Podcast appearances and mentions of John Kander

durée : 00:24:40 - « Chicago », le film oscarisé (2003) - Chicago est un film de Rob Marshall, écrit par Bill Condon. Il s'agit d'une adaptation cinématographique de la comédie musicale du même nom de Bob Fosse, John Kander et Fred Ebb

RNIB Connect Radio's Toby Davey is joined again by Vidar Hjardeng MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the Channel Islands for the next of his regular audio described theatre reviews for 2025 This week we have the multi-award winning musical ‘Chicago' as the current UK tour visited the Alexandra Theatre in Birmingham with description by Professional Audio Describer Anne Hornsby. About ‘Chicago' ‘CHICAGO', the "sexiest musical ever" (Metro) is currently on it's UK tour starring Strictly Come Dancing Professional Dancer and TV Star Janette Manrara (It Takes Two, Burn The Floor, Glee) as Roxie Hart, West End and TV star Brenda Edwards (Loose Women, Chicago, The X Factor) as Matron ‘Mama' Morton and West End leading man Dan Burton (Gypsy, The Mousetrap, White Christmas) as Billy Flynn. With 6 Tony Awards, 2 Olivier Awards, a Grammy® and thousands of standing ovations, ‘CHICAGO' truly is “SUPERB” (Daily Telegraph). Set amidst the razzle-dazzle decadence of the 1920s, CHICAGO is the story of Roxie Hart, a housewife and nightclub dancer who murders her on-the-side lover after he threatens to walk out on her. Desperate to avoid conviction, she dupes the public, the media and her rival cellmate, Velma Kelly, by hiring Chicago's slickest criminal lawyer to transform her malicious crime into a barrage of sensational headlines, the likes of which might just as easily be ripped from today's tabloids. Created by the musical theatre talents of John Kander, Fred Ebb and legendary choreographer Bob Fosse, ‘it's sexy, sassy score with one show-stopping song after another includes “Razzle Dazzle”, “Cell Block Tango”, and “All That Jazz”. With 6 Tony Awards, 2 Olivier Awards, a Grammy® and thousands of standing ovations, ‘CHICAGO' truly is “SUPERB” (Daily Telegraph). For more about the UK tour of ‘Chicago' along with dates and times of performances near you do visit - https://chicagothemusical.com/uk-tour/ (Image shows RNIB logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'See differently' underneath)

Legendary composer John Kander (Chicago, Cabaret, Steel Pier, Zorba) shares rarified insider stories with Michael Riedel about the making of Chicago. Kander reminisces about creating epic musical hits with songwriting partner Fred Ebb and collaborating with Director/Choregrapher Bob Fosse. Kander also reveals the secret advice he received from dear friend Liza Minnelli.  Chicago opened on Broadway in 1975, and in the shadow of the Tony-winning musical smash A Chorus Line, Chicago was overlooked for years. When Chicago returned to New York's City Center and transferred to Broadway in 1996, no one would have dreamed that the show would still be running in 2025, making it the longest running musical revival in Broadway history! This episode features never-before-heard excerpts from the interviews Michael Riedel recorded while writing his 2020 best-selling book Singular Sensation: The Triumph of Broadway. Learn more about your ad choices. Visit megaphone.fm/adchoices

Joe, Brennan, and Rick review the musical period drama, Cabaret. Directed by Bob Fosse, and written by Jay Presson Allen, with music from John Kander, Fred Ebb, and Ralph Burns. The film stars Liza Minnelli, Michael York, Helmut Griem, and Joel Grey. We ranked 10 of the songs from the soundtrack, as well as picked our favorite lines, characters, performers, and scenes. Enjoy!

I chat with Karen Mason about her career and latest recording, Karen Mason and All That Jazz!, which celebrates the songs of John Kander and Fred Ebb. I also play a few selections from the recording. Ms. Mason has starred on Broadway, Off-Broadway, television, in concert, and in the recording studio. She's been praised for her “fierce emotion” by The New York Times, her “innate comic ability” by Playbill and her “delightful instrument” by the Daily News. She is a 14-time Manhattan Association of Cabarets (MAC) Award winner; most recently she was the recipient of the 2019 MAC Lifetime Achievement Award.

Today, I am so incredibly thrilled to announce the release of my interview with Pulitzer-Prize winning Broadway legend Lin-Manuel Miranda, whose new album WARRIORS, co-written with Eisa Davis, is now out on all platforms. Tune in to hear stories and insights including how WARRIORS became his “Roman Empire,” the challenges of adapting an action movie into a musical, how Twitter helped him develop HAMILTON, the hardest role to cast in IN THE HEIGHTS, how he approaches the dual roles of actor and writer, why he loves writing New York stories, working with Thomas Kail on saving the Drama Book Shop, coming back to Broadway in ALL IN, how his experiences with FOSSE/VERDON and MARY POPPINS RETURNS led to TICK, TICK…BOOM!, filming at the New York Theater Workshop during the pandemic, taking inspiration from Jonathan Larson, the phone call from John Kander that led to NEW YORK, NEW YORK, meeting Stephen Sondheim in his senior year of high school, the enduring legacy of HAMILTON, and so much more. You won't want to miss this in-depth conversation with one of theater's most brilliant writers.

Today, I'm thrilled to announce my interview with legendary director and choreographer Susan Stroman. Tune in to hear all about her upcoming projects LEFT ON TENTH, ANGEL OF ARKANSAS, and SMASH, as well as some of the stories of her great career, including the lessons she learned from John Kander and Fred Ebb, the choreographic journey of THE MUSIC MAN, why CRAZY FOR YOU felt like it was in her blood, the art of partnering in STEEL PIER, why Hal Prince credits SHOWBOAT for his entire career, staging tryouts from Hunter College to Japan, watching Nathan Lane and Stephen Sondheim collaborate on THE FROGS, how an experience in a club and an offer from Andre Bishop led to CONTACT, finding the structure of NEW YORK, NEW YORK, her collaborations with dance arrangers including Glen Kelly and Peter Howard, the similarities and differences between Mel Brooks and Woody Allen, using visual inspiration for LITTLE DANCER, working on THOU SHALT NOT during 9/11, how research influenced her choreography for OKLAHOMA, the joys and challenges of directing POTUS right after the pandemic, and more. You won't want to miss this interview with a true master of the American theater.

Welcome to Season 03 Episode 18 - the "Bach and Beyond 2024 Part 1" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include: Mr. Ben Sheedy from Main Street Studios in Fredonia, and Dr. Byron Adams and Maestro Grant Cooper discussing the upcoming Bach and Beyond Festival.  Notes from the Aisle Seat is available from most of your favorite podcast sites, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. Thanks for listening! Time Stamps Ben Sheedy/Main Street Studios  02:22 Grant Cooper and Byron Adams/ Bach and Beyond Festival Part 1 21:41 Grant Cooper and Byron Adams/ Bach and Beyond Festival Part 2 38:53 Media Violin Concerto No. 1 in A Minor BWV 1041, J.S. Bach, composer. performed by Deutsche Kammerphilharmonie Bremen. Conductor: Omer Meir Wellber; Violin : Hilary Hahn, April 2020 "Life is a Cabaret," from the 1972 movie adaptation of the musical Cabaret; music by John Kander, lyrics by Fred Ebb, book by Joe Masteroff. Performed by Liza Minnelli, ABC Pictures Corp., 1972 Serenade for Nine Instruments: I. Allegro amabile, Byron Adams, composer (2011); performed by the Sinfonietta of Riverdale, Mark Mandarano, conductor; Albany Records 2016 Illuminations: 2. La tristesse amoureuse de la nuit, Byron Adams, composer (2008); Gary Barnett, piano; EKmusic 2022 Symphony # 45 in F-sharp minor (Farewell): IV. Finale, Franz Josef Haydn, composer; performed by the New Century Chamber Orchestra, San Francisco Conservatory of Music, May 2013 Artist Links Ben Sheedy Main Street Studios Ticket Website Byron Adams Grant Cooper BECOME AN OPERA HOUSE MEMBER!  

This week I chat with Patrick Pacheco who helped the late Chita Rivera write her autobiography - Chita: A Memoir. Dolores Conchita Figueroa del Rivero – Chita – created some of Broadway's most iconic roles, including Anita in West Side Story‚ Rosie in Bye Bye Birdie, Velma in Chicago, Aurora in Kiss of the Spider Woman, and Claire in The Visit. Patrick and I talk about these shows and such luminaries as John Kander, Fred Ebb, Bob Fosse, Jerome Robbins, Hal Prince, Judy Garland, Liza Minnelli, Sammy Davis Jr., Gwen Verdon, and more.

Ian and Maggie are back with a winner episode covering the 75th winner, Chicago. They loved the musical numbers and ambition of production, but were left wanting more from the character development.

durée : 00:59:23 - Chita Rivera : une vie " All that Jazz " (2/2) : Chicago - par : Laurent Valière - En 1975, John Kander compose pour Chita Rivera l'air qui devient sa signature « All That Jazz » dans la comédie musicale « Chicago ». - réalisé par : Olivier Guérin

U Guys, award-winning Director, Producer, Author, Educator, and Podcast Host, Robert Schneider is here! And if you ask me, he needs a hobby. This week's BroadwayWorld Recap has all of the piping hot Bway tea, thanks to my beautiful friends at BroadwayWorld.com. Then I am joined by the incredible multi-hyphenate, Robert Schneider, to talk all about his incredible work in the world of theater and the arts. We touch on the shifting landscape of contemporary musical theater, and how best to prepare the next generation for the ever-changing nature of Broadway. We talk about Rob's work as an Original Programming Producer at the Tony Award winning 54 Below, alongside such amazing artists as Stephen Schwartz, John Kander, Andre DeShields, and more. Rob also shares about his multiple podcasts, including (my personal favorite) Behind The Curtain: Broadway's Living Legends, on the Broadway Podcast Network, which he cohosts with Kevin David Thomas. We also dive into his newest creation, a show called Broadway Bound: The Musicals That Didn't Make It To Broadway. Robert is an absolute delight, U don't wanna miss this episode! Follow Rob on Instagram: @robwschneider Follow the pod on Instagram: @ohmypoduguys Learn more about your ad choices. Visit megaphone.fm/adchoices

New York, New York.  Here is Frank Sinatra's iconic classic.  From the 1980 album, Trilogy, John Kander and Fred Ebb's Theme from New York, New York.  Arranged and conducted by Don Costa. Credits: Theme music by Erik Blicker and Glenn SchlossEdited by Katie CaliMixing and mastering by Amit Zangi Send comments to sinatramatters@gmail.com

Stephen Cole is an award-winning musical theatre writer whose shows have been recorded, published, and produced from New York City to London to the Middle East and Australia and Edinburgh, Scotland. His shows include: After the Fair, Night of the Hunter, Saturday Night at Grossinger's, Aspire, Time After Time, Merman's Apprentice and The Road To Qatar! to name just a few. As a producer, Stephen presented Liza Minnelli, Barbara Cook, David Hyde Pierce, and many others in an 80th Birthday Tribute to John Kander. Stephen has also released a series of CD's entitled MERMANIA on Harbinger Records. These include never before released selections sung by his favorite star and friend, Ethel Merman. Besides writing the CD booklets for these and his original cast CDs, Stephen has written the DVD booklets for the box set of THAT GIRL: SEASON ONE and ANYTHING GOES. Mary, Ethel and Mikey Who? takes Stephen's real-life friendships with Ethel Merman and Mary Martin, the two undisputed queens of Broadway, tossed them into a blender and come up with a fantasy about a nerdy super-fan in the early 1980s who, while visiting his dying idol Ethel Merman, stumbles into a time portal in her closet and exits on the other side in Sophie Tucker's star dressing room at the Imperial Theatre in 1939. Mikey Marvin Minkus gets to know his idols in their prime as he time travels through the decades with them, influencing their lives and careers, while helping to foster their legendary rivalry. Only visiting times when Merman and Martin's fates crossed, Mikey becomes a vital part of their lives, all the while interacting with such celebrated theatrical figures as Cole Porter, Jerome Robbins, Josh Logan, Dorothy Fields, Larry Hagman, Irving Berlin, Sophie Tucker, Leland Hayward, Rodgers and Hammerstein, and a newcomer named Jane Fonda.

durée : 00:59:04 - Cabaret 42ème rue : "Woman of the year" et "Zazie dans le métro" - par : Laurent Valière - Rendez-vous au Carreau du Temple à Paris avec les troupes des comédies musicales : "Woman of the year " de John Kander et Fred Ebb, mis en scène par Jean Lacornerie, chorégraphié par Raphaël Cottin et "Zazie dans le métro " de Zabou Breitman et Reinhardt Wagner. - réalisé par : Fabien Fleurat

Music by John KanderLyrics by Fred Ebb Book by George Abbott & Robert RussellOpened on Broadway May 11, 1965

Episode Summary: In this engaging podcast, Menina Fortunato interviews Brandon Sierra about the nuances of professional dancing. Brandon, with his extensive background, discusses the crucial role authenticity plays in a dancer's career, particularly when finding representation. He addresses the difficulties for families who can't afford the costs of auditions and the importance of following instructions for self-tape submissions. Brandon underscores the importance of networking, suggesting that a good recommendation can lead to being signed by an agent. He counsels aspiring dancers to be patient, invest in relationships and friendships, and diversify their dance repertoire to increase employability. He also delves into the art of getting noticed by agents, advocating for a submission that is detailed yet focused on showcasing the dancer's true abilities. Concluding the conversation, Brandon stresses treating a dance career like a business venture, highlighting the value of education and strategic choices in training locations. This podcast episode is a treasure trove for anyone aspiring to break into the dance industry, loaded with practical tips and insider insights from a seasoned professional. Show Notes: 00:00:43 - Introduction to the Business of Dance Podcast 00:10:25 - Ideal Submission for Dancers 00:21:41 - The Authenticity in Portrayal 00:24:01 - Challenges in the Dance Industry 00:34:53 - Guidance on Self-Tapes 00:45:40 - The Power of Networking 00:53:55 - Building Relationships and Training 00:57:59 - Building and Training in Dance 01:02:56 - Dance as a Business 01:05:13 - Pursuing a Career in Dance Biography: Brandon Sierra is a prominent figure in the entertainment industry, having discovered his passion at an early age. His journey in the world of dance, vocal, and formal musical theater training led him to Niagara University. There, he earned his Bachelor's in Fine Arts and Dance. During his time at the university, he had the privilege of working with the legendary musical theater duo, John Kander and Fred Ebb. After his academic pursuits, Brandon spent seven fruitful years in New York City. This period was instrumental in shaping his career, providing him with numerous opportunities and professional experiences. One of the significant milestones during this time was his association with The Broadway Dance Center. This institution played a pivotal role in laying the foundation of his career, helping him establish a robust network and form lasting relationships in the industry. Brandon's dedication and commitment to the entertainment world are evident in his work ethic and the high-quality service he provides. He is currently the Director of the Talent Department in LA and is associated with the MSA Agency. Brandon takes pride in his role, continually offering leadership and ensuring that the industry's expectations are not just met but exceeded. In addition to his professional achievements, Brandon's personality shines through in his interactions. He is known to be humble, always wearing a smile, and has left a lasting impression on those who have had the pleasure of working with him. Websitehttps://msaagency.com/team/brandonsierra/ Connect on Social Media:https://www.facebook.com/brandon.sierra.148https://www.instagram.com/b4brandon/?hl=en

Musical month continues with Indy's favourite, the 1972 film Cabaret! It's a long one, but a good one as we discuss; the performance of Liza Minnelli, thoughts of political apathy, the amazing songs, the insidious spread of fascism, disturbing visuals, and how it is the perfect version of a 1970s musical. Cabaret is a 1972 American musical period drama film directed by Bob Fosse from a screenplay by Jay Presson Allen, based on the stage musical of the same name by John Kander, Fred Ebb, and Joe Masteroff, which in turn was based on the 1951 play I Am a Camera by John Van Druten and the 1939 novel Goodbye to Berlin by Christopher Isherwood. It stars Liza Minnelli, Michael York, Helmut Griem, Marisa Berenson, Fritz Wepper, and Joel Grey. Multiple numbers from the stage score were used for the film, which also featured three other songs by Kander and Ebb, including two written for the adaptation.   Cabaret Trailer: https://www.youtube.com/watch?v=uhbq2WFctBM&ab_channel=EduardoBarauna

We are continuing musical month! Indy recommends the brutality of Metalocalypse, and the blacker than the blackest black times infinity music of Dethklok, Samantha loves the musical Wicked, and we preview next week's deep dive, Cabaret! Dethklok is a fictional melodic death metal band featured in the Adult Swim animated television series Metalocalypse, known for its satirical or parodic lyrical themes. The first official Dethklok album was released on September 25, 2007, entitled The Dethalbum. The album debuted at number 21 on Billboard magazine's Top 200 list. The band released Dethalbum II on September 29, 2009, and toured with Mastodon, High on Fire, and Converge. The band's third album, Dethalbum III, was released on October 16, 2012. The soundtrack to the special episode, Metalocalypse: The Doomstar Requiem was released on October 29, 2013. A real band was set up in order to perform the band's music in live shows. Both bands were created by Brendon Small and Tommy Blacha. The music heard on Metalocalypse is performed by Brendon Small, with others needed for live concerts and albums.    Metalocalypse is an American musical adult animated television series created by Brendon Small and Tommy Blacha for Adult Swim. It premiered on August 6, 2006. The television program centers on the larger-than-life melodic death metal band Dethklok, and often portrays dark and macabre content, including such subjects as violence, death, and the drawbacks of fame, with hyperbolic black comedy. The show was widely heralded as both a parody and a pastiche of heavy metal culture. Dethklok on Spotify: https://open.spotify.com/artist/7u12AuhJ5AaJIgZAZe0US8   Wicked is a musical with music and lyrics by Stephen Schwartz and book by Winnie Holzman. It is based on the 1995 Gregory Maguire novel Wicked: The Life and Times of the Wicked Witch of the West, in turn based on L. Frank Baum's 1900 novel The Wonderful Wizard of Oz and its 1939 Metro-Goldwyn-Mayer film adaptation.   Cabaret is a 1972 American musical period drama film directed by Bob Fosse from a screenplay by Jay Presson Allen, based on the stage musical of the same name by John Kander, Fred Ebb, and Joe Masteroff,[3] which in turn was based on the 1951 play I Am a Camera by John Van Druten and the 1939 novel Goodbye to Berlin by Christopher Isherwood. It stars Liza Minnelli, Michael York, Helmut Griem, Marisa Berenson, Fritz Wepper, and Joel Grey. Multiple numbers from the stage score were used for the film, which also featured three other songs by Kander and Ebb, including two written for the adaptation.   Cabaret Trailer: https://www.youtube.com/watch?v=uhbq2WFctBM&ab_channel=EduardoBarauna I Love This You Should Too is hosted by Samantha & Indy Randhawa

This week, Julian Ramos (Hamilton LA, And Peggy, Philip Tour) is back with a love letter to New York, New York: both the city and the musical. He tells us about the tap number on the beam, what instruments he actually knows how to play, and why the one and only John Kander is the coolest person he has ever met.  Plus, more love and stories from his time with Hamilton, what it was like working with Lin-Manuel Miranda again on another show, and the inspirations behind his fantastic sense of style.  New York, New York Original Broadway Cast Recording Tyla - Been Thinking /// Episode 107 Episode 108 Julian on Instagram Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

Peter Friedman - has been in the original New York productions of works by Wendy Wasserstein, Simon Gray, C.P. Taylor, Charles Fuller, Annie Baker, Amy Herzog, Max Posner, Greg Pierce, Jennifer Haley, Deborah Zoe Laufer, The Debate Society, Rachel Bonds, Lauren Yee, Will Eno, Michael Mitnick, Kim Rosenstock, Will Connolly, Gunnar Madsen, Joy Gregory, John Lang, Susan Stroman, David Thompson, John Kander, Terrence McNally, Lynn Ahrens, and Stephen Flaherty. He's performed in NYC revivals of plays by Paddy Chayefsky, Reginald Rose, Donald Margulies, Chekhov, and Shakespeare. Film: The Savages, Safe, Single White Female. TV: “Brooklyn Bridge,” “High Maintenance,” “The Muppet Show,” “The Affair,” “The Path,” “Succession.” Sydney Lemmon - Off-Broadway debut. Broadway: Beau Willimon's The Parisian Woman. Film: TÁR, Firestarter, Velvet Buzzsaw. Television: “Helstrom,” “Succession,” “Fear the Walking Dead” (Saturn Award Nomination). She can next be seen alongside Halle Berry in the forthcoming feature film The Mothership. Sydney is a graduate of Boston University, LAMDA and the Yale School of Drama. Learn more about your ad choices. Visit podcastchoices.com/adchoices

An Asolo Repertory Theatre Production Book by Joe Masteroff Based on the play by John Van Druten and stories by Christopher Isherwood Music by John Kander and lyrics by Fred Ebb Directed and choreographed by Josh Rhodes Willkommen, bienvenue, welcome to Cabaret! It's 1931 Berlin, and inside the Kit Kat Klub, British nightclub singer Sally Bowles keeps the delirious party raging. But no amount of booze, music, and dancing can slow the ominous march of a changing Germany as it draws ever closer. Featuring an iconic score from Kander and Ebb—including “Maybe This Time,” “Mein Herr,” “Don't Tell Mama,” and, of course, the title song—this Tony Award–winning musical is reimagined in a visionary new staging by Globe favorite Josh Rhodes (Guys and Dolls, Bright Star). BroadwayWorld calls this production, “Hands down the most cohesive, well-rounded, fully conceptualized staging of this musical that I have seen to date. My friends, this is how you do Cabaret.”

Gregory Landes is a versatile musician, excelling as a drummer, percussionist, composer, educator, and arranger. His impressive orchestral credits include serving as a timpanist and percussionist for esteemed ensembles such as The New Jersey Symphony, Garden State Philharmonic, The New Haven Symphony, The American Symphony Orchestra, New York Chorale Society, The Brooklyn Philharmonic, Princeton Symphony, Albany Symphony, Little Orchestra Society of New York, Greenwich, Stamford, and Westchester Symphonies, Masterwork Chorale Orchestra, Goldman Band, and The New Jersey Wind Symphony.For the past three decades, Gregory has demonstrated his musical prowess as both a drummer and percussionist in over 50 Broadway and Off-Broadway productions. Notable mentions include his involvement in the 2019 Lyrics and Lyricists show "Live and in Living Color" at the 92nd St. Y, with Andy Einhorn and Rob Berman as musical supervisors, as well as his contributions to the 2018 musical "The Beast in the Jungle" by John Kander, directed and choreographed by Susan Stroman. He has also been involved in Director John Doyle's productions of "Pacific Overtures" and John Kander's "Kid Victory." Gregory played a crucial role in creating the drum and percussion book for John Kander's musical "The Landing."Gregory has an extensive list of credits in the world of theater, having performed as the original drummer and percussionist in productions of "How The Grinch Stole Christmas" on Broadway, in Chicago, Boston, and Madison Square Garden. He has also showcased his drumming and percussion skills in various other productions, including "Avenue Q," "Newsies," "In The Heights," "Curtains," "Wicked," "42nd Street," "Play Without Words," "Ragtime," "Les Miserables," "Falsettos," "Putting It Together" (with Julie Andrews), and many more.Additionally, Gregory Landes is a founding member of The Pit Stop Players, a chamber ensemble composed of highly sought-after freelance musicians in New York City. The group is dedicated to performing new works by emerging composers. Gregory's arrangements and pieces written for percussion ensemble can be found in publications by Bachovich Music Publications. He held the position of director of percussion studies at The Calhoun School in New York City and was involved with The Calhoun Percussion Ensemble. Furthermore, he serves as a drum and percussion instructor in the Encore Program at Ridgewood High School in New Jersey and has taught General Music and Percussion at The Pingry School.Gregory's talent has gained recognition from renowned musical instrument manufacturers, as he is endorsed by Paiste cymbals and is an Innovative Percussion artist. Since 1997, he has been performing alongside his brother Garah Landes, a pianist, as the duo Synchronicity. To learn more about their extensive performance history, interested individuals can visit their Facebook page, watch their videos on YouTube, or explore their website at www.synchronicitymusic.com. Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Reflexionamos con Mario Gas sobre la música que han hecho brillar a todo tipo de espectaculo. Desde musicales como Chicago de John Kander, hasta películas como Novecento de Bernardo Bertolucci con banda sonora de Enrio Morricone. Escuchar audio

Broadway's big night, the Tony Awards, will be held this Sunday. The new show, "New York, New York," is a top contender, nominated in nine categories, including Best Musical. Its composer, John Kander, is separately being honored with a special award for Lifetime Achievement in the Theater. Jeffrey Brown joined Kander at the piano for our arts and culture series, CANVAS. PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

Stephen is joined by 2023 Tony nominees and theater legends John Kander and Lin-Manuel Miranda who talk about the 1977 Martin Scorcese film, “New York, New York,” and what happened when Robert DeNiro gave notes to Kander on one of the film's big musical numbers; and the iconic broadway duo talk about their writing process, which unfolds with ease each time they start a new project, despite the significant age gap between them. Kander and Miranda's new show, “New York, New York,” is playing now at Broadway's St. James Theater. Original Air Date: April 4th, 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices

CHICAGO  Book by Fred Ebb & Bob Fosse | Music by John Kander | Lyrics by Fred Ebb |  Based on the play by Maurine Dallas WatkinsWorks Consulted & Reference :Chicago (Original Libretto) by  Fred Ebb & Bob FosseFosse by Sam WassonColored Lights: Forty Years of Words and Music, Show Biz, Collaboration, and All That Jazz by John Kander, Fred Ebb, as told to Greg LawrenceMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie  (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording)  | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Nobody" from Absysinia  | Music by Bert Williams, Lyrics by Alex Rogers | Recorded for the Victor label"Mister Cellophane” from  Chicago (New Broadway Cast Recording 1997) | Music by John Kander | Lyrics by Fred Ebb |  Performed by Joel Grey"Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff

Today, I am so thrilled to announce my episode with one of the theater's most influential minds, the New York Times's chief theater critic Jesse Green. Tune in today for an in-depth interview as Jesse discusses his varied career. Highlights include: working with Hal Prince on A Doll's Life, why he decided to stop working on Broadway, his view of the role of a critic, covering the “Tear Beat,” the off-Broadway show this season he has been looking forward to, being begged by John Kander not to become a critic, the play he regrets reviewing, the exciting profile that fell apart, his hopes for the future of Broadway, his rule for standing ovations, his three-laugh-a-page rule for Shy, and so much more. You won't want to miss this fascinating conversation.   Note: This interview was recorded in February 2023.

Connor and Dylan are joined by Broadway star Anna Uzele (New York New York, Six). These become fast friends during Anna's podcast debut! This is an unforgettable first time, as they learn all about her love story with her gorgeous tattoo artist husband Glenn, her Evangelical upbringing, and the journey from Delaware to NYC. Anna tells the twins about her self-described “feral child” artsy self, along with the fateful high school production of Aida alongside & Juliet's Ben Jackson Walker. We reminisce on the long-gestating opening night of Six, the unique audition process for Catherine Parr, and when she knew to pass down the crown. Anna spills on Connie Britton, the church of Broadway, Colton Ryan the godsend, and working with John Kander and Susan Stroman, while Connor reports back from seeing Oscar Isaac in The Sign in Sidney Brustein's window, and Dylan calls out for theatre tattoo ideas. You must see Anna in New York, New York on Broadway! Follow Anna on InstagramFollow DRAMA. on Twitter & Instagram & TiktokFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramEdited by Dylan

This episode is also available as a blog post: https://thecitylife.org/2023/05/08/new-york-new-york-the-new-broadway-musical-will-release-cast-recording-with-7-new-songs-by-john-kander-and-lin-manuel-miranda/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

Welcome to Musical May, wherein we discuss movies adapted from the stage — the kind where everybody sings and dances (much to Krueger's confusion, we'll learn). This week, we start the month off with a true banger — and unsurprisingly, Aaron's pick: 2002's Chicago, with music by John Kander and Fred Ebb!

Coming live from the Big Apple, hosts Joshua and Dan.... you know how some days are hard and you don't always think you can come up with terrific pithy descriptions? today is one of those days. we discuss the new Broadway musical New York, New York. John Kander wrote it. the man is a level above National Treasure and attention must be paid, if one has to quote Arthur Miller. Fred Ebb, as ever, is present. Lin Manuel Miranda contributed too. production by Susan Stroman. i think the episode is funny. it's also elegiac and celebratory and somber and excited. it's a series of contradictions, which in a way is exactly what musical theatre is. it's worth giving a listen, i think it might be one of our better eps. Tune in to next week's episode when we discuss Hello, Dolly!; specifically, the Broadway revival performance from June 28th, 2017! Contact us: unccpodcast@gmail.com Twitter: @unccpodcast Instagram: @unccpodcast

Performed Live May 1, 2023 in La Salle's Auditorium Combined Ensembles                         Here Comes the Sun (1969)         George Harrison                          Can't Help Falling in Love (1961) Weiss, Peretti & Creatore                                                             Arr. Ed Lojeski               Theme from New York, New York (1977)                                                              John Kander & Fred Ebb               Brown Eyed Girl (1967)              Van Morrison                                                             Arr. Mac Huff Drummer:  Harrison Karsch                                      Advanced Chorus/Belcrofters                         In the Still of the Night (1956)     Fred Parris                                                             Arr. Roger Emerson Soloists:  Tom Rosato, Tom Eble, Liam Glennon & Carter Servais               Danny Boy (1913)                       Arr. Thomas Juneau               Pompeii (2013)                          Dan Smith                                                             Arr. Jacob Narverud Drummer:  Harrison Karsch   Small Groups & Soloists               Poor Wayfaring Stranger (19th Century)  Arr. Keith Christopher               Soloist:  Elio Shiffman               No Surprises (1997)                    Radiohead Soloist:  Harrison Karsch   You Make Me Feel So Young      Joseph Myrow & Mack Gordon                 (1946)                Soloist:  Kevin Corso               Sh-Boom (Life Could Be a Dream)          Arr. Anne Raugh                          (1954)                            Combined Ensembles                         Ophelia (2016)                           Jeremy Fraites & Wesley Schultz               Home (2012)                              Greg Holden & Drew Pearson               Dear Theodosia (2015)                Lin-Manuel Miranda (From the Musical “Hamilton”)               A Sky Full of Stars (2014)            Berryman, Buckland et al                                                             Arr. Mac Huff             Special Thanks to Pianist:  Mrs. Maryanne Martin   (La Salle's Piano Teacher)

Last week, the new musical NEW YORK NEW YORK became one of the last shows to open on Broadway in the 2022-23 season ahead of tomorrow's Tony Awards nominations. The show, which is directed and choreographed, features musical from John Kander and collaborators including Lin Manuel Miranda and stars Colton Ryan and Anna Uzele. Check out Mickey-Jo's review roundup to find out what New York's critics thought of the show... • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Hosted by Jane Pauley. In our cover story, Jonathan Vigliotti looks at the science behind de-extinction – bringing species back from the brink. Plus: Tracy Smith talks with actress Rachel McAdams, starring in a new film based on Judy Blume's "Are You There God? It's Me, Margaret."; Ben Mankiewicz interviews James Corden, who is leaving "The Late Late Show" after eight years; Mo Rocca sits down with Broadway legend Chita Rivera; and David Pogue goes behind the scenes of the new John Kander, Fred Ebb and Lin-Manuel Miranda musical, "New York, New York."See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The new Broadway musical New York, New York includes Kander and Ebb's songs from Scorsese's 1977 film. We listen back to an '83 interview with Kander and Ebb, plus '91 and '15 interviews with Kander. David Bianculli reviews the new Amazon Prime series, Dead Ringers.

At the Movies:  Quiet Girl and The Lost King.  Enjoying HOKAs.  Saying no to milk.  Food poisoning and championships.  John Kander.  Remembering Mimi Sheraton. Credits: Talent:  Tamsen Granger and Dan Abuhoff Engineer:  Ellie Suttmeier Art:  Zeke Abuhoff

It was an historic day today in New York City as the former president of the United States was arraigned in a courthouse downtown and charged with 34 felony counts of falsifying business records, while his friend Rep. Marjorie Taylor Greene sought to compare him to other historical figures who have been arrested. Next, Stephen is joined by theater legends John Kander and Lin-Manuel Miranda who talk about the 1977 Martin Scorcese film, “New York, New York,” and what happened when Robert DeNiro gave notes to Kander on one of the film's big musical numbers; and the iconic broadway duo talk about their writing process, which unfolds with ease each time they start a new project, despite the significant age gap between them. Kander and Miranda's new show, “New York, New York,” is playing now at Broadway's St. James Theater. Learn more about your ad choices. Visit megaphone.fm/adchoices

In honor os his birthday, it's a show all about John Kander!

What if training to be on Broadway didn't cost you hundreds of thousands of dollars? What if it didn't come with some of the toxic environments students often experience when studying for their BFA? What if students can train intensively in a safer and more equitable space? That's where Michael Minarik of IAMT comes in. What's in this episode? Treating yourself after auditions or small wins Rejection is not about your soul Finding joy from within Not being debt after college Why the current model for the BFA Showcase is archaic The ability to choose in the industry  Audition accessibility Becoming someone's favorite Michael Minarik is the director, acting head and cofounder of the institute for American Musical theatre located in Washington Heights, NYC – where alum is performing on Broadway, National Tours, regional theaters, film tv, cruise ships and other various performance venues.  Michael has been a performer on Broadway in Les Miserables (Grantaire u/s Javert and Thenardier) Rock of Ages (u/s Lonny, Stacee Jaxx, Dennis Dupree, Hertz Kleinman) and Matilda (Escape Artist u/s Trunchbull). He was also in the Broadway first national tours of Urinetown (Bobby Strong) and Little Women (John Booke) as well as numerous regional theatre productions including Jekyll and Hyde (Jekyll) The Happy Time (with John Kander as a consultant) Jacques, The Rink with Leslie Uggams, Phantom (Phantom), Beauty and the Beast (Gaston), Titanic (Barrett), Wedding Singer (Glen Gulia) and many more.  He is also a 12x singer for the New York Yankees singing God Bless America as well as the National Anthem. Michael is also an accomplished theatrical producer, with a Tony nomination for producing Rock of Ages on Broadway, the national tour, and the Toronto production. Michael was also the lead producer on the award winning musical Fat Camp as well as producing the off Broadway show, The Scene starring Tony Shalhoub and Patricia Heaton at second stage. Michael is also a successful real estate agent in Manhattan for over 20 years. Michael was a business major at James Madison University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Each accused of unrelated murders, two real-life Chicago women in the 1920s use the media to garner support for themselves in order to avoid prison. Their stories inspired one of the longest-running musicals of all time.Chicago The Musical at the CIBC Theatre:https://www.broadwayinchicago.com/tickets/order-tickets/Want to help support the show? Buy me a coffee!https://www.buymeacoffee.com/chicagohistoryLeave me a voice message - just click on the microphone in the lower right corner here:https://www.chicagohistorypod.comUp your cocktail or Sodastream game with Portland craft syrups!https://portlandsyrups.com/collections/all?sca_ref=1270971.MO4APpJH1kNeed music for YOUR projects? Audiio has got you covered. Try a free trial here:https://audiio.com/pricing?oid=1&affid=481Anything purchased through the links below may generate a small commission for this podcast at no cost to you and help offset production costs.BOOKS:He Had It Coming: Four Murderous Women and the Reporter Who Immortalized Their Stories by Kori Rumore and Marianne Mather https://amzn.to/3CrCS6qGirls of Murder City: Fame, Lust, and the Beautiful Killers Who Inspired Chicago by Douglas Perryhttps://amzn.to/3GH1IlyChicago by Fred Ebb, John Kander, and Bob Fossehttps://amzn.to/3WTmMuSFosse by Sam Wassonhttps://amzn.to/3Qni3iCDeadline Artists - Scandals, Tragedies, and Triumphs : More of America's Greatest Newspaper Columns by John P. Avlonhttps://amzn.to/3VSZRhCSecond City Sinners: True Crime From Historic Chicago's Deadly Streets  by Jon Seidelhttps://amzn.to/3g5n1jsUnknown Chicago Tales by John R. Schmidthttps://amzn.to/3x6GgPhMOVIES:Chicago (2002)https://amzn.to/3jVsmOHFosse/Verdon(2019 FX Limited Series) https://amzn.to/3GFegZBChicago (1927 Silent film version) FREE on YouTubehttps://www.youtube.com/watch?v=Js5lYNIZ87ETry Amazon Kindle Unlimited for FREE here: https://amzn.to/2WsP1GHChicago History Podcast Clothing, Mugs, Totes, & More (your purchase helps support the podcast):https://www.teepublic.com/user/chicago-history-podcasthttps://teespring.com/stores/chicago-history-podcastChicago History Podcast (chicagohistorypod AT gmail.com):https://www.chicagohistorypod.comChicago History Podcast Art by John K. Schneider (angeleyesartjks AT gmail.com) and on https://www.instagram.com/angeleyesartjksSupport the show

In the early days of the pandemic, I found a record poking out of a bookshelf. I must've walked past that shelf a million times, how had I never noticed it? Turns out: the record was written for my grandfather by future Broadway titan: John Kander. The story doesn't stop there and only gets better. I invite you to listen and enjoy and share. This story began as a twitter thread that went super viral, amassing tens of millions of views.

durée : 00:53:59 - Le masque et la plume - par : Jérôme Garcin - Une célèbre comédie musicale sur une musique de John Kander, une autre créée à Broadway, les aventures d'une héroïne d'Andersen, un spectacle équestre et aérien, une pièce de Tourgueniev... On vous guide. - réalisé par : Xavier PESTUGGIA

Incomparable two-time Tony Award Chita Rivera winner will recreate signature moments from her legendary career at The Colonial Theatre in Pittsfield, Massachusetts on July 31. In addition to a tribute to her dear friends John Kander and Fred Ebb, the timeless music of Leonard Bernstein, Charles Strouse and Lee Adams, Jerry Herman and Stephen Sondheim will also be featured, accompanied by her long-time trio.

To celebrate 4th of July, Matt speaks with Jason Kander, veteran, author, former Secretary of State for Missouri, and the first millennial elected to statewide office, about his new memoir, Invisible Storm: a Soldier's Memoir of Politics and PTSD, co-written with his wife, Diana. Jason discusses how he approaches fatherhood post-therapy, and what he learned from his own father, grandfather, and great uncle, the iconic Broadway composer John Kander. He also talks about who, in politics, is probably most desperate for their father's approval, and how President Obama helped him name his son, True. --- Support this podcast: https://anchor.fm/tell-me-about-your-father/support

Shows: The Mystery of Edwin Drood, Curtains, The Nutty Professor Tony Award winning composer, lyricist, librettist Rupert Holmes drops in to discuss his incredible career as well as his new musical, THE NUTTY PROFESSOR, which is about to open at The Ogunquit Playhouse.....and a sneak peek at a new Broadway bound musical. Rupert pulls back the curtain to reveal why Gilbert and Sullivan are at the foundation of his creations, how Joe Papp lured him to the world of musical theatre, and who might be the murderer in the infamous The Mystery of Edwin Drood Music Video. Plus: Marvin Hamlisch, John Kander, Cleo Laine, and so many more! Learn more about your ad choices. Visit megaphone.fm/adchoices

About the Guest David Loud (NYC) occupies a unique place in Broadway history. In addition to his distinguished career as one of Broadway's most respected music directors and arrangers, he originated three Broadway roles as an actor, including his appearance in the original cast of Stephen Sondheim's legendary failure (and cult classic) Merrily We Roll Along, directed by Harold Prince. In a career spanning several decades, he served as music director for the original Broadway productions of Ragtime, Curtains, Sondheim on Sondheim, The Visit, The Scottsboro Boys, A Class Act, The Look of Love, and Steel Pier, as well as revivals of She Loves Me, Company, and Swehttps://www.parkinson.org/rence McNally's Tony-winning play, Master Class.  The extraordinary cast of characters in his life also includes John Kander, Fred Ebb, Angela Lansbury, Chita Rivera, Roger Rees, Marin Mazzie, Scott Ellis, Jerry Bock, Sheldon Harnick, Garth Drabinsky, and Barbara Cook, among others.  Links https://www.simonandschuster.com/books/Facing-the-Music/David-Loud/9781682451915 (Facing the Music Publisher Page) https://www.parkinson.org/ (Parkinson's Foundation) Music Credit Opening written and performed by Huck Borden. Instagram @huck_borden. Connect with Us Facebook @beltlinetbroadway Twitter @beltlinetobway Instagram @beltlinetobroadway

My guest this month has been called a poet of the vocal cords and "the Queen of Cabarets." Karen Mason originated the role of Tanya in the Broadway production of Mamma Mia and has had starring roles in Wonderland, Hairspray, Sunset Boulevard, and the first U.S. tour of Andrew Lloyd Webber's Love Never Dies. She's shared concert stages with Michael Feinstein, Jerry Herman, Chita Rivera, Luciano Pavarotti, Rosemary Clooney, Liza Minnelli, and John Kander & Fred Ebb, among others. Karen's performed with major symphony orchestras and headlined Carnegie Hall, The Kennedy Center, Lincoln Center, and London's Royal Albert Hall. A 14-time Manhattan Association of Cabarets and Clubs Award-winner, she received the MAC Award for Major Female Vocalist of the Year for six consecutive years and was honored with the MAC Lifetime Achievement Award in 2019.Her television appearances include the hit dramas “Ed,” “Law & Order: SVU,” and, most recently, an appearance in the Netflix series Halston starring Ewan McGregor. In our conversation, Karen talks about what the differences are between cabaret and Broadway and pushes back against those who claim that Broadway is the superior of the two. She also shares how she prepares for both types of performances and finds the story in a song. We discuss how to handle hecklers and how she works on patter - the talking that goes before and after songs.We talk about our crush on Ewan McGregor and what it was like to work with him on the series Halston, her new album of songs, Let The Music Play, and much more.Karen is an accomplished vocalist and actor and a delightful person. She's smart, thoughtful, kind, and laughs easily — the kind of person you'd love to have for a friend. I'm grateful for the time she shared with me and now, you.For full show notes, transcriptions of this episode, and more offerings for singers, you can visit my website HERE.Please join me on Facebook, Instagram, and Twitter.You can find Karen on her website, Facebook, Instagram, or YouTube.The songs from today's episode are Don't Rain On My Parade, Steppin' Out, and Let The Music Play, and are from Karen's CD, Let The Music Play (used with permission.) You can listen to the entire album HERE. To purchase go HERE.Theme music for the Podcast was composed by John Smith. He helps me edit all the podcast episodes too. (Thanks honey!) Support the show (https://www.buymeacoffee.com/livingvocally)

Book Vs. Movie “Musicals in March” The 1926 Play Chicago Vs the 2000 Filmed AdaptationOur second pick this month for “Musicals in March” is Chicago which has a rich history in two important cities--Chicago and New York City. The original play was based on the true-crime work of Maurine Dallas Watkins--a journalist and playwright who had a flair for juicy dialogue. Born in Louisville, Kentucky sometime around 1896 (the state has no record of her birth) Watkins was ambitious enough to try her hand at playwriting when most women were not taken seriously as writers. On the advice of one of her instructors, Watkins moved to Chicago to work as a newspaper reporter. Her time at the Chicago Tribune only lasted eight months, but her coverage of accused murderers Belva Gaertner and Beulah Sheriff Annan caused a sensation with the “jazz babies” entering the imaginations of millions of readers. (She later felt guilty about making them sound more charming than they deserved.) After joining the Yale School of Drama, she wrote the play “The Brave Little Woman” with characters “Roxie Hart” and “Velma” which later became Chicago. After a respectable run on Broadway (the touring company included a then-unknown Clark Gable), she went on to write 20 more plays and became a Hollywood screenwriter. By saving and investing her money, she made a fortune and retired to Florida when not traveling the world. She was never married or had children and died quietly in 1969. After her death, stars Gwen Verdon and Bob Fosse bought the rights to Chicago and partnered with John Kander and Fred Ebb to work on the music & score after their combined success with Cabaret. The 1975 production was a slow burn due to the illness of Verdon until Liza Minelli subbed for her. The musical would lose most major TONY Awards to A Chorus Line but it went on to become a $2 billion franchise and the second longest-running show on Broadway since the revival in 1996. The basic story of Roxie Hart, Velma Kelly, Billy Flynn, and “Mama Morton” is one of the old adages “if it bleeds, it leads” with the media portraying the boozy dames as 1920s nouveau heroes. The songs are some of the catchiest you will ever hear in one show including “All That Jazz,” When You're Good to Mama,” Roxie,” “I Can't Do it Alone,” and “Nowadays.” Rob Marshall directed the 2002 film that stars Renee Zellweger (Roxie,) Catherine Zeta-Jones (Velma,) Richard Gere (Billy Flynn,) Queen Latifah (“Mama” Morton,) John C. Reilly (Amos Hart,) Christine Baranski (Mary Sunshine,) and Taye Diggs as the Bandleader.So, between the original play and the musical adaptation--which did we prefer? In this ep the Margos discuss:The origin story is based on real-life criminals in the 1920sHow the musical originally came togetherThe differences between the film and stageThe musical is a cash cow for theater. Clips used:TV ad 1977Chicago original trailerJerry Orbach TONY Awards 1976Gwen Verdon & Chita Rivera 1977 Mike Douglas ShowRichard Gere as Billy FlynnQueen Latifah as “Mama” MortonThe Cell Block TangoMusic by John Kander & Lyrics by Fed EbbBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comEmail us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine