Podcasts about New York City Opera

Just in time for Mother's Day, we are celebrating two, very special mothers this week…educator, mother (of 8), grandmother (of 13) and dear friend, Barbara Forste, and her daughter, award-winning actress, producer and publisher, Sarah Jessica Parker. Barbara Forste is a lifelong supporter of the arts and of literacy and education. She worked in market research for Procter & Gamble, as a second grade teacher, and as a child-wrangler at the Metropolitan Opera, the New York City Opera and the American Ballet Theater. She is a co-founder and director of The Children's Circle, a national association for the education of young children. Her very busy daughter, Sarah Jessica Parker, has worked in theater since 1976 from the title role in Annie, to most recently with her husband, Matthew Broderick, in the revival of Neil Simon‘s comedy play, Plaza Suite. From theater to television and film, Sarah Jessica is known most widely for her portrayal of Carrie Bradshaw in Sex and the City and its sequel, And Just Like That; as well as the films based on the show, Sex and the City, and Sex and the City 2. Sarah Jessica is the publisher of SJP Lit, her own imprint in partnership with Zando Books. She recently executive produced the documentary, The Librarians, a film highlighting librarians across the country who have been fighting against book bans. It will be available for streaming soon.  Adelphi University hosted us at their annual Writers & Readers Festival this year where we were delighted to hold this conversation in front of a live audience of students, teachers, readers and writers. The Writers & Readers Festival was founded by Adelphi alumna and bestselling novelist Alice Hoffman. This is a conversation about how mothers can pass down their love of reading to change their children's lives and ours.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Touring with everyone from the Martha Graham Ballet and the New York City Opera, to Cher, Barry Manilow, Aerosmith, Miley Cyrus, Foreigner, Steve Miller, Jennifer Lopez, and more… Garland Purdy has “been involved in the entertainment industry since before there was an entertainment industry.” Join us as we sit down, over coffee… pretty much just as an excuse for me to get to know him more.  

ILYASAH AL SHABAZZ – Third daughter of Malcolm X and Dr. Betty Shabazz, is an educator, social activist, motivational speaker, and author of award winning publications: (1) Growing Up X (Random House) a coming of age memoir; (2) Malcolm Little (Simon & Schuster), a children's illustration book and (3) X, A Novel (Candlewick Press) a young adult historical fiction. Ilyasah promotes higher education for at-risk youth, interfaith dialogue to build bridges between cultures for young leaders of the world, and she participates on international humanitarian delegations. Ilyasah produced training programs to encourage higher education sanctioned by City University of New York's Office of Academic Affairs. She served for twelve years on the Executive Youth Board for the City of Mount Vernon, including appointments as Director of Public Relations, Director of Public Affairs & Special Events, and later promoted to Director of Cultural Affairs. She is a member of the Diversity, Equity and Inclusion Committee at West Virginia University. She is a mentor for Nile Rogers' We Are Family Foundation. She mentors at various group homes, lock-up facilities, high schools and college campuses through production of The WAKE-UP Tour™ X-Tra Credit Forums—her exclusive youth empowerment program. Ilyasah has retraced her father's footsteps to the Holy City of Mecca, explored religious and historical sites in both Egypt and Jordan as the guest of HRH Princess Alia Hussein, participated in interfaith dialogue study programs under Rabbi Nancy Kreimer and Dr. Aziza Al Hibri, and served as member of the American Interfaith Leadership delegation that participated with the Malaria No More Foundation in Mali, West Africa. Ilyasah also served as a member of the United States delegation that accompanied President Bill Clinton to South Africa to commemorate election of President Nelson Mandela and the economic business development initiative. Ilyasah serves as Trustee for the Harlem Symphonic Orchestra, The Malcolm X & Dr. Betty Shabazz Memorial and Educational Center, and The Malcolm X Foundation. She is a member of the Arts Committee for the New York City Opera at Lincoln Center and a project advisor for the PBS award-winning Prince Among Slaves documentary. She holds a Master of Science in Education & Human Resource Development from Fordham University and a Bachelor of Science in Biology from SUNY/New Paltz. Ilyasah is currently an adjunct professor at John Jay College of Criminal Justice, and resides in Westchester County, New York.For further information, please contact, Dr. Jamal Watson, at jamal@ilyasahshabazz.comwww.ilyasahshabazz.com http://Twitter.com/ilyasahshabazzX: A NOVEL, Candlewick Press. (1/2015) MALCOLM LITTLE, Simon & Schuster. (1/2014) GROWING UP X, Random House. (1/2002)Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

We are thrilled to be welcoming back the Executive and Music Director as well as principal conductor of the New York City Opera, Constantine Orbelian, onto the latest Whisper in the Wings from Stage Whisper. He joined us to talk about their upcoming concert, Music of Survival. This brilliant lineup including fantastic classics and some New York premieres, is sure to tickle any music lovers fancy. So be sure you hit play and get your tickets today!New York City Opera PresentsMusic of SurvivalMonday, February 24th at 8pm@ Carnegie HallTickets and more information are available at carnegiehall.org And be sure to follow Constantine to stay up to date on all his upcoming projects and productions:nycopera.comconstantineorbelian.com

On the latest episode of Whisper in the Wings from Stage Whisper, we welcomed on the executive and music director of the New York City Opera, Constantine Orbelian. He joined us to talk about his new role at the New York City Opera, as well as the Opera itself. So be sure you tune in for this fantastic conversation, and be sure to check out one of their fantastic productions happening this season!New York City Opera More information is available at nycopera.comAnd be sure to follow Constantine and the New York City Opera to stay up to date on all their upcoming projects and productions:nycopera.com@constantineorbelian

durée : 00:15:32 - Disques de légende du lundi 30 septembre 2024 - Julius Rudel est directeur artistique du New York City Opera de 1957 à 1979, au moment où Beverly Sills, immense soprano, est au sommet de ses moyens.

durée : 00:15:32 - Disques de légende du lundi 30 septembre 2024 - Julius Rudel est directeur artistique du New York City Opera de 1957 à 1979, au moment où Beverly Sills, immense soprano, est au sommet de ses moyens.

With an international background, PATRICK SOLURI is a New York City based composer of music for ballet, opera and film/TV. His love of telling stories through music is evident in a large body of work for the stage, screen and concert hall. Mr. Soluri has had 11 ballet scores performed internationally. This includes a commission and eight sold out performances of JUST BEFORE NOW (2017) at Ballet de l'Opéra National de Bordeaux (France). The same creative team, led by German choreographer Xenia Wiest and costume designer Melanie Frost, first collaborated on TO BE CONTINUED (aka “Continuum” 2009) which was commissioned and performed 18 times over two seasons to great acclaim by Staatsballett Berlin. In 2016 this ballet won the Grande Prixe (1st prize) at the Berritz International Choreographic Competition, and the music was a finalist/winner of the Kaleidescope 2020 international composers competition (with over 8,000 submissions). The latest production is in the 2022/23 season by Ballet X Schwerin in Germany.  During the pandemic the same creative team featuring Xenia Wiest collaborated on “Nacht Ohne Morgen” with Xenia also as the ballet director of Ballett X Schwerin (Germany),  receiving rave reviews and 13 performances in the 2021/22 season, plus 4 additional performances in the 2022/23 season. Other notable ballet works include three productions of MADAME X (1999, 2003, 2019), featuring American Ballet Theater principal Marcelo Gomes, and NY City Ballet principals Abi Stafford and Ask La Cour; FIRE & AIR, premiered at The Kennedy Center with Mr. Soluri conducting; and FANCY NANCY, based on the hit children's books. Mr. Soluri's ballets have been performed by STAATSBALLETT BERLIN (Germany), BALLET DE L'OPÉRA NATIONAL DE BORDEAUX (France), BALLETT X SCHWERIN (Germany), INTERMEZZO DANCE CO (New York City), DANCES PATRELLE (New York City), BOWEN McCAULEY DANCE (DC), and CUYAHOGA VALLEY YOUTH BALLET (OH). In opera, Mr. Soluri was a finalist with librettist Deborah Brevoort for ALBERT NOBBS in the 2018 Pellicciotti Opera Composition Prize who then commissioned and work-shopped a 20-minute excerpt in September 2016. In January 2018 ALBERT NOBBS was showcased as part of Opera America's "New Works Forum," with two new scenes added, and won the 2019 Frontiers Competition at FORT WORTH OPERA (FWO). His one-act opera EMBEDDED, commissioned by AMERICAN LYRIC THEATER, also won the 2013 Frontiers Competition at FWO, and had its fully staged world premiere in March 2014 at FARGO-MOORHEAD OPERA, followed by six performances at FWO in their Spring 2016 season where the NY Times praised "Mr. Soluri's skillfully scored music…” Mr. Soluri is also known for his series of 10 minute comic operas which have performed around the world, four of which have premiered at CARNEGIE HALL. With nearly a dozen productions, his most performed short opera is the dark comedy FIGARO's LAST HANGOVER. The sequel, FIGARO & THE ZOMBIE APOCALYPSE was commissioned & premiered by FWO in 2013. His opera INFERNO was featured in the prestigious ‘2003 VOX Showcasing American Composers' by NEW YORK CITY OPERA. In addition, Mr. Soluri's operas have been performed by VIENNE EN VOIX FESTIVAL, NEVADA OPERA, CENTER CITY OPERA THEATER, URBAN ARIAS, OPERA ON TAP, UNIVERSITY OF ALBANY, RTB, JUVENTAS, and L'ARIETTA SINGAPORE. Mr. Soluri has also composed numerous film scores, has a vast library of music for film/TV, and a film trailer that showed on 19,000 film screens in the US. Other projects include orchestrating and arranging for the EMMY AWARD winning WONDERPETS, with Sean Lennon on the film score for ALTER EGOS, and scoring the indie short HOSTILE TAKEOVER (2018). Additionally, he has hundreds of cues in various film/tv music production libraries (including SONY/ATV, ReelTracks, and ScoreKeepers), which has been featured worldwide on various TV shows and networks, such as TLC, LOGO and DISCOVERY - including hit shows like NBC's "World of Adventure Sports" and "America's Got Talent." Other works include various chamber and orchestral commissions, including an orchestral overture commissioned by GULF COAST SYMPHONY with multiple performances in their 2014/15 season. Holding dual citizenship in the US and Portugal, Mr. Soluri was born in Brazil, and raised in NYC attending a Montessori School (in Milan & NYC) and later Rudolf Steiner (a Waldorf School). At Bennington College Mr. Soluri studied composition with Tobias Picker and Alan Shawn, then received a BM in classical composition from Manhattan School of Music as a scholarship recipient studying with Aaron J. Kernis and Nils Vigeland. He received a MM in composition from Univ. of Louisville where he held the Moritz von Bomhard Fellowship for Opera Composition. Additionally, he was selected for various prestigious programs including the first “class” of the Composer Librettist Development Program by ALT, the ASCAP Film Scoring Workshop in Hollywood, and VOX Showcasing American Composer by New York City Opera. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

On the latest Whisper in the Wings from Stage Whisper, we were joined by the General director of the New York City Opera, Michael Capasso. He stopped by to talk about his company's Bryant Park Picnic Performances. This is a lovely series of events that are a can't miss! So make sure you tune in, and join us for some beautiful performances!New York City OperaBryant Park Picnic PerformancesVarious Dates at 7pm@ Bryant ParkMore information are available at bryantpark.org/picnicsAnd be sure to follow Michael and the New York City Opera, to stay up to date on all their upcoming projects and productions:nycopera.com

During the first season of Countermelody I presented the great African American baritone Lawrence Winters in an episode which paired him with his contemporary Robert McFerrin. Today Winters (born Lawrence Whisonant in South Carolina on 12 November 1915 and died of cancer in Hamburg at age 49 on 24 September 1965) returns center stage to Countermelody in a program which focuses on his prowess in standard operatic repertoire and art song. After vocal study with Todd Duncan at Howard University, Winters toured for several years with the Eva Jessye Choir before enlisting as a member of the Armed Forces. Upon returning to the US, he appeared in Harold Rome's Broadway musical revue Call Me Mister. In 1948 he debuted at New York City Opera, the first Black male singer to perform there; he performed there for seven seasons, returning for a single performance as Porgy in 1962. He made his first trip to Europe in 1949 and in 1950 joined the roster of the Royal Swedish Opera, with whom he sang for two seasons. Thereafter, he joined the ensemble of the Hamburg Opera and later, the Deutsche Oper Berlin. He also performed at the Wiener Staatsoper and the San Francisco Opera. He returned to the Broadway stage in 1960, garnering a Tony nomination for his appearance opposite Joya Sherrill in the play The Long Dream. In the last year of his life he also appeared in Germany in the title role of Eugene O'Neill's The Emperor Jones. He made a large number of recordings for Philips, Deutsche Grammophon and other labels, as well as a slew of radio recordings, many of the latter of which are featured on this episode. A certified star in Germany, Winters was often featured in pop music that appealed to the German public of the time but which, frankly, was not always worthy of his talent. In this episode I present him in repertoire that reveals him as one of the primarily Verdi and verismo baritones of his era, even when he was singing those roles in German translation. We also hear Winters in excerpts from two operas in which the protagonists are specifically Black: Frederick Delius's Koanga and William Grant Still's Troubled Island. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.

Hello and welcome to Season 13! This season is different because ½ of the 8 episodes are going to be focused on AI. However, there are a few episodes that aren't focused on AI including today's. While understanding AI is important, we also need the EQ that occurs in between skilling up and one of those huge skills is navigating difficult conversations. As Jennifer says, contact and context before content! This episode is the pep talk you perhaps didn't even know you needed. Jennifer empowers us to tackle our challenges head on, eliminate negative self talk,  and take care of ourselves throughout the process. We go through three real life examples and Jennifer talks through how she would handle them. These examples were submitted by real life listeners with their real life challenges. Jennifer Zaslow is an Executive Coach who believes that harnessing your full potential begins with finding your voice. She began her professional life in New York as an aspiring opera singer, an experience that led to a twenty year career as a leader and senior fundraiser in the non-profit sector.  Today, as Partner at Clear Path Executive Coaching, Jennifer's signature mix of intuition, directness and humor enables her to work successfully with clients ranging from CEO's to young leaders, helping individuals to reach their full potential, and organizations to achieve their strategic goals.   Jennifer has worked with leaders and teams from a wide variety of sectors, including higher ed (Harvard, Yale, Columbia, Cornell, University of Pennsylvania), arts and culture (The Metropolitan Museum of Art, The New York Public Library, The Metropolitan Opera, New York City Ballet, BAM, The High Line), sports/media/entertainment (The NFL, Sundance Institute, BuzzFeed, WNYC, KCRW) and tech/startups (Google, CHIEF, Angi, and TodayTix).   Prior to coaching, Jennifer held the chief development officer role at three New York City cultural institutions: Manhattan Theatre Club, New York City Opera, and The New York Public Library.  There, she successfully completed a $500 million capital campaign during the 2008 recession and grew the Library's endowment to over $1 billion.    Jennifer holds a B.A. cum laude from Wesleyan University and a CPCC coaching certification from CTI. She is certified in the Myers Briggs Type Indicator, is a Gallup Clifton Strengths Coach and is a recipient of Harvard Law School's PON certificate in Mediation and Conflict Resolution. She is also Director of the Floria Lasky Institute for Arts Leadership, sponsored by The Jerome Robbins Foundation.  She lives and practices in New York City. Resources: 1. Getting to Yes by Roger Fisher and William Ury 2. Difficult Conversations by Douglas Stone, Bruce Patton, and Sheila Heen 3. Crucial Conversations by Kerry Patterson, Joseph Grenny, Ron McMillan, Al Switzler, Emily Gregory 4. How to Work with Anyone (even difficult people) by Amy Gallo --- Support this podcast: https://podcasters.spotify.com/pod/show/devdebrief/support

This Countermelody episode is the last in my miniseries featuring artists from Baltimore. It is also the last in my new episodes for Black History Month 2024 featuring “Forgotten Divas.” Today I offer to you the absolutely divine soprano of Veronica Tyler (1939-2020), who fits all three categories. In the 1960s, Veronica Tyler was a name on everyone's lips: she appeared on three different episodes of Leonard Bernstein's Young People's Concerts, she was the second prize winner of the International Tchaikovsky Competition in Moscow in 1966, the first time this venerable contest had featured singers, she was a featured artist at the New York City Opera, where, in their first season at Lincoln Center, she sang a Pamina in The Magic Flute of such humanity and transcendent vocal beauty that audiences were transported into another world. She sang under conductors Leopold Stokowski, Erich Leinsdorf, Zubin Mehta, Eugene Ormandy, Carlo Maria Giulini, Robert Shaw, and Stanislaw Skrowaczewski. Later on she made a belated Met debut in 1985 as Serena in their premiere production of Porgy and Bess, but gradually her high profile appearances became fewer and fewer and eventually she disappeared from view. Her death on 21 March 2020 was only announced three months later, and with little fanfare. But during her heyday, Veronica Tyler was among the most elegant, compelling, and ingratiating lyric sopranos in the business. I have scoured the archives to bring to light some of the artist's most beautiful performances, some of them virtually unheard for decades, including a 1980 album of spirituals that ranks among the best of this repertoire ever committed to disc. What inexpressible joy it brings me to present to you the unforgettable Veronica Tyler! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.

Composer Anthony Davis and Conductor Kazem Abdullah discuss X: The Life and Times of Malcolm X with KING FM's Myah Rose. Coming to Seattle Opera February 24 through March 9, Davis's first opera premiered at New York City Opera in 1986. Kazem Abdullah first discovered the opera when he found a recording at the public library in Toledo, OH, where he grew up, just as Myah Rose was intrigued when she found a recording at the University of Michigan. Abdullah, who conducted Davis's Pulitzer Prize-winning opera The Central Park Five in Portland recently, has also conducted performances of X in Detroit and New York's Metropolitan Opera. He and Davis discuss the challenges and rewards of this important American work. 

The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark.  Join hosts Noah and John as they interview John Sebastian Vera and Nick Schwartz, trombonists and podcast hosts of The Trombone Retreat.  After you listen to this episode, head on over to The Trombone Retreat feed for the second half of this episode.  You can come see us at Booth #271 at the TMEA Convention, February 8th thru 10th, 2024 in San Antonio Texas.   About John Sebastian Vera John Sebastian Vera, a native of Texas, became the principal trombonist of the Pittsburgh Opera in 2010 and also joined the River City Brass as principal Trombone in 2015. He is also professor of trombone at Duquesne University and faculty member at the Cleveland Institute of Music where he teaches a course on Music Entrepreneurship and Digital Media as well as coach chamber music. In addition to the Pittsburgh Opera, Mr. Vera has played with the symphonies of Dallas, Detroit, Pittsburgh, Cleveland, the St. Paul Chamber Orchestra, Buffalo, Kennedy Center Opera House, Malaysian Philharmonic, New York City Ballet, Vermont, Harrisburg, Charleston, American Ballet Theatre, and Orquesta Sinaloa de las Artes in Mexico amongst others.  He began his studies with Jon Bohls in Texas and continued his education at Southern Methodist University where he studied with John Kitzman of the Dallas Symphony. He then spent a year studying with Ed Zadrozny as a graduate assistant at the University of Akron, and finished his graduate work in New York City at the Mannes College of Music studying with David Finlayson and James Markey of the New York Philharmonic.     In 2011, he spent the summer in Haiti volunteer teaching and performing in the Orchestre Philharmonique Sainte Trinite as well as the Ecole de Musique Dessaix Baptiste which became one of the more profound experiences of his life.   A dedicated chamber musician, he also was a founding member of the critically acclaimed Guidonian Hand Trombone Quartet in which he played from 2008-2014. With the quartet, John performed over 100 concerts and gave master classes all over the country. Heralded by the New York Times for their "expertly played performances" they have been recipients of numerous national grants which have enabled them to commission countless composers to create new and innovative works for four trombones.  In 2014 was the premiere of River of Fundament, a movie by film artist Matthew Barney, in which John recorded for and acted in along with the quartet.  Mr. Vera can also be heard on the HBO documentary The Words that Built America as well as on euphonium in the PBS documentary Abraham and Mary Lincoln, A House Divided as well as many commercial and video game soundtracks as well as James Markey's solo release, “On Base”. John is an Artist for Edwards Instruments and resides in Pittsburgh.  His favorite musicians include Sigur Ros, Radiohead, the Books, and Efterklang. When he can get away from the trombone he most enjoys basketball, traveling and reading about psychology and social science.  Check out his podcast he hosts with Nick Schwartz called the Trombone Retreat available everywhere you download your podcasts. Follow him on Instagram @js.vera.   About Nicholas Schwartz Nicholas Schwartz has a diverse career performing across North America, Europe, and Asia. After studying at The Juilliard School with then New York Philharmonic bass trombonist Don Harwood, he moved to San Francisco where he began freelancing throughout the Bay Area.  Since 2010, he has been the principal bass trombonist of the New York City Ballet Orchestra. He has also performed with the Pittsburgh Symphony, the New York Philharmonic, The Metropolitan Opera, The Philadelphia Orchestra, San Francisco Symphony, San Francisco Ballet, Orpheus Chamber Orchestra, St. Lukes Chamber Orchestra, the New York City Opera,  Atlanta Symphony, Minnesota Orchestra, The Malaysia Philharmonic, Mostly Mozart Festival, and Classical Tahoe.  Follow him on instagram @basstrombone444   About Third Coast Retreat The Third Coast Trombone Retreat is an 7-day trombone immersion welcoming talented college, high school, and amateur trombonists from across the country to the beautiful shores of Lake Michigan.   The Retreat takes place in the charming small town of Montague, MI. Truly an escape from the distractions of everyday life, the festival is nestled in a dense forest along the coast where happening across roaming deer is a common occurrence. The Retreat utilizes facilities all over the town from churches to coffee houses to historic barns to the beach.  We will perform not only for ourselves, but for the community. A fulfilling life of being a musician does not simply begin and end with winning an orchestral or teaching position. Mastering the instrument is only the first step.  Being an artist in the 21st century requires discovering one's unique voice and finding new ways to present the art-form to communicate and contribute to society.   Core to the retreat will be guest artist and faculty recitals, topical master classes including personal finance, performance anxiety and wellness as well as private lessons, orchestral section seminar, ensemble coachings, a trombone choir, a mock orchestral audition, and much more. In addition to the performance elements, the curriculum is expanded to include a talks about career-building, faculty bonfire Q&A, discussions on the mental approach to auditions and performances, wellness, meditation, and more.    

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What is a diva? And how has the term evolved? This hour is all about divas. We'll talk about how the term emerged in the opera and moved into the popular music landscape. And we'll take stock of the current moment for divas. GUESTS:  Myrna Reynolds: Retired singer who sang at the New York City Opera among many other places Zachary Woolfe: The New York Times' Classical Music Critic  Spencer Kornhaber: Staff writer at The Atlantic, and author of the new book, On Divas: Persona, Pleasure, Power Join the conversation on Facebook and Twitter. Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Google Podcasts, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode.  Colin McEnroe and Cat Pastor contributed to this show.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Handel completed the score only seven days before the premiere, at the King's Theatre in the Haymarket on 14 May 1723. There were eight performances in the premiere run. The work was revived on 18 April 1732, under the direction of the composer, for four performances.There were no further revivals until it was rediscovered and performed in Göttingen on 2 July 1967. The first UK performance since Handel's time was on 26 August 1969 at the Unicorn Theatre in Abingdon-on-Thames, England.  As with all Baroque opera seria, Flavio went unperformed for many years, but with the revival of interest in Baroque music and historically informed musical performance since the 1960s, Flavio, like all Handel operas, receives performances at festivals and opera houses today. Among other productions, Flavio was performed at the New York City Opera in 2007 and by English Touring Opera in 2009.Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com

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In this episode, Penny Orloff and I will discuss her life journey as a performing artist who at a young age had been told that if she followed her dreams, she would be alone and penniless. At the age of 60 she found herself homeless and living on her friend's couch when she was asked a pivotal question… What's wrong with money? Penny now has a portfolio worth over 7 figures!   Penny Orloff is a professional Life Coach and Fairy Godmother. A Tarot reader for over 50 years, Penny has used the cards in her counseling practice for decades. For ten years she was the Art Therapist at a residential drug and alcohol rehab facility in Malibu. She is the author of "Art as Lifework, Life as Artwork," a creativity seminar and workbook that has been offered nation-wide since 1991; and is currently at work on her new book, "Who Would You Be If You Had Nothing to Bitch About?" Her personal development system, "Wishful Thinking," synthesizes the human proclivity for magic and symbol with practical steps to the manifestation of your highest good and greatest happiness. Penny was a working actor and dancer in Los Angeles when a Juilliard scholarship took her to New York. She sang more than 20 Principal Soprano roles for New York City Opera, and played featured roles on Broadway under such directors as Harold Prince and Joseph Papp. Theater, concert, and opera engagements took her all over the US, Europe, and the former Soviet Union. Her first solo show, “JEWISH THIGHS ON BROADWAY" (based on her best-selling novel of the same name, available at Amazon.com), toured the US for a decade, including a successful run off-Broadway in 2005. She is currently touring in her latest show, “SONGS AND STORIES FROM A NOT-QUITE-KOSHER LIFE.” She is a regular contributor of stories to the Chicken Soup for the Soul series of books and has worked for more than a decade as an arts journalist for various online and print outlets. Having outlived most of her early competition for film roles, since 2011 she has enjoyed acting in a range of interesting shorts, Indie, and feature films - silver-white hair and a Botox-free face being in short supply in LA.       I am your host, Marci Nettles. I have had a lifetime of opportunities where I had the choice to Breakdown or Breakthrough. It is my hope this Podcast may become your light in the darkness, as you listen to the stories of people I consider “heroes.” Each one had a point where they too had to choose to either Breakdown or Breakthrough! Working from home, with my husband/business partner, helping people around the world find new levels of success in their health and wellness, is part of what makes me tick! If you are open to opportunity, let's connect!    Thank you for listening! Please connect with Terry: pennyorloff.com Find Marci at marcinettles(.)com Don't forget to claim your FREEBIE from Penny by going to       marcinettles(.)com/freebies Purchase Penny's book here: marcinettles.com/books  

Malcolm X led many lives within his 39 years: as a bereaved but precocious child; as an imprisoned convict; as a firebrand spokesperson for the Nation of Islam and Black nationalism; and ultimately as one of the most pivotal figures of the Civil Rights movement. Today, he continues to inspire passion and controversy, his legacy as nuanced as the man himself.Anthony Davis's opera “X: The Life and Times of Malcolm X” seeks to gather Malcolm X's many identities and hold them together in the way only an artistic work can. When the piece was premiered by New York City Opera in 1986, it broke ground not just for its unique melding of jazz and blues idioms with contemporary classical traditions, but also for the choice made by Davis and his cousin, the librettist Thulani Davis, to situate recent history on the operatic stage.It turns out that a life as dramatic and urgent as Malcolm X's is ripe for opera. In the aria “You Want The Story, But You Don't Want To Know,” Anthony and Thulani Davis take the occasion of a police interrogation to let Malcolm X's character reflect on the tragedies and injustices that have shaped his life up to that moment — and, in his refusal to deliver “easier” narratives, to presage the often tumultuous search for truth and righteousness that would direct his life in years to come. Host Rhiannon Giddens and her guests explore the drama and the passion of Malcolm X's life and its inherent musicality upon the Metropolitan Opera's premiere of this modern classic.THE GUESTSIt may have taken nearly forty years for composer Anthony Davis to see the Metropolitan Opera stage “X,” but he's kept himself busy in the interim. This prolific composer, which The New York Times described as “the dean of African-American opera composers,” is also known for “Amistad,” “Wakonda's Dream,” and “The Central Park Five,” the latter of which won him a Pulitzer Prize in 2020. If anyone was born to be a musician, it's Davis: People tell him that the first time he played the piano was as a baby sitting in the lap of jazz pianist Billy Taylor.   Grammy Award-winning baritone Will Liverman was described by The Washington Post as a “voice for this historic moment.” Portraying Malcolm X in the Metropolitan Opera's production of “X: The Life and Times of Malcolm X” is only his most recent artistic triumph. Others include his breakout performance as Charles in Terence Blanchard's “Fire Shut Up In My Bones” and the premiere of “The Factotum,” an opera he both starred in and co-created. His hope for “X” is to help “kill some of the preconceived notions about who Malcolm X was and find the humanity in him.”Zaheer Ali is the executive director of the Hutchins Institute for Social Justice at the Lawrenceville School and something of a Malcolm X expert (a Malcolm X-pert?). He served as the project manager of the Malcolm X Project at Columbia University and his work on the Civil Rights icon has been featured in documentaries like Netflix's “Who Killed Malcolm X?” and CNN's “Witnessed: The Assassination of Malcolm X.” He traces his fascination with Malcolm X back to an assignment given by his eleventh-grade English teacher.

SynopsisFor composers of new operas, all too often, after the heady champagne of opening night comes the strong black coffee of “the morning after” — sipped anxiously while reading the first reviews.Imagine yourself as American composer Robert Ward, whose opera The Crucible was premiered by the New York City Opera on today's date in 1961. Here's what he would have read in the New York Times the following morning:“Last night, the audience heard an opera that, in philosophy and workmanship, could have been composed at the turn of the century, or before. And, judging from the response at the end of the work, the audience loved it.” Hmm. Not all that bad, so far. But down a few more lines comes this zinger: “Mr. Ward is an experienced composer whose music fails to bear the impress of a really inventive mind. Melodically, his ideas had little distinction. ... [The opera's] powerful subject cried out for intensity, for brutality and shock. ... Instead, we had musical platitudes.”Ouch!Oh, well, despite the nasty review, Ward's opera did well at the box office, and, for the record, went on to win the Pulitzer Prize for Music the following year.Music Played in Today's ProgramRobert Ward (b. 1917) The Crucible - New York City Opera; Emerson Buckley, cond. Albany 25/26

Steven is a Movement Master, Author, and Recovery Advocate who is passionate about helping others navigate towards a happier, healthier life. His lifelong love and a key foundation to his own spiritual fitness is 'movement' and he firmly believes our relationship with our body is vital for emotional, physical, and spiritual health.   Steven's online members' community, SWE Studio, offers 300+ mindful movement video classes and wellness resources including Pilates, Qigong, Meditation, Laughter Medicine, and more for the body, mind, and soul. Steven had a successful career as a contemporary dancer, working at New York City Opera, Metropolitan Opera, and appearing on Broadway in Disney's, The Lion King but often used drugs and alcohol to cope with anxiety and self-doubt. Since making the conscious decision to get sober twenty years ago, he has impacted countless lives through movement and his keen ability to connect and relate to others.    During his study of Traditional Chinese Medicine, Steven discovered a love for the ancient Chinese movement practice of Qigong and became a Certified Qigong Instructor. Added to that, Steven is a Pilates teacher and has taught individuals and groups for over 20 years. Steven's writings, articles, and life experiences created the inspiration for his first book, Recovering You, Soul Care and Mindful Movement for Overcoming Addiction. Published by New World Library, the book's unique self-care focus is complemented by the use of Qigong movements. Steven hosts a monthly Heart/Mind Moments YouTube series with videos on physical, emotional, and spiritual health, and his movement and mindfulness work has received over one million views on YouTube. ✨Highlights from the show:   00:03:47 Movement is healing and vital. 00:10:26 Qigong promotes mind-body connection. 00:12:32 Importance of feeling and moving 00:21:30 Breathing deeply helps reduce anxiety. 00:25:08 Breathing helps regulate the nervous system.

Welcome to Episode Eight of PATTERN PORTRAITS!Lauren Godfrey chats with broadcaster and presenter Gemma Cairney about the eroticism of everyday life, pattern as code and living instinctively. Gemma is best known for her work with BBC radio, and a myriad of TV appearances from hosting Glastonbury for the BBC to presenting the public art competition show, Landmark for Sky Arts. Gemma is a published author with another book coming out imminently called The Immortal Sisterhood. Gemma is deeply and passionately involved in the art world, she is on the board of Jupiter Art Land Foundation and the Edinburgh Art Festival helping steer the ship of exciting art in Scotland and beyond. Gemma has a truly joyful approach to dressing, always appearing in fabulously playful patterns and colours, often sourced from independent designers and sustainable brands. I've long admired her buoyant presence on my screen and in my ears so it's my absolute pleasure to chat pattern, colour and life with her! Gemma has chosen patterns on garments including a dress from a roadside stall in Ghana, a handmade cotton scarf from Ethiopia, a vintage 1980's dress, a selection of crochet items - a bikini from Jamaica and a top and pouch made by Katie Jones, and a sarong bought from the New York City Opera thrift shop. You can see all these patterns and more on instagram @patternportraitspodcastThe PATTERN PORTRAIT print artwork to accompany Gemma's interview and featuring the patterns we discuss is available to buy now at www.laurengodfrey.co.ukThere will be an exhibition of the artworks soon to be announced!This is the final episode of Season One but Season Two will be coming soon, follow @patternportraitspodcast to stay in the loop!Other things we discuss:Gemma's first book - Open, A Toolkit for How Magic and Messed Up Life Can Be The Sound Odyssey for Radio 4 Some of the 12 women that feature in Gemma's forthcoming book The Immortal Sisterhood - Pharaoh Hatshepsut, Betty Davis, Pamela Coleman Smith, Audre Lorde and Grace Jones. Hosted on Acast. See acast.com/privacy for more information.

THE FANTASTICKS, with book and lyrics by Tom Jones and music by Harvey Schmidt, opened Off-Broadway in May of 1960 and closed forty-two years later, becoming the longest-running production in the history of the American stage and one of the most frequently produced musicals in the world. Their first Broadway musical, 110 IN THE SHADE, was nominated for a Tony Award and was successfully revived by the New York City Opera starring Karen Ziemba, and later produced on Broadway by the Roundabout Theatre Company starring Audra McDonald and John Cullum. I DO! I DO!, their two character musical with Mary Martin and Robert Preston, ran for a year on Broadway and a year on the road and is frequently done around the country and the world. (One production, in Minneapolis, played for twenty-two continuous years with the same two actors in the leading roles.) Tom in recording studio.JPG For several years Jones and Schmidt worked privately at their theatre workshop, concentrating on small musicals in new and often untried forms. The most notable of these efforts were CELEBRATION, which moved to Broadway, and PHILEMON, which won the Outer Critics Circle Award and was filmed for television. They contributed incidental music and lyrics to the Off-Broadway play COLETTE starring Zoe Caldwell and Milddred Dunnock, then later did a full-scale musical version under the title COLETTE COLLAGE. In addition to an Obie Award and the 1992 Special Tony for THE FANTASTICKS, in 1999 Jones and Schmidt were inducted into the Broadway Hall of Fame at the Gershwin Theatre, in 2012 they were inducted into the Songwriter's Hall of Fame, and in December of 2017 they received the Oscar Hammerstein Award. 

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Today,we start the show with an iconic legend and friend Professor Anthony Davis… Prof. American composer,best known for his operas, “The Life and Times of Malcolm X, which played sold-out houses at its premiere at the New York City Opera ... .This was the first of a new American genre… addressing contemporary political subjects… A new production of a revised version was launched in May 2022 at Detroit Opera and directed by Robert O'Hara. The premiere recording of X was released on the Gramavision label in August 1992 and received a Grammy Nomination for "Best Contemporary Classical Composition" in February 1993.  A new recording with BMOP and Odyssey Opera was released in October 2022. Davis won a Pulitzer Prize for his recent opera, The Central Park Five. Davis's second opera, Under the Double Moon, a science fiction opera with an original libretto by Deborah Atherton, premiered at the Opera Theatre of St. Louis in June 1989.  His third opera, Tania, with a libretto by Michael-John LaChiusa, based on the abduction of Patricia Hearst, premiered at the American Music Theater Festival in June 1992. A recording of Tania  was released in 2001 on Koch, and in November 2003, Musikwerkstaat Wien presented its European premiere. A fourth opera, Amistad, about a shipboard uprising by slaves and their subsequent trial, premiered at the Lyric Opera of Chicago in November 1997. Set to a libretto by poet Thulani Davis, the librettist of X, Amistad was staged by George C. Wolfe. As a composer, Davis is best known for his operas. X, The Life and Times of Malcolm X, which played to sold-out houses at its premiere at the New York City Opera in 1986, was the first of a new American genre: opera on a contemporary political subject. A new production of a revised version was launched in May 2022 at Detroit Opera and directed by Robert O'Hara. The premiere recording of X was released on the Gramavision label in August 1992 and received a Grammy Nomination for "Best Contemporary Classical Composition" in February 1993. A new recording with BMOP and Odyssey Opera was released in October 2022. Davis won a Pulitzer Prize for his recent opera, The Central Park Five. Davis's second opera, Under the Double Moon, a science fiction opera with an original libretto by Deborah Atherton, premiered at the Opera Theatre of St. Louis in June 1989. His third opera, Tania, with a libretto by Michael-John LaChiusa, based on the abduction of Patricia Hearst, premiered at the American Music Theater Festival in June 1992. A recording of Tania  was released in 2001 on Koch, and in November 2003, Musikwerkstaat Wien presented its European premiere. A fourth opera, Amistad, about a shipboard uprising by slaves and their subsequent trial, premiered at the Lyric Opera  of Chicago in November 1997. Set to a libretto by poet Thulani Davis, the librettist of X, Amistad was staged by George C. Wolfe. Anthony Davis represents Black struggle through opera…. A graduate of Yale University in 1975, Mr. Davis is currently a professor of music at the University of California, San Diego as well as the Cecil Lytle Chancellor's Endowed Chair in African and African-American Music. In 2008 he received the "Lift Every Voice" Legacy Award from the National Opera Association acknowledging his pioneering work in opera. In 2006 Mr. Davis was awarded a fellowship from the John Simon Guggenheim Foundation. Mr. Davis has also been honored by the American Academy of Arts and Letters, the NYC Foundation of the Arts, the National Endowment of the Arts, the Massachusetts Arts Council, the Carey Trust, Chamber Music America, Meet-the-Composer Wallace Fund, the MAP fund with the Rockefeller Foundation and Opera America. He has been an artist fellow at the MacDowell Colony and at the Rockefeller Foundation's Bellagio Center in Italy. Musical Intro "FREEDOM"by June Allison & Jonva Ven Editing: Amin Abraham-Quiles in Affiliation DOCENTERTAINMENT Engineering&Mastering: Soundmusiqproductions1.org --- Send in a voice message: https://podcasters.spotify.com/pod/show/infinitz8/message Support this podcast: https://podcasters.spotify.com/pod/show/infinitz8/support

Steven Washington is a Movement Master, Author, and Recovery Advocate who is passionate about helping others navigate towards a happier, healthier life. His lifelong love and a key foundation to his own spiritual fitness is 'movement' ​and he firmly believes our relationship with our body is vital for emotional, physical, and spiritual health.  Steven's online members' community, SWE Studio, offers​ 300+ mindful movement video classes and wellness resources including Pilates, Qigong, Meditation, Laughter Medicine, and more for the body, mind, and soul​.Steven had a successful career as a contemporary dancer, working at New York City Opera, Metropolitan Opera, and appearing on Broadway in Disney's, The Lion King but often used drugs and alcohol to cope with anxiety and self-doubt. Since making the conscious decision to get sober twenty years ago, he has impacted countless lives through movement and his keen ability to connect ​and relate to others.   During his study of Traditional Chinese Medicine, Steven discovered a love for the ancient Chinese movement practice of Qigong and became a Certified Qigong Instructor. Added to that, Steven is a Pilates teacher and has taught individuals and groups for over 20 years. ​Steven's writings, articles, and life experiences created the inspiration for his first book, Recovering You, Soul Care and Mindful Movement for Overcoming Addiction. Published by New World Library, the book's unique self-care focus is complemented by the use of Qigong movements. Steven hosts a monthly Heart/Mind Moments YouTube series with videos on physical, emotional, and spiritual health, and his movement and mindfulness work has received over one million views on YouTube.In this beautiful conversation, we talked about:Steven's spiritual awakening and recovery pathHow humans might use addiction to numb pain and shameHis journey from a Broadway performer to a Qi-Gong masterWhat is Qi-Gong? And what is the difference between Qi-Gong and Tai Chi?Why Yoga might be more mainstream than these traditional Chinese practicesMovement as medicine: how does movement heal? How we can connect more deeply with the intelligence of our physical bodyPractical tips to start using movement and mindfulness as a healing toolThe role of the heart and mind in the healing journey ⭐ Steven's website: https://stevenwashingtonexperience.com⭐ Steven's book "Recovering You: Soul Care and Mindful Movement for Overcoming Addiction": https://tinyurl.com/recoveringyouConnect with Steven:

Jenni Bank was born in Johannesburg, South Africa, grew up in Binghamton, New York, & studied at Peabody Conservatory. She has worked with Seattle Opera, Opera Theatre of Saint Louis, Chicago Lyric Opera, New York City Opera, Anchorage Opera, Opera Delaware, Des Moines Metro Opera, Florentine Opera, Wolf Trap Opera, Tri-Cities Opera, Knoxville Opera, Hawaii Opera Theatre, Bard Summer Music Festival, Ash Lawn Opera, Amarillo Opera, Baltimore Concert Opera, Annapolis Opera, Mid-America Productions at Carnegie Hall, Alabama Symphony Orchestra, Royal Stockholm Philharmonic, Bergen Filharmoniske Orkester, Seoul Philharmonic, Los Angeles Philharmonic, & the BBC Symphony Orchestra. Performances include Marcellina (Marriage of Figaro), Samira (Ghosts of Versailles), Mrs. De Rocher (Dead Man Walking), The Mother (The Consul), 3rd Lady (Magic Flute), Ruth (Pirates of Penzance), Buttercup (H.M.S. Pinafore), Mrs. Twist (Brokeback Mountain), Emilia (Otello), Mrs. Lovett (Sweeney Todd), Mary (Flying Dutchman), Old Lady (Candide), Mrs. Peachum (Threepenny Opera), Golde (Fiddler on the Roof), Azucena (Il Trovatore), Witch (Hänsel und Gretel), Quickly (Falstaff), Dryad (Ariadne auf Naxos), Frugola (Il Tabarro), Principessa (Suor Angelica), Zita (Gianni Schicchi), Martha (Faust), Giulietta (Hoffmann), Marquise (Daughter of the Regiment), Petra (A Little Night Music), Fairy Queen (Iolanthe), Katisha (The Mikado), Filipyevna (Eugene Onegin), Verdi Requiem, Mozart Requiem, Haydn's Lord Nelson Mass, & Beethoven's 9th Symphony. She is the leading interpreter of the Duchess in Unsuk Chin's Alice in Wonderland, created the role of Firdaus Noman in Shalimar The Clown & is featured on the Cast Recording, won the Sullivan Foundation Award, is a Metropolitan Opera Competition semi-finalist, & is the Artistic Advisor for Tri-Cities Opera. Jenni is also the Analysis Operations Team Lead at the fast-growing tech startup DoWhatWorks and lives in Upstate New York with her husband and two adorable dogs (@theharleyandeo on instagram). Find Jenni at www.JenniBank.com & @jenni_bank My gratitude goes out to Hannah Boissonneault who edits our Masterclass episodes and to Juanitos and Scott Holmes for the music featured in this episode. You can help support the creation of these episodes when you join the Sybaritic Camerata on Patreon. Get started at patreon.com/mezzoihnen. Be on the Studio Class Podcast Megan Ihnen is a professional mezzo-soprano, teacher, writer, and arts entrepreneur who is passionate about helping other musicians and creative professionals live their best lives. Studio Class is an outgrowth of her popular #29DaystoDiva series from The Sybaritic Singer. Let your emerging professionals be part of the podcast! Invite Megan to your studio class for a taping of an episode. Your students ask questions and informative, fun conversation ensues. Special Guest: Jenni Bank.

Stephen Schwartz (stephenschwartz.com) was born in New York City on March 6, 1948. He studied piano and composition at the Juilliard School of Music while in high school and graduated from Carnegie Mellon University in 1968 with a B.F.A. in Drama. Upon coming back to live in New York City, he went to work as an A&R producer for RCA Records, but shortly thereafter began to work in the Broadway theatre. His first major credit was the title song for the play BUTTERFLIES ARE FREE; the song was eventually used in the movie version as well. In 1971, he wrote the music and new lyrics for GODSPELL, for which he won two Grammys among other awards. This was followed by the English texts, in collaboration with Leonard Bernstein, for Bernstein's MASS, which opened the Kennedy Center for the Performing Arts in Washington, D.C. The following year, he wrote the music and lyrics for PIPPIN, and two years later, THE MAGIC SHOW. At one point, GODSPELL, PIPPIN and THE MAGIC SHOW were all running on Broadway simultaneously. He next wrote the music and lyrics for THE BAKER'S WIFE, followed by a musical version of Studs Terkel's WORKING, to which he contributed four songs and which he also adapted and directed, winning a Drama Desk Award as best director. He also co-directed the television production, which was presented as part of the PBS “American Playhouse” series. Other work for the musical theatre includes lyrics to RAGS (music by Charles Strouse), music and lyrics for CHILDREN OF EDEN, and two musicals produced overseas, MIT EVENTYR (MY FAIRY TALE) in Denmark and SCHIKANEDER in Austria.  He has also written songs for two musicals for young audiences, CAPTAIN LOUIE and MY SON, PINOCCHIO.  Compilation revues of his work include SNAPSHOTS and, for Princess Cruise Lines, MAGIC TO DO. For film, he collaborated with composer Alan Menken on the songs for Disney's POCAHONTAS, for which he received two Academy Awards and another Grammy, THE HUNCHBACK OF NOTRE DAME, and ENCHANTED. He also provided songs for DreamWorks' first animated feature, THE PRINCE OF EGYPT, for which he won another Academy Award for the song “When You Believe.”   THE HUNCHBACK OF NOTRE DAME and THE PRINCE OF EGYPT have both been adapted for the stage. Mr. Schwartz's most recent stage musical, WICKED, opened in the fall of 2003 and is currently running on Broadway and in several other productions around the world. He received another Grammy for the cast recording, and in 2008, WICKED reached its 1900th performance on Broadway, making Mr. Schwartz the only songwriter in Broadway history ever to have three shows run more than 1900 performances. His first opera, SEANCE ON A WET AFTERNOON, premiered at Opera Santa Barbara in the fall of 2009 and was subsequently produced by New York City Opera.  His frequently-performed choral works include “Testimony”, based on the It Gets Better Project, “Keramos” and part of the “Tyler Clemente Suite.”  He has also released two singer/songwriter CDs, RELUCTANT PILGRIM and UNCHARTED TERRITORY. Mr. Schwartz has been awarded a star on the Hollywood Walk of Fame and inducted into the Theatre Hall of Fame and the Songwriters Hall of Fame.  In 2015, he received the Isabelle Stevenson Tony Award for his humanitarian and mentorship contributions to the theatre.  A book about his career, “Defying Gravity,” has been released by Applause Books. Under the auspices of the ASCAP Foundation, he has been the artistic director of musical theatre workshops in New York and Los Angeles for over twenty years, as well as conducting workshops for aspiring musical theatre writers and performers in countries around the world, including Australia, Germany, Latvia and Kenya.  He is also a past President and current Council Member of the Dramatists' Guild.

Stephen Schwartz (stephenschwartz.com) was born in New York City on March 6, 1948. He studied piano and composition at the Juilliard School of Music while in high school and graduated from Carnegie Mellon University in 1968 with a B.F.A. in Drama. Upon coming back to live in New York City, he went to work as an A&R producer for RCA Records, but shortly thereafter began to work in the Broadway theatre. His first major credit was the title song for the play BUTTERFLIES ARE FREE; the song was eventually used in the movie version as well. In 1971, he wrote the music and new lyrics for GODSPELL, for which he won two Grammys among other awards. This was followed by the English texts, in collaboration with Leonard Bernstein, for Bernstein's MASS, which opened the Kennedy Center for the Performing Arts in Washington, D.C. The following year, he wrote the music and lyrics for PIPPIN, and two years later, THE MAGIC SHOW. At one point, GODSPELL, PIPPIN and THE MAGIC SHOW were all running on Broadway simultaneously. He next wrote the music and lyrics for THE BAKER'S WIFE, followed by a musical version of Studs Terkel's WORKING, to which he contributed four songs and which he also adapted and directed, winning a Drama Desk Award as best director. He also co-directed the television production, which was presented as part of the PBS “American Playhouse” series. Other work for the musical theatre includes lyrics to RAGS (music by Charles Strouse), music and lyrics for CHILDREN OF EDEN, and two musicals produced overseas, MIT EVENTYR (MY FAIRY TALE) in Denmark and SCHIKANEDER in Austria.  He has also written songs for two musicals for young audiences, CAPTAIN LOUIE and MY SON, PINOCCHIO.  Compilation revues of his work include SNAPSHOTS and, for Princess Cruise Lines, MAGIC TO DO. For film, he collaborated with composer Alan Menken on the songs for Disney's POCAHONTAS, for which he received two Academy Awards and another Grammy, THE HUNCHBACK OF NOTRE DAME, and ENCHANTED. He also provided songs for DreamWorks' first animated feature, THE PRINCE OF EGYPT, for which he won another Academy Award for the song “When You Believe.”   THE HUNCHBACK OF NOTRE DAME and THE PRINCE OF EGYPT have both been adapted for the stage. Mr. Schwartz's most recent stage musical, WICKED, opened in the fall of 2003 and is currently running on Broadway and in several other productions around the world. He received another Grammy for the cast recording, and in 2008, WICKED reached its 1900th performance on Broadway, making Mr. Schwartz the only songwriter in Broadway history ever to have three shows run more than 1900 performances. His first opera, SEANCE ON A WET AFTERNOON, premiered at Opera Santa Barbara in the fall of 2009 and was subsequently produced by New York City Opera.  His frequently-performed choral works include “Testimony”, based on the It Gets Better Project, “Keramos” and part of the “Tyler Clemente Suite.”  He has also released two singer/songwriter CDs, RELUCTANT PILGRIM and UNCHARTED TERRITORY. Mr. Schwartz has been awarded a star on the Hollywood Walk of Fame and inducted into the Theatre Hall of Fame and the Songwriters Hall of Fame.  In 2015, he received the Isabelle Stevenson Tony Award for his humanitarian and mentorship contributions to the theatre.  A book about his career, “Defying Gravity,” has been released by Applause Books. Under the auspices of the ASCAP Foundation, he has been the artistic director of musical theatre workshops in New York and Los Angeles for over twenty years, as well as conducting workshops for aspiring musical theatre writers and performers in countries around the world, including Australia, Germany, Latvia and Kenya.  He is also a past President and current Council Member of the Dramatists' Guild.

Join Disney's Ike Eisenmann, and author, Jonathan Rosen, as they chat with Neva Small from the beloved musical, Fiddler on the Roof!Neva discusses her role of Chava in Fiddler, working with Topol and Norman Jewison,  making her singing debut with the New York City Opera at the age of ten with Beverly Sills, touring with the documentary, Fiddler's Journey to the Big Screen, and much more!

Join Disney's Ike Eisenmann, and author, Jonathan Rosen, as they chat with Neva Small from the beloved musical, Fiddler on the Roof!Neva discusses her role of Chava in Fiddler, working with Topol and Norman Jewison,  making her singing debut with the New York City Opera at the age of ten with Beverly Sills, touring with the documentary, Fiddler's Journey to the Big Screen, and much more!

Each March, the City of Birmingham publishes daily StrongHer profiles featuring under-recognized women who are leading our community. Join Mayor Woodfin and his friends as they celebrate five years of StrongHer and share stories of the women who inspire us. Guests: Chanda Temple, Senior Project Manager, City of Birmingham Mayor's Office Jacqueline McKinney - StrongHer Candidate  Retired dressmaker, housekeeper and caterer Jacqueline McKinney has taken it upon herself to pick up trash in her neighborhood after failing to get a larger dumpster for her Woodlawn apartment complex. Once she is done in her neighborhood, the 69-year-old hits First Avenue North to pick up litter. She does all this, despite health issues.  She also volunteers to cook to help loved ones when they've lost someone.   Allison Sanders - StrongHer Candidate   Made her stage debut at the Alabama Theatre at the age of six in the Sound of Music. Singing opera and  performing with various groups, including the Opera Company of Philadelphia, the New York City Opera, Opera Memphis, the Baton Rouge Symphony Orchestra and the Alabama Symphony Orchestra. Allison was a soloist during the closing ceremony of the World Games in Birmingham.

In 2020 I got to interview Mary Beth Peil, who's known for her illustrious career in both Television and Theatre. Mary Beth's first TV series regular role was playing "Grams" on the WB's Dawson's Creek. Dawson's Creek ended its run 20 years ago in May 2003. In this special episode, Mary Beth reveals: How she got cast on Dawson's Creek What is was like working with Michelle Williams And how Dawson's Creek reunited her with James Van Der Beek Stream Dawson's Creek on Hulu, HBO Max or Amazon Prime Like What You Hear? Follow me on social media @CallMeAdamNYC Special Thanks: Theme Song by Bobby Cronin Podcast Logo by Liam O'Donnell  More on Mary Beth Peil: Mary Beth Peil started her professional career touring with Boris Goldovsky's opera company and the Metropolitan Opera's national company in Mozart and da Ponte's The Marriage of Figaro. She also sang with the New York City Opera. After a starring turn in an out of town production of Kiss Me, Kate, Mary Beth Peil found herself on the national tour The King and I, as the twelfth and final Anna Leonowens opposite Yul Brynner. The production toured the United States, closing on Broadway shortly before Brynner's death in 1985. Mary Beth was nominated for a Tony Award for “Best Performance by a Featured Actress in a Musical.” Her other theatrical credits include: Sweeney Todd at the Kennedy Center, the Broadway revival of Nine where she played The Mother to Antonio Banderas' Guido, Roundabout Theatre's Broadway revival of Stephen Sondheim's Sunday in the Park with George, the Lincoln Center Theater production of the Broadway musical Women on the Verge of a Nervous Breakdown, based upon the movie of the same name, Stephen Sondheim's Follies and most recently Broadway's Anastasia as Dowager Empress Maria Feodorovna, in which Mary Beth was nominated for a Tony Award, Drama Desk Award, and Outer Critics Circle Award in the category of “Best Featured Actress in a Musical.” In addition to her stage work, Mary Beth Peil is known to millions of TV viewers for her roles on the CW's Dawson's Creek (as Grams, the grandmother to Michelle Williams' character) & CBS' The Good Wife, where she played Jackie Florrick, the mother of Chris Noth's character. Additionally, Mary Beth has been seen in Showtime's The Reagans as Nancy Reagan's mother, NBC's Law & Order and Law & Order: SVU, Fringe, and The VIllage. Mary Beth has also appeared in such films as The Odd Couple II, playing Jack Lemmon's love interest, Jersey Girl, The Stepford Wives, Shortbus, Mirrors, and many others. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to our Podcast #2,850! Here's a link to our Costa Rica Pura Vida Amazon Products Store!  Happy Shopping! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.costaricagoodnewsreport.com/costaricaproductsamazon.html⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ We appreciate your listening and hope you find the time to go through the 100's of episodes that we have recorded already.  They're short, so listen to a few every day!  I promise you will learn all you need to know about one of the happiest countries on the planet!  Here's some links that will get you started in learning more about Costa Rica! You've GOT TO SEE our "Costa Rica Good News Report" Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.costaricagoodnewsreport.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you're thinking about moving to Costa Rica, we can assist! Visit "Royal Palms Costa Rica Real Estate". . we are DEDICATED BUYER'S AGENTS.  Check out our website at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.costaricaimmigrationandmovingexperts.com/buyersagent.html⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Here's our NEW Costa Rica Good News Report YouTube Channel. Over 500 Short, Entertaining Videos that will get you excited about Costa Rica: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@thecostaricagoodnewsreport/videos⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Check out an amazing travel website catering to those travelers age 50 and over! Dozens of incredible expert contributors writing about so many destinations:  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.travelawaits.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Here's our 1st contribution to the TravelAwaits website:  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.travelawaits.com/2789789/questions-to-ask-if-thinking-about-retiring-in-costa-rica/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Here's a link to our 2nd article on the TravelAwaits website as promised: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.travelawaits.com/2798638/tips-for-driving-in-costa-rica/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Here's a link to our 3rd article on the TravelAwaits website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.travelawaits.com/2794704/how-to-gain-residency-status-in-costa-rica/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Check out our NEW COSTA RICA LOVE STORIES!  There's ONE THING BETTER than falling in love. . falling in love in COSTA RICA!  Here's the link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.costaricagoodnewsreport.com/lovestories.html⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ So many GOOD-NEWS stories coming out of Costa Rica.  We'd love to share them with all of you!  Way over 100 stories ready right now.  Learn all about one if the Happiest Countries on the Planet. . Costa Rica!  Here's a link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://vocal.media/authors/skip-licht⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Become a "COSTA RICA PURA VIDA" Brand Ambassador & Share the LIFESTYLE with EVERYONE! Here's the link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.costaricagoodnewsreport.com/brandambassador.html --- Send in a voice message: https://podcasters.spotify.com/pod/show/costa-rica-pura-vida/message

Synopsis One of the preeminent figures in 20th century Japanese concert music was a composer, named Toshiro Mayuzumi, born in Yokohama in 1929. The range of his music reflects a curious turn of mind.  He wrote pieces in a neo-Romantic mode, experimented with electronic music and jazz, composed aggressively avant-garde works, and scored music for theater, and both Japanese and American films.  In 1958, he composed a Nirvana Symphony, inspired by the haunting sound of Japanese temple bells. “For the past few years,” wrote Mayuzumi, “I feel as if I have been possessed by bells.  I wonder why it is that, no matter how splendid a piece of music may be, it sounds totally faded and worthless when set beside the lingering resonance of a temple bell.” The Nirvana Symphony of 1958 was followed up with another orchestral work inspired by Buddhist themes, a Mandala Symphony, which premiered in Tokyo on today's date in 1960. Mayuzumi's 1976 opera, Kinkakuji, or The Golden Pavilion, is based on a novel by Yukio Mishima, which, thanks to a New York City Opera production in 1995, became the first Japanese grand opera to be staged in the U.S.  Toshiro Mayuzumi died in 1997, at the age of 68. Music Played in Today's Program Toshiro Mayazumi ( 1929 - 1997) Nirvana Symphony Tokyo Metropolitan Symphony; Hiroyuki Iwaki, conductor. Denon 78839

In this podcast, we discuss issues surrounding race and the experiences of people of color in the opera world.  Our two guests are Marsha Thompson and The Reverend Kenneth A. Pettigrew Ms. Thompson began her musical studies as a violinist. During her time as a violinist, she played in regional symphony orchestras in Louisiana and Texas including, Galveston Symphony, The Woodlands Symphony Orchestra, Southeast Louisiana Symphony and Texas Music Festival Symphony Orchestra. Ms.Thompson decided to sing full-time after receiving a full scholarship to the prestigious Music Academy of the West in Santa Barbara, CA to study with Marilyn Horne. Since then, she has sung the roles of Tosca, AIDA, Abigaille, Sieglinde, Violetta, and several other leading ladies. The New York Times describes her voice in the role of Violetta as “a warm agile soprano with a secure technique,” Opera News stated of her “Pace, pace, mio Dio” that “[she sang] with a cascade of refined yet plush Italianate sound; …an expertly introspective performance.” Ms. Thompson has performed with Teatro Municipal de São Paulo, Union Avenue Opera, New York City Opera, New York Grand Opera, Opera Carolina, and Mississippi Opera, to name a few. SOURCE: marshathompson.com Reverend Kenneth A. Pettigrew - Executive Director, Winston Lake Family YMCA and REACH Center Preacher, liturgist, and community organizer, Kenneth is a native of Winston-Salem and an emerging voice in progressive Christianity. He has served as pastor of Shouse Temple CME Church in Winston-Salem and currently oversees operations and worship services at St. John CME Church under the leadership of Dr. Regina L. Reese-Young. Kenneth is also the Executive Director at the Winston Lake YMCA, having previously served with the Winston-Salem Urban League, the United Way of Forsyth County with Faith-Based Community Engagement and the Place Matters Initiative. His work is dedicated to building relationships with faith communities, bridging the gap between sacred and secular for intentional partnerships for the building of strong communities. He holds both the Bachelor of Music in Vocal Performance from the University of North Carolina School of the Arts and the Master of Divinity from the Wake Forest University School of Divinity. At the 2016 Connectional Youth and Young Adult Conference in Memphis, Tennessee, Minister Pettigrew was elected as Chaplain of the Connectional Young Adult Ministry of the Christian Methodist Episcopal Church. He is the founder and principal consultant of Sanctuary Consulting, LLC—a firm dedicated to equipping faith communities and nonprofits with the tools for transformative and impactful community engagement. The Triad Podcast Network is presented by The Ginther Group Real Estate, Ashley McKenzie-Sharpe with Highlands Residential Mortgage and Three Magnolias Financial Advisors See omnystudio.com/listener for privacy information.

Eugene Holmes (1932 – 2007), baritone supreme, should be remembered as one of the most significant voices of the Twentieth Century and a Black singer on a par with the most revered and celebrated. Though he participated in the creation of some important work (including by Gian Carlo Menotti, Gunther Schuller, and Frederick Delius), and performed with San Francisco Opera, the Wiener Staatsoper, New York City Opera, and the Metropolitan Opera Regional Company, his career remained centered for more than thirty years at his home company, the Deutsche Oper am Rhein. The rare recorded documents that we have of Eugene Holmes, including two self-produced LPs of spirituals and three different recordings of Delius's rare opera Koanga (two of them live), reveal a voice of rare magnitude, range, power, and sensitivity, qualities which made him one of the premier Verdi baritones of his day. But due to a number of factors, including his modesty and his unwillingness to travel far from home, he did not achieve the international recognition that he deserved. I have pulled together all of the recorded material of Eugene Holmes that I could find, and present excerpts from these varied sources. Guest vocalists appearing opposite Holmes include sopranos Claudia Lindsey, Gwyneth Jones, and Barbara Carter, and tenors János B. Nagy and Giorgio Aristo. In the production of this podcast, I was greatly aided by reminiscences provided by his colleagues Bonita Hyman, the German-based African American mezzo-soprano; Stephen Harrison, the retired musical director of the Deutsche Oper am Rhein; and Heribert Klein, member of the committee of UNICEF Deutschland, an organization to which Eugene Holmes was deeply committed. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.

Lisa is joined by Steven Washington who talks about his combining Pilates and Qigong as well as his book, Recovering You: Soul Care and Mindful Movement for Overcoming Addiction.  He also talks about his online studio SWE where you can take his classes virtually!He is a Movement Master, Author, and Recovery Advocate who is passionate about helping others navigate towards a happier, healthier life. His lifelong love and a key foundation to his own spiritual fitness is movement ​and he firmly believes our relationship with our body is vital for emotional, physical, and spiritual health.  Steven had a successful career as a contemporary dancer, working at New York City Opera, Metropolitan Opera, and appearing on Broadway in Disney's, The Lion King but to help him cope with anxiety and self-doubt, he often relied on drugs and alcohol. Twenty years ago, Steven made a conscious decision to get sober and his true life's work began. Since then, he has impacted countless lives through movement and his keen ability to connect ​and relate to others.   During his study of Traditional Chinese Medicine, Steven fell in love with Qigong, which he describes as, "A moving meditation that supports the health of our body, mind, and spirit.” He is a Certified Qigong Instructor and a Pilates teacher and has taught individuals and groups for over 20 years. Adding to his knowledge of the body and its energy systems, Steven is also a qualified Neuromuscular Massage Therapist.  Steven's online members' community, SWE Studio, has a unique focus on a Pilates/Qigong fusion class and an extensive library of movement, meditation, and other resources for the body, mind, and soul. Steven's writings, articles, and life experiences created the inspiration for his first book, Recovering You, Soul Care and Mindful Movement for Overcoming Addiction. Published by New World Library, the book's unique self-care focus is complemented by the use of Qigong movements. The opportunity to be of service through his book is particularly meaningful to Steven as it enhances his own growth and recovery while helping others to do the same.  Steven hosts a monthly Heart/Mind Moments YouTube series with videos on physical, emotional, and spiritual health, and his movement and mindfulness work has received over one million views on YouTube.Book description:Substance abuse issues have worsened dramatically in recent years, with alcohol and drug addiction soaring. Our collective anxiety also shows up in many other insidious ways — from overeating to mindless scrolling to excessive online spending and more. Whether you are on the path of recovery, taking your first step in that direction, or simply feeling adrift and unmoored, Recovering Youoffers a lifeline to the discovery of a new and better way of being.Steven Washington shares his story of growing up around alcoholism and going into recovery for his own drug and alcohol addiction. But the heart and soul of this book is his process of guiding readers through fear, shame, and regret and into community and gratitude. Self-massage, breathing, meditation, and, uniquely, a focus on qigong — the ancient movement practice at the heart of Chinese medicine and Taoist philosophy — liberate, energize, and soothe. Washington designed this book to cast a warm and clarifying light on what you most need to care for your body and soul.

Good People,Today, I'm joined by the Movement Master, Author, and Recovery Advocate, Steven Washington. In his "previous life," Steven had a successful career as a contemporary dancer at New York City Opera, Metropolitan Opera, and Broadway in Disney's The Lion King. To deal with the anxiety caused by performing at that level, plus a rooted sense of not enoughness, Steven relied on drugs and alcohol and became an addict. After over 20 years of sobriety, Steven sees his addiction as a blessing in disguise, an opportunity to have another life. Steven's truth is to realize he is enough, that he has always been, and once he fully embraced that idea, he experienced a massive breakthrough and a profound transformation. Our conversation revolves around Steven's first meeting with his truth, his recovery from addiction, and the decision to explore, learn and experience Traditional Eastern medicine and become a practitioner. We also talk about his book, "Recovering You," his love for Qigong and the energy he can generate through its practice, how complementary and different Western and Eastern medicine are, and so much more. In This Episode, You'll Learn:About Steven's truth and how acknowledging it changed his life (3:06)Becoming a Traditional Chinese Medicine practitioner (5:14)The arduous process of writing a book and why we must be flexible with our goals (7:54)Steven explains what Qigong is and how it changed his life (11:47)The instrumental role of community and connection in dealing with any issue (19:08)Eastern and Western medicine and their different approach to health (26:26)First Impressions:Love (28.42)Addiction (28.47)Truth (28:55)Breath (28:59)Heaven (29:04)Hell (29:11)Qigong (29:45)Smile (29:50)Resources:Steven Washington websiteBook: Steven Washington - Recovering You: Soul Care and Mindful Movement for Overcoming AddictionConnect with Steven:InstagramYouTubeFacebook Hosted on Acast. See acast.com/privacy for more information.

As humans, we're both body and soul. To thrive, both need to be nurtured and cared for through self-care practices. Neglecting them can cause us to feel depleted and drained.  My guest Steven Washington has created a holistic pathway that can give us the freedom to become the person we want to be. Today he'll tell us more about it. Steven is a movement master, author, and recovery advocate who is passionate about helping others navigate toward a happier, healthier life. As a former professional dancer who performed at the New York City Opera, Metropolitan Opera, and on Broadway in Disney's, The Lion King, his love of movement inspired him to become the highly acclaimed Qigong and Pilates teacher that he is today. He also teaches dance, meditation, laughter, and more. During our conversation, Steven offers powerful self-care practices that he learned from his own recovery journey. He also shares mindsets and mindful movement techniques that can ground and calm us during our busy everyday life. If you liked what you heard, please don't forget to like, rate, share and subscribe to this podcast. Thank you!

Harry Dworchak has sung in many of the greatest opera houses in the world and with some of the finest singers. After living in places as diverse as Barcelona, Philadelphia and New York, he's settled in Cranford.A 1986 New York Time review of his performance with the New York City Opera called his bass voice one of the finest to be heard in New York at the time. A year later he was given the prestigious Richard Tucker Award.  On this week's podcast we talk about what led him to become an opera singer, some of the unique challenges of performing opera and about his role as a teacher.

Synopsis On today's date in 1928, the Danish composer Carl Nielsen conducted the first public performance of his new Clarinet Concerto in Copenhagen. “The clarinet,” said Nielsen, “can, at one and the same time seem utterly hysterical, gentle as balsam, or as screechy as a streetcar on badly greased rails.” Nielsen set himself the task of covering that whole range of the instrument's conflicting emotions and colors. He wrote it for a Danish clarinetist he admired named Aage Oxenvad, who played both the public premiere on today's date and a private reading a few weeks earlier. After the private performance Oxenvad is supposed to have muttered: “Nielsen must be able to play the clarinet himself — otherwise he would hardly have been able to find all the instrument's WORST notes.” The concerto's wild mood-swings puzzled audiences in 1928, but today it's regarded as one of Nielsen's most original works. In October of 1996, another Clarinet Concerto received its premiere when American composer John Adams conducted the first performance of his work Gnarly Buttons with soloist Michael Collins. This concerto contains a bittersweet tribute to Adams' father, a clarinetist who fell victim to Alzheimer's disease. In Adams' concerto, the swing tunes slide into dementia, but the concerto ends with a kind of benediction. Music Played in Today's Program Carl Nielsen (1865-1931) Clarinet Concerto, Op. 57 Kjell-Inge Stevennson, clarinet; Danish Radio Symphony; Herbert Blomstedt, cond. EMI 69758 John Adams (b. 1947) Gnarly Buttons Michael Collins, clarinet; London Sinfonietta; John Adams, cond. Nonesuch 79453 On This Day Births 1882 - Canadian-born American composer R. Nathaniel Dett, in Drummondsville, Ontario; Deaths 1896 - Austrian composer Anton Bruckner, age 72, in Vienna; Premieres 1727 - Handel: "Coronation Anthems," in London at Westminster Abbey during the coronation of King George II and Queen Caroline (Gregorian date: Oct. 22); 1830 - Chopin: Piano Concerto No. 1 in E minor, in Warsaw, composer as soloist; 1928 - Nielsen: Clarient Concerto, at a public concert in Copenhagen, with the composer conducting and Aage Ozenvad the soloist; This concert had been given a private performance in Humlebaek on September 14, 1928); 1947 - Prokofiev: Symphony No. 6, by Leningrad Philharmonic, Yevgeny Mravinsky conducting; 1952 - Prokofiev: Symphony No. 7, by Moscow Philharmonic, Samuil Samosud conducting; 1953 - Messiaen: "Réveil des oiseaux," in Donaueschingen, Germany; 1955 - B.A. Zimmermann: "Nobody Knows de Trouble I See" for Trumpet and Orchestra, in Hamburg, by the North German Radio Orchestra conducted by Ernest Bour, with Adolf Scherbaum the soloist; 1962 - Carlisle Floyd: opera "The Passion on Jonathan Wader," by the New York City Opera; 1977 - Bernstein: "Songfest," "Three Mediations from 'Mass,'" and "Slava!" by the National Symphony, conducted by the composer ("Songfest" and "Meditations"‚ and Mstislav Rostropovich ("Slava!"); Rostropovich was also the cello soloist in the "'Meditations"; 1980 - Bernstein: "A Musical Toast ( A Fanfare in Memory of André Kostelanetz)" by the New York Philharmonic conducted by Zubin Mehta; 1980 - Zemlinksy: opera "Der Traumgörge" (Goerge the Dreamer), posthumously, in Nuremberg at the Opernhaus (This opera was written in 1906); 1985 - John Harbison: String Quartet No. 1, at the Corcoran Gallery in Washington, D.C., by the Cleveland Quartet. 1985 - Michael Torke: “Vanada” for brass, keyboards and percussion, at the Concertgebouw Chamber Hall in Amsterdam, by the Asko Ensemble, Lukas Vis conducting. Links and Resources On Carl Nielsen On John Adams

Synopsis John Lennon was born on today's date in the year 1940, in Liverpool, England — during a German air raid on that city, as it happened. With three other young lads from Liverpool, Lennon would eventually become world-famous, courtesy of the band he helped formed in 1959 called the Beatles. The Beatles started out in a Liverpool nightclub called the Cavern, playing pop tunes of the day, but soon began performing original material of their own. Before disbanding in 1970, some recognizable elements of classical music were incorporated into some Beatles songs, including a string quartet, a Baroque trumpet, and even an orchestra. And it wasn't just a one-sided exchange: Leonard Bernstein played a Beatles song on one of his “Young People's Concerts” to demonstrate sonata form. Arthur Fiedler performed symphonic arrangements of Beatles tunes at his Boston Pops concerts. And decades after the Beatles disbanded, former member Paul McCartney began composing original chamber works and big concert hall pieces, including a semi-autobiographical “Liverpool Oratorio.” Not surprisingly, some young British and American composers coming of age in the 1960s and 70s credit the Beatles as an influence. One elegant set of solo guitar arrangements of Lennon-McCartney tunes even came from Japan, courtesy of the eminent Japanese composer (and Beatles fan) Toru Takemitsu. Music Played in Today's Program Lennon and McCartney (arr. Toru Takemitsu) Here, There and Everywhere John Williams, guitar Sony 66704 On This Day Births 1585 - Baptismal date of German composer Heinrich Schütz, in Bad Löstritz; 1835 - French composer, conductor and pianist Camille Saint-Saëns, in Paris; 1914 - American composer Roger Goeb, in Cherokee, Iowa; 1938 - Finnish composer Einojuhani Rautavaara, in Helsinki; 1940 - John Lennon (of the Beatles), in Liverpool, England; Deaths 1999 - Jazz vibraphone virtuoso, Milt Jackson, age 76, in New York City; He was a member of the famous Modern Jazz Quartet; Premieres 1826 - Rossini: opera, "The Siege of Corinth," at the Paris Opéra; 1891 - Dvorák: "Requiem," Op. 89, in Birmingham, England; 1896 - Dvorák: String Quartet No. 13 in G, Op. 106, in Prague, by the Bohemian Quartet; 1921 - Janácek: "Taras Bulba" (after Gogol), in Brno; 1955 - Shostakovich: Violin Concerto No. 1, by the Leningrad Philharmonic conducted by Yevgeny Mravinsky, with David Oistrakh the soloist; 1963 - Henze: Symphony No. 4 in Berlin, with the composer conducting; 1980 - Jon Deak: Concerto for Oboe d'amore and Orchestra, by the New York Philharmonic conducted by Zubin Mehta with Thomas Stacy as soloist; 1985 - Anthony Davis: opera "X: The Life and Times of Malcolm X," in Philadelphia; The opera's New York City Opera premiere occurred the following year on September 28, 1986; 1986 - Andrew Lloyd-Webber: musical "Phantom of the Opera," at Her Majesty's Theatre in London; The musical opened on Broadway at the Majestic Theater on January 26, 1988; 1987 - Corigliano: "Campane di Ravello" (Bells of Ravello) for orchestra (a birthday tribute to Sir Georg Solti), in Chicago, with Kenneth Jean conducting; 1992 - David Ott: Symphony No. 3, by the Grand Rapids (Michigan) Symphony, Catherine Comet conducting; 1997 - Robert X. Rodriguez: "Il Lamento di Tristano," by flutist Susan Morris De Jong and guitarist Jeffrey Van, at the University of Minnesota in Minneapolis; 1999 - Bolcom: opera "A View From the Bridge," by the Lyric Opera of Chicago, Dennis Russell Davies, cond. 1999 - Michael Torke: symphonic oratorio "Four Seasons," at Avery Fisher Hall in New York, by soloists, chorus, and the New York Philharmonic, Kurt Masur conducting; Others 1973 - Leonard Bernstein gives the first of six lectures entitled "The Unanswered Question," as the Charles Eliot Norton Professor of Poetry at Harvard University. Links and Resources On The Beatles

Today Countermelody is in limbo: balanced between Seasons Three and Four. Over the past few months I've been planning the course of the upcoming season and this episode consists of musical tidbits (bocconcini, if you will) of some of the singers and themed series that I am planning for Season Four. Included are retrospectives of singers Judith Raskin, Roberta Alexander, Sammy Davis, Jr., Helen Donath, Hugues Cuénod, Anna Moffo, Denise Duval, and Nicolai Gedda, all of whom are “sampled” today. I'm also planning programs on; “Great Singers We've Never Heard Of;” the music of Alec Wilder; the Black male singer as European émigré; “Behind the Iron Curtain;” explorations of both Orchestral Songs and Rare Twentieth-Century Operas; and “Great Singers in Old Age;” as well as, naturally, a closer examination of many of those New York City Opera divas to whom I provided an introduction last week. The new season will also be more interactive, with livestream interviews planned with various fascinating (and legendary!) figures in the world of opera and classical music. Thanks to all for your continued support, friendship, and listenership; see you next week for the debut of Season Four of Countermelody! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.  

Today is the final regular episode of Season Three of Countermelody, as well as the last of my summer series documenting musical life in New York City during the years 1950 through 1975. I am thrilled to start what I hope will be an occasional series of episodes that will drop throughout Season Four, which begins in two weeks. I present to you a small sampling of the extraordinary singing actors that peopled the stage of New York City Opera during the years in question. The most famous of these, of course, is Beverly Sills, and she is aptly represented in her most radiant early prime. But there are many other singers as well, including African American divas Carol Brice and Veronica Tyler, preceded by Camilla Williams (the first Black singer to be awarded a standing contract with a major US opera company… in 1946!). City Opera was celebrated for presenting an absolute slew of new American work in its heyday, and we hear works by Carlilse Floyd, Robert Ward, Douglas Moore, Marc Blitzstein, and Jack Beeson in performances by Phyllis Curtin, Frances Bible, Brenda Lewis, and Ellen Faull. Other divas strutting their stuff include Olivia Stapp, Johanna Meier, and the three mesdames Patricia: Brooks, Wells, and Wise. The episode is capped by some of the rarest live recordings from the stage of City Opera by three singers who made their mark during their heyday, and would be the biggest stars in the world were they singing today: Gilda Cruz-Romo, Maralin Niska, and Carol Neblett, all of whom will be featured in her own episode during Countermelody's upcoming season. A fitting way to end Season Three, as well as a harbinger of vocal delights to come! (Next week will be a preview of the upcoming season!) Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.

Dear ones, I present to you today the extraordinarily versatile bass-baritone and my fellow native Milwaukeean Donald Gramm (1927-1983), one of the central house singers at both the Metropolitan Opera and New York City Opera from the 1960s through his premature death at the age of 56. Gifted with an intrinsically beautiful voice, an impeccable technique and an expansive range, he also was a crackerjack musician whose repertoire easily encompassed musical styles from florid Baroque music through the thorniest contemporary idioms. He is probably best celebrated these days for his commitment to American art, and this episode features him singing songs by Ned Rorem, John Duke, Richard Cummings, Douglas Moore, and Paul Bowles, with a particular emphasis on texts by Walt Whitman. What is perhaps less well-remembered today is how versatile an opera singer he was, singing roles from Osmin to Scarpia, with a strong emphasis on both bel canto and buffo roles by Rossini and Donizetti. The episode also explores his collaborations with Igor Stravinsky, Glenn Gould, and, perhaps most significantly, Sarah Caldwell, another important musical figure from that era who is strongly deserving of reappraisal. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.

Subscribe to the Mindset Forge Newsletter:  https://bit.ly/3xKWAqNDr. Jolly sits down with Barton Bryan to discuss her career as an Opera Singer and her work helping aspiring singers overcome performance anxiety and creating a strong mindfulness practice.  They also discuss the  parallels between Singers and Athletes.  Episode Highlights:  Discover the power of having a word or mantra that allows you to relax and reset your body in the middle of performance.Performance habits of singers that can work for any discipline or sportThe importance of not people pleasing and searching for external validation in performance. Soprano Katherine Jolly is an Associate Professor of Music (Voice) at the Oberlin Conservatory of Music. She has performed with Opera companies including Opera Theatre Saint Louis, Houston Grand Operaco., Florida Grand Opera, New York City Opera,  and appearing with conductors including George Manahan, Stephen Lord, Michael Christie,  and Jerry Steichen. Upcoming appearance include performances with Omaha Symphony, Lima Symphony and the Kingsbury Ensemble.  Katherine made her debut with Houston Grand Opera in 2012, in a world premiere of New Arrivals. “Katherine Jolly, also making her HGO debut, employed tender and expressive soprano vocals to make her portrayal of Iris poignant and unforgettable”, Operaworld.com.  She debuted with Virginia Opera, reprising Yum-Yum, in The Mikado, and returned to New York City Opera in 2010 for performances as Laoula in L'Etoile following her performances in Cendrillon, in 2007, where Variety wrote of her debut, “As the Fairy Godmother, coloratura soprano Katherine Jolly, delights with her endlessly flowing trills, runs and roulades.”    Dr. Jolly received the Doctor of Musical Arts and Master of Music degrees from the University of Cincinnati, College-Conservatory of Music, where she studied with Barbara Honn and Thomas Baresel. As certified yoga teacher with research background in music performance anxiety, she has presented workshops on yoga, singing, and performance anxiety at the Voice Foundation Symposium, Performing Arts Medical Association, the National Association of Teachers of Singing, and is a frequent guest clinician with organizations including Schmidt Vocal Arts, Opera Theatre Saint Louis's Spring Training program, NATS, and Arts Bridge. Dr. Jolly is an Associate Professor of Voice at Oberlin Conservatory, where she recently received the Faculty Excellence in Teaching award.  Learn more about Dr. Katherine Jolly at: http://www.katherinejollysoprano.comWatch and Listen to Katherine JollyVideo: https://youtu.be/uks6SYYZ-X0Video: https://youtu.be/7mQLMBro_Z4Audio: https://spoti.fi/3OhLjVEFor more information about Coaching with Barton, contact him at: Email Barton: bgbryan@gmail.com Let's be 1% better each week by Forging a Powerful Athlete's MindsetMindset, Dedication, Athlete, Strength, Consistency, diet, exercise, grit, endurance, cardio, weights, powerlifting, functional strength training, flexibility, CEO, Entrepreneur, Business,  opera, Oberlin Conservatory of Music, Classical Voice, Soprano, Coloratura, aria, baritone, basso, Mezzo Soprano, Lyric Opera, Cincinati Opera, New York City Opera, The Met, Metropolitan Opera, Davis, California, Broadway, musical theater, tenor, La Boheme, Mozart, Puccini, Verdi, Beethoven, Mindfulness practice for singers, Diaphragmatic breathing for singers, Visualization

Seán Curran began his dance training with traditional Irish step dancing as a young boy in Boston, Massachusetts. He went on to make his mark on the dance world as a leading dancer with Bill T. Jones/Arnie Zane Dance Company. He received a New York Dance and Performance Bessie Award for his performance in Secret Pastures. A graduate of New York University's Tisch School of the Arts, Curran was an original member of the New York City cast of the Off-Broadway percussion extravaganza Stomp, performing in the show for four years. He has performed his solo evening of dances at venues throughout the United States as well as at Sweden's Danstation Theatre and France's EXIT Festival.Current and recent projects for Curran include productions of Much Ado About Nothing and A Midsummer Night's Dream for The Shakespeare Theater, the twentieth anniversary production of Nixon in China and Street Scene at Opera Theater of St. Louis; choreography for the New York City Opera productions of L'Etoile, Alcina, Turandot, Haroun and the Sea of Stories, Capriccio, and Acis and Galetea; the Playwrights Horizons' production of My Life with Albertine; Shakespeare in the Park's As You Like It. He recently made his Metropolitan Opera debut choreographing Romeo and Juliette. Curran's work has appeared on Broadway in James Joyce's The Dead for Playwrights Horizons and The Rivals at Lincoln Center Theater. He has created works for Trinity Irish Dance Company, American Ballet Theatre's studio company, Denmark's Upper Cut Company, Sweden's Skanes Dance Theater, Irish Modern Dance Theatre, Ririe Woodbury Dance Theater, and Dance Alloy, as well as for numerous college and university dance departments.· www.seancurrancompany.com· tisch.nyu.edu/about/directory/dance/109207637.html· www.creativeprocess.info· www.oneplanetpodcast.org

“I do feel that we are infinite choice makers. You make millions of choices all the time. Make the right choice and if you make the wrong choice, understand that mistakes are great teachers. Learn from that and move on. I do have this sense of responsibility of passing something on a love of dance history that really informs my process. Speaking in old language in a new way with a contemporary accent. Something so wonderful about dance and the arts is that you never stop learning. It is like always just this long process, and I continue. Students teach me every day. It is such a gift. It is probably the most important thing I can think of. Especially when I think of two things. In terms of history, the humanities show us how we were, why we were, and while we were...But then I also think about the future. What are we doing now? What seeds are we planting to inform the future?...And I said it earlier about making sense out of a chaotic universe where bad things happen to good people. Arts will help you figure that out.”Seán Curran began his dance training with traditional Irish step dancing as a young boy in Boston, Massachusetts. He went on to make his mark on the dance world as a leading dancer with Bill T. Jones/Arnie Zane Dance Company. He received a New York Dance and Performance Bessie Award for his performance in Secret Pastures. A graduate of New York University's Tisch School of the Arts, Curran was an original member of the New York City cast of the Off-Broadway percussion extravaganza Stomp, performing in the show for four years. He has performed his solo evening of dances at venues throughout the United States as well as at Sweden's Danstation Theatre and France's EXIT Festival. Current and recent projects for Curran include productions of Much Ado About Nothing and A Midsummer Night's Dream for The Shakespeare Theater, the twentieth anniversary production of Nixon in China and Street Scene at Opera Theater of St. Louis; choreography for the New York City Opera productions of L'Etoile, Alcina, Turandot, Haroun and the Sea of Stories, Capriccio, and Acis and Galetea; the Playwrights Horizons' production of My Life with Albertine; Shakespeare in the Park's As You Like It. He recently made his Metropolitan Opera debut choreographing Romeo and Juliette. Curran's work has appeared on Broadway in James Joyce's The Dead for Playwrights Horizons and The Rivals at Lincoln Center Theater. He has created works for Trinity Irish Dance Company, American Ballet Theatre's studio company, Denmark's Upper Cut Company, Sweden's Skanes Dance Theater, Irish Modern Dance Theatre, Ririe Woodbury Dance Theater, and Dance Alloy, as well as for numerous college and university dance departments.· www.seancurrancompany.com· tisch.nyu.edu/about/directory/dance/109207637.html· www.creativeprocess.info· www.oneplanetpodcast.org