Podcasts about Franz Kafka

Mário Abbade fala sobre o filme que narra a vida do escritor Franz Kafka, um dos escritores mais importamtes do século XX.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Gregorio Samsa despierta una mañana atrapado en el cuerpo de un monstruoso insecto. No hay magia ni explicación; solo un caparazón rígido y patas que se agitan desesperadas. Su mayor angustia no es la pérdida de su humanidad, sino el miedo a perder el tren para ir a trabajar. Pronto, la habitación donde se recluye se convierte en su prisión y en el escenario del sutil abandono de su familia. Quienes antes dependían de su sueldo, ahora lo miran con asco y resentimiento. Vales lo que produces, colega. Esto es La Metamorfosis de Franz Kafka. ☄️ Y si este programa te ha gustado: comenta, dale a me gusta, compártelo. Ayúdanos a llegar a más gente. Esto sólo puede existir si estáis al otro lado ☄️ APÓYANOS EN: ☄ Patreon: https://www.patreon.com/vuelodelcometa ☄ iVoox: https://www.ivoox.com/support/1049191 ☄ YouTube: https://www.youtube.com/@vuelodelcometa TELEGRAM: ☄ Telegram (canal de difusión): https://t.me/canalvuelodelcometa ☄ Telegram (chat grupal): https://t.me/vuelodelcometacomunidad REDES SOCIALES: ☄ Instagram: https://www.instagram.com/vuelodelcometa ☄ Twitter: https://twitter.com/Vuelodelcometa ☄ Bluesky: https://bsky.app/profile/vuelodelcometa.bsky.social ☄ Threads: https://www.threads.com/@vuelodelcometa ☄ Facebook: https://www.facebook.com/Vuelodelcometa WEB: ☄ Web: alvaroaparicio.net CLUB DE LECTURA (iremos avisando): ☄ Discord: https://discord.gg/a7ugw77vB Y si quieres contactar con nosotros para una promoción, no dudes en ponerte en contacto a través de: vuelodelcometapodcast@gmail.com Si quieres apoyar este y otros proyectos relacionados, puedes acudir a https://www.patreon.com/vuelodelcometa o a través del sistema de mecenazgo en iVoox. Arte de Simón Schliebener. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Proč se Franz Kafka smál slovu člobrda? A jak souvisí s Hurvínkem i se zvoláním ty brďo? Téma pro bohemistu Ondřeje Bláhu.

Proč se Franz Kafka smál slovu člobrda? A jak souvisí s Hurvínkem i se zvoláním ty brďo? Téma pro bohemistu Ondřeje Bláhu.Všechny díly podcastu Okolo češtiny můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Gabriel José de la Concordia García Márquez Nació el 6 de marzo de 1927 en Aracataca, Magdalena, Colombia. Su nombre refleja una tradición común en muchas familias latinoamericanas católicas, donde se incluyen nombres religiosos como “de la Concordia”. murió el 17 de abril de 2014 en Ciudad de México. fue un escritor, periodista y guionista colombiano, considerado uno de los más grandes autores en lengua española del siglo XX. Es especialmente conocido por ser uno de los principales exponentes del realismo mágico, un estilo literario que mezcla elementos fantásticos con la realidad cotidiana de América Latina. Cien años de soledad (1967), una novela que narra la historia de la familia Buendía en el mítico pueblo de Macondo. Esta obra es considerada una de las más importantes de la literatura universal. Premio Nobel de Literatura: Lo recibió en 1982, “por sus novelas e historias cortas, en las que lo fantástico y lo real se combinan en un mundo ricamente compuesto de imaginación”. Otras obras destacadas: El otoño del patriarca (1975), Crónica de una muerte anunciada (1981), El amor en los tiempos del cólera (1985), Del amor y otros demonios (1994), Memoria de mis putas tristes (2004), etc, Estilo: García Márquez fusiona la realidad social y política de América Latina con elementos mágicos, míticos o sobrenaturales, sin romper la lógica narrativa. Su estilo está profundamente influido por la tradición oral caribeña, el periodismo, y autores como William Faulkner y Franz Kafka. Periodismo: Antes y durante su carrera literaria fue un periodista muy activo. De hecho, consideraba el periodismo como “el mejor oficio del mundo”.

El perro narrador se cruza con una jauría de canes músicos. O mejor dicho: animales a su semejanza que son capaces de generar un sonido en conjunto jamás antes escuchado por el que este texto escribe. No hay ladridos ni gruñidos: hay notas únicas. La extravagante literatura de Kafka nos convida en Los perros musicales una fantasía hilarante . Originalmente escrito en 1922 como parte de lo que se publicó post-morten bajo el título Investigaciones de un perro, estas líneas salieron en la revista Disco de junio de 1945 y llega a nosotros gracias a la digitalización del Archivo Histórico de Revistas Argentinas. ++++++++++++++++++++++++++++++++++ Pre producción y voz: CECILIA BONA Editó este episodio: DANY FERNÁNDEZ @danyrap.f para @activandoproducciones.proyecto ⚙️ Producción: XIMENA GONZALEZ @ximegonzal3z Edición de video: LUZ FERNÁNDEZ @luzma.fz ¡Ayudanos a crecer! Patrociná POR QUÉ LEER: https://porqueleer.com/patrocina Nuestras redes sociales: ⚡https://instagram.com/porqueleerok ⚡https://twitter.com/porqueleerok ⚡https://www.facebook.com/porqueleerok/

Host Jacob Shymanski and guest Red Széll talk about "high-concept" novels. Stories whose premises are distinctly creative and take big risks. Together they examine the practical limits of creativity. Titles mentioned in this episode include:   “Project Hail Mary” by Andy Weir “Jaws” by Peter Benchley “Jurassic Park” by Michael Crichton “Nineteen Eighty-Four” by George Orwell “Animal Farm” by George Orwell “The Hunger Games” by Suzanne Collins   “Station Eleven” by Emily St. John Mandel “The Day of the Triffids” and “The Midwich Cuckoos” by John Wyndham   “The Lord of the Flies” by William Golding “The Last Murder at the End of the World” by  Stuart Turton   “The Metamorphosis” by Franz Kafka “The Power” by Naomi Alderman   “Falling Animals” by Sheila Armstrong   “Perdido Street Station” and “The City & the City” by China Miéville   "The Library of Babel" by Jorge Luis Borges   This episode was produced by Andrika De Lanerolle.     Audiobook Café is broadcast on AMI-audio in Canada and publishes two new podcast episodes a week on Fridays and Saturdays at 1 p.m. ET. Follow Audiobook Café on Instagram @AMIAudiobookCafe We want your feedback!Be that comments, suggestions, hot-takes, audiobook recommendations or reviews of your own… hit us up! Our email address is: AudiobookCafe@ami.ca About AMIAMI is a media company that entertains, informs and empowers Canadians with disabilities through three broadcast services — AMI-tv and AMI-audio in English and AMI-télé in French — and streaming platform AMI+. Our vision is to establish AMI as a leader in the offering of accessible content, providing a voice for Canadians with disabilities through authentic storytelling, representation and positive portrayal. To learn more visit AMI.ca and AMItele.ca.Find more great AMI Original Content on AMI+Learn more at AMI.caConnect with Accessible Media Inc. online:X /Twitter @AccessibleMediaInstagram @AccessibleMediaInc / @AMI-audioFacebook at @AccessibleMediaIncTikTok @AccessibleMediaInc Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Conheça e compare as principais pesquisas eleitorais em canalmeio.com.br/compara-pesquisas/Hoje, 'No Pé do Ouvido, com Yasmim Restum, você escuta essa e outras notícias: Governo de Donald Trump declarou a facção como “a maior organização criminosa transnacional do Hemisfério Ocidental” ao apresentar sanções. Após racha com Michelle Bolsonaro, Flávio faz encontro com mulheres conservadoras, sem expoentes como Damares Alves e Tereza Cristina. Inglaterra, Bélgica e Estados Unidos passam de fase na Copa. E as estreias do cinema têm Minions e Franz Kafka.See omnystudio.com/listener for privacy information.

Recorded during the height of the most recent heatwave, Jon from Horror Vanguard joins us to finally decide if Franz Kafka was a Poster. A German-speaking Czech Jewish man born in Prague, which at the time was part of the Empire of Austria-Hungary, Kafka is well-regarded as one of the most influential figures in 20th-century literature, producing novellas, novels and short stories, almost all of which he burned or instructed to be burnt after his death. But is that enough to make him a Poster? Check out Horror Vanguard here! https://www.patreon.com/horrorvanguard -------- LEBANON AID LINKS Here are some fundraisers to support collective rebuilding and survival efforts on the ground in Lebanon. -Beit El-Baraka started out as a food bank, but has grown to help people afford rent, cover their essentials, and live with dignity.  https://beitelbaraka.org/donate-directly/ or donate in general https://beitelbaraka.org/donate-now/ -LiveLove was a charity for a number of other matters, but since 2024 has been solely comitted to helping people displaced by Israeli attacks. https://livelove.org/donate -Lebanese Food Bank supports displaced and impoverished people https://lebanesefoodbank.org/take-action/donate/ Solar Powered Lebanon is an initiative to restore people's power using solar panels, since larger infrastructure is at constant risk of attack. https://fundahope.com/en/campaigns/solar-powered-lebanon ----- PALESTINE AID LINKS These are some general links you can support collective efforts with! -The Palestinian Communist Youth Union is doing a food and water effort, and is part of the official communist party of Palestine https://www.gofundme.com/f/to-preserve-whats-left-of-humanity-global-solidarity -Water is Life, a water distribution project in North Gaza affiliated with an Indigenous American organization and the Freedom Flotilla https://www.waterislifegaza.org/ -Vegetable Distribution Fund, which secured and delivers fresh veg, affiliated with Freedom Flotilla also https://www.instagram.com/linking/fundraiser?fundraiser_id=1102739514947848 ----- PHOEBE ALERT Okay, now that we have your attention; check out her Substack Here! Check out Masters of our Domain with Milo and Patrick, here! -------- Ten Thousand Posts is a show about how everything is posting. It's hosted by Hussein (@HKesvani), Phoebe (@PRHRoy) and produced by Devon (@Devon_onEarth).

durée : 00:57:07 - Théâtre et compagnie - "Ce récit est sorti de moi comme une véritable délivrance couverte de saletés et de mucus", écrit Kafka dans son Journal à l'occasion de la sortie des épreuves de La Sentence en février 1913. - équipe : Oriane Delacroix, Caroline Ouazana Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:57:07 - Théâtre - "Ce récit est sorti de moi comme une véritable délivrance couverte de saletés et de mucus", écrit Kafka dans son Journal à l'occasion de la sortie des épreuves de La Sentence en février 1913. - équipe : Oriane Delacroix, Caroline Ouazana Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Anne Imhof talks to Ben Luke about her influences—from writers to musicians, and, of course, other artists—and the cultural experiences that have shaped her life and work. Imhof, who was born in 1978 in Giessen in Germany, is primarily known for her epic durational performances involving diverse collectives of dancers, musicians and actors. Their movement, speech and song is built from often fragmentary gestures, and informed by a wealth of sources as well as the innate expertise of the performers themselves, which Imhof harnesses to choreograph tableaux of rich affective power. A reflection on and of contemporary societal conditions, these works are also profoundly engaged with cultural and performance traditions, from the languages and forms of contemporary dance and ballet to rock concerts and art history. Imhof's practice extends far beyond performance, involving painting and drawing, sculpture and sculptural installation, and film. In each language that she adopts, she overtly engages her audience and particularly their bodies, whether that is in the mode of address of her performance works, in sculptures that evoke barriers or surveillance mechanisms, or in paintings that overwhelm the viewer in their scale and the gravity of their imagery. She discusses the disparate creation of meaning in her work, through her own framing, her collaborators' performances and the viewers' experience. She reflects on the balance between structure and improvisation in her performances and the mutual trust that is key in working with dancers, choreographers, musicians and actors. She talks about the role of drawing in underpinning the other elements of her work. Among the references she discusses are to the early influence of teachers who recognised her interest in drawing and who led her to make copies of Michelangelo. She talks about Tino Sehgal and William Forsythe's formative influence and her admiration of cultural figures as diverse as the artists Cameron Rowland and Arthur Jafa, the philosopher Juliane Rebentisch and writers including Franz Kafka and Robert Bresson, whose screenplays she particularly admires. She gives insight into her life in the studio and answers our usual questions, including the ultimate: what is art for?Anne Imhof: Citizen, Sprüth Magers, London, until 1 August. Hosted on Acast. See acast.com/privacy for more information.

Bonne fête des pères, Stratonautes. Pour ce treizième épisode, je laisse de côté les six escales habituelles et je vous embarque dans un essai sonore : un seul long voyage, autour du silence des pères. Cet amour qui passe si souvent par les gestes plutôt que par les mots — et qu'une génération, tout doucement, réapprend à dire. De l'enfance qui voit en son père un super-héros jusqu'à la lumière, on traverse ensemble ce qui ne se dit pas entre un père et son enfant. Le mythe, puis l'homme. — AU FIL DE L'ESSAI — Les œuvres qui m'ont guidé pour ce voyage : Aldebert, "Mon père il est tellement fort" Franz Kafka, "Lettre au père" (1919) Daniel Balavoine, "Mon fils ma bataille" "Aftersun", de Charlotte Wells (2022) 2Pac, "Papa'z Song" Mike + The Mechanics, "The Living Years" "Beginners", de Mike Mills (2010) John Lennon, "Beautiful Boy" — LES DÉCOUVERTES À SOUTENIR (Bandcamp) — Six pépites à écouter et à soutenir directement chez les artistes : Goldmund, "Memory Itself" : https://goldmund.bandcamp.com/track/memory-itself Park Jiha, "When I Think Of Her" : https://parkjiha.bandcamp.com/track/when-i-think-of-her Christian Löffler, "Roth (feat. Mohna)" : https://christianloffler.bandcamp.com/track/roth-feat-mohna Hinako Omori, "foundation" : https://hinakoomori.bandcamp.com/track/foundation-2 Hania Rani, "Home" : https://haniarani.bandcamp.com/track/home Alabaster DePlume, "I Hope" (le titre qui clôt l'épisode) : https://intlanthem.bandcamp.com/track/i-hope — SOUTENIR LE VAISSEAU — Un immense merci à Dany et à XP78, mes soutiens sur Ko-Fi : c'est grâce à eux que ce vaisseau continue de voler, dimanche après dimanche.Pour rejoindre l'aventure et aider l'émission : https://ko-fi.com/strates On se retrouve sur le Discord de la Galaxie Pop pour échanger entre Stratonautes, et on garde le contact toute la semaine. Good Morning la Galaxie est une production Galaxie Pop / Strates. Rendez-vous dimanche prochain pour six nouvelles bonnes nouvelles, vérifiées, aux quatre coins de la galaxie. Prenez soin les uns des autres — et si vous avez un père à appeler, n'attendez pas. Le linktr.ee de Galaxie Pop: https://linktr.ee/galaxiepopRetrouvez moi sur le discord de Galaxie Pop : https://discord.gg/ryvkUTM

Dafne Guida"Se formasse una sola canzone"Canzoniere pedagogico per le nuove generazioniA cura di Francesco Cappa, Dafne Guida, Angelo VillaMimesis Edizioniwww.mimesisedizioni.itLa musica, soprattutto quella dei grandi cantautori, è da sempre una presenza forte nell'immaginario educativo. Ma troppo spesso resta sullo sfondo, evocata ma mai davvero ascoltata. Questo libro parte dall'idea che le canzoni possano diventare strumenti vivi per pensare, raccontare e trasformare l'educazione.Stanchi di un dibattito educativo che gira a vuoto tra competenze, ruoli e rivalità professionali, gli autori propongono un'alternativa più umana e appassionata. Con uno stile serio ma leggero, danno spazio a una nuova generazione di educatori, insegnanti, pedagogisti, psicologi e operatori sociali, giovani uomini e donne, tra i 25 e i 40 anni, che vivono il proprio lavoro come un intreccio di senso, immaginazione e storie personali.Un volume che canta l'educazione, la fa vibrare, e invita chi legge a rimettere al centro ciò che davvero conta: le persone, le emozioni, le esperienze.Dafne Guida è imprenditrice sociale, consulente pedagogica e pianista. È laureata in Filosofia con un Master in Clinica della formazione. Direttrice generale dell'impresa sociale Stripes, è attiva nella progettazione e gestione di servizi educativi e di welfare comunitario. Collabora con diversi istituti scolastici in tutta Italia come psicopedagogista e formatrice, consigliera della Fondazione Bambini Bicocca e membro del comitato di redazione della rivista "Pedagogika" per cui cura la rubrica "Attual-mente" dedicata ai temi caldi dell'educazione. Tra le diverse pubblicazioni su servizi educativi e welfare ha curato il volume Verso una nuova creatività pedagogica (2020).Francesco Cappa è professore associato di Pedagogia generale e Pedagogia sociale presso l'Università degli Studi di Milano-Bicocca. È allievo di Riccardo Massa e Angelo M. Franza, esperto in clinica della formazione, studia i rapporti tra educazione degli adulti, filosofia, teatro ed estetica. Direttore del Centro Studi Riccardo Massa. È autore di Formazione come teatro (2016), Verso una pedagogia degli effetti (2018) e curatore di Il senso nell'istante (con C. Negro, 2006), Figure dell'infanzia di Walter Benjamin (con M. Negri, 2012), Arte educazione creatività di J. Dewey (2023) e Franz Kafka di Walter Benjamin (2022).Angelo Villa è psicoanalista e saggista. Docente Irpa a Milano e ad Ancona, Ipp Palermo. È autore di Pink Freud (2013) e curatore di Note nella cura (con A. Primadei, 2022).Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Gabriel José de la Concordia García Márquez Nació el 6 de marzo de 1927 en Aracataca, Magdalena, Colombia. Su nombre refleja una tradición común en muchas familias latinoamericanas católicas, donde se incluyen nombres religiosos como “de la Concordia”. murió el 17 de abril de 2014 en Ciudad de México. fue un escritor, periodista y guionista colombiano, considerado uno de los más grandes autores en lengua española del siglo XX. Es especialmente conocido por ser uno de los principales exponentes del realismo mágico, un estilo literario que mezcla elementos fantásticos con la realidad cotidiana de América Latina. Cien años de soledad (1967), una novela que narra la historia de la familia Buendía en el mítico pueblo de Macondo. Esta obra es considerada una de las más importantes de la literatura universal. Premio Nobel de Literatura: Lo recibió en 1982, “por sus novelas e historias cortas, en las que lo fantástico y lo real se combinan en un mundo ricamente compuesto de imaginación”. Otras obras destacadas: El otoño del patriarca (1975), Crónica de una muerte anunciada (1981), El amor en los tiempos del cólera (1985), Del amor y otros demonios (1994), Memoria de mis putas tristes (2004), etc, Estilo: García Márquez fusiona la realidad social y política de América Latina con elementos mágicos, míticos o sobrenaturales, sin romper la lógica narrativa. Su estilo está profundamente influido por la tradición oral caribeña, el periodismo, y autores como William Faulkner y Franz Kafka. Periodismo: Antes y durante su carrera literaria fue un periodista muy activo. De hecho, consideraba el periodismo como “el mejor oficio del mundo”.

Lola Vendetta vuelve para enfrentarse de nuevo al machismo y la violencia de género. Su creadora, Raquel Riba Rossy, presenta “Kattanazo al amor romántico. Parte 2”, una novela gráfica en la que la protagonista intenta reconstruir su vida tras una relación de maltrato mientras una nueva víctima de su agresor irrumpe inesperadamente en su camino. Humor, crítica social y empoderamiento femenino se combinan en una de las sagas más reconocidas del cómic español.El programa conversa también con Carlos del Amor, periodista de RTVE y Premio Nacional de Periodismo Cultural 2026, uno de los reconocimientos más prestigiosos del periodismo español. La actualidad literaria pasa además por Ana Blandiana, Premio Princesa de Asturias de las Letras 2024, que participa en Salamanca con motivo de la presentación de “En el mortero de la esencia”, una publicación dedicada a su obra.La dimensión internacional llega de la mano de Miguel Marín, director del Flamenco Festival de Londres, que celebra su 21.ª edición con 13 compañías, 80 artistas y 20 funciones en la capital británica. Nuestra colaboradora Marta García Miranda analiza “Cucaracha”, de la dramaturga escocesa Sam Holcroft, dirigida por Julián Fuentes Reta en los Teatros del Canal de Madrid. Por último, Vicente Monroy comenta Diez versiones de Kafka, de Maïa Hruska, un ensayo publicado por Anagrama que reconstruye la historia de las primeras traducciones de Franz Kafka y de quienes hicieron posible su difusión internacional.Escuchar audio

Sergio Pérez entrevista a Luis Mottola por Gorila, un monólogo que reinterpreta a Kafka explorando con humor el éxito y los límites de lo humano.

There is the fitness that looks good on Instagram. And then there is the other version — the one nobody sees. The 6am session when you are tired. The hotel gym at 40% energy. The decision made alone with nobody counting.This week: Franz Kafka writing in the dark between midnight and 3am for years while working as an insurance clerk, telling almost nobody. A bicycle accident in Berlin where a doctor told one of our members his fitness saved him from permanent injury. And what training alone across Chicago, airports, and living room floors this week reminded me about where the decision to keep going actually lives.Theme: Action. One session. Tell nobody.Never Start Over Again is your weekly Monday reset — hosted by Rickard Long.

Videobeschreibung Wenn Sie sich auch nur ein bisschen auskennen in der deutschen Literatur, genügen Ihnen zwei, drei Sätze, um einen Text von Thomas Mann, von Franz Kafka, von Thomas Bernhard oder von Peter Stamm zu erkennen. Obwohl alle vier in derselben Sprache schreiben, drücken sie sich völlig unterschiedlich darin aus. Anders gesagt: Ihr Sprachstil unterscheidet sich. Auf Englisch spricht man von der eigenen Stimme, «his own voice». Das ist ein schöner Ausdruck: Mein eigener Sprachstil ist tatsächlich meine eigene Stimme. Diese individuelle sprachliche Stimme ist keine Einbildung: Der Sprachstil lässt sich mathematisch vermessen. Wie gut das funktioniert, zeigte 2013 der Fall um den Roman «The Cuckoo's Calling», also: Der Ruf des Kuckucks, von einem Autor namens Robert Galbraith. Bald wurde gemunkelt, es handle sich dabei um ein Pseudonym von J.K. Rowling. Ein amerikanischer Computerlinguist analysierte die Sprache des Romans und verglich ihn mit J.K. Rowlings Büchern und mit Werken anderer Krimiautorinnen. Die sprachstatistische Analyse zeigte, dass der Roman stilistisch deutlich näher bei J.K. Rowling lag als bei jeder der Vergleichsautorinnen. Wir alle erzeugen beim Schreiben offenbar einen eindeutigen sprachlichen Fingerabdruck, eine Sprachsignatur, die unseren Stil oder eben: unsere sprachliche Stimme ausmacht. Doch diese eigene Stimme ist in Gefahr: Die redigierende und korrigierende KI mittet Sprache ein und bügelt Eigenheiten weg. Wir hinterlassen sprachlich keine Fingerabdrücke mehr – es ist, als würden wir alle Plastikhandschuhe tragen beim Schreiben. Ich zeige Ihnen deshalb diese Woche, welche Elemente den eigenen Sprachstil ausmachen und ich biete Ihnen mit meinem Stil-O-Meter ein digitales Werkzeug, mit dem Sie Ihren eigenen Sprachstil vermessen und verbessern können.woko2624Matthias Zehnder ist Autor und Medienwissenschaftler in Basel. Er ist bekannt für inspirierende Texte, Vorträge und Seminare über Medien, die Digitalisierung und KI.Website: https://www.matthiaszehnder.ch/Newsletter abonnieren: https://www.matthiaszehnder.ch/abo/Unterstützen: https://www.matthiaszehnder.ch/unterstuetzen/Biografie und Publikationen: https://www.matthiaszehnder.ch/about/

durée : 00:52:18 - Théâtre et compagnie - Un matin, au sortir de rêves agités, Gregor Samsa, se réveille transformé en "une énorme bestiole immonde". La bête a un corps qui dégoûte quiconque l'aperçoit..."La Métamorphose", entre réalisme et fantastique. - équipe : Oriane Delacroix, Caroline Ouazana Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:52:18 - Théâtre - Un matin, au sortir de rêves agités, Gregor Samsa, se réveille transformé en "une énorme bestiole immonde". La bête a un corps qui dégoûte quiconque l'aperçoit..."La Métamorphose", entre réalisme et fantastique. - équipe : Oriane Delacroix, Caroline Ouazana Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Join - Boy to Man: https://www.gandhiuniversity.com/manIn this episode, we go over one of the most common problem us men face i.e. being ambitious but lazy. We dream so dream and even find pride in having so much potential and thinking differently, yet we also feel insecure because we have nothing to back this attitude up. Most men think they have a motivation problem. They don't. They have a comfort addiction problem.You dream about success, money, status, discipline, a better body, a powerful mindset, and becoming the man everyone respects. But every day your actions are training you to choose convenience over growth. The harsh reality: ambition without discipline creates frustration. You know what you want, but you don't become the person capable of achieving it.In this video, you'll learn:- Why ambitious men stay stuck and inconsistent- The psychology of laziness and procrastination- How dopamine addiction destroys focus and discipline- Why motivation is overrated- How successful men build self-discipline- The mindset shift that turns boys into men- Practical habits for productivity, consistency, and self-improvementThe gap between where you are and where you want to be is not talent. It's daily standards.Watch until the end if you're serious about success, masculine growth, productivity, discipline, confidence, and becoming the strongest version of yourself.Join Boy to Man: https://www.gandhiuniversity.com/man0:00 Franz Kafka's self doubt0:52 How a thought becomes action3:00 Ambitious but lazy people's problem3:58 This is not about discipline 5:00 Don't enter hard work directly7:03 Rome's worst emperor8:40 Build power10:00 Breakthrough boredom10:50 Boy to Man's mindset11:46 Self doubt creates Self sabotage15:00 DetachmentJoin Boy to Man: https://www.gandhiuniversity.com/manSaurabh Gandhi is a Men's Psychology expert & well known self-help content creator. Over the years he has helped millions of people find their true purpose, build discipline, speak with power and walk away from destructive habits. People who used to break under pressure are now building their dream careers, leading teams and earning deep respect everywhere they go. People regard him as the "go to psychology guy". He takes away the technical jargon and simplifies human behavior for every Indian looking to be their best selves.Join Boy to Man: https://www.gandhiuniversity.com/man

260603PC Ein schwarzer TagMensch Mahler am 03.06.2026Am 3. Juni ist viel passiert. Leider viel Negatives. Das schwerste Zugunglück in der Geschichte der Bundesrepublik Deutschland geschah am 3. Juni 1998: Die Zugkatastrophe bei Eschede. Während der Fahrt des ICE 884 «Wilhelm Conrad Röntgen» bricht kurz vor 11.00 Uhr bei Eschede in Niedersachsen ein Radreifen wegen Materialübermüdung. Der Zug, der sich auf dem Weg von Hannover nach Hamburg befindet und mit einer Geschwindigkeit von 200 Kilometern pro Stunde fährt, entgleist und prallt gegen die Pfeiler einer 200 Tonnen schweren Brücke, die einstürzt. 101 Menschen sterben, 88 werden schwer verletzt. Am 3. Juni 1924 stirbt Franz Kafka im Sanatorium Kierling bei Klosterneuburg im Alter von 40 Jahren. Als offizielle Todesursache wird Herzversagen festgestellt. Begraben wird er auf dem Neuen Jüdischen Friedhof in Prag. Franz Kafka war ein deutschsprachiger jüdischer Schriftsteller aus Prag, dessen visionäre Romane und Erzählungen zu den bedeutendsten Werken der Weltliteratur gehören. Kafka war – wie so viele expressive Menschen – körperlich und seelisch nicht gesund. Am 3. Juni 1963 starb der Lächelnde Papst Johannes der 23. Er saß vom 28. Oktober 1958 bis zu seinem Tod vier Jahre und sieben Monate auf dem Papststuhl. Er galt als bescheiden und verbündete sich immer wieder mit einfachen Leuten. Im Volksmund wird er Il Papa buono genannt: der gute Papst. 3. Juni 1989: Tod von Ajatollah Chomeini, politischer und religiöser Führer der Islamischen Revolution von 1979, danach bis zu seinem Tod iranisches Staatsoberhaupt.Und schließlich 3.6. 2016: Tod von Muhammad AliAli war dreifacher Schwergewichtsboxweltmeister. Das Internationale Olympische Komitee wählte Ali 1999 zum «Sportler des Jahrhunderts». Der 1.91 Meter grosse Muhammad Ali, als Cassius Clay geboren, litt ab 1984 an Parkinson. Hosted on Acast. See acast.com/privacy for more information.

Ett samtal från releasefesten av senaste numret av Arche 96-97, inspelat i maj 2026. Per Magnus Johansson samtalar med Mikaela Blomqvist, Julia Dackman, Ulf Eriksson, Mats Leffler och Parinazz Wennerholm.   Innehållet i Arche 96-97: Vi inleder med W.G. Sebalds essä ”Skammens lag” om Franz Kafka och Slottet, översatt och presenterad av Mats Leffler. Mikaela Blomqvist samtalar med Hans Blomqvist och Erik Ågren om deras översättargärning av Kafka. Mats Leffler har även översatt Peter Handkes text ”Om Franz Kafka” som följer därpå. Vi fortsätter publiceringen av Carl E. Schorske och Fin-de-siècle Vienna, med en introduktion av David Arvidsson. Ett längre föredrag av Pierre Legendre trycks om människans utsatthet. Per Magnus Johansson publicerar en problematiserande text om psykoanalysens förhållande till vetenskap och religion. Ulf Eriksson analyserar konstens essens och David Zimmerman lyfter fram språkets möjligheter och begränsningar utifrån en betraktelse av gravepigram. Wera von Essen skriver om Clarice Lispectors författarskap. Ett utdrag ur Per Magnus Johanssons nya bok Om skrivande ingår, liksom Claes-Magnus Bergs essä om artificiell intelligens och spegelbilden, med utgångspunkt i Caravaggios Narkissos. Johannes Nordholm samtalar med Ida Gudmundsson om hennes måleri i anslutning till utställningen Händelser, och Olivia Persson reflekterar över naturens plats i den urbana miljön. Vi publicerar dikter av Eva Runefelt och Ulf Karl Olov Nilsson samt en novell av Ola Nilsson. Astrid von Rosen analyserar scenografiskt våld. Numret avslutas med en nekrolog över Martin Nyström (1955–2026). Läs mer eller beställ på: https://www.arche.se/

Cerise Howard chats all things music and film with the art-pop luminary Russell Mael, who makes up one half of Sparks, ahead of the band's performance at the Palais Theatre. Later, Cerise speaks with Agnieszka Holland about the making of her new film Franz, which brings the life of the multi-faceted Franz Kafka to the screen.

Work is full of communication. Slack messages. Zoom calls. Meetings stacked on meetings. But many teams still struggle to do the one thing that matters most: connect in ways that build trust, insight, and better thinking together. It's like we're starving at a buffet.rnrnAnn Kowal Smith, founder and CEO of Reflection Point, will argue that a successful future (at work and beyond) depends not only on new technology, but on enduring human capacities: listening, empathy, curiosity, challenging assumptions, and disagreeing respectfully. Reflection Point helps organizations develop these five skills through shared discussions about literature, using stories as a practical tool for culture building and stronger collaboration.rnrnJoining Ann is Randell McShepard, Vice President of Public Affairs and Chief Talent Officer at RPM, who will discuss why his company sees these critical capacities as essential to leadership, culture, and performance.rnrnJoin us at the City Club for a unique forum featuring a live Reflection Point demonstration using a provocative short story. Together, the conversation will show how stories can help teams think more deeply, relate more honestly, and work better together.

Live from the SoulWords House on Rosh Chodesh Sivan, Rabbi Shais Taub, Rabbi Dovid Bashevkin, and Bruce Backman come together for a raw and wide-ranging conversation honoring the yahrzeit of Franz Kafka. Why does Kafka continue to speak so powerfully to the Jewish soul?What is the spiritual root of alienation?Why do sensitive souls often feel like strangers in the world?And what happens when Kafka's writings are read through the lens of Torah and Chassidus? לעילוי נשמת אנשיל בן חנוך EMERGENCY RELIEF FOR THE REITER FAMILY: Our community is heartbroken by the tragic passing of Devora Leah Reiter ע"ה, a 47-year-old mother of nine children who spent her life helping others. Please open your heart to this urgent cause. 100% goes directly to the family: https://charidy.com/reiterfamilyfund/..

Live from the SoulWords House on Rosh Chodesh Sivan, Rabbi Shais Taub, Rabbi Dovid Bashevkin, and Bruce Backman come together for a raw and wide-ranging conversation honoring the yahrzeit of Franz Kafka. Why does Kafka continue to speak so powerfully to the Jewish soul?What is the spiritual root of alienation?Why do sensitive souls often feel […]

Dunedin City Councillor Benedict Ong has made quite the name or himself in the seven months since he was elected to council. He has put tape on his face, read aloud from Franz Kafka's The Trial, leaked confidential documents, and he's now facing his second code of conduct complaint. LISTEN ABOVESee omnystudio.com/listener for privacy information.

En Kafkaprosess er blitt symbolet på menneskets møte med et ugjennomtrengelig byråkrati. Vi diskuterer ulike sider ved boken og om de 100 år gamle innsiktene i Kafkas Prosessen er mer relevante enn noen gang.See omnystudio.com/listener for privacy information.

Check out BeerBiceps SkillHouse Courses Here - https://www.bbskillhouse.comFor all BeerBiceps vlog content Watch Life Of BeerBiceps - https://www.youtube.com/@LifeOfBeerBicepsCheck out my Mind Performance app: Level SuperMindLink:- https://level4665.u9ilnk.me/d/F1ZOZV4OnTShare your guest suggestions hereMail - connect@beerbiceps.comLink - https://forms.gle/aoMHY9EE3Cg3Tqdx9Join the Level Community Here:https://linktr.ee/levelsupermindcommunityFollow BeerBiceps SkillHouse's Social Media Handles:YouTube: https://www.youtube.com/@BeerBicepsSkillHouseInstagram: https://www.instagram.com/beerbiceps_skillhouseWebsite : https://beerbicepsskillhouse.inFor any other queries EMAIL: support@beerbicepsskillhouse.comIn case of any payment-related issues, kindly write to support@tagmango.comFollow Faraz Khan's Social Media Handles:-Instagram: https://www.instagram.com/desiphilosopher.official?igsh=MTh4c3luNHJ5aXM1ZA==YouTube: https://www.youtube.com/@DesiPhilosopher748/videosIn this special episode 499th of The Ranveer Show, we are joined by Faraz Khan, who shares deep insights on Western Philosophy, Nietzsche, Stoicism, Mental Health, and important Life Lessons. This episode takes you into the minds of the greatest thinkers in history, their brutal honesty, and how their teachings apply to the modern world.In this conversation with Faraz Khan, we talk about the Three Musketeers of Philosophy—Nietzsche, Marx, and Machiavelli. We explore the Socratic method, Marcus Aurelius's Stoicism, and the importance of becoming a "Good Man" through action rather than words. We also understand how philosophy can be used as a practical tool to attack life's challenges, from financial growth to social dynamics.This episode also covers the "Will to Power," the struggle of the modern man through the lens of Franz Kafka, the concept of "God is Dead," and the philosophy of Absurdism. We dive deep into Faraz's personal experiences with meditation and astral projection, the reality of "The Father Wound," and the ultimate "Sigma" philosopher, Diogenes.(00:00) – Start of the episode(01:36) – The 3 Musketeers of Western Philosophy(02:53) – Why Philosophy is a "Contact Sport"(05:20) – Marcus Aurelius: How to Be a Good Man(08:30) – Nietzsche's "Will to Power" Explained(11:07) – Franz Kafka & The Modern Man's Trauma(15:43) – Why Nietzsche Said "God is Dead"(20:31) – Meaning of Life & The John Cena Lesson(25:27) – Dealing with Fame, Lies, and Criticism(28:58) – Miyamoto Musashi & The Warrior Spirit(32:56) – Being Unapologetic: The Key to the Top(38:16) – Perspectivism: The Skill Most People Lack(42:23) – Albert Camus & The Free Fall of Life(45:39) – Faraz's Surreal Astral Projection Experience(50:37) – The Brutal Truth About Love & Transactions(58:26) – The "Father Wound" in Brown Households(1:04:33) – Diogenes: The Ultimate Sigma Philosopher(1:10:45) – Retraining the "Weak Man" Mentality(1:15:00) – Controlling the "Monster" Within You(1:20:45) – Virat Kohli's Aggression & Speed as Life(1:33:36) – Confronting Death: The Final Frontier(1:42:25) – Life-Changing Gifts for Ranveer(1:47:10) – End of the episode

On this week's episode of The Catered Quiz, comedian Allen Strickland Williams joins the show to answer questions about Newsradio and Kurt Vonnegut. We also talk about Dr. Demento, Tom Lehrer and Franz Kafka. Allen's album Ran Through is available to stream or purchase on vinyl. Watch Allen's Comedy Central special The Intellectual Shocker. Listen to Allen's podcast Finding My Audience.

En este episodio analizamos la figura de László Krasznahorkai, galardonado con el Premio Nobel de Literatura 2025. Nacido en Gyula, su obra está profundamente marcada por la experiencia del Telón de Acero y la caída del bloque soviético. Su estilo literario, caracterizado por frases largas, densas y exigentes, ha convertido su narrativa en un reto para el lector contemporáneo. Analizamos sus principales obras como Tango satánico, Melancolía de la resistencia o El varón Wenckheim vuelve a casa, así como su colaboración con el cineasta Béla Tarr. Además, exploramos su lugar dentro de la tradición centroeuropea, en diálogo con autores como Franz Kafka y Thomas Bernhard. Un episodio para entender una de las obras más radicales y visionarias de nuestro tiempo. ☕ Hazte socio/a de El Café de la Lluvia y forma parte de nuestra comunidad: https://elcafedelalluvia.com/hazte-socio-a-de-el-cafe-de-la-lluvia/ Escúchanos y léenos en nuestra web: https://elcafedelalluvia.com/ ▶️ Suscríbete a nuestro canal de YouTube: https://www.youtube.com/c/ElCafédelaLluvia Recibe nuestros contenidos en tu correo: https://elcafedelalluvia.com/suscripcion-newsletter/ Síguenos en redes sociales: Twitter: https://twitter.com/cafelluvia Instagram: https://www.instagram.com/elcafedelalluvia/ Facebook: https://www.facebook.com/Cafedelalluvia Tu apoyo nos ayuda a seguir dando voz a la cultura, la literatura y el pensamiento crítico. Gracias por acompañarnos ☕✨

QUOTES FOR REFLECTION“Reality is too heavy for most people to carry. So they borrow illusions, soft dreams, sweet lies, and call it happiness.”~Franz Kafka (1883-1924), Jewish Czech writer of German literature, known for his works marked by surreal and bizarre storylines “The Holy Scriptures were not given to us that we should enclose them in books, but that we should engrave them upon our hearts.”~John Chrysostom (died 407 AD), church leader in ancient Constantinople The Letter to the Romans “is the principal and most excellent part of the New Testament. It is the light and way into the whole Scripture. No man can read it too often or study too well.”~William Tyndale (c.1494-1536), scholar and linguist, considered the father of the English Bible “This epistle is really the chief part of the New Testament and the very purest gospel and is worthy not only that every Christian should know it word for word by heart, but occupy himself with it every day as the daily bread of the soul. It can never be read or pondered too much.”~Martin Luther (1483-1546), German reformer, in his commentary on Romans “Because faith alone justifies… publicans and prostitutes will be first in the kingdom of heaven”~Hilary of Poitiers (c.310-c.367), Gallic-Roman church leader “God justifies the believer—not because of the worthiness of his belief, but because of his [Christ's] worthiness who is believed.”~Richard Hooker (1554-1600) in his Ecclesiastical Polity (1593) “Of whatever virtue you may declare that the ancient righteous people were possessed, nothing saved them but the belief in the Mediator who shed his blood for the remission of their sins.”~Augustine (354-430), North African theologian in Against Two Letters of the Pelagians “God's righteousness compels him...to have to judge the guilty. But then he offers forgiveness and says ‘I will not judge you according to your works.' So...he sends his Son...so that now when he calls you his own...he has not compromised his righteousness.”~Jackie Hill Perry, poet, writer, and hip-hop artistSERMON PASSAGE Romans 1:16-17 & 3:21-26 (Dr. Robert Gagnon's translation of the original Greek)Romans 1:16-17 For I am not ashamed of the gospel, for it is the power of God for effecting salvation to everyone who is believing it, both to the Jew first and to the Greek. For in it the righteousness of God is being revealed from faith to faith, just as it is written, “And the righteous one from faith will live.” Romans 3:21-26 But now, apart from the law, the righteousness of God has been manifested, though it is attested by the law and the prophets; that is, the righteousness of God through faith in Jesus Christ for all who believe. For there is no distinction, for all sinned and are lacking in the glory of God, with the result that they are being justified as a gift by his grace through the redemption that is available in Christ Jesus, whom God set before himself as an amends-making offering by means of his blood, through that faith, for an indicator of his righteousness, because of the letting go of the sins that occurred previously in the time of God's holding back his wrath, with a view toward that indicator of his righteousness in the ‘now' time, in order that he himself might be righteous and justifier of the person whose identity is derived from faith in Jesus.

Pre-order Suicidal Empathy: https://lnk.to/SuicidalEmpathy Pre-order signed copy of Suicidal Empathy: https://squarebooks.com/book/9780063446533s _______________________________________ If you appreciate my work and would like to support it: https://subscribestar.com/the-saad-truth https://patreon.com/GadSaad https://paypal.me/GadSaad To subscribe to my exclusive content on X, please visit my bio at https://x.com/GadSaad _______________________________________ This clip was posted on April 13, 2026 on my YouTube channel as THE SAAD TRUTH_2016: https://youtu.be/xANETkJb07U _______________________________________ Please visit my website gadsaad.com, and sign up for alerts. If you appreciate my content, click on the "Support My Work" button. I count on my fans to support my efforts. You can donate via Patreon, PayPal, and/or SubscribeStar. _______________________________________ Dr. Gad Saad is a professor, evolutionary behavioral scientist, and author who pioneered the use of evolutionary psychology in marketing and consumer behavior. In addition to his scientific work, Dr. Saad is a leading public intellectual who often writes and speaks about idea pathogens that are destroying logic, science, reason, and common sense.  _______________________________________

Arianna Marelli"Tabù. Egon Schiele"https://www.nexostudios.it/movie/tabu-egon-schiele/“Nexo Studios La Grande Arte al Cinema” torna nelle sale italiane. Si parte il 20, 21, 22 aprile con Tabù. Egon Schiele, prodotto da 3D Produzioni e Nexo Studios, diretto da Michele Mally, autore del soggetto che firma anche la sceneggiatura assieme ad Arianna Marelli. Ad accompagnare gli spettatori sulle tracce dell'artista c'è Erika Carletto, attrice esordiente capace di rievocare con il suo canto le atmosfere di Vienna e Praga di allora. A cavallo tra Otto e Novecento, queste città, mostrate attraverso filmati d'archivio, furono i centri propulsori delle rivoluzioni e delle contraddizioni che caratterizzano ancora la nostra contemporaneità. La colonna sonora, d'impatto fortemente emotivo, è caratterizzata dalle musiche originali composte ed interpretate dalla violinista Laura Masotto e sarà disponibile in digitale su etichetta Nexo Studios Soundtracks. Nella “corsa folle” della vita di Schiele (1890-1918), costellata da centinaia di quadri e migliaia di opere su carta, c'è un eterno ritorno: quello al paese di nascita della madre dell'artista, Krumau, Český Krumlov oggi, in Repubblica Ceca. Tabù. Egon Schiele si snoda a partire da qui: dall'Atelier Egon Schiele – la casa con giardino dove il pittore abitò con la compagna e modella Wally Neuzil. Proprio nella cittadina della Boemia, che ai tempi di Schiele faceva parte dell'Impero austro-ungarico, affonda la radice di un'arte capace di sovvertire le regole estetiche, morali e psicologiche del tempo e di condurci – ancora oggi – all'essenza dell'essere umano. È infatti dall'architettura di Krumau che Egon Schiele, ancora ragazzo, impara a osservare da una prospettiva inedita, destinata a diventare il marchio della sua visione e a tradursi nei suoi disegni: lo sguardo dall'alto. Una prospettiva capace di farci riflettere sulle dinamiche stesse del guardare, sulla sua “violenza” e sulla sua forza erosiva. Krumau è una città che alterna curve morbide – il fiume Moldava che abbraccia e allo stesso tempo stringe il centro storico – ed elementi angolari e spigolosi: le case medievali, le strade tortuose. Una figura per certi versi materna, come quella così presente nella produzione di Schiele, pronta a interrogarci sul desiderio inconscio di ritorno all'origine, sul tentativo di riconnettersi alla dimensione da cui dipende l'immagine che tutti abbiamo di noi stessi. Il rapporto di Schiele con la madre Marie, del resto, era segnato dalla mancanza di affetto e dal conflitto, così come solitudine e senso di estraneità segnarono la relazione con Edith Harms, sposata nel 1915 dopo l'abbandono del grande amore Wally. L'affinità elettiva più profonda restò sempre quella con la sorella Gerti, di cui solo oggi emergono nuovi dati biografici.L'esplorazione di tutte queste connessioni visive e interiori è possibile grazie agli interventi di esperti e studiosi: Jane Kallir, curatrice del catalogo completo delle opere; Ralph Gleis e Elisabeth Dutz, rispettivamente Direttore e Curatrice capo dell'Albertina di Vienna; Kerstin Jesse, curatrice del Leopold Museum di Vienna; Verena Gamper, Curatrice del Belvedere di Vienna; Klára Sváčková del Museum Fotoatelier Seidel, Český Krumlov; Elio Grazioli e Otto M. Urban, storici dell'arte; Maddalena Mazzocut-Mis, filosofa; Micaela Riboldi, psicanalista; Amelia Valtolina, germanista; gli scrittori Romina Casagrande e Alessandro Banda; la regista Gerda Leopold.Guarda il trailer:https://www.nexostudios.it/movie/tabu-egon-schiele/Snodo cruciale del film è il 1910, anno in cui si afferma lo stile unico di Schiele. È proprio nel 1910 che la Cometa di Halley attraversa il cielo, lasciando una scia luminosa che unisce le latitudini e ridisegna le cronologie. Sotto quel cielo possiamo immaginare Egon che cammina per le strade di Praga insieme a Franz Kafka (1883-1924), altra figura ricorrente nel docufilm. Non vi è prova che i due si siano mai conosciuti o incontrati, ma il loro destino e la loro arte si incrociano allora come oggi, offrendoci nuove chiavi per penetrare anche l'universo kafkiano: il suo tempo onirico, il disturbo che continua a provocare, esattamente come spesso “disturbano” i corpi contorti di Schiele. Del resto, in quella Vienna fu proprio la percezione del tempo a cambiare: un tempo non più lineare e causale, ma condensato, affettivo, “fatale”, come le “ore stellari” di cui parlava Stefan Zweig, in cui nascita e morte sono legate in modo indissolubile. Tutti respiravano il senso di una fine. Nel 1918, anno in cui muoiono Schiele ma anche Gustav Klimt e molti altri protagonisti della Vienna d'oro, crolla l'Impero austro-ungarico, mentre nasce la Cecoslovacchia.La storia di Egon Schiele finisce qui, mentre quella di Kafka continua. Ma è soprattutto il nostro mondo che, ormai, ha cominciato la propria storia: l'eterno ritorno, l'ossessione per la morte, l'autoanalisi istintiva e ossessiva, il sentirsi sbagliati e insieme sfacciatamente presenti al mondo rivelano uno Schiele talmente contemporaneo da dare ancora, violentemente, fastidio. Schiele ci costringe a pensare ai nostri tabù. Quelli di allora come quelli di oggi. Cerca la sala più vicina a te:https://www.nexostudios.it/movie/tabu-egon-schiele/#cercacinemaDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

"Welcome to Harshaneeyam!"Can a work of art ever truly be washed clean of the hands that funded it? Is it possible to create a masterpiece in the shadow of a monster? Today, we are exploring these haunting questions through the lens of The Director—the latest novel by the brilliant German author Daniel Kehlmann. Set against the harrowing backdrop of the late 1930s and 1940s, the story follows the legendary film director G.W. Pabst as he returns to Nazi-occupied Austria.Pabst finds himself ensnared by the propaganda machine of Joseph Goebbels, the Nazi Minister of Enlightenment and Propaganda, who wielded absolute control over the German press and arts to serve the regime's twisted ideology. Pabst believes his creative genius can transcend such a system, but at what cost?Upon its original release in Germany under the title Lichtspiel, the novel became an immediate sensation, sparking intense literary debates about the moral compromises of artists during the Third Reich. This buzz has only grown as the book enters the global stage, with the English edition published in the year 2025. Now, having been shortlisted for the International Booker Prize 2026, the novel stands as one of the most anticipated and discussed works of contemporary fiction."Joining me today is the man who brought this intricate, tonal masterpiece into English: the award-winning translator Ross Benjamin. We discuss the 'moral acrobatics' of the artist and the 'tonal agility' required to translate one of the most important voices in contemporary German literature. This is a conversation about light, shadow, and the high cost of staying silent."We believe that every great book is an invitation to a new world. Harshaneeyam serves as your gateway to these contemporary global masterpieces, connecting you with the authors and translators who shape our literary landscape.If you enjoy Harshaneeyam please follow the show on Apple, Spotify, or your favourite podcasting platform and leave a review for us. It will help truly help us; and don't forget to Share our podcast link with your other friends who enjoy similar content.To help us provide even more value, head over to our website www.harshaneeyam.com to complete our brief Listener Survey. Your feedback is the secret ingredient that helps us improve and create content tailored to your interests!The Versatility of Kehlmann's VoiceOne of the most striking aspects of Daniel Kehlmann's writing is his ability to shift registers with surgical precision. Ross Benjamin notes that as a translator, the greatest challenge—and thrill—is capturing Kehlmann's "tonal range and agility." In The Director, the narrative moves seamlessly from the slapstick humor of a film set to the chilling, quiet terror of a propaganda ministry.Kehlmann's work is characterized by a "light touch." He avoids the heavy-handedness often found in historical fiction, opting instead for a style that is "sly and inventive." Whether he is writing about the magical realism of Tyll or the cinematic obsession in 'The Director' Kehlmann manages to be intellectually serious without ever losing his propulsive, vivid storytelling.Cinema and the Shadow of PropagandaThe Director follows the life of the legendary film director G.W. Pabst. After a failed stint in Hollywood, Pabst finds himself back in Nazi-occupied Austria. The novel explores the "adventure of not-knowing"—the tragic delusion that an artist can separate their craft from the political machine surrounding them.Ross Benjamin explains that the novel is not just a biography; it is a meditation on the "moral issues" of creation. Pabst believes he can make a masterpiece even under the watchful eye of Joseph Goebbels. The Original German Title Licht Speil - "light play" refers not just to the flicker of the film projector, but to the deceptive game the artist plays with a monstrous regime.The Challenge for the TranslatorTranslating a work of this magnitude requires more than just bilingual fluency; it requires a deep understanding of historical subtext. Ross Benjamin discusses the difficulty of translating the "Propaganda Deutsch" of the era—a language designed to obfuscate and control."There's a specific humor in Kehlmann," Ross shares. "It's often found in the absurdity of the situations." In one scene discussed during the podcast, a group of officials descends on a film set, and the dialogue shifts into a terrifyingly polite, yet deadly, exchange. Capturing that "mask of civility" in English while maintaining the underlying threat is the "invisible labor" of the translator.Why ‘The Director' Matters TodayAs ‘The Director' makes its way to the International Booker Prize shortlist, its relevance is undeniable. It asks a question that resonates in every era: What is the cost of staying silent? Through the lens of 1940s cinema, Kehlmann and Benjamin provide a mirror to our own world, exploring how easily "art for art's sake" can be weaponized by those in power.For listeners of Harshaneeyam, this interview is a deep dive into the "Philosophy of Translation" and the meticulous craft required to bring a German masterpiece into the global literary consciousness.About the Author & TranslatorDaniel Kehlmann Daniel Kehlmann is one of the most successful contemporary German-language authors. Born in Munich in 1975, he rose to international fame with his 2005 novel Measuring the World (Die Vermessung der Welt), which became one of the biggest-selling German novels since WWII. His works frequently blend historical fact with magical realism and philosophical inquiry. He has received numerous awards, including the Kleist Prize and the Thomas Mann Prize. His previous collaboration with Ross Benjamin on the novel Tyll was also a global sensation and a finalist for the International Booker Prize.Ross Benjamin Ross Benjamin is an award-winning translator of German literature based in the United States. His translations include works by Franz Kafka, Friedrich Hölderlin, and Joseph Roth. He is perhaps best known for his definitive translation of The Diaries of Franz Kafka, which was hailed for its faithfulness to Kafka's original, unedited prose. Benjamin's work is noted for its linguistic sensitivity and his ability to capture the specific "musicality" of German authors. He is a recipient of a Guggenheim Fellowship and the Helen and Kurt Wolff Translator's Prize.The Director' in press -A Times Literary Supplement Book of the Year 2025A New York Times Notable Book of 2025A Telegraph Book of the Year 2025A Guardian Book of the Year 2025An Observer Book of the year 2025* Please complete Harshaneeyam Listener Survey using the link below. It would be lovely to have your feedback. Your feedback will help us improve -https://www.harshaneeyam.com/survey/Listener/***Disclaimer: The views and opinions expressed by Interviewees in interviews conducted by Harshaneeyam Podcast are those of the Interviewees and do not necessarily reflect the official policy or position of Harshaneeyam Podcast. Any content provided by Interviewees is of their opinion and is not intended to malign any religion, ethnic group, club, organization, company, individual, or anyone or anything.This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp

Doug Lowell spent nearly 40 years in the world of advertising, from co-owning an ad agency to teaching the subject at Portland State University. But it was only in retirement that he was able to achieve his dream job of opening his own bookstore. As a third-generation Portlander, the business also allows him to play a part in the revitalization of Portland’s downtown, which he recalls once being the envy of other cities.    Lowell began welcoming customers to the store, Kid Hermes the Trickster, about a month ago. Oregon ArtsWatch recently profiled Lowell and his new venture. The 830-square-foot space in downtown Portland is packed with roughly 1,700 books that come mostly from Lowell’s personal library. In addition to literary classics from Jane Austen and Franz Kafka, visitors might find rare first editions and signed copies of titles spanning photography, science fiction or even a 16-volume collection of the Oxford English Dictionary. There’s also a gallery inside the store where Lowell hosts art exhibitions featuring local and international artists.    Lowell joins us to share his vision and hopes for Kid Hermes the Trickster.  

This lecture discusses key ideas from the 20th century philosophical short story writer, essayist, and poet Jorge Luis Borges's essay "Kafka And His Precursors", in which he first examines the idea of literary precursors, and then identifies and briefly discusses six precursors to the works of Franz Kafka, in his view. These are: Zeno's paradoxes of motion an apologue by Han Yu the writings of Kierkegaard Browning's poem "Fears and Scruples" a short story by Léon Bloy Lord Dunsany's short story "Carcassonne" To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 4000 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Get Borges' Other Inquisitions here - https://amzn.to/4br9pul

El miembro fantasma es la amputación  que permanece como dolor y como presencia. Desde hoy es también el título de un libro de relatos de Fernanda Trías , editado por Páginas de Espuma.  El dolor del miembro fantasma no es imaginario y a través de diez relatos existen perdidas de sus protagonistas que lo muestra. Pérdidas que tienen que ver con la memoria histórica y colectiva , pero también con la personal y afectiva. Además de hablarnos de su nuevo, Fernanda Trías nos donó 'La transformación (la metamorfosis)' de Franz Kafka (De Bolsillo) . Antes nuestra biblioteca abrió sus puertas con Antonio Martínez Asensio contando en tres minutos 'El gran Gatsby' de Francis Scott Fitzgerald (Austral) y nos avanzó para su programa 'Un libro, una hora' , 'Los cuentos' de Emilia Pardo Bazán (Penguin clásicos). Las novedades las trajo Pepe Rubio que se focalizaron en dos libros 'Donde termina el verano' de Elma Correa (Seix Barral) y 'Qué es la poesía' de Manuel Rico (Siles).  Pascual Donate rescató un Premio Pulitzer entre los libros abandonados en la redacción, se trataba de 'Entre este y oeste: un vieje por las fronteras de Europa' de Anna Applebaum (Debate) . Y finalmente las donaciones de los oyentes que fueron 'El viento de la luna' de Antonio Muñoz Molina (Seix Barral), 'Aventuras de un niño irlandés' de Julio Verne (RBA) y  'El círculo de los días' de Ken Follet (Plaza y Janés). 

In this NBN episode, host Hollay Ghadery speaks with Christine Estima about her novel, Letters to Kafka (House of Anansi, 2025).  A sweeping, tragic romance and feminist adventure about translator and resistance fighter Milena Jesenská's torrid love affair with Franz Kafka. In 1919, Milena Jesenská, a clever and spirited twenty-three-year-old, is trapped in an unhappy marriage to literary critic Ernst Pollak. Since Pollak is unable to support the pair in Vienna's post-war economy, Jesenská must supplement their income by working as a translator. Having previously met her compatriot Franz Kafka in the literary salons of Prague, she writes to him to ask for permission to translate his story “The Stoker” from German to Czech, becoming Kafka's first translator. The letter launches an intense and increasingly passionate correspondence. Jesenská is captivated by Kafka's energy, intensity, and burning ambition to write. Kafka is fascinated by Jesenská's wit, rebellious spirit, and intelligence. Jesenská and Kafka meet twice for lovers' trysts, but can such an intense connection endure beyond a fleeting affair? In her remarkable debut novel, Christine Estima weaves little-known facts and fiction into a rich tapestry, powerfully portraying the struggles of a woman forced to choose between the roles of wife, lover, and intellectual. CHRISTINE ESTIMA is an Arab woman of mixed ethnicity (Lebanese, Syrian, and Portuguese) and the author of the short story collection The Syrian Ladies Benevolent Society. She has written for the New York Times, The Walrus, VICE, the Globe and Mail, Chatelaine, Maisonneuve, the Toronto Star, and the CBC. Her story “Your Hands Are Blessed” was included in Best Canadian Stories 2023. She was shortlisted for the 2018 Allan Slaight Prize for Journalism and a finalist for the 2023 Lee Smith Novel Prize. Christine has a master's degree from York University and lives in Toronto. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this NBN episode, host Hollay Ghadery speaks with Christine Estima about her novel, Letters to Kafka (House of Anansi, 2025).  A sweeping, tragic romance and feminist adventure about translator and resistance fighter Milena Jesenská's torrid love affair with Franz Kafka. In 1919, Milena Jesenská, a clever and spirited twenty-three-year-old, is trapped in an unhappy marriage to literary critic Ernst Pollak. Since Pollak is unable to support the pair in Vienna's post-war economy, Jesenská must supplement their income by working as a translator. Having previously met her compatriot Franz Kafka in the literary salons of Prague, she writes to him to ask for permission to translate his story “The Stoker” from German to Czech, becoming Kafka's first translator. The letter launches an intense and increasingly passionate correspondence. Jesenská is captivated by Kafka's energy, intensity, and burning ambition to write. Kafka is fascinated by Jesenská's wit, rebellious spirit, and intelligence. Jesenská and Kafka meet twice for lovers' trysts, but can such an intense connection endure beyond a fleeting affair? In her remarkable debut novel, Christine Estima weaves little-known facts and fiction into a rich tapestry, powerfully portraying the struggles of a woman forced to choose between the roles of wife, lover, and intellectual. CHRISTINE ESTIMA is an Arab woman of mixed ethnicity (Lebanese, Syrian, and Portuguese) and the author of the short story collection The Syrian Ladies Benevolent Society. She has written for the New York Times, The Walrus, VICE, the Globe and Mail, Chatelaine, Maisonneuve, the Toronto Star, and the CBC. Her story “Your Hands Are Blessed” was included in Best Canadian Stories 2023. She was shortlisted for the 2018 Allan Slaight Prize for Journalism and a finalist for the 2023 Lee Smith Novel Prize. Christine has a master's degree from York University and lives in Toronto. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

La joven documentalista checa que encuentra inspiración en Latinoamérica y gana premios| La maleta de Milena Jesenská, periodista, traductora y amante de Franz Kafka

The Stranger in the Woods by Michael Finkel (2017) vs The Metamorphosis by Franz Kafka (1915)

How much of your existence is shrouded in resistance? Something a lot of us gifted autistics feel resistance towards is the needs of the human body. Food, water, sleep, bathroom… Every bodily demand feels like an interruption, a violation of autonomy. As Kathi shared in today's group podcast, her father literally says “I want to decide when I want to eat. I don't want my body to tell me when to eat!” If you have PDA (officially “Pathological Demand Avoidance” but I prefer the term “Pervasive Drive for Autonomy”), rejecting bodily needs is an attempt to preserve autonomy. Through this lens, the eating disorder – the ultimate rejection of bodily needs – can almost be seen as an extreme manifestation of PDA. Of course, the paradox is that the ED itself is a violation of autonomy…because when your every next move is decided by the ED force, well you ain't so much “in control” anymore, eh? In today's episode of the Liv Label Free Podcast, we dive DEEP into eating disorders and PDA, as well as: How diagnoses help validate our struggles Intergenerational patterns of resisting bodily needs Why mental hunger is a legitimate hunger signal (Kathi shares a great metaphor!) Franz Kafka's “A Hunger Artist” and existential loneliness Why recovery requires surrender before proof I know how “claustrophobic” it can feel to be an infinite soul contained in a human body costume. But as I've been reminding myself lately, suffering is amplified by resisting what is. XO Liv P.S. Want to join these live group calls and connect with other neurodivergent beings on this discovery journey? The Liv Label Free Membership includes 3x monthly group calls, 24/7 WhatsApp support, my extreme hunger course, continued access to the Autistically ED-Free Academy, and hours of previously recorded coaching calls.

Comment évoquer, en quelques minutes, l'un des auteurs les plus nouveaux, les plus complexes, les plus paradoxaux – l'un des auteurs les plus insaisissables en somme – du XXe siècle ? Simple évocation de Franz Kafka.Plongez dans l'histoire des grands personnages et des évènements marquants qui ont façonné notre monde ! Avec enthousiasme et talent, Franck Ferrand vous révèle les coulisses de l'histoire avec un grand H, entre mystères, secrets et épisodes méconnus : un cadeau pour les amoureux du passé, de la préhistoire à l'histoire contemporaine.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

In this episode, Dr. David Puder hosts a discussion on schizoid personality dynamics through the lens of Franz Kafka's life and writings. Discover why the DSM-5's surface-level criteria for schizoid personality disorder falls short, often missing the intense inner conflict between a profound yearning for connection and a paralyzing fear of engulfment. Drawing on the Psychodynamic Diagnostic Manual (PDM), Nancy McWilliams' insightful perspectives, and Kafka's unsent "Letter to His Father" plus classics like "The Metamorphosis," the group explores how schizoid traits differ from autism, involve hypersensitivity rather than social cue deficits, and manifest in creative, introspective individuals. By listening to this episode, you can earn 1.75 Psychiatry CME Credits. Link to blog Link to YouTube video

This week on The Broski Report, Fearless Leader Brittany Broski discusses the Harry Styles album announcement, recounts French history, and holds a Book Club on Kafka. Watch The Broski Report AD FREE: https://patreon.com/broskireport The OFFICIAL Songs of The Week Playlist: https://open.spotify.com/playlist/3ULrcEqO2JafGZPeonyuje?si=061c5c0dd4664f01