Podcasts about Foxy Brown

The Music That Made WE volume 5 continues with Purris Stilton of Nebraska. She;s chosen 10 songs that make up her story, with a soundtrack that includes Hole, Whitney, Foxy Brown, and more. + Stick around for Viktor's hidden bonus track.   Purris' links:https://www.instagram.com/purrisstilton/   The Music That Made WE is a creation of WEBurlesque Podcast Network, produced by Viktor Devonne. For the extended VIDEO version of this presentation, please visit our Patreon.com — all episodes of this series are available under the $1 threshold. that's patreon dot com slash we burlesque   [Copyright Disclaimer Under Section 107 of the Copyright Act in 1976; Allowance is made for “Fair Use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit go directly to its rightful owners. No copyright infringement intended.] 

This week in physical media may be appealing to the cults out there. Whichever you belong to, Erik Childress and Peter Sobczynski are here to guide you towards your particular following. Perhaps you are in the Richard E. Grant & Bruce Robinson cult. Or stay on that side of the pond with an Oscar-winning musical and a film that was the Bridgerton of its time in the way it uses music. Maybe you're in the late Friday the 13th cult and enjoy its post-Paramount days. Or you have a taste for a marathon of Blaxploitation. Whether you love movie doggies or mutated bears, its best to just avoid the sleeping bags this week. 1:38 - Criterion (Withnail & I 4K, How to Get Ahead in Advertising 4K) 14:36 - Sony (Oliver 4K, A Knight's Tale 4K) 26:29 - Arrow (Jason Goes to Hell 4K, Jason X 4K) 47:09 - Shout (Blaxploitation Classics Vol 1) 1:02:43 - Kino (Wonder Dogs, The Amorous Adventures of Moll Flanders, Prophecy 4K) 1:23:01 – New Theatrical Titles On Blu-ray (The Quiet Ones, Presence 4K) 1:24:15 - New Blu-ray Announcements

MK-Ultra digs deep into his vinyl stash for a gritty dose of 1970s Funk and Soul, inspired by Blaxploitation classics like Shaft, Foxy Brown and Superfly. Written by Thomas Oakland and featuring narration by TJ Trueh, who returns after his unforgettable performance in Raunchy Radio. A visceral and cinematic lo-fi journey through the seedy side of life on the mean streets.This podcast episode features content created or published by Armando Curcio Editore, Atlantic Records, Because Music, Blue Note Records, Flying Dutchman Records, Numbero, Parlophone Records, Polydor Records, Rhino, Sleeve Records, Tamla, Warner Music Group and others.Thomas Oakland & TJ Trueh - Welcome To The Game [Skit #1]Bobby Womack - Across 110th StreetDonny Hathaway - Little Ghetto BoyKool & The Gang - Father, FatherThe Jimmy Castor Bunch - What's Best?Johnson, Hawkins, Tatum & Durr - You Can't Blame MeThomas Oakland & TJ Trueh - The Illusion [Skit #2]Sisters Love - Give Me Your LoveJeremy Steig - Come With MeMandrill - Mango MeatThe Hygrades - Keep On MovingThomas Oakland & TJ Trueh - The Bigger They Are [Skit #3]Jackie Moore - IfMarvin Gaye - Right OnGil Scott-Heron - Pieces Of A ManCurtis Mayfield - PushermanDonald Byrd - Black ByrdThomas Oakland & TJ Trueh - Walk Away Clean [Skit #4]

A mix of some of the requests I get from time to time in events/parties/festivals featuring Bebe Rexha, Fridayy, Chris Brown, Burna Boy, J Hus, Foxy Brown, Honey Bxby, Juvenile, Cardi B, Drake, Daft Punk, Rihanna, Sia, Afrojack, Big Sean, Nicki Minaj, JT, Larry June + MORE!

Your music suggestions are always welcome. Drop me a text or voice note01-SKWATTA KAMP feat RELO-UMOYA02-DEAD PREZ-HIP HOP03-BUSTA RHYMES-BREAK YA NECK04-THE GAME feat JUNIOR REID-IT'S OK (ONE BLOOD)05-FOXY BROWN feat SPRAGGA BENZ-OH YEAH06-TEARGAS-CHANCE07-LIL KIM-LIGHTERS UP08-50 CENT-IN DA CLUB09-SNOOP DOGG feat PHARRELL WILLIAMS-DROP IT LIKE IS HOT10-DIDDY feat BLACK ROCK & MARK CURRY-BAD BOY FOR LIFE11-DMX-WE RIGHT HERE12-PRO-FEDE FOKOL13-LIL KIM feat 50 CENT-MAGIC STICK14-THE NOTORIOUS B.I.G-JUICY15-DR DRE feat SNOOP DOGG-STILL DRESupport the show

In this episode of the MTMJ Podcast, the hosts discuss the recent arrest of a former Turkey Leg Hut owner on federal charges of arson conspiracy (10:13), the legal troubles surrounding Shannon Sharpe, and the implications of public perception and media responsibility (17:28). They also delve into cultural commentary on relationships and the complexities of personal choices in the public eye, wrapping up with reflections on the topics discussed.Become a Patreon of the mtmj poDcast w/the wife for bonus episodes and visual content. Join our Patreon Here: https://patreon.com/MTMJPodcastwiththewife?utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLinkMusic Mix:Don Toliver - “5X”LL COOL J feat. Fat Joe, Foxy Brown, Keith Murray & Prodigy - “I Shot Ya”Rick Ross & Meek Mill - “800 Karats”

Welcome back to another bite-sized episode of Look Behind the Look. Today, we're back with another obscure cinema excavation exploring Spike Lee's 1996 film, Girl 6. The film offers a unique take on the world of phone sex operators through the eyes of an aspiring actress in New York City and, of course, so much more than that. We'll explore how this film fell into obscurity...and the layered messages on race and female exploitation.Despite its ambitious narrative, the film received mixed reviews upon release and was a commercial disappointment, grossing approximately $4.9 million against a $12 million budget. Girl 6 was dismissed so hard when it came out; it's like it just vanished from Spike Lee's filmography. Reviewers like The Washington Post's Rita Kempley described it as "little more than a profane litany punctuated by Oscar-caliber orgasms," while the Post's Desson Howe stated that "it's enough to reduce expectations over him forever."Even when discussing He Got Game two years later, Spike wouldn't mention Girl 6…That's how much people sidelined it. It's wild because after Girl 6, Spike didn't make another film centered on a female perspective until Chi-Raq in 2015, almost 20 years later. You have to wonder if the reception to Girl 6 made Spike pull back from telling stories about women, especially Black women, navigating systems that weren't built for them. Girl 6 is one of Spike's most overlooked films, but also one of the most fascinating. That's exactly why it deserves a closer look behind the look.A Cultural ReassessmentIn 1996, people didn't know what to do with Girl 6. It barely made a dent at the box office, critics were lukewarm at best, and ultimately, it faded into obscurity. But here's the thing—Girl 6 wasn't a failure. It was a film about performance, sex, race, capitalism, and identity. It didn't fit the mold Hollywood—or even Spike Lee fans—wanted it to fit.This was Spike's first time directing a script he didn't write. The screenplay came from Pulitzer Prize-winner Suzan-Lori Parks, and what they created together was something totally different from the more straightforward sociopolitical narratives people had come to expect from Spike. Instead of overt protest, Girl 6 gives us a quiet, messy rebellion in the form of one Black woman trying to survive the film industry without selling her soul.Theresa Randle plays Judy, a struggling actress who ends up working as a phone sex operator to make ends meet. And that premise could've easily become male-gazey or exploitative in the wrong hands. But it doesn't. This is a story about the male gaze, not one that indulges it. The camera doesn't leer. It's observant. It's empathetic. It's watching Judy navigate objectification. Beyond general objectification, it shows how she manages which specific forms of objectification she subjugates herself to, like being told by her boss, Lil played by a perfectly cast, Hollywood legend, Jenifer Lewis, she needs to sound “Caucasian” on the phone, because that's what “the client likes.”The film also drops in these surreal, meta moments that throw you off, especially the interspersed news storyline of the young black girl who survived falling down the elevator shaft in her building, but that's the point. It draws a direct line from girlhood to adulthood—how young Black girls are burdened from the start with invisibility, impossible standards, and stereotypes they're expected to navigate alone just to survive. We see Judy auditioning for roles where she's told to be more "urban," more "real," while directors like Quentin Tarantino, in his now-infamous cameo, barks at Judy with lines laced in microaggressions that escalate—into full-blown aggression, unchecked racism, and flat-out exploitation as he demands she take her top off on camera. It's violent in its familiarity. And that's the point. Girl 6 doesn't flinch—it forces us to sit in the discomfort, to confront how easily Black women are dehumanized under the guise of “opportunity.” This isn't just a scene. It's a reckoning that begins Judy's arc. It's Spike and Suzan-Lori Parks holding up a mirror and asking, ‘How many times has this happened—and how many times did we call it art?' or better yet "This is what you do to Black women when you 'give them a chance.'"And that's why the ending hits so hard. Because after everything—after all that growth and pain and disillusionment—it's gutting to see Judy go back to Shoplifter. It's framed like a reunion, maybe even a resolution—but it isn't. It's a return to something familiar. Something that once had control over her.And when she heads to L.A. for her so-called fresh start, she walks right into the same kind of exploitative audition that launched this whole journey. The loop restarts. But this time—she doesn't freeze. She doesn't stay quiet. She doesn't submit. She assertively leaves. That moment shifts everything. Because even though the circumstances haven't evolved, she has. It's not loud. It's not celebrated. But it's powerful. It's self-possession. It's Judy refusing to play the part again, even if the script is exactly the same.So no, the ending isn't tied up in a bow. But it's not hopeless either. Girl 6 isn't offering a fantasy of escape—it's showing us what resistance looks like when the world and the people around you won't meet you halfway. Quiet, deliberate, exhausted… but still yours.So why did Girl 6 flop? Because audiences weren't ready for a Black feminist art film disguised as a phone-sex dramedy. It didn't check the boxes. It wasn't "important" in how people expected a Spike Lee joint to be. The film's portrayal of Judy's experiences resonates with contemporary discussions about the empowerment and exploitation inherent in everything we've come to understand about performance, labor, and digital sex work (hello, OnlyFans), Girl 6 feels prophetic. In recent years, Girl 6 has been reassessed for its ahead-of-its-time commentary on sex work and female agency.It's time we stop calling it a misstep. Girl 6 didn't fail. We did—for not seeing what it was trying to show us. With all that said, I do still think it's worth critiquing how a man directing the film despite having a female screenwriter is a statement and impression in and of itself that is left upon this film, and that's something we're still unpacking today.The wigs, costuming, and futuristic sets are all intentional and impeccably designed. Judy is a chameleon, adapting to the fantasies projected onto her. She tries never to lose herself, but as the film progresses, it becomes a hard line to walk. And Randle does it brilliantly. Her performance is nuanced, internal, and often quiet—maybe that's why it got overlooked. People expected something louder. But Judy's strength is in her stillness. I paused the film so many times in awe, wondering - how we didn't get Theresa Randle leading dozens of films post-Girl 6. Her performance has always stuck with me. She is the film.Girl 6 is a wig-lover's dream. Theresa Randle wears over 20 different wigs and styles throughout the film, and each one feels like a window into her state of mind or her persona at that moment. Her hair isn't just flair—it's fashion, character, power, and commentary all in one.There's the long honey-blonde crop she rocks in the phone booth—classic "sex symbol" vibes and we see everything from her an ode to Dorothy Dandridge, bantu knots, finger waves, a full-on Foxy Brown afro—it's a whiplash of transformations that, if you blink, you might miss one. Her hair becomes armor, a mask, a performance. And what's genius is that the wigs and styling reflect the emotional tone of each scene without her having to say a word.It also speaks to the fantasy that phone sex work sells. Every call, every client, is a role she steps into. And Theresa's ever-changing look mirrors that idea—who she is depends entirely on who's on the other end of the line and what they're paying for.Plus, let's give some flowers to the hairstyling team. There is not much information out there about who exactly was responsible. I tried to get in touch with Lisa Hazell, but could not reach her for an interview. The hair designs gave Theresa an entire visual vocabulary of Black femininity, expression, power, seduction, and identity.Theresa Randle played Judy, the lead role. Before this, Randle had appeared in supporting roles in Lee's "Jungle Fever" and "Malcolm X." Her performance as Judy marked her first leading role, showcasing her range and depth as an actress.And while a lot of this film wasn't exactly the norm for Spike, he still had a role, as he often does—but this time, it feels especially personal. He plays Judy's cousin and best friend, Jimmy, a comic book nerd obsessed with blaxploitation and sports memorabilia. It's sweet and totally feels like a little bit of an opportunity for Spike to get all his Brooklyn Dodgers gear into the production design. He's one of the only people in her life who doesn't sexualize Judy, who just wants to hang out and talk about old-school movies. It's giving Letterboxd boyfriend energy… uh if your boyfriend was your cousin and just wanted to debate Pam Grier films over pizza. Their friendship grounds the film, a reminder of who Judy is underneath all the wigs and roleplay.The opposite of Jimmy is Isaiah Washington's character—Judy's ex, known only as “Shoplifter.” And that name alone tells you everything. He's not even given the dignity of a real identity—just a label, a behavior, a red flag. He's controlling in the way so many men are: smiling, supportive on the surface, but constantly trying to reshape her into someone more manageable. He pushes her to get a “real job,” but what he really wants is her dependence. He wants her small.The tension between them is always there—quiet, but constant. And the way Spike shoots those scenes, you can feel the power imbalance. It's intimate, but it's not safe. These aren't just moments between two people with history. These are scenes about how easily women—especially Black women—are asked to compromise themselves in exchange for stability, approval, or love that's conditional.Both of these male characters exist to show us different versions of masculinity—Jimmy is supportive, if a little clueless, and Isaiah's character is the opposite: demanding, judgmental, and ultimately part of the reason Judy needs to reclaim her voice in the first place.The film is peppered with notable cameos, adding layers of meta-commentary. As mentioned previously, Quentin Tarantino appears as the self-absorbed director, and this collaboration, interestingly enough, occurred before the well-documented disagreements between Lee and Tarantino over the use of racial slurs in cinema.We also get Halle Berry, Debi Mazar, John Turturro, Ron Silver, John Cameron Mitchell, and Michael Imperioli giving their best, if not strangest, character acting bits to the film.Other notable appearances include Madonna as the competing strip club owner. She looked insanely good—possibly the best she's ever looked, and that's saying a lot for someone who literally invented iconic beauty in the 80s and 90s—and, of course, supermodel Naomi Campbell as a fellow phone sex operator, taking on a more demure and reserved role.Pete Travers at Rolling Stone called Girl 6 "the worst movie Spike Lee has ever made," one that "[resorts] to all-star cameos to disguise structural shortcomings." Still, I believe these cameos contribute to the film's commentary on fame, exploitation, and the blurred lines between reality and performance.The PRINCE SoundtrackI could never go without mentioning one of the film's most essential elements, being its soundtrack, composed entirely of songs by Prince. You can't say that about any other film outside of Purple Rain. The entire soundtrack is Prince. Yup. Not just a song or two—the whole thing. And it's not a greatest-hits situation either; We're talking deep cuts, unreleased tracks, B-sides, and songs he gave just to this movie. "She Spoke 2 Me"? Unreal. "Don't Talk 2 Strangers"? Are you kidding? These weren't just throwaways—he curated a whole vibe for Judy's world, and I can't even believe we aren't talking about this every day.Prince was famously selective about who he worked with, and it says a lot that he said yes to this film. You get the sense that he understood what the story was about—performance, femininity, identity, power. And that's all over his music, too. Prince elevates the whole damn film. That's the kind of creative alignment that doesn't happen often. Honestly, the Girl 6 soundtrack is one of the most slept-on parts of Prince's catalog—and of 90s cinema in general.How this happened still blows my mind and definitely leads me to believe that, aside from Spike distancing himself from the film, the complexity of continuing to secure rights to Prince's catalog may be why we haven't been able to stream the film. That's a whooooole other can of worms to dive into for another day…But I will get to the bottom of it.Girl 6's unique collaborations, themes, and the conversations it continues to inspire about representation, exploitation, and agency for Black women and in the entertainment industry are why it remains a fascinating entry in Spike Lee's filmography. Although its approach to these themes may have been clunky, convoluted—dare I say, disjointed—it's 1000% worth watching, studying, and taking the time to understand the story beyond traditional narrative form.Unless you own a VHS or DVD copy, it's a shame you can only find it for $100+ on eBay right now. Kelli and I mailed the DVD back and forth like it was 2006 to study and put this episode together. So, grab a friend or two and create an old-school Netflix sisterhood of the traveling DVD and watch for yourselves. If you do track down a copy, tag me @lookbehindthelook—I want to see your setups. As always, we love hearing your thoughts, what you want to hear more about, and what films you'd like us to dive into next.Thank you for joining me on another bite-sized episode of Look Behind the Look. Until next time...**At the time that I recorded this, the DVDs were $80-$100 on ebay but now it looks like it jumped to $225-$350! Keep your eyes on those DVD bins at the vintage stores, people!Girl 6 on eBaywritten by Kelli Reilly Get full access to Look Behind The Look's Substack at lookbehindthelook.substack.com/subscribe

In this episode of "Hip Hop What Ifs," hosted by D and 12Kyle, the discussion turns to the question, "What if Lauryn Hill had continued her rap career?" They delve into the impactful yet complex legacy of Lauryn Hill in the hip-hop world. As they explore the trajectory of Hill's career, from her groundbreaking work with the Fugees to her transformative solo album "The Miseducation of Lauryn Hill," listeners are invited to consider how Hill's choices might have reshaped the landscape of female rap. The episode navigates through Lauryn Hill's rise in the music industry, touching on key moments like the Fugees' success with their album "The Score," and Hill's departure from music to focus on personal life. With in-depth analysis, the hosts ponder the potential influence Hill could have wielded in contemporary hip-hop, drawing parallels to artists like Foxy Brown, Lil' Kim, and later figures such as Rapsody. They also entertain the idea of Hill making a comeback and what that would mean in today's musical context. Ultimately, this engaging dialogue highlights Hill's enduring influence and the hypothetical shift she could have sparked in women's rap music.   Email the show at hiphopwhatif@gmail.com Follow SOLC Network online Instagram: https://bit.ly/39VL542                          Twitter: https://bit.ly/39aL395                          Facebook: https://bit.ly/3sQn7je                To Listen to the podcast Podbean https://bit.ly/3t7SDJH                      YouTube http://bit.ly/3ouZqJU                      Spotify http://spoti.fi/3pwZZnJ                     Apple http://apple.co/39rwjD1  IHeartRadio http://ihr.fm/2L0A2y

Nathan and Ryan dive into the world of 70s blaxploitation with Foxy Brown (1974), starring the incomparable Pam Grier. From stylish outfits to explosive action, this film cemented Grier as a cinematic icon. The hosts break down the film's unforgettable moments, its impact on the genre, and why Foxy Brown still kicks serious ass decades later.

In this episode, Stauney and Sadie tune into untold stories of the women who helped build Hip Hop from the ground up. While the genre is often defined by its male icons, it was women like Cindy Campbell—who threw the legendary party that birthed Hip Hop—and Sylvia Robinson—who brought it to the mainstream—that made it all possible. We dive into the origins of the genre, from basement parties to block-wide movements, and spotlight 12 trailblazing women who shaped the genre: Sha-Rock, The Mercedes Ladies, Roxanne Shanté, Salt-N-Pepa, MC Lyte, Queen Latifah, Lauryn Hill, Lil' Kim, Foxy Brown, and Missy Elliott. From pioneering MCs to groundbreaking producers, these women didn't just break into the scene—they rewrote the rules, using Hip Hop as a platform for empowerment, activism, and cultural change. Join us as we explore the often-overlooked queens of Hip Hop and their lasting impact on music, feminism, and culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

Cooper and Nolan aren't messing around this week when they meet FOXY BROWN! This Blaxploitation classic was meant to be a sequel to Coffy, and with the many, MANY things they have in common it really shows. Which is great news for the guys, since they both feel like they rated Coffy too low back in Season 2. Are familiar genre features and the welcome presence of Pam Grier enough to put this thing on top? Or will the absence of hooker fights and a questionable big bad send it straight downtown? The answer is floating around in here somewhere, so open the jar on this episode (featuring a beer from Amsterdam Brewing Co.) and find out!

Starting as an aspiring videographer and producer, Bles garnered attention from industry leaders, leading to collaborations with upcoming artists who later became icons. Joining forces with Zodiac Fishgrease, they produced top-charting videos and hits that became era-defining anthems. Diversifying his musical ventures, Bles created timeless music that resonated with renowned artists like The Lost Boyz, Foxy Brown, Trick Daddy, Queen Latifah, and more, cementing his mastery in the field. Through soulful melodies, profound lyrics, and captivating visuals, Zodiac/Bles captivated global audiences. Embracing collaborations with Naughty by Nature and other mentioned artists, they unleashed musical and visual brilliance. Bles' boundary-pushing music, blending genres, and styles, crafted a distinct soundscape that mesmerized listeners. His solo projects, especially the upcoming album “Untitled,” are poised to be monumental successes, showcasing his versatility across soul, hip-hop, and R&B genres. The album promises to strike an emotional chord with its compelling mix of lyrics and beats, poised to soar up the charts and captivate critics and fans worldwide. Lamont's unparalleled style and ability to connect through music and visuals will mark a groundbreaking milestone.

Ali "Zoe" Adam On Dating Foxy Brown & Details Wild Fight Between Foxy Brown and Rapper Jacki-O.

Johnnie Walker began her career as a country music radio personality. She later segued to Black radio holding numerous positions, and in 1989 she joined Def Jam Recordings as a regional marketing rep. Within one year Walker was promoted to National Director of Promotion. The Sr. National Director position soon followed and positioned Walker to be instrumental in launching the careers of Redman, Method Man, Onyx, Montell Jordan, Ashanti, Sisqo, and Foxy Brown! Making the move to New York City in 1997, Walker was named Vice President of Promotion for Def Jam. A year later, after restructuring the company's promotions department and its field staff, Walker was named Sr. Vice President. During her tenure, her team successfully marketed Def Comedy Jam, Phat Farm clothing, Russell Simmons' co-produced movies, "The Nutty Professor,” Jackie Chan's “Rush Hour 1 and 2” plus several #1 Gold and Platinum albums from Jay-Z, Sisqo, Kelly Price, Ashanti, Ja Rule, DMX, LL Cool J, Musiq, Dru Hill, and others.

Johnnie Walker began her career as a country music radio personality. She later segued to Black radio holding numerous positions, and in 1989 she joined Def Jam Recordings as a regional marketing rep. Within one year Walker was promoted to National Director of Promotion. The Sr. National Director position soon followed and positioned Walker to be instrumental in launching the careers of Redman, Method Man, Onyx, Montell Jordan, Ashanti, Sisqo, and Foxy Brown! Making the move to New York City in 1997, Walker was named Vice President of Promotion for Def Jam. A year later, after restructuring the company's promotions department and its field staff, Walker was named Sr. Vice President. During her tenure, her team successfully marketed Def Comedy Jam, Phat Farm clothing, Russell Simmons' co-produced movies, "The Nutty Professor,” Jackie Chan's “Rush Hour 1 and 2” plus several #1 Gold and Platinum albums from Jay-Z, Sisqo, Kelly Price, Ashanti, Ja Rule, DMX, LL Cool J, Musiq, Dru Hill, and others.

Newest addition to my Colors MiX series. YouTube link: https://www.youtube.com/watch?v=B9nBz1Q_4FQ Tracklist: Use Your Heart - SWV Piece Of My Love - Guy Make It Last Forever - Keith Sweat Whatever You Want - Tony! Toni! Toné! Hoochies Need Love Too - Paradise One Day You'll Be Mine - Usher Sweet Thing - Mary J. Blige Just Kickin' It - Xscape Girlfriend - No Authority Don't Leave (Stay) - Blackstreet I Wanna Be Down - Brandy Can We - SWV + Missy Elliott Touch Me Tease Me (ft. Foxy Brown & Mary J. Blige) - Case Anniversary - Tony! Toni! Toné! Bag Lady - Erykah Badu Hey Lover ft. Boyz II Men - LL Cool J Freak Like Me - Adina Howard Can't Take My Eyes Off Of You - Lauryn Hill It's A Party (feat. Zhane) - Busta Rhymes Movin' On - Mya Lady - D'Angelo Remind Me - Patrice Rushen Sweet Love - Anita Baker At Your Best (You Are Love) - Aaliyah

Johnnie Walker began her career as a country music radio personality. She later segued to Black radio holding numerous positions, and in 1989 she joined Def Jam Recordings as a regional marketing rep. Within one year Walker was promoted to National Director of Promotion. The Sr. National Director position soon followed and positioned Walker to be instrumental in launching the careers of Redman, Method Man, Onyx, Montell Jordan, Ashanti, Sisqo, and Foxy Brown! Making the move to New York City in 1997, Walker was named Vice President of Promotion for Def Jam. A year later, after restructuring the company's promotions department and its field staff, Walker was named Sr. Vice President. During her tenure, her team successfully marketed Def Comedy Jam, Phat Farm clothing, Russell Simmons' co-produced movies, "The Nutty Professor,” Jackie Chan's “Rush Hour 1 and 2” plus several #1 Gold and Platinum albums from Jay-Z, Sisqo, Kelly Price, Ashanti, Ja Rule, DMX, LL Cool J, Musiq, Dru Hill, and others.

Johnnie Walker began her career as a country music radio personality. She later segued to Black radio holding numerous positions, and in 1989 she joined Def Jam Recordings as a regional marketing rep. Within one year Walker was promoted to National Director of Promotion. The Sr. National Director position soon followed and positioned Walker to be instrumental in launching the careers of Redman, Method Man, Onyx, Montell Jordan, Ashanti, Sisqo, and Foxy Brown! Making the move to New York City in 1997, Walker was named Vice President of Promotion for Def Jam. A year later, after restructuring the company's promotions department and its field staff, Walker was named Sr. Vice President. During her tenure, her team successfully marketed Def Comedy Jam, Phat Farm clothing, Russell Simmons' co-produced movies, "The Nutty Professor,” Jackie Chan's “Rush Hour 1 and 2” plus several #1 Gold and Platinum albums from Jay-Z, Sisqo, Kelly Price, Ashanti, Ja Rule, DMX, LL Cool J, Musiq, Dru Hill, and others.

Hi guys! Don't forget to vote in our annual WMGA awards show https://formurl.com/to/wmgaawards this week we're talking lots of new music, awards show nominations, conspiracy theories, and we take a deep dive into Foxy Brown's debut album Ill Na Na almost 30 years later to ask "Does it still hold up?" Thanks for listening!

Johnnie Walker began her career as a country music radio personality. She later segued to Black radio holding numerous positions, and in 1989 she joined Def Jam Recordings as a regional marketing rep. Within one year Walker was promoted to National Director of Promotion. The Sr. National Director position soon followed and positioned Walker to be instrumental in launching the careers of Redman, Method Man, Onyx, Montell Jordan, Ashanti, Sisqo, and Foxy Brown! Making the move to New York City in 1997, Walker was named Vice President of Promotion for Def Jam. A year later, after restructuring the company's promotions department and its field staff, Walker was named Sr. Vice President. During her tenure, her team successfully marketed Def Comedy Jam, Phat Farm clothing, Russell Simmons' co-produced movies, "The Nutty Professor,” Jackie Chan's “Rush Hour 1 and 2” plus several #1 Gold and Platinum albums from Jay-Z, Sisqo, Kelly Price, Ashanti, Ja Rule, DMX, LL Cool J, Musiq, Dru Hill, and others.

Johnnie Walker began her career as a country music radio personality. She later segued to Black radio holding numerous positions, and in 1989 she joined Def Jam Recordings as a regional marketing rep. Within one year Walker was promoted to National Director of Promotion. The Sr. National Director position soon followed and positioned Walker to be instrumental in launching the careers of Redman, Method Man, Onyx, Montell Jordan, Ashanti, Sisqo, and Foxy Brown! Making the move to New York City in 1997, Walker was named Vice President of Promotion for Def Jam. A year later, after restructuring the company's promotions department and its field staff, Walker was named Sr. Vice President. During her tenure, her team successfully marketed Def Comedy Jam, Phat Farm clothing, Russell Simmons' co-produced movies, "The Nutty Professor,” Jackie Chan's “Rush Hour 1 and 2” plus several #1 Gold and Platinum albums from Jay-Z, Sisqo, Kelly Price, Ashanti, Ja Rule, DMX, LL Cool J, Musiq, Dru Hill, and others.

Author, historian, and professor Kevin M. Kruse joins us to walk through the very eventful year — historically and cinematically — of 1974, including the take-no-prisoners energy of “Foxy Brown,” the grimy perfection of “The Taking of Pelham 123,” and a double-barreled shotgun blast of Mel Brooks. For show notes - including where to stream this week's movies, links to referenced media, and more - subscribe on Buttondown at https://buttondown.email/AVeryGoodYear. https://plus.acast.com/s/a-very-good-year. Hosted on Acast. See acast.com/privacy for more information.

Johnnie Walker began her career as a country music radio personality. She later segued to Black radio holding numerous positions, and in 1989 she joined Def Jam Recordings as a regional marketing rep. Within one year Walker was promoted to National Director of Promotion. The Sr. National Director position soon followed and positioned Walker to be instrumental in launching the careers of Redman, Method Man, Onyx, Montell Jordan, Ashanti, Sisqo, and Foxy Brown! Making the move to New York City in 1997, Walker was named Vice President of Promotion for Def Jam. A year later, after restructuring the company's promotions department and its field staff, Walker was named Sr. Vice President. During her tenure, her team successfully marketed Def Comedy Jam, Phat Farm clothing, Russell Simmons' co-produced movies, "The Nutty Professor,” Jackie Chan's “Rush Hour 1 and 2” plus several #1 Gold and Platinum albums from Jay-Z, Sisqo, Kelly Price, Ashanti, Ja Rule, DMX, LL Cool J, Musiq, Dru Hill, and others.

On Episode 15, Pete & Seb discuss a Baadasss Blaxploitation Double Bill from AIP that played at The Harris in October of 1974. FIRST, Pam Grier stars as a chick with drive who don't take no jive in Foxy Brown THEN Isaac Hayes stars as Truck Turner, the last of the bounty hunters. Grab your popcorn and get ready for a supercool grindhouse cinema experience!

Johnnie Walker began her career as a country music radio personality. She later segued to Black radio holding numerous positions, and in 1989 she joined Def Jam Recordings as a regional marketing rep. Within one year Walker was promoted to National Director of Promotion. The Sr. National Director position soon followed and positioned Walker to be instrumental in launching the careers of Redman, Method Man, Onyx, Montell Jordan, Ashanti, Sisqo, and Foxy Brown! Making the move to New York City in 1997, Walker was named Vice President of Promotion for Def Jam. A year later, after restructuring the company's promotions department and its field staff, Walker was named Sr. Vice President. During her tenure, her team successfully marketed Def Comedy Jam, Phat Farm clothing, Russell Simmons' co-produced movies, "The Nutty Professor,” Jackie Chan's “Rush Hour 1 and 2” plus several #1 Gold and Platinum albums from Jay-Z, Sisqo, Kelly Price, Ashanti, Ja Rule, DMX, LL Cool J, Musiq, Dru Hill, and others.

On this episode of the No Ideas Original Podcast the guys interview Producer extraordinaire, Ski Beatz. Ski Beatz has produced for Jay Z, Foxy Brown, Lil Kim, Nature, Curren$y, Camp Lo, Sporty Thievez, Ras Kass and Proof to name a few. On this episode Ski drops some production gems, talks about how he got started in hip hop, his mentorship to young producers and hip hop in general. Make sure you tune in! #nostalgia #noideasoriginalpodcast #hiphopmusic #hiphop #rap #producer #hiphopproducer #nyc #brooklyndojo #reasonabledoubt #jayzreasonabledoubt #beatmaker #beats #skibeatz

Johnnie Walker began her career as a country music radio personality. She later segued to Black radio holding numerous positions, and in 1989 she joined Def Jam Recordings as a regional marketing rep. Within one year Walker was promoted to National Director of Promotion. The Sr. National Director position soon followed and positioned Walker to be instrumental in launching the careers of Redman, Method Man, Onyx, Montell Jordan, Ashanti, Sisqo, and Foxy Brown! Making the move to New York City in 1997, Walker was named Vice President of Promotion for Def Jam. A year later, after restructuring the company's promotions department and its field staff, Walker was named Sr. Vice President. During her tenure, her team successfully marketed Def Comedy Jam, Phat Farm clothing, Russell Simmons' co-produced movies, "The Nutty Professor,” Jackie Chan's “Rush Hour 1 and 2” plus several #1 Gold and Platinum albums from Jay-Z, Sisqo, Kelly Price, Ashanti, Ja Rule, DMX, LL Cool J, Musiq, Dru Hill, and others.

Johnnie Walker began her career as a country music radio personality. She later segued to Black radio holding numerous positions, and in 1989 she joined Def Jam Recordings as a regional marketing rep. Within one year Walker was promoted to National Director of Promotion. The Sr. National Director position soon followed and positioned Walker to be instrumental in launching the careers of Redman, Method Man, Onyx, Montell Jordan, Ashanti, Sisqo, and Foxy Brown! Making the move to New York City in 1997, Walker was named Vice President of Promotion for Def Jam. A year later, after restructuring the company's promotions department and its field staff, Walker was named Sr. Vice President. During her tenure, her team successfully marketed Def Comedy Jam, Phat Farm clothing, Russell Simmons' co-produced movies, "The Nutty Professor,” Jackie Chan's “Rush Hour 1 and 2” plus several #1 Gold and Platinum albums from Jay-Z, Sisqo, Kelly Price, Ashanti, Ja Rule, DMX, LL Cool J, Musiq, Dru Hill, and others.

In this knockout, insider CELEBRITY episode, Holly Katz sits down with the legendary actress and cultural icon; the first female action hero, Pam Grier!   This trailblazing action hero on the silver screen, her career has spanned over five decades. THE Foxy Brown, aka: Pam Grier takes us on a journey through her life, highlighting her experiences in the film industry, personal style, and exciting future projects. You will not want to miss her sharing her inside story with all of you...THE conversation where she tells her amazing tales of her lifestyle then and now, on and off set. This is a once in a lifetime celebrity interview!    Be sure to watch this entire episode on our YouTube Channel! #dontmissit   EPISODE HIGHLIGHTS   A Glimpse into Pam's Roots Pam shares intimate stories from her upbringing in a multiracial family in Winston-Salem North Carolina. She opens up about her early days in the film industry and reflects on her influential mentors, including Gloria Steinem and Tamar Hoffman, who helped shape her career.   Rise to Fame Pam recalls her breakout role in *The Big Doll House*, as well as her iconic performances in *Foxy Brown* and *Coffy.*  She discusses how these roles not only established her as a pioneering Black actress but also left an indelible mark on Hollywood.   Personal Style and Fashion Philosophy A horsewoman since childhood, she gears towards clothing that can be worn while working on her ranch. However, this wasn't always the case as Pam reveals her admiration for designers like McQueen and her love for all things denim. Her signature look in the 70s (crop top and low-waisted jeans), has evolved to sustainable, natural fabrics that align with her values and efforts today. Supporting causes that benefit animals and wearing cruelty-free clothing is something that is always in fashion according to Pam.    Future Projects & Legacy Ms. Grier shares exciting details about an upcoming series based on her life and her recent Lifetime Achievement Award, celebrating her role in bringing martial arts into mainstream films. #BADASS   In this EXCLUSIVE celebrity interview, tune in to hear Holly and Pam for a candid conversation that celebrates the life, legacy, and lasting impact of one of Hollywood's most iconic figures!  Watch video here on our YouTube channel.  Pam Grier's journey is one of resilience, empowerment, and trailblazing style. Don't miss this inspiring episode! Find this episode wherever you get your podcasts or on Apple Podcasts: https://apple.co/2XXKHfC   Follow along on Holly's Pinterest Board for some of Pam's stylish, iconic looks at: https://www.pinterest.com/hollykatzstyling/pam-grier-celebrity-interview/   As a reminder, watch and share the video interview on YouTube: https://www.youtube.com/@fashioncrimespodcast2699

Quake discusses updates on Nelly lawsuit, R. Kelly's appeal being turned down, Swizz Beatz being sued, Diddy's mother speaking out after her son got arrested, Diddy's bodyguard defending himself in new interview, Foxy Brown addressing rumors she slept with Jay-Z when she was underage, Piers Morgan having a cease and desist sent to him after wild allegations from Jaguar Wright about Jay-Z / Beyonce are aired, J. Cole speaking on not wanting to beef with Kendrick Lamar & Drake, Joe Budden says he has a better mixtape catalog than Lil Wayne & 50 Cent, Billboard Hot 100 and much more. --- Support this podcast: https://podcasters.spotify.com/pod/show/diversementalitypodcast/support

Johnnie Walker began her career as a country music radio personality. She later segued to Black radio holding numerous positions, and in 1989 she joined Def Jam Recordings as a regional marketing rep. Within one year Walker was promoted to National Director of Promotion. The Sr. National Director position soon followed and positioned Walker to be instrumental in launching the careers of Redman, Method Man, Onyx, Montell Jordan, Ashanti, Sisqo, and Foxy Brown! Making the move to New York City in 1997, Walker was named Vice President of Promotion for Def Jam. A year later, after restructuring the company's promotions department and its field staff, Walker was named Sr. Vice President. During her tenure, her team successfully marketed Def Comedy Jam, Phat Farm clothing, Russell Simmons' co-produced movies, "The Nutty Professor,” Jackie Chan's “Rush Hour 1 and 2” plus several #1 Gold and Platinum albums from Jay-Z, Sisqo, Kelly Price, Ashanti, Ja Rule, DMX, LL Cool J, Musiq, Dru Hill, and others.

Johnnie Walker began her career as a country music radio personality. She later segued to Black radio holding numerous positions, and in 1989 she joined Def Jam Recordings as a regional marketing rep. Within one year Walker was promoted to National Director of Promotion. The Sr. National Director position soon followed and positioned Walker to be instrumental in launching the careers of Redman, Method Man, Onyx, Montell Jordan, Ashanti, Sisqo, and Foxy Brown! Making the move to New York City in 1997, Walker was named Vice President of Promotion for Def Jam. A year later, after restructuring the company's promotions department and its field staff, Walker was named Sr. Vice President. During her tenure, her team successfully marketed Def Comedy Jam, Phat Farm clothing, Russell Simmons' co-produced movies, "The Nutty Professor,” Jackie Chan's “Rush Hour 1 and 2” plus several #1 Gold and Platinum albums from Jay-Z, Sisqo, Kelly Price, Ashanti, Ja Rule, DMX, LL Cool J, Musiq, Dru Hill, and others.

Cop Cam of Tyreek Hill is changing minds, never forget 9/11, Dave Grohl's affair baby, Trump v. Harris debate recap, The Sopranos “Wise Guy” doc on Max, Shannon Sharpe's “hacked” sex tape, RIP James Earl Jones, and Deshaun Watson's sex assault allegation #27. What are infamous Oprah guests Rochelle and John doing these days? NFL Hall of Famer Shannon Sharpe claims his Instagram was hacked as a sex tape was posted on his page. Is it real or did he fake it to troll Antonio Brown? The debate between Kamala Harris and Donald Trump went down last night. The biggest takeaway is “they are eating our pets”. It turns out a crazy person in Ohio did eat a cat. Taylor Swift and Caitlin Clark have endorsed Kamala. Virginia would like to tone down the Thomas Jefferson slavery talk. It's 9/11 and we haven't forgotten. Tiffany Henyard remains the worst mayor possibly ever, but she knows how to throw a dud of a party. Jesse Plemons thinks he's hot. Get over yourself, Plemons. RIP James Earl Jones. Let's all pause to recognize his greatest work. Music: Dave Grohl cheats on his wife and father's a bastard daughter. His daughters have deleted their social media. The Swifties are piling on because he made a mean comment about Tay-Tay. Chester Bennington's son is angry at his father's former band. He's now getting death threats during suicide prevention month. Donald Glover stops touring to take a mental break and “focus on his physical health”. Kendrick Lamar better call Drake a pedophile at the next Super Bowl Halftime Show. Some people are really angry that it isn't Lil Wayne because the game is in New Orleans. Jay-Z allegedly nailed Foxy Brown when she was 15-years-old. Cleveland Browns QB Deshaun Watson is being sued again for sexual assault. Now that he isn't good at football anymore people are taking this accusation seriously. Dawn Richard of Danity Kane is suing Diddy. Diddy, meanwhile, lost a $100M judgement to a Michigan inmate because he never responded to his lawsuit. Jayden James Federline is 18 and the gravy train is over for Papa-zao Kevin Federline. We watch the cop cam of Tyreek Hill getting detained in Miami. Now that the video is out, Tyreek realizes he should have done things differently. Billy McFarland is still trying to make Fyre Festival II happen. Drew highly recommends the new Sopranos doc on Max titled Wise Guy: David Chase and The Sopranos. We'll be talking to Jeff Tremaine next week about Nöthin' But a Good Time: The Uncensored Story of '80s Hair Metal. New Podcast alerts: Talk Tuah kicked off with Hailey Welch interviewing Whitney Cummings. A Touch More with Sue Bird & Megan Rapinoe is out now and awful. David Bowie has a #1 country music hit now… kind of. We remember Oliver Anthony's greatest (only) hit. Farts are funny. Matt Damon knows… bros before hoes. Connor Stalions sucks at coaching football. Lauren Sanchez in tears promoting her crappy children's book on GMA with Astronaut Michael Strahan. The Detroit Tigers are making a major playoff push. Visit Our Presenting Sponsor Hall Financial – Michigan's highest rated mortgage company If you'd like to help support the show… consider subscribing to our YouTube Page, Facebook, Instagram and Twitter (The Drew Lane Show, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).

Johnnie Walker began her career as a country music radio personality. She later segued to Black radio holding numerous positions, and in 1989 she joined Def Jam Recordings as a regional marketing rep. Within one year Walker was promoted to National Director of Promotion. The Sr. National Director position soon followed and positioned Walker to be instrumental in launching the careers of Redman, Method Man, Onyx, Montell Jordan, Ashanti, Sisqo, and Foxy Brown! Making the move to New York City in 1997, Walker was named Vice President of Promotion for Def Jam. A year later, after restructuring the company's promotions department and its field staff, Walker was named Sr. Vice President. During her tenure, her team successfully marketed Def Comedy Jam, Phat Farm clothing, Russell Simmons' co-produced movies, "The Nutty Professor,” Jackie Chan's “Rush Hour 1 and 2” plus several #1 Gold and Platinum albums from Jay-Z, Sisqo, Kelly Price, Ashanti, Ja Rule, DMX, LL Cool J, Musiq, Dru Hill, and others.

Johnnie Walker began her career as a country music radio personality. She later segued to Black radio holding numerous positions, and in 1989 she joined Def Jam Recordings as a regional marketing rep. Within one year Walker was promoted to National Director of Promotion. The Sr. National Director position soon followed and positioned Walker to be instrumental in launching the careers of Redman, Method Man, Onyx, Montell Jordan, Ashanti, Sisqo, and Foxy Brown! Making the move to New York City in 1997, Walker was named Vice President of Promotion for Def Jam. A year later, after restructuring the company's promotions department and its field staff, Walker was named Sr. Vice President. During her tenure, her team successfully marketed Def Comedy Jam, Phat Farm clothing, Russell Simmons' co-produced movies, "The Nutty Professor,” Jackie Chan's “Rush Hour 1 and 2” plus several #1 Gold and Platinum albums from Jay-Z, Sisqo, Kelly Price, Ashanti, Ja Rule, DMX, LL Cool J, Musiq, Dru Hill, and others.

In part 3 of the July – September 2024 installment of UNFOLDING THE CALENDAR, Film Forum's Repertory Artistic Director Bruce Goldstein has a lively, free-wheeling conversation with Odie Henderson, chief film critic of The Boston Globe, about our upcoming festival BLAXPLOITATION, BABY!, opening Friday, August 16, and continuing for a week with 16 genre classics from the early 1970s, including SHAFT, SUPER FLY, COFFY, CLEOPATRA JONES, and much more.  The festival coincides with the publication of Henderson's new book, Black Caesars and Foxy Cleopatras: A History of Blaxploitation, available for purchase at our concession during the festival.  Odie will appear in person at Film Forum to introduce screenings of FOXY BROWN, WILLIE DYNAMITE, and BLACK CAESAR – with a book signing follow Friday night's show of FOXY BROWN. As a young man, Odie attended every single movie in Film Forum's -- and the world's – very first Blaxploitation festival in 1995, programmed by Bruce and pioneering author and film historian Donald Bogle, who also collaborated on the current series.  Justin Simien's 4-part documentary HOLLYOOD BLACK, based on Bogle's book, premiered this week on MGM+.

Gene Deal Exposes Foxy Brown Testifying For 2Pac, Jay-Z Hiding From 2Pac, Diddy Hating On BIG & MoreGene Deal breaks his silence on Diddy, 2Pac, Foxy Brown, Eric Von Zip, Keefe D, Jennifer Lopez and A Lot More.

Rod and Karen banter about fish bacon and A/C problems. Then they discuss Diddy gets Father's Day posts, Trump vs Biden Father's Day posts, Foxy Brown vs Lil Kim, Nicki Minaj tweets "Yes. Single.", Camille Winbush OnlyFans, the Bling Bishop gets 9 years, MTG begs voters to elect republicans, LGBTQ News, man shoots mother's boyfriend over fast food, assault over honey bun, woman calls the police after getting cold feet on a date and sword ratchetness. Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@rodimusprime⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@SayDatAgain⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@TBGWT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@TheBlackGuyWhoTips⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠theblackguywhotips@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Blog: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.theblackguywhotips.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Teepublic Store⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon Wishlist⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Crowdcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Voice Mail: 704-557-0186Go Premium: https://www.theblackguywhotips.com/premium/See omnystudio.com/listener for privacy information.

This week's pick is the 1974 Jack Hill film Foxy Brown starring the always awesome Pam Grier. Foxy Brown's boyfriend is gunned down and she infiltrates the bad guy's enterprises to bring them down.

Da Brat discussed how Foxy Brown could be called to the stand to testify in the Las Vegas murder trial of rapper Tupac Shakur. It has been said that Foxy Brown was with Keefe D, the man accused of killing Shakur, the night of the murder. See omnystudio.com/listener for privacy information.

It is Tuesday on The Rickey Smiley Morning Show Podcast. In this episode, Da Brat discussed how Foxy Brown could be called to the stand to testify in the Las Vegas murder trial of rapper Tupac Shakur. It has been said that Foxy Brown was with Keefe D, the man accused of killing Shakur, the night of the murder. Fans of Halle Bailey are wondering if she chose the right man, DDG. DDG, who is a rapper looking for a hit, is speculated to have leaked some risky photos of the singer and Disney actor. Megan Thee Stallion got emotional on stage at her show in Tampa Bay, FL. Megan Thee Stallion cried on stage while she was performing one of her newer songs, Cobra. All of this and more on The Rickey Smiley Morning Show Podcast.   Website: https://www.urban1podcasts.com/rickey-smiley-morning-show See omnystudio.com/listener for privacy information.

Foxy Brown may be called to testify in the Tupac murder trial, Chrisean Rock arrested, it feels like the Celtics are up 3-0, and more!

Hanna, James, Britnee and Brandon compare Quentin Tarantino's love letter to Pam Grier, Jackie Brown (1997), against her early run of 1970s blaxploitation classics https://swampflix.com/ 00:00 Welcome 03:36 The Nutty Professor (1996) 08:07 I Capture the Castle (2003) 11:44 What a Way to Go! (1964) 16:48 The Feeling that the Time for Doing Something Has Passed (2024) 21:34 Jackie Brown (1997) 47:18 Coffy (1973) 58:29 Foxy Brown (1974) 1:13:26 Friday Foster (1975)

*Apologies in advance for the spoken word rapping lol*   We're back! Is 'No Vaseline' the greatest rap diss? Why did Tupac and Biggie fall out? Takeover or Ether? Did Lil Kim and Foxy Brown's feud really start with a jumpsuit??? Are we Team Kendrick or Team Drake? Today Fatou and Maz talk all things rap!   Email: DinnerPartyHistoryPod@gmail.com Where to Find Us: Fatou's Instagram Fatou's Tiktok Maz's Instagram Maz's Tiktok

Britney and Ashley of the podcast Black Girl Film Club join Kristen and Emily this episode to celebrate the anniversary of Foxy Brown. The group celebrates all things Pam Grier, from her being a role model to young Black women, to being an overall badass. Listen to Black Girl Film Club on all podcast apps. This episode was created thanks to our Patrons: Ali Moore Amy Hart Danny David Floyd Donna Hill Gates Jacob Haller Jonathan Watkins Krista Painter McF Rachel Clark A Button Called Smalls Chris McKay Debbi Lynne Jeffrey Kayla Ewing Nicholas Montano Peter Blitstein Peter Bryant Peter Dawson Susannah Burger Andrea Basora Brittany Brock Cat Cooper Daniel Tafoya Diana Madden Emily Edwards Harry Holland Lucy Soles Nick Weerts Rosa

Blaxploitation movies were very popular with audiences 50 years ago. Jack Hill's Foxy Brown is a classic largely because of Pam Grier, who was not only a staggering beauty with 12/10 sex appeal, but she also plays a badass you could root for. And her sublime performance in Jackie Brown happened largely because of how much QT liked this flick. Ryan's monologue tackles the story, of course, but also speculates about what a modern remake might look like. The possibilities are fascinating. So wear a series of terrific outfits and avenge your boyfriend as this one-man talk---our 581st episode and our second in Revenge Month---takes Have You Ever Seen into the gritty world of Foxy Brown. A programming note: a review of Batman will air on April 29th, while April 19th won't be a talk about Death Wish after all. It will actually be a funny "revenge" movie in that slot. Sparkplug Coffee is our sponsor. They offer our listeners a onetime 20% discount. Use our "HYES" promo code to get that. So it's "sparkplug.coffee/hyes". Find us on Twi-x (@moviefiend51 and @bevellisellis). Bev has the same handle on Threads. Email us at "haveyoueverseenpodcast@gmail.com". And check us out on YouTube (@hyesellis). Like, comment, rate, review and subscribe there and also in your podcast app.

The list of releases coming out on Record Store Day 2024 (April 20) is expansive, so we're taking on different aspects of the list every week. This week we couldn't be more thrilled to welcome Posdnuos (Plug 1) and Maseo (Plug 3) from the legendary De La Soul to talk about their fallen brother Dave "Trugoy the Dove" Jolicoeur  (Plug 2), and their landmark albums including 3 Feet High And Rising and Stakes Is High, plus their RSD 2024 release, De La Soul Live At Tramps NYC 1996. Plus we cover a few of the other Hip Hop titles on the list with Phillip Rollins (aka DJ Young Venom at OffBeat Records in Jackson, Mississippi. The Record Store Day Podcast is written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music. Executive Producers (for Record Store Day): Carrie Colliton and Michael Kurtz. Sponsored by Dogfish Head Craft Brewery, Tito's Handmade Vodka, RSDMRKT.com, and Furnace Record Pressing (the official vinyl pressing plant of Record Store Day). Please consider subscribing to our program wherever you get podcasts and by all means tell your friends about us. 

Mix Name: DJ Johnny Mambo – Dancehall Fever Mixed on Vinyl Mixtape (2024) Website: https://www.iamlmp.com/ Instagram: https://www.instagram.com/iamlmp/ DJ Instagram: https://www.instagram.com/djjohnnymambo/ Download our DJ Music App Daily Mixes: https://linktr.ee/iamlmp ——— 1. Dawn Penn – You Don’t Know Me 2. Barrington Levy – Here I Come 3. Shabba Ranks Ft. Krystal – Twice My Age 4. Singing Sweet – When I See You Smile 5. Half Pint – Crazy 6. Barrington Levy – Too Experienced 7. Papa San – Strange 8. Tenor Saw – Ring The Alarm 9. Yami Bolo – When A Man’s In Love 10. Buju Banton Ft. Wayne Wonder – Bonafied Love 11. Wayne Wonder – Saddest Day 12. Wayne Wade – I Love You Too Much 13. Marcia Griffiths – The First Cut Is The Deepest 14. Sanchez – Missing You 15. Half Pint – I’m Not A Substitute Lover 16. Barrington Levy – Black Roses 17. Beres Hammond – Come Back Home 18. Garnett Silk – Hello Mama Africa 19. Foxy Brown – Sorry 20. Sanchez – I Can’t Wait 21. Ian Sweetness – Trying To Get To You 22. Beres Hammond – Tempted To Touch 23. John Holt – A Love I Can Feel 24. Sanchez – Wherever I Lay My Hat 25. Terror Fabulous – You Would Ah Bawl 26. Mad Cobra – Gundelero 27. Pinchers – Bandelero 28. Buju Banton – Love Me Browning 29. Courtney Melody – Modern Girl 30. Ini Kamoze – Hotstepper 31. Sanchez – Never Dis Di Man 32. Ed Robinson – Knocking On Heavens Door 33. Marcia Aitken – I’m Still In Love 34. Cocoa Tea – – Rikers Island 35. Ambelique – One Last Cry 36. Gregory Issacs Ft. Lady Saw – Night Nurse 37. Junior Tucker – Love Of A Lifetime 38. Buju Banton – Good Looking Gal 39. White Mice – True Love 40. Ini Kamoze – World A Music 41. Wayne Wonder – Heal The World 42. Buju Banton – How Massa God World A Run 43. Mad Cobra – Flex #dancehall #reggae #iamlmp

Love & Hip Hop's Sukihana steps Behind The Rope. Sukihana, who named herself after a restaurant that she loves, is a marketing savant who makes approximately $100,000 per video on Only Fans. No really, she bought a Bentley with her Only Fans coins. That marketing savviness has also helped her amass a whopping 1.3 Million Instagram Followers who watch her every move. Those moves include putting “it all” out there for the world to see and enjoy. Extremely body and sex positive, Sukihana is open about her upbringing, becoming a Mom at a young age, and finding social media stardom by living her authentic life. Of course, we discuss Sukihana's time on Love & Hip Hop: Miami and how she became an instant “fan favorite” of the franchise. We also discuss those infamous Love & Hip Hop reunions, hosted by our friend, The Real Housewives of Atlanta's Claudia Jordan. David & Suki discuss which of the Peach Holders are their favorites and who is the best “reader”. We also discuss her featured role in Cardi B's wildly popular “WAP” music video, what it was like to work with Cardi, and what she thought of Kylie Jenner's star turn in the video as well. Finally, Sukihana discusses the release of her brilliant “Wolf Pu$$y” mixtape, her musical influences such as Lil' Kim and Foxy Brown (who David saw during one of Kandi Burruss' “Welcome To The Dungeon” live shows) and answers the question, what is next for Sukihana? With all the Bravo drama going on lately, we felt it time to share this funny AF blast from the past, our chat with the one and only Miss Sukihana.  @sukihanagoat @behindvelvetrope @davidyontef BONUS & AD FREE EPISODES Available at - www.patreon.com/behindthevelvetrope  BROUGHT TO YOU BY: BUBLY - bubly.com (Crack a Smile with The Best Sparkling Water - No Calories, No Sweeteners. The Sparkling Water of “Reality TV”) UNCOMMON GOODS - uncommon goods.com/VELVET (15% Off This Holiday Season The Most Remarkable & Unique Gifts For Everyone On Your List) ONESKIN - oneskin.co (Get 15% Off With the Code VELVET This Skincare Which Targets The Root Causes of Aging) SKYLIGHT - skylight Frame.com/VELVET (Order The Best Quality Digital Picture Frame There Is) RAKUTEN - rakuten.com (Members Earn Cash Back On Everything They Buy Through Rakuten or The Rakuten App)  QUINCE - quince.com/velvetrope (Get Free Shipping and 365 Day Returns on Elevated Luxury Without Paying Luxury Prices)  NOOM - noom.com (Sign Up For Your Trial Today So You Can Manage Your Weight For The Long Term) LIFEMD - lifemd.com/VELVET (Visit lifemd.com/VELVET To Start Your Weight Loss Journey Today) EARNIN - Download The EarnIn App Today (In Google Play or Apple App Store and Type in “Velvet Rope” When You Sign Up To Get Access To The Cash You Have Earned Today!) ADVERTISING INQUIRIES - Please contact David@advertising-execs.com MERCH Available at - https://www.teepublic.com/stores/behind-the-velvet-rope?ref_id=13198 Learn more about your ad choices. Visit megaphone.fm/adchoices