School of thought which argues that sexism, class oppression, gender identity and racism are inextricably bound together
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Episode Description:In this episode of Entrepreneurial Appetite, we sit down with Le'Marqunita De'Sharay Lowe, the visionary founder and CEO of LDL Magazine. Le'Marqunita's journey began in high school with the publication of her first poetry book, igniting her passion for the publishing industry. She further honed her editorial skills as a columnist for her college newspaper, BG News. With a rich background that includes roles as a learning specialist and early intervention therapist, Le'Marqunita is also a PhD candidate in Leadership and Change at Antioch University, bringing a wealth of experience to her multifaceted career.LDL Magazine, both a print and digital publication, celebrates community organizations, educators, entrepreneurs, philanthropists, and creative artists. Since its inception, the magazine has expanded its reach to domestic and international libraries, organically growing its subscriber base. Notably, in 2024, LDL Magazine contracted with an ed-tech company to distribute its content to African schools and universities, furthering its global impact.Join us as we delve into Le'Marqunita's inspiring journey, exploring the challenges and triumphs of launching and growing LDL Magazine, her strategies for adapting to the digital landscape, and her vision for the future of publishing. This conversation offers valuable insights for aspiring publishers and entrepreneurs alike.Support the showhttps://www.patreon.com/c/EA_BookClub
Our favorite black feminist was most likely an entrepreneur because for many of our ancestors black feminist entrepreneurship was simply a synonym for “the practice of surviving with our dignity in tact”. Many of us have heard the stories if we listened closely, the auntie, uncles and cousins who spun up hair salons, barbershops, daycares, restaurants and classrooms inside living rooms, kitchens, gardens and basements. Businesses that experimented with mutual aid and refused to replicate the carceral choreographies they might have witness or experienced in their neighborhoods or at their jobs. These stories are not new, disability and complex trauma sometimes renders us unable or unwilling to hold "traditional jobs". Entrepreneurship and creative lives of refusal aren't always born out of courage, sometimes they're born out of necessity and needs capitalism just can't hold. What creative strategies can black feminism teach us about surviving systems designed to fail us?ResourcesRegister for the Free 2-Part Worldbuilding Workshop Series and Download the Spring 2025 Syllabus: https://www.seedaschool.com/programSubscribe to the Seeda School Substack: https://seedaschool.substack.com/Follow Ayana on Instagram: @ayzacoFollow Ayana on Threads: @ayzacoFollow Seeda School on Instagram: @seedaschoolCitationsFreedom Farm CooperativeWhy Harriet Tubman Is a ‘Powerful' Choice for American Currency'Nurse, Spy, Cook:' How Harriet Tubman Found Freedom Through FoodSojourner Truth, "I Sell the Shadow to Support the Substance”Sankofa SymbolBlack Utopias: Speculative Life & the Music of Other Worlds by Jayna BrownCover Art: Lauren Halsey, Untitled (Parliament) (detail), 2021. Digital collage. Source: MFA Boston
Who is funding the candidates for Wisconsin Supreme Court. A conversation between two abortion providers in Wisconsin. All about the recent Black Feminist Symposium event at UW-Milwaukee.
UW–Milwaukee recently hosted its 5th Annual Black Feminist Symposium—a space dedicated to discussing the theory and practice of Black feminism.
Barbara Smith is an award winning author, scholar, and activist. She is most well-known for co-authoring the Combahee River Collective Statement with two other queer Black women - her twin sister Beverly, and friend Demita Frazier. Barbara joins us to unpack the personal history that informed her groundbreaking Black Feminist politics. We discuss her multi-generational upbringing, growing up in Cleveland during the Civil Rights Movement, lesbian nightmares, and what she really meant when coining the phrase "identity politics." Thank you for listening to Cruising Podcast! -Reviews help other listeners find Cruising! If you like what you hear, please subscribe and leave us a 5-star review! -For more Cruising adventures, follow us @cruisingpod on Instagram, TikTok, and Facebook Follow Barbara on instagram @thebarbarasmith46 on Instagram Learn more about her work at her website. -Support Cruising here! Cruising is an independent podcast. That means we're entirely funded by sponsors and listeners like you! -Cruising is reported and produced by a small but mighty team of three: Sarah Gabrielli (host/story producer/audio engineer), Rachel Karp (story producer/social media manager), and Jen McGinity (line producer/resident road-trip driver). Theme song is by Joey Freeman. Cover art is by Nikki Ligos. Logo is by Finley Martin. Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices
Jasmine Roberts-Crew shares about socially just open education and Black feminist pedagogy on episode 556 of the Teaching in Higher Ed podcast. Quotes from the episode I'm focusing on Black women in particular here because there is a history among some Black women with rejecting the term feminism because there is this idea that feminism is for white women. -Jasmine Roberts-Crew What can we learn from the critical work of black women through their lived experiences? -Jasmine Roberts-Crew We're kind of going away from or rejecting this idea that assignments are transactional. -Jasmine Roberts-Crew Agency, autonomy, that's at the center of it. -Jasmine Roberts-Crew Resources “The Black Feminist Pedagogical Origins of Open Education” by Jasmine Roberts-Crews Clip: The Princess Bride - Inconceivable Black Feminist Pedagogy: Critiques and Contributions, by Annette Henry The Parable of the Sower, by Octavia Butler Shanna Hollich Nicole Hannah-Jones
Order your copy of the "Before You Move In: A Guide for Living Together!" - I have encountered the challenging realities of living with a romantic partner and quickly realizing I wasn't fully prepared for what living with someone truly involved—sharing space, responsibilities, and navigating different personalities. After the first year, I found myself thinking, “Why didn't we talk about this before moving in together?” I wished there had been a resource to help spark those crucial conversations about the details we often overlook. This ebook is a NECESSARY tool for couples looking to move in together, new couples or even if the topic has crossed your mind. ORDER YOUR COPY TODAY!!! https://stan.store/Mergeandthriveplaybook Make sure you drop a comment below and SUBSCRIBE TO THE YOUTUBE PAGE!! Support the podcast If you have a situation that you want to be discussed on the podcast send me a message on IG or email us at: thatsscarypodcast@gmail.com! Make sure and leave a podcast review. It helps the show out TREMENDOUSLY! Follow and engage with us on IG: @thatsscary_podcast Follow Me: That's Scary with Meloney P. - all podcast streaming platforms Links: YouTube - https://youtube.com/@thatsscarywithmeloneyppodcast?si=XZRLGoK3EoQbtuoJ Instagram - https://www.instagram.com/tsmppodcast/ Tik Tok - https://www.tiktok.com/@thatsscary_podcast Spotify - https://open.spotify.com/show/1PBikYYfJPC4iRBejIh7KW?uid=dc98469f245848b9aef4&uri=spotify%3Aepisode%3A2NBK5H8emQGeG0zkfNMPu1 NAMA - https://namacbd.therave.co/YKWTKSYVEQH6DC4O - $5 Dollars Off!!
How do Black women experience education in Britain? Within British educational research about Black students, gender distinctions have been largely absent, male-dominated or American-centric. Due to the lack of attention paid to Black female students, relatively little is known about how they understand and engage with the education system, or the influences which shape their long-term strategies and decision-making in order to gain educational 'success'. Babygirl, You've Got This! Experiences of Black Girls and Women in the English Education System (Bloomsbury, 2024) by Dr. April-Louise Pennant will illustrate the educational experiences and journeys of Black British women graduates and considers the influence of the intersections of race, gender, ethnicity, culture and social class on their educational journeys. Dr. Pennant uniquely documents the entire educational journey - from primary school to university - within both predominantly white (PW) and predominantly global majority (PGM) educational institutions in order to examine the various accessibility, financial and academic hurdles which face Black girls and women. The book combines theoretical frameworks such as Critical Race Theory, Bourdieu's Theory of Practice and Black Feminist epistemology, alongside the personal accounts of the author and a range of Black British women graduates. Through analysis of the strategies, choices and decisions made by Black British women in their educational journeys, the book ultimately provides insights into how to navigate the education system effectively, and provides alternatives to normalised understandings of educational 'success'. Find out more about Dr. April-Louise Pennant on her website! This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
How do Black women experience education in Britain? Within British educational research about Black students, gender distinctions have been largely absent, male-dominated or American-centric. Due to the lack of attention paid to Black female students, relatively little is known about how they understand and engage with the education system, or the influences which shape their long-term strategies and decision-making in order to gain educational 'success'. Babygirl, You've Got This! Experiences of Black Girls and Women in the English Education System (Bloomsbury, 2024) by Dr. April-Louise Pennant will illustrate the educational experiences and journeys of Black British women graduates and considers the influence of the intersections of race, gender, ethnicity, culture and social class on their educational journeys. Dr. Pennant uniquely documents the entire educational journey - from primary school to university - within both predominantly white (PW) and predominantly global majority (PGM) educational institutions in order to examine the various accessibility, financial and academic hurdles which face Black girls and women. The book combines theoretical frameworks such as Critical Race Theory, Bourdieu's Theory of Practice and Black Feminist epistemology, alongside the personal accounts of the author and a range of Black British women graduates. Through analysis of the strategies, choices and decisions made by Black British women in their educational journeys, the book ultimately provides insights into how to navigate the education system effectively, and provides alternatives to normalised understandings of educational 'success'. Find out more about Dr. April-Louise Pennant on her website! This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology
How do Black women experience education in Britain? Within British educational research about Black students, gender distinctions have been largely absent, male-dominated or American-centric. Due to the lack of attention paid to Black female students, relatively little is known about how they understand and engage with the education system, or the influences which shape their long-term strategies and decision-making in order to gain educational 'success'. Babygirl, You've Got This! Experiences of Black Girls and Women in the English Education System (Bloomsbury, 2024) by Dr. April-Louise Pennant will illustrate the educational experiences and journeys of Black British women graduates and considers the influence of the intersections of race, gender, ethnicity, culture and social class on their educational journeys. Dr. Pennant uniquely documents the entire educational journey - from primary school to university - within both predominantly white (PW) and predominantly global majority (PGM) educational institutions in order to examine the various accessibility, financial and academic hurdles which face Black girls and women. The book combines theoretical frameworks such as Critical Race Theory, Bourdieu's Theory of Practice and Black Feminist epistemology, alongside the personal accounts of the author and a range of Black British women graduates. Through analysis of the strategies, choices and decisions made by Black British women in their educational journeys, the book ultimately provides insights into how to navigate the education system effectively, and provides alternatives to normalised understandings of educational 'success'. Find out more about Dr. April-Louise Pennant on her website! This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology
How do Black women experience education in Britain? Within British educational research about Black students, gender distinctions have been largely absent, male-dominated or American-centric. Due to the lack of attention paid to Black female students, relatively little is known about how they understand and engage with the education system, or the influences which shape their long-term strategies and decision-making in order to gain educational 'success'. Babygirl, You've Got This! Experiences of Black Girls and Women in the English Education System (Bloomsbury, 2024) by Dr. April-Louise Pennant will illustrate the educational experiences and journeys of Black British women graduates and considers the influence of the intersections of race, gender, ethnicity, culture and social class on their educational journeys. Dr. Pennant uniquely documents the entire educational journey - from primary school to university - within both predominantly white (PW) and predominantly global majority (PGM) educational institutions in order to examine the various accessibility, financial and academic hurdles which face Black girls and women. The book combines theoretical frameworks such as Critical Race Theory, Bourdieu's Theory of Practice and Black Feminist epistemology, alongside the personal accounts of the author and a range of Black British women graduates. Through analysis of the strategies, choices and decisions made by Black British women in their educational journeys, the book ultimately provides insights into how to navigate the education system effectively, and provides alternatives to normalised understandings of educational 'success'. Find out more about Dr. April-Louise Pennant on her website! This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
How do Black women experience education in Britain? Within British educational research about Black students, gender distinctions have been largely absent, male-dominated or American-centric. Due to the lack of attention paid to Black female students, relatively little is known about how they understand and engage with the education system, or the influences which shape their long-term strategies and decision-making in order to gain educational 'success'. Babygirl, You've Got This! Experiences of Black Girls and Women in the English Education System (Bloomsbury, 2024) by Dr. April-Louise Pennant will illustrate the educational experiences and journeys of Black British women graduates and considers the influence of the intersections of race, gender, ethnicity, culture and social class on their educational journeys. Dr. Pennant uniquely documents the entire educational journey - from primary school to university - within both predominantly white (PW) and predominantly global majority (PGM) educational institutions in order to examine the various accessibility, financial and academic hurdles which face Black girls and women. The book combines theoretical frameworks such as Critical Race Theory, Bourdieu's Theory of Practice and Black Feminist epistemology, alongside the personal accounts of the author and a range of Black British women graduates. Through analysis of the strategies, choices and decisions made by Black British women in their educational journeys, the book ultimately provides insights into how to navigate the education system effectively, and provides alternatives to normalised understandings of educational 'success'. Find out more about Dr. April-Louise Pennant on her website! This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/education
How do Black women experience education in Britain? Within British educational research about Black students, gender distinctions have been largely absent, male-dominated or American-centric. Due to the lack of attention paid to Black female students, relatively little is known about how they understand and engage with the education system, or the influences which shape their long-term strategies and decision-making in order to gain educational 'success'. Babygirl, You've Got This! Experiences of Black Girls and Women in the English Education System (Bloomsbury, 2024) by Dr. April-Louise Pennant will illustrate the educational experiences and journeys of Black British women graduates and considers the influence of the intersections of race, gender, ethnicity, culture and social class on their educational journeys. Dr. Pennant uniquely documents the entire educational journey - from primary school to university - within both predominantly white (PW) and predominantly global majority (PGM) educational institutions in order to examine the various accessibility, financial and academic hurdles which face Black girls and women. The book combines theoretical frameworks such as Critical Race Theory, Bourdieu's Theory of Practice and Black Feminist epistemology, alongside the personal accounts of the author and a range of Black British women graduates. Through analysis of the strategies, choices and decisions made by Black British women in their educational journeys, the book ultimately provides insights into how to navigate the education system effectively, and provides alternatives to normalised understandings of educational 'success'. Find out more about Dr. April-Louise Pennant on her website! This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices
How do Black women experience education in Britain? Within British educational research about Black students, gender distinctions have been largely absent, male-dominated or American-centric. Due to the lack of attention paid to Black female students, relatively little is known about how they understand and engage with the education system, or the influences which shape their long-term strategies and decision-making in order to gain educational 'success'. Babygirl, You've Got This! Experiences of Black Girls and Women in the English Education System (Bloomsbury, 2024) by Dr. April-Louise Pennant will illustrate the educational experiences and journeys of Black British women graduates and considers the influence of the intersections of race, gender, ethnicity, culture and social class on their educational journeys. Dr. Pennant uniquely documents the entire educational journey - from primary school to university - within both predominantly white (PW) and predominantly global majority (PGM) educational institutions in order to examine the various accessibility, financial and academic hurdles which face Black girls and women. The book combines theoretical frameworks such as Critical Race Theory, Bourdieu's Theory of Practice and Black Feminist epistemology, alongside the personal accounts of the author and a range of Black British women graduates. Through analysis of the strategies, choices and decisions made by Black British women in their educational journeys, the book ultimately provides insights into how to navigate the education system effectively, and provides alternatives to normalised understandings of educational 'success'. Find out more about Dr. April-Louise Pennant on her website! This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
In the age of the independent woman, BLACK MEN often complain about how difficult is to find a BLACK WOMAN who respects the role of the man in a relationship. However, should men tailor their expectation of a traditional woman, especially if they are unable to play the role of the provider? The feminist movement espouses the removal of the gender roles in society all together, how does their push for the equality of women effect marriage, especially Black marriage? Only 28% of BLACK WOMEN are MARRIED, are any of these women BLACK FEMINIST? What must BLACK MEN do to understand and LOVE today's BLACK WOMAN? These questions and many more explored this Saturday on MENTAL DIALOGUE ALL I ASK IS THAT YOU THINK
Today on Speaking Out of Place I have the honor of talking with Professor Christen A Smith on a new book she has co-edited entitled, The Dialectic is in the Sea: The Black Radical Thought of Beatriz Nascimento. Smith explains that “Beatriz Nascimento was a critical figure in Brazil's Black Movement until her untimely death in 1995. Although she published only a handful of articles before she died and left only a few other recorded thoughts, her ideas about the symbolic relationship between quilombos (Afro-Brazilian maroon societies) and black subjectivity encourage us to re-imagine the meaning of Black liberation from a transnational, Black feminist perspective.” Our conversation delves into Nascimento's rich and complex cultural and intellectual productions, and talk about everything from her films and essays to her student papers, which Smith and her co-editors include in their volume. Nascimento was also a poet, and we are grateful that Christen graces us with reading two poems in Portuguese and then in English translation. Christen A. Smith is Associate Professor of Anthropology and African American Studies at Yale University. She is the author of the book, Afro-Paradise: Blackness, Violence and Performance in Brazil (University of Illinois Press, 2016), co-author of the book The Dialectic is in the Sea: The Black Radical Thought of Beatriz Nascimento (Princeton University Press, 2023) and co-editor of Black Feminist Constellations: Black Women in Dialogue and Translation (University of Texas Press, 2023). In 2017, she started Cite Black Women—a transnational initiative that she began in 2017 that draws attention to Black women's intellectual contributions as well as the race and gender inequalities of citational politics.
In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with Professor Christen A Smith on a new book she has co-edited entitled, The Dialectic is in the Sea: The Black Radical Thought of Beatrix Nascimento. Smith explains that “Beatriz Nascimento was a critical figure in Brazil's Black Movement until her untimely death in 1995. Although she published only a handful of articles before she died and left only a few other recorded thoughts, her ideas about the symbolic relationship between quilombos (Afro-Brazilian maroon societies) and black subjectivity encourage us to re-imagine the meaning of Black liberation from a transnational, Black feminist perspective.”The conversation delves into Nascimento's rich and complex cultural and intellectual productions, taking in everything from her films and essays to her student papers, which Smith and her co-editors include in their volume. Nascimento was also a poet, and we are grateful that Christen graces us with reading two poems in Portuguese and then in English translation.Christen A. Smith is Associate Professor of African American Studies and of Anthropology a Yale University. Before arriving at Yale, Smith was Associate Professor of Anthropology and African and African Diaspora Studies and Director of the Center for Women's and Gender Studies at the University of Texas at Austin. She is the author of the book, Afro-Paradise: Blackness, Violence and Performance in Brazil (University of Illinois Press, 2016), co-author of the book The Dialectic is in the Sea: The Black Radical Thought of Beatriz Nascimento (Princeton University Press, 2023) and co-editor of Black Feminist Constellations: Black Women in Dialogue and Translation (University of Texas Press, 2023). In 2017, she started Cite Black Women.—a transnational initiative that brings awareness to society's gross tendency to ignore Black women's intellectual contributions and not to cite Black women inside and outside of the academy.www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place
In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with Professor Christen A Smith on a new book she has co-edited entitled, The Dialectic is in the Sea: The Black Radical Thought of Beatrix Nascimento. Smith explains that “Beatriz Nascimento was a critical figure in Brazil's Black Movement until her untimely death in 1995. Although she published only a handful of articles before she died and left only a few other recorded thoughts, her ideas about the symbolic relationship between quilombos (Afro-Brazilian maroon societies) and black subjectivity encourage us to re-imagine the meaning of Black liberation from a transnational, Black feminist perspective.”The conversation delves into Nascimento's rich and complex cultural and intellectual productions, taking in everything from her films and essays to her student papers, which Smith and her co-editors include in their volume. Nascimento was also a poet, and we are grateful that Christen graces us with reading two poems in Portuguese and then in English translation.Christen A. Smith is Associate Professor of African American Studies and of Anthropology a Yale University. Before arriving at Yale, Smith was Associate Professor of Anthropology and African and African Diaspora Studies and Director of the Center for Women's and Gender Studies at the University of Texas at Austin. She is the author of the book, Afro-Paradise: Blackness, Violence and Performance in Brazil (University of Illinois Press, 2016), co-author of the book The Dialectic is in the Sea: The Black Radical Thought of Beatriz Nascimento (Princeton University Press, 2023) and co-editor of Black Feminist Constellations: Black Women in Dialogue and Translation (University of Texas Press, 2023). In 2017, she started Cite Black Women.—a transnational initiative that brings awareness to society's gross tendency to ignore Black women's intellectual contributions and not to cite Black women inside and outside of the academy.www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place
In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with Professor Christen A Smith on a new book she has co-edited entitled, The Dialectic is in the Sea: The Black Radical Thought of Beatrix Nascimento. Smith explains that “Beatriz Nascimento was a critical figure in Brazil's Black Movement until her untimely death in 1995. Although she published only a handful of articles before she died and left only a few other recorded thoughts, her ideas about the symbolic relationship between quilombos (Afro-Brazilian maroon societies) and black subjectivity encourage us to re-imagine the meaning of Black liberation from a transnational, Black feminist perspective.”The conversation delves into Nascimento's rich and complex cultural and intellectual productions, taking in everything from her films and essays to her student papers, which Smith and her co-editors include in their volume. Nascimento was also a poet, and we are grateful that Christen graces us with reading two poems in Portuguese and then in English translation.Christen A. Smith is Associate Professor of African American Studies and of Anthropology a Yale University. Before arriving at Yale, Smith was Associate Professor of Anthropology and African and African Diaspora Studies and Director of the Center for Women's and Gender Studies at the University of Texas at Austin. She is the author of the book, Afro-Paradise: Blackness, Violence and Performance in Brazil (University of Illinois Press, 2016), co-author of the book The Dialectic is in the Sea: The Black Radical Thought of Beatriz Nascimento (Princeton University Press, 2023) and co-editor of Black Feminist Constellations: Black Women in Dialogue and Translation (University of Texas Press, 2023). In 2017, she started Cite Black Women.—a transnational initiative that brings awareness to society's gross tendency to ignore Black women's intellectual contributions and not to cite Black women inside and outside of the academy.www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place
In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with Professor Christen A Smith on a new book she has co-edited entitled, The Dialectic is in the Sea: The Black Radical Thought of Beatrix Nascimento. Smith explains that “Beatriz Nascimento was a critical figure in Brazil's Black Movement until her untimely death in 1995. Although she published only a handful of articles before she died and left only a few other recorded thoughts, her ideas about the symbolic relationship between quilombos (Afro-Brazilian maroon societies) and black subjectivity encourage us to re-imagine the meaning of Black liberation from a transnational, Black feminist perspective.”The conversation delves into Nascimento's rich and complex cultural and intellectual productions, taking in everything from her films and essays to her student papers, which Smith and her co-editors include in their volume. Nascimento was also a poet, and we are grateful that Christen graces us with reading two poems in Portuguese and then in English translation.Christen A. Smith is Associate Professor of African American Studies and of Anthropology a Yale University. Before arriving at Yale, Smith was Associate Professor of Anthropology and African and African Diaspora Studies and Director of the Center for Women's and Gender Studies at the University of Texas at Austin. She is the author of the book, Afro-Paradise: Blackness, Violence and Performance in Brazil (University of Illinois Press, 2016), co-author of the book The Dialectic is in the Sea: The Black Radical Thought of Beatriz Nascimento (Princeton University Press, 2023) and co-editor of Black Feminist Constellations: Black Women in Dialogue and Translation (University of Texas Press, 2023). In 2017, she started Cite Black Women.—a transnational initiative that brings awareness to society's gross tendency to ignore Black women's intellectual contributions and not to cite Black women inside and outside of the academy.www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place
In How We Write Now: Living with Black Feminist Theory (Duke UP, 2024), Jennifer C. Nash examines how Black feminists use beautiful writing to allow writers and readers to stay close to the field's central object and preoccupation: loss. She demonstrates how contemporary Black feminist writers and theorists such as Jesmyn Ward, Elizabeth Alexander, Christina Sharpe, and Natasha Trethewey mobilize their prose to ask readers to feel, undo, and reassemble themselves. These intimate invitations are more than a set of tools for decoding the social world; Black feminist prose becomes a mode of living and feeling, dreaming and being, and a distinctly affective project that treats loss as not only paradigmatic of Black life but also an aesthetic question. Through her own beautiful writing, Nash shows how Black feminism offers itself as a companion to readers to chart their own lives with and in loss, from devastating personal losses to organizing around the movement for Black lives. Charting her own losses, Nash reminds us that even as Black feminist writers get as close to loss as possible, it remains a slippery object that troubles memory and eludes capture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
In How We Write Now: Living with Black Feminist Theory (Duke UP, 2024), Jennifer C. Nash examines how Black feminists use beautiful writing to allow writers and readers to stay close to the field's central object and preoccupation: loss. She demonstrates how contemporary Black feminist writers and theorists such as Jesmyn Ward, Elizabeth Alexander, Christina Sharpe, and Natasha Trethewey mobilize their prose to ask readers to feel, undo, and reassemble themselves. These intimate invitations are more than a set of tools for decoding the social world; Black feminist prose becomes a mode of living and feeling, dreaming and being, and a distinctly affective project that treats loss as not only paradigmatic of Black life but also an aesthetic question. Through her own beautiful writing, Nash shows how Black feminism offers itself as a companion to readers to chart their own lives with and in loss, from devastating personal losses to organizing around the movement for Black lives. Charting her own losses, Nash reminds us that even as Black feminist writers get as close to loss as possible, it remains a slippery object that troubles memory and eludes capture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In How We Write Now: Living with Black Feminist Theory (Duke UP, 2024), Jennifer C. Nash examines how Black feminists use beautiful writing to allow writers and readers to stay close to the field's central object and preoccupation: loss. She demonstrates how contemporary Black feminist writers and theorists such as Jesmyn Ward, Elizabeth Alexander, Christina Sharpe, and Natasha Trethewey mobilize their prose to ask readers to feel, undo, and reassemble themselves. These intimate invitations are more than a set of tools for decoding the social world; Black feminist prose becomes a mode of living and feeling, dreaming and being, and a distinctly affective project that treats loss as not only paradigmatic of Black life but also an aesthetic question. Through her own beautiful writing, Nash shows how Black feminism offers itself as a companion to readers to chart their own lives with and in loss, from devastating personal losses to organizing around the movement for Black lives. Charting her own losses, Nash reminds us that even as Black feminist writers get as close to loss as possible, it remains a slippery object that troubles memory and eludes capture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
In How We Write Now: Living with Black Feminist Theory (Duke UP, 2024), Jennifer C. Nash examines how Black feminists use beautiful writing to allow writers and readers to stay close to the field's central object and preoccupation: loss. She demonstrates how contemporary Black feminist writers and theorists such as Jesmyn Ward, Elizabeth Alexander, Christina Sharpe, and Natasha Trethewey mobilize their prose to ask readers to feel, undo, and reassemble themselves. These intimate invitations are more than a set of tools for decoding the social world; Black feminist prose becomes a mode of living and feeling, dreaming and being, and a distinctly affective project that treats loss as not only paradigmatic of Black life but also an aesthetic question. Through her own beautiful writing, Nash shows how Black feminism offers itself as a companion to readers to chart their own lives with and in loss, from devastating personal losses to organizing around the movement for Black lives. Charting her own losses, Nash reminds us that even as Black feminist writers get as close to loss as possible, it remains a slippery object that troubles memory and eludes capture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
In How We Write Now: Living with Black Feminist Theory (Duke UP, 2024), Jennifer C. Nash examines how Black feminists use beautiful writing to allow writers and readers to stay close to the field's central object and preoccupation: loss. She demonstrates how contemporary Black feminist writers and theorists such as Jesmyn Ward, Elizabeth Alexander, Christina Sharpe, and Natasha Trethewey mobilize their prose to ask readers to feel, undo, and reassemble themselves. These intimate invitations are more than a set of tools for decoding the social world; Black feminist prose becomes a mode of living and feeling, dreaming and being, and a distinctly affective project that treats loss as not only paradigmatic of Black life but also an aesthetic question. Through her own beautiful writing, Nash shows how Black feminism offers itself as a companion to readers to chart their own lives with and in loss, from devastating personal losses to organizing around the movement for Black lives. Charting her own losses, Nash reminds us that even as Black feminist writers get as close to loss as possible, it remains a slippery object that troubles memory and eludes capture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
In How We Write Now: Living with Black Feminist Theory (Duke UP, 2024), Jennifer C. Nash examines how Black feminists use beautiful writing to allow writers and readers to stay close to the field's central object and preoccupation: loss. She demonstrates how contemporary Black feminist writers and theorists such as Jesmyn Ward, Elizabeth Alexander, Christina Sharpe, and Natasha Trethewey mobilize their prose to ask readers to feel, undo, and reassemble themselves. These intimate invitations are more than a set of tools for decoding the social world; Black feminist prose becomes a mode of living and feeling, dreaming and being, and a distinctly affective project that treats loss as not only paradigmatic of Black life but also an aesthetic question. Through her own beautiful writing, Nash shows how Black feminism offers itself as a companion to readers to chart their own lives with and in loss, from devastating personal losses to organizing around the movement for Black lives. Charting her own losses, Nash reminds us that even as Black feminist writers get as close to loss as possible, it remains a slippery object that troubles memory and eludes capture. Learn more about your ad choices. Visit megaphone.fm/adchoices
An author who has drawn strong parallels with the iconic Black lesbian feminist writer Audre Lorde has spoken to FRANCE 24 about Lorde's legacy, and her hope that she is carrying on her message. Alexis Pauline Gumbs is author of the new biography "Survival is a Promise – The Eternal Life of Audre Lorde". At the same time, she's in Paris to promote her latest book published in 2022 in English, entitled "Undrowned: Black Feminist Lessons from Marine Mammals", which has now been translated into French as "Non-noyées". We spoke to her in Perspective.
What if rest could be a radical act of resistance? In this episode, I talk with Evie Muir, author of Radical Rest, who challenges the myth that burnout can be cured by self-care alone. Evie offers a bold vision of rest as a communal, transformative practice grounded in Black Feminist and abolitionist thought. Tune in to explore how rest and time in nature can lead us from exhaustion and grief toward joy and resilience—and what it takes to build a world where we can all thrive. About ‘Radical Rest: Notes on Burnout, Healing and Hopeful Futures' We're burnt out—drained, anxious, overworked, and unsupported. The answer cannot lie in occasional self-care practices when our exhaustion points to a much deeper societal problem. Self-improvement cannot truly help us within a system that demands so much while giving so little in return. Instead, we need a full reimagining that prioritises a thriving, abundant life. Through a Black Feminist, abolitionist, and nature-focused perspective, Evie Muir invites us to envision a world rooted in radical rest. Muir explores what genuine rest would feel like and how it would reshape our experiences. They examine burnout's core emotions—rage, grief, anxiety—and imagine the transformation toward hope, joy, and abundance that meaningful change could bring. Muir speaks with those most affected by and resisting burnout: Black, queer, disabled activists of colour. Through their lived experiences, a vision emerges of a world where radical rest is communal, grounded in connection—with each other, our bodies, and the natural world. Links ‘Radical Rest: Notes on Burnout, Healing and Hopeful Futures' by Evie Muir Evie Muir on Instagram: @xeviemuir Other episodes if you liked this one: If you liked this week's episode with Christian Douglas, you might also enjoy this one from the archives: 242: Soil: The Story of a Black Mother's Garden - This week's guest is poet and scholar Camille Dungy. Camille has documented how she diversified her garden to reflect her heritage in her book ‘Soil: The Story of a Black Mother's Garden'. We talk about the politics of gardening, planting a nature garden and how nature writing has influenced our gardens in the past and how it can shape the way we do so in the future. 86: Nicole Rose of Solidarity Apothecary - This week I'm talking to anarchist organiser, agroecologist and grassroots herbalist, Nicole Rose. Nicole runs the Solidarity Apothecary, an organisation supporting mainly prisoners and refugees either by supplying herbal remedies or by facilitating the growing and making of these. We talk about Nicole's work to help prisoners, refugees and other facing state repression by helping them with their physical and mental wellbeing through a connection to nature. Please support the podcast on Patreon
I talk with one of my favorite cultural critics, Roxane Gay, about her long-form essay on Black gun ownership. We discuss how the gun industry frames women as victims in waiting and the importance of dismantling the trope of the “good man with a gun." We also delve into the societal cost of our resisting, rejecting, and resenting nuance and the importance of holding the tension of competing ideas. Learn more about your ad choices. Visit podcastchoices.com/adchoices
There are more guns than people in the United States. About half of the guns in the world are owned by Americans. About 45,000 Americans die from gunshot wounds each year, and more than 100,000 survive shootings. We view guns as inherently masculine, and there is distinct racial coding in how we perceive guns and gun use in this country. Still the fastest growing demographic of gun owners is women, and Black women in particular. In a new essay on the Everand platform called “Stand Your Ground: A Black Feminist Reckoning with America's gun Problem”, Roxanne Gay unpacks gun culture and gun ownership in America from a Black feminist perspective.
What happens when you apply a Black Feminist lens when analyzing the history of race in Latin America? I don't know either but here goes nothing.
In this Grounding Practice, Toi Smith—impact strategist and founder of Loving Black Single Mothers—shares a powerful grounding quote from Alexis Pauline Gumbs' book Undrowned: Black Feminist Lessons from Marine Mammals. This passage beautifully connects the struggles of marine mammals with systemic oppression and Black feminist theory. Toi reads a poignant excerpt that speaks to the shared experiences of confusion, struggle, and the need for community and care. You can find full transcripts, links, and other information on our website.
This interview was recorded in February 2024. Sangodare (Julia Roxanne Wallace) is a sweet space for transformation. Sangodare comes from a thick legacy of Black Baptist preachers and church leaders and currently activates Black Feminist sermonics at a weekly Sunday Service held by Mobile Homecoming Trust. As co-founder of Black Feminist Film School (2012), Visiting Artist in Film at Lawrence University (2017-18) and Artist in Residence at UMN-Twin Cities in the Art Department (2017-19), Sangodare brings a creative, evolutionary and love filled approach to filmmaking, composing, interactive design and preaching. As co-founder of Black Feminist Film School (founded along with Sista Docta Alexis Pauline Gumbs, APG) Sangodare created Ritual Screening, a film viewing technology that is interactive and grounded in Black Feminist practice and our non-linear reality. As co-founder of Mobile Homecoming with APG, a national experiential archive project, Sangodare amplifies generations of Black LGBTQ brilliance. Sangodare's most recent exhibition called Inherit Light: An Evolutionary Practice of Love Consciousness (including a month long gallery exhibition at UMN in 2018) engages Black southern preaching and singing legacies, sound, altars, sacred implements through sculpture and installations, film and nature. It also features small and large-scale ruminations on round sculpture and buildings - domes. The dome in Inherit Light is the multi-sensory and interactive sacred space where Sangodare's invocations and sermons are ignited through the site-specific exhibits of Inherit Light. Sangodare (pronounced shahn-GO-dar-ay) Sangodare's Website https://www.sangodare.com/ Mobile Homecoming https://www.mobilehomecoming.org/live A Sweet Space for Growth & Transformation https://sangodare.podia.com/ Quirc https://quirc.app/
It's Witch School graduation day with Alexis Pauline Gumbs and Sangodare! They discuss priestly practice, dropping down and back and into your center, movements of people around the world stepping up, conjuring love, the lineage of love, worshipping our partners, reading sacred texts, forgiveness your Lyft and/or Uber driver, amplifying the best of us, reclaiming love-craft and love as the essential nature of all that supports life. --- TRANSCRIPT --- Ṣangodare (Julia Roxanne Wallace) is a sweet space for transformation. Ṣangodare comes from a thick legacy of Black Baptist preachers and church leaders and currently activates Black Feminist sermonics at a weekly Sunday Service held by Mobile Homecoming Trust. As co-founder of Black Feminist Film School (2012), Visiting Artist in Film at Lawrence University (2017-18) and Artist in Residence at UMN-Twin Cities in the Art Department (2017-19), Ṣangodare brings a creative, evolutionary and love filled approach to filmmaking, composing, interactive design and preaching. As co-founder of Black Feminist Film School (founded along with Sista Docta Alexis Pauline Gumbs, APG) Ṣangodare created Ritual Screening, a film viewing technology that is interactive and grounded in Black Feminist practice and our non-linear reality. As co-founder of Mobile Homecoming with APG, a national experiential archive project, Ṣangodare amplifies generations of Black LGBTQ brilliance. Ṣangodare's most recent exhibition called Inherit Light: An Evolutionary Practice of Love Consciousness (including a month long gallery exhibition at UMN in 2018) engages Black southern preaching and singing legacies, sound, altars, sacred implements through sculpture and installations, film and nature. It also features small and large-scale ruminations on round sculpture and buildings - domes. The dome in Inherit Light is the multi-sensory and interactive sacred space where Ṣangodare's invocations and sermons are ignited through the site-specific exhibits of Inherit Light. Alexis Pauline Gumbs is a Queer Black Troublemaker and Black Feminist Love Evangelist and an aspirational cousin to all sentient beings. Her work in this lifetime is to facilitate infinite, unstoppable ancestral love in practice. Her poetic work in response to the needs of her cherished communities has held space for multitudes in mourning and movement. Alexis's co-edited volume Revolutionary Mothering: Love on the Front Lines (PM Press, 2016) has shifted the conversation on mothering, parenting and queer transformation. Alexis has transformed the scope of intellectual, creative and oracular writing with her triptych of experimental works published by Duke University Press (Spill: Scenes of Black Feminist Fugitivity in 2016, M Archive: After the End of the World in 2018 and Dub: Finding Ceremony, 2020.) Unlike most academic texts, Alexis's work has inspired artists across form to create dance works, installation work, paintings, processionals, divination practices, operas, quilts and more. --- SUPPORT OUR SHOW! - https://www.patreon.com/Endoftheworldshow --- Music by Tunde Olaniran, Mother Cyborg and The Bengsons --- HTS ESSENTIALS SUPPORT Our Show on Patreon https://www.patreon.com/Endoftheworldshow PEEP us on IG https://www.instagram.com/endoftheworldpc/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/how-to-survive-the-end-of-the-world/message
In this episode, Boonie is in conversation with Goddess Honey B, a proud Black feminist and dominant. We explore the world of Black feminism and kinks, including lactation and BDSM. Goddess Honey B shares her experiences as a sex worker and dominant, emphasizing the importance of communication and consent in knife play and all sexual activity. Additionally, we delve into the world of BDSM and power play, highlighting the need for safe and inclusive spaces for Black kinksters. Goddess Honeybee talks about her work as a sex worker and dominant, and we touch on the topic of knife play, emphasizing the importance of communication and consent. We also discuss the upcoming release of our book, "And a Freak Shall Lead Them," which celebrates diverse perspectives on Black kink. Follow Goddess Honey B here: Instagram: @the_goddesshoneyb Twitter: @goddesshoney_b A transcript of the full episode is available here. Support for today's episode comes from Dame Products, a brand whose mission is to help close the pleasure gap for people with vulvas. Receive 10% off your purchase by using the code BOONIE10, Shop here: https://bit.ly/DAMEBoonie Join Boonie over on Patreon for exclusive content and events here: Patreon.com/TheBoonieBreakdown The hashtag for the podcast is #TheBoonieBreakdown. Share with others using the hashtag #PodIn. Shop The Boonie Breakdown Store: www.thebooniebreakdown.com/shop The hashtag for the podcast is #TheBoonieBreakdown. Share with others using the hashtag #PodIn. Follow The Boonie Breakdown on Social Media: IG: @TheBoonieBreakdown Twitter: @BoonieBreakdown Facebook: www.facebook.com/TheBoonieBreakdown Have something to say? You can ask your questions, send comments via email to thebooniebreakdown@gmail.com or submit them here: www.thebooniebreakdown.com/contact/. Chapters 0:00:00 Introducing Dame Products and the Air - A Thrilling Pleasure 0:02:34 Boonie's Pick of the Week: Coach Bag Obsession 0:06:27 Welcoming goddess honeybees and discussing how they connected online 0:08:34 Introducing goddess honeybee as a proud black feminist and discussing the meaning of black feminism 0:13:02 Lactation as a Kink 0:15:31 Personal Decision to Not Have Children 0:17:41 Combining Psychological and Physical Restraints for Ultimate Control 0:24:01 Importance of Safety in Alternative Sexual Spaces 0:26:55 Discussion on using knives for pleasure and fear 0:29:10 Mentioning a recent solo scene with knives 0:34:42 A Funny Tangent on Butt Waxing and Nudes 0:37:17 Exciting Book Deal Announcement on Black Kink Journey 0:39:33 Time Flying By in the Pandemic 0:41:50 Centering Pleasure: Advice for Black Women 0:45:30 Therapy and Navigating Blockages to Pleasure 0:46:31 Calling in Pleasure: Exploring Desires and Game Show Vibes 0:49:44 Links to Goddess Honeybee's socials and website
Frédérique Irwin, President of the National Women's History Museum, discusses their current exhibit, We Who Believe in Freedom: Black Feminist DC. The exhibit traces Black feminism in Washington, DC from the turn of the 20th century through the civil rights and on through to Black Power movements of today. Curated by renowned historians Sherie M. Randolph and Kendra T. Field, the exhibition focuses on the stories and voices of Black feminist organizers and theorists— including Anna Julia Cooper, Eleanor Holmes Norton, Mary Treadwell, and Nkenge Touré—whose expansive work made a difference in the lives of Black women in their Washington, DC communities and for all people throughout the United States. From this Episode SEE THE EXHIBIT: We Who Believe in Freedom: Black Feminist DC Listen to All Electorette Episodes https://www.electorette.com/podcast Support the Electorette Rate & Review on iTunes: https://apple.co/2GsfQj4 Also, if you enjoy the Electorette, please subscribe and leave a 5-star review on iTunes. And please spread the word by telling your friends, family, and colleagues about The Electorette! WANT MORE ELECTORETTE? Follow the Electorette on social media. Electorette Facebook Electorette Instagram Electorette Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices
LaKia interviews Kennedi Malone a third-year college student on how research can be used as a form of activism. Watch on YouTube: https://www.youtube.com/watch?v=HJU7XgZe_FE Beads 4 Our Bodies: https://www.instagram.com/beads4ourbodies/?utm_source=ig_web_button_share_sheet&igshid=OGQ5ZDc2ODk2ZA== Welcome to day 2 of RANTMAS Kennedi Malone (she/her) is a third-year undergraduate student at Agnes Scott College pursuing a degree in Anthropology with a minor in Public Health. Her deep concern for cherishing the lived experiences of community knowledge-makers (neighbors, strangers, ourselves) finds its home in her anthropological coursework as well as her role as a Program Innovation & Education Intern at Justice for Black Girls, in which she co-creates curricula centering Black girl autoethnography. In addition to expanding knowledge concerning the nuances of Black girlhood at national and international conferences, Kennedi engages in Black feminist praxis by serving as the co-founder and co-director of Beads for Our Bodies, a small feminist jewelry collective that supports Reproductive Justice efforts in the Atlanta area. --- Send in a voice message: https://podcasters.spotify.com/pod/show/lakia-williams8/message
Kyra Jones grew up in Annapolis, Maryland, a small city know for its crabs, boats, and being where Kunta Kinte was sold into slavery. You can extrapolate as to how an upbringing in such a location contributed to her hatred of white supremacy and her love of seafood. Kyra is a 2nd-generation West Indian American and spent most of her life talking shit over curry chicken with her Trinidadian family members. After high school, Kyra left the east coast for the Windy City to study acting at Northwestern University, where she was one of only 4 Black theatre majors out of her class of 100. (Seriously. There were more Black people in her house than there were in her graduating class). While attending the predominantly white institution, she became frustrated by the amount of old, dead, white, male playwrights she had to study and perform. Then a professor in the Gender Studies department told her the definition of “intersectional feminism” and gave her some Angela Davis, and it was all downhill from there. Kyra became heavily involved in student advocacy, activism, and peer education around racial and gender justice, much to the theatre department's chagrin. She graduated from NU with a bachelor's degree in Theatre and Gender Studies. Kyra is currently a staff writer on season 2 of Woke (Hulu) and Queens (ABC). Kyra is the co-creator and star of the award-winning web series The Right Swipe (OTV). The Right Swipe was an official selection at Austin Film Festival, Urbanworld Film Festival, DC Black Film Festival, Black Femme Supremacy Film Festival, and many others. Her comedy script, Good Vibes Only, won Best Pilot at the 2020 Nashville Film Festival and was runner-up for Cinestory. Her upcoming feature, Go to the Body, won ‘The Pitch' at the 2020 Chicago International Film Festival and Screencraft's virtual pitch competition. As an actor, she's appeared on the series finale of Empire (Fox), Chicago Justice (NBC), The Chi (Showtime), Kappa Force (Revry), and Seeds (OTV). https://www.instagram.com/kyra.a.jones https://twitter.com/BlkAssFeminist Connect with your host Kaia Alexander: https://entertainmentbusinessleague.com/ https://twitter.com/thisiskaia Produced by Stuart W. Volkow P.G.A. Get career training and a free ebook “How to Pitch Anything in 1Min.” at www.EntertainmentBusinessLeague.com Learn more about your ad choices. Visit megaphone.fm/adchoices
On Sunday, October 22nd Black Women Radicals hosted the online event, “Black Feminist Writers and Palestine."This online event focused on the importance of the Black feminist literary and political canon and the mandate of Black feminist commitments to a free Palestine. Angela Davis is well known to many listeners and she is am activist and an academic at the University of California Santa Cruz.Beverley Guy Sheftall is also a political activist and academic, and she is based at Spellman College in Atlanta Georgia.Because this public meeting was held about a month ago, some of the statistics in relation to Gaza are a number of weeks out of date. To hear the full event: https://www.youtube.com/watch?v=fl7lPMBneAs
What's the episode about? In this episode, hear Foluke Taylor discuss writing and the permission to write (and think) differently, the limits of decolonisation, citational practices, therapy, language, grief, biomythography, creatique, different pathways in reading and what ‘we' should and shouldn't read, empathy, therapy, the power of not knowing, and the notion of pluriversal realities. Who is Foluke? Foluke Taylor is a therapist* writer working with an asterisk to signal black feminist modes of creation, space-making, and care. She teaches at the Metanoia Institute in London and is a trustee for Mslexia: For Women Who Write. She is author of How the Hiding Seek (2018) and Unruly Therapeutic: Black Feminist Writings and Practices in Living Room, published by W.W. Norton in February 2023. She is currently based in London. How do I cite the episode in my research and reading lists? To cite this episode, you can use the following citation: Taylor, F. (2023) Interview on The Death Studies Podcast hosted by Michael-Fox, B. and Visser, R. Published 1 November 2023. Available at: www.thedeathstudiespodcast.com, DOI: 10.6084/m9.figshare.24475006 Check out more episodes or find out more about the hosts! Got a question? Get in touch. --- Send in a voice message: https://podcasters.spotify.com/pod/show/thedeathstudiespodcast/message
In an other: a black feminist examination of animal life (Duke UP, 2023), Sharon Patricia Holland offers a new theorization of the human animal/divide by shifting focus from distinction toward relation in ways that acknowledge that humans are also animals. Holland centers ethical commitments over ontological concerns to spotlight those moments when Black people ethically relate with animals. Drawing on writers and thinkers ranging from Hortense Spillers, Sara Ahmed, Toni Morrison, and C. E. Morgan to Jane Bennett, Jacques Derrida, and Donna Haraway, Holland decenters the human in Black feminist thought to interrogate blackness, insurgence, flesh, and femaleness. She examines MOVE's incarnation as an animal liberation group; uses sovereignty in Morrison's A Mercy to understand blackness, indigeneity, and the animal; analyzes Charles Burnett's films as commentaries on the place of animals in Black life; and shows how equestrian novels address Black and animal life in ways that rehearse the practices of the slavocracy. By focusing on doing rather than being, Holland demonstrates that Black life is not solely likened to animal life; it is relational and world-forming with animal lives. Sharon P. Holland (she/her) is the President of the American Studies Association. She is also the Townsend Ludington Distinguished Professor in American Studies at the University of North Carolina at Chapel Hill. She served as Chair of the Department from July 2020- July 2022. Callie Smith, PhD. is a museum educator and poet based in Louisiana. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
In an other: a black feminist examination of animal life (Duke UP, 2023), Sharon Patricia Holland offers a new theorization of the human animal/divide by shifting focus from distinction toward relation in ways that acknowledge that humans are also animals. Holland centers ethical commitments over ontological concerns to spotlight those moments when Black people ethically relate with animals. Drawing on writers and thinkers ranging from Hortense Spillers, Sara Ahmed, Toni Morrison, and C. E. Morgan to Jane Bennett, Jacques Derrida, and Donna Haraway, Holland decenters the human in Black feminist thought to interrogate blackness, insurgence, flesh, and femaleness. She examines MOVE's incarnation as an animal liberation group; uses sovereignty in Morrison's A Mercy to understand blackness, indigeneity, and the animal; analyzes Charles Burnett's films as commentaries on the place of animals in Black life; and shows how equestrian novels address Black and animal life in ways that rehearse the practices of the slavocracy. By focusing on doing rather than being, Holland demonstrates that Black life is not solely likened to animal life; it is relational and world-forming with animal lives. Sharon P. Holland (she/her) is the President of the American Studies Association. She is also the Townsend Ludington Distinguished Professor in American Studies at the University of North Carolina at Chapel Hill. She served as Chair of the Department from July 2020- July 2022. Callie Smith, PhD. is a museum educator and poet based in Louisiana. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In an other: a black feminist examination of animal life (Duke UP, 2023), Sharon Patricia Holland offers a new theorization of the human animal/divide by shifting focus from distinction toward relation in ways that acknowledge that humans are also animals. Holland centers ethical commitments over ontological concerns to spotlight those moments when Black people ethically relate with animals. Drawing on writers and thinkers ranging from Hortense Spillers, Sara Ahmed, Toni Morrison, and C. E. Morgan to Jane Bennett, Jacques Derrida, and Donna Haraway, Holland decenters the human in Black feminist thought to interrogate blackness, insurgence, flesh, and femaleness. She examines MOVE's incarnation as an animal liberation group; uses sovereignty in Morrison's A Mercy to understand blackness, indigeneity, and the animal; analyzes Charles Burnett's films as commentaries on the place of animals in Black life; and shows how equestrian novels address Black and animal life in ways that rehearse the practices of the slavocracy. By focusing on doing rather than being, Holland demonstrates that Black life is not solely likened to animal life; it is relational and world-forming with animal lives. Sharon P. Holland (she/her) is the President of the American Studies Association. She is also the Townsend Ludington Distinguished Professor in American Studies at the University of North Carolina at Chapel Hill. She served as Chair of the Department from July 2020- July 2022. Callie Smith, PhD. is a museum educator and poet based in Louisiana. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
In an other: a black feminist examination of animal life (Duke UP, 2023), Sharon Patricia Holland offers a new theorization of the human animal/divide by shifting focus from distinction toward relation in ways that acknowledge that humans are also animals. Holland centers ethical commitments over ontological concerns to spotlight those moments when Black people ethically relate with animals. Drawing on writers and thinkers ranging from Hortense Spillers, Sara Ahmed, Toni Morrison, and C. E. Morgan to Jane Bennett, Jacques Derrida, and Donna Haraway, Holland decenters the human in Black feminist thought to interrogate blackness, insurgence, flesh, and femaleness. She examines MOVE's incarnation as an animal liberation group; uses sovereignty in Morrison's A Mercy to understand blackness, indigeneity, and the animal; analyzes Charles Burnett's films as commentaries on the place of animals in Black life; and shows how equestrian novels address Black and animal life in ways that rehearse the practices of the slavocracy. By focusing on doing rather than being, Holland demonstrates that Black life is not solely likened to animal life; it is relational and world-forming with animal lives. Sharon P. Holland (she/her) is the President of the American Studies Association. She is also the Townsend Ludington Distinguished Professor in American Studies at the University of North Carolina at Chapel Hill. She served as Chair of the Department from July 2020- July 2022. Callie Smith, PhD. is a museum educator and poet based in Louisiana. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
In an other: a black feminist examination of animal life (Duke UP, 2023), Sharon Patricia Holland offers a new theorization of the human animal/divide by shifting focus from distinction toward relation in ways that acknowledge that humans are also animals. Holland centers ethical commitments over ontological concerns to spotlight those moments when Black people ethically relate with animals. Drawing on writers and thinkers ranging from Hortense Spillers, Sara Ahmed, Toni Morrison, and C. E. Morgan to Jane Bennett, Jacques Derrida, and Donna Haraway, Holland decenters the human in Black feminist thought to interrogate blackness, insurgence, flesh, and femaleness. She examines MOVE's incarnation as an animal liberation group; uses sovereignty in Morrison's A Mercy to understand blackness, indigeneity, and the animal; analyzes Charles Burnett's films as commentaries on the place of animals in Black life; and shows how equestrian novels address Black and animal life in ways that rehearse the practices of the slavocracy. By focusing on doing rather than being, Holland demonstrates that Black life is not solely likened to animal life; it is relational and world-forming with animal lives. Sharon P. Holland (she/her) is the President of the American Studies Association. She is also the Townsend Ludington Distinguished Professor in American Studies at the University of North Carolina at Chapel Hill. She served as Chair of the Department from July 2020- July 2022. Callie Smith, PhD. is a museum educator and poet based in Louisiana. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
In an other: a black feminist examination of animal life (Duke UP, 2023), Sharon Patricia Holland offers a new theorization of the human animal/divide by shifting focus from distinction toward relation in ways that acknowledge that humans are also animals. Holland centers ethical commitments over ontological concerns to spotlight those moments when Black people ethically relate with animals. Drawing on writers and thinkers ranging from Hortense Spillers, Sara Ahmed, Toni Morrison, and C. E. Morgan to Jane Bennett, Jacques Derrida, and Donna Haraway, Holland decenters the human in Black feminist thought to interrogate blackness, insurgence, flesh, and femaleness. She examines MOVE's incarnation as an animal liberation group; uses sovereignty in Morrison's A Mercy to understand blackness, indigeneity, and the animal; analyzes Charles Burnett's films as commentaries on the place of animals in Black life; and shows how equestrian novels address Black and animal life in ways that rehearse the practices of the slavocracy. By focusing on doing rather than being, Holland demonstrates that Black life is not solely likened to animal life; it is relational and world-forming with animal lives. Sharon P. Holland (she/her) is the President of the American Studies Association. She is also the Townsend Ludington Distinguished Professor in American Studies at the University of North Carolina at Chapel Hill. She served as Chair of the Department from July 2020- July 2022. Callie Smith, PhD. is a museum educator and poet based in Louisiana. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
Alicia Garza welcomes Paris Hatcher, the Founder of Black Feminist Future (BFF) – a national Black feminist organization that builds and amplifies the power of Black feminist leaders, organizations, and movements. Garza asks Hatcher how her long career in Black feminist organizing started, and the catalyst for Black Feminist Futures. Garza and Hatcher also speculate on what the democrats would need to win in 2024. Plus, a packed news roundup touching upon RICO charges on Cop City protestors, Mitch McConnell, the Proud Boys leader getting 22 years, and the Cop City organizers that just won't quit. Paris Hatcher on Twitter, Instagram, and Facebook.Lady Don't Take No on Twitter, Instagram, Facebook, YouTube & TikTokAlicia Garza on Twitter, Instagram, Facebook, YouTube & TikTok * Do you have a question for Lady's Love Notes? Seeking advice on love/romance/relationships? CLICK HERE to send Lady Garza your question, and she may read it on the show! This pod is supported by the Black Futures LabProduction by Phil SurkisTheme music: "Lady Don't Tek No" by Latyrx Alicia Garza founded the Black Futures Lab to make Black communities powerful in politics. She is the co-creator of #BlackLivesMatter and the Black Lives Matter Global Network, an international organizing project to end state violence and oppression against Black people. Garza serves as the Strategy & Partnerships Director for the National Domestic Workers Alliance. She is the co-founder of Supermajority, a new home for women's activism. Alicia was recently named to TIME's Annual TIME100 List of the 100 Most Influential People in the World, alongside her BLM co-founders Opal Tometi and Patrisse Cullors. She is the author of the critically acclaimed book, The Purpose of Power: How We Come Together When We Fall Apart (Penguin Random House), and she warns you -- hashtags don't start movements. People do.
In today's episode of Speaking Out of Place we speak with Dr Jennifer Gomez about her new book, The Cultural Betrayal of Black Women and Girls: A Black Feminist Approach to Healing from Sexual Abuse, which takes on the particular difficulty of centering the voices and experiences of Black women and girls when confronting sexual violence in the Black community.In her foreword the book, Thema Bryant, President of the American Psychological Association writes, This important work … is a love song to the survival of black sis and trans women and girls. For love to be liberating it must see and affirm survivors holistically. Gomez calls psychologists and other mental health providers to adopt courageous compassion, which means sharing concern and outrage at the realities of sexual violence as well as concern and outrage for the injustices that contextualize the trauma and recovery process for black women and girls. In our conversation Dr. Gomez explains how she fought to reconcile the need for solidarity in the Black community with the demand that the abuse of Black women and girls be confronted and healed. Alongside this struggle was her effort to change the ways psychologists and others silence these traumas.Jennifer M. Gómez is an Assistant Professor in the School of Social Work and a Faculty Affiliate at the Center for Innovation in Social Work & Health at Boston University, and a Board Member and Chair of the Research Advisory Committee at the Center for Institutional Courage. Her primary research focus is cultural betrayal trauma theory (CBTT), which she created as a framework for understanding the mental, behavioral, cultural, and physical health impact of violence on Black and other marginalized youth, young adults, and elders within the context of inequality.Written while she was a 2021-22 Fellow at the Stanford University Center for Advanced Study in the Behavioral Sciences (CASBS), her book, “The Cultural Betrayal of Black Women & Girls: A Black Feminist Approach to Healing from Sexual Abuse” (American Psychological Association; 2023), provides individual, interpersonal, and structural strategies for healing. Website: https://jmgomez.org ; Book Website: https://www.apa.org/pubs/books/cultural-betrayal/; Twitter: @JenniferMGmez1
In this episode we interview Dr. Kris Manjapra. Kris Manjapra works at the intersection of transnational history and the critical study of race and colonialism. He is the author of five books, in this episode we discuss his comparative study of global emancipation processes and the implications for reparations movement today: Black Ghost of Empire: The Long Death of Slavery and the Failure of Emancipation. In addition to his scholarly work, he is the founder of a site-based nonprofit, Black History in Action, dedicated to the restoration and reactivation of a Black cultural heritage center in Cambridge, MA. Kris also co-organizes a free online community certificate course, entitled Black Futures Matter, serving people's assemblies across the US and the Caribbean. Our conversation with Manjapra focuses on Black Ghosts of Empire and on unsettling our mystified and highly inaccurate dominant views of emancipation processes globally. Dr. Manjapra walks us through the origin and history of the legal apparatus of emancipation and takes a materialist approach to analyzing whose interests were served through these processes to demonstrate how these historical shifts preserved and upheld the interests of slave owners. He also demonstrates the various ways that emancipation processes were designed to place Black people into a state of indebtedness and delay their freedom from bondage. This is an excellent discussion for thinking through the ways that the white supremacist capitalist state and the property owning classes seek to respond to crises in ways that preserve existing hierarchies and power relations. We also discuss many of the vibrant Black abolitionist movements that demanded, organized, and struggled for alternative futures. Taking a look at some of the earliest Pan Africanist and Black Feminist thinkers, cultural workers, and organizers Manjapra stitches together a rich tapestry of movement lineage that carries into the current ongoing struggles for reparations for slavery and its long afterlives. If you appreciate the work that we do we are on a push to add 40 patrons again this month. We are just a little bit behind the pace on our monthly goal so any support people can give is much appreciated. You will be joining a community of folks who make this show possible every week with their donations at patreon.com/millennialsarekillingcapitalism Links to some companion conversations: Rinaldo Walcott - On Black Freedom and the Abolition of Property Saidiya Hartman - Scenes of Subjection at 25 Robin DG Kelley - Freedom Dreams at 20
On September 29th, 2022 The Brown Sisters joined together to deliver a live dual keynote as a part of the YWCA Madison's Racial Justice Summit. Speaking on themes of emergence, surrender, and healing, adrienne and Autumn explore how sisterhood, healing practices, and song support opening to the next world. Special thanks to the YWCA Madison Summit Team: Erin Farrar, Development and Volunteer Coordinator Faith Stevenson, Race and Gender Equity Practitioner Gery Paredes Vasquez, Race and Gender Equity Director Jay Young, Development and Marketing Manager Jill Pfeiffer, Development and Marketing Director Libby Tucci, Race and Gender Equity Practitioner Vanessa McDowell, CEO --- What if a vibrant, multiracial movement for justice is within our grasp? What practices make it possible for us to not only build this movement, but to be its courageous membership? In this special event, Autumn Brown will guide participants through a Black Feminist approach to healing the wound of disconnection inherent in white supremacy and racial capitalism. In this participatory keynote, we will map the practices that will build a vibrant, multiracial movement, and remedy the fault lines that we are so often re-inscribing within our movements from the very culture of dominance and control we want to dismantle. MORE INFO. --- SUPPORT OUR SHOW! - https://www.patreon.com/Endoftheworldshow --- Music by Tunde Olaniran and Mother Cyborg --- HTS ESSENTIALS SUPPORT Our Show on Patreon https://www.patreon.com/Endoftheworldshow PEEP us on IG https://www.instagram.com/endoftheworldpc/ TWEET @ us https://twitter.com/endoftheworldPC --- Send in a voice message: https://anchor.fm/how-to-survive-the-end-of-the-world/message
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