Podcasts about Gustav Klimt

Gustav Klimt's Portrait of Elisabeth Lederer (1914-16) sold for the second highest price ever realised at auction at Sotheby's in New York on Tuesday. It was the most notable of several big sales in the sold-out (or “white-glove”) auction of 24 works from the collection of the late billionaire Leonard Lauder, and has prompted some commentators to declare that the art market has turned a corner following a prolonged downturn. Ben Luke speaks to The Art Newspaper's senior art market editor in the Americas, Carlie Porterfield, about this week's auctions, and asks if they do mark a turning point in the art market's fortunes. Cop 30, the United Nations Climate Change Conference, is taking place in Belém, Brazil, and ends on Friday. To coincide with the conference, the Gallery Climate Coalition is publishing a Stocktake Report, in which it gives hard data on the efforts of its members to reduce their carbon emissions. The Art Newspaper's contemporary art correspondent in London, Louisa Buck, who is a co-founder of the coalition, tells Ben more. And this episode's Work of the Week is Victorious Cupid (1601-02) by Caravaggio, a landmark work by the artist, made at the height of his fame in Rome. The painting is making a rare journey from its home at the Gemäldegalerie in Berlin to the Wallace Collection in London, where it is at the centre of an exhibition opening next week. Ben talks to the collection's director, Xavier Bray, about the painting.Caravaggio's Cupid, Wallace Collection, London, 26 November-12 April 2026 Hosted on Acast. See acast.com/privacy for more information.

President Trump has signed a bill that gives the US Justice Department thirty days to release its files on the late sex offender Jeffrey Epstein. Some of the documents could be withheld or heavily redacted. Also: Silicon Valley's Nvidia sees record earnings amid AI boom; Israel conducts major airstrikes in Gaza despite ceasefire; FBI intensifies search for "modern day Pablo Escobar"; Colombia pushes ahead with controversial airstrikes on rebel groups; Ukrainian suspect faces extradition in Nord Stream investigation; the philanthropists filling the gap left by USAID withdrawal; and Gustav Klimt's Portrait of Elisabeth Lederer goes under the hammer. The Global News Podcast brings you the breaking news you need to hear, as it happens. Listen for the latest headlines and current affairs from around the world. Politics, economics, climate, business, technology, health – we cover it all with expert analysis and insight. Get the news that matters, delivered twice a day on weekdays and daily at weekends, plus special bonus episodes reacting to urgent breaking stories. Follow or subscribe now and never miss a moment. Get in touch: globalpodcast@bbc.co.uk

Episode 718: Neal and Toby dive into Nvidia's Q3 earnings that topped expectations while CEO Jensen Huang reiterated his confidence in AI. Then, Target reports another stinker of a quarter causing many to believe the retailer is on the ropes. Also, a new study believes this year's Thanksgiving dinner will be more affordable than last year's. Meanwhile, Neal shares his favorite numbers on Gustav Klimt's most expensive artwork sold at Sotheby's, the truest underdog in the World Cup, and the origins of kissing.  Learn more at usbank.com/splitcard  Get your MBD live show tickets here! https://www.tinyurl.com/MBD-HOLIDAY  Subscribe to Morning Brew Daily for more of the news you need to start your day. Share the show with a friend, and leave us a review on your favorite podcast app. Listen to Morning Brew Daily Here:⁠ ⁠⁠https://www.swap.fm/l/mbd-note⁠⁠⁠  Watch Morning Brew Daily Here:⁠ ⁠⁠https://www.youtube.com/@MorningBrewDailyShow⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

TDC Podcast topics - the latest on the never ending Epstein files, Hakeem Jeffries gets schooled by Kaitlyn Collin's on CNN, Chuck Schumer is finally asked a real question, Jeffrey Epstein's penis looked like a lemon, scientists complete their Trump ordered report and find nothing to support gender affirming care for kids, former Canadian Olympian on the FBI's most wanted list accused of being the new Pablo Escobar, female cop in Boston wins money in lawsuit tied to her firing, cruise ship death of young girl getting close to being solved, Gustav Klimt painting sells for absurd amount of money and email 

Bongani Bingwa speaks with Adam Gilchrist about the deadly Russian strike in western Ukraine that killed at least 26 people, including children, and injured more than 90, destroying residential blocks in Ternopil; the Russian spy ship that entered UK waters near Scotland and allegedly targeted British military pilots with lasers, prompting a warning from the UK defence secretary about a “new era of threat”; and the rare Gustav Klimt portrait sold in New York for $236.4 million, making it the second most expensive artwork ever auctioned. 702 Breakfast with Bongani Bingwa is broadcast on 702, a Johannesburg based talk radio station. Bongani makes sense of the news, interviews the key newsmakers of the day, and holds those in power to account on your behalf. The team bring you all you need to know to start your day Thank you for listening to a podcast from 702 Breakfast with Bongani Bingwa Listen live on Primedia+ weekdays from 06:00 and 09:00 (SA Time) to Breakfast with Bongani Bingwa broadcast on 702: https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/36edSLV or find all the catch-up podcasts here https://buff.ly/zEcM35T Subscribe to the 702 Daily and Weekly Newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702See omnystudio.com/listener for privacy information.

Mens russernes bomber stadig falder, blomstrer det ukrainske kulturliv. En dansk komponist og en professor fra SDU er med os fra Kiev, hvor de fortæller om dronemalerier og musikkens rolle i krigstid. Vi skal også høre om piratbusten af Jon Dahl Tomasson i Sverige, den nye spillefilm om Charles Aznavour, unge menneskers appetit på Dostojevskij og Gustav Klimt-maleriet, der netop er solgt for halvanden milliard. Vært: Morten Runge Medvirkende: Kathrin Maurer: Professor og leder ved Center for Kultur og Teknologi, SDU Karin Mørch: Udlandsjournalist Stine Winther Johansen: Dramatiker Johannes Wiggen: Dramatiker Bente Scavenius: Kunsthistoriker Producer: David Jacobsen Turner Redaktør: Lasse Lauridsen

Bongani Bingwa speaks with Adam Gilchrist about the deadly Russian strike in western Ukraine that killed at least 26 people, including children, and injured more than 90, destroying residential blocks in Ternopil; the Russian spy ship that entered UK waters near Scotland and allegedly targeted British military pilots with lasers, prompting a warning from the UK defence secretary about a “new era of threat”; and the rare Gustav Klimt portrait sold in New York for $236.4 million, making it the second most expensive artwork ever auctioned. 702 Breakfast with Bongani Bingwa is broadcast on 702, a Johannesburg based talk radio station. Bongani makes sense of the news, interviews the key newsmakers of the day, and holds those in power to account on your behalf. The team bring you all you need to know to start your day Thank you for listening to a podcast from 702 Breakfast with Bongani Bingwa Listen live on Primedia+ weekdays from 06:00 and 09:00 (SA Time) to Breakfast with Bongani Bingwa broadcast on 702: https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/36edSLV or find all the catch-up podcasts here https://buff.ly/zEcM35T Subscribe to the 702 Daily and Weekly Newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702See omnystudio.com/listener for privacy information.

On today's episode: Trump's economy depends on AI for growth, a reality made clear in Saudi crown prince's US visit. Trump signs bill to release Jeffrey Epstein case files after fighting it for months. U.S. trade deficit drops 24% in August as Trump's tariffs reduce imports. Gustav Klimt portrait that spared its subject from Nazis breaks modern art record with $236M sale. 5 accused of supporting antifa plead guilty to terrorism-related offense after Texas shooting. US Rep. Sheila Cherfilus-McCormick of Florida indicted on charges of stealing $5M in disaster funds. Trump says he'll push for peace in Sudan after Saudi crown prince urged greater US involvement. Justice Department says full grand jury in Comey case didn't review copy of final indictment. Former Treasury Secretary Larry Summers quits OpenAI board after release of Epstein emails. NASA unveils close-up pictures of the comet popping by from another star. Wall Street swings through another erratic day ahead of a couple of crucial tests. Ford recalls more than 200,000 Bronco and Bronco Sports for instrument panel failure. A senior shines in a top five college hoops showdown, a buzzer-beater in Portland and another win for the NBA’s defending champs, a high-scoring affair on the ice in DC, a young QB gets his first NFL start while another is done for the season, and a star reliever re-signs in baseball. Post on Kris Boyd's Instagram account says Jets cornerback has started breathing on his own. MLB will comply with Senate's request on gambling; new media deals total $800M. Roger Federer elected to International Tennis Hall of Fame in 1st year of eligibility. Israel's military carries out strikes in Lebanon and Gaza, killing dozens of people. Nigeria's president postpones G20 trip, vowing to step up efforts to rescue abducted schoolgirls. With an eye on Russia, EU wants to make it easier to deploy tanks and troops at short notice. —The Associated Press About this program Host Terry Lipshetz is managing editor of the national newsroom for Lee Enterprises. Besides producing the daily Hot off the Wire news podcast, Terry conducts periodic interviews for this Behind the Headlines program, co-hosts the Streamed & Screened movies and television program and is the former producer of Across the Sky, a podcast dedicated to weather and climate. Theme music The News Tonight, used under license from Soundstripe. YouTube clearance: ZR2MOTROGI4XAHRX

A.M. Edition for Nov. 19. After dropping for four straight sessions, markets are now bracing for today's earnings report from AI-bellweather Nvidia. Plus, WSJ's Anne Tergesen explains why millions of Americans are leaving behind old 401(k) accounts - costing savers billions in missed investment gains. And a rare Gustav Klimt portrait has shattered records, becoming the most expensive modern artwork ever sold at auction. Caitlin McCabe hosts. Sign up for the WSJ's free What's News newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices

The 5 things you need to know before the stock market opens today: Nvidia third quarter results are due after the bell, Congress approved legislation to compel the Department of Justice to release all records related to the late sex offender Jeffrey Epstein, the Trump Administration is working on shutting down the Department of Education, an airline trade group wants plans to pay air traffic controllers in future government shutdowns, and a massive sale at Sotheby's – a Gustav Klimt painting sells for more than $236 million.  Squawk Box is hosted by Joe Kernen, Becky Quick and Andrew Ross Sorkin.  Follow Squawk Pod for the best moments, interviews and analysis from our TV show in an audio-first format. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

AP correspondent Haya Panjwani reports on a record-breaking art sale.

Ein Gemälde von Gustav Klimt erzielte den zweithöchsten Auktionspreis aller Zeiten. Das Bild zeigt die Tochter eines Klimt-Mäzens und wurde für 236,4 Millionen Dollar bei Sotheby's in New York ersteigert. Klimts Porträts gelten als besonders begehrt. Koldehoff, Stefan www.deutschlandfunkkultur.de, Studio 9

Oculto durante décadas al público, el "Retrato de Elisabeth Lederer", del artista austriaco Gustav Klimt, acaba de ser vendido en una subasta por una suma récord para una pieza de arte moderno. ¿Por qué es tan valioso?

Digital Content Editor, Barbara Friedman, shared her top three stories trending online. Views and News with Clarence Ford is the mid-morning show on CapeTalk. This 3-hour long programme shares and reflects a broad array of perspectives. It is inspirational, passionate and positive. Host Clarence Ford’s gentle curiosity and dapper demeanour leave listeners feeling motivated and empowered. Known for his love of jazz and golf, Clarrie covers a range of themes including relationships, heritage and philosophy. Popular segments include Barbs’ Wire at 9:30am (Mon-Thurs) and The Naked Scientist at 9:30 on Fridays. Thank you for listening to a podcast from Views & News with Clarence Ford Listen live on Primedia+ weekdays between 09:00 and 12:00 (SA Time) to Views and News with Clarence Ford broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/erjiQj2 or find all the catch-up podcasts here https://buff.ly/BdpaXRn Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567See omnystudio.com/listener for privacy information.

Eine nackte Frau auf Skiern vor einer Almhütte, ein Liebespaar beim Sex – damit verbindet man den Tiroler Maler Alfons Walde eher nicht. Bekannt ist er für seine funkelnden Schneelandschaften, Skifahrern, Bäuerinnen und Tänzerinnen, die das Erscheinungsbild der Alpenregion und das Grafikdesign der 1920er-Jahre nachhaltig mitgestaltet haben. Über Walde als Vertreter der Klassischen Moderne und Vorreiter modernen Wintersports der in seiner Heimatstadt Kitzbühel auch rauschende, teils legendäre Feste feierte, sprechen wir mit drei Experten, die nach acht Jahren Arbeit das erste vollständige Werkverzeichnis des Künstlers herausgebracht haben. Dr. Gert Ammann, Michael Walde‑Berger und Dr. Carl Kraus über Alfons Walde, seine ikonischen Winterlandschaften, das Kitzbühel-Logo und die Bedeutung von 4000 Werken für Kunst und Kultur der Alpenregion. Birgit Eller Krumm und Nicola Eller sind Kapitäne der Folge 107von KAP Podcast. Alfons Walde - 1891 in Oberndorf einem kleinen Dorf nahe Kitzbühel geboren, ist das Leben von Alfons Walde, geprägt von den imposanten Bergwelten der Kitzbüheler Alpen und den Menschen die darin leben. Durch sein Studium in Wien lernte er auch die wichtigsten Mitglieder der Wiener Secession wie Egon Schiele und Gustav Klimt kennen und lies sich von ihnen in seinem künstlerischen Schaffen bestärken. Beeinflusst vom Secessionismus, schuf er Stillleben, Landschaftsbilder und Szenen aus dem bäuerlichen Leben. Alfons Walde wurde vor allem durch die 1920 bis 1938 entstandenen Plakate mit Winterlandschaften und Wintersportmotiven international bekannt. Dr. Gert Ammann - 1943 geboren in Bregenz, Studium der Kunstgeschichte an der Universität Innsbruck, seit 1968 am Tiroler Landesmuseum Ferdinandeum in Innsbruck tätig, von 1985 bis 2005 dessen Direktor. 1983 Habilitation für Österreichische Kunstgeschichte. Publikationen zur Kunstgeschichte Tirols und Vorarlbergs von der Gotik bis zur Moderne mit Schwerpunkt Barock. Michael Walde-Berger - Geboren 1963 in Wien, in Kitzbühel, Tirol, und Wien aufgewachsen. Schauspielstudium bei Lee Strasberg in N.Y. Neben Theaterproduktionen, Film- und Fernsehauftritte im deutschsprachigen Raum und in den USA. Seit den späten 90er-Jahren Betreuung des Nachlasses und des Kunstverlages von Alfons Walde. Dr. Carl Kraus - 1959 in Südtirol geboren, lebt als freier Kunsthistoriker in Innsbruck.Ausstellungskurator, Autor und gerichtlich beeideter Sachverständiger mit Schwerpunkt Kunst des 19. Jh. und Moderne, seit 2002 wissenschaftlicher Leiter der Bozner Kunstauktionen. Link zur Folge: www.alfonswalde.com Das Auktionshaus Im Kinsky, Wien präsentiert am 20. November um 18 Uhr die neu erschienene Monografie. https://imkinsky.com/ KAP Homepage: www.kapture.ch Instagram: @kap_kapture KAP unterstützen: Gefallen euch unsere Podcast Folgen und möchtet ihr unsere Arbeit mit einem Betrag eurer Wahl unterstützen - hier ist der Link https://www.kapture.ch/support zu Foto Credit: KAP

Ein Gespräch über Kunst & Popkultur mit Olga Batt, freischaffende Künstlerin.

On today's episode, an episode from our friends at Sotheby's exploring the remarkable collection of Leonard A. Lauder, one of the greatest collectors and benefactors of the arts in America. At its centre is Gustav Klimt's celebrated Portrait of Elisabeth Lederer, alongside works by Henri Matisse, Edvard Munch, Vincent Van Gogh and other luminaries of modern art. Ahead of Sotheby's landmark sale of this extraordinary collection this October, Curatorial and Collections Director at the National Portrait Gallery Flavia Frigeri, Sotheby's Chairman Impressionist and Modern Art Worldwide Helena Newman, and award-winning author James Stourton will join Director of Sir John Soane's Museum Will Gompertz for a special discussion. Together they will explore Klimt's enduring allure – from his luminous portrait of Elisabeth Lederer to the lyricism of the Attersee landscapes – as well as Leonard Lauder's vision and insights into his once-in-a-generation collection. This podcast was recorded at Sotheby's London in October 2025. And, to step further into the world of Sotheby's, you can visit any of our galleries around the world; they're open to the public. For more information, visit Sothebys.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hi Everyone, I interviewed Melissa Gardner, children's book author and illustrator. Melissa and I connected over a love of Kdrama's and kidlit art!Here is more about Melissa:When I was a little kid, I was always creating things. I remember making an entire family of bunny rabbits, complete with handsewn dresses, out of empty eggshells and cotton balls. I remember molding bits of clay and wood together to make teeny, tiny mouse houses that I would place all around my room. Most of of all, I remember the countless hours, laying on my bedroom floor, pouring over images from artists I loved. During those hours, Maurice Sendak and Gustav Klimt ‘taught' me how to paint, as I copied their works over and over- determined to reproduce the brilliance I saw. The funny thing is, that even though I deeply loved creating, I never imagined that art could be anything other than a well loved hobby. So I grew up, got married, got a dog, went to grad school and eventually started a psychotherapy practice in Boston, Massachusetts. I loved being a therapist because I loved helping people feel better, but I also felt a lot of stress and concern for many of my patients. The more stressful my work became, the more art I created on the side. Then 2018 came around, and my husband and I decided to take our family on a year long sabbatical.We packed up our belongings, rented out our condo and started an adventure that went from Switzerland, to Italy, to NYC, to Oregon and then we landed in California. All that travel and family time helped me reimagine my life and I finally embraced the inner creative in me. So, in 2019, I closed up my psychotherapy practice and we permanently moved to the West Coast of the US, where I became a full time artist, illustrator and storyteller. Now, I live in the glorious and rainy Pacific Northwest, with my husband, my two kids, our three dogs, and our 6 chickens. Most days, you can find me in my studio, painting and drawing, sipping coffee or tea, and taking frequent breaks to give my dogs all the scritches they desire.  Although the pandemic slowed my artmaking down temporarily (especially when my kids needed to be homseschooled!) I've still had wonderful opportunities to partner with others to make beautiful creations. My most recent collaborations have been with SCBWI, Cricket Media/Spider Magazine, the San Franscisco Symphony, Jehane Ltd and Nice Dog Books.Melissa's website Thanks for listening!

Go back in time and listen to this conversation about Historical Fiction from Season 2!In this episode of The Watchung Booksellers Podcast, authors Laurie Lico Albanese and Anastasia Rubis discuss reading and writing historical fiction.Laurie Lico Albanese is a historical novelist, most recently of the acclaimed novel Hester,  which gives voice to Hester Prynne in a retelling of The Scarlet Letter. Hester was a Book of the Month club selection and an Audible and Goodreads Best Books of 2022. Laurie's previous historical novels include Stolen Beauty, about the famed Gustav Klimt portrait known as The Lady in Gold. She lives in Montclair with her husband, where they raised their two grown children. She writes for New Jersey Monthly, teaches writing, and is at work on a new novel.Anastasia Rubis' writing has appeared in the New York Times, Huffington Post, New York Observer, and literary journals. One of her stories, “Girl Falling,” was named a Notable Essay in Best American Essays of 2014. Another, “Blue Pools,” was included in the anthology Oh, Baby published by Creative Nonfiction. She co-wrote and co-directed a 13-minute documentary titled Breakfast Lunch Dinner: The Greek Diner Story. Her latest work, Oriana, is a novel based on the life of journalist Oriana Fallaci. Rubis earned a BA magna cum laude from Brown University and an MA from Montclair State University. She teaches memoir writing and is working on a second novel. She and her husband live in Montclair, where they raised their daughter, and spend summers in Greece, where their parents were born.Resources:Woman in Gold Neue GalerieThe CrownOppenheimerLeeBooks:A full list of the books and authors mentioned in this episode is available here. Register for Upcoming Events.The Watchung Booksellers Podcast is produced by Kathryn Counsell and Marni Jessup and is recorded at Watchung Booksellers in Montclair, NJ. The show is edited by Kathryn Counsell. Original music is composed and performed by Violet Mujica. Art & design and social media by Evelyn Moulton. Research and show notes by Caroline Shurtleff. Thanks to all the staff at Watchung Booksellers and The Kids' Room! If you liked our episode please like, follow, and share! Stay in touch!Email: wbpodcast@watchungbooksellers.comSocial: @watchungbooksellersSign up for our newsletter to get the latest on our shows, events, and book recommendations!

Manuel plant zum 70er ein Buch über den CEO herauszugeben. Die Ferienfreundin aus der Kindheit hat Simon ein Fotoalbum mitgebracht. Er ist so gerührt, dass er es schafft, in 10 Sekunden vier mal tatsächlich zu sagen. Die beiden versuchen dem Mysterium des Weißen Hais näher zu kommen und lüften das Geheimnis darum, was Simon und Gustav Klimt gemeinsam haben und jenes um die Schokolade, die im Dunklen gegessen wird. Simon hat außerdem auf dieser Reise einen Sechser im Lotto gemacht: Gina wird ihm das Gemüsekochen beibringen! Liebe Menschen, seien Sie schnell und durchforsten Sie die Shownotes, bevor der Attersee in China nachgebaut wird. Werbung: Diese Folge ist in Zusammenarbeit mit dem Tourismusverband Attersee-Attergau entstanden. Mehr Informationen finden Sie unter [attersee-attergau.salzkammergut.at](https://attersee-attergau.salzkammergut.at)

Die Frau in Gold, das ist eigentlich die jüdische Kunstpatronin Adele Bloch-Bauer, porträtiert von Gustav Klimt in seinem wahrscheinlich berühmtesten Gemälde. Der gleichnamige Film aus dem Jahr 2015 erzählt die - auf wahren Begebenheiten beruhende - Geschichte von Bloch-Bauers letzter lebender Nichte, Maria Altmann, die um die Jahrtausendwende versucht, das in den 30ern von den Nazis geraubte Gemälde von Österreich zurückzuerhalten. Gemeinsam mit einem jungen Anwalt, der ein Nachkomme des Komponisten Arnold Schönberg ist, und unterstützt von einem Wiener Journalisten kämpft sie gegen den Widerstand des österreichischen Staates, der das Ölgemälde als Teil seiner Identität betrachtet und um jeden Preis in einem Wiener Museum halten will. Ein Rechtsstreit, der sich fast zehn Jahre zieht: Von einer Anhörung in Wien bis hin zum Obersten Gerichtshof der USA. Daneben gibt uns der Film immer wieder Einblicke in das Schicksal der Beteiligten: Die Entstehung des Bildes, der Terror der Nazis, Altmanns Flucht aus dem besetzten Wien… und am Ende finden Vergangenheit und Gegenwart zusammen. Johannes, ich finde es ja immer spannend, wenn wir hier auch mal über Medien abseits des Films sprechen. Und mit dem Thema sind wir mal wieder bei der bildenden Kunst gelandet… und dann auch noch bei einem der berühmtesten Künstler des frühen 20. Jahrhunderts, auch wenn wir diesen selbst im Film kaum zu sehen kriegen: Also dann, was hältst du von Gustav Klimt?

Emilie Flöge may best be remembered as the long-time companion of artist Gustav Klimt, but in this week's Dressed Classic episode from 2022, we explore her work as a fashion designer and dress reformer in early 20th century Vienna. Want more Dressed: The History of Fashion?  Our ⁠⁠⁠website⁠⁠⁠ and ⁠⁠⁠classes⁠⁠⁠ Our ⁠⁠⁠Instagram⁠⁠⁠ Our ⁠⁠⁠bookshelf⁠⁠⁠ with over 150 of our favorite fashion history titles Dressed is a part of the ⁠⁠⁠AirWave Media⁠⁠⁠ network Learn more about your ad choices. Visit megaphone.fm/adchoices

**REPOST** On this week's annotated deep dive, The Cultists continue to present Stanley Kubrick's final film Eyes Wide Shut (1999). ***THIS IS PART TWO OF A TWO PART EPISODE***Deep Dives Include: production history; comparisons with the film's “Dream Story” (1926) novella source material ; the Gustav Klimt color pallet; the meaning behind those neon Eros/Thanatos street signs; secret societies and other occult inspirations (from the Freemasons, to the Illuminati, Hellfire clubs, and Alister Crowley); Ovid's Art of Love; what it means to “reach the end of the rainbow”; and how the film's seemingly abrupt and hollow end comes straight from Friedrich Nietzsche's “Thus Spoke Zarathustra”....Episode Safeword(s): “the morning after” (REPOSTED Episode from 2021 that traveled over from the old Anchor platform with a broken link).

Sie wird oft als "Muse" oder "Gefährtin" von Gustav Klimt beschrieben. Dabei war die österreichische Modemacherin Emilie Flöge selbst ein kreatives Genie. Sie gab Frauen in ihren Reformkleidern ein völlig neues Körpergefühl - und war damit sogar der Designerin Coco Chanel in ihrer Zeit voraus.

durée : 00:04:47 - Jean Jouberton : chaque jeu vidéo est un musée - Jean Jouberton, 36 ans, a lancé un site consacré aux représentations d'œuvres d'art dans les jeux vidéo. Intitulé "Every Game A Museum", il catalogue les peintures et sculptures qu'il découvre au fur et à mesure de ses pérégrinations dans des univers vidéoludiques. Première diffusion le 18 octobre 2024 Jean Jouberton pianote sur son clavier avant de pointer l'ordinateur : "Voilà. J'ai référencé 326 œuvres de 193 artistes, conservées dans 132 musées. Elles ont été cataloguées dans 34 jeux". À l'écran, le nom s'affiche en grand : Every Game A Museum. Sur ce site, le chercheur indépendant a commencé à cataloguer toutes les représentations d'œuvres d'art, bien réelles, qu'il découvre au fur et à mesure de ses pérégrinations vidéoludiques. "Potentiellement, dans chaque jeu, on peut trouver des œuvres et donc chaque jeu est un musée virtuel", détaille-t-il. "Every Game Museum, c'est un projet de catalogage des œuvres d'art citées dans les jeux vidéo ; je veux dire par là peintures et sculptures essentiellement, mais aussi, mine de rien, dessins, gravures, et même des cartes..." Jean Jouberton prend donc des captures d'écran de chaque jeu qu'il parcourt : "Ça prend beaucoup de temps. Faire un jeu, c'est long, et parfois, je me force un peu quand ce sont des jeux qui ne sont pas le genre de jeux que j'affectionne... mais bon, c'est pour la science !", sourit-il. Un projet né à l'École du Louvre D'abord un compte Twitter, Every Game A Museum a fait sa mue, début septembre, pour devenir un site internet, grâce à l'aide d'un ami développeur de Jean Jouberton. Mais le projet est bien antérieur à ça. Il est né de sa passion de pour les jeux vidéo, présente depuis l'enfance, et de son intérêt pour l'histoire de l'art. "Mon histoire avec le jeu vidéo commence relativement jeune, de manière tout à fait classique : c'est mon père qui m'a initié aux jeux vidéo", se remémore-t-il. "J'ai découvert les jeux en le regardant jouer et moi, après, j'ai un peu pris mon indépendance... J'ai passé beaucoup de temps dans mon adolescence au cybercafé". En débutant son cursus d'histoire de l'art, sur les bancs de l'Ecole du Louvre, l'étudiant ignore encore qu'il va y trouver un lien avec les jeux vidéo : "La généalogie du projet, je dirais que ça remonte au moment où j'étais en cursus d'histoire de l'art durant mes études, et que je jouais à Tomb Raider Anniversary.  Et dedans, j'ai découvert des citations d'œuvres... J'ai notamment été frappé de trouver une stèle égyptienne, la stèle de Séthi Ier, qui est conservée au musée du Louvre et que je connaissais pour l'avoir étudiée en cours et pour l'avoir vue au musée. Ça a vraiment été l'élément déclencheur, de me dire "tiens, il peut y avoir des œuvres d'art dans des jeux"." Avant même de lancer Every Game A Museum, Jean Jouberton a d'ailleurs été vidéaste, et a créé la chaîne Youtube, "Homo Ludens", dont le nom est une référence à l'ouvrage Homo ludens : Essai sur la fonction sociale du jeu, de l'historien Johan Huizinga. Sa première vidéo, parue en 2018, est ainsi intitulée "Peinture et jeux vidéo". La symbolique des œuvres d'art Il faut dire que, des Danseuses Ukrainiennes d'Edgar Degas dans le jeu Splinter Cell à Les Forces du Mal de Gustav Klimt dans The Last Express, les représentations de peintures ne manquent pas dans ces univers virtuels. Pour Jean Jouberton, le déclic s'est cependant fait lors d'une partie du jeu vidéo The Walking Dead : "c'est là que je me suis vraiment dit que la peinture peut avoir une signification, une portée à l'intérieur d'un univers de jeu dans un récit vidéoludique". Ce jeu narratif en plusieurs épisodes place le joueur dans un monde apocalyptique en pleine invasion zombie : "un petit groupe de survivants dont notre héros fait partie est hébergé par une famille qui ont l'air très accueillants au premier abord... et qui en fait se révèlent être cannibales", décrit Jean Jouberton. "Dans la pièce adjacente on découvre un de nos compagnons, qui s'est fait couper les jambe

durée : 00:04:47 - Jean Jouberton : chaque jeu vidéo est un musée - Jean Jouberton, 36 ans, a lancé un site consacré aux représentations d'œuvres d'art dans les jeux vidéo. Intitulé "Every Game A Museum", il catalogue les peintures et sculptures qu'il découvre au fur et à mesure de ses pérégrinations dans des univers vidéoludiques. Première diffusion le 18 octobre 2024 Jean Jouberton pianote sur son clavier avant de pointer l'ordinateur : "Voilà. J'ai référencé 326 œuvres de 193 artistes, conservées dans 132 musées. Elles ont été cataloguées dans 34 jeux". À l'écran, le nom s'affiche en grand : Every Game A Museum. Sur ce site, le chercheur indépendant a commencé à cataloguer toutes les représentations d'œuvres d'art, bien réelles, qu'il découvre au fur et à mesure de ses pérégrinations vidéoludiques. "Potentiellement, dans chaque jeu, on peut trouver des œuvres et donc chaque jeu est un musée virtuel", détaille-t-il. "Every Game Museum, c'est un projet de catalogage des œuvres d'art citées dans les jeux vidéo ; je veux dire par là peintures et sculptures essentiellement, mais aussi, mine de rien, dessins, gravures, et même des cartes..." Jean Jouberton prend donc des captures d'écran de chaque jeu qu'il parcourt : "Ça prend beaucoup de temps. Faire un jeu, c'est long, et parfois, je me force un peu quand ce sont des jeux qui ne sont pas le genre de jeux que j'affectionne... mais bon, c'est pour la science !", sourit-il. Un projet né à l'École du Louvre D'abord un compte Twitter, Every Game A Museum a fait sa mue, début septembre, pour devenir un site internet, grâce à l'aide d'un ami développeur de Jean Jouberton. Mais le projet est bien antérieur à ça. Il est né de sa passion de pour les jeux vidéo, présente depuis l'enfance, et de son intérêt pour l'histoire de l'art. "Mon histoire avec le jeu vidéo commence relativement jeune, de manière tout à fait classique : c'est mon père qui m'a initié aux jeux vidéo", se remémore-t-il. "J'ai découvert les jeux en le regardant jouer et moi, après, j'ai un peu pris mon indépendance... J'ai passé beaucoup de temps dans mon adolescence au cybercafé". En débutant son cursus d'histoire de l'art, sur les bancs de l'Ecole du Louvre, l'étudiant ignore encore qu'il va y trouver un lien avec les jeux vidéo : "La généalogie du projet, je dirais que ça remonte au moment où j'étais en cursus d'histoire de l'art durant mes études, et que je jouais à Tomb Raider Anniversary.  Et dedans, j'ai découvert des citations d'œuvres... J'ai notamment été frappé de trouver une stèle égyptienne, la stèle de Séthi Ier, qui est conservée au musée du Louvre et que je connaissais pour l'avoir étudiée en cours et pour l'avoir vue au musée. Ça a vraiment été l'élément déclencheur, de me dire "tiens, il peut y avoir des œuvres d'art dans des jeux"." Avant même de lancer Every Game A Museum, Jean Jouberton a d'ailleurs été vidéaste, et a créé la chaîne Youtube, "Homo Ludens", dont le nom est une référence à l'ouvrage Homo ludens : Essai sur la fonction sociale du jeu, de l'historien Johan Huizinga. Sa première vidéo, parue en 2018, est ainsi intitulée "Peinture et jeux vidéo". La symbolique des œuvres d'art Il faut dire que, des Danseuses Ukrainiennes d'Edgar Degas dans le jeu Splinter Cell à Les Forces du Mal de Gustav Klimt dans The Last Express, les représentations de peintures ne manquent pas dans ces univers virtuels. Pour Jean Jouberton, le déclic s'est cependant fait lors d'une partie du jeu vidéo The Walking Dead : "c'est là que je me suis vraiment dit que la peinture peut avoir une signification, une portée à l'intérieur d'un univers de jeu dans un récit vidéoludique". Ce jeu narratif en plusieurs épisodes place le joueur dans un monde apocalyptique en pleine invasion zombie : "un petit groupe de survivants dont notre héros fait partie est hébergé par une famille qui ont l'air très accueillants au premier abord... et qui en fait se révèlent être cannibales", décrit Jean Jouberton. "Dans la pièce adjacente on découvre un de nos compagnons, qui s'est fait couper les jambe

We explore creativity through the lens of artistic courage and personal expression, beginning with reflections on Gustav Klimt's decision to break from commissioned religious paintings to create his own revolutionary art. We discuss how true artists often work without recognition or financial reward, driven by an inner compulsion to express something new and meaningful. Through personal examples—from discovering a passion for architecture at Barcelona's Sagrada Família to experimenting with cooking and gardening—we examine how creativity manifests in everyday activities. We explore the distinction between cognitive creativity (synthesising ideas through conscious effort) and what we call "flow creativity," where the best ideas emerge when we step out of our own way and allow something deeper to surface. We delve into the practical aspects of nurturing creativity, drawing on Julia Cameron's "The Artist's Way" and techniques like morning pages—stream-of-consciousness writing that builds creative muscle by bypassing the thinking mind. We discuss how creativity requires creating the right conditions rather than forcing outcomes: planning for walks in nature, museum visits, or musical performances to inspire rather than demanding specific creative output. Through stories of painting without technique and coaching conversations that take surprising turns, we explore how perfectionism and performance pressure often block creative flow. We conclude that creativity isn't just for artists—it's about playfulness, dealing with uncertainty, and making space for the unexpected ideas that emerge when we silence our inner critic and trust the creative process.

Wöß, Christoph www.deutschlandfunk.de, Kultur heute

In 1897, Gustav Klimt led a group of radical artists to break free from the cultural establishment of Vienna and found a movement that became known as the Vienna Secession. In the vibrant atmosphere of coffee houses, Freudian psychoanalysis and the music of Wagner and Mahler, the Secession sought to bring together fine art and music with applied arts such as architecture and design. The movement was characterized by Klimt's stylised paintings, richly decorated with gold leaf, and the art nouveau buildings that began to appear in the city, most notably the Secession Building, which housed influential exhibitions of avant-garde art and was a prototype of the modern art gallery. The Secessionists themselves were pioneers in their philosophy and way of life, aiming to immerse audiences in unified artistic experiences that brought together visual arts, design, and architecture. With:Mark Berry, Professor of Music and Intellectual History at Royal Holloway, University of LondonLeslie Topp, Professor Emerita in History of Architecture at Birkbeck, University of LondonAndDiane Silverthorne, art historian and 'Vienna 1900' scholarProducer: Eliane GlaserReading list:Mark Berry, Arnold Schoenberg: Critical Lives (Reaktion Books, 2018)Gemma Blackshaw, Facing the Modern: The Portrait in Vienna 1900 (National Gallery Company, 2013)Elizabeth Clegg, Art, Design and Architecture in Central Europe, 1890-1920 (Yale University Press, 2006)Richard Cockett, Vienna: How the City of Ideas Created the Modern World (Yale University Press, 2023)Stephen Downes, Gustav Mahler (Reaktion Books, 2025)Peter Gay, Freud, Jews, and Other Germans: Masters and Victims in Modernist Culture (Oxford University Press, 1979)Tag Gronberg, Vienna: City of Modernity, 1890-1914 (Peter Lang, 2007)Allan S. Janik and Hans Veigl, Wittgenstein in Vienna: A Biographical Excursion Through the City and its History (Springer/Wien, 1998)Jill Lloyd and Christian Witt-Dörring (eds.), Vienna 1900: Style and Identity (Hirmer Verlag, 2011)William J. McGrath, Dionysian Art and Populist Politics in Austria (Yale University Press, 1974)Tobias Natter and Christoph Grunenberg (eds.), Gustav Klimt: Painting, Design and Modern Life (Tate, 2008)Carl E. Schorske, Fin-de-siècle Vienna: Politics and Culture (Vintage, 1979)Elana Shapira, Style and Seduction: Jewish Patrons, Architecture and Design in Fin-de-Siècle Vienna (Brandeis University Press, 2016)Diane V Silverthorne, Dan Reynolds and Megan Brandow-Faller, Die Fläche: Design and Lettering of the Vienna Secession, 1902-1911 (Letterform Archive, 2023)Edward Timms, Karl Kraus: Apocalyptic Satirist: Culture & Catastrophe in Habsburg Vienna (Yale University Press, 1989)Leslie Topp, Architecture and Truth in Fin-de-Siècle Vienna (Cambridge University Press, 2004)Peter Vergo, Art in Vienna, 1898-1918: Klimt, Kokoschka, Schiele and Their Contemporaries (4th ed., Phaidon, 2015)Hans-Peter Wipplinger (ed.), Vienna 1900: Birth of Modernism (Walther & Franz König, 2019)Hans-Peter Wipplinger (ed.), Masterpieces from the Leopold Museum (Walther & Franz König)Stefan Zweig, The World of Yesterday: An Autobiography (University of Nebraska Press, 1964)In Our Time is a BBC Studios Audio ProductionSpanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the characters, events and discoveries that have shaped our world.

Join Christine Sine as she reflects on the Tree of Life and Revelation.​​​Revelation 21.1–7, 22-27; 22.1–5Image: Tree of Life by Gustav Klimt, public domain

von Eva Winroither. Bei Österreichs reichweitenstärkster Tageszeitung ändern sich die Eigentumsverhältnisse. Die deutsche Funke-Gruppe hat sich mit der Familie Dichand geeinigt. Wie das die österreichische Medienlandschaft verändern könnte, erzählt Anna Wallner.

The Ghanaian artist Amoako Boafo has attracted global fame for his bold and sensual portraits. He paints bodies and faces using his fingertips instead of a brush, capturing form through direct, tactile gestures. When he went to art school in Vienna, he was struck by the extent to which Black subjects had been overlooked in global art. Determined to change the status quo, he drew inspiration from early 20th Century Viennese artists like Gustav Klimt and Egon Schiele and added his own techniques to invent a fresh new style of portraiture. Lucy Ash follows his preparations for a major new show at Gagosian in London. It involves a transformation of the gallery space into a full-scale recreation of a Ghanaian courtyard – just like the shared space in which he was raised. With the help of his collaborator, Glenn De Roché, an architect famous for community buildings and with an artist friend who produced a set of playing cards, especially for the event. This episode of The Documentary, comes to you from In the Studio, exploring the processes of the world's most creative people.

In 1911 Vienna, a man on his way home spots the figure of a woman at the edge of the river. She is still, beautiful and nude, framed by tendrils of yellow hair. The man is Austrian painter Gustav Klimt. So instead of calling for help, the artist takes out his sketchbook. In his new historical novel Anima Rising, Christopher Moore uses this strange encounter as the jumping off point for his story, which goes on to involve characters like Sigmund Freud and Carl Jung. In today's episode, Moore joins NPR's Scott Simon for a conversation about the mystery at the center of the story and the real-life Klimt's relationship to women.To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Christopher Moore's new novel Anima Rising combines his signature elements – complicated artists, suspicious detectives, a bawdy sisterhood, and supernatural bonking – into a strangely moving tale of friendship and survival. Set in 1911 Vienna, Chris's new novel is a spiritual sequel to his 2012 art world masterpiece Sacré Bleu: A Comedy d'Art and, in anticipation of his upcoming book tour, Chris reveals how his fondness for Gustav Klimt and Mary Shelley drives this unlikely comic adventure; how both Sigmund Freud and Carl Jung had to figure into the story (because: 1911 Vienna); and how his novels are becoming increasingly touching...or at least that's how they're being read. (Length 21:17) The post 961. Christopher Moore's Frankenstein appeared first on Reduced Shakespeare Company.

Juan Soto noted he's being pitched differently without Aaron Judge batting behind him, which Gio sees as an explanation, not an excuse. Boomer viewed it as a compliment to Judge, not a slight to Pete Alonso, while Gio thinks sensitive fans are overreacting. Soto's presence benefits Alonso. Before Jerry's update, Gio reminisced about old wedding invites, followed by audio clips of Jerry discussing divorce. They joked about using a Chef IQ to check Boomer's fever. The Yankees won, and Matt Martin played his emotional final home game for the Islanders, with goodbye audio clips from various sports figures played. Finally, someone on X shared a Vegas flu story similar to Boomer's, and Boomer had a lunch meeting where Gustav Klimt was discussed.

Hour 1 Boomer is ill and his voice is weak after attending what might have been Matt Martin's final Islanders game last night, where they discussed his career. Before Jerry's update, a caller offered a snake-related throat remedy for Boomer. Jerry has the audio of the Mets' loss to the Twins due to a Francisco Lindor error and strikeout. The Knicks/Pistons playoff schedule is out, starting Saturday, Monday, and Thursday. Travis Hunter implied he'll only play football if he can play both offense and defense. Gio then shared the story of Rosie the turkey from Roosevelt Island seeking a mate in the city, leading to a discussion about catching turkeys and calls from those who have encountered them. Hour 2 Juan Soto noted he's being pitched differently without Aaron Judge batting behind him, which Gio sees as an explanation, not an excuse. Boomer viewed it as a compliment to Judge, not a slight to Pete Alonso, while Gio thinks sensitive fans are overreacting. Soto's presence benefits Alonso. Before Jerry's update, Gio reminisced about old wedding invites, followed by audio clips of Jerry discussing divorce. They joked about using a Chef IQ to check Boomer's fever. The Yankees won, and Matt Martin played his emotional final home game for the Islanders, with goodbye audio clips from various sports figures played. Finally, someone on X shared a Vegas flu story similar to Boomer's, and Boomer had a lunch meeting where Gustav Klimt was discussed. Hour 3 Wally Szczerbiak believes the Knicks should dominate their series, implying locker room issues if they don't. Gio thinks Karl-Anthony Towns has a big chance to prove his championship mettle and shed the "soft" label with multiple high-scoring, high-rebounding games. Before Jerry's update, they used the Chef IQ and found Boomer has a 102 fever, leading to a clip from 'Back To School' referencing Gustav Klimt, who Gio supposedly resembles. Jerry recapped the Mets' loss, Yankees' win, and NBA news. The hour ended with Gio discussing a Karen Read documentary on MAX. Hour 4 Bill Belichick and his girlfriend, Jordon Hudson, are receiving attention, and a reporter obtained Belichick's emails via the Freedom of Information Act. Gio joked about Hudson's potential post-breakup career in bikini betting picks. They discussed the controversy surrounding a Braves reporter asking a girl for her number on air. Jerry's update covered the Mets' loss due to a Lindor error, the Yankees' win, and Trae Young's ejection. Evan Roberts is confident the Knicks will win their series. The Nets GM discussed their free agency targets. Shedeur Sanders' Steelers interview attire caused debate, which Kay Adams addressed. The Moment of the Day involved using the Chef IQ to check Boomer's fever. The show concluded with a discussion about Matt Martin's likely final Islanders game and how fans treated him, compared to Rangers fans and Chris Kreider, followed by talk about a 400+ lb NFL draft prospect.

Wally Szczerbiak believes the Knicks should dominate their series, implying locker room issues if they don't. Gio thinks Karl-Anthony Towns has a big chance to prove his championship mettle and shed the "soft" label with multiple high-scoring, high-rebounding games. Before Jerry's update, they used the Chef IQ and found Boomer has a 102 fever, leading to a clip from 'Back To School' referencing Gustav Klimt, who Gio supposedly resembles. Jerry recapped the Mets' loss, Yankees' win, and NBA news. The hour ended with Gio discussing a Karen Read documentary on MAX.

The Daily Quiz - Art and Literature Today's Questions: Question 1: In which book does 'The Hatter' appear? Question 2: Which author wrote 'Harry Potter and the Philosopher's Stone'? Question 3: Who created Winnie the Pooh? Question 4: The painting "The Triumph of Galatea" by Raphael is a part of which art movement? Question 5: Which author wrote 'The Legend of Sleepy Hollow'? Question 6: Which artist painted "Primavera" Question 7: The painting "The Kiss" by Gustav Klimt is a part of which art movement? Question 8: Which author wrote 'Leatherstocking Tales'? Question 9: Which author wrote 'Mary Poppins'? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of The Watchung Booksellers Podcast, authors Laurie Lico Albanese and ANastasia Rubis discuss reading and writing historical fiction.Laurie Lico Albanese is a historical novelist, most recently of the acclaimed novel Hester,  which gives voice to Hester Prynne in a retelling of The Scarlet Letter. Hester was a Book of the Month club selection and an Audible and Goodreads Best Books of 2022. Laurie's previous historical novels include Stolen Beauty, about the famed Gustav Klimt portrait known as The Lady in Gold. She lives in Montclair with her husband, where they raised their two grown children. She writes for New Jersey Monthly, teaches writing, and is at work on a new novel.Anastasia Rubis' writing has appeared in the New York Times, Huffington Post, New York Observer, and literary journals. One of her stories, “Girl Falling,” was named a Notable Essay in Best American Essays of 2014. Another, “Blue Pools,” was included in the anthology Oh, Baby published by Creative Nonfiction. She co-wrote and co-directed a 13-minute documentary titled Breakfast Lunch Dinner: The Greek Diner Story. Her latest work, Oriana, is a novel based on the life of journalist Oriana Fallaci. Rubis earned a BA magna cum laude from Brown University and an MA from Montclair State University. She teaches memoir writing and is working on a second novel. She and her husband live in Montclair, where they raised their daughter, and spend summers in Greece, where their parents were born.Books:A full list of the books and authors mentioned in this episode is available here. Register for Upcoming Events.The Watchung Booksellers Podcast is produced by Kathryn Counsell and Marni Jessup and is recorded at Watchung Booksellers in Montclair, NJ. The show is edited by Kathryn Counsell. Original music is composed and performed by Violet Mujica. Art & design and social media by Evelyn Moulton. Research and show notes by Caroline Shurtleff. Thanks to all the staff at Watchung Booksellers and The Kids' Room! If you liked our episode please like, follow, and share! Stay in touch!Email: wbpodcast@watchungbooksellers.comSocial: @watchungbooksellersSign up for our newsletter to get the latest on our shows, events, and book recommendations!

El retrato que Gustav Klimt pintó de William Nii Nortey Dowuona, príncipe del pueblo Osu de Ghana, ha reaparecido en la feria TEFAF de Maastricht, después de que se diera por desaparecido. La última vez que se vio fue en 1928 y fue identificado como el cuadro desaparecido en 2023, cuando una pareja de coleccionistas llevó a la galería W&K de Viena un cuadro pobremente enmarcado y sucio en su superficie. El rastro de la obra se perdió con la llegada de los nazis a Austria. Está valorado en 15.000.000€.Informa Íñigo PicabeaEscuchar audio

The Daily Quiz - Art and Literature Today's Questions: Question 1: What did Dorothy and her friends walk down in The Wizard of Oz? Question 2: Which author is leaving audiences waiting for a sequel to his 2011 novel 'A Dance with Dragons'? Question 3: Which artist painted "The Sleeping Gypsy" Question 4: Which author wrote 'The Invisible Man'? Question 5: Which author wrote 'Great Expectations'? Question 6: Which author wrote 'The Robots of Dawn'? Question 7: The painting "The Kiss" by Gustav Klimt is a part of which art movement? Question 8: From which Shakespearean comedy do the lines 'And thereby hangs a tale' and 'All the world's a stage' come? Question 9: Which author wrote 'Catch-22'? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

As Donald Trump has been declared the winner of the 2024 US Presidential Election and the election coverage dominates front pages around the world, we discuss what a second Trump presidency may mean for women. Krupa Padhy speaks to Woman's Hour presenter Nuala McGovern, who is in Washington DC, about what's happened overnight, the latest news from the Harris campaign and any further information that has been revealed about women voters. Krupa is also joined by US Deputy Editor for the Telegraph, Rozina Sabur, and Dr Leslie Vinjamuri, Director of the US and Americas programme at Chatham House.Iqra Ismail, a football coach and refugee advocate, was prevented from playing in a match last month because she wears tracksuit bottoms rather than shorts, which she says compromises her religious beliefs. Iqra, who captained Somalia in 2019, was expected to play her first game against an east London team, but was told by the referee that club shorts were a requirement. Iqra joins Krupa to discuss why she has chosen to speak out.Do you have a first date red-flag question? What would be an absolute sure-fire, definite no-no answer which would tell you there is definitely going to be no second date? Olivia Rodrigo, the American singer-songwriter and actor, is quoted as saying that if her date wants to go to space, that is a red flag for her. Krupa talks to Helen Coffey, senior journalist at the Independent who's written her take on questions she would ask, and Poppy Jay, director and podcaster most famously on Brown Girls Do It Too and now the spin-off Big Boy Energy.From Botticelli's The Birth of Venus to Gustav Klimt's Mother and Child, women's bodies have been a major theme throughout art history. But can we ‘reinvent' the classic nude? Artist Sophie Tea is famed for doing just that, with paintings celebrating the female form and women of all shapes and sizes. Sophie joins Krupa in the studio to discuss finding fame on social media, pushing back against the ‘ideal' body type and trying to make women feel a little bit nicer about themselves.Presenter: Krupa Padhy Producer: Rebecca Myatt

Um 1900 suchen die Wiener Sezessionisten, allen voran Gustav Klimt, Anschluss an die europäische Avantgarde in der bildenden Kunst. Sie rebellieren gegen den rückwärtsgewandten Kunstgeschmack der etablierten Kunstinstitutionen und geben sich ein provokantes Motto: der Zeit ihre Kunst, der Kunst ihre Freiheit. Von Brigitte Kohn