Podcasts about big river

On this episode of Exclusively Van Halen on Johnny Beane TV, we're talking about the upcoming re-release of Van Halen's final studio album, A Different Kind of Truth! Originally released in 2012, A Different Kind of Truth featured Eddie Van Halen, Alex Van Halen, Wolfgang Van Halen and David Lee Roth and marked Roth's first original Van Halen studio album since 1984.

It comes after equipment failures at the Leadwood Wastewater Treatment Facility.

An organizer showed up for a first meeting at a sawmill in rural Mississippi and was handed 40 signed union authorization cards before taking a seat. Workers at Big River Sawmill in Gloster, Miss., had already organized themselves. The Van Devender family's ownership fired four workers, held captive-audience meetings, and turned the mayor against them. On June 25 and 26, the workers won anyway. On today's episode of America's Work Force Union Podcast, United Steelworkers Assistant Director of Organizing Mariana Padias tells the full story of the Big River campaign, including the unusual role of Blue Wolf Capital Partners, a pro-union minority equity investor that publicly backed the workers when the owner refused to stay neutral. She also explains why the national average time to a first contract is 480 days, how companies use that window to erode worker support, and what the bipartisan Faster Labor Contracts Act, now before the Senate, would do to change it. Visit usw.org for more.

This month after a trail run at the beautiful Don Robinson State Park, I enjoy a conversation with Erika Garner.  Erika is both a guide and one of the leads for Big River's “Unpaved” offering.  Erika has been an active runner for most of her life but really loves trail running and its unique opportunities to explore nature.  But her appreciation for trail running and “life in general” significantly deepened after she experienced a serious health challenge in her 30s.  If you like a good comeback story and would like to know more about the challenges Erika overcame, listen to this month's episode of “Real Friends” – I'm sure you will enjoy it. Thank you for listening.  This is “Real Friends”. Oh, and if you happen to be out on a trail run with Erika, don't forget to ask her about some of the Hungarian dances she learned as a child – like Csárdás.  She may not perform any of them for you, but you never know unless you ask.   Website:  www.therobertharrison.com  Questions or comments: realfriendsstl@gmail.com  Music: https://audiotrimmer.com/royalty-free-music  Resources: Big River Training Team:  https://bigriverrunning.com 

...and take another step back in time to this excellent show from the promised land of 77. Your hosts FiG and Knob discuss some GD news and updates and of course walk you through the weekly show, which Dick chose as his 34th  pick. Here's the  set:    One New Minglewood Blues [4:58] ; Mississippi Half-Step Uptown Toodeloo [11:38] ; Looks Like Rain [7:22] ; Dire Wolf [3:32] ; Mama Tried [2:24] > Big River [6:25] ; Candyman [6:56] ; Jack Straw [5:34] ; Deal [6:26] Two Jam (1) [3:21] > Eyes Of The World [14:32] > Samson And Delilah [7:47] ; It Must Have Been The Roses [7:01] ; Estimated Prophet [10:55] > He's Gone [11:30] > Drums [2:55] > The Other One [12:27] > Black Peter [11:30] > Sugar Magnolia [9:53] Encore One More Saturday Night [4:42] Comments (1) Phil Jam 

This week's Deadpod takes us back to sunny California for a Sunday show at the University of California, Santa Barbara, on June 4, 1978. This is their first show in about a month following the excellent Spring tour, and the band sounds like they're in great spirits—evidenced both by the between-song banter and the upbeat performances throughout the set. A somewhat unusual pairing opens things up, with "Bertha" flowing into "Good Lovin'"—be sure to listen for Garcia's vocal touches there. You might also notice Bobby's vocal substitution in "Me and My Uncle," a small but interesting moment. The whole set is strong, but highlights for me include a particularly expressive "Looks Like Rain" and, of course, a very satisfying "Tennessee Jed." Things nearly get out of hand on the closing "Jack Straw," which makes for a fun finish. Grateful Dead Campus Stadium - University Of California Santa Barbara, CA 6/4/1978 - Sunday One Bertha [7:01] > Good Lovin' [6:21] Dire Wolf [3:21] Me And My Uncle [3:04] > Big River [6:03] Brown Eyed Women [5:02] Looks Like Rain [7:35] Tennessee Jed [8:20] Jack Straw [5:21] You can listen to this week's Deadpod here: https://traffic.libsyn.com/deadshow/deadpod061926.mp3 We'll play the second set next week. For now, I hope you enjoy this fine show from June of 1978. My thanks, as always, for your kind support.

In this episode, Ryan Nordstrom from Big River Ammo shares his journey into ammunition manufacturing, the challenges of small business in the industry, and insights into optimal shotgun shell performance for waterfowl hunting. Discover practical tips on patterning, shell selection, and the benefits of lower velocity shells for ethical hunting. Surround yourself with good people, and good things will happen. Sit back and relax. Looking for new products? Visit Canadian Waterfowl Supplies: https://www.canadianwaterfowlsupplies...  @CanadianWaterfowlSupplies Looking for some Punisher Swag? Visit www.punisherwaterfowl.com A huge thank you to our show sponsors: Real Geese Decoys : https://webfootdecoys.com/                                      @realgeesedecoys Rig em Right:  https://rigemright.com/                            @RigEmRightWaterfowl   Pitboss Waterfowl: https://pitbosswaterfowl.com/                                     @JeffCoats   Have ideas for a topic? Know someone who would be a good guest? Have questions about the show? Reach out on social media: Instagram : www.instagram.com/punisherwaterfowl (   / punisherwate..  )               @punisherwaterfowl Facebook : www.facebook.com/punisherwaterfowl (   / punisherwater..  ) #PunisherWaterfowl #podcast #waterfowl   #Waterfowl #VeteranOwned #Podcast #DuckLanderCalls #duckhunters #duckcalls

Finesse Salmon Plugging explained - Lucas reads an article from May 2020 issue of STS about fishing smaller plugs for big Chinook. From line angle to the drop-back technique, this is an effective way to get shy Salmon to munch. Read more articles about Salmon techniques on SalmonTroutSteelheader.com

On this episode Cameron flies solo while Tony is down the Gold Coast doing something involving horses. He covers the market fallout from Trump's surprise bombing of Iran, explains why he's hitting pause on new buys through confession season, and does a Pulled Pork on Big River Industries (BRI), a 120-year-old timber and building materials company that is quietly turning itself around. There's also a defence of value investing as an all-weather strategy, prompted by a VanEck opinion piece in the AFR.

For this Memorial Day weekend edition of the Deadpod, we're traveling to Nassau Veterans Memorial Coliseum in Uniondale, New York, for the Grateful Dead's spring tour stop on May 8, 1981. This is early‑'80s Brent Mydland era, and the band sounds sharp and energized: Jerry's in good voice, Brent's keys add color and bounce, and the rhythm section keeps everything moving with plenty of drive and nuance. In this first installment we feature the opening set, a compact but very satisfying run that opens with "Jack Straw" and "Peggy‑O," moves through "Me and My Uncle," "Big River," "Loser," and "Althea," and builds to a strong "Let It Grow" before closing with "Don't Ease Me In." Next week we'll return to Nassau for the second set, highlighted by a big "Shakedown Street" opener, a deep "Terrapin Station" into "Playin' in the Band" sequence, and a powerful closing stretch that feels just right for the start of summer. I hope you enjoy this slice of May 1981 from Nassau.   Grateful Dead Nassau Veterans Memorial Coliseum Uniondale, NY 5/8/1981 - Friday One Jack Straw [5:38] ; Peggy-O [6:47] ; Me And My Uncle [2:59] > Big River [5:39] ; Loser [8:05] ; C C Rider [7:49] ; Althea [8:43] > Let It Grow[10:27] > Don't Ease Me In [3:12] You can listen to this week's Deadpod here:  https://traffic.libsyn.com/deadshow/deadpod052226.mp3 Have a safe and fun Memorial Day weekend..... 

Two of Oklahoma's most influential entertainers came from Erick, a small town located near the Texas border on Route 66. Sheb Wooley recorded a famous novelty song in 1958 and was the star of the TV series “Rawhide,” in addition to appearing in over 80 movies. Roger Miller became known as one of country music's most influential songwriters, winning 11 Grammys in 1964 and 1965. He also wrote the Tony award-winning score to the Broadway musical, “Big River.” In this episode, Trait Thompson and Dr. Bob Blackburn discuss the lives and legacies of these important entertainers. Their guest is Tracy Pitcox, president of the Heart of Texas Country Music Museum in Brady, Texas.

Tales of Jerry's Tiger...Help on the Way after an immortal night in Ithaca...Monumental performances of Big River and Music Never Stopped,,,A relaxed vibe to set two...A Comes a Time to Die 4

Michael Arden joins the show to discuss the monumental task of bringing The Lost Boys to Broadway and the technical alchemy required to turn a cult classic film into a soaring musical experience. He opens up about his "mad lib" approach to stagecraft, explaining how he utilizes traditional theatrical tools in unexpected ways—like tilting the entire orientation of a set to keep an audience off-balance or ensuring the set moves entirely on its own to make the space feel "alive". Michael also reflects on the high-stakes pressure of bypassing an out-of-town tryout, the "fearless skydiving" energy of his cast during a grueling preview process, and his years-long quest to convince his favorite band, The Rescues, to join him in the theater. The conversation also dives into Michael's deep-seated love for the "visual feast" of theater, tracing back to his childhood days rigging special effects in his garage. He shares how his collaboration with the design team at At Rise Creative allows for a "crash and burn" mentality that eventually leads to the most innovative solutions, from the irising neon boxes of Maybe Happy Ending to the complex verticality of the Palace Theater. Looking ahead, Michael previews his upcoming work on Happy Feet, discussing the challenge of mashing up music and integrating massive puppetry to bring the Antarctic to the stage. Michael Arden is a distinguished, two-time Tony Award winning director, recently honored for Best Direction of a Musical for Maybe Happy Ending. In 2023, he won the Tony Award for the acclaimed revival of Parade, following previous nominations for Once On This Island and Spring Awakening. He is the co-founder of At Rise Creative and has directed a wide range of works, including the 2024 Met Gala and Ben Platt's concert residencies. Beyond his directing credits, Michael is an accomplished performer who has appeared on Broadway in Big River and King Lear, as well as in television and film projects like The Marvelous Mrs. Maisel and Source Code. Connect with Michael @michaelarden Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

In a quick one here your host FiG discuss an early 78 show. Enjoy!   One       Cold Rain And Snow [5:43] ; Mexicali Blues [3:30] > Big River [5:55] ; They Love Each Other [7:02] ; Looks Like Rain [7:41] ; Loser [7:21] ; Passenger [4:33] ; Brown Eyed Women [5:05] ; El Paso [4:10] ; Peggy-O [6:28] ; The Music Never Stopped [7:40]   Two        Good Lovin' [5:56] ; Ship Of Fools [7:34] ; Estimated Prophet [12:34] > Eyes Of The World [15:08] > Playing In The Band [25:31] > The Wheel [5:20] > Playing In The Band [9:10] Encore     Johnny B. Goode [4:15] 

It's May 77, it's Baltimore MD and it's ... Not a sell out?? FiG takes you back to the past to enjoy one from the Golden age and ponders whether the music can ever be too perfect? One      The Music Never Stopped [7:03] ; Sugaree [15:15] ; Mama Tried [2:35] ; Sunrise [3:36] ; Deal [5:07] ; Passenger [3:10] ; Brown Eyed Women [5:32] ; Looks Like Rain [8:32] ; Jack-A-Roe [5:28] ; New Minglewood Blues [5:26] ; Bertha [7:18] Two       Samson And Delilah [6:57] ; High Time [7:26] ; Big River [6:26] ; Terrapin Station [10:27] > Estimated Prophet [8:37] > Eyes Of The World [11:48] > Drums [0:38] > Not Fade Away [16:44] > Goin' Down The Road Feeling Bad [8:27] > Around And Around [7:19   Encore   UJB

0:00 SEGMENT 1: Deb Hays talks about Big River Comic Con in Hannibal, Missouri on March 13th and 14th.https://bigrivercomiccon.com/  26:29 SEGMENT 2: James reviews "Good Luck, Have Fun, Don't Die" while Producer Joey V. reviews "Scream 7".Keep up to date with 2 Rivers Comic Con, coming back to St. Charles in April 2026 https://2riverscomiccon.com/stay-in-touch/ Check out the ‘Justice League Revisited Podcast' with Susan Eisenberg and James Enstall at https://anchor.fm/justiceleague Thanks to our sponsors Historic St. Charles, Missouri (https://www.discoverstcharles.com/), Bug's Comics and Games (https://www.facebook.com/profile.php?id=100070575531223)Buy Me a Coffee - https://www.buymeacoffee.com/3Y0D2iaZl Patreon -   https://www.patreon.com/GeekToMeRadio Website -   http://geektomeradio.com/   Podcast -   https://anchor.fm/jamesenstall Facebook -   https://www.facebook.com/GeekToMeRadio/  Twitter -   https://twitter.com/geektomeradio  Instagram -   https://www.instagram.com/geektomeradio/ Producer - Joseph Vosevich https://twitter.com/Joey_Vee 

David discusses the recent annual meeting for shareholders, talks E15, facility upgrades in Monmouth, the Farm Bill, fuel prices, 2025 recap with ethanol, carbon sequestration, and more on the WRAM Morning Show.

Happy Gopher Day! Join James and Connor (aka the Country Road Kid) as we rank and review Highwayman, the debut studio album by country supergroup The Highwaymen! In an attempt to stay relevant in an ever-changing country music landscape, four legends came together to create something different: Johnny Cash, Waylon Jennings, Willie Nelson, and Kris Kristofferson. After collaborating and admiring each other's work for decades, the Mount Rushmore of rugged outlaw country took to the studio, armed with ten hits like Against The Wind, Deportee, and Cash's own Big River. Would this Hail Mary effort jumpstart their iconic careers?We'll talk about the four episodes that led us here -- one about each individual Highwayman-- and learn about the holiday specials and films that brought them all together in the first place. We'll explore their group dynamics and talk about the ways music had changed around them between their debuts and 1985. All the while we'll reminisce about panning for gold in the sandbox, hearing these songs as kids, and more. The Mixtaper has facts (or spins) about hotel horses, midwife pranks, and a suspiciously Bill-Murray-adjacent Midnight Breakfast fact. Turn those suits inside out and get ready to ride with some of the genre's greatest.What do you think about the Highwaymen supergroup? Is this album over- or under-ambitious, and is it the best of their three records to cover in an episode? How do you think the Groundhog Day time loop mechanics work? Let us know in the comments or on socials, and be sure to follow for our Grammy Special coverage next week!Keep Spinning at www.SpinItPod.com!Thanks for listening!0:00 Intro2:05 Relevant Past Episodes5:20 About The Highwaymen9:10 About Highwayman17:48 Awards & Accolades18:41 Fact Or Spin21:39 Waylon And Willie Rode Horses In A Hotel24:36 Waylon And Cash Used Dynamite As Entertainment26:58 Willie Tricked Kris Into Thinking He Was Delivering A Baby30:52 Waylon and Cash Loved To Make Midnight Breakfast37:17 Album Art38:02 Highwayman41:19 The Last Cowboy Song42:23 Jim, I Wore A Tie Today44:36 Big River46:55 Committed To Parkview48:08 Desperados Waiting For A Train49:20 Deportee (Plane Wreck At Los Gatos)51:30 Welfare Line52:20 Against The Wind54:55 The Twentieth Century Is Almost Over56:58 Final Spin Hosted on Acast. See acast.com/privacy for more information.

Guest: John Cameron MitchellWriter of Hedwig and the Angry InchDirector of Hedwig and the Angry Inch, Shortbus, Rabbit Hole, How to Talk to Girls at PartiesAppeared as an Actor in Hedwig and the Angry Inch, Shortbus, The Twilight Zone, Head of the Class, Law & Order, Girls, The Good Fight, Yellowjackets, Shrill, and many others.John Cameron Mitchell Bio: John Cameron Mitchell's Hedwig and the Angry Inch, written with Stephen Trask, made its debut on the stage of Squeezebox, a New York City rock ‘n' roll drag bar. The show then premiered Off-Broadway, receiving rave reviews. He was awarded an Obie Award, a “New York Magazine” Award, a Drama League Award and the Outer Critics Circle Award for Outstanding Off-Broadway Musical. John's film adaptation of Hedwig and the Angry Inch received directing and acting awards at festivals such as Sundance (Audience Award, Best Director), Berlin, Deauville, Seattle International, San Francisco International, and San Francisco's Lesbian & Gay. The film was also honored by the National Board of Review, The L.A. Film Critics Association, “Premiere Magazine” and the Golden Globes (Nomination: Best Performance by an Actor in a Motion Picture – Musical or Comedy). He has received a Drama Desk Award Nomination for his role of Dickon in the Broadway production of The Secret Garden. Off-Broadway, Mitchell received an Obie Award and a Drama Desk Award Nomination for his role of Larry Kramer in The Destiny of Me. In Lincoln Center's Hello Again, Mitchell received a Drama Desk Nomination. He also appeared in the original Broadway production of Six Degrees of Separation and as Huck Finn in the Broadway production of Big River. Mitchell adapted and directed Tennessee Williams' Kingdom of Earth for New York's Drama Dept. Theatre Company, of which he is a founding member.The Scene TeamJustin Borak - Host Zach Dulli - Executive Producer KJ Lampar - Producer Leah Barker - Producer & Talent CoordinatorJim Colleran - EditorAdditional music and sound effects licensed through Envato ElementsLinksBe sure to follow The Scene Podcast on Instagram and YouTubeSubscribe to The Scene NewsletterSpecial ThanksJennifer IsaacsonLauren KardosJeffery KeilholtzShow ContributorsLeah BarkerJustin BorakJim ColleranZach DulliKJ LamparJohn Cameron Mitchell The Scene TeamJustin Borak - Host Zach Dulli - Executive Producer KJ Lampar - Producer Leah Barker - Producer & Talent CoordinatorJim Colleran - Editor Additional music and sound effects licensed through Envato Elements LINKSBe sure to follow The Scene Podcast on Instagram and YouTubeSubscribe to The Scene Newsletter

Send us a textToday I'm joined by Andrew Huot, who is book making royalty: a book artist, bookbinder, printer, and conservator whose artists' books are in collections across the US, from the Art Institute of Chicago to Yale University.In this conversation, you'll hear what the term “book arts” means. You'll learn what a typical day in Andrew's studio looks like, including his most necessary tools: from bone, to surgical scalpels, to teflon. Andrew shares how he repairs paper (my mind is blown!), the oldest book he's ever worked on, and he debunks a popular book handling myth (again, my mind is blown!). Finally, Andrew speaks to the importance of books in a highly digital world, and he shares the best next steps for aspiring book artists, which might just be you after hearing this episode!I'm all about interesting projects with interesting people! Let's Connect on the web or via Instagram. :)

This week's Deadpod takes us to Chicago - to the Uptown Theater home of many fine Grateful Dead shows. This one is from Saturday, November 18, 1978.  Our tape starts, unfortunately, with an abbreviated 'Jack Straw', but what we have shows us the energy the band came on stage with on this evening. A soulful 'Candyman' follows, then the 'Me & My Uncle>Big River' combo - marked by an exceptional Big River marked by some very nice solos by Garcia. He's just warming up however, as he follows with a great 'Sugaree' The rest of the set is equally well played, but I want to point out the beautiful 'From the Heart of Me' that Donna Jean Godchaux performs. She sings this one beautifully, and I wanted to bring us a reminder of just how great she was. I'm very saddened by her passing as I'm sure you are as well..   Grateful Dead Uptown Theatre Chicago, IL 11/18/1978 - Saturday One      Jack Straw [5:37]   Candyman [7:13]   Me And My Uncle [2:58] >  Big River [6:11]   Sugaree [13:53]   El Paso [4:10]   Stagger Lee [6:05]   It's All Over Now [6:44]   From The Heart Of Me [3:29]   The Music Never Stopped [7:37]  You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod110725.mp3         "When I awoke the stars were out And shining, shining for you and me All I ever want to be Safe and warm In your arms All I have from the heart of me"    

Let us know what you enjoy about the show!When the curtain comes down and the structure of a show disappears, what rhythm do you choose for yourself?In this preview with Broadway actor Nick Barasch (Hadestown, She Loves Me, Big River), we explore how to create a personal foundation—your own rhythm or recipe—that sustains you when external schedules fade. Instead of relying on rigid routines, Nick shares how self-led projects, small rituals, and mindful recovery can turn free time into stability.We talk candidly about the toll of a physical role and the surprising journey of becoming a dancer under Warren Carlyle's guidance. Nick reflects on the exhaustion that follows a long run and the lessons he'll carry forward: train for the demands of the part, take recovery seriously, and protect energy with boundaries. From solo hikes upstate to classes taken purely out of curiosity, he reveals how creative agency can transform downtime into a steady anchor.This is a conversation about authorship—choosing work you love, building momentum without waiting for permission, and crafting a life that stays intact when the industry pulls you in new directions.✨ Creative takeaways:Choose one project you control from start to finish.Create one daily ritual that grounds your nervous system.Foster one weekly touchpoint with community.Think of it as writing from your own recipe. The stage may define the show, but you define the life around it.If this resonates, follow the show, share it with a friend who needs a reset, and leave a quick review to help others find these conversations. Your support helps us bring more honest, useful stories to your feed.If you are enjoying the show please subscribe, share and review! Word of mouth is incredibly impactful and your support is much appreciated! Support the show

Rob made a stop in the Catskills to do some fishing on his journey to Woodstock, NY, where he was set to interview Nick Lyons. He left Virginia on a Sunday evening as a Nor'easter began to develop in the Atlantic and reached New York after nightfall, just before the rain started. Finding a place to camp in his car, he started fishing in the rain by mid-morning on Monday. He cast his line from Deposit NY down to Hancock, making a visit to the West Branch Angler along the way. Rob took a quick trip to Livingston Manor, NY, and dropped by the Dette Fly Shop. He interviewed Nick early Tuesday morning and then headed back home after their conversation. This is Rob's travel travelogue. Produced by Jason Reif. Learn more about your ad choices. Visit megaphone.fm/adchoices

This month I have the opportunity to chat with not only two runners from the St. Louis area but they are also Co-Pace Coordinators for Big River Training Team, Don Albert and Michael Dorris.  Both of them have been runners for a while, but they are new to their role as Co-Pace Coordinators.  What's it like behind the scene coordinating a running schedule for Big River's training team?  And what are some of the challenges and rewards with a role like this?  If you're interested in some of the effort that goes on behind the scene to make BRTT a success or what volunteering for an organization like BRTT might look like, then stay tuned to this podcast - I think you'll enjoy it.   Thank you for listening.  This is “Real Friends”. Website:  www.therobertharrison.com  Questions or comments: realfriendsstl@gmail.com  Music: https://audiotrimmer.com/royalty-free-music  Resources: Big River Training Team:  https://bigriverrunning.com  St. Jude Marathon: St. Jude Memphis Marathon® Weekend

This week we join the Dead as they play the last show of a 3 show run in Texas during October 1977. This one takes place on the campus of SMU in Dallas Texas on October 15.  The first set opens with a spirited 'Bertha' into 'Good Lovin'. They move into a more laid back mood with 'They Love Each Other' then the 'Mama Tried' into 'Big River' ramps things bck up. A nice 'Ramble on Rose' is marred here with a nasty cut..sorry about that. The 'Peggy O' that follows 'Looks Like Rain' has some very nice vocals, and the set-closing 'Let It Grow' has some nice jamming to close the set.   Grateful Dead Moody Coliseum - Southern Methodist University Dallas, TX 10/15/1977 - Saturday One Bertha--> (7:19) Good Lovin' (7:55) They Love Each Other (8:32) Mama Tried--> (2:34) Big River (6:05) Ramble On Rose// (6:00) Looks Like Rain (9:17) Peggy-O (7:36) Let It Grow (11:27)   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod101725.mp3    I hope you enjoy the show..  btw - if you are on facebook you can join our discussion there at: the Deadpod group. I'm always looking for inspiration :)      

The queens summon lines designed to stop readers in their tracks. Please Support Breaking Form!Review the show on Apple Podcasts here.Aaron's STOP LYING is available from the Pitt Poetry Series.James's ROMANTIC COMEDY is available from Four Way Books.SHOW NOTES:Sharon Olds says that early in her poetic career, when she'd send out her poems, "[t]hey came back often with very angry notes." Receipt here.  W.H. Auden's "Funeral Blues", or "Stop all the clocks" appeared in his book Another Time. The poem experienced renewed popularity after being read in the film Four Weddings and a Funeral (1994). "Funeral Blues" has since been cited as one of the most popular modern poems in the United Kingdom. Watch the poem read in the movie here. Auden's "First Things First" appeared in The New Yorker in 1957. Hear Auden read the poem here. Watch the incredible Michael Sheen read Auden's "September 1, 1939" here. Receipts about Auden's struggle with the end are here. Read Gwendolyn Brooks's "The Mother" and listen here to Diane Seuss talk about this poem with us on Breaking Form. Read Robert Lowell's "Skunk Hour" or listen to him read it here. (It'll be a memorable experience!)The poem we reference of Lynda Hull's is "Chiffon" which opens her book The Only World (HarperCollins 1995).Read Robinson Jeffers's "Birds and Fishes"Here's Frost's "Birches"Aaron Smith's poem is "Jennifer Lawrence" can be read here.Mark Doty's poem "Visitation" first appeared in The Paris Review. Aiden Shaw appeared in Roll in the Hay, but did not grace the sets of Big River.

The dog days of August are upon us.. but hopefully this week's Deadpod can see us through.. this is a good one from August 5, 1979 in Oakland. The first set certainly starts out rather laid back and so is perhaps fitting for the time... check out the transition from 'Franklin's' into 'Me & My Uncle'.. The set is well played in my opinion and the recording is good - I will tell you there is a brutal cut at the end of the 'Althea' .. ouch .. the transition from 'Lost Sailor' into 'Althea' is sweet however..   Grateful Dead Oakland Auditorium Oakland, CA 8/5/1979 - Sunday  One      Mississippi Half-Step Uptown Toodeloo [9:09] > Franklin's Tower [11:06] > Me And My Uncle [3:12] > Big River [5:50]  Candyman [7:08]  It's All Over Now [9:10]  Brown Eyed Women [5:21]  Lost Sailor [6:38] > Althea [9:15]  The Promised Land [4:08]   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod081525.mp3   Stay cool and be kind ;)   

This week's episode features a special guest, Nicolas Propes, the talented director of the Big River Brass Band.

This month I have the honor and pleasure of speaking with two athletes from Big River Training Team's Walker Group – Jenine and Shelly.  One of the things that I love about Big River and its training team offerings is they really do try to offer a pace group to match most skill sets.  Whether you are an elite runner looking to train at a “sub 8” pace or you're a beginner looking to start out as a walker, Big River tries to provide a group for you.  This month we get to experience training from a walker's perspective.    Thank you for listening.  This is “Real Friends”. Website:  www.therobertharrison.com Questions or comments: realfriendsstl@gmail.com Music: https://audiotrimmer.com/royalty-free-music

Episode 94 — Frank Pagano: From Glen Rock to the Broadway PitIn this must-hear episode of the Broadway Drumming 101 Podcast, I sit down with legendary drummer and percussionist Frank Pagano — a true veteran of both the concert stage and the Broadway scene.Frank's career reads like a who's who of the music industry. He's played with icons like Bruce Springsteen, Bette Midler, Al Green, and Phoebe Snow. On Broadway, his credits span from Leader of the Pack and The Who's Tommy to Smokey Joe's Cafe, Cry-Baby, The Pirate Queen, Good Vibrations, Fosse, Big River, Saturday Night Fever, and more. What you'll hear in this episode:* How a 4th-grade music demo sparked Frank's lifelong love of drums.* Growing up and gigging with the Vivino brothers (yes — that Jimmy Vivino).* What it was like studying percussion at Manhattan School of Music and later with Joe Morello and Justin DiCioccio.* His unusual path to Broadway — having a chair before ever subbing.* The real reason he pivoted to Broadway full-time: marriage, fatherhood, and health insurance.* Wisdom on subbing: play their show, not yours.* Lessons from playing percussion alongside killer drummers like Brian Brake.* Touring vs. pit life — the physical grind of the road versus the stability of Broadway.* How working with artists like Laura Nyro and Bruce Springsteen shaped his perspective on artistry and professionalism.* Advice for drummers who want to make it in New York: “Play with everyone. Play everything. Be early. Be likable. Be ready.”Frank's reflections on time, groove, and what it really means to be musical are some of the best insights I've heard on this show. This episode is for any drummer who wants to play on Broadway — and stay there.Watch more episodes on YouTubeListen on Apple Podcasts, Spotify, or wherever you get your podcastsLearn more about Frank Pagano: https://www.frankpagano.com/bioClayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Send us a textFebruary 1 is National Baked Alaska Day. April 14 is National Ex-Spouse Day, but April 22 marks Earth Day. We've had these (and more!) national days celebrating things silly and crucial, but we've never had a National Mississippi River Day. Until this year. It's long overdue. On June 2, we'll celebrate the first National Mississippi River Day. In this episode, I talk with Michael Anderson, the Director of Outreach and Education for One Mississippi, about it.  Michael begins by sharing a story about how the river lifted him out of a deep emotional hole and inspired him to help other people connect in their own ways to the Big River. He explains how his work at One Mississippi has helped grow a river-based community of 20,000 plus people who enjoy the Mississippi and take action to help protect it. He describes the varied ways people connect with the river and how any of us can find a way to build a new or deeper connection with the Mississippi, perhaps on the inaugural National Mississippi River Day. We talk about the events happening for National Mississippi River Day, as well as for the two following weeks known as River Days of Action. We finish with a few thoughts about what makes the Mississippi such a unique and special place.In the Mississippi Minute, I offer a few thoughts about our work to protect the Mississippi and what we need to consider to do differently in the days and years ahead.

The Nechako River was one of the main tributaries of the Fraser until the Kenney Dam was built in the 1950s. The dam diverted most of the river's flow to power Rio Tinto Alcan's aluminum smelter in Kitimat, severely impacting the lives of the local Stellat'en and Saik'uz Nations. Nechako is a new film that documents years of resistance by the two Nations, including a groundbreaking legal proceeding against the Canadian government and Rio Tinto Alcan that continues to this day. We speak with writer and director Lyana Patrick of the Stellat'en First Nation.

Joanna Braniff, all-Ireland advocacy and communications manager of The Rivers Trust calls on the public to take part in the Big River Watch Survey

It has become fiendishly expensive to produce, and has more competition than ever. And yet the believers still believe. Why? And does the world really want a new musical about ... Abraham Lincoln?! (Part one of a three-part series.) SOURCES:Christopher Ashley, artistic director of La Jolla Playhouse.Quentin Darrington, actor.Joe DiPietro, playwright and lyricist.Crystal Monee Hall, composer, singer, actor.Rocco Landesman, Broadway producer, former owner of Jujamcyn Theaters, former chairman of the National Endowment for the Arts.Alan Shorr, Broadway producer.Daniel Watts, writer, choreographer, actor.Richard Winkler, Broadway producer. RESOURCES:3 Summers of Lincoln (2025)“Live Performance Theaters in the US - Market Research Report (2014-2029),” by Grace Wood (IBISWorld, 2024). Leadership: In Turbulent Times, by Doris Kearns Goodwin (2018).Big River (1984) EXTRAS:“How to Make the Coolest Show on Broadway,” by Freakonomics Radio (2024).“You Can Make a Killing, but Not a Living,” by Freakonomics Radio (2024).

What did you think of this episode?Back in September, I chatted with Melissa about Bonnie & Clyde (obviously), Big River, voice overs, her modeling career and saving Renee Zellweger's Oscar.Support the showIf you liked At This Performance Podcast, please subscribe. Be sure to follow me on Instagram and Facebook.You can also donate at Buy Me A Coffee.Thanks to Jeffrey Schmelkin for the awesome music.Thank you to my guests and listeners.

En este episodio, desglosamos los temas más importantes que están marcando el pulso de los mercados: Mercados abren con cautela: Wall Street retrocede levemente mientras los traders esperan claridad sobre las tarifas recíprocas que Trump anunciará el 2 de abril. En foco: posibles medidas sobre las importaciones de cobre y los datos de bienes duraderos. Cobre alcanza récord histórico: El metal sube más de 28% en 2025 y supera los $10,000/t en Londres, impulsado por temores arancelarios y problemas técnicos en la fundición Altonorte de Glencore en Chile. Analizamos el impacto en la industria y los precios globales. Tensión sindical en US Steel: El sindicato USW denuncia que Ancora Holdings planea vender la planta de Big River para financiar mejoras en instalaciones sindicalizadas. La disputa se intensifica con la fusión propuesta entre US Steel $X y Nippon Steel, que sigue bajo presión política y sindical. BMW y Alibaba profundizan su alianza en China: $BMWKY integrará el modelo de IA Qwen de $BABA en sus vehículos Neue Klasse a partir de 2026. Con Banma en el corazón del cockpit inteligente, discutimos cómo esta colaboración refuerza la posición de BMW frente a la competencia local en vehículos eléctricos. Acompáñanos para entender cómo estos eventos están afectando la cadena de suministro global, la tecnología automotriz, la industria del acero y los mercados de metales. ¡Un episodio lleno de análisis estratégico y visión global!

This episode of Why Make? is brought to you by Haystack Mountain School of Crafts.Thanks to Haystack to becoming our first sponsor and partner. Haystack currently has open spaces in select Square ONE Workshops for beginners and Summer 2025 Workshops! Spaces in workshops and housing are limited, and applications are processed on a rolling, first-come, first-serve basis. Applications for these open spots will be open the public starting Wednesday, March 26. To see workshop details and to apply, visit haystack-man.org or go to haystack-mtn.org/summer-workshops-details#workshops-how-to-applyOn this episode of Why make we continue our conversations from the 2024 Emma International Collaboration in Big River, Saskatchewan This time Miranda Jones. Miranda is primarily known in the art world for her paintings of animals but she is so much more than that. I saw her mostly in the metal fabrication area with plasma torch in hand but she could also be found in Tiny Shiny the jewelry workshop as well as the painting area. Miranda is a longtime participant in the Emma Collaboration and also sat on the Emma board, so a great person to talk to to get the length and breath of this hard to describe event. Here is my conversation with Miranda, we start with a silly reference to her honorary citizenship from New Zealand I refer to as her Kiwiness. Miranda is in fact a Canadian citizen and resides in Saskatoon but was originally from Australia.

Deb Hays talks all about her upcoming Big River Comic Convention! https://bigrivercomiccon.com/ Albert Christian Basel, host of The Legend of the Traveling Tardis, talks about his upcoming live broadcast, the latest Doctor Who news, and Doctor Who rumors!https://thelegendofthetravelingtardis.com/ 0:00 Segment 1 24:27 Segment 2 36:00 Segment 3 Check out the ‘Justice League Revisited Podcast' with Susan Eisenberg and James Enstall at https://anchor.fm/justiceleague Thanks to our sponsors Historic St. Charles, Missouri (https://www.discoverstcharles.com/), Bug's Comics and Games (https://www.facebook.com/profile.php?id=100070575531223)Buy tickets to 2 Rivers Comic Con coming to St. Charles in May 2025 https://2riverscomiccon.com/ Buy Me a Coffee - https://www.buymeacoffee.com/3Y0D2iaZl Patreon -   https://www.patreon.com/GeekToMeRadio Website -   http://geektomeradio.com/   Podcast -   https://anchor.fm/jamesenstall Facebook -   https://www.facebook.com/GeekToMeRadio/  Twitter -   https://twitter.com/geektomeradio  Instagram -   https://www.instagram.com/geektomeradio/ Producer - Joseph Vosevich https://twitter.com/Joey_Vee 

In this episode, I sit down with Jody Gelb, an accomplished actor and author whose forty-year career on stage and screen includes roles in Tony Award-winning Broadway productions like The Who’s Tommy, Titanic, Big River, and Wicked. You may also recognize her from guest appearances in hit television shows like Law & Order and Dr. Death. Beyond her impressive acting career, Jody Gelb is the author of the profoundly moving memoir She May Be Lying Down but She May Be Very Happy. In this poetic and emotionally rich book, Gelb reflects on the life of her daughter, exploring the complex experiences of love, loss, and resilience that come with raising a child with profound disabilities. Her writing has earned praise from luminaries like Elizabeth Gilbert, who called the book “a stunning work of art, of truth, and of love.” Check out her website: https://www.jodygelb.com/See omnystudio.com/listener for privacy information.

   On this first Friday of 2025, we continue with the conclusion of the Grateful Dead's New Year's Eve concert from December 31, 1971 at Winterland in San Francisco.  A long, fun if somewhat sloppy at times show, the enjoyment the band was having is evident throughout.. After a Bill Graham intro they go into Truckin' then Billy really goes off as they go into a Other One jam, then quite interestingly enough into Me & My Uncle before going back into The Other One.. Some other highlights here include the first ever version of Big River, and the last Pigpen version of 'The Same Thing' which the band would not bring back for 20 years... There is some great high energy jamming in the 2nd half of the set, which apparently went on until 3:45 AM.   Grateful Dead Winterland Arena San Francisco, CA 12/31/1971 - Friday Two      Truckin' [8:45] > Drums [3:07] > The Other One Jam [6:01] > Me And My Uncle [2:50] > The Other One [10:19] Space [1:53] > Black Peter [8:38] Big River [3:32] The Same Thing [7:22] Ramble On Rose [5:45] Sugar Magnolia [6:42] Not Fade Away [6:09] > Goin' Down The Road Feeling Bad [7:08] > Not Fade Away [3:00] Encore      Casey Jones [5:24]   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod010325.mp3  My sincere thanks for your kind support of the Deadpod!  Here's to a healthy and happy 2025!

2025 got off to a cold and soggy start, but that did not deter the Big River dippers, a group of about two dozen friends with a high tolerance for freezing cold water and a desire for a new perspective. We spoke with Hayley Ross who was bracing herself for her first dip. And, we all might want to brace ourselves for the changes 2025 will bringing, starting with a slew of new state laws. We look at three laws that will affect families with children and teens in Mendocino County.

David Moskowitz works in the fields of photography, wildlife biology and education. He is the photographer and author of three books: Caribou Rainforest, Wildlife of the Pacific Northwest and Wolves in the Land of Salmon, co-author and photographer of Peterson's Field Guide to North American Bird Nests and photographer of Big River: Resilience and Renewal in the Columbia Basin. He has contributed his technical expertise to a wide variety of wildlife studies regionally and in the Canadian and U.S. Rocky mountains, focusing on using tracking and other non-invasive methods to study wildlife ecology and promote conservation. He helped establish the Cascades Wolverine Project, a grassroots effort to support wolverine recovery in the North Cascades using field science, visual storytelling, and building backcountry community science.Visual media of David's has appeared in numerous outlets including the New York Times, NBC, Sierra, The National Post, Outside Magazine, Science Magazine, Natural History Magazine, and High Country News. It has also been used for conservation campaigns by organizations including National Wildlife Foundation, the Endangered Species Coalition, Wildlands Network, Nature Conservancy of Canada, Yellowstone to Yukon Conservation Initiative, Conservation Northwest, Oregon Wild, Wildsight, Selkirks Conservation Alliance, and Canadian Parks and Wilderness Society.David holds a bachelor's degree in Environmental Studies and Outdoor Education from Prescott College. David is certified as a Track and Sign Specialist, Trailing Specialist, and Senior Tracker through Cybertracker Conservation and is an Evaluator for this rigorous international professional certification program.Mark and David dig into wildlife photography, the use of field science and visual story telling together as a tool, trailing, tracking, building backcountry community science, the Columbia River and its relevance to salmon and all the people in the landscapes throughout and much more.To see Davids work, you can find him at - Website: https://davidmoskowitz.netInstagram: moskowitz_davidFacebook: https://www.facebook.com/davidmoskowitztrackingphotographyPublisher: https://www.mountaineers.org/books Save What You Love with Mark Titus:⁣Produced: Emilie FirnEdited: Patrick Troll⁣Music: Whiskey Class⁣Instagram: @savewhatyoulovepodcastWebsite: savewhatyoulove.evaswild.comSupport wild salmon at evaswild.com

This week's Deadpod takes us down south to Atlanta Georgia, where the Dead played the first of 36 shows at the Omni back on December 12, 1973. This long and very tasty first set features many of the classics, all played quite well. It features only the second time that 'Peggy-O' was played, great sound throughout, and a very long and spacey 'Playin' In the Band' to end this first set.  Next week we'll play both set 2 and the soundchecks which are amazing in themselves.. Enjoy   Grateful Dead The Omni Atlanta, GA 12/12/1973 One      [1:31:22] The Promised Land [3:09][0:09] Sugaree [7:13][0:18] Mexicali Blues [3:13][0:19] Tennessee Jed [7:53][0:31] Jack Straw [4:44][0:28] Don't Ease Me In % Looks Like Rain % They Love Each Other [0:11] El Paso % Peggy-O [5:42][0:12] Beat It On Down The Line [3:12][0:17] Brown Eyed Women [4:49][0:24] Big River [4:49][0:21] Deal [4:37][0:24] Playing In The Band [22:00]   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod121324.mp3  My thanks for your kind support of the Deadpod!!

Check out this podcast replay of our one on one conversation with 2023 Tony Award Winner Michael Arden hosted by SDCF and the Museum of Broadway. Interviewed by SDC Executive Director Laura Penn, this conversation focuses on Michael's expansive career to date including a deeper dive into his work as an artist and practice as a director. We held this conversation in March 2024. The video and audio was recorded by Michael Weir supported by the Maria Torres Emerging Artists Foundation. Transcript available upon request. Michael Arden (Director) was awarded the 2023 Tony Award for Best Direction of a Musical for his production of Parade starring Ben Platt and Micaela Diamond, which will have a national tour beginning early 2024. Michael was also Tony nominated for his revivals of Once On This Island and Spring Awakening. Michael wrote and directed Charles Dickens' A Christmas Carol which played the Nederlander Theatre last Holiday season and starred Jefferson Mays. Michael will helm the new Stephen Schwartz and Lindsey Ferrentino musical The Queen of Versailles starring Kristin Chenowith and a new musical adaptation of the cult film The Lost Boys. Other directing credits include: Maybe Happy Ending at the Atlanta Alliance, Joseph and the Amazing Technicolor Dreamcoat  at Geffen Hall at Lincoln Center, and site specific works: American Dream Study and ALIEN/NATION with his company The Forest of Arden. Arden has been named on Variety's Impact List and is the winner of an NAACP Award for best direction of his revival of Merrily We Roll Along at the Wallis Annenberg in Los Angeles. In addition to directing theater in America and around the globe, he regularly directs “The Connors” on ABC, and has appeared in numerous features and TV shows, most notably: Grey's Anatomy, Bride Wars, Anger Management, Source Code, and The Marvelous Mrs. Maisel. On stage, Arden has appeared on Broadway in Big River; The Times, They Are A-Changin', and King Lear. Arden is a Presidential Scholar in the Arts and alumni of the Interlochen Arts Academy and The Juilliard School. Michael and longtime creative and design partner Dane Laffrey founded AT RISE CREATIVE, a production company that strives to create groundbreaking live experiences with an emphasis on design and innovating technologies. Photo credit:  Laura Penn has been Executive Director of Stage Directors and Choreographers Society (SDC) since 2008. This year, she was appointed by President Biden to serve as a member of the President's Committee on the Arts and the Humanities. Most recently, she was elected to the Board of the Entertainment Community Fund. Under her leadership, SDC's Membership has grown more than 100%, a result of her work expanding jurisdictions; leading bold and successful negotiations; and furthering the Union's Equity, Diversity, and Inclusion (EDI) initiatives and political engagement. She serves on the General Board of the Department for Professional Employees, AFL-CIO (DPE) and is an active member of DPE's Arts, Entertainment, and Media Industry Coordinating Committee (AEMI). She is co-Chair of the Coalition of Broadway Unions and Guilds, the first woman to hold a leadership position with this coalition of 18 influential unions representing workers on Broadway. Laura serves on the Tony Awards Administration Committee and is a Tony Voter. She served as a panelist for the New York State Council for the Arts, for more than a decade was a site evaluator for the National Endowment for the Arts, was Vice President of the League of Resident Theatres, and was two-term Chair of the Seattle Arts Commission. Recognized with Seattle's Distinguished Citizen Medal, she is an advocate for civic dialogue and public participation and has been dedicated throughout her career to the idea that artistic excellence and community engagement are intrinsically connected. Laura previously served as an arts executive for Intiman Theatre and Seattle Repertory Theatre and began her career at D.C.'s Arena Stage, Living Stage Theatre Company. She currently teaches Labor Relations in the graduate program at the David Geffen School of Drama at Yale.

We dive deep into the incredible career of Roger Bart, a Tony Award-winning actor who has brought iconic characters to life on both stage and screen. Currently starring as Doc Brown in Back to the Future: The Musical, Roger shares his journey with us, from his early Broadway debut in Big River to his voice work as young Hercules in Disney's animated classic. Roger reflects on his career highlights, including his award-winning role as Snoopy in You're a Good Man, Charlie Brown, working with Mel Brooks in The Producers and Young Frankenstein, and his memorable TV roles in Desperate Housewives and Revenge. He offers fascinating behind-the-scenes stories from his time developing Back to the Future from its early days in Europe to its current run on Broadway, touching on the challenges of portraying Doc Brown and how he brings his unique comedic flair to the role. Roger also discusses his love for comedy, the influence of Warner Bros. cartoons on his sense of humor, and how he balances broad comedic moments with genuine character depth. He offers heartfelt advice for young performers: be prepared, be kind, and don't be afraid to make bold choices. Roger Bart's passion for performing began in childhood, using his singing talent to connect with his parents and spark his love for the stage. His professional journey truly began after studying acting at Rutgers' Mason Gross School of the Arts, where he transitioned from instinctual performing to a more profound understanding of the craft. This education laid the foundation for his wide-ranging career, where his unique blend of humor and depth has become a hallmark of his performances. His comedic style, influenced by the precise timing and structure of Warner Bros. cartoons, was refined during his collaborations with Mel Brooks in the beloved productions of The Producers and Young Frankenstein. Roger's career spans both stage and screen. He made his Broadway debut in Big River and won a Tony Award for his portrayal of Snoopy in the 1999 revival of You're a Good Man, Charlie Brown. In addition to his stage work, Roger has also left a mark on television with notable roles in Desperate Housewives, Revenge, Good Trouble, and A Series of Unfortunate Events. Film and voice work include the 2005 movie version of The Producers and voicing young Hercules in Disney's Hercules. Currently, he stars as Doc Brown in Back to the Future: The Musical, a role that has earned him a Tony nomination and further solidified his reputation as a versatile and beloved actor. SPECIAL ACCESSIBLE BTTF TICKET INFO, valid on performances Sept 17 - Nov 10, 2024 only Upper Level Seats from $59 (including fees) Stage Level Seats from $79 (including fees) Tickets are available at BackToTheFutureMusical.com, through Telecharge by calling 212-239-6200 or visiting Telecharge.com, or at the Winter Garden Theatre box office. Connect with Roger: Instagram: @rogerbartofficial Watch the full "Shooting Star" cut song from Hercules: https://youtu.be/hkPhGYMGmno Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Hey Now! This week the Deadpod takes us to Portland Maine, for a show that took place at the Cumberland County Civic Center on September 17, 1982.  This 12 song first set is a concise reading of many of their standards. Brent and Phil are upfront in the mix and overall I find these quite enjoyable. There is a false start in 'Me & My Uncle' which is quite unusual, and we have 'Dupree's' 2 weeks in a row- I'm sure that's a Deadpod record ;)   Grateful Dead Cumberland County Civic Center Portland, ME 9/17/1982 - Friday One      Bertha [6:25] > The Promised Land [4:02] Candyman [6:31] > C C Rider [8:16] Althea [7:47] Me And My Uncle [3:15] > Big River [5:36] Dupree's Diamond Blues [5:48] It's All Over Now [7:04] West L.A. Fadeaway [7:35] Throwing Stones [5:40] > Deal [5:43]   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod090624.mp3 Many thanks for your kind support!

Kecia Lewis is celebrating 40 triumphant years as a dynamic storyteller on stage and screen in the entertainment industry. Lewis' rich career of portraying formidable women has come full circle with her critically acclaimed, Tony, Drama Desk, Drama League, Outer Critics Circle nominated, and Lucille Lortel Award winning performance of Miss Liza Jane in Alicia Keys' Broadway hit musical Hell's Kitchen. Entertainment Weekly proclaims "Lewis is commanding...her voice is a weapon, and she knows just when to fire." Kecia's Broadway journey began with her debut at 18 years old in the original company of Dreamgirls. In addition to originating on Broadway iconic roles in Once On This Island, The Drowsy Chaperone, and Leap of Faith, Kecia has graced the Broadway stage in The Gospel at Colonus (with Morgan Freeman), Big River, Ain't Misbehavin' (standby for Nell Carter) and Children of a Lesser God. Off Broadway she has starred in the title role of Mother Courage (CSC), The Skin of Our Teeth (TFNA - Obie Award Winner), Dessa Rose (LCT - Drama Desk nom.), and Marie and Rosetta (ATC - Lortel & Drama League Nom, Obie Award Winner). Kecia's work on the reboot of MAD ABOUT YOU was loved by fans and critics alike. Other selected TV guest and recurring roles include "And Just Like That" (Max), "With Love" (Amazon), "The Passage (Fox), The Blacklist (NBC), Law and Order SVU (NBC) and “Wu-Tang: An American Saga” (Hulu). As a vocalist Kecia has performed in Canada, Switzerland, Hong Kong, New Zealand and Russia. Kecia can also be seen in Evan Parter's feature “The Independent” alongside Brian Cox, Jodie Turner-Smith and John Cena which is now streaming on Peacock.    Learn more about your ad choices. Visit podcastchoices.com/adchoices

 I think we have a good one to send you off on your Memorial Day weekend - this comes to us from May 30, 1980 at the Milwaukee Auditorium in Milwaukee Wisconsin.  The first set starts with a fine 'Jack Straw' - the first minute forty is supplied by an audience tape but hold on because the rest is a fine soundboard. The transition jams from Jack Straw to Franklin's Tower are off the chart.. Jerry is in fine form here.. as evidenced by the hot Uncle and Big River that follow...  They include a 'Passenger' here, without Donna of course, but still smokin'... then Brent does an early 'Easy to Love You'. They bring down the house with a set closing 'Music Never Stopped'.   Grateful Dead Milwaukee Auditorium Milwaukee, WI 5/30/1980 - Friday One     Jack Straw [5:29] > Franklin's Tower [11:15] Me And My Uncle [3:06] > Big River [6:11] Friend Of The Devil [8:36] Passenger [5:10] Easy To Love You [3:29] Althea [8:31] The Music Never Stopped [7:45]   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod052424.mp3  I hope you have a safe and enjoyable Memorial Day.. take a moment to pause and remember what the holiday is for.. 

This week we go to the wonderful Greek Theater in Berkeley California for the band's performance on May 21, 1982. I think this was one of the better years in terms of the band's history and this is not only a fine recording but a well-played set that I'm sure you'll enjoy.  The first set starts with a 'Bertha>Greatest Story' combo, one that was fairly new at the time. Jerry slows it down with a 'Friend of the Devil' but the 'Uncle'>'Big River' that follows benefits greatly from his nimble guitar. A nice 'Bird Song' flows into Bobby's 'CC Rider', then we have an excellent 'Althea', not only is Jerry in fine voice, but his delivery is just exactly perfect. Bob delivers a nice 'Looks like Rain' and they close with a boppin' 'Might as Well'.      Grateful Dead Greek Theatre - University of California Berkeley, CA 5/21/1982 - Friday One     Bertha [6:35] > Greatest Story Ever Told [3:50] Friend Of The Devil [8:44] Me And My Uncle [2:55] > Big River [5:09] Bird Song [10:45] > C C Rider [7:27] Althea [7:47] Looks Like Rain [7:35] Might As Well [4:01]   You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod051024.mp3 Thank you friends for listening and for your kind support. 

For almost a decade, Amazon staff went undercover on Walmart, eBay and other marketplaces selling products under the guise of a company called ‘Big River.' WSJ's Dana Mattioli reports on the secret arm of Amazon that surreptitiously gathers intelligence on its competitors. Further Reading: -Inside Amazon's Secret Operation to Gather Intel on Rivals  -Inside Amazon's Push to Crack Trader Joe's—and Dominate Everything  Further Listening: -TikTok Wants to Be More Like Amazon. Amazon Wants to Be More Like TikTok.  -What Is Amazon's Secret ‘Project Nessie'?  Learn more about your ad choices. Visit megaphone.fm/adchoices