Podcast appearances and mentions of todd haimes

Welcome back to News of the Month, where I talk about a few different entertainment news stories that feel important and/or interesting to me. The stories I'll be talking about this time involve details about the 2023 Tony Awards, dates for the 96th Academy Awards, Jon M. Chu directing a film adaptation of JOSEPH & THE AMAZING TECHNICOLOR DREAMCOAT, Netflix ending their DVD rental service, as well as the deaths of Michael Lerner, Todd Haimes, Barry Humphries, Len Goodman, and Harry Belafonte. If you love this show, please leave us a review. Go to RateThisPodcast.com/karereviewspodcast and follow the simple instructions. Follow Kare Reviews at www.karereviews.net and on Twitter:@KareReviews Also please visit the newly launched Patreon page:https://www.patreon.com/jeffreykare?fan_landing=true Follow Jeffrey Kare on Twitter:@JeffreyKare If you like what you've heard here, please subscribe to any one of the following places where the Kare Reviews Podcast is available.Anchor: https://anchor.fm/jeffrey-kareApple: itunes.apple.com/us/podcast/kare-reviews-podcast/id1453846013Google: www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy85NWFhZDFjL3BvZGNhc3QvcnNzSpotify: open.spotify.com/show/6GL69s4zoDQmBcZf3NALTGBreaker: www.breaker.audio/kare-reviews-podcastOvercast: overcast.fm/itunes1453846013/kare-reviews-podcastPocket Casts: pca.st/47VwRadioPublic: radiopublic.com/kare-reviews-podcast-6rMdXk --- Support this podcast: https://podcasters.spotify.com/pod/show/jeffrey-kare/support

Out on the bikes in beautiful Bucks County. Up in the sky in NYC.  Questions at the Met: ancient puzzles or modern scams?  DIY pothole repair. Yea or nay?  Rocco Schiavone. Complicated Italian detective.  Blair Tyndall.  Todd Haimes.  Credits: Talent:  Tamsen Granger and Dan Abuhoff Engineer:  Ellie Suttmeier Art:  Zeke Abuhoff

Peter Filichia, James Marino, and Michael Portantiere talk about Shucked, The Thanksgiving Play, Peter Pan Goes Wrong, and Arsenic and Old Lace on Staten Island. We also talk about the passings of Todd Haimes and Barry Humphries. “This Week on Broadway” has been coming to you every week since 2009. read more The post This Week on Broadway for April 23, 2023: Shucked appeared first on BroadwayRadio.

„They say there’s always magic in the air – on Broadway” – so besangen die Drifters im Jahr 1962 New Yorks berühmtesten Straßenzug. Der Name strahlt hell wie Neonlicht und klingt wie eine Stephen-Sondheim Melodie. Der Begriff steht für das berühmteste Unterhaltungsviertel der Welt – das Carrée rund um den Times Square mit seinen 41 Theatern, in denen jahrein und jahraus Hit-Musicals wie "Wicked" oder "Hamilton" ein Millionenpublikum anlocken und Hollywood-Schauspieler in klassischen Dramen Abend für Abend der Herausforderung ehrlicher Bühnenarbeit stellen. Für die neueste Folge von "212" haben wie mit einem der großen Macher am Broadway gesprochen. Todd Haimes ist Direktor des Roundabout Theatre – dem größten nicht-kommerziellen Theater der USA. Das hat insgesamt fünf Bühnen und setzt auf Qualität. Haimes hat uns in seinem Lieblingstheater, der einstigen Glamour-Disco "Studio 54", getroffen und uns sein Leben als Influencer und Visionär des New Yorker Entertainment-Betriebs erklärt.

The head of the Roundabout Theatre, he’s worked with, well, everyone, and knows that meeting a childhood idol is risky; they can be horrible people. But what joy when “the person you dreamed about actually turn out to be wonderful. Wonderful!” Hear who, in this conversation at the BMCC Tribeca Performing Arts Center. Music from Jolie Blonde.

We celebrate the 50th Anniversary of the Roundabout Theatre Company, one of the largest and most influential not-for-profit theaters in the USA. Our guests, Todd Haimes, Jim Carnahan and Scott Ellis; discuss the institutions history and future.

Todd Haimes (Artistic Director/CEO) joined Roundabout as the Executive Director at the age of 26. From 1983 to 1990, he served in that position, overseeing the company's finances, marketing and fundraising. Mr. Haimes has been the Artistic Director of Roundabout Theatre Company since July 1, 1990, and he became the Artistic Director and CEO in 2015. Mr. Haimes is the former President and currently serves on the Board of The Alliance of Resident Theatres/New York – the service organization representing all not-for-profit theatres in New York City – and he is a member of the Broadway League Executive Committee. He is the recipient of the 2013 Lucille Lortel Lifetime Achievement Award and was named a Crain’s New York Business 40 Under 40 honoree in 1992. It was under Todd’s leadership that the Roundabout Theater emerged from bankruptcy, acquired three (!) Broadway houses, and expanded its mission to produce classic musicals which eventually yielded productions like Cabaret with Alan Cumming. So how did this all happen? You’ll find out on this week’s podcast, where Todd tells me . . . Why he’s an Artistic Director that doesn’t direct. The three seminal moments that made Roundabout what it is today. How Roundabout almost went bust . . . more than once, and how his gut turned it around. Why never having a “master plan” was the best plan anyone could ever make. Why he hates premium pricing.   Keep up with me: @KenDavenportBway www.theproducersperspective.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

With Theresa Rebeck's "The Understudy" soon to close at the Roundabout and Douglas Carter Beane's "Mr. and Mrs. Fitch" beginning rehearsals at Second Stage, director Scott Ellis discusses his attraction to both projects and the delays and opportunities that caused each of them to land in New York a bit later than originally expected. He also discusses his early and absolute conviction that he was destined for a career as an actor, and how quickly that changed; how his friendship with John Kander and Fred Ebb from his acting in "The Rink" helped him to land his very first directing job, a revival of "Flora the Red Menace" at the Vineyard Theatre; the enormous opportunities afforded to him by artistic director Todd Haimes at the Roundabout, where Ellis is Associate Artistic Director; how and why he and Susan Stroman came to devise "And The World Goes Round"; his early work on the plays "Picnic" and "A Month in the Country" after his successes with "A Little Night Music" at the New York City Opera and "She Loves Me" -- Roundabout's first musical; the opportunity to collaborate on the creation of "Steel Pier" and the challenges of opening an original book musical in New York without benefit of an out-of-town tryout; why he feels "The Look of Love", his Bacharach and David revue didn't succeed -- and why he thinks it was always meant to be done "drinks in hand"; and how he tackled "Twelve Angry Men", a seemingly familiar work which had never been produced professionally in New York. Original air date - January 11, 2010.

With Theresa Rebeck's "The Understudy" soon to close at the Roundabout and Douglas Carter Beane's "Mr. and Mrs. Fitch" beginning rehearsals at Second Stage, director Scott Ellis discusses his attraction to both projects and the delays and opportunities that caused each of them to land in New York a bit later than originally expected. He also discusses his early and absolute conviction that he was destined for a career as an actor, and how quickly that changed; how his friendship with John Kander and Fred Ebb from his acting in "The Rink" helped him to land his very first directing job, a revival of "Flora the Red Menace" at the Vineyard Theatre; the enormous opportunities afforded to him by artistic director Todd Haimes at the Roundabout, where Ellis is Associate Artistic Director; how and why he and Susan Stroman came to devise "And The World Goes Round"; his early work on the plays "Picnic" and "A Month in the Country" after his successes with "A Little Night Music" at the New York City Opera and "She Loves Me" -- Roundabout's first musical; the opportunity to collaborate on the creation of "Steel Pier" and the challenges of opening an original book musical in New York without benefit of an out-of-town tryout; why he feels "The Look of Love", his Bacharach and David revue didn't succeed -- and why he thinks it was always meant to be done "drinks in hand"; and how he tackled "Twelve Angry Men", a seemingly familiar work which had never been produced professionally in New York. Original air date - January 11, 2010.

25 years after coming to New York's Roundabout Theatre Company, artistic director Todd Haimes talks about the company's growth from a financially troubled Off-Broadway group into one of the country's largest not-for-profit theatres; his own transition from managing the business side to setting the artistic agenda; the relationship of the company to the world of commercial theatre, since both produce on Broadway; how he manages to attract top level artists to work at Roundabout for relatively minimal salaries; why he planned to leave the company 10 years ago -- and why he ended up staying put; and how the company expanded its repertoire from Ibsen, Shaw and Shakespeare into more modern works, musicals and even brand-new plays. Original air date - July 18, 2008.

25 years after coming to New York's Roundabout Theatre Company, artistic director Todd Haimes talks about the company's growth from a financially troubled Off-Broadway group into one of the country's largest not-for-profit theatres; his own transition from managing the business side to setting the artistic agenda; the relationship of the company to the world of commercial theatre, since both produce on Broadway; how he manages to attract top level artists to work at Roundabout for relatively minimal salaries; why he planned to leave the company 10 years ago -- and why he ended up staying put; and how the company expanded its repertoire from Ibsen, Shaw and Shakespeare into more modern works, musicals and even brand-new plays. Original air date - July 18, 2008.

25 years after coming to New York's Roundabout Theatre Company, artistic director Todd Haimes talks about the company's growth from a financially troubled Off-Broadway group into one of the country's largest not-for-profit theatres; his own transition from managing the business side to setting the artistic agenda; the relationship of the company to the world of commercial theatre, since both produce on Broadway; how he manages to attract top level artists to work at Roundabout for relatively minimal salaries; why he planned to leave the company 10 years ago -- and why he ended up staying put; and how the company expanded its repertoire from Ibsen, Shaw and Shakespeare into more modern works, musicals and even brand-new plays. Original air date - July 18, 2008.

A conversation with Todd Haimes, Artistic Director of The Roundabout Theatre Company, one of NYC's leading not-for-profits, now celebrating its 40th Anniversary.

Director Jeff Calhoun, actor Phyllis Frelich, actor Tyrone Giordano, producer Todd Haimes, actor Daniel Jenkins and producer Bill O'Brien explain how Deaf West Theatre Company, a sign language theatre company, decided to put on the musical "Big River"; why that is not a bad idea, as many initially thought; the integration of signing into the choreography of the show; and how 2 actors, one hearing and one deaf, shared each of the principal roles.

Director Jeff Calhoun, actor Phyllis Frelich (Tony winner for Children of a Lesser God), actor Tyrone Giordano, producer Todd Haimes (who has scored multiple Tonys while serving as Artistic Director for Roundabout Theatre Company) , actor Daniel Jenkins and producer Bill O'Brien explain how Deaf West Theatre Company, a sign language theatre company, decided to put on the musical Big River; why that is not a bad idea, as many initially thought; the integration of signing into the choreography of the show; and how 2 actors, one hearing and one deaf, shared each of the principal roles.

With three of New York's major not-for-profit theatres now producing in Broadway venues, their leaders—Andre Bishop and Bernard Gersten of Lincoln Center Theatre, Lynne Meadow and Barry Grove of Manhattan Theatre Club, and Todd Haimes, Ellen Richard and Julia C. Levy of Roundabout Theatre Company—gather for the very first time to explore the issues facing institutional theatres on Broadway.

With three of New York's major not-for-profit theatres now producing in Broadway venues, their leaders—André Bishop and Bernard Gersten of Lincoln Center Theatre (with their most recent Tony Award coming with their revival of South Pacific), Lynne Meadow and Barry Grove of Manhattan Theatre Club (with multiple Tony wins for the organization), and Todd Haimes (who has scored multiple Tonys while serving as Artistic Director), along Ellen Richard and Julia C. Levy of Roundabout Theatre Company—gather for the very first time to explore the issues facing institutional theatres on Broadway.