Norwegian playwright and theatre director
POPULARITY
7 episodes with ibsen
7 episodes with ibsen
7 episodes with ibsen
5 episodes with ibsen
5 episodes with ibsen
11 episodes with ibsen
6 episodes with ibsen
5 episodes with ibsen
9 episodes with ibsen
Behrendt, Barbara www.deutschlandfunk.de, Kultur heute
In Ibsen's “An Enemy of the People,” two conceptions of communal health do battle. Dr. Stockmann's is progressive, focused as it is on the vitality of the young, their new ideas, and the possibility of growth into a better future, even if that means encroaching on the powers that be. His brother's is conservative, focused on the use of authority and ascetic self-restraint to preserve existing achievements and ideas. But once in conflict, these conceptions seem to reveal themselves to be competing forms of elitism, and expressions of contempt respectively for both past and future. Wes & Erin discuss whether there is a more nuanced conception of the common good available to us, and how it might be related to the sudden turn at the end of the play to the the role of education.
Send us a textAfter graduating from RADA, James McArdle became a darling of the National Theatre appearing in landmark productions of Platonov, James I and Angels in America, all in a relatively short span of time. Since then, James McArdle has established himself as one of the most compelling actors on stage and screen. Now, he returns to the Olivier stage for the first time since 2019 for newly appointed Artistic Director Indhu Rubasingham's inaugural show: a new adaptation of Euripides' Bacchae by Nima Taleghani. In the show, James takes on the role of Pentheus in a show which has been radically revamped for modern audiences. Taleghani's version includes rap verses and a thumping beat which helps build the tension of the piece that leads viscerally into the ultimate tragedy of the piece.In this brand new interview, James McArdle reflects on his numerous successes at the National Theatre and why it feels so fitting returning to the Olivier stage after a few years away. Indeed his last National Theatre project saw him taking on the title role in Peter Gynt, a thrilling update on Ibsen's original text where audiences saw James lead a 4 hour show with immense energy. Throughout our conversation, he also pays homage to Jonathan Kent who he describes as mentor who has helped shape him into the actor he is today. In our interview, we also touched on his critically acclaimed performances in Angels in America, Platonov and The Tragedy of Macbeth at the Almeida where he shares insights into his working relationship with Saoirse Ronan and also fight director Kate Waters who he reunited with on Bacchae. It's a fascinating conversation with one of the most exciting actors on stage and screen working today and it seems there's still more that we can look forward to.Bacchae runs in the Olivier Theatre, National Theatre until Saturday 1st November 2025.Support the show
Swedish-born Alicia Vikander won global acclaim in 2015 for playing Vera Britten in Testament Of Youth, and a humanoid robot in the thriller Ex-Machina. The following year she won an Academy Award for her supporting role with Eddie Redmayne in The Danish Girl, along with a Screen Actors Guild Award and BAFTA and Golden Globe nominations. Since then her diverse range of screen roles have included playing a spy boss in the film Jason Bourne, computer game heroine Lara Croft in Tomb Raider, and Gloria Steinem in the biopic The Glorias. The daughter of acclaimed stage actor Maria Fahl, she tells John Wilson how she first performed on stage at the age of seven in a musical written by Benny and Bjorn of ABBA. She also appeared in Swedish television dramas and films as a child actor. In 2025 Alicia Vikander makes her return to the stage in a new version of Ibsen's The Lady From The Sea at The Bridge in London, her first theatre role since she was a child. Producer: Edwina Pitman
In Ibsen's “An Enemy of the People,” two conceptions of communal health do battle. Dr. Stockmann's is progressive, focused as it is on the vitality of the young, their new ideas, and the possibility of growth into a better future, even if that means encroaching on the powers that be. His brother's is conservative, focused on the use of authority and ascetic self-restraint to preserve existing achievements and ideas. But once in conflict, these conceptions seem to reveal themselves to be competing forms of elitism, and expressions of contempt respectively for both past and future. Wes & Erin discuss whether there is a more nuanced conception of the common good available to us, and how it might be related to the sudden turn at the end of the play to the the role of education.
How does literature enrich our understanding of ourselves and of others, in ways that STEM fields and other forms of knowledge cannot? What is contained within the language of reading that you don't encounter with other art forms like painting or film?Arnold Weinstein is a Professor Emeritus of Comparative Literature at Brown University and the author of several books. His latest two publications are The Lives of Literature: Reading, Teaching, Knowing and Morning, Noon, and Night: Finding the Meaning of Life's Stages Through Books.Greg and Arnold discuss how literature offers unique and invaluable insights into the human experience, bridging historical and cultural divides. Their conversation examines the connections between literature and self-discovery, the challenges of teaching literature in a contemporary academic setting, and the enduring relevance of classic works from authors like William Faulkner, William Shakespeare, and Mark Twain. *unSILOed Podcast is produced by University FM.*Episode Quotes:Life doesn't come in disciplines01:02:54: Literature helps you see history. That philosophy, et cetera, needs a good dosage of literature, which is why we created that course and let the disciplines—not the people, the disciplines themselves—do battle with each other. And there's no obvious answer here. There's no winner or loser. But the students were confused. They wanted to get what's the right take on this. Well, has anybody ever offered the right take on reality? Universities come packaged in disciplines. Life doesn't. It doesn't. All of our major problems cannot be solved with any single discipline, including economics and, you know, and coding.Literature makes us more human09:25: It's a good workout to read literature. It makes us more generous, as being able to award the notion of humanity to other people. Because I do not think you can kill them. You cannot stamp them out if you do not think back.Why great books leave you uneasy30:13: We are supposed to exit literature course, not exactly being more confused, but more embattled in a sense to see that other ways of being, as well as other ways, other values that people might have, is a kind of absolutely basic "meat-and-potatoes" element of human life. You cannot just live in your own silo, in your own scheme, even though you are locked in it. That's the point. We cannot exit ourselves.History isn't a fairy tale40:51: If we read the books, it only tells us what we want to know, which is what we are headed towards in this society today with the current political scene. Any text that is critical of American history is considered broke and therefore removed. And I'm worried that we are going to get a generation of people who think that American history is a fairy tale, which it is not, and no amount of rhetoric can change that. That we can police and prohibit these certain kinds of texts can take over the Kennedy Center, but we cannot, in fact, change what all of that is about, which is that we are still paying the bill for the history of racism and slavery in this country. It is not solved. We can just try to put it under the rug, but it is not solved by any means. So it is in that sense that the discomfort is required. If it simply massages us, say, "oh, this is terrific," then I think we are reading the wrong book.Show Links:Recommended Resources:Harold BloomFranz KafkaThe MetamorphosisSøren KierkegaardWilliam FaulknerMark TwainAdventures of Huckleberry FinnJamesBenito CerenoBlaise PascalWilliam ShakespeareKing LearHamletOthelloIagoToni MorrisonNaked LunchGuest Profile:Profile at Brown UniversityWikipedia PageProfile at Roundtable.orgGuest Work:Amazon Author PageThe Lives of Literature: Reading, Teaching, KnowingMorning, Noon, and Night: Finding the Meaning of Life's Stages Through BooksNorthern Arts: The Breakthrough of Scandinavian Literature and Art, from Ibsen to BergmanA Scream Goes Through the House: What Literature Teaches Us About LifeRecovering Your Story: Proust, Joyce, Woolf, Faulkner, MorrisonNobody's Home: Speech, Self, and Place in American Fiction from Hawthorne to DeLilloThe Great Courses - Classic Novels: Meeting the Challenge of Great Literature
The Cat's Kev Watson spoke with Bethany Gail and Sandie Laughlin about the Nantwich Player's upcoming production of "Nora A Dolls House" by Stef Smith (after Henrik Ibsen). In its time Ibsen's play was 'shocking and exhilarating' and this modern retelling has 3 Noras. I was intrigued as the award winning director outlined her approach to this classic. It sounds wonderful. Have a listen and you can decide.
Har det greske monarkiet en fremtid? Kan monarkiet i en fjern fremtid gjeninnsettes, eller har republikken kommet for godt? Med kronprins Pavlos som prisme drømmer Ole-Jørgen og Alexander Zlatanos Ibsen seg vekk i en potensiell, men høyst usannsynlig, monarkisk fremtid for Hellas! Vi lyttes!
In this episode, Milton Justice explores why actors struggle to make choices substantial enough to serve their material. He contextualizes modern acting within theater history, explaining how realistic theater emerged in the late 1800s with playwrights like Ibsen, Strindberg, and Chekhov. Milton discusses why Stanislavski's approach of having actors use their own lives fails - people don't relate to their experiences in theatrically useful ways, simply living without recognizing dramatic potential.Milton emphasizes that an actor's talent lies in making appropriate choices substantial enough to warrant emotional investment. Using student Grace's work as an example, he highlights how actors must understand the magnitude of their choices and earn them fully rather than throwing them away. Milton challenges students to see the extraordinary within ordinary things, to see that actors must become educators, philosophers, motivators, whose job it is to transform ideas meaningfully in order to remind us of our humanity. www.idontneedanactingclass.comwww.theactorlab.nyc
Vi spiller Evensen eller Ibsen og Johannes gjør oss klare for valget til høsten! Hosted on Acast. See acast.com/privacy for more information.
OL-gull, dansk dronning og gjennomføringen av kupp er alle tre beskrivelser av Konstantin II, den siste regjerende kongen av Hellas. Hvorfor fikk han en lunken avskjed etter sin bortgang? Hvorfor dette statskuppet? Ole-Jørgen har alltid vært fascinert av Konstantin II av Hellas, og sammen med politisk redaktør i Minerva Alexander Zlatanos Ibsen, skal den gamle grekerkongen tre frem i lyset. Vi lyttes!
Wes & Erin continue their discussion of Henrik Ibsen's "A Doll's House."
Georg II blir etterfulgt av sin bror, som er like sammensatt og selvmotsigende som sin forgjenger. Hyllet av grekerne, kalt terrorist av britiske medier, også la han grunnlaget for en hel del kongelige ekteskap med sine greske cruise. Nok et ledd i rekken av Undersåttenes gjennomgang av den greske kongerekken sammen med Minervas politiske redaktør Alexander Zlatanos Ibsen! Vi lyttes
Nora Helmer begins Act I as a devoted wife to her respectable husband, Torvald, and a devoted mother to her young children. She ends Act III by walking out on all of them and closing the door behind her. The emotional distance covered in these three acts (representing a span of just a few days in the lives of the Helmers) makes Nora one of the greatest and most coveted acting challenges in the theater. How might we mark out a route between the Nora of Act I, the charming toy of the men in her life who seems to desire nothing more than the comfort and ease her husband's recent promotion is set to provide, and the Nora of Act III, an independent woman willing to sacrifice everything in pursuit of her own self-determination? Wes & Erin discuss Henrik Ibsen's "A Doll's House."
It starts with a hot flash. That moment—unexpected, uninvited, and disorienting—becomes the spark that ignites Clementine Crane's quiet rebellion. In this moving and laugh-out-loud episode of A Fresh Story: Book Talk, Olivia sits down with novelist and writing teacher Kristin Bair to discuss her forthcoming novel Clementine Crane Prefers Not To, a fierce and funny feminist tale of a woman who wakes up, drenched in sweat, and realizes she's been sleepwalking through a life of over-functioning, over-giving, and never asking herself what she wants. What follows is Clementine's unraveling—and remaking—of her life, one “I prefer not to” at a time.Kristin brings her sharp wit and deeply lived insight to a conversation about writing, rage, midlife, and the radical awakening that can occur in the most mundane moments of motherhood. Inspired by both her own perimenopausal experience and the literary ghosts of Melville and Ibsen, Clementine Crane Prefers Not To is part love letter to women who are done saying yes to everything—and part battle cry for those still trying to find the language for their no. Clementine is a mother, a wife, a library worker, and a woman who has spent decades appeasing the world around her. But in the quiet heat of hormonal upheaval, something cracks open, and she begins to reclaim the person she's long buried beneath obligation.For anyone moving through a major life transition—whether it's divorce, menopause, career change, or simply waking up to the ache of self-neglect—this novel is an anthem of autonomy. Kristin shares her writing journey with warmth and vulnerability, reminding us that transformation rarely looks glamorous, but it often begins with the smallest refusal. Clementine's story is not just fiction—it's a mirror, a permission slip, and a hopeful blueprint for choosing yourself, over and over again.Buy Clementine Crane Prefers Not To by Kristin Bair: https://amzn.to/3INQ6kg
Ned på den ustabile greske tronen setter Georg II seg i 1922. Lenge får han ikke regjere før det blir 11 år i eksil. Mannen som ble fratatt arveretten på grunn av sin tyskvennlighet får likevel vende tilbake til Hellas i 1935, og steller bakbena i bakken mot nazistene! Hvem er denne selvmotsigende kongen? Ole-Jørgen og Alexander Zlatanos Ibsen, politisk redaktør i Minerva, prøver å finne ut av det i ukens episode. Vi lyttes!
In this bonus episode of These Three Things Deborah Thomas is joined by critically acclaimed and multi-award winning actress Victoria Smurfit. Most recently Victoria has starred in a new adaptation of Ibsen's Ghosts, receiving five-star reviews. Fresh from that run she went straight into recording the second series of Jilly Cooper's Rivals in which she plays frustrated actress-turned-housewife Maud O'Hara. In between filming she joined Deborah to reveal which treasured possession, person and place have had a profound impact on her life and why.
Today's Lake and Shed framed conversation is once again about the fifth Cormoran Strike novel, Troubled Blood. Nick discusses Rowling's history with the Clerkenwell neighborhood. John talks about Troubled Blood as a double re-telling of The Faerie Queene, Book One, with Strike and Margot as the Redcrosse Knight and Oonaugh and Robin as Una.New to the Lake and Shed Kanreki Birthday series? Here's what we're doing:On 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, will be celebrating her 60th birthday. This celebration is considered a ‘second birth' in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR's Kanreki, Dr John Granger and Nick Jeffery, both Nipponophiles, are reading through Rowling's twenty-one published works and reviewing them in light of the author's writing process, her ‘Lake and Shed' metaphor. The ‘Lake' is the biographical source of her inspiration; the ‘Shed' is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age. You can hear Nick and John discuss this process and their birthday project at the first entry in this series of posts: Happy Birthday, JKR! A Lake and Shed Celebration of her Life and Work.Tomorrow? Our first look at Christmas Pig with both Nick and John talking about the Blue Bunny. Stay tuned!Links to posts mentioned in today's Lake and Shed conversation for further reading:* The Clerkenwell/Islington Gate of St John (Twitter Header)Faerie Queene!John Granger:* How Spenser Uses Cupid in Faerie Queen and Its Relevance for Understanding Troubled Blood* Reading Troubled Blood as a Medieval Morality PlayElizabeth Baird-Hardy* Day One, Part One: The Spenserian Epigraphs of the Pre-Released Troubled Blood Chapters* Day Two, Part Two: The Spenserian Epigraphs of Troubled Blood Chapters Eight to Fourteen* Day Three, Part Three: The Spenserian Epigraphs of Troubled Blood Chapters Fifteen to Thirty* Day Four, Part Four: The Spenserian Epigraphs of Troubled Blood Chapters Thirty One to Forty Eight* Day Five, Part Five: The Spenserian Epigraphs of Troubled Blood Chapters Forty Nine to Fifty Nine* Part Six: The Spenserian Epigraphs of Troubled Blood Chapters Sixty to Seventy One* Spenser and Strike Part Seven: Changes for the BetterBeatrice Groves* Trouble in Faerie Land (Part 1): Spenserian Clues in Troubled Blood Epigraphs* Trouble in Faerie Land (Part 2): Shipping Robin and Strike in the Epigraphs of Troubled Blood* Trouble in Faerie Land (Part 3): Searching for Duessa in Troubled BloodThis is a tentative listing by category of the posts at HogwartsProfessor about Troubled Blood. There's much more work to do on this wonderful work!1. Chiastic StructureRowling's fixation on planning in general and with structural patterns specifically in all of her work continues in Troubled Blood. From the first reading, it became apparent that in Strike5 Rowling-Galbraith had taken her game to a new level of sophistication. She continued, as she had in her four previous Strike mysteries, to write a story in parallel with the Harry Potter septology; there are many echoes of Harry Potter and the Order of the Phoenix, the fifth and equivalent number in the Hogwarts Saga, in Troubled Blood. Just as Phoenix was in important ways a re-telling of Philosopher's Stone, so Troubled Blood also echoes Cuckoo's Calling — with a few Stone notes thrown in as well. The new heights of Rowling's structural artistry, though, extend beyond her patented intratextuality; they are in each of Strike5's first six parts being ring compositions themselves, the astrological chart embedded in the story chapters, and the six part and two chapters correspondence in structure between Troubled Blood and Spenser's Faerie Queen.* Structure Part One* Structure Part Two, Notes Two to Six* Structure Part Three, Notes One to Three* Structure Part Four, Notes One to Three, Eight, and Ten* Structure Part Five, Notes One to Four, Nine* Structure Part Six, Notes One to Four* Structure Part Seven, Ring Latch, Story Axis* Astrological Clock Structure of Troubled Blood* Career of Evil Echoes* Order of the Phoenix Echoes* Cuckoo's Calling Echoes* Philosopher's Stone Echoes2. Literary AlchemyPer Nabokov, literary artistry and accomplishment are known and experienced through a work's “structure and style.” Rowling's signature structures are evident in Troubled Blood (see above) and her characteristic hermetic artistry, literary alchemy, is as well. Strike5 is the series nigredo and Strike and Robin experience great losses and their reduction to their respective and shared prima materia in the dissolving rain and flood waters of the story.* Strike's Transformation* Robin Ellacott and the Reverse Alchemy of the First Three Strike Novels* Lethal White as the Alchemical Pivot of the Strike Series* The Wet Nigredo: Troubled Blood's Black Names, Holiday Three Step, and Losses3. Psychology/MythologyRowling told Val McDermid that if she had not succeeded as a writer than she would have studied to become a psychologist:V: If it hadn't worked out the way it has. If you'd sat there and written the book in the café and nobody ever published it, what would you have done with your life, what would you have liked to have been?JK: There are two answers. If I could have done anything, I would have been really interested in doing, I would have been a psychologist. Because that's the only thing that's ever really pulled me in any way from all this. But at the time I was teaching, and I was very broke, and I had a daughter and I think I would have kept teaching until we were stable enough that we were stable enough that I could change.Because of her lifelong study and pre-occupation with mythology, it is fitting that in Strike5 readers are confronted with a host of references to psychologist Carl Jung and to a specific Greek myth which Jungian psychologists consider essential in understanding feminine psychology. All of which leads in the end to the Strike series' equivalent of the Hogwarts Saga's soul triptych exteriorization in Harry, Hermione and Ron as Body, Mind, and Spirit, with Robin and Strike as Handless Maiden and Fisher King, the mythological images of anima and animus neglected and working towards integration.* Carl Jung and Troubled Blood* A Mythological Key to Cormoran Strike? The Myth of Eros, Psyche, and Venus* The Anima and Animus: The Psychological Heart and Exteriorization of the Cormoran Strike Novels4. Valentine's DayThe story turn of Troubled Blood takes place on Valentine's Day and the actions, events, and repercussions of this holiday of Cupid and Heart-shaped candies, not to mention chocolates, shape the Robin and Strike relationship drama irrevocably. Chocolates play an outsized portion of that work symbolically, believe it or not; the word ‘chocolate' occurs 34 times in the first four Strike novels combined but 82 times in Troubled Blood. I explore the importance of this confection in two posts before beginning to explain the importance and appropriateness of Valentine's Day being the heart of the story, one that is in large part a re-telling of the Cupid and Psyche myth.* Troubled Blood: Interpreting the Poetry of Cormoran's Five Gifts To Robin* Troubled Blood: Poisoned Chocolates* Troubled Blood: The Secret of Rowntree* A Mythological Key to Cormoran Strike? The Myth of Eros, Psyche, and Venus5. Edmund Spenser's Faerie QueenTroubled Blood features several embedded texts, the most important of which is never mentioned in the book: Edmund Spenser's Faerie Queen. Serious Strikers enjoyed the luxury of not one but two scholars of Edmund Spenser who checked in on the relevance and meaning of Rowling's choice of the greatest English epic poem for her epigraphs, not to mention the host of correspondences between Strike 5 and Queen. Elizabeth Baird-Hardy did a part by part exegesis of the Troubled Blood-Faerie Queen conjunctions and Beatrice Groves shared her first thoughts on the connections as well. Just as Lethal White's meaning and artistry is relatively unappreciated without a close reading of Ibsen's Rosmersholm, so with Strike 5 and Faerie Queen.* Spenser's Faerie Queen (Above)6. The GhostsRowling's core belief is in the immortality of the soul and her favorite writer of the 20th Century is Vladimir Nabokov, whose work is subtly permeated by the otherworldly. No surprise, then, that Troubled Blood is haunted by a host of ghosts, most importantly the shade of Margot Bamborough but to include the women murdered by Dennis Creed and Nicolo Ricci. Their influence is so obvious and so important that it has spurred discussion of the spectres that haunt the first four Strike novels whose presence had not been discussed prior to the revelations of Strike 5.* Troubled Blood: The Dead Among Us* The Ghosts Haunting Troubled Blood* The Ghosts Haunting Cuckoo's Calling, Silkworm, Career of Evil, and Lethal White7. The NamesThe Cryptonyms or Cratylic Names of Troubled Blood are as rich and meaningful, even funny, as those found in Lethal White. From Paul Satchwell's “little package” to Roy Phipps as the Spanish King Phillip, from the nigredo black elements of Bill Talbot and Saul Morris to the Spenserian echoes of Oonaugh Kennedy and Janice Beattie, and the Rokeby-Oakden coincidences, Strike5 is full of name play. Did I mention that the detectives solve the mystery largely through their exploration of names? Douthwaite and Oakden only pop-up after Strike has revelations consequent to serious reflection on their names and pseudonyms. Rowling-Galbraith really wants her real-world readers to be reflecting on the Dickensian names of all her characters.* The Cratylic Names of Troubled Blood: A Top Twenty Round Up8. The Flints and GaffesRowling commented in one of her interview tableaus for Troubled Blood that she had worked extra hard to get the dates right in this most complicated of novels and that her proof reader and continuity editor found a big mistake. Serious Strikers, though, were left crying “Alas!” and laughing aloud at the number of bone-headed gaffes in The Presence's longest work to date. It remains her best as well as her longest book to date, but, really, get the woman the help she needs to comb the book for errors pre-publication. Can you say, “Isla”?* Troubled Blood: Flints, Errors, and Head Scratchers* Troubled Blood Gaffes: A Second Look at Ages and Dates9. The AstrologyThe principal embedded text in Troubled Blood, the one Robin and Cormoran read repeatedly, create keys for, and discuss throughout the book, is Bill Talbot's ‘True Book.' It features an astrological chart for the exact time and place of Margot Bamborough's disappearance in 1974, which map Talbot used to try and solve the case. Strike is profoundly disgusted by this approach but spends, as does Robin, much of his time trying to figure out the chart or at least what Talbot made of it. Troubled Blood, consequently, turns into something of an exploration of astrology and its relevance to understanding ourselves and the world. Unpacking what Rowling means by it, not to mention what the natal charts of Robin and Cormoran tell us about these charactes, their relationship, and Rowling-Galbraith's intentionally hermetic artistry, is a large part of the exegetical work to be done on Troubled Blood.* Nick Jeffery: Troubled Blood — The Acknowledgements* Part Three, Note Five* Troubled Blood: Strike's Natal Chart* Astrological Clock Structure of Troubled Blood* Astrological Allegorical: The Sun Signs of Characters in Troubled Blood* A Second Look at Talbot's Chart: What Does it Reveal to the Unbiased Eye?10. The Tarot Card SpreadsWe know that Rowling has significant skills when it comes to astrology. What is less well appreciated is that almost from childhood she has played with tarot card reading which knowledge has informed her work. This is comic in Trelawney, say, but comes to the fore in Troubled Blood‘s card spreads: the Celtic Cross in Talbot's ‘True Book,' his embedded three card spreads in the illustrations of that tome, and Robin's two readings, one in Laemington Spa and the other in her flat at story's end.* Part Three, Note Six* Part Four, Note Five* Part Five, Note Five* Part Six, Notes Five, Six, Eight* Bill Talbot's Tarot: The Embedded Occult Heart of Troubled Blood* Robin Ellacott's Tarot: The Missed Meanings of Her Twin Three Card Spreads in Troubled Blood11. Who Killed Leda Strike?To Rowling-Galbraith's credit, credible arguments in dedicated posts have been made that every person in the list below was the one who murdered Leda Strike. Who do you think did it?* Jonny Rokeby and the Harringay Crime Syndicate (Heroin Dark Lord 2.0),* Ted Nancarrow (Uncle Ted Did It),* Dave Polworth,* Leda Strike (!),* Lucy Fantoni (Lucy and Joan Did It and here),* Sir Randolph Whittaker,* Nick Herbert,* Peter Gillespie, and* Charlotte Campbell-Ross12. Embedded TextsAll of Rowling's novels feature books and texts, written work as well as metanarratives, with which her characters struggle to figure out in reflective parallel to what her readers are trying to do with the novel in hand. Troubled Blood is exceptionally laden with these embedded texts. Beyond Talbot's True Book and Spenser's Faerie Queen noted above, we are treated to selections from The Demon of Paradise Park, Whatever Happened to Margot Bamborough?, Astrology 14, and The Magus.13. The Murderers: Creed and BeattieA demon-possessed psychopath and the brain-damaged lonely woman… Each is described as “a genius of misdirection” and being without remorse or empathy. The actual murderers in Troubled Blood are distinct, certainly, but paired as well, as one of the many mirrored pairs in this story.14. FeminismTroubled Blood, Rowling has said, is a commentary of sorts on changes in the history of feminism. It is an unvarnished, even brutal exploration of the heroic age of the feminist movement, its front and back, largely through the personalities, circumstances, choices, and experiences of two pairs of women, Margot Bamborough and her plucky Irish side-kick Oonaugh Kennedy and the paired through time couple of Irene Bull-Hickson and Janice Beattie.15. Rokeby 3.0Jonny Rokeby makes his first appearance, albeit only by phone call, in Troubled Blood and yet it has reset thinking about Strike and his biological father considerably. Kurt Schreyer thinks the head Deadbeat is more Snape than Voldemort — and, if this is the case, we need to re-read the series to see how much Strike's emotional injuries from childhood neglect have misshaped his understanding of his dad so he lives in upside-down land.* Guest Post: Rokeby Redux – Is Strike's Father More Snape than Lord Voldemort? Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
Today's Lake and Shed framed conversation is about the fifth Cormoran Strike novel, Troubled Blood. Nick discusses Rowling's history with the divinatory art of astrology and the occult resources and reference works she brought into play in writing a novel whose primary embedded text is a murder scene's astrological chart. John talks about the astrological clock structure of twelve houses in which Galbraith tells this remarkable story.New to the Lake and Shed Kanreki Birthday series? Here's what we're doing:On 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, will be celebrating her 60th birthday. This celebration is considered a ‘second birth' in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR's Kanreki, Dr John Granger and Nick Jeffery, both Nipponophiles, are reading through Rowling's twenty-one published works and reviewing them in light of the author's writing process, her ‘Lake and Shed' metaphor. The ‘Lake' is the biographical source of her inspiration; the ‘Shed' is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age. You can hear Nick and John discuss this process and their birthday project at the first entry in this series of posts: Happy Birthday, JKR! A Lake and Shed Celebration of her Life and Work.Tomorrow? Another look at Troubled Blood, this time with an introduction to Rowling's ties to Clerkenwell from Nick and with John making a case for reading Troubled Blood as a re-telling of Spenser's Faerie Queene, Book One, with Strike and Margot as the Redcrosse Knight and Robin and Oonaugh as Una. Stay tuned!Links to posts mentioned in today's Lake and Shed conversation for further reading:* Nick Jeffery: Troubled Blood — The Astrologers in the Acknowledgements* J. K. Rowling, Author-Astrologer, Pt 1: How Did We Not Know About This?* Troubled Blood: Strike's Natal Chart* Astrological Clock Structure of Troubled BloodThis is a tentative listing by category of the posts at HogwartsProfessor about Troubled Blood. There's much more work to do on this wonderful work!1. Chiastic StructureRowling's fixation on planning in general and with structural patterns specifically in all of her work continues in Troubled Blood. From the first reading, it became apparent that in Strike5 Rowling-Galbraith had taken her game to a new level of sophistication. She continued, as she had in her four previous Strike mysteries, to write a story in parallel with the Harry Potter septology; there are many echoes of Harry Potter and the Order of the Phoenix, the fifth and equivalent number in the Hogwarts Saga, in Troubled Blood. Just as Phoenix was in important ways a re-telling of Philosopher's Stone, so Troubled Blood also echoes Cuckoo's Calling — with a few Stone notes thrown in as well. The new heights of Rowling's structural artistry, though, extend beyond her patented intratextuality; they are in each of Strike5's first six parts being ring compositions themselves, the astrological chart embedded in the story chapters, and the six part and two chapters correspondence in structure between Troubled Blood and Spenser's Faerie Queen.* Structure Part One* Structure Part Two, Notes Two to Six* Structure Part Three, Notes One to Three* Structure Part Four, Notes One to Three, Eight, and Ten* Structure Part Five, Notes One to Four, Nine* Structure Part Six, Notes One to Four* Structure Part Seven, Ring Latch, Story Axis* Astrological Clock Structure of Troubled Blood* Career of Evil Echoes* Order of the Phoenix Echoes* Cuckoo's Calling Echoes* Philosopher's Stone Echoes2. Literary AlchemyPer Nabokov, literary artistry and accomplishment are known and experienced through a work's “structure and style.” Rowling's signature structures are evident in Troubled Blood (see above) and her characteristic hermetic artistry, literary alchemy, is as well. Strike5 is the series nigredo and Strike and Robin experience great losses and their reduction to their respective and shared prima materia in the dissolving rain and flood waters of the story.* Strike's Transformation* Robin Ellacott and the Reverse Alchemy of the First Three Strike Novels* Lethal White as the Alchemical Pivot of the Strike Series* The Wet Nigredo: Troubled Blood's Black Names, Holiday Three Step, and Losses3. Psychology/MythologyRowling told Val McDermid that if she had not succeeded as a writer than she would have studied to become a psychologist:V: If it hadn't worked out the way it has. If you'd sat there and written the book in the café and nobody ever published it, what would you have done with your life, what would you have liked to have been?JK: There are two answers. If I could have done anything, I would have been really interested in doing, I would have been a psychologist. Because that's the only thing that's ever really pulled me in any way from all this. But at the time I was teaching, and I was very broke, and I had a daughter and I think I would have kept teaching until we were stable enough that we were stable enough that I could change.Because of her lifelong study and pre-occupation with mythology, it is fitting that in Strike5 readers are confronted with a host of references to psychologist Carl Jung and to a specific Greek myth which Jungian psychologists consider essential in understanding feminine psychology. All of which leads in the end to the Strike series' equivalent of the Hogwarts Saga's soul triptych exteriorization in Harry, Hermione and Ron as Body, Mind, and Spirit, with Robin and Strike as Handless Maiden and Fisher King, the mythological images of anima and animus neglected and working towards integration.* Carl Jung and Troubled Blood* A Mythological Key to Cormoran Strike? The Myth of Eros, Psyche, and Venus* The Anima and Animus: The Psychological Heart and Exteriorization of the Cormoran Strike Novels4. Valentine's DayThe story turn of Troubled Blood takes place on Valentine's Day and the actions, events, and repercussions of this holiday of Cupid and Heart-shaped candies, not to mention chocolates, shape the Robin and Strike relationship drama irrevocably. Chocolates play an outsized portion of that work symbolically, believe it or not; the word ‘chocolate' occurs 34 times in the first four Strike novels combined but 82 times in Troubled Blood. I explore the importance of this confection in two posts before beginning to explain the importance and appropriateness of Valentine's Day being the heart of the story, one that is in large part a re-telling of the Cupid and Psyche myth.* Troubled Blood: Interpreting the Poetry of Cormoran's Five Gifts To Robin* Troubled Blood: Poisoned Chocolates* Troubled Blood: The Secret of Rowntree* A Mythological Key to Cormoran Strike? The Myth of Eros, Psyche, and Venus5. Edmund Spenser's Faerie QueenTroubled Blood features several embedded texts, the most important of which is never mentioned in the book: Edmund Spenser's Faerie Queen. Serious Strikers enjoyed the luxury of not one but two scholars of Edmund Spenser who checked in on the relevance and meaning of Rowling's choice of the greatest English epic poem for her epigraphs, not to mention the host of correspondences between Strike 5 and Queen. Elizabeth Baird-Hardy did a part by part exegesis of the Troubled Blood-Faerie Queen conjunctions and Beatrice Groves shared her first thoughts on the connections as well. Just as Lethal White's meaning and artistry is relatively unappreciated without a close reading of Ibsen's Rosmersholm, so with Strike 5 and Faerie Queen.Elizabeth Baird-Hardy* Day One, Part One: The Spenserian Epigraphs of the Pre-Released Troubled Blood Chapters* Day Two, Part Two: The Spenserian Epigraphs of Troubled Blood Chapters Eight to Fourteen* Day Three, Part Three: The Spenserian Epigraphs of Troubled Blood Chapters Fifteen to Thirty* Day Four, Part Four: The Spenserian Epigraphs of Troubled Blood Chapters Thirty One to Forty Eight* Day Five, Part Five: The Spenserian Epigraphs of Troubled Blood Chapters Forty Nine to Fifty Nine* Part Six: The Spenserian Epigraphs of Troubled Blood Chapters Sixty to Seventy One* Spenser and Strike Part Seven: Changes for the BetterBeatrice Groves* Trouble in Faerie Land (Part 1): Spenserian Clues in Troubled Blood Epigraphs* Trouble in Faerie Land (Part 2): Shipping Robin and Strike in the Epigraphs of Troubled Blood* Trouble in Faerie Land (Part 3): Searching for Duessa in Troubled BloodJohn Granger:* How Spenser Uses Cupid in Faerie Queen and Its Relevance for Understanding Troubled Blood* Reading Troubled Blood as a Medieval Morality Play6. The GhostsRowling's core belief is in the immortality of the soul and her favorite writer of the 20th Century is Vladimir Nabokov, whose work is subtly permeated by the otherworldly. No surprise, then, that Troubled Blood is haunted by a host of ghosts, most importantly the shade of Margot Bamborough but to include the women murdered by Dennis Creed and Nicolo Ricci. Their influence is so obvious and so important that it has spurred discussion of the spectres that haunt the first four Strike novels whose presence had not been discussed prior to the revelations of Strike 5.* Troubled Blood: The Dead Among Us* The Ghosts Haunting Troubled Blood* The Ghosts Haunting Cuckoo's Calling, Silkworm, Career of Evil, and Lethal White7. The NamesThe Cryptonyms or Cratylic Names of Troubled Blood are as rich and meaningful, even funny, as those found in Lethal White. From Paul Satchwell's “little package” to Roy Phipps as the Spanish King Phillip, from the nigredo black elements of Bill Talbot and Saul Morris to the Spenserian echoes of Oonaugh Kennedy and Janice Beattie, and the Rokeby-Oakden coincidences, Strike5 is full of name play. Did I mention that the detectives solve the mystery largely through their exploration of names? Douthwaite and Oakden only pop-up after Strike has revelations consequent to serious reflection on their names and pseudonyms. Rowling-Galbraith really wants her real-world readers to be reflecting on the Dickensian names of all her characters.* The Cratylic Names of Troubled Blood: A Top Twenty Round Up8. The Flints and GaffesRowling commented in one of her interview tableaus for Troubled Blood that she had worked extra hard to get the dates right in this most complicated of novels and that her proof reader and continuity editor found a big mistake. Serious Strikers, though, were left crying “Alas!” and laughing aloud at the number of bone-headed gaffes in The Presence's longest work to date. It remains her best as well as her longest book to date, but, really, get the woman the help she needs to comb the book for errors pre-publication. Can you say, “Isla”?* Troubled Blood: Flints, Errors, and Head Scratchers* Troubled Blood Gaffes: A Second Look at Ages and Dates9. The AstrologyThe principal embedded text in Troubled Blood, the one Robin and Cormoran read repeatedly, create keys for, and discuss throughout the book, is Bill Talbot's ‘True Book.' It features an astrological chart for the exact time and place of Margot Bamborough's disappearance in 1974, which map Talbot used to try and solve the case. Strike is profoundly disgusted by this approach but spends, as does Robin, much of his time trying to figure out the chart or at least what Talbot made of it. Troubled Blood, consequently, turns into something of an exploration of astrology and its relevance to understanding ourselves and the world. Unpacking what Rowling means by it, not to mention what the natal charts of Robin and Cormoran tell us about these charactes, their relationship, and Rowling-Galbraith's intentionally hermetic artistry, is a large part of the exegetical work to be done on Troubled Blood.* Nick Jeffery: Troubled Blood — The Acknowledgements* Part Three, Note Five* Troubled Blood: Strike's Natal Chart* Astrological Clock Structure of Troubled Blood* Astrological Allegorical: The Sun Signs of Characters in Troubled Blood* A Second Look at Talbot's Chart: What Does it Reveal to the Unbiased Eye?10. The Tarot Card SpreadsWe know that Rowling has significant skills when it comes to astrology. What is less well appreciated is that almost from childhood she has played with tarot card reading which knowledge has informed her work. This is comic in Trelawney, say, but comes to the fore in Troubled Blood‘s card spreads: the Celtic Cross in Talbot's ‘True Book,' his embedded three card spreads in the illustrations of that tome, and Robin's two readings, one in Laemington Spa and the other in her flat at story's end.* Part Three, Note Six* Part Four, Note Five* Part Five, Note Five* Part Six, Notes Five, Six, Eight* Bill Talbot's Tarot: The Embedded Occult Heart of Troubled Blood* Robin Ellacott's Tarot: The Missed Meanings of Her Twin Three Card Spreads in Troubled Blood11. Who Killed Leda Strike?To Rowling-Galbraith's credit, credible arguments in dedicated posts have been made that every person in the list below was the one who murdered Leda Strike. Who do you think did it?* Jonny Rokeby and the Harringay Crime Syndicate (Heroin Dark Lord 2.0),* Ted Nancarrow (Uncle Ted Did It),* Dave Polworth,* Leda Strike (!),* Lucy Fantoni (Lucy and Joan Did It and here),* Sir Randolph Whittaker,* Nick Herbert,* Peter Gillespie, and* Charlotte Campbell-Ross12. Embedded TextsAll of Rowling's novels feature books and texts, written work as well as metanarratives, with which her characters struggle to figure out in reflective parallel to what her readers are trying to do with the novel in hand. Troubled Blood is exceptionally laden with these embedded texts. Beyond Talbot's True Book and Spenser's Faerie Queen noted above, we are treated to selections from The Demon of Paradise Park, Whatever Happened to Margot Bamborough?, Astrology 14, and The Magus.13. The Murderers: Creed and BeattieA demon-possessed psychopath and the brain-damaged lonely woman… Each is described as “a genius of misdirection” and being without remorse or empathy. The actual murderers in Troubled Blood are distinct, certainly, but paired as well, as one of the many mirrored pairs in this story.14. FeminismTroubled Blood, Rowling has said, is a commentary of sorts on changes in the history of feminism. It is an unvarnished, even brutal exploration of the heroic age of the feminist movement, its front and back, largely through the personalities, circumstances, choices, and experiences of two pairs of women, Margot Bamborough and her plucky Irish side-kick Oonaugh Kennedy and the paired through time couple of Irene Bull-Hickson and Janice Beattie.15. Rokeby 3.0Jonny Rokeby makes his first appearance, albeit only by phone call, in Troubled Blood and yet it has reset thinking about Strike and his biological father considerably. Kurt Schreyer thinks the head Deadbeat is more Snape than Voldemort — and, if this is the case, we need to re-read the series to see how much Strike's emotional injuries from childhood neglect have misshaped his understanding of his dad so he lives in upside-down land.* Guest Post: Rokeby Redux – Is Strike's Father More Snape than Lord Voldemort? Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
Den greske kongerekken ruller videre, og herfra blir det alt annet enn stabilt. Konstantin I er en av flere greske konger som blir sendt i eksil, for så å vende tilbake igjen til tronen senere. Av alle absurditeter rundt denne kongen etterfølges han til og med av sin andre sønn, selv om den førstefødte er i livet! Hvorfor det, mon tro? Lytt til episoden og løs mysteriet! Vi lyttes!
Today's Lake and Shed framed conversation is about the fourth Cormoran Strike novel, Lethal White. Nick discusses the embedded class struggle in the book and its roots in Rowling's background before dropping the bomb of the real world identity of Jack O'Kent and his unhappy family. John is so taken aback by this revelation that Nick has to prompt the Shed portion of the conversation with a fun history of the Sonia Friedman production of Ibsen's Rosmersholm on London's West End, a show starring Thom Burke as Rosmer and which ended just before Bronte Studios beginning the filming of Lethal White. John explains why Rowling might have had something to do with the teevee C. B. Strike gaining a memorized knowledge of this play before filming the fourth book's adaptation.New to the Lake and Shed Kanreki Birthday series? Here's what we're doing:On 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, will be celebrating her 60th birthday. This celebration is considered a ‘second birth' in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR's Kanreki, Dr John Granger and Nick Jeffery, both Nipponophiles, are reading through Rowling's twenty-one published works and reviewing them in light of the author's writing process, her ‘Lake and Shed' metaphor. The ‘Lake' is the biographical source of her inspiration; the ‘Shed' is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age. You can hear Nick and John discuss this process and their birthday project at the first entry in this series of posts: Happy Birthday, JKR! A Lake and Shed Celebration of her Life and Work.Tomorrow? Another work with Rowling's name on the cover that is the not the work she wrote! Nick and John take a Lake and Shed long look at the second screenplay for the Fantastic Beasts and Where to Find Them film series. On the Lake side of things, Nick explores the Johnny Depp casting scandal and the lead-up in 2018 to the 2019 Tweet Heard Round the World. John explains that the cut scenes from this dog's mess of a movie point that the shooting script, i.e., what Rowling wrote and approved before David Yates butchered the film in the editing room, was all about Leta Lestrange. More important, John makes the Shed point that every Rowling book features a text of some kind that the characters struggle to understand — and that Crimes of Grindelwald has ten of these, a veritable library of interior texts to interpret.Links to posts mentioned in today's Lake and Shed conversation for further reading:* Henrik Ibsen's ‘Rosmersholm'* Every ‘Rosmersholm' White Horse Reference (Odd Sverre Hove)* London Production of Rosmersholm: Starring Tom Burke (Cormoran Strike)* London Production of Rosmersholm (2): Starring Tom Burke (Cormoran Strike)* The ‘Reading, Writing, Rowling' podcast on Lethal White (Kathryn McDaniel, Louise Freeman, Beatrice Groves, John Granger)* The Top Ten Things We've Learned About Lethal White Since Publication Day* The Three Things about J. K. Rowling's Cormoran Strike Novels Every Harry Potter Fan Should Know* Lethal White: The Ring Structure* Lethal White: The Cratylic Names* Lethal White: Autobiographical Elements* Lethal White: Flints and Head ScratchersLethal White as Turning Point of Seven Part Ring Cycle* Does Lethal White Foreshadow Running Grave? You Betcha* The Missing Page Mystery* The Missing Page Mystery, Part 2* Does Lethal White Echo Goblet of Fire?* Lethal White: Every Goblet of Fire Link?* Lethal White: Cuckoo's Calling Retold?* The Cuckoo's Calling Echoes (25+)* Seven More Cuckoo's Calling Links* Lethal White: The Big Change at the Turn (End of the Strike Agency in Strike5?)Literary Alchemy and the Mythic Context* M. Evan Willis: The Mythic Context and Hermetic Meaning of Cormoran Strike* Guest Post: Mythological Leda Strike – Cormoran, Zeus, Castor and Pollux (Joanne Gray; prepublication)* Guest Post: Rowling's Mercurial Hermetic Artistry from Snape to Strike (M. Evan Willis; prepublication)* The Swan Symbolism* More Strike Swans: Historical and Film Connections (Elizabeth Baird-Hardy)* Harry Potter and The Hanged Man: Part 1 Rowling's Most Loaded Tarot Reference* Harry Potter and The Hanged Man: Part 2 The Historical and Occult Interpretations* Harry Potter and The Hanged Man: Part 3 Its Meaning in Rowling's Written WorkOn ‘White Horses'* The White Horse Gallows: Karmic Legacy of Empire in the UK?* Charlotte Campbell: The Broodmare of Lethal White (Louise Freeman)* Every ‘Rosmersholm' White Horse Reference (Odd Sverre Hove)* Taylor Swift's ‘White Horses' (Louise Freeman)* Lethal White: The White Horse Evidence (pre-publication list of pointers)* Lethal White Horses (Pre-publication; Beatrice Groves, MuggleNet)Series Mystery Possibilities* Lethal White: Is Strike Rokeby's Son? The Dates Don't Seem To Match Up* Bookending the Past: Cormoran Strike's Real Father? (Joanne Gray)* Lethal White: The Daddy Chiswell Evidence (Joanne Gray)Literary Allusions and Influences* Henrik Ibsen's ‘Rosmersholm'* Every ‘Rosmersholm' White Horse Reference (Odd Sverre Hove)* London Production of Rosmersholm: Starring Tom Burke (Cormoran Strike)* London Production of Rosmersholm (2): Starring Tom Burke (Cormoran Strike)* Agatha Christie's The Moving Finger* Allingham: The Fashion in Shrouds* Rowling's Favorite Poem Found in Oz : Whitman's “Of the Terrible Doubt of Appearances”* Dorothy Sayers' Murder Must Advertise, Ian Rankin, P. D. James (ChrisC, pre-publication)* Cormoran and Robin: Echoes of Homer's Odysseus and Penelope? (Joanne Gray)* Cormoran and Robin: Echoes of Homer's Odysseus and Penelope (2) Joanne Gray* Ben Jonson's ‘Every Man In His Humor' A Meaningful Model for Strike Stories? (prepublication)* Ian Rankin and Cormoran Strike (prepublication)* The Three Fates Meet The Weird Sisters: Cormoran Strike, Harry Potter, and the Question of Fate, Free Will, and Choice (prepublication)The National Health Service Sub Plot* Lethal White: Ghosts of Aneurin Bevan? Lorelei Bevan, Dodgy Doc, and the NHS* Lethal White and the NHS: Rowling SpeaksMiscellaneous:* Marketing Efforts and Sales* Most Common Pub Names* The Personal Assistant Drama* Possibility Two: Court Ordered Silence* The Robert Glenister Audiobook* Lethal White Wins CrimeFest Award* On ‘Doom Bar Ale'* BBC1 Adaptation a ‘Go'* A Review of the Legacy and Online Media Book ReviewsRowling Interviews, Twitter* Pre-Publication: The Lethal White Music Playlist (Louise Freeman)* The Graham Norton Interview* On ‘Galbraith Meets Graham Norton' (Beatrice Groves)* Rowling as Labour's Tweeting Prophet* New Political Maturity from Rowling?Prepublication Predictions and Speculation* A Lethal White ‘White Horse' Round-Up: An Explanation of ‘Heroin Dark Lord 1.0'In a nutshell, the theory is that Jonny Rokeby was responsible for Leda Strike's death, a ‘hit' that he arranged to insure that she would never reveal what she knew about crimes he committed as a Deadbeat, crimes to include murder, in conjunction with heroin and the drug trade. The ‘White Horse' that Rowling has been teasing readers with this past year may involve an actual stallion but the larger meaning of the clues is heroin, for which ‘white horse' is a street euphemism.* Lethal White and Strike Speculation 101: The Trouble with JKR/Galbraith Dates (Heroin Dark Lord 2.0: The IED Explosion)* Super Lethal White Speculation Podcast! Reading, Writing Rowling, Episode 14: Cormoran Strike – and Harry Potter?The thirteen HogwartsProfessor birthday videos posted thus far in this series can be read at the links below:* A Lake and Shed Reading of Harry Potter and the Philosopher's Stone* A Lake and Shed Reading of Harry Potter and the Chamber of Secrets* A Lake and Shed Reading of Harry Potter and the Prisoner of Azkaban* A Lake and Shed Reading of Harry Potter and the Goblet of Fire* A Lake and Shed Reading of Harry Potter and the Order of the Phoenix* A Lake and Shed Reading of Harry Potter and the Half-Blood Prince* A Lake and Shed Reading of Harry Potter and the Deathly Hallows* A Lake and Shed Reading of Casual Vacancy* A Lake and Shed Reading of Cuckoo's Calling* A Lake and Shed Reading of The Silkworm* A Lake and Shed Reading of Career of Evil* A Lake and Shed Reading of Harry Potter and the Cursed Child* A Lake and Shed Reading of Fantastic Beasts and Where to Find Them (Screenplay) Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
Today's Lake and Shed framed conversation is about J. K. Rowling's first “original screenplay,” Fantastic Beasts and Where to Find Them. Nick does his signature deep dive into the history of the Fantastic Beasts film franchise's origins in Warner Brothers' determination to keep the Wizarding World profit-pillar in their portfolio alive after the last Harry Potter adaptation — and Rowling's equal determination that they not use their copyright privilege to muck up her legacy with an Indiana Jones meets Crocodile Dundee knock-off. John takes the Shed pole in the conversation and shares his months long pursuit of the shooting text screenplay, the actual last screenplay over which Rowling had control. He lays out the (1) twelve scenes that were cut from that shooting script by Steven Kloves, David Heyman, and David Yates as they “fit the woman to the dress” of Hollywood blockbuster formula, and (2) how it made a mess of the movie's chiastic integrity. Hat tip to Kelly Loomis!New to the Lake and Shed Kanreki Birthday series? Here's what we're doing:On 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, will be celebrating her 60th birthday. This celebration is considered a ‘second birth' in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR's Kanreki, Dr John Granger and Nick Jeffery, both Nipponophiles, are reading through Rowling's twenty-one published works and reviewing them in light of the author's writing process, her ‘Lake and Shed' metaphor. The ‘Lake' is the biographical source of her inspiration; the ‘Shed' is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age. You can hear Nick and John discuss this process and their birthday project at the first entry in this series of posts: Happy Birthday, JKR! A Lake and Shed Celebration of her Life and Work.Tomorrow? It's back to a book we know was written by Joanne Murray, aka Robert Galbraith, Lethal White, the fourth Cormoran Strike novel. Nick promises to lay out the tensions between classes and castes in this book and how the story told reflects those tensions in Rowling's own life. John is set to discuss how Ibsen's Rosmersholm, the source of this book's epigraphs, is also a story template for this turning point of the first seven books. Stay tuned! Links to posts mentioned in today's Lake and Shed conversation for further reading:Unlocking Fantastic Beasts: Finding the Text* Preface: ‘The Original Screenplay' – Not the Shooting Script or Even a Faithful Movie Transcript (What the Movie Makers Changed or Left Out)* Preface 2: Comparing the Original Screenplay with the Actual Film: What the Film Makers Left Out, Changed, or Deleted (with Kelly Loomis)* Part 1: J. K. Rowling, Screenwriter — Who is Working for Whom?* Part 2: The Film Makers and Decision Makers?* Part 3: The Six Scenes You Missed in Fantastic Beasts and the Seventh: GrindelGraves' Vision* Part 4: Fantastic Beasts Revelations from the Far Side Sources (Can You Say ‘Lego Movie'?) * Part 5: So What? The Found Text and Its Meaning* 5.1 The Story of the Text We're Looking For* 5.2 Theseus the Hero and Newt Scamander* 5.3 Jacob Kowalski: Is He Bigger than Newt?* 5.4 The Grindelwald-Credence Relationship* 5.5 Lumos and the Barebone OrphanageInterpretation and Speculation: Ring Structure, Christian Content, Elder Wand, Etc.* On the Story Structure of Fantastic Beasts: Is It a Ring?* On the Deep Back Story Revealed in Fantastic Beasts* On the Christian Content in Fantastic Beasts — and the New Controversy* Rune Magic in ‘Fantastic Beasts'? I wish* Why the Film Franchise Cannot Win a Major League ‘Oscar'* Nicolas Flamel to Appear in the Sequel? Don't You Believe It!* Who is the Death Stick's Master? The Elder Wand and Fantastic BeastsPodcasts:* Fantastic Beasts Ring Composition: A ‘Reading, Writing, Rowling' Podcast (with Katy McDaniel and Brett Kendall)* On Rowling's Missteps and Misappropriatrions in ‘History of Magic in North America‘ (with Dr. Amy H. Sturgis and Allison Mills, MuggleNet Academia podcast)* The HogwartsProfessors Talk ‘Fantastic Beasts' (with Louise Freeman, Emily Strand, and Elizabeth Baird-Hardy; MuggleNet Academia podcast)* Eugenics in American History and Fantastic Beasts (with Professor Chris Gavaler of Washington and Lee University; MuggleNet Academia podcast)Elizabeth Baird-Hardy's Fantastic Beasts Posts* Throwback Thursday with Narnia, Newt Scamander, and Fantastic Beasts: Part I* Throwback Thursday with Narnia, Newt Scamander, and Fantastic Beasts: Part II* Pack Your Bags! Newt Scamander's Fantastic Beast-y Suitcase, Hermione's Handbag, and their Literary Relatives* Five Spoiler-Free Reasons Potterphiles will Love Fantastic Beasts* Thanksgiving Thoughts on Terrific Treats from Fantastic Beasts!* Fantastic Beast Flashbacks: The Five Things We Want to Know about What Happened BEFORE Newt's NY Adventure* Fairies and Wizards? A Midsummer Night's Dream and What We Might Expect from Crimes of GrindelwaldGuest Posts:* Wayne Stauffer: Names in Fantastic Beasts* Beatrice Groves: On ‘Nagini Maledictus' – Literary Allusion in Fantastic BeastsThe twelve HogwartsProfessor birthday videos posted thus far in this series can be read at the links below:* A Lake and Shed Reading of Harry Potter and the Philosopher's Stone* A Lake and Shed Reading of Harry Potter and the Chamber of Secrets* A Lake and Shed Reading of Harry Potter and the Prisoner of Azkaban* A Lake and Shed Reading of Harry Potter and the Goblet of Fire* A Lake and Shed Reading of Harry Potter and the Order of the Phoenix* A Lake and Shed Reading of Harry Potter and the Half-Blood Prince* A Lake and Shed Reading of Harry Potter and the Deathly Hallows* A Lake and Shed Reading of Casual Vacancy* A Lake and Shed Reading of Cuckoo's Calling* A Lake and Shed Reading of The Silkworm* A Lake and Shed Reading of Career of Evil* A Lake and Shed Reading of Harry Potter and the Cursed Child Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
Sommeren står virkelig for dør, og da er det duket for en gresk ekstravagansa i Undersåttene. Gjennom seks episoder har Ole-Jørgen fått med seg politisk redaktør i Minerva, forfatter, og ikke minst, greker, Alexander Zlatanos Ibsen til å samtale om de greske kongene siden 1863. Først ut er kong Georg I, som fikk vite at han var konge via innpakningen på et smørbrød, nøt stor popularitet, men endte opp skutt på en gåtur i 1913. Hvordan kunne det skje? Vi lyttes!
The people of Tacoma are electing a new mayor this year! Six candidates have filed to run for office... and every one of them sat down for an interview on the Citizen Tacoma podcast! For this episode, we are joined by Anders Ibsen. On the podcast, we talk about the big issues that voters are thinking about this year and some of the big decisions facing the council next year. Check it out! Links Anders Ibsen Support Channel 253 with a membership A note from the host Hello! I'm Erik Hanberg! I've hosted the Citizen Tacoma podcast for the last four years. Before this, I served in elected office as a parks commissioner for 12 years and I was the executive director of City Club of Tacoma, where I also helped put on civic events and moderated debates. I deeply enjoy this work. I think of these candidate interviews as a public service to the community. I don't get paid for this. I'm curious about these candidates as much as you are. Forums and debates are great. But this kind of conversation gives you a different sense of the candidates. I think it's so interesting to hear candidates speak without a timer. Ok, quick overview of my rules: I emailed an invitation to every candidate. I asked every candidate the same set questions, though sometimes I asked some clarification questions depending on their answers. No one got the questions in advance and since I'm airing them all at once, no one was able to listen ahead. I did ask each candidate to suggest a question, which was gives it an interesting spin. If you enjoy this interview, please check out the interviews with the other candidates at citizentacoma.com or in your podcast app. And don't forget to vote! Ballots are mailed in mid-July and the primary is August 5.
Episode 173:For this guest episode it is a very welcome return for Eleanor Conlon, who you will remember discussed Titus Andronicus with me in Episode 22 of this season. Having picked over the brutal actions of that play with Eleanor I was pleased to hear that she was interested in a return visit and to discuss the very different piece that is Love's Labour's Lost. As you will her Eleanor has a great love of this play and brings all the enthusiasm about it to our conversation that you as might expect. If you have not already done so I would recommend listening to my previous episode on Love's Labour's Lost before starting on this one, which adds a lot to what I said in that episode.Eleanor Conlon is an actor, director, and award-winning writer based in Sussex.After completing her BA in English Literature at Goldsmiths, University of London, Eleanor earned her MA in Shakespeare and Early Modern Drama at Kings College and Shakespeare's Globe. While at The Globe, Eleanor worked dramaturgically on productions by Dominic Dromgoole, Matthew Dunster, and Jeremy Herrin, and with Jenny Tiramani on the Original Practices Costume Archive.As an academic, her research focused on Renaissance Magic, Gender and Culture in Early Modern London, though for more than a decade her career has been less theoretical and more practical. After achieving success with her theatre company ‘The Barefoot Players' in the late 2000s and early 2010s, with which she produced plays including ‘Tis Pity She's a Whore', ‘Doctor Faustus' and ‘The Alchemist', the latter two of which she also directed, as well as productions of several of Shakespeare's works, plays by Ibsen, Oscar Wilde, and others. She founded her current theatre company ‘Rust & Stardust' where working with her puppet-maker partner Katie Sommers Eleanor has written over a dozen plays rooted in English folklore and toured these shows all over the UK.In addition to all this, and as you are about to hear, in 2023 she launched the Three Ravens Podcast with her partner Martin Vaux – also a writer and actor – which explores history, legends, and diverse aspects of folk culture.Link to Three Ravens Podcast website: www.threeravenspodcast.comFor the Three Ravens Folktales Book:Link to Amazon UK: https://www.amazon.co.uk/Three-Ravens-Folk-Tales-half-forgotten/dp/1803999683Link To Amazon US: https://www.amazon.com/Three-Ravens-Folk-Tales-half-forgotten-ebook/dp/B0CW1GB63M/ref=sr_1_1Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.
In this episode, host Darnelle Radford speaks with Ross Beschler about the Wilma Theater's final production of the season, A Summer Day, written by Jan Fosse. They discuss the unique Hothouse ensemble experience, the themes of love, loss, and memory in the play, and the challenges of communication and language in expressing deep emotions. The conversation highlights the importance of ensemble work and the artistic journey of the Hothouse members. In this conversation, Ross Beschler and Darnelle Radford explore the themes of language, memory, identity, and the dynamics of relationships through the lens of the play 'A Summer Day' by Jan Fossa. They discuss how exaggeration in language can shape perceptions, the role of characters in navigating crises, and the importance of introspection versus action in understanding oneself and others. The conversation delves into the complexities of memory and how it influences identity, as well as the societal challenges of understanding and miscommunication. Ultimately, they reflect on the human experience and the significance of connection in the face of life's uncertainties.A SUMMER DAYBY JON FOSSETRANSLATED BY SARAH CAMERON SUNDEDIRECTED BY YURY URNOVJune 10–29, 2025Experience the haunting beauty of Norwegian playwright Jon Fosse's A Summer Day, directed by inventive Co-Artistic Director Yury Urnov (Mr. Burns, Minor Character, 12th Night) in a production that delves into the depths of human connection, memory, and existential longing. Is there one day in your past you keep replaying again and again? When do we start spending more time in the past than in the present? Through Fosse's poetic language and Urnov's innovative direction and immersive visual design, audiences are transported into an epic and intimate world where past and present intertwine, inviting reflection on the fleeting nature of time and the eternal search for meaning. Often referred to as a modern-day Ibsen, Fosse won a Nobel Prize in Literature in 2023 – one of the few playwrights to ever receive that honor – and is rarely produced in the United States.Chapters00:00 Introduction to the Wilma Theater and A Summer Day02:40 The Hothouse Experience and Ensemble Work11:30 Exploring the Play: A Summer Day17:24 Themes of Love, Loss, and Memory20:30 Language and Communication in A Summer Day24:30 The Power of Language and Exaggeration26:41 Character Dynamics and Intrusions29:58 Memory and Identity in Relationships32:00 Understanding and Misunderstanding in Society36:45 Introspection vs. Action39:32 Replaying Moments and Learning from the Past44:53 The Essence of A Summer DayFOR TICKETS AND INFORMATION: https://wilmatheater.org/event/asummerday/
Jaume Segalés y su equipo hablan de Casa de muñecas y de Respira y sana. "Casa de muñecas" en el Teatro Fernán Gómez Clásico del dramaturgo y poeta noruego Henrik Ibsen, puede verse hasta el 22 de junio en la Sala Guirau del Teatro Fernán Gómez, en una versión renovada y adaptada a los tiempos actuales. De martes a sábado a las 20:00 y los domingos a las 19:00 La obra, ambientada en Oslo en 2024, presenta a Nora y a su esposo Osvaldo, un matrimonio aparentemente feliz. Sin embargo, el ascenso profesional del marido y el regreso de una amiga, destapan secretos ocultos que pondrán a prueba su relación. Frente a los juicios sociales y la incomprensión de su entorno, Nora deberá tomar una decisión que marcará un antes y un después en su vida: abandonar su hogar para encontrarse a sí misma. Entrevistamos al dramaturgo encargado de esta adaptación del clásico de Ibsen, Eduardo Galán. "Respira y sana" Dicen que el ser humano es el único animal que ha desaprendido a respirar. Nuestro trepidante estilo de vida ha provocado que hayamos empeorado el mecanismo más importante para nuestro bienestar físico y mental. Todo nuestro cuerpo necesita el oxígeno que respiramos y también deshacerse del dióxido de carbono. Un mecanismo casi perfecto que se presenta como la herramienta más poderosa para cuidarnos y para calmarnos. Este nos enseña a respirar lenta, profunda y conscientemente para mejorar nuestra salud. Entrevistamos a su autora, Sol de la Torre, exnadadora profesional, atleta de crossfit e investigadora de la neuroanatomía de la respiración.
Hva skjer når elever får en dysleksidiagnose – kan det virkelig føre til bedre skoleresultater, økte utdanningsmuligheter og større trivsel? Og hvorfor er tidlig støtte så avgjørende? Hvordan går det for de elevene som akkurat ikke får diagnosen? Altså er like under grensen. Jeg snakker med post doc Kristoffer Ibsen ved Aarhus universitet som sammen med Søren Albeck Nielsen har sett på dette.
El ex lateral de FAS & #LaSelecta conversó con Azul Y Blanco Podcast . Una buena plática sobre sus inicios, su retiro repentino, el fûtbol actual, la situación de FAS y por supuesto la selección. Aprovechamos y lanzamos nueva imagen del Podcast! Esperamos les guste.
Paolo Bolpagni"Hammershøi e i pittori del silenzio tra il nord Europa e l'Italia"Palazzo Roverella, Rovigowww.palazzoroverella.comFino al 29 giugno 2025 a Rovigo a Palazzo Roverella si terrà, promossa dalla Fondazione Cassa di Risparmio di Padova e Rovigo, e curata da Paolo Bolpagni, la prima mostra italiana dedicata a Vilhelm Hammershøi (Copenaghen, 1864-1916), che fu il più grande pittore danese della propria epoca, uno dei geni dell'arte europea tra fine Ottocento e inizio Novecento.Da pochi anni è in atto la sua riscoperta, e da personaggio quasi dimenticato Hammershøi è diventato uno dei più richiesti al mondo: nel mercato le quotazioni hanno raggiunto livelli strabilianti, con aumenti esponenziali osservabili addirittura di mese in mese; e i musei di tutto il globo si stanno contendendo le sue opere per organizzare retrospettive. Nel 2025 quella di Palazzo Roverella sarà non soltanto la prima mostra italiana dedicata al pittore danese, ma l'unica a livello internazionale. Ciò rende davvero eccezionale l'impresa rodigina, che si pone anche l'obiettivo di porre a confronto i capolavori di Hammershøi con opere di importanti artisti a lui contemporanei, con un occhio di riguardo – in tali accostamenti – all'Italia, ai Paesi scandinavi, alla Francia e al Belgio. In effetti ci sono elementi che accomunano gli appartenenti a questa poetica del silenzio, della solitudine, delle vedute cittadine deserte, dei “paesaggi dell'anima”. Però i visitatori scopriranno che in Hammershøi c'è qualcosa di più, di sottilmente inquietante, di angoscioso e forse addirittura di torbido: le sue donne sono ritratte quasi sempre di spalle; gli ambienti domestici, in apparenza ordinati e tranquilli, lasciano in realtà presagire o sospettare drammi segreti, o l'attesa di tragedie incombenti, con un senso claustrofobico.La biografia stessa dell'artista, che viaggiò di frequente (in special modo in Italia, in Inghilterra e nei Paesi Bassi), ma in verità fu un uomo solitario, induce a riflettere su alcuni aspetti enigmatici: pur sposatosi, Hammershøi mantenne un rapporto strettissimo, quasi simbiotico, con la madre, tornando spesso a dormire da lei; la moglie e modella prediletta, Ida Ilsted, fu colpita da una grave malattia mentale; la sua pittura, che ispirerà il grande regista cinematografico Carl Theodor Dreyer, fu definita “nevrastenica”. Ce n'è abbastanza per attendere come un autentico e irripetibile evento la mostra di Palazzo Roverella."Hammershøi e i pittori del silenzio tra il nord Europa e l'Italia"Dario Cimorelli Editorewww.dariocimorellieditore.itIl volume accompagna la prima mostra italiana dedicata a Vilhelm Hammershøi (Copenaghen, 1864-1916), il più grande pittore danese della propria epoca. Protagonista dell'arte europea tra fine Ottocento e inizio Novecento, la sua opera viene messa a confronto con le creazioni degli artisti a lui contemporanei, tra il Nord Europa e l'Italia.Più di 100 opere presentano una pittura raramente indagata quanto misteriosa ed affascinante. Una pittura che racconta il silenzio e l'introspezione, dove gli ambienti domestici così come le vedute cittadine descrivono i paesaggi dell'anima.Ma in Hammershøi c'è qualcosa di più, le sue donne, ritratte quasi sempre di spalle, in ambienti ordinati e tranquilli, lasciano presagire tanto la serenità quanto drammi segreti o piuttosto l'attesa di nuovi accadimenti.Il catalogo è arricchito dai testi critici di Paolo Bolpagni, curatore del volume, Annette Rosenvold Hvidt, Claudia Cieri Via, Luca Esposito e Francesco Parisi.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.
Taskmaster star, comic and sitcom actor Alex Horne joins Clive Anderson to talk about season two of his sitcom, to introduce his comedic band The Horne Section and tell us why he's never running out of taskmaster tasks. The lexicographer and broadcaster Susie Dent is now a mystery thriller writer too, she'll be with us to talk about twisty word clues and her all-encompassing love of the English language. Star of Its A Sin, Callum Scott-Howells is currently appearing on stage in Ibsen's Ghosts - he'll tell Clive why this 19th century play still has plenty to tell us today. The historian Kate Williams is often found on our TV screens telling us what's going on during coronations and royal weddings. But she's here to talk about her less sober side hustle - a podcast dishing the gossip from royal history. With music from Anoushka Shankar's latest album, the concluding part of a trilogy which has been orchestrated and will be part of this years' BBC Proms programme.Presented by Clive Anderson Produced by Olive Clancy
Where did Lord Byron and Percy Shelley come to sip coffee while they jotted down their verses? Where did Bizet and Berlioz go to discuss their work? Where could Casanova be found trying to pick up girls? Caffè Greco, where else? Having opened in 1760, Antico Caffè Greco is the oldest café in Rome and the second-oldest in all of Italy! And you can still go there and sit where Hawthorne, Ibsen, Gogol, Goethe, Canova, and many many other literary, art, and musical greats rubbed elbows and drank coffee. On this episode, we visit the famous café, grab some espresso ourselves, and discuss what it feels like to drink coffee in the same place so many brilliant thinkers over the generations did the same. Hear this episode transformed into a bedtime story by Sleep With Me podcast's Drew Ackerman (aka Dear Scooter). If you'd like to learn more about Literary Rome, download Tiffany's VoiceMap audio tour Rome for Readers, a self-guided walking tour that takes you past the residences of the most famous foreign writers who visited and lived in Rome. ***Katy's sister Dana has recently been diagnosed with stage 4 agressive brain cancer. To help with the staggering medical costs—her specialist is outside her insurance network—as well of the costs of temporarily relocating to San Francsico for her treatments, please consider donating to her GoFundMe. Anything you can contribute will be extremely helpful. Thank you. ***The Bittersweet Life podcast has been on the air for an impressive 10+ years! In order to help newer listeners discover some of our earlier episodes, every Friday we are now airing an episode from our vast archives! Enjoy!*** ------------------------------------- COME TO ROME WITH US: For the third year in a row, we are hosting an intimate group of listeners for a magical and unforgettable week in Rome, this October 2025! Discover the city with us as your guides, seeing a side to Rome tourists almost never see. Find out more here. ADVERTISE WITH US: Reach expats, future expats, and travelers all over the world. Send us an email to get the conversation started. BECOME A PATRON: Pledge your monthly support of The Bittersweet Life and receive awesome prizes in return for your generosity! Visit our Patreon site to find out more. TIP YOUR PODCASTER: Say thanks with a one-time donation to the podcast hosts you know and love. Click here to send financial support via PayPal. (You can also find a Donate button on the desktop version of our website.) The show needs your support to continue. START PODCASTING: If you are planning to start your own podcast, consider Libsyn for your hosting service! Use this affliliate link to get two months free, or use our promo code SWEET when you sign up. SUBSCRIBE: Subscribe to the podcast to make sure you never miss an episode. Click here to find us on a variety of podcast apps. WRITE A REVIEW: Leave us a rating and a written review on iTunes so more listeners can find us. JOIN THE CONVERSATION: If you have a question or a topic you want us to address, send us an email here. You can also connect to us through Twitter, Facebook, and Instagram. Tag #thebittersweetlife with your expat story for a chance to be featured! NEW TO THE SHOW? Don't be afraid to start with Episode 1: OUTSET BOOK: Want to read Tiffany's book, Midnight in the Piazza? Learn more here or order on Amazon. TOUR ROME: If you're traveling to Rome, don't miss the chance to tour the city with Tiffany as your guide!
Katy is the Publisher of Inside Longmont - That new, glossy Longmont magazine you're seeing EVERYWHERE. She's ebullient, passionate, and committed to paying writers and photographers for their work. The result is a gorgeous magazine that acts as a retreat from doom scrolling and headline weariness. Join us to hear the story of Inside Longmont!
Hedda Gabler is the self-absorbed, only daughter of a military officer who has an overblown grandiose sense of her own importance, and a lack of empathy for others. She feels trapped in a world of bourgeois values full of expectations she cannot control. It is her perception that the men around her seem to enjoy much more freedom to pursue their own public and private interests with less scrutiny and fewer consequences.Ibsen's well-crafted story reveals the inadvertent dangers of social pressure and a lifetime of pain that comes to a logical conclusion through events taking place over roughly 48 hours.
In today's episode, Anthony chats with actor Ella Beatty. Ella made her Broadway Debut in the Tony Award winning play APPROPRIATE starring Sarah Paulson and is currently previewing Ibsen's Ghosts opening March 10th at Mitzi Newhouse Lincoln Center Theatre. Daughter of Warren Beatty and Annette Bening, the pair chat about the rehearsal process, the exploration of acting classic plays in modern times and the importance of not replicating other actors, but rather bringing your own heart to your work.
durée : 00:27:17 - Les Midis de Culture - par : Marie Labory - Au programme du débat critique, du théâtre : "Une maison de poupée" d'Henrik Ibsen dans une mise en scène d'Yngvild Aspeli et Paola Rizza et "Orlando", opéra en trois actes de Georg Friedrich Haendel mis en scène par Jeanne Desoubeaux. - réalisation : Laurence Malonda - invités : Zoé Sfez Productrice de La Série musicale sur France Culture; Marie Sorbier Rédactrice en chef de I/O et productrice du "Point Culture" sur France Culture
C'est une fantasmagorie inclassable que publia Ibsen en 1867, et qui devait trouver sa forme définitive et populaire grâce à la musique de Grieg : Peer Gynt. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
Paolo Alliata"L'avventura umana"Quando la letteratura accompagna il nostro camminoMondadori Editorewww.mondadori.itPerché sarebbe necessario un lungo cammino per diventare umani? Vivere appieno è un'opportunità che richiede impegno e consapevolezza, che ci spinge ad aprire gli occhi, su noi stessi e sul mondo. Come il piccolo Martino Testadura, protagonista di un racconto di Rodari, rifiuta di accettare la banalità e affronta «la strada che non porta in nessun posto» trovando ricchezze inaspettate, così anche noi siamo chiamati a sfidare l'ordinario e individuare nuove verità. Prendendo in prestito le parole dei grandi scrittori, don Paolo Alliata ci accompagna in un'esplorazione profonda e illuminante del cammino che ogni essere umano compie dalla nascita alla morte, un'avventura che non si esaurisce nel semplice trascorrere del tempo, ma che vuole conferire significato e direzione alla nostra esistenza. Nonostante i tempi cambino, infatti, la letteratura di ieri e di oggi offre un supporto prezioso nell'affrontare questioni esistenziali come la difesa della libertà e del bene comune, il confronto intergenerazionale, la responsabilità verso gli altri, la verità e l'ineluttabile esperienza della morte. Passando da Remarque a Umberto Eco, da Van Gogh a Tolstoj, Alliata ci guida in un viaggio letterario toccante e inedito ai confini tra terra e cielo. Un'opera che parla di fede, speranza e, quindi, dell'impegnativo e affascinante tragitto che approda alla scoperta di se stessi.Don Paolo Alliata è sacerdote della Diocesi di Milano. Nella sua predicazione e nella sua attività di impegno culturale esplora l'intreccio di sentieri tra letteratura e spiritualità biblica. Propone da otto anni le mensili Passeggiate nella Letteratura. Dal 2019 è responsabile del Servizio per l'Apostolato Biblico per la Diocesi di Milano. Dal 2022 è rettore del liceo Montini di Milano. Ha pubblicato, per Ponte alle Grazie, Dove Dio respira di nascosto (2018), C'era come un fuoco ardente (2019), Gesù predicava ai bradipi (2021), L'amore fa i miracoli (2024); per Ancora, La voce leggera delle pagine (2024).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.
Send us a textToday's Episode:Lær norsk på B2-nivå med biografier: Henrik Johan IbsenThe Learn Norwegian Podcast is brought to you by the Norwegian Language School. Listening to our podcast is an enjoyable way to learn Norwegian at your own pace, whenever and wherever you are!Visit our website www.nlsnorwegian. Support the showRegister for Norwegian classesCheck your Norwegian level for free here
Send your questions or provocations to Adam or Budi here!In this episode, Budi sits down with Richard Schechner to talk about his extradoinary career in theatre.Richard Schechner, one of the founders of Performance Studies, is a performance theorist, theater director, author, editor of TDR and the Enactments book series, University Professor, and Professor of Performance Studies. Schechner combines his work in performance theory with innovative approaches to the broad spectrum of performance including theatre, play, ritual, dance, music, popular entertainments, sports, politics, performance in everyday life, etc. in order to understand performative behavior not just as an object of study, but also as an active artistic-intellectual practice. He founded The Performance Group and East Coast Artists. His theatre productions include Dionysus in 69, Commune, The Tooth of Crime, Mother Courage and Her Children, Seneca's Oedipus, Faust/gastronome, Three Sisters, Hamlet, The Oresteia, YokastaS, Swimming to Spalding, and Imagining O. His books include Public Domain, Environmental Theater, Performance Theory, The Future of Ritual, Between Theater and Anthropology, Performance Studies: An Introduction, and Performed Imaginaries. As of 2018, his books have been translated into 18 languages. His theatre work has been seen in Asia, Africa, Europe, and North America. He has directed performance workshops and lectured on every continent except Antarctica. He has been awarded numerous fellowships including Guggenheim, NEH, ACLS, and fellowships at Dartmouth, Cornell, Yale, Princeton, and the Central School of Speech and Drama, London.Support the showIf you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: https://www.purple-planet.comAdditional compositions by @jack_burmeister
Multi-award-winning American playwright Lucas Hnath's Broadway play A Doll's House, Part 2 picks up after Henrik Ibsen's 1879 play A Doll's House ends.
Astrophysicist Tina Ibsen tells us about the northern lights. She talks about her research and gives tips on how to observe the lights. She tells us how Denmark is a space nation and shares her thoughts about the future of space exploration. We also talk about RumSnak, the space podcast she co-hosts with Anders Høeg Nissen.
Show Notes: Jennifer Gibbs shares her journey as a woman and artist who worked in the entertainment field and later became a mother. She enrolled in a PhD program at NYU in comparative literature, focusing on performance and the embodiment of the female and feminine. She was cast in various off Broadway shows and earned her actors equity card. During her graduate studies, Jennifer received a Mellon Fellowship for teaching. She talks about her decision to focus full time on acting and writing for theater and her recognition of limited support in academia for multidisciplinary approaches to performance. Jennifer worked in the theater for a decade, mainly acting and writing plays. In her mid-30s, she became a mother, experiencing unexpected pregnancy losses and serial grief. This led to a shift in focus to writing, which was fruitful and collaborative. She was the artist in residence at the Here Arts Center, where she developed a play called Sounding, which integrated film, music, lyrics, and scene work. The play premiered three weeks before her son Liam's birth. From Working in Theatre to Working in Television As their family relocated to Los Angeles, Jennifer became interested in writing for television and screen. She learned to write for television at the suggestion of an executive at HBO. She took the leap, not knowing how to write for television, but found it fulfilling. For the last decade, Jennifer has been writing new plays and television worlds. Recently, she started a small independent production company, aiming to empower women creators to produce work that might not be produced in film and television or in the multi-platform arena. Jennifer's most recent project is called Riot Mom, a multi-platform universe story that unfolds on various distribution platforms. The company is driven by her connection to her work and her personal connection to her work. The first project they are producing is called Riot Mom, a multi-platform universe story that unfolds on audio, live, and television platforms. Early Influences from the Art World The conversation turns to Jennifer's father, Tom Gibbs, a Chicago-based artist. Jennifer describes her experience as a child of a sculptor, how she was introduced to and influenced by the artists around her. They often had a band of sculptors at their house, some in assistant positions and colleagues from Chicago. They would have meals together, discuss work, and have opinions on various projects. Despite not wanting to do sculpture, Jennifer loved drawing and painting, and would often work in one of the studios. A Young Actor on Tour Jennifer shares her experience as an actor during her national Broadway tour, describing it as exciting and workmanlike. She learned from the technical staff about the complex process of moving from one place to another, like a circus. Gibbs describes the experience as a crash course in self-producing, directing, and balancing personal and professional boundaries. She also discusses the challenges of maintaining a balance in a collaborative environment, where one must leave their family, home, and friends behind to work on a show. Jennifer believes that maintaining healthy boundaries is a challenge for anyone working in theater, film, or television. She found the experience intensive and valuable, making lasting friendships with people she collaborated with in New York. The Artistic Process and Healing Grief Jennifer shares how she processed the grief of two stillbirths through her work. At the time, she was working on a film based on a stage adaptation of an Ibsen play. She met Andre Gregory, who was casting Vanya on 42nd Street, and they had a two-hour conversation in a cafe. Although she did not get the role, she received support, encouragement, and mentorship from Gregory. He advised her to make her own project which inspired Jennifer and others from the Harvard theater community, including Jeannie Simpson and Peter Hirsch, to create a play called Lady from the Sea. They spent two years working on the play in Jennifers' living room, creating a unique and rarely produced piece. Jennifer talks about her journey to create a multi-disciplinary theatre show based on a film adaptation of an Ibsen play. She discovered a deep connection to grief and loss in the original play, which they had not considered in their previous work. After a decade of working on the project, Jennifer realized that grief is a form of radical transformation that is generative and creative. She learned that denying or overcoming grief can deprive individuals of the opportunity to create and acquiesce to the next stage in their transformation. A First Book and a New Project Jennifer's first book, "Oh Mother," is a literary non-fiction book about serial grief and the value of a certain approach to grief. The book is experiential and personal, and was written during the pandemic. Her journey highlights the importance of embracing grief and embracing change in life. She talks about a world created with Jenny Castro, that explores the intersection of women's creative process. The story revolves around two middle-aged women who were estranged from their riot girl days in the 90s, and they reunite in a suburban context. She talks about the project, the production team, pitching, and another project called Train Hoppers, a multi-platform, single episode of a story that can be experienced online, at live events, or through a live pop-up event. Influential Harvard Professors and Courses Jennifer discusses her experiences with Marjorie Garber's Shakespeare and her seminar on ghostwriters. She was influenced by playwright Adrianne Kennedy, who became a lifelong mentor and friend after graduating from Harvard. Jennifer also discusses her love for 16th-century British poetry and the pressure to conform to Aristotelian standards in the world of television, film, and playwriting. Timestamps: 00:02: Journey Through Comparative Literature and Theatre 03:30: Balancing Academia and Acting 06:03: Transition to Motherhood and Writing O9:20: Exploring Television and Film 12:36: Learning from Her Father's Artistic Journey 20:04: National Broadway Tour Experience 26:01: Processing Grief Through Art 37:58: Current Venture: "Riot Mom" 45:46: Influences from Harvard Links: LinkedIn: https://www.linkedin.com/in/jennifer-gibbs-27b91386/ Featured Non-profit This week's featured non-profit of this episode is American Pilgrims On the Camino, recommended by Kelly Murphy Mason who reports: “Hello all. I am Kelly Murphy Mason, a fellow classmate from the Harvard class of 1992 and a former resident of Dunster house. The featured nonprofit of this episode of The 92 report is the American Pilgrims On the Camino, a national organization with international reach. Before I walked the Camino de Santiago in the fall of 2023 the American pilgrims provided me with the necessary credentialing, education, information and support for making this pilgrimage, as it has done for so many pilgrims over the decades, it has also contributed generations of volunteers and generous funds to maintain the infrastructure of this Spanish network of routes to Santiago de Compostela, a UNESCO World Heritage Site. Since my return from Santiago, I have stayed active in the Boston chapter of American pilgrims, leading book discussions and training walks for pilgrims past, present and future who live in my area. You can learn more about the work of the American pilgrims at home and abroad at American pilgrims.org and now here is my old friend Will Bachman with this week's episode. To learn more about their work visit:https://americanpilgrims.org/
Wenzel, Tobias www.deutschlandfunkkultur.de, Fazit
Episode 136:Having given you my own thoughts on ‘Titus Andronicus' last time I'm pleased to say that for this special guest episode I was able to take the discussion even further with Eleanor Conlon, a fellow podcaster and a theatre professional as you will hear Eleanor has a lot to say about the play and insights that, in some cases, go in different directions from what I was able to say about the play.Eleanor Conlon is an actor, director, and award-winning writer based in Sussex.After completing her BA in English Literature at Goldsmiths, University of London, Eleanor earned her MA in Shakespeare and Early Modern Drama at Kings College and Shakespeare's Globe. While at The Globe, Eleanor worked dramaturgically on productions by Dominic Dromgoole Matthew Dunster and Jeremy Herrin, and with Jenny Tiramani on the Original Practices Costume Archive.After achieving success with her theatre company The Barefoot Players in the late 2000s and early 2010s, with which she produced plays including Tis Pity She's a Whore, Doctor Faustus and The Alchemist, the latter two of which she also directed, as well as productions of several of Shakespeare's works, plays by Ibsen, Oscar Wilde, and others, she founded her current and much acclaimed theatre company Rust & Stardust.Writing over a dozen plays rooted in English folklore, Eleanor has worked with her puppet-maker partner Katie Sommers to tour Rust & Stardust's shows all over the UK, including their plays The Wild Man of Orford, Black Shuck, The Marsh Demons of Iken, and Doctor Dee's Daughter and the Philosopher's with celebrated recorder quartet Palisander. In addition to recent adaptations of Shakespeare's plays including The Tempest and Macbeth with Trinity Theatre in Tunbridge Wells, in 2023 she launched the Three Ravens Podcast with her partner Martin Vaux – also a writer and actor – which explores history, legends, and diverse aspects of folk culture.Featuring original stories each week based on the lore of England's 39 historic counties, Three Ravens quickly rose into the Top 1% of podcasts globally. It currently sits in the Top 50 UK Fiction Podcasts, with 4.9/5 star ratings on iTunes, Apple Podcasts and Spotify and a passionate fanbase across social media.For Three Ravens contact:Website: https://www.threeravenspodcast.comInstagram: https://www.instagram.com/threeravenspodcast/Facebook: https://www.facebook.com/threeravenspodcastX: @threeravenspodFor Rust + Stardust TheatreInstagram: https://www.instagram.com/eleanorstardust/Website: https://www.rustandstardust.co.ukSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.
David talks to Mark Ford and Seamus Perry, hosts of the LRB's Close Readings poetry podcast, about what makes a great political poem. Can great poetry be ideological? How much does context matter? And is it possible to tell political truths in verse? From Yeats's ‘Easter 1916' to Owen's ‘Strange Meeting' to Auden's ‘Spain 1937': a conversation about political conviction and poetic ambiguity.To find out more about Close Readings and how to subscribe, just visit the LRB's website https://www.lrb.co.uk/podcasts-and-videos/podcasts/close-readingsSign up now to PPF+ to get ad-free listening and all our bonus episodes – including bonuses on the Great Political Fictions www.ppfideas.comNext time: Lea Ypi on Ibsen's The Wild Duck Hosted on Acast. See acast.com/privacy for more information.
In Theater As Data: Computational Journeys Into Theater Research (U Michigan Press, 2021), Miguel Escobar Varela explores the use of computational methods and digital data in theater research. He considers the implications of these new approaches, and explains the roles that statistics and visualizations play. Reflecting on recent debates in the humanities, the author suggests that there are two ways of using data, both of which have a place in theater research. Data-driven methods are closer to the pursuit of verifiable results common in the sciences; and data-assisted methods are closer to the interpretive traditions of the humanities. The book surveys four major areas within theater scholarship: texts (not only playscripts but also theater reviews and program booklets); relationships (both the links between fictional characters and the collaborative networks of artists and producers); motion (the movement of performers and objects on stage); and locations (the coordinates of performance events, venues, and touring circuits). Theater as Data examines important contributions to theater studies from similar computational research, including in classical French drama, collaboration networks in Australian theater, contemporary Portuguese choreography, and global productions of Ibsen. This overview is complemented by short descriptions of the author's own work in the computational analysis of theater practices in Singapore and Indonesia. The author ends by considering the future of computational theater research, underlining the importance of open data and digital sustainability practices, and encouraging readers to consider the benefits of learning to code. A web companion offers illustrative data, programming tutorials, and videos. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Send us a Text Message.This week, Lauren and Amanda discuss supposed "gentleman" bank robber, Leslie Ibsen Rogge. They also take some time at the beginning to recap their weekend at the True Crime and Paranormal Podcast Festival in Denver!Sources:The Hustle: “The first fugitive caught by the internet” by Katherine LaidlawCNN: “Internet helps FBI nab a ‘Most Wanted' criminal” by CNN staffFBI: “430. Leslie Isben Rogge” (note the misspelling!)Publisher's Weekly: “Wanted: Gentleman Bank Robber: The True Story of Leslie Ibsen Rogge, One of the FBI's Most Elusive Criminals review”America's Most Wanted show: “Leslie Ibsen Rogge” (Leslie Ibsen Rogge on America's Most Wanted 1990)United States v. RoggeWikipediaSupport us!Drink Moment | Moment Botanical WaterDrink your meditation. Use code MOSTWANTEDAMANDA at checkout!Kind CottonConsciously-sourced, inclusive, impactful, kind clothes. Use code AMOSTWANTEDPOD at checkout!Devon + LangLife changing underwear. Use code MOSTWANTEDAMANDA at checkout!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.
If you're enjoying the Hardcore Literature Show, there are two ways you can show your support and ensure it continues: 1. Please leave a quick review on iTunes. 2. Join in the fun over at the Hardcore Literature Book Club: patreon.com/hardcoreliterature Thank you so much. Happy listening and reading! - Benjamin
In this episode, we take a look at the play Loose Ends by Michael Weller. We do so through the lens of realism and the contribution that Ibsen, Strindberg and Chekov made to the modern theater. It's an unusually long episode, but listening to Milton lecture on and analyze the time period of this play is an example of where script analyses can begin. It's an exploration, a deep-dive conversation where the actor layers in information and just begins to consider it. Also— stay tuned for the end where Milton shares his favorite relationship advice! WANT MORE? Become a subscriber on Spotify for bonus content! https://podcasters.spotify.com/pod/show/actingclass/subscribe Have a question for Milton? Send us a voice note below or email us at: questionsformilton@gmail.com Also, check out our website: www.idontneedanactingclass.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/actingclass/message
© 2020-2025 Ivy Podcast Discovery LLC
