Podcasts about lesser god

Dean Graves returns with the topic of finding your purpose. For over twenty years he has been sharing his meditation and mindfulness knowledge with the world. He is an author and podcaster, a mental health counselor, and a spiritual guide. Dean is passionate about philosophy, psychology, and exploring the human condition to help others find inner peace. He has written books, conducted workshops, and created seminars that have helped people worldwide. Dean's writings are centered around self-empowerment and awareness, with the aim of enabling individuals to realize their true potential and attain a higher level of consciousness. He strongly believes that we are at the cusp of a new era of enlightenment, and he is committed to assisting others in recognizing and harnessing their abilities. Listen & Subscribe on: iTunes / Stitcher / Podbean / Overcast / Spotify Contact Info Website: ddeangraves.org Book: The Identity Model; Understanding and healing mankind's stress and suffering by Dean Graves Podcast: Chatting with the Arcturians Podcast: Simple Enlightenment Most Influential Person The Buddha The Value of Sharing We began in primordial darkness, and part of that process is unconsciousness. The place of sharing is actually down the road. If you look at the 12-step programs used in AA or NA, they have a very specific process for self-healing. The 12 steps can be divided into three groups. The first six steps are becoming aware and overcoming this condition of unconsciousness. The last two groupings in the last six steps are when the sharing and teaching occur. You're becoming a teacher to others based on what you have accomplished in the first six steps. Most Effective Way To Explore Yourself Meditation is the most effective way to explore yourself. In some of the books I've written, I share some processes to expedite the healing process. Remember the old days when you would go to the library and look up the index card? The index card would have a brief summary of the book. You would have to go to the book to get the information that you needed. Our stories are like the index card. In order to get to what you want to learn, you have to go to the emotions. You have to heal the emotional baggage. It is the process of enlightenment. It is the path, not the destination. Doing the work is entirely up to you. Meditation is by far the most productive way to accomplish this.   Suggested Resources Book: The Identity Model; Understanding and healing mankind's stress and suffering by Dean Graves Book: Edifying Children of a Lesser God by Dean Graves Book: The Enigma of Consciousness by Dean Graves (Available to preorder) App: n/a Related Episodes What Is Consciousness; Tom Campbell (Part 1) Living Consciously; Brian Berneman Beyond Fitness to Conscious Evolution With Mariko Hirakawa

This week, listen to one of our favorite classic episodes to reabsorb new insights from Anthony Edwards.  Actor Anthony Edwards joins Katie and Claire to discuss the sexual abuse he experienced starting at the age of 12 by a trusted adult mentor, and how that experience informs his acting, his career, and his personal life. Edwards is a four-time Emmy-nominated actor and winner of the Golden Globe Award in 1998 for his work on the network television series ER. He most recently performed as Mr. Franklin in the Broadway revival of Children of a Lesser God and as Mars Harper in Netflix's Designated Survivor. He has executive produced a number of award-winning television films and documentaries. Edwards is also a chairman and national spokesperson for the organization 1in6, which was founded by and for male survivors of sexual abuse. Hosts: Katie Koestner and Claire Kaplan Guest: Anthony Edwards Editor: Kelsey Styles Visit 1in6 at 1in6.org

Recorded live at the Theakston Old Peculier Crime Writing Festival 2024. Listen along to two of the most popular crime fiction authors in the business in conversation at this year's Theakston Old Peculier Crime Writing Festival. Collectively, Vaseem Khan and Abir Mukherjee are the Red Hot Chilli Writers and present a riotous podcast of the same name. Individually, they craft superb historical and contemporary novels that shouldn't be missed. Vaseem is the creator of two much-loved series, the Inspector Ganesh novels and the Malabar House series, both set in India. The latest, Death of a Lesser God, is a beautifully written and insightful thriller. Abir's latest book, the heart-stopping Hunted, is a blistering departure from his award-winning Wyndam and Banerjee series. In it, two parents race to find their children before the FBI does in the hope of preventing an unimaginable atrocity. Podcast music by Joseph McDade.

What is gnosticism? Who were the Gnostics? Who are the Gnostics? Miguel Conner is a seeker, student, and host, among other things. He's also pretty brilliant. I asked mostly the wrong questions but he provided the right answers regardless. What is a Demiurge? What are Archons (besides creatures from Lovecraft)? What is the mythology of the Gnostics? There isn't just one. There's never just one. What is the matrix really? Compare notes with some of our other recent shows across brands and I think we're getting this concept crystalized. As best something where quantum, philosophy and religion intersect can be crystalized. So, come on in and get a 1 hour primer.

We welcome back for his second visit to this show, Dean Graves, for yet another fascinating discussion on topic of consciousness here on episode #175 of World Awakenings: The Fast Track to Enlightenment! You will hear the real truth about what consciousness is as explained by Dean. He is a multi-talented personality who has been sharing his knowledge on meditation and mindfulness for more than two decades. He has written a number of books, including, “Enlightenment Plain and Simple", "The Identity Model", "Edifying Children of a Lesser God", and now his newest book, "The Enigma of Consciousness", in which he takes one of the deepest, and most profound looks at the origins of and the explanation of what consciousness really is and how it came to be. I can say that this book is perhaps one of the most definitive and complete treatises I have ever read on the subject of consciousness. This is one heckuva mind expanding conversation!Speaking of mind-expanding, get your copy of Karl Gruber's book, "True Spirituality & the Law of Attraction: A Beautiful Symbiotic Relationship". Just click this link to get your copy today.Make sure to get your copy of Dean Grave latest book, "The Enigma of Consciousness: A Spiritual Exploration of Humanity's Relationship to Creation". Just click this link to get your copy.For more information & to contact Dean Graves, go to his website https://www.ddeangraves.org/

****We apologize for the missing video of Marlee on screen. The intention was to show her and her sign language interpreter on-screen but there was an unforeseen technical issue with the video formatting.***** Seinfeld Podcast Interview with Marlee Matlin. Marlee played Laura in "The Lip Reader" "Seinfeld" episode. Visit our Sponsor: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://magicmind.superfiliate.com/SEINFELDPODCAST20⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support The Podcast and Shop For Seinfeld Apparel and More ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://homage.sjv.io/g14maO⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Do us a solid, support the Podcast

Imagine being a multi-talented artist, a composer who has crafted scores for TV and iconic films like Jeremiah Johnson and The Candidate. Now, imagine you're also an acclaimed actor, having graced countless movies and winning a Tony Award for Children of a Lesser God Picture collaborating with legendary directors such as Bob Fosse, Mike Nichols, and Stephen Sondheim. Oh, and did I mention your father was the renowned pianist Artur Rubinstein? Growing up, you played for distinguished guests like Stravinsky, Milhaud, and Lawrence Olivier. With that incredible background, you can only imagine how thrilling it was for me to chat with the extraordinary John Rubenstein!In Part 1, we delve into John's fascinating childhood and his initial steps into the world of composing. He began by writing for school projects and eventually transitioned into film scoring. John shares how the movie Chinatown influenced him and his special connection with trumpeter Uan Rasey, whose haunting solos left a lasting impact. We also explore the art of writing scores in Hollywood, discussing the nuances between composing for TV series and films. Then, we shift to John's acting career, highlighting his lead role in Pippin under the direction of the legendary Bob Fosse. We wrap up this segment by discussing the challenges of dealing with nerves and taking auditions.In Part 2, we take a detour to discuss a memorable evening when John starred in Children of a Lesser God at the Mark Taper Forum in Los Angeles, while his father performed at the Music Center. John reminisces about playing for George Szell and shares insights into his father's experience recording with Fritz Reiner. We conclude with a wide-ranging conversation covering John's favorite books and composers.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

Kecia Lewis is celebrating 40 triumphant years as a dynamic storyteller on stage and screen in the entertainment industry. Lewis' rich career of portraying formidable women has come full circle with her critically acclaimed, Tony, Drama Desk, Drama League, Outer Critics Circle nominated, and Lucille Lortel Award winning performance of Miss Liza Jane in Alicia Keys' Broadway hit musical Hell's Kitchen. Entertainment Weekly proclaims "Lewis is commanding...her voice is a weapon, and she knows just when to fire." Kecia's Broadway journey began with her debut at 18 years old in the original company of Dreamgirls. In addition to originating on Broadway iconic roles in Once On This Island, The Drowsy Chaperone, and Leap of Faith, Kecia has graced the Broadway stage in The Gospel at Colonus (with Morgan Freeman), Big River, Ain't Misbehavin' (standby for Nell Carter) and Children of a Lesser God. Off Broadway she has starred in the title role of Mother Courage (CSC), The Skin of Our Teeth (TFNA - Obie Award Winner), Dessa Rose (LCT - Drama Desk nom.), and Marie and Rosetta (ATC - Lortel & Drama League Nom, Obie Award Winner). Kecia's work on the reboot of MAD ABOUT YOU was loved by fans and critics alike. Other selected TV guest and recurring roles include "And Just Like That" (Max), "With Love" (Amazon), "The Passage (Fox), The Blacklist (NBC), Law and Order SVU (NBC) and “Wu-Tang: An American Saga” (Hulu). As a vocalist Kecia has performed in Canada, Switzerland, Hong Kong, New Zealand and Russia. Kecia can also be seen in Evan Parter's feature “The Independent” alongside Brian Cox, Jodie Turner-Smith and John Cena which is now streaming on Peacock.    Learn more about your ad choices. Visit podcastchoices.com/adchoices

Anna and Annie discuss the 2024 Stella Prize Shortlist.  We reveal our favourite recent crime reads.  Our recommendations are: The Many Lies of Veronica Hawkins by Kristina Perez Death of a Lesser God by Vaseem Khan The Sleeping Nymph by Ilaria Tutti translated by Ekin Oklap To Love and Be Wise by Josephine Tey The Fugitives by Jamal Mahjoub Everyone Who Can Forgive Me is Dead by Jenny Hollander The Busy Body by Kemper Donovan   Coming up: Question 7 by Richard Flanagan   Follow us!   Email: booksonthegopodcast@gmail.com Facebook: Books On The Go Instagram: @abailliekaras and @mr_annie   Credits Artwork: Sascha Wilkosz  

In episode #157 World Awakenings explores the fascinating topic of consciousness! The real truth about consciousness is explained as we talk with Dean Graves. Graves is a multi-talented personality who has been sharing his knowledge on meditation and mindfulness for more than two decades. Along with being an author and podcaster, he is also a mental health counselor and spiritual guide. He is passionate about philosophy, psychology, and exploring the human condition to help others find inner peace. He has written a number of books, including, “Enlightenment Plain and Simple", "The Identity Model", "Edifying Children of a Lesser God" & "The Enigma of Consciousness", which are centered around self-empowerment and awareness, with the aim of enabling individuals to realize their true potential and attain a higher level of consciousness. He strongly believes that we are at the cusp of a new era of enlightenment, and he is committed to assisting others in recognizing and harnessing their abilities. This is an absolutely fascinationg conversation that will blow many of your preconceived notions about consciousness out of the water!Get your free copy of Karl Gruber's ebook, "The 3 Pillars: A Simple 3 Step Process to Manifest Positive & Permanent Change in Your Life". Just click the link to download it for free today!To purchase and for more info on Three's highly bioavailable products that are uniquely formulated to deliver maximum nutrition for maximum benefits, click this link https://karl.iii.earth/enTo find out more about Dean Graves, visit his website https://www.ddeangraves.org/You can pre-order Dean Graves soon-to-be-published newest book, "The Enigma of Consciousness" today. Just click the link.

Are you ready to uncover the unexpected link between a 6th dimensional entity, spiritual growth, and the Ra material from the 1980s? Get ready to dive into a conversation that unlocks deeply esoteric knowledge, personal growth, and the nature of our universe. Join us as we unravel the mysteries of self-awareness, spiritual evolution, and an enigmatic 6th density creator being entity. This eye-opening journey will expand your understanding of consciousness and the evolution of humanity. In this episode, you will be able to: Explore Dean Graves' spiritual journey and connection to uncover hidden insights and wisdom. Discover the Ra material and its modern evolution for a deeper understanding of spiritual teachings and practices. Uncover the significance of archetypes in shaping your spiritual journey and personal growth. Consider the concept of free will as a distortion to expand your spiritual awareness and healing practices. Cultivate self-awareness and personal growth to unlock your full potential and lead a fulfilling life. Dean Graves is a spiritual teacher and author with a deep commitment to personal growth and enlightenment. For the last twelve years, he has been a devoted student of a 6th density creator being entity. Dean's latest manuscript promises to be a groundbreaking exploration of the nature of the universe and the human experience. Known for his wealth of esoteric knowledge, Dean communicates complex spiritual topics in a down-to-earth and approachable manner. His insights on the nature of reality and awareness levels in different dimensions provide valuable perspectives for those seeking self-awareness and personal growth. The key moments in this episode are: 00:00:13 - Introduction and Background 00:00:40 - Dean's Spiritual Journey 00:01:16 - Children and Evolution 00:08:35 - Archetypes and Distortions 00:15:59 - Future of Humanity 00:19:03 - Evolution and Graduation 00:20:57 - The Curriculum of Third Density 00:23:30 - Transition and Metaphysical Existence 00:26:53 - Wanderers and Higher Consciousness 00:33:19 - Evolution and Healing 00:37:29 - RA's Primer and Egyptian Times 00:38:29 - Asking for Information 00:39:30 - Dean's Books 00:41:13 - Book Recommendations 00:41:24 - Closing Remarks The resources mentioned in this episode are (some affiliate links): Visit ddeangraves.org to connect with Dean Graves and access his books, including Enlightenment, Plain and Simple, The Identity Model, and The Edifying Children of a Lesser God. Check out the Chatting with the Arcturians podcast for regular discussions and insights from Dean Graves and the Arcturians. Read Dean's books Edifying Children of a Lesser God,  Enlightenment Plain and Simple, Enigma of Consciousness   Explore Moonbird, the personal breathing coach, to improve sleep quality, duration, and daytime functioning. Use this link and the code KaraGoodwin for 5% off your order. Share this episode with someone who would benefit from the conversation and let them know you're thinking about them. Stay tuned for Dean Graves' upcoming book, The Enigma of Consciousness, for a deeper spiritual exploration of humanity's relationship to creation.

In this episode we discuss Children of a Lesser God, Randa Haines' contributions to the film, our qualms with the film's perspective on deafness, and William Hurts' one-note character. We also talk about Marlee Matlin's award winning performance in the film, her relationship with the Winklers, the rocky start to her career, and her many successes in Hollywood. -- Instagram: https://www.instagram.com/thanktheacademypodcast X: https://www.twitter.com/thankacademypod Email us your thoughts: thanktheacademypod@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/thank-the-academy/support

Harvey Brownstone conducts an in-depth Interview with John Rubinstein, Iconic Stage, Movie & TV Star About Harvey's guests: Today's guest, John Rubinstein, is a highly acclaimed, multi-award winning actor, composer and director whose illustrious career and body of work have made him a respected and beloved icon.   He made his Broadway debut starring in “Pippin”, for which he won a Theatre World Award, followed by “Children of a Lesser God”, for which he won a whole slew of awards including a Tony and a Drama Desk Award.  He also starred in “The Caine Mutiny Court Martial”, for which he received a Drama Desk Award nomination, “M. Butterfly”, “Love Letters”, “Ragtime” and “Charlie and the Chocolate Factory”.  Off-Broadway, he starred in “Rosencrantz and Guildenstern are Dead” and “Counsellor at Law”, for which he received the Lucille Lortel Award for Best Lead Actor in a Play, as well as nominations for both the Outer Critics' and Drama League Awards.   He's appeared in over 200 movies, TV shows, made-for-TV movies and miniseries.  Some of his most popular feature films are “Getting Straight”, “The Boys From Brazil”, “Someone to Watch Over Me”, “Another Stakeout”, “21 Grams”, “The Candlelight Murders” and “Being the Ricardos”.  On TV you've seen him in dozens of TV shows including “Family”, for which he received an Emmy Award nomination, “Crazy Like a Fox”, “Bureau of Alien Detectors”, “Star Trek Enterprise”, “The Young and the Restless”, “Desperate Housewives”, “Dear White People”, “Claws” and many more.    His TV movies include “The American Clock”, for which he received a Cable Ace Award nomination for Best Supporting Actor, “M.A.D.D.: Mothers Against Drunk Drivers”, “The Gift of the Magi”, “Norma Jean and Marilyn”, and “Liberace”.   And some of his noteworthy miniseries are “The French Atlantic Affair”, “Roots: The Next Generations”, “The Two Mrs. Grenvilles”, “When we Rise”, “Feud”, and “Headless: A Sleepy Hollow Story”.   He's directed many stage productions, including “Les Liaisons Dangeureuses”, “Macbeth”, “Wait Until Dark”, “Brigadoon”, “Guys and Dolls” and many other shows.  Our guest is also a brilliant composer, which comes as no surprise, given that he's the son of the greatest pianist of all time, in my opinion, Arthur Rubinstein.  And he's the grandson of the renowned Polish violinist, conductor and composer Emil Młynarski.   He's written the music scores for a number of movies and TV shows including “Jeremiah Johnson”, “The Candidate”, “Family”, “The Ordeal of Patty Hearst”, “Johnny Belinda”, “China Beach” and “A Walton Wedding”.  And believe me, I'm just scratching the surface of this man's prodigious body of work. For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ To see more about John Rubinstein and the film, go to: https://www.imdb.com/name/nm0748270/https://www.playbill.com/person/john-rubinstein-vault-0000020233 #JohnRubinstein    #harveybrownstoneinterviews

Anthony Edwards is probably best known as Dr. Mark Greene on the series “ER.” Edwards has received four Emmy nominations for Outstanding Lead Actor in a Drama Series. Edwards has won three Screen Actor's Guild Awards (Outstanding Performance by a Male Actor in a Drama Series in 1996 and Best Ensemble Cast in 1998 and 1999.) He won the Golden Globe Award in 1998. In the theater Edwards was seen on Broadway in Children of a Lesser God, Classic Stage Company's Month in the Country, WPA Shem Bitterman's Frozen, Williamstown Theater festival Harvey and Joyce Carol Oates's Black. Edwards has starred in more than twenty features, including his memorable turn as "Goose" in the blockbuster feature Top Gun. Other feature film credits include; Consumed, Experimenter, Big Sur, Motherhood with Uma Thurman, Flipped directed by Rob Reiner, and Zodiac directed by David Fincher. Thunderbirds, Forgotten, Playing by Heart, The Client, Miracle Mile, Mr. North, Hawks, Pet Semetary II, Delta Heat, Landslide, The Sure Thing, Gotcha, Revenge of the Nerds, Heart Like a Wheel, and Fast Times at Ridgemont High. Edwards recently starred in both the Apple series “WeCrashed” and the Netflix mini-series “Inventing Anna”, created by Shonda Rhimes. Other television credits include ”Law and Order True Crimes: the Menendez Murders”, “Zero Hour”, “Girls”, “Blue Bloods”, “Billions”, “Northern Exposure” and “It Takes Two” as well as the telefilms “In Cold Blood”, “El Diablo”, “Hometown Boy Makes Good”, “Going for the Gold: The Bill Johnson Story”, “High School USA” and “The Killing of Randy Webster”. Edwards made his feature directing debut with My Dead Boyfriend in 2016. He also directed several episodes of “ER”. Edwards was an Executive Producer of the HBO biopic “Temple Grandin”, which won multiple Emmys and Golden Globes. Learn more about your ad choices. Visit podcastchoices.com/adchoices

GUY CIARROCCHI JOINS DAWN LIVE ON 1210 WPHT; GUY EXPANDS ON HIS LATEST COLUMNS INCLUDING.... "CHILDREN OF A LESSER GOD" REGARDING SHAPIRO, AND THE STATE OF SCHOOL CHOICE IN PA.... THE TEACHERS UNIONS, CHARTER, AND PRIVATE SCHOOL STATUS IN PA... GUY THEN BREAKS DOWN "OUT OF MANY, ONE" GUY EXPANDS ON THE SHRINKING PRIDE FOR AMERICA, AND THE NEED TO BRING BACK THE THINGS THAT MAKE US SIMILAR, NOT WHAT MAKES US DIFFERENT...  Guy Ciarrocchi: Children of a lesser god Guy Ciarrocchi is a Senior Fellow with the Commonwealth Foundation. He writes for Broad + Liberty and RealClear Pennsylvania. Follow Guy @PaSuburbsGuy Tune in weekdays 10 AM - 12 PM EST on Talk Radio 1210 WPHT; or on the Audacy app!

We are excited to bring you this new episode in our podcast series, The Art of Collaboration. This series focuses on directors and choreographers in conversation with some of their collaborators on a specific production. This series explores the ins and outs of these processes, both the finer details as well as overarching ideas about what goes into a productive collaboration on a show. In the second episode of this two episode arc, Director Alex Timbers, Sound Designer Peter Hylenski, and Scenic Designer Derek McLane are interviewed by Foundation Director Dani Barlow to discuss their experience working together on Moulin Rouge! The Musical. Learn more about this episode's guests below.    Bios: ALEX TIMBERS (Director) is the recipient of Tony, Drama Desk, Outer Critics Circle, and London Evening Standard Awards, as well as two Obie and Lortel Awards. Broadway credits include Gutenberg the Musical; Here Lies Love; Moulin Rouge!; Just For Us; Beetlejuice; David Byrne's American Utopia; Oh Hello with Nick Kroll and John Mulaney; The Pee-wee Herman Show; Peter and the Starcatcher; and Bloody Bloody Andrew Jackson (also bookwriter). For television, he co-created Amazon's “Mozart in the Jungle” (Golden Globe Award) and has helmed the Netflix specials “John Mulaney: Kid Gorgeous,” “Ben Platt: Live at Radio City,” and most recently “John Mulaney: Baby J” (2023 Emmy Award nomination). His debut picture book, Broadway Bird, set in an all-animal version of Broadway, is published by Macmillan. @alextimbers PETER HYLENSKI (Sound Designer). Peter received a Tony Award, Drama Desk Award, and an Outer Critics Circle Award Honor for his work on Moulin Rouge! The Musical. A Grammy, Olivier, and eight time Tony nominee, his selected Broadway designs include: Moulin Rouge!, Frozen, Anastasia, Beetlejuice, Once On This Island, Something Rotten, King Kong, Rock of Ages, After Midnight, Motown, The Scottsboro Boys, Side Show, Rocky, Bullets Over Broadway, Shrek the Musical, On A Clear Day, Lend Me A Tenor, Elf.  Other designs: Awakening, Le Rêve and Lake of Dreams at Wynn Las Vegas.  He's designed for Carnegie Hall, Radio City Music Hall, Madison Square Garden, London's O2 Arena, and The Kennedy Center.  Peter holds a BFA from Carnegie Mellon University. DEREK MCLANE (Scenic Designer) SELECTED CREDITS: BROADWAY: MJ the Musical, Moulin Rouge!, Purlie Victorious, A Soldier's Play, American Son, The Parisian Woman, Children of a Lesser God, The Price, Noises Off, Fully Committed, Beautiful, Gigi, China Doll, Anything Goes, The Heiress, Nice Work If You Can Get It, The Best Man, Follies, How to Succeed In Business Without Even Trying, Bengal Tiger at the Baghdad Zoo, Million Dollar Quartet, Ragtime, 33 Variations The Pajama Game, I Am My Own Wife. OFF-BROADWAY: Black No More, Merrily We Roll Along, The True, Jerry Spring the Opera, If I Forget, The Whirligig, Into The Woods, Love, Love, Love, Sweet Charity, Evening at the Talk House, Two Gentlemen of Verona, Buried Child, The Spoils, Sticks and Bones, The Last Five Years, A Lie of the Mind, Ruined, Hurlyburly. TELEVISION: He designed the 2013, 2014, 2015, 2016 & 2017 Academy Awards as well as the NBC LIVE! Musicals The Sound of Music, Peter Pan, The WIZ & HAIRSPRAY. AWARDS: Winner of 1997 + 2004 OBIE Awards, 2004, 2005, 2007 Lortel Awards; 2009 + 2021 Tony Award, 2011 Drama Desk Award, 2015, 2016 Art Directors Guild Award, 2014 + 2017 Emmy Award.  

Dean Graves has been sharing his meditation and mindfulness knowledge for over two decades. Along with being an author and podcaster, he is also a mental health counselor and spiritual guide. Dean is passionate about philosophy, psychology, and exploring the human condition to help others find inner peace. He has written books, conducted workshops, and created seminars that have helped people worldwide. Dean's writings are centered around self-empowerment and awareness, with the aim of enabling individuals to realize their true potential and attain a higher level of consciousness. He strongly believes that we are at the cusp of a new era of enlightenment, and he is committed to assisting others in recognizing and harnessing their abilities. Listen & Subscribe on: iTunes / Stitcher / Podbean / Overcast / Spotify Contact Info Website: ddeangraves.org Book: The Identity Model; Understanding and healing mankind's stress and suffering by Dean Graves Podcast: Chatting with the Arcturians Podcast: Simple Enlightenment Most Influential Person The Buddha Effect On Emotions Mindfulness has helped me to be much less reactive. I experience stress from two sources and both of those are my children. It's tough to break that mental bond with your children. I really don't experience stress beyond that. Thoughts On Breathing Breathing is helpful as a transition tool into a mindfulness state or controlling your breathing tool. But understand what you're doing by breathing is you're bringing that awareness that is flopping around outside of you back inside. So it's one of many methods that you can use in order to invert that awareness back inside of you. Learning to keep that awareness inside of you, when you're in heavy traffic or something of that nature, you can let more of the awareness outside to deal with the circumstances that you're in. But when you're out of that, you want to remember to bring that awareness back inside and so the more you can keep your awareness inside the more consistently you will experience mindfulness.   Bullying Story Mindfulness would always make a difference in everybody's life regardless of what the circumstances are. The nature of service to self, In order to be successful in their path, they have to learn to dominate and subjugate others. Their objective is to extract from us our life force energy. It's called intelligent energy and we all have is the same amount of intelligent energy available to us.  But as they polarize more service to self then they surrender the access, their connection, to the source of that intelligent Infinity. So they have to substitute that. And the only place that they can substitute that is from other people that are in the range of consciousness that we are in. And so they employ domination and subjugation in order to control people. And we're seeing in societies around the world, this emerging influence of the service to self attempting to dominate and subjugate others in order to maintain the energy flow that they have already become accustomed to because of our acquiescence over a long period of time. Suggested Resources Book: The Identity Model; Understanding and healing mankind's stress and suffering by Dean Graves Book: Edifying Children of a Lesser God by Dean Graves Book: The Enigma of Consciousness by Dean Graves (Available to preorder) App: n/a Related Episodes What Is Consciousness; Tom Campbell (Part 1) Living Consciously; Brian Berneman Beyond Fitness to Conscious Evolution With Mariko Hirakawa Are you experiencing anxiety & stress? I'm Bruce Langford, a practicing coach, and hypnotist helping fast-track people like you to shed their inner bully and confidently move forward. Book a Free Coaching Session to get you on the road to a more satisfying life, feeling grounded and focused. Email me at bruce@mindfulnessmode.com with ‘I Am Determined' in the subject line. We'll schedule a call to discuss how you can move forward to a better life

Welcome to series 10, episode 9 of In Suspense - a podcast and vodcast for fans and writers of crime fiction. Today is our Christmas special and we're chatting to Vaseem Khan about The Death of a Lesser God and our topic today which is Modernising the crime writing community 

Is 2023 the year fun died at the movies? Does anyone hate men the way that Martin Scorsese hates men? Can ableism obscure great performances? Kat & Marc answer these questions and much more by way of 1986's “The Color of Money” and “Children of a Lesser God”. Support this podcast at — https://redcircle.com/we-should-do-this-again-sometime-with-kat-and-marc/donations

This week on And the Runner-Up Is, Kevin welcomes Letterboxd senior editor Mitchell Beaupre to discuss the 1986 Oscar race for Best Actress, where Marlee Matlin won for her performance in "Children of a Lesser God," beating Jane Fonda in "The Morning After," Sissy Spacek in "Crimes of the Heart," Kathleen Turner in "Peggy Sue Got Married," and Sigourney Weaver in "Aliens." We discuss all of these nominated performances and determine who we think was the runner-up to Matlin.  0:00 - 12:34 - Introduction 12:35 - 32:58 - Jane Fonda 32:59 - 52:55 - Sissy Spacek 52:56 - 1:16:08 - Kathleen Turner 1:16:09 - 1:45:34 - Sigourney Weaver 1:45:35 - 2:09:34 - Marlee Matlin 2:09:35 - 3:01:55 - Why Marlee Matlin won / Twitter questions 3:01:56- 3:08:34 - Who was the runner-up? Buy And the Runner-Up Is merch at https://www.teepublic.com/stores/and-the-runner-up-is?ref_id=24261! Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis! Follow Kevin Jacobsen on Twitter Follow Mitchell Beaupre on Twitter Follow And the Runner-Up Is on Twitter and Instagram Theme/End Music: "Diamonds" by Iouri Sazonov Additional Music: "Storming Cinema Ident" by Edward Blakeley Artwork: Brian O'Meara

John Rubinstein originated the title role in the Broadway musical Pippin, directed by Bob Fosse, and won the Tony and Drama Desk Awards for his performance in Children of a Lesser God. Other Broadway appearances include Charlie and the Chocolate Factory, Ragtime, Hurlyburly, M. Butterfly, The Caine Mutiny Court-Martial (Drama Desk nomination), Getting Away with Murder, Fools, Love Letters, and the 2013 Pippin revival. He appeared off-Broadway in Counsellor-at-Law (2005 Lucille Lortel Award, Outer Critics' Circle and Drama League nominations), Rosencrantz and Guildenstern Are Dead, Urban Blight, Cabaret Verboten, and Morning's at Seven. Regionally: Wicked in LA, and the international tour of the Pippin revival. He starred in the TV series, “Family” (Emmy nomination), and “Crazy Like A Fox”, and over 300 episodes. Films include “Being the Ricardo's”, “Hello, I Must Be Going”, “21 Grams”, “Red Dragon”, “The Boys from Brazil”, “Someone to Watch Over Me”, “Daniel, Zachariah,” and “Getting Straight”. He directed the world premiere of A. R. Gurney's The Old Boy, and Counsellor-at-Law, Company, Brigadoon, Macbeth, The Three Sisters, Phantasie, Nightingale, The Rivals, A Little Night Music, Guys and Dolls, Into The Woods, Les Liaisons Dangereuses, and The Rover. He composes film and TV music (“Jeremiah Johnson”, “The Candidate”, “The Dollmaker”, "China Beach", among others), hosted two classical music radio programs, played keyboards in a rock band, and has recorded over 200 audiobooks, most numerously Jonathan Kellerman's Alex Delaware series of Los Angeles crime novels. He is married to Bonnie Burgess, and their son Max is the youngest of his five children, joining Jessica, Michael, Peter, and Jacob. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Taylor Swift: The Eras Tour is the highest-grossing concert film ever made, and it's only been in theaters for five days. It took in more than $100 million in global presales alone. The 169-minute, 41-song-long movie is nothing short of a phenomenon. Speaking of a phenomenon, you may have heard that Swift and Kansas City Chiefs tight end Travis Kelce are a couple. Swift and Kelce haven't publicly commented on or even confirmed their romantic relationship (though they have been photographed holding hands), but the NFL and its broadcast partners have certainly capitalized on it anyway. Oh, and TSwift and TKelce were both on SNL last weekend, too. Some other stuff that happened this week, give or take: Piper Laurie, Actress in ‘The Hustler,' ‘Carrie' and ‘Twin Peaks,' Dies at 91 The three-time Oscar nominee and Emmy winner also starred in the original ‘Days of Wine and Roses' and in ‘Children of a Lesser God.' Suzanne Somers, Star of ‘Three's Company,' Is Dead at 76 She became famous for playing, as she put it, “one of the best dumb blondes that's ever been done,” then became a sex-positive health and diet mogul. Louise Glück, 80, Nobel-Winning Poet Who Explored Trauma and Loss, Dies Acclaimed as one of America's greatest living writers, she blended deeply personal material with themes of mythology and nature. Burt Young, Decorated Character Actor Of Rocky Fame, Has Died At 83 Michael Caine Officially Announces Retirement From Acting: ‘You Don't Have Leading Men at 90' Michael Jordan Is the First Pro Athlete to Rank Among the 400 Wealthiest Americans The former NBA star has an estimated net worth of $3 billion. Best Buy Is Ending DVD and Blu-Ray Sales Netflix plans to open brick and mortar locations Will Smith Has Broken His Silence On Jada Pinkett Smith's Memoir Revelations After a week of bombshell details regarding Jada's new memoir, Will has responded directly to his estranged wife. The Actors Are on Strike, But the Awards Shows Go On Here is our (extremely early) forecast for the biggest Oscar races this (very uncertain) year. Why is movie candy sold in boxes? GUESTS: Rebecca Castellani: Co-founder of Quiet Corner Communications and a freelance writer Sam Hadelman: Works in music public relations and hosts The Sam Hadelman Show at Radio Free Brooklyn Jacques Lamarre: A playwright and chief communications officer at Buzz Engine The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Google Podcasts, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode!Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

John Rubinstein was born the son of renowned pianist Arthur Rubinstein, and his early exposure to theater in the 8th grade ignited a passion that would shape the trajectory of extraordinary career. He catapulted to Broadway stardom originating the title role in Pippin, directed by Bob Fosse, and won a Tony Award for his compelling performance in Children of a Lesser God. A true renaissance man, John's artistic pursuits extend beyond the stage into television and film as well, both as an actor and composer, where he's written the scores or theme songs for several movies and TV shows. We also talk about his work as a director, and even touch on one my favorite topics: the art and craft of auditioning. Never one to rest on his laurels, John also shares the impetus behind his return to New York in the current off-Broadway play Eisenhower: This Piece of Ground, which adapts General Dwight Eisenhower's memoirs, speeches, and letters into a one-man stage play. Learn more about your ad choices. Visit megaphone.fm/adchoices

PIPPIN. It's a musical with a lot to discuss which is probably why so many of you have requested it! This week, we welcome two wonderful guests with "magic to do" that will help make it happen. Podcaster and author Chris Adams (Out for Blood) joins us from the UK to talk about the hills & valleys and eagles & rivers that went into making a musical as fascinating as it is entertaining. Then, Tony-winner John Rubinstein (Children of a Lesser God, Ragtime, and the original "Pippin" himself) brings context (and first hand accounts) to the original production, including what it was like to be in a rehearsal room with Bob Fosse. Spoiler alert: he never yelled. Order Chris' new book Out for Blood: A Cultural History of Carrie the Musical. Follow the podcast on Instagram at @outforbloodpodcast or listen to it from the beginning on Broadway Podcast Network. See John in his latest play Eisenhower: This Piece of Ground, playing Off-Broadway in New York during the month of October. Visit eisenhowertheplay.com for more information. Be sure to follow us on Instagram, TikTok, and X for more great content. If you'd like to support the show, the best way to do so is by giving us a nice rating and review wherever you listen! You can also subscribe to PATREON! where for only $1 a month you'll receive bonus episodes made exclusively for you. Don't forget about our TeePublic Store where profits we receive will be donated to Broadway Cares/Equity Fights AIDS. More than anything, know how grateful we are you're part of this podcasting community and remember you can "pull a Catherine" whenever you like! Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, I'm thriilled to announce my episode with one of Broadway's best directors, Kenny Leon, who's producttion of Purlie Victorious began previews this week. Tune in today to hear him discuss his process and career, including his collaboration with Adrienne Kennedy in Ohio State Murders, his upcoming projects Our Town and The Help, the project he feels should've transferred to Broadway, what he learned about visual storytelling during Children of a Lesser God, why he felt it was important to join the producing team of Some Like it Hot, his process when he first receives a play, his conversations with August Wilson, and so much more. You won't want to miss this masterclass in directing.

In this episode of Personally Speaking, Msgr. Jim Lisante is joined by the Tony Award winning actor John Rubenstein. John originated the title role in the Broadway musical “Pippin” and won the Tony and Drama Desk Awards for his performance in “Children of a Lesser God”. He is starring in a new play in New York called, “Eisenhower: This Piece of Ground”. John portrays the former president in this play adapted from a vast array of General Eisenhower's memoirs, speeches, and letters, which is a candid and fascinating fictional eavesdropping on President Dwight D. Eisenhower at his Gettysburg, Pennsylvania farm.Support the show

In this episode we chat to crime writer Sarah Hilary, and discuss neurodiversity in fiction. Vaseem launches a competition to win a pair of signed books, to celebrate the upcoming publication of Death of a Lesser God, and we bear witness to the invention of the 'blousers' - the bladder trousers.

Johny Pitts speaks to Megan Nolan about her new novel, Ordinary Human Failings. The book explores the demonization of an Irish family and tabloid journalism in nineties London following a shocking tragedy. Plus what is the best crime fiction out there this summer? Vaseem Khan, incoming chair of the Crime Writers Association, and critic Laura Wilson give their tips, from hot new psychological thrillers to reissued classics. And Val McDermid chooses a very modern-feeling 1940s whodunit for her Book I'd Never Lend. Book List – Sunday 16 July and Thursday 20 July Ordinary Human Failing by Megan Nolan Acts of Desperation by Megan Nolan Grave Expectations by Alice Bell The Square of Sevens by Laura Shepherd-Robinson Kill For Me Kill For You by Steve Cavanagh The Wheel of Doll by Jonathan Ames Alchemy by SJ Parris The Bandit Queens by Parini Shroff Uncle Paul by Celia Fremlin The Drowning Pool by Ross Macdonald Death of a Lesser God by Vaseem Khan Miss Pym Disposes by Josephine Tey

On this episode, we are continuing our miniseries on the movies released by Miramax Films in the 1980s, specifically looking at the films they released between 1984 and 1986. ----more---- TRANSCRIPT   From Los Angeles, California. The Entertainment Capital of the World. It's the 80s Movie Podcast. I am your host, Edward Havens. Thank you for listening today.   On this episode, we are continuing our miniseries on the movies released by Miramax Films in the 1980s.   And, in case you did not listen to Part 1 yet, let me reiterate that the focus here will be on the films and the creatives, not the Weinsteins. The Weinsteins did not have a hand in the production of any of the movies Miramax released in the 1980s, and that Miramax logo and the names associated with it should not stop anyone from enjoying some very well made movies because they now have an unfortunate association with two spineless chucklenuts who proclivities would not be known by the outside world for decades to come.   Well, there is one movie this episode where we must talk about the Weinsteins as the creatives, but when talking about that film, “creatives” is a derisive pejorative.    We ended our previous episode at the end of 1983. Miramax had one minor hit film in The Secret Policeman's Other Ball, thanks in large part to the film's association with members of the still beloved Monty Python comedy troupe, who hadn't released any material since The Life of Brian in 1979.   1984 would be the start of year five of the company, and they were still in need of something to make their name. Being a truly independent film company in 1984 was not easy. There were fewer than 20,000 movie screens in the entire country back then, compared to nearly 40,000 today. National video store chains like Blockbuster did not exist, and the few cable channels that did exist played mostly Hollywood films. There was no social media for images and clips to go viral.   For comparison's sake, in A24's first five years, from its founding in August 2012 to July 2017, the company would have a number of hit films, including The Bling Ring, The Lobster, Spring Breakers, and The Witch, release movies from some of indie cinema's most respected names, including Andrea Arnold, Robert Eggers, Atom Egoyan, Daniel Kwan and Daniel Scheinert, Lynn Shelton, Trey Edward Shults, Gus Van Sant, and Denis Villeneuve, and released several Academy Award winning movies, including the Amy Winehouse documentary Amy, Alex Garland's Ex Machina, Lenny Abrahamson's Room and Barry Jenkins' Moonlight, which would upset front runner La La Land for the Best Picture of 2016.   But instead of leaning into the American independent cinema world the way Cinecom and Island were doing with the likes of Jonathan Demme and John Sayles, Miramax would dip their toes further into the world of international cinema.   Their first release for 1984 would be Ruy Guerra's Eréndira. The screenplay by Nobel Prize winner Gabriel García Márquez was based on his 1972 novella The Incredible and Sad Tale of Innocent Eréndira and Her Heartless Grandmother, which itself was based off a screenplay Márquez had written in the early 1960s, which, when he couldn't get it made at the time, he reduced down to a page and a half for a sequence in his 1967 magnum opus One Hundred Years of Solitude. Between the early 1960s and the early 1980s, Márquez would lose the original draft of Eréndira, and would write a new script based off what he remembered writing twenty years earlier.    In the story, a young woman named Eréndira lives in a near mansion situation in an otherwise empty desert with her grandmother, who had collected a number of paper flowers and assorted tchotchkes over the years. One night, Eréndira forgets to put out some candles used to illuminate the house, and the house and all of its contents burn to the ground. With everything lost, Eréndira's grandmother forces her into a life of prostitution. The young woman quickly becomes the courtesan of choice in the region. With every new journey, an ever growing caravan starts to follow them, until it becomes for all intents and purposes a carnival, with food vendors, snake charmers, musicians and games of chance.   Márquez's writing style, known as “magic realism,” was very cinematic on the page, and it's little wonder that many of his stories have been made into movies and television miniseries around the globe for more than a half century. Yet no movie came as close to capturing that Marquezian prose quite the way Guerra did with Eréndira. Featuring Greek goddess Irene Papas as the Grandmother, Brazilian actress Cláudia Ohana, who happened to be married to Guerra at the time, as the titular character, and former Bond villain Michael Lonsdale in a small but important role as a Senator who tries to help Eréndira get out of her life as a slave, the movie would be Mexico's entry into the 1983 Academy Award race for Best Foreign Language Film.   After acquiring the film for American distribution, Miramax would score a coup by getting the film accepted to that year's New York Film Festival, alongside such films as Robert Altman's Streamers, Jean Lucy Godard's Passion, Lawrence Kasdan's The Big Chill, Francis Ford Coppola's Rumble Fish, and Andrzej Wajda's Danton.   But despite some stellar reviews from many of the New York City film critics, Eréndira would not get nominated for Best Foreign Language Film, and Miramax would wait until April 27th, 1984, to open the film at the Lincoln Plaza Cinemas, one of the most important theatres in New York City at the time to launch a foreign film. A quarter page ad in the New York Times included quotes from the Village Voice, New York Magazine, Vincent Canby of the Times and Roger Ebert, the movie would gross an impressive $25,500 in its first three days. Word of mouth in the city would be strong, with its second weekend gross actually increasing nearly 20% to $30,500. Its third weekend would fall slightly, but with $27k in the till would still be better than its first weekend.   It wouldn't be until Week 5 that Eréndira would expand into Los Angeles and Chicago, where it would continue to gross nearly $20k per screen for several more weeks. The film would continue to play across the nation for more than half a year, and despite never making more than four prints of the film, Eréndira would gross more than $600k in America, one of the best non-English language releases for all of 1984.   In their quickest turnaround from one film to another to date, Miramax would release Claude Lelouch's Edith and Marcel not five weeks after Eréndira.   If you're not familiar with the name Claude Chabrol, I would highly suggest becoming so. Chabrol was a part of the French New Wave filmmakers alongside Jean-Luc Godard, Jacques Rivette, Éric Rohmer, and François Truffaut who came up as film critics for the influential French magazine Cahiers [ka-yay] du Cinéma in the 1950s, who would go on to change the direction of French Cinema and how film fans appreciated films and filmmakers through the concept of The Auteur Theory, although the theory itself would be given a name by American film critic Andrew Sarris in 1962.   Of these five critics turned filmmakers, Chabrol would be considered the most prolific and commercial. Chabrol would be the first of them to make a film, Le Beau Serge, and between 1957 and his death in 2010, he would make 58 movies. That's more than one new movie every year on average, not counting shorts and television projects he also made on the side.   American audiences knew him best for his 1966 global hit A Man and a Woman, which would sell more than $14m in tickets in the US and would be one of the few foreign language films to earn Academy Award nominations outside of the Best Foreign Language Film race. Lead actress Anouk Aimee would get a nod, and Chabrol would earn two on the film, for Best Director, which he would lose to Fred Zimmerman and A Man for All Seasons, and Best Original Screenplay, which he would win alongside his co-writer Pierre Uytterhoeven.   Edith and Marcel would tell the story of the love affair between the iconic French singer Edith Piaf and Marcel Cerdan, the French boxer who was the Middleweight Champion of the World during their affair in 1948 and 1949. Both were famous in their own right, but together, they were the Brangelina of post-World War II France. Despite the fact that Cerdan was married with three kids, their affair helped lift the spirits of the French people, until his death in October 1949, while he was flying from Paris to New York to see Piaf.   Fans of Raging Bull are somewhat familiar with Marcel Cerdan already, as Cerdan's last fight before his death would find Cerdan losing his middleweight title to Jake LaMotta.   In a weird twist of fate, Patrick Dewaere, the actor Chabrol cast as Cerdan, committed suicide just after the start of production, and while Chabrol considered shutting down the film in respect, it would be none other than Marcel Cerdan, Jr. who would step in to the role of his own father, despite never having acted before, and being six years older than his father was when he died.   When it was released in France in April 1983, it was an immediate hit, become the second highest French film of the year, and the sixth highest grosser of all films released in the country that year. However, it would not be the film France submitted to that year's Academy Award race. That would be Diane Kurys' Entre Nous, which wasn't as big a hit in France but was considered a stronger contender for the nomination, in part because of Isabelle Hupert's amazing performance but also because Entre Nous, as 110 minutes, was 50 minutes shorter than Edith and Marcel.   Harvey Weinstein would cut twenty minutes out of the film without Chabrol's consent or assistance, and when the film was released at the 57th Street Playhouse in New York City on Sunday, June 3rd, the gushing reviews in the New York Times ad would actually be for Chabrol's original cut, and they would help the film gross $15,300 in its first five days. But once the other New York critics who didn't get to see the original cut of the film saw this new cut, the critical consensus started to fall. Things felt off to them, and they would be, as a number of short trims made by Weinstein would remove important context for the film for the sake of streamlining the film. Audiences would pick up on the changes, and in its first full weekend of release, the film would only gross $12k. After two more weeks of grosses of under $4k each week, the film would close in New York City. Edith and Marcel would never play in another theatre in the United States.   And then there would be another year plus long gap before their next release, but we'll get into the reason why in a few moments.   Many people today know Rubén Blades as Daniel Salazar in Fear the Walking Dead, or from his appearances in The Milagro Beanfield War, Once Upon a Time in Mexico, or Predator 2, amongst his 40 plus acting appearances over the years, but in the early 1980s, he was a salsa and Latin Jazz musician and singer who had yet to break out of the New Yorican market. With an idea for a movie about a singer and musician not unlike himself trying to attempt a crossover success into mainstream music, he would approach his friend, director Leon Icasho, about teaming up to get the idea fleshed out into a real movie. Although Blades was at best a cult music star, and Icasho had only made one movie before, they were able to raise $6m from a series of local investors including Jack Rollins, who produced every Woody Allen movie from 1969's Take the Money and Run to 2015's Irrational Man, to make their movie, which they would start shooting in the Spanish Harlem section of New York City in December 1982.   Despite the luxury of a large budget for an independent Latino production, the shooting schedule was very tight, less than five weeks. There would be a number of large musical segments to show Blades' character Rudy's talents as a musician and singer, with hundreds of extras on hand in each scene. Icasho would stick to his 28 day schedule, and the film would wrap up shortly after the New Year.   Even though the director would have his final cut of the movie ready by the start of summer 1983, it would take nearly a year and a half for any distributor to nibble. It wasn't that the film was tedious. Quite the opposite. Many distributors enjoyed the film, but worried about, ironically, the ability of the film to crossover out of the Latino market into the mainstream. So when Miramax came along with a lower than hoped for offer to release the film, the filmmakers took the deal, because they just wanted the film out there.   Things would start to pick up for the film when Miramax submitted the film to be entered into the 1985 Cannes Film Festival, and it would be submitted to run in the prestigious Directors Fortnight program, alongside Mike Newell's breakthrough film, Dance with a Stranger, Victor Nunez's breakthrough film, A Flash of Green, and Wayne Wang's breakthrough film Dim Sum: A Little Bit of Heart. While they were waiting for Cannes to get back to them, they would also learn the film had been selected to be a part of The Lincoln Center's New Directors/New Films program, where the film would earn raves from local critics and audiences, especially for Blades, who many felt was a screen natural. After more praise from critics and audiences on the French Riviera, Miramax would open Crossover Dreams at the Cinema Studio theatre in midtown Manhattan on August 23rd, 1985. Originally booked into the smaller 180 seat auditorium, since John Huston's Prizzi's Honor was still doing good business in the 300 seat house in its fourth week, the theatre would swap houses for the films when it became clear early on Crossover Dreams' first day that it would be the more popular title that weekend. And it would. While Prizzi would gross a still solid $10k that weekend, Crossover Dreams would gross $35k. In its second weekend, the film would again gross $35k. And in its third weekend, another $35k. They were basically selling out every seat at every show those first three weeks. Clearly, the film was indeed doing some crossover business.   But, strangely, Miramax would wait seven weeks after opening the film in New York to open it in Los Angeles. With a new ad campaign that de-emphasized Blades and played up the dreamer dreaming big aspect of the film, Miramax would open the movie at two of the more upscale theatres in the area, the Cineplex Beverly Center on the outskirts of Beverly Hills, and the Cineplex Brentwood Twin, on the west side where many of Hollywood's tastemakers called home. Even with a plethora of good reviews from the local press, and playing at two theatres with a capacity of more than double the one theatre playing the film in New York, Crossover Dreams could only manage a neat $13k opening weekend.   Slowly but surely, Miramax would add a few more prints in additional major markets, but never really gave the film the chance to score with Latino audiences who may have been craving a salsa-infused musical/drama, even if it was entirely in English. Looking back, thirty-eight years later, that seems to have been a mistake, but it seems that the film's final gross of just $250k after just ten weeks of release was leaving a lot of money on the table. At awards time, Blades would be nominated for an Independent Spirit Award for Best Actor, but otherwise, the film would be shut out of any further consideration.   But for all intents and purposes, the film did kinda complete its mission of turning Blades into a star. He continues to be one of the busiest Latino actors in Hollywood over the last forty years, and it would help get one of his co-stars, Elizabeth Peña, a major job in a major Hollywood film the following year, as the live-in maid at Richard Dreyfuss and Bette Midler's house in Paul Mazursky's Down and Out in Beverly Hills, which would give her a steady career until her passing in 2014. And Icasho himself would have a successful directing career both on movie screens and on television, working on such projects as Miami Vice, Crime Story, The Equalizer, Criminal Minds, and Queen of the South, until his passing this past May.   I'm going to briefly mention a Canadian drama called The Dog Who Stopped the War that Miramax released on three screens in their home town of Buffalo on October 25th, 1985. A children's film about two groups of children in a small town in Quebec during their winter break who get involved in an ever-escalating snowball fight. It would be the highest grossing local film in Canada in 1984, and would become the first in a series of 25 family films under a Tales For All banner made by a company called Party Productions, which will be releasing their newest film in the series later this year. The film may have huge in Canada, but in Buffalo in the late fall, the film would only gross $15k in its first, and only, week in theatres. The film would eventually develop a cult following thanks to repeated cable screenings during the holidays every year.   We'll also give a brief mention to an Australian action movie called Cool Change, directed by George Miller. No, not the George Miller who created the Mad Max series, but the other Australian director named George Miller, who had to start going by George T. Miller to differentiate himself from the other George Miller, even though this George Miller was directing before the other George Miller, and even had a bigger local and global hit in 1982 with The Man From Snowy River than the other George Miller had with Mad Max II, aka The Road Warrior. It would also be the second movie released by Miramax in a year starring a young Australian ingenue named Deborra-Lee Furness, who was also featured in Crossover Dreams. Today, most people know her as Mrs. Hugh Jackman.   The internet and several book sources say the movie opened in America on March 14th, 1986, but damn if I can find any playdate anywhere in the country, period. Not even in the Weinsteins' home territory of Buffalo. A critic from the Sydney Morning Herald would call the film, which opened in Australia four weeks after it allegedly opened in America, a spectacularly simplistic propaganda piece for the cattle farmers of the Victorian high plains,” and in its home country, it would barely gross 2% of its $3.5m budget.   And sticking with brief mentions of Australian movies Miramax allegedly released in American in the spring of 1986, we move over to one of three movies directed by Brian Trenchard-Smith that would be released during that year. In Australia, it was titled Frog Dreaming, but for America, the title was changed to The Quest. The film stars Henry Thomas from E.T. as an American boy who has moved to Australia to be with his guardian after his parents die, who finds himself caught up in the magic of a local Aboriginal myth that might be more real than anyone realizes.   And like Cool Change, I cannot find any American playdates for the film anywhere near its alleged May 1st, 1986 release date. I even contacted Mr. Trenchard-Smith asking him if he remembers anything about the American release of his film, knowing full well it's 37 years later, but while being very polite in his response, he was unable to help.       Finally, we get back to the movies we actually can talk about with some certainty. I know our next movie was actually released in American theatres, because I saw it in America at a cinema.   Twist and Shout tells the story of two best friends, Bjørn and Erik, growing up in suburbs of Copenhagen, Denmark in 1963. The music of The Beatles, who are just exploding in Europe, help provide a welcome respite from the harsh realities of their lives.   Directed by Billie August, Twist and Shout would become the first of several August films to be released by Miramax over the next decade, including his follow-up, which would end up become Miramax's first Oscar-winning release, but we'll be talking about that movie on our next episode.   August was often seen as a spiritual successor to Ingmar Bergman within Scandinavian cinema, so much so that Bergman would handpick August to direct a semi-autobiographical screenplay of his, The Best Intentions, in the early 1990s, when it became clear to Bergman that he would not be able to make it himself. Bergman's only stipulation was that August would need to cast one of his actresses from Fanny and Alexander, Pernilla Wallgren, as his stand-in character's mother. August and Wallgren had never met until they started filming. By the end of shooting, Pernilla Wallgren would be Pernilla August, but that's another story for another time.   In a rare twist, Twist and Shout would open in Los Angeles before New York City, at the Cineplex Beverly Center August 22nd, 1986, more than two years after it opened across Denmark. Loaded with accolades including a Best Picture Award from the European Film Festival and positive reviews from the likes of Gene Siskel and Michael Wilmington, the movie would gross, according to Variety, a “crisp” $14k in its first three days. In its second weekend, the Beverly Center would add a second screen for the film, and the gross would increase to $17k. And by week four, one of those prints at the Beverly Center would move to the Laemmle Monica 4, so those on the West Side who didn't want to go east of the 405 could watch it. But the combined $13k gross would not be as good as the previous week's $14k from the two screens at the Beverly Center.   It wouldn't be until Twist and Shout's sixth week of release they would finally add a screen in New York City, the 68th Street Playhouse, where it would gross $25k in its first weekend there. But after nine weeks, never playing in more than five theatres in any given weekend, Twist and Shout was down and out, with only $204k in ticket sales. But it was good enough for Miramax to acquire August's next movie, and actually get it into American theatres within a year of its release in Denmark and Sweden. Join us next episode for that story.   Earlier, I teased about why Miramax took more than a year off from releasing movies in 1984 and 1985. And we've reached that point in the timeline to tell that story.   After writing and producing The Burning in 1981, Bob and Harvey had decided what they really wanted to do was direct. But it would take years for them to come up with an idea and flesh that story out to a full length screenplay. They'd return to their roots as rock show promoters, borrowing heavily from one of Harvey's first forays into that field, when he and a partner, Corky Burger, purchased an aging movie theatre in Buffalo in 1974 and turned it into a rock and roll hall for a few years, until they gutted and demolished the theatre, so they could sell the land, with Harvey's half of the proceeds becoming much of the seed money to start Miramax up.   After graduating high school, three best friends from New York get the opportunity of a lifetime when they inherit an old run down hotel upstate, with dreams of turning it into a rock and roll hotel. But when they get to the hotel, they realize the place is going to need a lot more work than they initially realized, and they realize they are not going to get any help from any of the locals, who don't want them or their silly rock and roll hotel in their quaint and quiet town.   With a budget of only $5m, and a story that would need to be filmed entirely on location, the cast would not include very many well known actors.   For the lead role of Danny, the young man who inherits the hotel, they would cast Daniel Jordano, whose previous acting work had been nameless characters in movies like Death Wish 3 and Streetwalkin'. This would be his first leading role.   Danny's two best friends, Silk and Spikes, would be played by Leon W. Grant and Matthew Penn, respectively. Like Jordano, both Grant and Penn had also worked in small supporting roles, although Grant would actually play characters with actual names like Boo Boo and Chollie. Penn, the son of Bonnie and Clyde director Arthur Penn, would ironically have his first acting role in a 1983 musical called Rock and Roll Hotel, about a young trio of musicians who enter a Battle of the Bands at an old hotel called The Rock and Roll Hotel. This would also be their first leading roles.   Today, there are two reasons to watch Playing For Keeps.   One of them is to see just how truly awful Bob and Harvey Weinstein were as directors. 80% of the movie is master shots without any kind of coverage, 15% is wannabe MTV music video if those videos were directed by space aliens handed video cameras and not told what to do with them, and 5% Jordano mimicking Kevin Bacon in Footloose but with the heaviest New Yawk accent this side of Bensonhurst.   The other reason is to watch a young actress in her first major screen role, who is still mesmerizing and hypnotic despite the crapfest she is surrounded by. Nineteen year old Marisa Tomei wouldn't become a star because of this movie, but it was clear very early on she was going to become one, someday.   Mostly shot in and around the grounds of the Bethany Colony Resort in Bethany PA, the film would spend six weeks in production during June and July of 1984, and they would spend more than a year and a half putting the film together. As music men, they knew a movie about a rock and roll hotel for younger people who need to have a lot of hip, cool, teen-friendly music on the soundtrack. So, naturally, the Weinsteins would recruit such hip, cool, teen-friendly musicians like Pete Townshend of The Who, Phil Collins, Peter Frampton, Sister Sledge, already defunct Duran Duran side project Arcadia, and Hinton Battle, who had originated the role of The Scarecrow in the Broadway production of The Wiz. They would spend nearly $500k to acquire B-sides and tossed away songs that weren't good enough to appear on the artists' regular albums.   Once again light on money, Miramax would sent the completed film out to the major studios to see if they'd be willing to release the movie. A sale would bring some much needed capital back into the company immediately, and creating a working relationship with a major studio could be advantageous in the long run. Universal Pictures would buy the movie from Miramax for an undisclosed sum, and set an October 3rd release.   Playing For Keeps would open on 1148 screens that day, including 56 screens in the greater Los Angeles region and 80 in the New York City metropolitan area. But it wasn't the best week to open this film. Crocodile Dundee had opened the week before and was a surprise hit, spending a second week firmly atop the box office charts with $8.2m in ticket sales. Its nearest competitor, the Burt Lancaster/Kirk Douglas comedy Tough Guys, would be the week's highest grossing new film, with $4.6m. Number three was Top Gun, earning $2.405m in its 21st week in theatres, and Stand By Me was in fourth in its ninth week with $2.396m. In fifth place, playing in only 215 theatres, would be another new opener, Children of a Lesser God, with $1.9m. And all the way down in sixth place, with only $1.4m in ticket sales, was Playing for Keeps.   The reviews were fairly brutal, and by that, I mean they were fair in their brutality, although you'll have to do some work to find those reviews. No one has ever bothered to link their reviews for Playing For Keeps at Rotten Tomatoes or Metacritic. After a second weekend, where the film would lose a quarter of its screens and 61% of its opening weekend business, Universal would cut its losses and dump the film into dollar houses. The final reported box office gross on the film would be $2.67m.   Bob Weinstein would never write or direct another film, and Harvey Weinstein would only have one other directing credit to his name, an animated movie called The Gnomes' Great Adventure, which wasn't really a directing effort so much as buying the American rights to a 1985 Spanish animated series called The World of David the Gnome, creating new English language dubs with actors like Tom Bosley, Frank Gorshin, Christopher Plummer, and Tony Randall, and selling the new versions to Nickelodeon.   Sadly, we would learn in October 2017 that one of the earliest known episodes of sexual harassment by Harvey Weinstein happened during the pre-production of Playing for Keeps.   In 1984, a twenty year old college junior Tomi-Ann Roberts was waiting tables in New York City, hoping to start an acting career. Weinstein, who one of her customers at this restaurant, urged Ms. Roberts to audition for a movie that he and his brother were planning to direct. He sent her the script and asked her to meet him where he was staying so they could discuss the film. When she arrived at his hotel room, the door was left slightly ajar, and he called on her to come in and close the door behind her.  She would find Weinstein nude in the bathtub,  where he told her she would give a much better audition if she were comfortable getting naked in front of him too, because the character she might play would have a topless scene. If she could not bare her breasts in private, she would not be able to do it on film. She was horrified and rushed out of the room, after telling Weinstein that she was too prudish to go along. She felt he had manipulated her by feigning professional interest in her, and doubted she had ever been under serious consideration. That incident would send her life in a different direction. In 2017, Roberts was a psychology professor at Colorado College, researching sexual objectification, an interest she traces back in part to that long-ago encounter.   And on that sad note, we're going to take our leave.   Thank you for joining us. We'll talk again next week, when we continue with story of Miramax Films, from 1987.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about the movies we covered this episode.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

Tony Award winner John Rubinstein (Pippin, Children of a Lesser God) will star as President Dwight D. Eisenhower in Eisenhower: This Piece of Ground, a new American play by Richard Hellesen and directed by Peter Ellenstein. Following acclaimed Los Angeles engagements, The New Los Angeles Repertory Company (Peter Ellenstein, Producing Artistic Director) will present the seven-week Off-Broadway engagement, June 13 through July 30, at Theatre at St. Clements (423 W. 46th Street, NYC). Opening night is Tuesday June 20 at 7PM. Tickets are now on sale at OvationTix.com. For further information, visit EisenhowerThePlay.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of 'Revisiting the Oscars' we're headed back almost 40 years to talk all things 1986 as we dissect the 5 movies nominated for 'Best Picture' that year!Crocodile Dundee, Diego Maradona, Catchphrase and Top Gun were just some of the things making headlines in 1986, but what was happening at the Oscars....We've got an interesting bunch to discuss this year that includes Robert De Niro playing a Spanish slave trader cum missionary in the oddity that is 'The Mission', a Woody Allen ensemble comedy in 'Hannah and her Sisters', ANOTHER Merchant Ivory period romance ('A Room with a View'), a romantic drama set at a school for the deaf ('Children of a Lesser God') and Oliver Stone's Vietnam War drama 'Platoon'.All this and the usual nonsense and fun facts - who knew there was a Vatican Film List?!Hit us up on our social media channels and let us know your thoughts on this episode!1986 Best Picture NomineesThe MissionChildren of a Lesser GodA Room with a ViewHannah and her SistersPlatoon *This podcast will contain some spoilers for these movies although we do try our best to signpost them!If you're enjoying the podcast please give us a 5-star rating, subscribe to the show, and join us on our social media channels!FOLLOW US!Twitter: https://twitter.com/UpLateAtNightAgInstagram: https://www.instagram.com/uplateatnightagain/Facebook: https://www.facebook.com/revisitingtheoscars/Website: https://uplateatnightagain.com/Podcast Links: https://revisitingtheoscars.buzzsprout.com/Episode Link: https://uplateatnightagain.com/2023/05/04/revisiting-the-oscars-podcast-episode-29-1986/

We continue to follow the narrative thread of David Lynch's career as a filmmaker, exploring the dark underbelly of Blue Velvet. Buy "Where Lies the Strangling Fruit" on Amazon"lost" by Prod. RiddimanUnmasking the Psychosexual Nightmare of David Lynch's Blue Velvet by CinemaWizardBoyOther films mentioned: Aliens (1986, dir. James Cameron)The American Friend (1977, dir. Wim Wenders)Big Trouble in Little China (1986, dir. John Carpenter)Children of a Lesser God (1986, dir. Randa Haines)Chopping Mall (1986, dir. Jim Wynorski)The Colour of Money (1986, dir. Martin Scorsese)Crocodile Dundee (1986, dir. Peter Faiman)David Lynch: The Art Life (2016, dir. Rick Barnes, Olivia Neergaard-Holm and Jon Nguyen)Dune (1984, dir. David Lynch)The Elephant Man (1980, dir. David Lynch)Eraserhead (1977, dir. David Lynch)The Fly (1986, dir. David Cronenberg)Friday the 13th Part VI: Jason Lives (1986, dir. Tom McLoughlin)Giant (1956, dir. George Stevens)Hannah and Her Sisters (1986, dir. Woody Allen)The Karate Kid Part II (1986, dir. John G. Avildsen)Manhunter (1986, dir. Michael Mann)Mulholland Drive (2001, dir. David Lynch)Platoon (1986, dir. Oliver Stone)Rebel Without a Cause (1955, dir. Nicholas Ray)A Room With A View (1985, dir. James Ivory)The Sacrifice (1986, dir. Andrei Tarkovsky)Star Trek IV: The Voyage Home (1986, dir. Leonard Nimoy)Top Gun (1986, dir. Tony Scott)Twin Peaks (1990-91, created by David Lynch and Mark Frost)Twin Peaks: Fire Walk With Me (1992, dir. David Lynch)Twin Peaks: The Return (2017, created by David Lynch and Mark Frost)The Valachi Papers (1972, dir. Terence Young) Become a member to receive more weekly content at https://plus.acast.com/s/the-blue-rose-film-podcast. Hosted on Acast. See acast.com/privacy for more information.

After four decades in the international spotlight, the achievements of saxophonist Branford Marsalis continue to grow. From his initial recognition as a young jazz lion, he has expanded his vision as an instrumentalist, composer, bandleader, and educator, crossing stylistic boundaries while maintaining unwavering creative integrity. In the process, he has become a multi-award-winning artist with three Grammys, a citation by the National Endowment for the Arts as a Jazz Master, and an avatar of contemporary artistic excellence. Growing up in the rich environment of New Orleans as the oldest son of pianist and educator, the late Ellis Marsalis, Branford was drawn to music along with siblings Wynton, Delfeayo, and Jason. The Branford Marsalis Quartet, formed in 1986, remains his primary means of expression. In its virtually uninterrupted three-plus decades of existence, the Quartet has established a rare breadth of stylistic range as demonstrated on the band's latest release: The Secret Between the Shadow and the Soul.  Branford has not confined his music to the jazz quartet context. A frequent soloist with classical ensembles, Branford has become increasingly sought after as a featured soloist with acclaimed orchestras worldwide, performing works by composers such as Copeland, Debussy, Glazunov, Ibert, Mahler, Milhaud, Rorem, Vaughan Williams and Villa-Lobos. And his legendary guest performances with the Grateful Dead and collaborations with Sting have made him a fan favorite in the pop arena. His work on Broadway has garnered a Drama Desk Award and Tony nominations for the acclaimed revivals of Children of a Lesser God, Fences, and A Raisin in the Sun. His screen credits include original music composed for: Spike Lee's Mo' Better Blues, The Immortal Life of Henrietta Lacks starring Oprah Winfrey and Ma Rainey's Black Bottom starring Viola Davis and Chadwick Boseman. Ma Rainey is the Netflix film adaptation of two-time Pulitzer Prize winner August Wilson's play, produced by Denzel Washington and released in December 2020. Branford has also shared his knowledge as an educator, forming extended teaching relationships at Michigan State, San Francisco State, and North Carolina Central Universities and conducting workshops at sites throughout the United States and the world. After the devastation wrought by Hurricane Katrina, Branford and friend Harry Connick, Jr. conceived of “Musicians' Village,” a residential community in the Upper Ninth Ward of New Orleans. The centerpiece of the Village is the Ellis Marsalis Center for Music, honoring Branford's father. The Center uses music as the focal point of a holistic strategy to build a healthy community and to deliver a broad range of services to underserved children, youth, and musicians from neighborhoods battling poverty and social injustice. In this episode, Branford shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

What is it that makes Texas special? Is Texas special? What has happened in the land that is Texas to create our present world? In this episode we begin exploring these ideas that make up the Texas mystique. The goal of Lesson Zero is to serve as an introduction to Texas History Lessons. It's like the first day of a Texas history class when the professor explains the goals and expectations of the class, except I am not a professor and instead of fitting it all into one class I will be taking my time to go over a lot of information in as much detail as possible.   The songs at the end are Devils River by Rosmand (Mando Salas), Magenta by Bo Bundy, Enough by Zach Welch, As It Changes by Seth Jones, Free by Jason Harrell, and Prayers to a Lesser God by Payton Matous. The Texas History Lessons Theme song, Walking Through History, was written and recorded by Derrick McClendon. Twitter: @dmclendonmusic If you are enjoying Texas History Lessons, consider buying me a cup of coffee by clicking here! Help make Texas History Lessons by supporting it on Patreon. And a special thanks to everyone that already does. Website: texashistorylessons.com email: texashistorylessons@gmail.com Twitter: @TexasHistoryL Learn more about your ad choices. Visit megaphone.fm/adchoices

While I have been involved with all kinds of paranormal investigations that are pleasant, I can't lie to anyone and say that I have not encountered paranormal spirits or ghosts that seem to be demonic or mischievous. I recall that I was called to a home in Utah where during a séance a spirit became aggressive. The family, was being tormented by a spirit that in life was an old Mormon school teacher, who repeatedly raped his mentally retarded daughter, he eventually suffocated her with a pillow. The home became a portal for paranormal and poltergeist activity. The Séance was actually videotaped for a television show that was to air on the Si-Fi channel. In the video you can see that there was strange channeling going on and the host of the home began doing a strange pagan prayer.Originally Broadcast On 10/27/2011

This week's episode is pretty special, most of the time when my guests choose a film or a tv show, it's picked because they enjoy it or they've been wanting to check it out. My friend that is on here this week is actually a CODA, Child of Deaf Adults, her sister is also deaf, so this film was a lot closer to her than others we've done. The film was released in August of 2021 and is available to stream on Apple TV+, Apple bought the distribution rights for a record (at the time) $25 million after premiering at Sundance. It went on to win Best Motion Picture of the Year (the first movie produced by a streaming service to win Best Picture), Best Performance by an Actor in a Supporting Role (Troy Kotsur became the first deaf actor to win an Oscar), and Best Adapted Screenplay at the Oscars. The film was written and directed by Sian Heder (it was adapted from the French-Belgium film La Famille Bélier that was written by Victoria Bedos, Stanislas Carré de Malberg, Éric Lartigau, and Thomas Bidegain, and was directed by Éric Lartigau) and stars Marlee Matlin (first deaf actress to win Best Actress for Children of a Lesser God), Emilia Jones, Troy Kotsur, Daniel Durant, Ferdia Walsh-Peelo, and Eugenio Derbez. I highly recommend checking the film out, it was very well deserving of winning Best Picture. CODA Cocktail (https://www.timeout.com/los-angeles/things-to-do/best-picture-nominee-cocktails-at-fannys): Ingredients 2 squirts saline tincture (5% salt:filtered water) 1 tsp Mommenpop Seville Orange 1 tsp Benedictine 1/4 oz Varnelli Caffé Moka 1/2 oz Giffard Banane du Bresil 1 1/2 oz Fortaleza Tequila Blanco Drinking Game (drinkwhen.ca): Anyone says “Ruby” Anyone sings A song begins You see fish The family bickers As always, drink responsibly. Follow the podcast on Instagram and Twitter @Line_Drunk, follow/subscribe on your favorite streaming platforms, tell your friends about the podcast, and check out linedrunk.wordpress.com and patreon.com/linedrunk for bonus episodes. --- Support this podcast: https://anchor.fm/linedrunk/support

This movie...really upset us. We're talking about Best Picture nominee "Children of a Lesser God".  (Ian & Adam rec “Bad Lieutenant: Port of Call New Orleans”)

January 28 - February 3, 1989 This week, after a few false starts, Ken welcomes comedian Amy Miller (watch her special Ham Mouth and buy her album California King) to the show. Ken and Amy discuss false starts, kids cartoons, missile launch codes, growing up White Trash, Roseanne, Joe Camel, sexy Joe Camel, buying scratch tickets, being sent to the corner store for adults, bootleg carnival airbrush art, Camel Cash, Marlboro Miles, stranger danger, realistically defending Roseanne, exploiting crazy people, vetting celebrities, how you can't say "White People Suck" on Instagram, Dan Conner: Great Dad, Russians bootlegging American TV, Vanna White, Golden Girls, Empty Nest, full page ads, 21 Jump St, Perfect Strangers, mail order music clubs, Throw Mama From the Train, not watching America's Most Wanted, LifeTime style movies of the week, Farrah Fawcett made for TV movies, the strangeness of Craisins, Children of a Lesser God, Dreambreakers, pretending you watched Billy Graham so you can talk about it at Church, The Wonder Years, Family Ties, Head of the Class, Growing Pains, Boner in the Army, the lack of female people of color on the mainstream stand up scene in the 1980s, Night Court, Marsha Warfield, loving David Letterman, Just the Ten of Us, TV stars trying to have musical careers, Dallas, Beauty and the Beast, Falcon Crest, CBS being super horny, being thankful for gel caps, complaining about boxing padding, and Murphy Brown.

Deepa Shastri, an actress, sign song performer and British Sign Language consultant. Deepa explores how Deaf culture and sign language being represented in the arts is so important to the deaf community but also how the arts and sign language naturally go hand in hand - due to the visual and expressive nature of sign language. Back in the 80s, when Marlee Matlin became the first deaf Oscar winner for her performance in 'Children of a Lesser God', things were about to become very exciting for the deaf arts. Fast forward a few decades, Deepa shares how we are now entering a new era where deaf people are being represented on screen and on stage with the likes of Rose Ayling-Ellis picking up the Glitterball, Sophie Stone appearing in Dr. Who and Nadeem Islam making waves on series such as ITV's 'The Bay'. Theatre companies such as Deafinitely Theatre were and continue to be the breeding ground of deaf talent. Within the context of exploring Deafinitely Theatre's work, Deepa explores the complex process of translating Shakespeare plays to British Sign Language and how BSL has its limitations; we do not have signs for every word that exists in the English Dictionary which makes translation difficult. Still, the positives outweigh the limitations. Sign language is very poetic which bodes well for Shakespeare plays in sign language. Deepa concludes that she believes we're entering the golden age for deaf performers as sign language and deaf performers are appearing on all platforms to show the beauty of sign language and how it elevate a performance or a production. A Flashing Lights Media production for BBC Radio 3.

This week, we're feeling peckish but unsure just what we're craving, and we're taking strides to fully demonstrate our faith. Want to support The Arcanist, our writers, and thousands of other creatives? Join us at medium.com/@TheArcanist/membership and never miss another story. Tales From The Arcanist is produced by the editors of The Arcanist. Music by Spaceinvader from Fugue.

Marie Gettel-Gilmartin who is the, “Fertile Grounds Podcast,” host joins us to share about Marlee Matlin. Marlee is deaf and won an Oscar for her role in, “Children of a Lesser God.” Marie shares insights about Marlee's life, her career and recently her work in the award-winning movie, “Coda.” Join us in this wonderful conversation about Marlee and how deaf and hard of hearing representation in entertainment should be a thriving and represented group!

In June 1939 the Flake family, originally from Marshall, Texas bought a house in the 900 block East Annie Street in Fort Worth, Texas. On June 19, 1939, Juneteenth, a mob numbering near 500 destroyed their home. Why? They were black and had been audacious enough to move into a mostly white area of the north Texas city. That day should have been a day of celebration for the Flake family. Seventy-four years earlier, in the island city of Galveston, Union troops, many of them being black men serving with the United States Colored Troops, brought news of freedom to the enslaved people of Texas. It was a momentous occasion and word of freedom spread from the coast of Texas and spider webbed its way out and across the countryside to at least 250,000 people held in bondage in the state. General Order Number 3 contained the phrase “The people of Texas are informed that, in accordance with a proclamation from the Executive of the United States, all slaves are free. This involves an absolute equality of personal rights and rights of property between former masters and slaves.” But the freedmen and freedwomen and their descendants did not receive absolute equality in reality. The rebels and their descendants, using violence, intimidation and law, placed a number of barriers and hurdles between them and this term, “absolute equality.” But having endured for hundreds of years in slavery, the freed people and their descendants persevered and fought for years more as the state and nation continued to evolve towards this noble goal. Eighty-two years after the Juneteenth riot and destruction of the Flake family's home in Fort Worth, and 156 years after the first Juneteenth, a woman named Opal Lee was present in Washington D.C. when President Joe Biden signed the act passed by Congress making Juneteenth a national holiday. She was 94 years old. She had been twelve when her house had been destroyed on Juneteenth 1939. This episode is an attempt to share the story of Juneteenth and the power of perseverance. The Texas History Lessons Theme song, Walking Through History, was written and recorded by Derrick McClendon. Listen to his new album, Interstate Daydreamer! Available everywhere you find good music. Thank you Derrick! Twitter: @dmclendonmusic The song at the end of the episode is Prayers to a Lesser God by Texas History Lessons spotlight artist, Payton Matous. Check out his new EP and new single everywhere that music is available. If you are enjoying Texas History Lessons, consider buying me a cup of coffee by clicking here! Help make Texas History Lessons by supporting it on Patreon. And a special thanks to everyone that already does. Website: texashistorylessons.com email: texashistorylessons@gmail.com Twitter: @TexasHistoryL Learn more about your ad choices. Visit megaphone.fm/adchoices

This podcast was recorded on the show floor of USITT22 at Studio USITT in partnership with AKG by Harman.On this week's episode, we sat down with 2022 YDMT winner of the Richard Hay Undergraduate Scene Design Award, Maggie Nelson.Maggie has been scenic designing professionally for three years, and scenic painting for six. Her most recent work has been at Hope Summer Repertory Theatre's 2021 outdoor season as Scenic Designer for A Year with Frog and Toad and The Importance of Being Earnest, Assistant to Remote Scenic Designers for The Mountaintop and Children of a Lesser God, and Scenic Paint Charge for all of the above. She is currently in her fourth year at The Conservatory of Theatre Arts at Webster University, pursuing a BFA in scenic design with a second emphasis in Scenic Art. She likes spaghetti and nature.TECHnically Speaking is a public service of USITT, which seeks to have a broad conversation on topics of interest to its members, but it is neither a legal interpretation nor a statement of Institute policy. The views expressed on this podcast by guests are their own and their appearance herein does not imply an endorsement of them or of any entity they may represent. Reference to any specific product or idea does not constitute an endorsement or recommendation. Views, opinions, recommendations or use cases expressed on this podcast do not necessarily reflect the views of USITT, its Board members or employees.

Let's go to Polkafest on Memorial Day Weekend! In this episode Payton Matous joins the podcast to talk about the history and heritage of Czech Texans with a special focus on the National Polka Festival in Ennis. Make plans to visit Ennis, Texas in Memorial Day weekend this year and in the future for a great time. Payton is a talented musical artist and graces the show with two unreleased songs. His EP Prayers to a Lesser God was released on May 11, 2022 and the title track ends this episode. Follow him on Twitter: @payton_matous and listen to his music everywhere you listen to music. The National Polka Festival in Ennis, Texas The Texas History Lessons Theme song, Walking Through History, was written and recorded by Derrick McClendon. Listen to his new album, Interstate Daydreamer! Available everywhere you find good music. Thank you Derrick! Twitter: @dmclendonmusic If you are enjoying Texas History Lessons, consider buying me a cup of coffee by clicking here! Help make Texas History Lessons by supporting it on Patreon. And a special thanks to everyone that already does. Website: texashistorylessons.com email: texashistorylessons@gmail.com Twitter: @TexasHistoryL Learn more about your ad choices. Visit megaphone.fm/adchoices

What do these two movies have in common? Where are they different? Join us for a drink and discussion about Sound of Metal and Children of a Lesser God. In this episode, Jerome & Chris discuss:Children of a Lesser God, 1986Sound of Metal, 2019Alcohol addiction and abuseRiz Ahmed as Ruben in Sound of MetalSound of Metal nominated for several OscarsBlackened by Metallica, American WhiskeyOld Forrester, Straight Kentucky Bourbon WhiskeyWilliam Hurt as James Leeds in Children of a Lesser GodMarlee Matlin as Sarah Norman in Children of a Lesser GodPaul Raci as Joe, and his amazing performance as a supporting actorThe Wiegand brothers, Jerome & Chris, love movies, and they are fascinated by human nature and the art of great storytelling. Have you ever wondered how great stories connect? Listen to the Silver Screen Happy Hour - a podcast for movie lovers!Follow Silver Screen Happy Hour on Instagram here:https://www.instagram.com/silverscreenhappyhour/

“CODA” won three Oscars this year: Best Picture, Best Actor in a Supporting Role, and Writing (Adapted Screenplay). When making “CODA,” Marlee Matlin, who won an Oscar in 1987 for “Children of a Lesser God,” realized she was usually the only Deaf person on a set. She told KCRW in January: “I'm the one typically going to my trailer by myself, and it's just me and my interpreter. But in all honesty, I never thought of it until I got on the set of ‘CODA' and realized there's a whole different world out there I've been missing all this time. Realizing that here I am, on the set of ‘CODA,' in my element at lunch time, because everybody is signing. The hearing crew — they're signing, there's Deaf cast members, and most importantly, our director learned sign language.” KCRW reairs its conversation with director Siân Heder and Matlin. Also in a new Banter, Matt Belloni talks to Lucas Shaw about what happens now as the WarnerMedia Discovery merger is imminent. 

This year, CODA won three Oscars, including the Academy Award for Best Picture, Best Supporting Actor, and Best Adapted Screenplay. "CODA" takes us into the world of the close-knit Rossi family. Jackie and Frank are happily married with one adult son and a daughter about to graduate high school. But money is tight where they live, a fishing town on Massachusetts' coast. Finding a way to make ends meet is even harder as a deaf family.So they rely on the only hearing person in their family, their daughter Ruby, to help them for practically everything. Marlee Matlin stars as Jackie Rossi. She received an Academy Award for her role in "Children of a Lesser God" in 1987 and is the only deaf actor to have won an Oscar. Troy Kotsur stars as Frank Rossi. He recently became the first male deaf actor to be nominated for a SAG Award. We revisit our conversation with Marlee Matlin and Troy Kotsur about authentic representation of deaf culture in Hollywood and why this film breaks barriers. Their interpreters were Jack Jason and Justin Maurer. A transcript is available here. Want to support 1A? Give to your local public radio station and subscribe to this podcast. Have questions? Find us on Twitter @1A.

Welcome to The B-Side, from The Film Stage. Here we usually talk about movie stars and not the movies that made them famous or kept them famous, but the ones they made in between. Today, however, we talk about Oscar movies (!) that time has relegated to B-Side status. These are winners and/or nominees that have been sadly (or not so sadly) forgotten by the masses. Today, Dan and Conor welcome the wonderful Joe Reid of the This Had Oscar Buzz podcast. In their discussions, our guest and his co-host (and former B-Side guest!) Chris Feil dive into myriad films that were released to significant awards buzz, only to earn zero Academy Award nominations. In today's episode, we each choose one film to focus on. Conor's pick is the 1961 Best Picture nominee Fanny. Dan's pick is 1986 Best Picture nominee The Mission from Roland Joffe. Joe's pick is the 1993 film Shadowlands, which features Anthony Hopkins and Debra Winger in Oscar-nominated performances. There's plenty of talk about the films our B-Sides were nominated alongside (including the original West Side Story, as well as Children of a Lesser God), the evolving politics of Oscar, and much, much more. Be sure to give us a follow on Twitter at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. We are also now on Spotify and Stitcher. Enjoy!

If there's any hope that writer-director Sian Heder has for her Sundance-winning film "CODA," it's for her actors to get the recognition they deserve. It's a fair hope that her actors, including deaf performers Marlee Matlin, Troy Kotsur, and Daniel Durant, would receive accolades that so rarely come to performances like these. The Oscar-winning Matlin is one of the rare exceptions, though Heder notes Matlin still hasn't had the career she deserves. "CODA" centers on Ruby, a hearing child of deaf adults, played by newcomer Emilia Jones. Roughly 40% of the film is comprised of ASL, something that brought unique challenges for Heder. In a conversation with Next Best Picture, Heder discusses the missed opportunities she sees when creators avoid casting actors with a disability and why she wants the world to see Troy Kotsur and Daniel Durant as major stars. Speaking of Troy Kotsur, watching "Children of a Lesser God" as a 17-year-old, he promised his friends that he would work with Marlee Matlin one day. Thirty-five years later, he's made good on that promise in "CODA." Kotsur still recalls the impact of seeing Sign Language on screen all those years ago. Though films like "Sound of Metal" and "Feeling Through" were nominated for Academy Awards just last year, it's still a rarity to see deaf representation at the movies, which is why Kotsur is honored to star in a film that could inspire a new generation of young people. In a conversation with Next Best Picture, Kotsur discussed how the story of "CODA" parallels his own family and how he collaborated with director Sian Heder to bring authenticity to the film. Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture