily 10th through 14th c.) and the contemporary era. Illusory Abiding: The Cultural Construction of the Chan Monk Zhongfeng Mingben, her first book, is a study of an eminent monk of the Yuan dynasty using poetry, calligraphy, and gong'an commentary to explore the social and cultural dimensions of Chan Buddhism. Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/buddhist-studies

In Literature for Little Bodhisattvas: Making Buddhist Families in Modern Taiwan (U Hawai'i Press, 2025), Natasha Heller makes two key interventions: first, she argues that picturebooks are a new genre of Buddhist writing, and second, she calls attention to an emergent family Buddhism in Taiwan that fashions children as religious subjects through shared attention with adult readers. Surveying Taiwanese Buddhism from the ground up, Heller explores the changing family dynamics that have made children into a crucial audience for Buddhist education and the home a key site for Buddhist cultivation. By taking picturebooks seriously as part of the Buddhist textual tradition, Heller demonstrates their engagement with canonical sources alongside innovations formodern audiences. Close readings analyzing both text and image trace narrative themes aboutBuddhist figures, and connect representations of buddhas and bodhisattvas to a visual culturewhere new values such as cuteness are articulated. Heller shows that picturebooks have becomean integral part of a contemporary Buddhist education that equips children with strategies tointerpret everyday life in Buddhist ways and provides religious models for action in the modern world. Literature for Little Bodhisattvas is a pathbreaking work revealing how contemporary picturebooks reframe Buddhism and offer fresh perspectives on its teachings and ideals of family for both children and adults. Natasha Heller is associate professor in the Department of Religious Studies at the University of Virginia. She is a cultural historian of Chinese Buddhism with research interests spanning the premodern period (primarily 10th through 14th c.) and the contemporary era. Illusory Abiding: The Cultural Construction of the Chan Monk Zhongfeng Mingben, her first book, is a study of an eminent monk of the Yuan dynasty using poetry, calligraphy, and gong'an commentary to explore the social and cultural dimensions of Chan Buddhism. Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

While early Buddhists hailed their religion's founder for opening a path to enlightenment, they also exalted him as the paragon of masculinity. According to Buddhist scriptures, the Buddha's body boasts thirty-two physical features, including lionlike jaws, thighs like a royal stag, broad shoulders, and a deep, resonant voice, that distinguish him from ordinary men. As Buddhism spread throughout Asia and around the world, the Buddha remained an exemplary man, but Buddhists in other times and places developed their own understandings of what it meant to be masculine. This transdisciplinary book brings together essays that explore the variety and diversity of Buddhist masculinities, from early India to the contemporary United States, and from bodhisattva-kings to martial monks. Buddhist Masculinities (Columbia UP, 2023) adopts the methods of religious studies, anthropology, art history, textual-historical studies, and cultural studies to explore texts, images, films, media, and embodiments of masculinity across the Buddhist world, past and present. It turns scholarly attention to normative forms of masculinity that usually go unmarked and unstudied precisely because they are "normal," illuminating the religious and cultural processes that construct Buddhist masculinities. Engaging with contemporary issues of gender identity, intersectionality, and sexual ethics, Buddhist Masculinities ushers in a new era for the study of Buddhism and gender. MEGAN BRYSON is Associate Professor of Religious Studies and chair of the Asian Studies program at the University of Tennessee, Knoxville. She received her B.A. in Religious Studies and Chinese from University of Oregon, and her Ph.D. in Religious Studies from Stanford University. Her research focuses primarily on themes of gender and ethnicity in Chinese religions, especially in the Dali region of Yunnan Province. The geographical specificity of her work is balanced by its temporal breadth, which ranges from the Nanzhao (649-903) and Dali (937-1253) kingdoms to the present, as reflected in her monograph, Goddess on the Frontier: Religion, Ethnicity, and Gender in Southwest China (Stanford University Press, 2016, an interview with her about this book is also on the New Books Network), which traces the worship of a local deity in Dali from the 12th to 21st centuries. KEVIN BUCKELEW is Assistant Professor of Religious Studies at Northwestern University. He received his B.A. in the liberal arts from Sarah Lawrence College, and his Ph.D. from Columbia University's Department of East Asian Languages and Cultures. His research focuses on Buddhism in premodern China, with special attention to the rise of the Chan (Zen) Buddhist tradition and to interactions between Chinese Buddhists and Daoists. Thematically, his work explores how religious identities take shape and assume social authority; how materiality, embodiment, and gender figure into Buddhist soteriology; and how Buddhists have grappled with the problem of human agency. Jue Liang is an Assistant Professor in the Department of Religious Studies at Case Western Reserve University. She is currently completing her first book, entitled Conceiving the Mother of Tibet: The Early Literary Lives of the Buddhist Saint Yeshé Tsogyel. She is also working on a second project, tentatively titled i. As a scholar of Buddhist literature, history, and culture in South and East Asia, she reflects in her research and teaching continuities as well as innovations in the gender discourses of Buddhist communities. She is also interested in the theory and practice of translation in general, and translating Tibetan literature in particular. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

While early Buddhists hailed their religion's founder for opening a path to enlightenment, they also exalted him as the paragon of masculinity. According to Buddhist scriptures, the Buddha's body boasts thirty-two physical features, including lionlike jaws, thighs like a royal stag, broad shoulders, and a deep, resonant voice, that distinguish him from ordinary men. As Buddhism spread throughout Asia and around the world, the Buddha remained an exemplary man, but Buddhists in other times and places developed their own understandings of what it meant to be masculine. This transdisciplinary book brings together essays that explore the variety and diversity of Buddhist masculinities, from early India to the contemporary United States, and from bodhisattva-kings to martial monks. Buddhist Masculinities (Columbia UP, 2023) adopts the methods of religious studies, anthropology, art history, textual-historical studies, and cultural studies to explore texts, images, films, media, and embodiments of masculinity across the Buddhist world, past and present. It turns scholarly attention to normative forms of masculinity that usually go unmarked and unstudied precisely because they are "normal," illuminating the religious and cultural processes that construct Buddhist masculinities. Engaging with contemporary issues of gender identity, intersectionality, and sexual ethics, Buddhist Masculinities ushers in a new era for the study of Buddhism and gender. MEGAN BRYSON is Associate Professor of Religious Studies and chair of the Asian Studies program at the University of Tennessee, Knoxville. She received her B.A. in Religious Studies and Chinese from University of Oregon, and her Ph.D. in Religious Studies from Stanford University. Her research focuses primarily on themes of gender and ethnicity in Chinese religions, especially in the Dali region of Yunnan Province. The geographical specificity of her work is balanced by its temporal breadth, which ranges from the Nanzhao (649-903) and Dali (937-1253) kingdoms to the present, as reflected in her monograph, Goddess on the Frontier: Religion, Ethnicity, and Gender in Southwest China (Stanford University Press, 2016, an interview with her about this book is also on the New Books Network), which traces the worship of a local deity in Dali from the 12th to 21st centuries. KEVIN BUCKELEW is Assistant Professor of Religious Studies at Northwestern University. He received his B.A. in the liberal arts from Sarah Lawrence College, and his Ph.D. from Columbia University's Department of East Asian Languages and Cultures. His research focuses on Buddhism in premodern China, with special attention to the rise of the Chan (Zen) Buddhist tradition and to interactions between Chinese Buddhists and Daoists. Thematically, his work explores how religious identities take shape and assume social authority; how materiality, embodiment, and gender figure into Buddhist soteriology; and how Buddhists have grappled with the problem of human agency. Jue Liang is an Assistant Professor in the Department of Religious Studies at Case Western Reserve University. She is currently completing her first book, entitled Conceiving the Mother of Tibet: The Early Literary Lives of the Buddhist Saint Yeshé Tsogyel. She is also working on a second project, tentatively titled i. As a scholar of Buddhist literature, history, and culture in South and East Asia, she reflects in her research and teaching continuities as well as innovations in the gender discourses of Buddhist communities. She is also interested in the theory and practice of translation in general, and translating Tibetan literature in particular. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

While early Buddhists hailed their religion's founder for opening a path to enlightenment, they also exalted him as the paragon of masculinity. According to Buddhist scriptures, the Buddha's body boasts thirty-two physical features, including lionlike jaws, thighs like a royal stag, broad shoulders, and a deep, resonant voice, that distinguish him from ordinary men. As Buddhism spread throughout Asia and around the world, the Buddha remained an exemplary man, but Buddhists in other times and places developed their own understandings of what it meant to be masculine. This transdisciplinary book brings together essays that explore the variety and diversity of Buddhist masculinities, from early India to the contemporary United States, and from bodhisattva-kings to martial monks. Buddhist Masculinities (Columbia UP, 2023) adopts the methods of religious studies, anthropology, art history, textual-historical studies, and cultural studies to explore texts, images, films, media, and embodiments of masculinity across the Buddhist world, past and present. It turns scholarly attention to normative forms of masculinity that usually go unmarked and unstudied precisely because they are "normal," illuminating the religious and cultural processes that construct Buddhist masculinities. Engaging with contemporary issues of gender identity, intersectionality, and sexual ethics, Buddhist Masculinities ushers in a new era for the study of Buddhism and gender. MEGAN BRYSON is Associate Professor of Religious Studies and chair of the Asian Studies program at the University of Tennessee, Knoxville. She received her B.A. in Religious Studies and Chinese from University of Oregon, and her Ph.D. in Religious Studies from Stanford University. Her research focuses primarily on themes of gender and ethnicity in Chinese religions, especially in the Dali region of Yunnan Province. The geographical specificity of her work is balanced by its temporal breadth, which ranges from the Nanzhao (649-903) and Dali (937-1253) kingdoms to the present, as reflected in her monograph, Goddess on the Frontier: Religion, Ethnicity, and Gender in Southwest China (Stanford University Press, 2016, an interview with her about this book is also on the New Books Network), which traces the worship of a local deity in Dali from the 12th to 21st centuries. KEVIN BUCKELEW is Assistant Professor of Religious Studies at Northwestern University. He received his B.A. in the liberal arts from Sarah Lawrence College, and his Ph.D. from Columbia University's Department of East Asian Languages and Cultures. His research focuses on Buddhism in premodern China, with special attention to the rise of the Chan (Zen) Buddhist tradition and to interactions between Chinese Buddhists and Daoists. Thematically, his work explores how religious identities take shape and assume social authority; how materiality, embodiment, and gender figure into Buddhist soteriology; and how Buddhists have grappled with the problem of human agency. Jue Liang is an Assistant Professor in the Department of Religious Studies at Case Western Reserve University. She is currently completing her first book, entitled Conceiving the Mother of Tibet: The Early Literary Lives of the Buddhist Saint Yeshé Tsogyel. She is also working on a second project, tentatively titled i. As a scholar of Buddhist literature, history, and culture in South and East Asia, she reflects in her research and teaching continuities as well as innovations in the gender discourses of Buddhist communities. She is also interested in the theory and practice of translation in general, and translating Tibetan literature in particular. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

While early Buddhists hailed their religion's founder for opening a path to enlightenment, they also exalted him as the paragon of masculinity. According to Buddhist scriptures, the Buddha's body boasts thirty-two physical features, including lionlike jaws, thighs like a royal stag, broad shoulders, and a deep, resonant voice, that distinguish him from ordinary men. As Buddhism spread throughout Asia and around the world, the Buddha remained an exemplary man, but Buddhists in other times and places developed their own understandings of what it meant to be masculine. This transdisciplinary book brings together essays that explore the variety and diversity of Buddhist masculinities, from early India to the contemporary United States, and from bodhisattva-kings to martial monks. Buddhist Masculinities (Columbia UP, 2023) adopts the methods of religious studies, anthropology, art history, textual-historical studies, and cultural studies to explore texts, images, films, media, and embodiments of masculinity across the Buddhist world, past and present. It turns scholarly attention to normative forms of masculinity that usually go unmarked and unstudied precisely because they are "normal," illuminating the religious and cultural processes that construct Buddhist masculinities. Engaging with contemporary issues of gender identity, intersectionality, and sexual ethics, Buddhist Masculinities ushers in a new era for the study of Buddhism and gender. MEGAN BRYSON is Associate Professor of Religious Studies and chair of the Asian Studies program at the University of Tennessee, Knoxville. She received her B.A. in Religious Studies and Chinese from University of Oregon, and her Ph.D. in Religious Studies from Stanford University. Her research focuses primarily on themes of gender and ethnicity in Chinese religions, especially in the Dali region of Yunnan Province. The geographical specificity of her work is balanced by its temporal breadth, which ranges from the Nanzhao (649-903) and Dali (937-1253) kingdoms to the present, as reflected in her monograph, Goddess on the Frontier: Religion, Ethnicity, and Gender in Southwest China (Stanford University Press, 2016, an interview with her about this book is also on the New Books Network), which traces the worship of a local deity in Dali from the 12th to 21st centuries. KEVIN BUCKELEW is Assistant Professor of Religious Studies at Northwestern University. He received his B.A. in the liberal arts from Sarah Lawrence College, and his Ph.D. from Columbia University's Department of East Asian Languages and Cultures. His research focuses on Buddhism in premodern China, with special attention to the rise of the Chan (Zen) Buddhist tradition and to interactions between Chinese Buddhists and Daoists. Thematically, his work explores how religious identities take shape and assume social authority; how materiality, embodiment, and gender figure into Buddhist soteriology; and how Buddhists have grappled with the problem of human agency. Jue Liang is an Assistant Professor in the Department of Religious Studies at Case Western Reserve University. She is currently completing her first book, entitled Conceiving the Mother of Tibet: The Early Literary Lives of the Buddhist Saint Yeshé Tsogyel. She is also working on a second project, tentatively titled i. As a scholar of Buddhist literature, history, and culture in South and East Asia, she reflects in her research and teaching continuities as well as innovations in the gender discourses of Buddhist communities. She is also interested in the theory and practice of translation in general, and translating Tibetan literature in particular.

Temujin Hu is a hard-working American who graduated from the University of Southern California with a B.A. in East Asian Languages and Cultures. He's lived in many different places and worked a variety of jobs; more recently he has spent most of his time in Kuwait, California, and now Colorado doing either professional armed security or running a small online used book business. He has been writing screenplays as a hobby for about fifteen years. THE RAGE is his first novel and is strongly influenced by his efforts to cultivate an attitude of grace in his life. - www.temujinhu.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-x-zone-radio-tv-show--1078348/support.Please note that all XZBN radio and/or television shows are Copyright © REL-MAR McConnell Meda Company, Niagara, Ontario, Canada – www.rel-mar.com. For more Episodes of this show and all shows produced, broadcasted and syndicated from REL-MAR McConell Media Company and The 'X' Zone Broadcast Network and the 'X' Zone TV Channell, visit www.xzbn.net. For programming, distribution, and syndication inquiries, email programming@xzbn.net.We are proud to announce the we have launched TWATNews.com, launched in August 2025.TWATNews.com is an independent online news platform dedicated to uncovering the truth about Donald Trump and his ongoing influence in politics, business, and society. Unlike mainstream outlets that often sanitize, soften, or ignore stories that challenge Trump and his allies, TWATNews digs deeper to deliver hard-hitting articles, investigative features, and sharp commentary that mainstream media won't touch.These are stories and articles that you will not read anywhere else.Our mission is simple: to expose corruption, lies, and authoritarian tendencies while giving voice to the perspectives and evidence that are often marginalized or buried by corporate-controlled media

"Trans and Intersex Health from Past to Future" will bring together academics and activists to explore the history of trans and intersex people's experiences of health and medicine in a global perspective. The discussion will examine histories of clinical practices, state policy, individual identity, and community making in the United States, and beyond. The panelists will reflect on how these histories can help us think about the present, and future, of trans and intersex health. Featuring Howard Chiang, Professor of East Asian Languages & Cultural Studies, University of California, Santa Barbara Dallas Denny, Activist and co-editor of “A History of Transgender Medicine in the United States” Zavier Nunn, Northwestern University Moderator Carlo Sariego, PhD Candidate in Sociology & Gender Studies, Yale University Rovel Sequeira, Assistant Professor of Women's and Gender Studies and English, University of Michigan Recorded on October 9, 2025 For more information visit: https://www.chstm.org/perspectives/2025-history-medicine-week#79804

In Good Wife, Wise Mother: Educating Han Taiwanese Girls Under Japanese Rule (U Washington Press, 2024), female education and citizenship serve as a lens through which to examine Taiwan's uniqueness as a colonial crossroads between Chinese and Japanese ideas and practices. A latecomer to the age of imperialism, Japan used modernization efforts in Taiwan to cast itself as a benevolent force among its colonial subjects and imperial competitors. In contrast to most European colonies, where only elites received an education, in Taiwan Japan built elementary schools intended for the entire population, including girls. In 1897 it developed a program known as “Good Wife, Wise Mother” that sought to transform Han Taiwanese girls into modern Japanese female citizens. Drawing on Japanese and Chinese newspapers, textbooks, oral interviews, and fiction, Fang Yu Hu illustrates how this seemingly progressive project advanced a particular Japanese vision of modernity, womanhood, and citizenship, to which the colonized Han Taiwanese people responded with varying degrees of collaboration, resistance, adaptation, and adoption. Hu also assesses the program's impact on Taiwan's class structure, male-female interactions, and political identity both during and after the end of Japanese occupation in 1945. Good Wife, Wise Mother expands the study of Taiwanese history by contributing important gendered and nonelite perspectives. It will be of interest to any historian concerned with questions of modernity, hybridity, and colonial nostalgia. Fang Yu Hu is assistant professor of History at the California State Polytechnic University, Pomona who specializes in modern East Asian history, with a focus on Taiwan, gender, colonialism, and cross-border flows. She has published in the journals ERAS of Monash University and Twentieth-Century China. Her current research focuses on Taiwanese migrants to mainland China and Southeast Asia in the first half of the 20th century. Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Relevant Link: NBN interview for Indoctrinating the Youth: Secondary Education in Wartime China and Postwar Taiwan, 1937-1960 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Good Wife, Wise Mother: Educating Han Taiwanese Girls Under Japanese Rule (U Washington Press, 2024), female education and citizenship serve as a lens through which to examine Taiwan's uniqueness as a colonial crossroads between Chinese and Japanese ideas and practices. A latecomer to the age of imperialism, Japan used modernization efforts in Taiwan to cast itself as a benevolent force among its colonial subjects and imperial competitors. In contrast to most European colonies, where only elites received an education, in Taiwan Japan built elementary schools intended for the entire population, including girls. In 1897 it developed a program known as “Good Wife, Wise Mother” that sought to transform Han Taiwanese girls into modern Japanese female citizens. Drawing on Japanese and Chinese newspapers, textbooks, oral interviews, and fiction, Fang Yu Hu illustrates how this seemingly progressive project advanced a particular Japanese vision of modernity, womanhood, and citizenship, to which the colonized Han Taiwanese people responded with varying degrees of collaboration, resistance, adaptation, and adoption. Hu also assesses the program's impact on Taiwan's class structure, male-female interactions, and political identity both during and after the end of Japanese occupation in 1945. Good Wife, Wise Mother expands the study of Taiwanese history by contributing important gendered and nonelite perspectives. It will be of interest to any historian concerned with questions of modernity, hybridity, and colonial nostalgia. Fang Yu Hu is assistant professor of History at the California State Polytechnic University, Pomona who specializes in modern East Asian history, with a focus on Taiwan, gender, colonialism, and cross-border flows. She has published in the journals ERAS of Monash University and Twentieth-Century China. Her current research focuses on Taiwanese migrants to mainland China and Southeast Asia in the first half of the 20th century. Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Relevant Link: NBN interview for Indoctrinating the Youth: Secondary Education in Wartime China and Postwar Taiwan, 1937-1960 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In Good Wife, Wise Mother: Educating Han Taiwanese Girls Under Japanese Rule (U Washington Press, 2024), female education and citizenship serve as a lens through which to examine Taiwan's uniqueness as a colonial crossroads between Chinese and Japanese ideas and practices. A latecomer to the age of imperialism, Japan used modernization efforts in Taiwan to cast itself as a benevolent force among its colonial subjects and imperial competitors. In contrast to most European colonies, where only elites received an education, in Taiwan Japan built elementary schools intended for the entire population, including girls. In 1897 it developed a program known as “Good Wife, Wise Mother” that sought to transform Han Taiwanese girls into modern Japanese female citizens. Drawing on Japanese and Chinese newspapers, textbooks, oral interviews, and fiction, Fang Yu Hu illustrates how this seemingly progressive project advanced a particular Japanese vision of modernity, womanhood, and citizenship, to which the colonized Han Taiwanese people responded with varying degrees of collaboration, resistance, adaptation, and adoption. Hu also assesses the program's impact on Taiwan's class structure, male-female interactions, and political identity both during and after the end of Japanese occupation in 1945. Good Wife, Wise Mother expands the study of Taiwanese history by contributing important gendered and nonelite perspectives. It will be of interest to any historian concerned with questions of modernity, hybridity, and colonial nostalgia. Fang Yu Hu is assistant professor of History at the California State Polytechnic University, Pomona who specializes in modern East Asian history, with a focus on Taiwan, gender, colonialism, and cross-border flows. She has published in the journals ERAS of Monash University and Twentieth-Century China. Her current research focuses on Taiwanese migrants to mainland China and Southeast Asia in the first half of the 20th century. Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Relevant Link: NBN interview for Indoctrinating the Youth: Secondary Education in Wartime China and Postwar Taiwan, 1937-1960 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

In Good Wife, Wise Mother: Educating Han Taiwanese Girls Under Japanese Rule (U Washington Press, 2024), female education and citizenship serve as a lens through which to examine Taiwan's uniqueness as a colonial crossroads between Chinese and Japanese ideas and practices. A latecomer to the age of imperialism, Japan used modernization efforts in Taiwan to cast itself as a benevolent force among its colonial subjects and imperial competitors. In contrast to most European colonies, where only elites received an education, in Taiwan Japan built elementary schools intended for the entire population, including girls. In 1897 it developed a program known as “Good Wife, Wise Mother” that sought to transform Han Taiwanese girls into modern Japanese female citizens. Drawing on Japanese and Chinese newspapers, textbooks, oral interviews, and fiction, Fang Yu Hu illustrates how this seemingly progressive project advanced a particular Japanese vision of modernity, womanhood, and citizenship, to which the colonized Han Taiwanese people responded with varying degrees of collaboration, resistance, adaptation, and adoption. Hu also assesses the program's impact on Taiwan's class structure, male-female interactions, and political identity both during and after the end of Japanese occupation in 1945. Good Wife, Wise Mother expands the study of Taiwanese history by contributing important gendered and nonelite perspectives. It will be of interest to any historian concerned with questions of modernity, hybridity, and colonial nostalgia. Fang Yu Hu is assistant professor of History at the California State Polytechnic University, Pomona who specializes in modern East Asian history, with a focus on Taiwan, gender, colonialism, and cross-border flows. She has published in the journals ERAS of Monash University and Twentieth-Century China. Her current research focuses on Taiwanese migrants to mainland China and Southeast Asia in the first half of the 20th century. Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Relevant Link: NBN interview for Indoctrinating the Youth: Secondary Education in Wartime China and Postwar Taiwan, 1937-1960 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In Good Wife, Wise Mother: Educating Han Taiwanese Girls Under Japanese Rule (U Washington Press, 2024), female education and citizenship serve as a lens through which to examine Taiwan's uniqueness as a colonial crossroads between Chinese and Japanese ideas and practices. A latecomer to the age of imperialism, Japan used modernization efforts in Taiwan to cast itself as a benevolent force among its colonial subjects and imperial competitors. In contrast to most European colonies, where only elites received an education, in Taiwan Japan built elementary schools intended for the entire population, including girls. In 1897 it developed a program known as “Good Wife, Wise Mother” that sought to transform Han Taiwanese girls into modern Japanese female citizens. Drawing on Japanese and Chinese newspapers, textbooks, oral interviews, and fiction, Fang Yu Hu illustrates how this seemingly progressive project advanced a particular Japanese vision of modernity, womanhood, and citizenship, to which the colonized Han Taiwanese people responded with varying degrees of collaboration, resistance, adaptation, and adoption. Hu also assesses the program's impact on Taiwan's class structure, male-female interactions, and political identity both during and after the end of Japanese occupation in 1945. Good Wife, Wise Mother expands the study of Taiwanese history by contributing important gendered and nonelite perspectives. It will be of interest to any historian concerned with questions of modernity, hybridity, and colonial nostalgia. Fang Yu Hu is assistant professor of History at the California State Polytechnic University, Pomona who specializes in modern East Asian history, with a focus on Taiwan, gender, colonialism, and cross-border flows. She has published in the journals ERAS of Monash University and Twentieth-Century China. Her current research focuses on Taiwanese migrants to mainland China and Southeast Asia in the first half of the 20th century. Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Relevant Link: NBN interview for Indoctrinating the Youth: Secondary Education in Wartime China and Postwar Taiwan, 1937-1960 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/education

In Good Wife, Wise Mother: Educating Han Taiwanese Girls Under Japanese Rule (U Washington Press, 2024), female education and citizenship serve as a lens through which to examine Taiwan's uniqueness as a colonial crossroads between Chinese and Japanese ideas and practices. A latecomer to the age of imperialism, Japan used modernization efforts in Taiwan to cast itself as a benevolent force among its colonial subjects and imperial competitors. In contrast to most European colonies, where only elites received an education, in Taiwan Japan built elementary schools intended for the entire population, including girls. In 1897 it developed a program known as “Good Wife, Wise Mother” that sought to transform Han Taiwanese girls into modern Japanese female citizens. Drawing on Japanese and Chinese newspapers, textbooks, oral interviews, and fiction, Fang Yu Hu illustrates how this seemingly progressive project advanced a particular Japanese vision of modernity, womanhood, and citizenship, to which the colonized Han Taiwanese people responded with varying degrees of collaboration, resistance, adaptation, and adoption. Hu also assesses the program's impact on Taiwan's class structure, male-female interactions, and political identity both during and after the end of Japanese occupation in 1945. Good Wife, Wise Mother expands the study of Taiwanese history by contributing important gendered and nonelite perspectives. It will be of interest to any historian concerned with questions of modernity, hybridity, and colonial nostalgia. Fang Yu Hu is assistant professor of History at the California State Polytechnic University, Pomona who specializes in modern East Asian history, with a focus on Taiwan, gender, colonialism, and cross-border flows. She has published in the journals ERAS of Monash University and Twentieth-Century China. Her current research focuses on Taiwanese migrants to mainland China and Southeast Asia in the first half of the 20th century. Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Relevant Link: NBN interview for Indoctrinating the Youth: Secondary Education in Wartime China and Postwar Taiwan, 1937-1960 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

In Good Wife, Wise Mother: Educating Han Taiwanese Girls Under Japanese Rule (U Washington Press, 2024), female education and citizenship serve as a lens through which to examine Taiwan's uniqueness as a colonial crossroads between Chinese and Japanese ideas and practices. A latecomer to the age of imperialism, Japan used modernization efforts in Taiwan to cast itself as a benevolent force among its colonial subjects and imperial competitors. In contrast to most European colonies, where only elites received an education, in Taiwan Japan built elementary schools intended for the entire population, including girls. In 1897 it developed a program known as “Good Wife, Wise Mother” that sought to transform Han Taiwanese girls into modern Japanese female citizens. Drawing on Japanese and Chinese newspapers, textbooks, oral interviews, and fiction, Fang Yu Hu illustrates how this seemingly progressive project advanced a particular Japanese vision of modernity, womanhood, and citizenship, to which the colonized Han Taiwanese people responded with varying degrees of collaboration, resistance, adaptation, and adoption. Hu also assesses the program's impact on Taiwan's class structure, male-female interactions, and political identity both during and after the end of Japanese occupation in 1945. Good Wife, Wise Mother expands the study of Taiwanese history by contributing important gendered and nonelite perspectives. It will be of interest to any historian concerned with questions of modernity, hybridity, and colonial nostalgia. Fang Yu Hu is assistant professor of History at the California State Polytechnic University, Pomona who specializes in modern East Asian history, with a focus on Taiwan, gender, colonialism, and cross-border flows. She has published in the journals ERAS of Monash University and Twentieth-Century China. Her current research focuses on Taiwanese migrants to mainland China and Southeast Asia in the first half of the 20th century. Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Relevant Link: NBN interview for Indoctrinating the Youth: Secondary Education in Wartime China and Postwar Taiwan, 1937-1960 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

A Chinese Reformer in Exile: Kang Youwei and the Chinese Empire Reform Association in North America, 1899-1911 is an encyclopaedic reference work documenting the exile years of imperial China's most famous reformer, Kang Youwei, and the political organization he mobilized in North America and worldwide to transform China's autocratic empire into a constitutional monarchy. Chinese in Canada, the United States, and Mexico formed at least 160 Chinese Empire Reform Association chapters, incorporating schools, newspapers, military academies, women's associations, businesses, and political pressure campaigns. Based on Robert Worden's 1972 Georgetown University Ph.D. dissertation, a multinational team of historians contribute new insights from 50 years of additional scholarship and previously unknown archival materials. Robert L. Worden, Ph.D. (1972) Georgetown University, retired in 2007 after 34 years at the Library of Congress where he authored more than 100 Asia-related studies for government agencies, and numerous China-related books, articles, and book reviews of personal interest.  Jane Leung Larson is an independent scholar whose broad-based research on the Chinese Empire Reform Association evolved from studying the papers of her grandfather Tom Leung, Kang Youwei's student in Guangzhou and host, travel companion, and confidant in North America.  Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Relevant Links Open Access of A Chinese Reformer in Exile here Sweet Bamboo: A Memoir of a Chinese American Family by Louise Leung Larson here NBN interview for Transpacific Reform and Revolution: The Chinese in North America, 1898-1918: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A Chinese Reformer in Exile: Kang Youwei and the Chinese Empire Reform Association in North America, 1899-1911 is an encyclopaedic reference work documenting the exile years of imperial China's most famous reformer, Kang Youwei, and the political organization he mobilized in North America and worldwide to transform China's autocratic empire into a constitutional monarchy. Chinese in Canada, the United States, and Mexico formed at least 160 Chinese Empire Reform Association chapters, incorporating schools, newspapers, military academies, women's associations, businesses, and political pressure campaigns. Based on Robert Worden's 1972 Georgetown University Ph.D. dissertation, a multinational team of historians contribute new insights from 50 years of additional scholarship and previously unknown archival materials. Robert L. Worden, Ph.D. (1972) Georgetown University, retired in 2007 after 34 years at the Library of Congress where he authored more than 100 Asia-related studies for government agencies, and numerous China-related books, articles, and book reviews of personal interest.  Jane Leung Larson is an independent scholar whose broad-based research on the Chinese Empire Reform Association evolved from studying the papers of her grandfather Tom Leung, Kang Youwei's student in Guangzhou and host, travel companion, and confidant in North America.  Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Relevant Links Open Access of A Chinese Reformer in Exile here Sweet Bamboo: A Memoir of a Chinese American Family by Louise Leung Larson here NBN interview for Transpacific Reform and Revolution: The Chinese in North America, 1898-1918: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

A Chinese Reformer in Exile: Kang Youwei and the Chinese Empire Reform Association in North America, 1899-1911 is an encyclopaedic reference work documenting the exile years of imperial China's most famous reformer, Kang Youwei, and the political organization he mobilized in North America and worldwide to transform China's autocratic empire into a constitutional monarchy. Chinese in Canada, the United States, and Mexico formed at least 160 Chinese Empire Reform Association chapters, incorporating schools, newspapers, military academies, women's associations, businesses, and political pressure campaigns. Based on Robert Worden's 1972 Georgetown University Ph.D. dissertation, a multinational team of historians contribute new insights from 50 years of additional scholarship and previously unknown archival materials. Robert L. Worden, Ph.D. (1972) Georgetown University, retired in 2007 after 34 years at the Library of Congress where he authored more than 100 Asia-related studies for government agencies, and numerous China-related books, articles, and book reviews of personal interest.  Jane Leung Larson is an independent scholar whose broad-based research on the Chinese Empire Reform Association evolved from studying the papers of her grandfather Tom Leung, Kang Youwei's student in Guangzhou and host, travel companion, and confidant in North America.  Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Relevant Links Open Access of A Chinese Reformer in Exile here Sweet Bamboo: A Memoir of a Chinese American Family by Louise Leung Larson here NBN interview for Transpacific Reform and Revolution: The Chinese in North America, 1898-1918: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

A Chinese Reformer in Exile: Kang Youwei and the Chinese Empire Reform Association in North America, 1899-1911 is an encyclopaedic reference work documenting the exile years of imperial China's most famous reformer, Kang Youwei, and the political organization he mobilized in North America and worldwide to transform China's autocratic empire into a constitutional monarchy. Chinese in Canada, the United States, and Mexico formed at least 160 Chinese Empire Reform Association chapters, incorporating schools, newspapers, military academies, women's associations, businesses, and political pressure campaigns. Based on Robert Worden's 1972 Georgetown University Ph.D. dissertation, a multinational team of historians contribute new insights from 50 years of additional scholarship and previously unknown archival materials. Robert L. Worden, Ph.D. (1972) Georgetown University, retired in 2007 after 34 years at the Library of Congress where he authored more than 100 Asia-related studies for government agencies, and numerous China-related books, articles, and book reviews of personal interest.  Jane Leung Larson is an independent scholar whose broad-based research on the Chinese Empire Reform Association evolved from studying the papers of her grandfather Tom Leung, Kang Youwei's student in Guangzhou and host, travel companion, and confidant in North America.  Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Relevant Links Open Access of A Chinese Reformer in Exile here Sweet Bamboo: A Memoir of a Chinese American Family by Louise Leung Larson here NBN interview for Transpacific Reform and Revolution: The Chinese in North America, 1898-1918: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

A Chinese Reformer in Exile: Kang Youwei and the Chinese Empire Reform Association in North America, 1899-1911 is an encyclopaedic reference work documenting the exile years of imperial China's most famous reformer, Kang Youwei, and the political organization he mobilized in North America and worldwide to transform China's autocratic empire into a constitutional monarchy. Chinese in Canada, the United States, and Mexico formed at least 160 Chinese Empire Reform Association chapters, incorporating schools, newspapers, military academies, women's associations, businesses, and political pressure campaigns. Based on Robert Worden's 1972 Georgetown University Ph.D. dissertation, a multinational team of historians contribute new insights from 50 years of additional scholarship and previously unknown archival materials. Robert L. Worden, Ph.D. (1972) Georgetown University, retired in 2007 after 34 years at the Library of Congress where he authored more than 100 Asia-related studies for government agencies, and numerous China-related books, articles, and book reviews of personal interest.  Jane Leung Larson is an independent scholar whose broad-based research on the Chinese Empire Reform Association evolved from studying the papers of her grandfather Tom Leung, Kang Youwei's student in Guangzhou and host, travel companion, and confidant in North America.  Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Relevant Links Open Access of A Chinese Reformer in Exile here Sweet Bamboo: A Memoir of a Chinese American Family by Louise Leung Larson here NBN interview for Transpacific Reform and Revolution: The Chinese in North America, 1898-1918: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Today, Taiwan is caught in the crosshairs of two imperial rivals: the US and China. This is nothing new for the island nation, which has been a battleground for competing empires for centuries, but what is new is the critical role Taiwan plays in the 21st-century world economy. For example, Taiwan manufacturers 90% of the world's most advanced microchips—the key component in everything from consumer electronics to the US military's F-35 fighter jets. In this episode of Solidarity Without Exception, co-host Ashley Smith speaks with Brian Hioe, journalist and editor of New Bloom magazine, about the history of Taiwanese struggles for self-determination, the country's position in the contemporary US-China rivalry, the increasing threat of imperial war, and the urgency of building solidarity among working-class people in Taiwan, the US, and China.Guests:Brian Hioe is a freelance journalist, translator, and one of the founding editors of New Bloom, an online magazine featuring radical perspectives on Taiwan and the Asia-Pacific. A New York native and Taiwanese-American, Hioe has an MA in East Asian Languages and Cultures from Columbia University and graduated from New York University with majors in History, East Asian Studies, and English Literature. He was Democracy and Human Rights Service Fellow at the Taiwan Foundation for Democracy from 2017 to 2018 and is currently a Non-Resident Fellow at the University of Nottingham's Taiwan Studies Programme, as well as board member of the Taiwan Foreign Correspondents' Club.Additional resources:New Bloom website, Facebook page, X page, and InstagramEli Friedman, Kevin Lin, Rosa Liu, & Ashley Smith, Haymarket Books, China in Global Capitalism: Building International Solidarity Against Imperial RivalryBrian J. Chen, Boston Review, “Semiconductor Island: The colonial making of Taiwan's chip supremacy”Credits:Pre-Production: Ashley SmithStdio Production / Post-Production: TRNNHelp us continue producing radically independent news and in-depth analysis by following us and becoming a monthly sustainer.Sign up for our newsletterFollow us on BlueskyLike us on FacebookFollow us on TwitterDonate to support this podcast

Gangnam is an exclusive zone of privilege and wealth that has lured South Korean pop culture industries since the 1980s and fueled the aspirations of Seoul's middle class, producing in its wake the “dialectical images” of the modern city described by Walter Benjamin: sweet dreams and nightmares, visions of heaven and hell, scenes of spectacular rises and great falls.  In Polarizing Dreams: Gangnam and Popular Culture in Globalizing Korea (University of Hawai‘i Press, 2024), Pil Ho Kim weaves together dissident poetry and protest songs from the 1980s, B-rated adult films, tour bus disco music, obscure early works by famous authors and filmmakers, interviews with sex workers and urban entrepreneurs, and other sources to show how Gangnam is at the heart of Korea's global-polarization. Dr. Pil Ho Kim is Associate Professor of Korean in the Department of East Asian Languages and Literatures at The Ohio State University. A sociologist by training, he has been studying and teaching a wide range of topics related to modern Korea, including popular music, cinema, literature, urban culture, and social polarization. Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University and lives in Seoul, South Korea. You can follow her activities at https://twitter.com/AJuseyo. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Gangnam is an exclusive zone of privilege and wealth that has lured South Korean pop culture industries since the 1980s and fueled the aspirations of Seoul's middle class, producing in its wake the “dialectical images” of the modern city described by Walter Benjamin: sweet dreams and nightmares, visions of heaven and hell, scenes of spectacular rises and great falls.  In Polarizing Dreams: Gangnam and Popular Culture in Globalizing Korea (University of Hawai‘i Press, 2024), Pil Ho Kim weaves together dissident poetry and protest songs from the 1980s, B-rated adult films, tour bus disco music, obscure early works by famous authors and filmmakers, interviews with sex workers and urban entrepreneurs, and other sources to show how Gangnam is at the heart of Korea's global-polarization. Dr. Pil Ho Kim is Associate Professor of Korean in the Department of East Asian Languages and Literatures at The Ohio State University. A sociologist by training, he has been studying and teaching a wide range of topics related to modern Korea, including popular music, cinema, literature, urban culture, and social polarization. Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University and lives in Seoul, South Korea. You can follow her activities at https://twitter.com/AJuseyo. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Gangnam is an exclusive zone of privilege and wealth that has lured South Korean pop culture industries since the 1980s and fueled the aspirations of Seoul's middle class, producing in its wake the “dialectical images” of the modern city described by Walter Benjamin: sweet dreams and nightmares, visions of heaven and hell, scenes of spectacular rises and great falls.  In Polarizing Dreams: Gangnam and Popular Culture in Globalizing Korea (University of Hawai‘i Press, 2024), Pil Ho Kim weaves together dissident poetry and protest songs from the 1980s, B-rated adult films, tour bus disco music, obscure early works by famous authors and filmmakers, interviews with sex workers and urban entrepreneurs, and other sources to show how Gangnam is at the heart of Korea's global-polarization. Dr. Pil Ho Kim is Associate Professor of Korean in the Department of East Asian Languages and Literatures at The Ohio State University. A sociologist by training, he has been studying and teaching a wide range of topics related to modern Korea, including popular music, cinema, literature, urban culture, and social polarization. Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University and lives in Seoul, South Korea. You can follow her activities at https://twitter.com/AJuseyo. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Gangnam is an exclusive zone of privilege and wealth that has lured South Korean pop culture industries since the 1980s and fueled the aspirations of Seoul's middle class, producing in its wake the “dialectical images” of the modern city described by Walter Benjamin: sweet dreams and nightmares, visions of heaven and hell, scenes of spectacular rises and great falls.  In Polarizing Dreams: Gangnam and Popular Culture in Globalizing Korea (University of Hawai‘i Press, 2024), Pil Ho Kim weaves together dissident poetry and protest songs from the 1980s, B-rated adult films, tour bus disco music, obscure early works by famous authors and filmmakers, interviews with sex workers and urban entrepreneurs, and other sources to show how Gangnam is at the heart of Korea's global-polarization. Dr. Pil Ho Kim is Associate Professor of Korean in the Department of East Asian Languages and Literatures at The Ohio State University. A sociologist by training, he has been studying and teaching a wide range of topics related to modern Korea, including popular music, cinema, literature, urban culture, and social polarization. Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University and lives in Seoul, South Korea. You can follow her activities at https://twitter.com/AJuseyo. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Gendered Memories: An Imaginary Museum for Ding Ling and Chinese Female Revolutionary Martyrs (U Michigan Press, 2025) takes readers on a journey through the lives and legacies of Chinese female revolutionary martyrs, revealing how their sacrifices have been remembered, commemorated, and manipulated throughout history.  This innovative book blends historical narratives with personal narratives, creating an “imaginary museum” where the stories of these women are brought to life. Author Xian Wang employs this imaginary museum to create a conceptual space mirroring an actual museum that juxtaposes historical narratives with countermemories of Chinese female revolutionaries, such as the prominent writer Ding Ling. Exploring Ding's experiences with martyrdom and the commemoration of female revolutionary martyrs associated with her, the book provides a compelling argument that female revolutionary martyrdom reinforces, rather than rejects, the traditional concept of female chastity martyrdom. Narratives that challenge established gender norms, particularly those surrounding female chastity, have often been silenced or overlooked in the collective memory of these female revolutionary martyrs. By delving into these countermemories, Wang provides fresh insights into gendered violence, memories, and politics in modern Chinese literature and culture. Dr. Xian Wang is Assistant Professor of East Asian Languages and Cultures at the University of Notre Dame. Dr. Linshan Jiang is a Visiting Assistant Professor of East Asian history and culture at Colby College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Gendered Memories: An Imaginary Museum for Ding Ling and Chinese Female Revolutionary Martyrs (U Michigan Press, 2025) takes readers on a journey through the lives and legacies of Chinese female revolutionary martyrs, revealing how their sacrifices have been remembered, commemorated, and manipulated throughout history.  This innovative book blends historical narratives with personal narratives, creating an “imaginary museum” where the stories of these women are brought to life. Author Xian Wang employs this imaginary museum to create a conceptual space mirroring an actual museum that juxtaposes historical narratives with countermemories of Chinese female revolutionaries, such as the prominent writer Ding Ling. Exploring Ding's experiences with martyrdom and the commemoration of female revolutionary martyrs associated with her, the book provides a compelling argument that female revolutionary martyrdom reinforces, rather than rejects, the traditional concept of female chastity martyrdom. Narratives that challenge established gender norms, particularly those surrounding female chastity, have often been silenced or overlooked in the collective memory of these female revolutionary martyrs. By delving into these countermemories, Wang provides fresh insights into gendered violence, memories, and politics in modern Chinese literature and culture. Dr. Xian Wang is Assistant Professor of East Asian Languages and Cultures at the University of Notre Dame. Dr. Linshan Jiang is a Visiting Assistant Professor of East Asian history and culture at Colby College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Gendered Memories: An Imaginary Museum for Ding Ling and Chinese Female Revolutionary Martyrs (U Michigan Press, 2025) takes readers on a journey through the lives and legacies of Chinese female revolutionary martyrs, revealing how their sacrifices have been remembered, commemorated, and manipulated throughout history.  This innovative book blends historical narratives with personal narratives, creating an “imaginary museum” where the stories of these women are brought to life. Author Xian Wang employs this imaginary museum to create a conceptual space mirroring an actual museum that juxtaposes historical narratives with countermemories of Chinese female revolutionaries, such as the prominent writer Ding Ling. Exploring Ding's experiences with martyrdom and the commemoration of female revolutionary martyrs associated with her, the book provides a compelling argument that female revolutionary martyrdom reinforces, rather than rejects, the traditional concept of female chastity martyrdom. Narratives that challenge established gender norms, particularly those surrounding female chastity, have often been silenced or overlooked in the collective memory of these female revolutionary martyrs. By delving into these countermemories, Wang provides fresh insights into gendered violence, memories, and politics in modern Chinese literature and culture. Dr. Xian Wang is Assistant Professor of East Asian Languages and Cultures at the University of Notre Dame. Dr. Linshan Jiang is a Visiting Assistant Professor of East Asian history and culture at Colby College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Gendered Memories: An Imaginary Museum for Ding Ling and Chinese Female Revolutionary Martyrs (U Michigan Press, 2025) takes readers on a journey through the lives and legacies of Chinese female revolutionary martyrs, revealing how their sacrifices have been remembered, commemorated, and manipulated throughout history.  This innovative book blends historical narratives with personal narratives, creating an “imaginary museum” where the stories of these women are brought to life. Author Xian Wang employs this imaginary museum to create a conceptual space mirroring an actual museum that juxtaposes historical narratives with countermemories of Chinese female revolutionaries, such as the prominent writer Ding Ling. Exploring Ding's experiences with martyrdom and the commemoration of female revolutionary martyrs associated with her, the book provides a compelling argument that female revolutionary martyrdom reinforces, rather than rejects, the traditional concept of female chastity martyrdom. Narratives that challenge established gender norms, particularly those surrounding female chastity, have often been silenced or overlooked in the collective memory of these female revolutionary martyrs. By delving into these countermemories, Wang provides fresh insights into gendered violence, memories, and politics in modern Chinese literature and culture. Dr. Xian Wang is Assistant Professor of East Asian Languages and Cultures at the University of Notre Dame. Dr. Linshan Jiang is a Visiting Assistant Professor of East Asian history and culture at Colby College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Chinese science fiction has gone from a niche, underground genre to the country's hottest new export. On Saturday, at the 8th China Science Fiction Conference hosted in Beijing, an animated presenter unveiled graphs detailing the meteoric rise of the genre, claiming that China had raked in nearly $16 billion in revenue from its sci-fi industry in 2023. And in late March, an adaptation of one of China's  biggest cultural exports, 'The Three Body Problem,' premiered on Netflix. The show, based on a book by Liu Cixin, follows a group of modern-day scientists battling an alien invasion, triggered by one cataclysmic decision made by an aggrieved physicist during the Cultural Revolution in China. The show garnered roughly 15.6 million views in its first week. But the seed of this science fiction craze was first planted in 2008, with the publication of the book, which quickly became an unexpected global phenomenon. The book and its two sequels have exceeded the total sales of all literary works exported by China so far — thus piquing the interest of the Chinese government. For the midweek podcast, host Brooke Gladstone speaks with Jing Tsu, professor of East Asian Languages and Literatures & Comparative Literature at Yale, about the rise of science fiction in China as a soft power tool, the genre's complicated relationship with the Chinese government, and its evolution through the twentieth century. On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.