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來自 claire 的補充: 這集我好像一直失言,聽完為自己捏了一把冷汗
Pleasure Muse: Lil Kim Tantalizing Trivia: She is the original “Queen Bee”, also known as the Queen of Rap and The First Lady of Rap. At 14, because of a tumultuous relationship with her father, she left home and started living on the streets; later she would drop out of high school for a short time, before enrolling in the same school where fellow rappers, Nas and Foxy Brown were attending. By 19 she was a starring member in the rap group, Junior Mafia, the next year she went solo, with the highest debut of any female rap artist at the time. In 2005, she was convicted on perjury charges regarding a 2001 shooting outside a New York radio station. She eventually served one year in prison. Her entire career has been steeped in controversy. Some say her highly sexualized image and lyrics are seen as manifestations of the sexist, misogynistic ideologies embedded in rap culture. Others consider her a feminist, sec-positive icon who has empowered women to step into their sexual power and own a new image for themselves. Mirror Work: Make yourself the object of your own desire. Enjoy a post-shower love-fest of your body. Standing in the mirror, admire all of your dips, dimples and curves. See the sexiness in your survival, in your suppleness, in your self-love and adoration. Affirmation: I am proud to be a sexual being. I safely explore and embrace my sexual desires without guilt or shame. Banish Shame: A Playlist Self-Care Shopping List: Good books to get you started on your journey to banishing shame. Longing to Tell: Black Women Talk About Sexuality and Intimacy, By Tricia Rose Stolen Women: Reclaiming our Sexuality, Taking Back Our Lives, By Dr. Gail Wyatt When Chickenheads Come Home to Roost, By Joan Morgan “The streets made me. They stay at me. There's nothing that's gonna take away from my legacy. I'm sorry. It is what it is. I'm dying this way. With the crown on my head, nobody can take nothing away from me. It is what it is. I am who I am. Bottom line.” - Lil Kim Didn't catch the live recording of today's episode? We don't want you to miss out on getting the full experience. Check out the opening and closing songs below. Opening Song Closing Song
This week, Erica and Kenrya talk to Dr. Lanice Avery about who's going to save Black women (spoiler: it's us); being our whole, expansive selves; the importance of nurturing friendships with other women; leaning into our unexpected strengths; the virtues of being a curious bitch; and getting off and getting free.ResourcesGuest, Lanice Avery | la4gd (at) virginia.edu | TwitterBook, "Four Letter Word: (After Hours Book 1)" | AmazonAuthor, Ava Freeman | Website | Instagram | TwitterDr. Avery's Recommendations:"When Chickenheads Come Home to Roost: A Hip-Hop Feminist Breaks It Down" by Joan Morgan | Bookshop | Amazon"Black Feminism Reimagined: After Intersectionality" by Jennifer C. Nash | Bookshop | Amazon"In the Wake: On Blackness and Being" by Christina Sharpe | Bookshop | Amazon"Pleasure Activism: The Politics of Feeling Good" by Adrienne Maree Brown | Bookshop | AmazonYou can find full show notes, a transcript and links to everything we mentioned on this episode at https://www.theturnonpodcast.com/transcripts/season-5-episode-1_5-the-turn-on-x-dr-lanice-avery.Connect With The Turn OnWebsite: http://www.theturnonpodcast.comInstagram: @TheTurnOnPodcastTwitter: @TheTurnOnPodFacebook: https://www.facebook.com/TheTurnOnPodcast/YouTube: https://www.youtube.com/channel/UCrkR-duu-KegFURl-P8xpYg?view_as=subscriberPatreon: https://www.patreon.com/TheTurnOn?fan_landing=trueMerch: https://teespring.com/stores/the-turn-on-podcastSupport the show (https://cash.app/$theturnonpodcast)
Join the bruhs as we explore this masterpiece by Joan Morgan, "When ChickenHeads Come Home to Roost". We discuss the struggles of being black and having allegiance to your race, embracing your feminity all while being a feminist. What is feminism and can it be redefined to be relevant to the modern era of hip-hop? --- Support this podcast: https://anchor.fm/osborne/support
On this episode of the en(gender)ed podcast, our guest is Kenya Hunt, award-winning writer, and author of her new book, an essay collection, entitled Girl, Gurl, Grrrl: On Womanhood and Belonging in the Age of Black Girl Magic. Our conversation explores the lives of Black women and cultural differences within the Black community, the trials and tribulations of being a mother, especially a mother to Black children, and the meaning of #BlackGirlMagic and what it really stands for. In short, we examine themes of belonging, connection, resilience, and identity. During our conversation, Kenya and I referenced the following resources: Joan Morgan's book, When Chickenheads Come Home to Roost: A Hip-Hop Feminist Breaks It Down CaShawn Thompson's coining of the term, "Black Girl Magic" The importance of "mirrors and windows" and diversity and inclusion in children's texts --- Thanks for tuning in to the en(gender)ed podcast! Be sure to check out our en(gender)ed site and follow our blog on Medium. Join our feminist community of survivors, advocates and allies! Consider donating because your support is what makes this work sustainable. Please also connect with us on Twitter, Instagram and Facebook. Don't forget to subscribe to the show!
Joan Morgan grew up in the Bronx alongside a growing hip hop movement in the 1980s. Coming of age in the 90s, as hip hop became an international cultural phenomenon, Joan Morgan became one of the first women to write about hip hop for magazines. In 1999, Morgan coined the term “hip-hop feminism” in her groundbreaking book When Chickenheads Come Home to Roost which applied a feminist lens to a nortoriously sexist genre. More recently, she penned a definitive analysis of The Miseducation of Lauren Hill, to mark the 20th anniversary of that classic, seminal album.
Bruh yall still won't leave Summer Walker alone! I see we still don't understand anxiety or we just like treating Black women like shit who have it. On this episode we discuss the construct of virginity and TI's dumb ass. The google likes shit is racist! Also, Black folks do not go to hell. Lastly, we wrap up with my conversations on fat phobia, Black radical imagination, and Bad Bitches! E-mail: blkrdlimgns@gmail.com Podcast Twitter: @blkrdlpod Podcast Instagram: @blkrdlpod Host Twitter: @_christxn_ Cashapp: $christxnn Tank and the Bangas (Song I mentioned is track 9 "I Don't Get High"): https://music.apple.com/us/album/green-balloon/1454294605 Negarra: https://www.instagram.com/tv/B4Sf4BQFWLC/?utm_source=ig_web_copy_link goes more in-depth on tiredness Abuse Trigger Warning - 39:20 - 44:28 Alexis Crawford Trigger Warning - 51:11 - 1:08:44 Self-Care Video: https://youtu.be/Nu700RpdCig For Black Spiritual Information please check out: A Little Juju Podcast https://podcasts.apple.com/us/podcast/a-little-juju-podcast/id1444197888 All books from the past three episodes: 1. Eloquent Rage: A Black Feminist Discovers Her Superpower by Brittney Cooper 2. Queer Times, Black Futures by Kara Keeling 3. When Chickenheads Come Home to Roost: A Hip-Hop Feminist Breaks It Down by Joan Morgan 4. The Wretched of the Earth by Frantz Fanon 5. A Secret History Of Memphis Hoodoo 6. Sister Outsider by Audre Lorde (she talks about the erotic here) 7. The Marx-Engels Reader (Second Edition) edited by Robert C. Tucker 8. Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment by Patricia Hill Collins 9. Aunt Jemima, Uncle Ben, and Rastus: Blacks in Advertising, Yesterday, Today, and Tomorrow by Marilyn Kern Foxworth 10. Toms, Coons, Mulattoes, Mammies, and Bucks: An Interpretive History of Blacks in American Films, Updated and Expanded 5th Edition by Donald Bogle 11. Spare the Kids: Why Whupping Children Won't Save Black America by Stacey Patton 12. Algorithms of Oppression by Safiya Noble
Welcome to the first episode! On this episode we will discuss Black Radical Imagination and how it is key to our resistance as Black folks. Black radical imagination can be seen and heard in popular culture from artists such as Solange, which will be discussed on this episode. E-mail: blkrdlimgns@gmail.com Podcast Twitter: @blkrdlpod Podcast Instagram: @blkrdlpod Host Twitter: @_christxn_ Cashapp: $christxnn Show notes: When I Get Home Visual Solange Spoiler 37:30 - 47:38 When I Get Home Visual: http://smarturl.it/WhenIGetHomeFilm Slavery Trigger Warning: 49:45 - 52:39 Books and authors mentioned 1. Eloquent Rage: A Black Feminist Discovers Her Superpower by Brittney Cooper 2. Queer Times, Black Futures by Kara Keeling 3. When Chickenheads Come Home to Roost: A Hip-Hop Feminist Breaks It Down by Joan Morgan 4. The Wretched of the Earth by Frantz Fanon 5. A Secret History Of Memphis Hoodoo A good source for more information on African spiritual practices: https://podcasts.apple.com/us/podcast/a-little-juju-podcast/id1444197888 (That podcast is also available on Soundcloud and Spotify!!)
We are discussing When Chickenheads Come Home to Roost: A Hip Hop Feminist Breaks it Down by Joan Morgan. Join us!
"When Chickenheads Come Home to Roost: A Hip-Hop Feminist Breaks It Down" came out in 1999. It was the age of the video vixen, and feminists were decrying the objectification of women in hip-hop imagery and lyrics. Then Joan Morgan published her groundbreaking book examining the complexities of life as a black woman, feminist, and music lover in the age of hip-hop. This year, the book turns 18. Last month, a new edition was published with a forward by Brittney Cooper and an afterword by Treva Lindsey. It's also just been released as an audio book, read by actor Joy Bryant. It's clearly a work with enduring relevance, but its initial reception wasn't all positive. "There were a lot of elder feminist stateswomen who basically just dismissed the book as, 'this person is not really a feminist because if she was really a feminist, she couldn't possibly love hip hop,'" Morgan says. "So finding my tribe years later - the people who actually find value in the book, has been such a precious gift to me. It's incredible to me that it still has a place in the culture." One member of that tribe is our own Dr. Kaila Story, who first read "Chickenheads" as a college senior. "It made me confirm that I belong in feminism," Doc says. "That I am a feminist. That I can bring my whole self, my entire self, to the professoriate, to my classes, and to the work that I do." Joan Morgan joins us this week to talk about what's changed in black feminism between now and 1999 — and what still needs to.
This week, the music world bows down to its Queen, while saying a sad goodbye to its Prince. In this special hour-long episode of Strange Fruit, we talk about these two groundbreaking black artists — one who’s still building her musical empire, and one whose legacy is now complete. You’ve read the think pieces and seen online commentators picking apart stories of infidelity and scandal in Beyoncé's visual album, "Lemonade." But our regular fruitcakes will know, we’re going deeper than that. To help, we've enlisted some of the Pleasure Ninjas, a group of black feminist scholars, cultural workers and activists. Joan Morgan is an award-winning author and journalist who wrote "When Chickenheads Come Home to Roost," and coined the term hip-hop feminism. But what you might not know about her is that she's also a practitioner of Yoruba, an African religious tradition. And as it happens, "Lemonade" is chock full of Yoruba imagery. Morgan joins us to help us understand these symbols. The album also included nods to the Black Lives Matter movement, and police violence against black citizens. We speak to Brittany Cooper and Treva Lindsey about what some of those images evoked for them. And of course, the day after we recorded our last show, the world lost Prince - an icon not just because of his music, but for the way he redefined ideas about black masculinity and what it means to be sexually powerful. And despite the fact that he broke most gender norms (or maybe because of it!), the world loved him. Chauncey DeVega is a political essayist, cultural critic, educator, and host of a podcast called The Chauncey DeVega show. He wrote an article for Salon last week called “Prince was the weirdo we needed: On race, masculinity & the indelible legacy of a musical icon.” He joins us to talk about what Prince meant to all of us. And in honor of National Honesty Day (April 30 — according to Wikipedia, at least), Doc tells the story of the best/worst lie she ever got caught in. And we ponder the question of whether it's possible to go an entire day without stretching the truth.
Host and Duke University Professor Mark Anthony Neal discusses the controversy over Tyler Perry’s big screen adaptation of Ntozake Shange’s For Colored Girls and surviving the Bronx, New York with writers Joan Morgan and Sofia Quintero. —>Joan Morgan is the author of When Chickenheads Come Home to Roost: My Life as a Hip Hop Feminist and a founding contributor to Vibe Magazine. —>Sofia Quintero is the author of several novels including Explicit Content, Picture Me Rollin’ and most recently, Efrain’s Secret, her first young adult novel.