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In this episode, guest Dr Xavier Bray, director of the Wallace Collection, describes the surprise hit exhibition in London in 2000: Seeing Salvation, Image of Christ, at the National Gallery. He shares his memories of being an assistant (and very junior) curator of the show and explains why images of Christ still resonate and matter. He talks about the impact of art on us and suggests what sort of exhibition the world perhaps needs at this troubled time. Further Reading:The Image of Christ: The Catalogue of the Exhibition "Seeing Salvation" (National Gallery of London) by Gabriele Finaldi (2000-11-10)Seeing Salvation by Neil MacGregor and Erika Langmuir (2000) Hosted on Acast. See acast.com/privacy for more information.
Xavier Bray is a curator on a nail-biting journey to put together the greatest exhibition of portraits by the Spanish artist Francisco Goya, which opens at the National Gallery later this year (2015). Produced for BBC Radio 3
In conversation with Dr. Xavier Bray, Jonathan Ruffer and Jorge Coll
Ideas of tryanny, martyrdom, sin and grace in a new play set against Indian politics today and an exhibition which might be called pornographic. April De Angelis has relocated a Lope De Vega play to contemporary India, and a backdrop of political unrest. The original Fuenteovejuna was inspired by an incident in 1476 when inhabitants of a village banded together to seek retribution on a commander who mistreated them. The Spanish Baroque artist and printmaker, Jusepe de Ribera (1591-1652) is known for his depictions of human suffering, a popular subject for artists during the Catholic Counter-Reformation. The curator Xavier Bray looks at this savage imagery. Then historian Gillian Clark and theologian John Milbank discuss the legacy of Augustine of Hippo. Anne McElvoy presents. The Village runs at the Theatre Royal Stratford East from 7 Sep - 6 OcT 2018 written by April De Angelis and directed by Nadia Fall. Ribera: Art of Violence runs at Dulwich Picture Gallery from Sept 26th to Jan 27th 2019. Gillian Clark has edited Augustine: Confessions Books I-IV; Augustine: The Confessions and she's working on a commentary of Augustine's City of God. John Milbank directs the Centre of Theology and Philosophy at the University of Nottingham. His books include Paul's New Moment: Continental Philosophy and the Future of Christian Theology, With Slavoj Žižek and Creston Davis; the essay "Postmodern Critical Augustinianism: A Short Summa in Forty-two Responses to Unasked Questions", found in The Postmodern God: a Theological Reader, edited by Graham Ward Producer: Torquil MacLeod
Xavier Bray is a renowned specialist in 17th- and 18th-century art, and he's been director for a year now of the Wallace Collection, that rich collection of rococo painting, china, and armour, housed in a grand mansion in Marylebone that remains something of a well-kept secret. Bray would like to change that, opening up the gallery to a wider public and to music of all kinds. He himself would have loved to be an opera singer, and he has sung in choirs all his life. His party piece is a demonstration of Mongolian throat singing, which he taught himself after going to a concert as a student. He gives Michael Berkeley a demonstration, and discusses, more seriously, the connection between the visual arts and music. He reveals his other musical passions: for Marin Marais, flamenco, Bizet, Messiaen, and for the Italian tenor Beniamino Gigli. Produced by Elizabeth Burke A Loftus production for BBC Radio 3.
Dorothy Cross is an artist from Cork, Ireland. Her work incorporates sculpture, film and photography and examines the relationship between living beings and the natural world. In recent years, her practice has focused on nature and the ocean, working with maligned animals such as jellyfish and shark, and exploring rarely accessible areas like sea caves or shell grottos. She lives in Connemara, a rural area on Ireland’s wild west coast. Xavier Bray is a curator and director of the Wallace Collection in London. He was the curator of paintings at the Bilbao Fine Arts Museum in 2000, he then became the assistant curator of 17th- and 18th-century European paintings at London’s National Gallery, before joining Dulwich Picture Gallery as Chief Curator in 2011. He has organised a number of exhibitions including including The Sacred Made Real: Spanish Painting and Sculpture, 1600–1700 (2009) and Goya: The Portraits (2015). Inspired by Conversations Before The End Of Time by Suzi Gablik. Conversations In Time is recorded and distributed as part of European Capital of Culture Aarhus 2017.
Table-ronde présidée par Jean-Pierre Bady, premier directeur de l'Ecole nationale du patrimoine Avec Isabelle Balsamo, chef de l'Inspection générale des patrimoines, direction générale des patrimoines ; Xavier Bray, conservateur à la National Gallery, Londres ; Laurent Le Bon, directeur du Centre Pompidou-Metz ; Karolina Lewandowska, conservateur, présidente de la Fondation Archeologia Fotografii , Varsovie ; Angelika Menne-Haritz, vice-présidente du Bundesarchiv, Berlin ; Umberto Pappalardo, professeur à l'université « Suor Orsola Benincasa » de Naples ; Enrique Varela Agüi, sous-directeur général des musées nationaux, ministère de la culture d'Espagne Conférence enregistrée le 23 novembre 2010 dans le cadre du colloque « Conserver, restaurer demain. Quelles formations pour quels métiers ? »
On Start the Week Andrew Marr discusses the value and authenticity of art. In her novel The Improbability of Love, Hannah Rothschild satirises the art world from the Russian oligarchs and sheiks ready to spend excessive amounts, to the unscrupulous dealers and politicians, as she explores what a painting is really worth. The artist Grayson Perry has never been slow to laugh at the art world and question the role of the artist, and in his latest exhibition he brings Provincial Punk to Margate. Xavier Bray is a curator at the Dulwich Picture Gallery which earlier this year placed a cheap Chinese copy among its collection to see if visitors could spot the difference, and the filmmaker Patrick Mark tells the story of the iconic luxury brand from the 19th century - Fabergé. Producer: Katy Hickman.
Xavier Bray is a curator on a nail-biting journey to put together the greatest exhibition of portraits by the Spanish artist Francisco Goya, which opens at the National Gallery later this year
Xavier Bray, Conservador, Museo de Bellas Artes, Bilbao