Podcasts about Titian

Kuliah Bahrul Mazi Jilid 4 yang berlangsung di Surau Lake Homes, Bertam, Pulau Pinang pada 22 Februari 2012.~ Ziarah menziarahi rumah sahabat menjadi amalan sahabat Nabi~ Sahabat Nabi ramai orang miskin, sampai air minum pun tak ada~ Tak selesa tengok isteri sahabat marah khadam~ Pengaduan laknat dan maki hamun yang keluar dari mulut seseorang~ Bila kata kat seseorang celaka, takutnya celaka patah balik kepada kita~ Jangan maki orang, sebab kita pun bukan baik sangat, takut makian memakan diri~ Semasa Nabi bermusafir dan dengar orang memaki unta~ Orang lelaki rimas dengar "hinggaq"~ Cara orang arab balancing unta~ Kita tak boleh sebut orang malaun~ Marah kepada anak, berpada-pada, jangan keluar perkataan laknat~ Sahabat yang dikelar "himar", dan cerita kawan di gelar "bogey"~ Abdullah yang suka mengembirakan Nabi~ Sahabat ditangkap dan disebat kerana minum arak~ Nabi tetap bagi peluang untuk orang yang berdosa~ Demi Allah dalam hati dia, dia sayang Allah dan Rasul-- BAHRUL MAZI JILID MUKA SURAT 23 --~ Bab musafir dan solat kita bermusafir~ Tajuk tentang solat jamak dan qasar~ Apa hikmah, dalil dan kebaikan solat jamak dan qasar~ Mufti cukup ramai semasa buat haji dan umrah~ Permasalahan yang complicated dalam solat jamak dan qasar~ Perbincangan dalam kitab Bahrul Mazi, akan berdasarkan hadis Nabi~ Hal agama tidak boleh direka-reka~ Inovasi dalam sujud syukur~ Anugerah Allah kepada umat Nabi Muhammad~ Agama Islam bukan bergantung semata-mata logik~ Titian sirat umpama kartun~ Maksud musafir yang harus~ Jamak Qasar 40 Penyamun nak samun bank~ Sepanjang bermusafir dengan Nabi, solat 4 rakaat diringkaskan menjadi 2~ Tiada solat qabliah dan ba'diah dalam musafir~ Boleh pilih nak solat penuh atau qasar~ Sebelum datangnya perintah solat 5 waktu~ Cara solat sebelum peristiwa isra' mikraj~ Ketika musafir dibolehkan berbuka puasa~ Solat qasar dalam musafir lebih awla~ Tujuan ulama "tidak straight to the point" analogi cuba jalan alternatif~ Dalil dan perbezaan pendapat tentang solat sunat rawatib semasa musafir~ Bergaduh nak buat solat tarawih 8 rakaat atau 20 rakaat~ Solat sunat mutlak (witir dan dhuha) dalam musafir~ Kalau nak kenal hati budi sesorang, musafir dengan dia tiga hari~ Sahabat sayang Nabi maksimum, sebab musafir dengan Nabi dan kenal rapat Nabi~ Pengalaman Nabi buat ibadah haji~ Sahabat ada yang tak ikut turutan Nabi buat ibadah haji~ Kadar jarak yang dibolehkan solat jamak dan qasar~ Bila faham formula, mai masalah macam mana pun boleh selesai~ Perbezaan jarak yang dibolehkan jamak dan qasar antara mazhab~ Salah faham tentang maksud bermukim--Sokong Projek Zonkuliah Dengan Menyumbang Ke Akaun Berikut : ➢ MAYBANK (Produksi Zonkita) - 557250054584➢ PAYPAL - paypal.me/DanaZK---☑● Doakan Dimurahkan Rezeki dan Diberikan Kesihatan Yang Baik Untuk Kami Teruskan Projek ZonKuliah ☑●✚ Untuk update terkini sila like Facebook Page kami : www.facebook.com/zonkuliah---#Zonkuliah #UstazShamsuri #KuliahAgama

This is a little episode about how I think a one-of-a-kind whale is kind of like the 16th -17th century Mannerist artist El Greco, and also like us. It sounds a little far fetched but admit it, you like me when I'm weird, you weirdo'sEl Greco:Artworks mentioned: “The Vision of St John” 1608-14 and "View of Toledo" 1599-1600 (El Greco), “Les Desmoiselles D'Avignon" 1907 (Picasso), "Rocks at Fontainbleu" 1890's (Cézanne)Artists mentioned: Vincent Van Gogh, Paul Cézanne, Hilma Af Klint, Pablo Picasso, Eugène De la Croix, Salvador Dali, Michelangelo, Caravaggio, Diego Velázquez, Titian, Tintoretto, Ignacio ZuloagaWriters mentioned: Emily Dickinson, Franz Kafka, Roger FryLearn more about El Greco's figurine models with a fascinating lecture by Xavier Bray for the Frick Collection: https://youtu.be/_8xYkflNbU0?si=eCIL_P-tFdtPbDmOThe Whale:Watch the documentary: https://www.kanopy.com/en/product/loneliest-whale?frontend=kuiArticles:https://www.forbes.com/sites/scotttravers/2025/02/01/the-52-hertz-whale-is-the-loneliest-animal-in-the-world-heres-what-we-know/https://www.iflscience.com/fact-check-has-the-world-s-loneliest-whale-finally-found-a-friend-65797https://www.theguardian.com/environment/2021/jul/13https://www.scientificamerican.com/podcast/episode/inside-the-nail-biting-quest-to-find-the-loneliest-whale/Thanks for listening!Greek music "Greek Bouzouki Sentimental 13" by Omegamusic / Marios Georgiades / Nicosia, CyprusWhale songs courtesy of PMEL Pacific Marine Environmental Laboratory All other music and sound effects by Soundstripe----------------------------Pep Talks on IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@peptalksforartists⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pep Talks website: ⁠⁠⁠https://www.peptalksforartists.com/⁠⁠⁠Amy, your beloved host, on IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠@talluts⁠⁠⁠⁠⁠⁠⁠⁠⁠Pep Talks on Art Spiel as written essays: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/7k82vd8s⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BuyMeACoffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Donations always appreciated!

The Louvre, the world's most-visited museum and a global symbol of art, beauty and endurance, has withstood war, terror and pandemic — but on Monday, it was brought to a halt by its own striking staff, who say the institution is crumbling under the weight of mass tourism.Thousands of stranded and confused visitors, tickets in hand, were corralled into unmoving lines by I.M. Pei's glass pyramid."It's the Mona Lisa moan out here," said Kevin Ward, 62, from Milwaukee, the United States. "Thousands of people waiting, no communication, no explanation. I guess even she needs a day off."The Louvre has become a symbol of tourism pushed to its limits. As hot spots from Venice to the Acropolis race to curb crowds, the world's most iconic museum, visited by millions, is hitting a breaking point of its own.Just a day earlier, coordinated anti-tourism protests swept across southern Europe. Thousands rallied in Mallorca, Venice, Lisbon and beyond, denouncing an economic model they say displaces locals and erodes city life.The Louvre's spontaneous strike erupted during a routine internal meeting, as gallery attendants, ticket agents and security personnel refused to take up their posts in protest over unmanageable crowds, chronic understaffing and what one union called "untenable" working conditions.It's rare for the Louvre to close its doors. It has happened during war, during the pandemic, and in a handful of strikes. But seldom has it happened so suddenly, without warning, and in full view of the crowds.What's more, the disruption comes just months after President Emmanuel Macron unveiled a sweeping decade-long plan to rescue the Louvre from precisely the problems now boiling over — water leaks, dangerous temperature swings, outdated infrastructure, and foot traffic far beyond what the museum can handle.But for workers on the ground, that promised future feels distant."We can't wait six years for help," said Sarah Sefian, a front-of-house gallery attendant and visitor services agent. "Our teams are under pressure now. It's not just about the art — it's about the people protecting it."At the center of it all is the Mona Lisa — a 16th-century portrait that draws modern-day crowds more akin to a celebrity meet-and-greet than an art experience.Roughly 20,000 people a day squeeze into the Salle des Etats, the museum's largest room, just to snap a selfie with Leonardo da Vinci's enigmatic woman behind protective glass. The scene is often noisy, jostling, and so dense that many barely glance at the masterpieces flanking her — works by Titian and Veronese that go largely ignored.Macron's renovation blueprint, dubbed the "Louvre New Renaissance", promises a remedy. The Mona Lisa will finally get her own dedicated room, accessible through a timed-entry ticket. A new entrance near the Seine River is also planned by 2031 to relieve pressure from the overwhelmed pyramid hub.But Louvre workers said the 700 million to 800 million euros ($730 million to $834 million) renovation plan masks a deeper crisis. While Macron is investing in new entrances and exhibition space, the Louvre's annual operating subsidies from the French state have shrunk by more than 20 percent over the past decade — even as visitor numbers soared.The Louvre welcomed 8.7 million visitors last year — more than double what its infrastructure was designed to accommodate. Even with a daily cap of 30,000, staff say the experience has become a daily test of endurance, with too few rest areas, limited bathrooms, and summer heat magnified by the pyramid's greenhouse effect.

Hello again, dear Loopers! Welcome to another exciting episode of Spanish Loops! We are Fran and Jorge, and as always, we join forces together. Today we have something truly special lined up for you.Get ready to embark on a virtual journey through one of the most iconic and majestic museums in the world. Yes, we are talking about the Museo del Prado, located right in the heart of Madrid, Spain.In this episode, we will guide you through the highlights of this extraordinary cultural treasure. With centuries of art and history echoing through its halls, the Prado holds masterpieces that have inspired generations. We'll be spotlighting the works that, in our view, are absolutely unmissable.Artists like Titian, Rubens, Hieronymus Bosch, El Greco, Diego Velázquez, and Francisco de Goya… These are not just names, they are the pillars of artistic legacy, and their works in the Prado are simply breathtaking.Whether you're an art enthusiast, a curious traveler, or someone who is planning a future visit to Madrid, this episode is your perfect introduction to the timeless beauty and cultural richness the Prado has to offer.So pour yourself a glass of wine, (Rioja?), sit back, and let us take you on a fascinating loop through the masters of Spanish and European art.¡Vámonos, Loopers! The tour begins now…

Hello again, dear Loopers! Welcome to another exciting episode of Spanish Loops! We are Fran and Jorge, and as always, we join forces together. Today we have something truly special lined up for you.Get ready to embark on a virtual journey through one of the most iconic and majestic museums in the world. Yes, we are talking about the Museo del Prado, located right in the heart of Madrid, Spain.In this episode, we will guide you through the highlights of this extraordinary cultural treasure. With centuries of art and history echoing through its halls, the Prado holds masterpieces that have inspired generations. We'll be spotlighting the works that, in our view, are absolutely unmissable.Artists like Titian, Rubens, Hieronymus Bosch, El Greco, Diego Velázquez, and Francisco de Goya… These are not just names, they are the pillars of artistic legacy, and their works in the Prado are simply breathtaking.Whether you're an art enthusiast, a curious traveler, or someone who is planning a future visit to Madrid, this episode is your perfect introduction to the timeless beauty and cultural richness the Prado has to offer.So pour yourself a glass of wine, (Rioja?), sit back, and let us take you on a fascinating loop through the masters of Spanish and European art.¡Vámonos, Loopers! The tour begins now…

Ascolta l'arte e mettila da partedi Eveline Baseggio -A bilingual podcast about art by Collina Italiana, conceived and written by Eveline Baseggio, with the aim of bringing art closer to everyday life!-Italian audio and transcript here:https://collinaitaliana.com/ascolta-larte-e-mettila-da-parte/

I am so excited to say that my guest, the esteemed art historian, Andrew Hottle, will be discussing SYLVIA SLEIGH! Currently the Professor of Art History at Rowan University in Glassboro, New Jersey, Hottle has dedicated his research and writing to focussing on women artists, with specialization in feminist art of the 1970s. He is the author of a definitive monograph on the American realist painter Shirley Gorelick, and his detailed book about The Sister Chapel reignited interest in a historic collaboration by thirteen women artists. But he is also a world expert on one of those artists featured in this chapel: Sylvia Sleigh, who was born in Wales and died in 2010, having been based in New York City for most of her life, and known for her unique realist painting style immortalising those in her community and the culturally significant. Identifiably recognisable by their meticulously rendered details, body hair and tan lines, Sleigh's paintings were always created from her acutely feminist viewpoint. Painting seductively effeminate male nudes in poses that evoke Titian's Venus of Urbino, or Ingres's Turkish Bath, the Welsh-born artist – famed for her contribution to the Women's Liberation Movement, as a prominent member of AIR Gallery – said of her work: “I liked to portray both man and woman as intelligent and thoughtful people with dignity and humanism that emphasised joy.” Although in my opinion far too overlooked for far too long, Sleigh is having somewhat of a renaissance. Earlier this year, Ortuzar Projects in NYC staged a solo exhibition of her work to acclaim – her first in 15 years, and this spring, she is showing alongside her contemporaries Alice Neel and Marcia Marcus, at Levy Gorvy Danyan in New York, that runs until 21 June: https://www.levygorvydayan.com/exhibitions/the-human-situation-marcia-marcus-alice-neel-sylvia-sleigh And it is very much thanks to Hottle, who is currently in the process of compiling her catalogue raisonne, as well as writing a book about the founder artist-members of SOHO 20, a historically significant feminist cooperative gallery, of which Sleigh was one, established in 1973, that she is finally coming back into the spotlight. -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield

It's deep dive day here at Fated Mates and we're reading an absolute banger of a historical -- Julie Anne Long's fifth Pennyroyal Green book, What I Did for a Duke. We talk about great romance kisses, about age gaps and how they operate in books, about house parties and art and sacrifice and how sexy it is when someone actually sees you for who you are. If you haven't read this one yet, do yourself a favor and do it right now. It's so great.If you want more Fated Mates in your life, please join our Patreon, which comes with an extremely busy and fun Discord community! Join other magnificent firebirds to hang out, talk romance, and be cool together in a private group full of excellent people. Learn more at patreon.com.The BooksWhat I Did for a Duke by Julie Anne Long The Pennyroyal Green SeriesShow NotesThe main building you think of when you think of the New York Public Library with the lions is officially called the Stephen A. Schwarzman Building. From what I can tell, it didn't actually have anything to do with Andrew Carnegie, but he did donate $5 million to ensure that the New York Public Library had branch libraries in communities around the city. He also donated a lot of money to other things, that's a fun thing billionaires used to do. Read more about doing the forbidden kind of “romance stuff” in the library. Jen talked to the New York Public Library's Best New Romance List Committee Co-Chairs Kate Fais and Grace Loiacon back in February.In 2022, we recorded our “Break in case of emergency” episode, and it was in fact two sisters, Cait and Kara who requested the episode. PS: We are in emergency. Feel free to break those out now.Julie Anne Long's The Beast Takes a Bride was on our Best of 2024 episode. What I Did for a Duke is the 5th book in her Pennyroyal Green series. “It must have been a lie,” is what Jen's grandma Betty used to say if you lost your train of thought and couldn't remember what you were saying. This is a good speech from Crash Davis, the pitcher played by Kevin Costner in the 1988 movie Bull Durham (also, Nuke says “what's all that molecule stuff?” which is pretty funny considering the title of this episode).The Isabella Stewart Gardner Museum in Boston had a Titian exhibition back in 2022 called Women, Myth and Power, and it seems like a thing Genevive would have liked it a lot.

Somaya Critchlow talks to Ben Luke about her influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped her life and work. Critchlow, born in London in 1993, makes paintings and drawings of Black women, often nude, that are rooted in the present and yet draw on a wealth of imagery from the recent and distant past. The women are fictional but can be informed by anything from self-portraits and other life studies to images from pop culture and depictions of women in the history of art. They engage frankly with what it means to represent the female body and with power relations: between the artist and her subject, between the subject and the viewer, and ultimately between Critchlow and us. Depending on your perspective, her art offers different degrees of delight and discomfort. But her balance of fine drawing, a time-honoured approach to paint and colour, and arresting imagery means that her work is endlessly intriguing. She discusses the breakthrough moment where she realised that she was her own first model, being “comfortable with feeling uncomfortable”, the influence on her of Angela Carter's response to the Marquis de Sade, her engagement with a wealth of visual artists, from Käthe Kollwitz to Francesca Woodman, Leonor Fini, Titian and Francesco de Goya, the power of David Lynch's films and the consistent importance to her of Japanese manga. She gives insight into her life in the studio and responds to our usual questions, including the ultimate: what is art for?Somaya Critchlow: The Chamber, Dulwich Picture Gallery, London, until 20 July. Group shows: A Room Hung with Thoughts British Painting Now, Green Family Art Foundation, Dallas, US, until 11 May; Woman in a Rowboat, Olivia Foundation, Mexico City, until 28 September.This podcast is sponsored by Bloomberg Connects, the arts and culture app. The free app offers access to a vast range of international cultural organisations through a single download, with new guides being added regularly. They include the Dulwich Picture Gallery, where Somaya Critchlow is showing her work between February and July of 2025. If you download Bloomberg Connects you'll find that the guide to the gallery has a section on the exhibition, with pictures of Somaya's work in situ in the historic gallery spaces. There is also extensive content on the gallery's other exhibition, Tirzah Garwood: Beyond Ravilious, the first major exhibition of the British artist. You can explore the works while listening to the actor Tamsin Greig reading excerpts from Garwood's autobiography. Elsewhere, the guide features an animated film telling the story of the gallery and a guided tour of the many masterpieces in its collection. Hosted on Acast. See acast.com/privacy for more information.

A new week means new questions! Hope you have fun with these!Paul Allen co-founded what company, which was named by combining the words 'software' and 'microcomputer'?What was Disney's first completely live-action film?Who succeeded Fidel Castro as President of Cuba in 2008?Wisconsin is american's dairyland, but is actually second in milk production to which state?Frances Hodgson Burnett is best known for writing 3 books - Little Lord Fauntleroy, A Little Princess, and what?What 2019 jukebox musical explores what would happen to one of the titular characters of a Shakespeare tragedy if she had not died at the end of the show?The mythological character Ariadne is featured along with which Roman god in the title of a painting by Titian?What is the term for a male bee whose role is to mate with a maiden queen in nuptial flight?Pathology is the study of what?MusicHot Swing, Fast Talkin, Bass Walker, Dances and Dames, Ambush by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/Don't forget to follow us on social media:Patreon – patreon.com/quizbang – Please consider supporting us on Patreon. Check out our fun extras for patrons and help us keep this podcast going. We appreciate any level of support!Website – quizbangpod.com Check out our website, it will have all the links for social media that you need and while you're there, why not go to the contact us page and submit a question!Facebook – @quizbangpodcast – we post episode links and silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Instagram – Quiz Quiz Bang Bang (quizquizbangbang), we post silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Twitter – @quizbangpod We want to start a fun community for our fellow trivia lovers. If you hear/think of a fun or challenging trivia question, post it to our twitter feed and we will repost it so everyone can take a stab it. Come for the trivia – stay for the trivia.Ko-Fi – ko-fi.com/quizbangpod – Keep that sweet caffeine running through our body with a Ko-Fi, power us through a late night of fact checking and editing!

Let's visit the Louvre with author Elaine Sciolino. Today, we chat about her upcoming book Adventures in the Louvre: How to Fall in Love with the World's Greatest Museum. The book pulls back the curtain on a building many think they know, but which still contains endless secrets and untold stories. And if you think you recognise Elaine's name and voice, perhaps you heard her on the pod before! Elaine, the former Paris bureau chief for The New York Times, has featured The Earful Tower in the past discussing her books about the Seine River and the Rue des Martyrs. In fact, she was the second-ever guest on the show, back in 2017. Elaine used her extensive experience as a reporter to influence how she wrote this book. She decided the best approach was to explain the Louvre museum “through the prism of someone who's not an art historian and who's not a tour guide. I decided to just report the Louvre and talk to everybody that I possibly could.” And, my goodness, the surprises Elaine uncovered will knock your socks off: spending the day with the museum's permanent on-site fire fighters, a secret World War Two bunker and long-forgotten graffiti inscribed by the builders of the Philippe Auguste wall. For Louvre novices who are in danger of having an exhausting and frustrating experience trying to see and do everything, Elaine offers this advice “Find your Louvre identity, find what kind of a visitor you are… And once you decide that it makes it a lot easier, because you forgive yourself for not being perfect…You go each time with a different identity, like you go each time and discover a different work of art.” Elaine confesses that she wasn't always the biggest fan of the museum, “the Louvre is a challenge, it's too big…it's too crowded, it's an impossible museum. You have to find your way in. So that's what I tried to do.” Having visited the building hundreds of times in the course of writing the book, I wondered if Elaine was all Louvre-d out or did she intend to go back? “Oh no, I have to go back. I have to keep going back.” Adventures in the Louvre: How to Fall in Love with the World's Greatest Museum is released on 1 April 2025. You can pre-order it here. A fun extra the end of the episode, Bertrand d'Aleman from My Private Paris tells us about a current exhibition at the museum: The Louvre Couture. This is an exploration of how the vast breadth of decorative art contained within the walls of the museum has informed the world of high fashion. The Louvre Couture exhibition runs from 24 January - 21 July. Book your tickets here. Artwork mentioned in this episode: Mona Lisa (also known as La Joconde) by Leonardo da Vinci; Man with a glove by Titian, Portrait of a Man (also known as La Condottiere) by Antonello da Messina; The death of Marat by Jacques-Louis David. Thanks to Hannah Coyle for additional reporting. Enjoying what we're doing here at The Earful Tower and keen to see more? Become a Patreon member here to support it and to discover our exciting extras. This season of The Earful Tower is brought to you by My Private Paris, an award-winning travel company creating deluxe itineraries for Paris and beyond. See what they offer here and be sure to let them know that you came from The Earful Tower.          

Step into the enchanting streets of Bergamo, Italy, with Travel Italia! Your ultimate audio guide to one of Italy's most underrated treasures. From the medieval charm of Città Alta to the vibrant energy of Città Bassa, we explore the history, culture, food, and hidden spots that make this city unforgettable. Whether you're planning a trip or just dreaming of la dolce vita, join us for expert tips, and insider recommendations that will bring Bergamo to life. Pack your bags (or just your earbuds) and get ready to fall in love with Bergamo, one episode at a time!Notes: Bergamo Regional Tourist office: https://www.visitbergamo.net/public/it/My top places to visit: Città Alta – Start with the Upper City, accessible via a scenic funicular ride. Stroll through cobblestone streets and visit landmarks like Piazza Vecchia, a picturesque square framed by Renaissance buildings, or take a leisurely stroll down its main street to enjoy the architecture and visit some unique shops and cafes.Basilica di Santa Maria Maggiore – This stunning church is a masterpiece of Romanesque and Baroque architecture, featuring intricate frescoes and a breathtaking interior.Museo delle Storie di Bergamo  - a museum dedicated to the history of Bergamo which also has a 12th-century clock tower you can climb (or take a lift up to) to enjoy one of the best views of the city. From the clock tower, you get a bird's eye view of the city, stunning views of the foothills, and a view of the plain all the way to Milan. Rocca di Bergamo – For panoramic views of the city and surrounding countryside, climb to the top of this historic 14th-century fortress.Accademia Carrara – Art lovers should head to this museum, home to works by Botticelli, Raphael, and Titian.Venetian Walls – Walk along these historic fortifications for incredible views and a dose of history.Archeological museum Local foods to try: Casoncelli alla Bergamasca – A local pasta dish filled with breadcrumbs, cheese, meat, and herbs, served with a buttery sage sauce.Polenta e Osei – Polenta is a staple here, often served as a savory dish with meats or cheese. For a sweet treat, try Polenta e Osei, a dessert shaped like the classic dish but made with marzipan and chocolate.Taleggio Cheese – This creamy, aromatic cheese hails from the nearby Taleggio Valley. Perfect on bread or melted over polenta.Local Wines – Pair your meal with a glass of Valcalepio Rosso or Moscato di Scanzo, a sweet red wine unique to the region.Stracciatella Gelato: Invented in Bergamo, this creamy vanilla-based gelato with chocolate shavings is a must-try!

Trags is in for Lance tonight! We welcome Dan Hoard to discuss the Bengals and Bearcats in our first segment. He also breaks down the Skyline Chili Cross Town Shootout. He also previews the Bengals' and Titian's games on Sunday.

Trags is in for Lance tonight! We welcome Dan Hoard to discuss the Bengals and Bearcats in our first segment. He also breaks down the Skyline Chili Cross Town Shootout. He also previews the Bengals' and Titian's games on Sunday.

Celebrating my 300th episode by answering your questions! From why we call him Titian in English instead of Tiziano to the influence of Donatello on Masaccio to why I dedicated so many podcasts to Caravaggio to the “Venus of the Beautiful Buttocks” to St. Peter's feet, and much, much more – this episode answers the very questions that you ask me about the great art, artists, and history of the Italian Renaissance!

Send us a Text Message.While the idea of an entirely joyous rise of Renaissance culture might sound apt for a period known for mesmerizing art and literature, history tells a different story, one of war, of plague, and of death. This episode discusses just a small amount of the social issues that contributed to the rise of Renaissance culture in Italy, from the multiple plagues that continued after the Black Death, to the banking crisis in Florence at the dawn of the Hundred Years' War, and Milanese military aggression under Gian Galeazzo Visconti. In the 14th and 15th centuries, Italy was a center of trade and multi-branch banking that spanned the Mediterranean and beyond. This discussion looks at the relationship between trade routes and plague outbreaks in the larger picture of Florentine banking and mercantilism as necessary precursors for the rise of civic Humanism. Likewise, it explores the religious and visual implications of post Black Death Italy, and the significance of Florence's unexpected triumph over Milan. Images discussed:Titian, Saint Mark Enthroned, ca. 1510, Santa Maria della Salute, VeniceTriumph of Death, ca. 1440, Palazzo Abetellis, PalermoInstagram: italian_renaissance_podcast Get additional content by becoming a Patron: patreon.com/TheItalianRenaissancePodcast Support the Show.

Join us as we explore the world's oldest cave art discovery on Sulawesi, featuring a wild pig and human-like figures... The post Ancient Doodles & Art Heists: Sulawesi's Pigs and Titian's Treasure ep 123 appeared first on .

rWotD Episode 2632: Gabriel François Doyen Welcome to Random Wiki of the Day, your journey through Wikipedia’s vast and varied content, one random article at a time.The random article for Thursday, 18 July 2024 is Gabriel François Doyen.Gabriel François Doyen (French: [gabʁjɛl fʁɑ̃swa dwajɑ̃]; 1726 – 5 June 1806) was a French painter who was born in Paris.He became an artist against his father's wishes, becoming a pupil at the age of twelve of Charles-André van Loo. Making rapid progress, he obtained at twenty the Grand Prix de Rome, and in 1748 set out for Rome. He studied the works of Annibale Carracci, Pietro Berrettini da Cortona, Giulio Romano and Michelangelo, then visited Naples, Bologna and, crucially, Venice. While in the latter city Doyen was greatly influenced by the work of the famous colourists, such as Titian.In 1755 returned to Paris and, at first unappreciated and disparaged, he resolved by one grand effort to achieve a reputation, and in 1758 he exhibited his Death of Virginia. It was completely successful, and procured him admission to the Académie Royale de Peinture et de Sculpture. Doyen was also influenced by Peter Paul Rubens after a visit to Antwerp. This influence is, perhaps, best displayed in his Le Miracle des ardents, painted for the church of St Genevieve at St Roch (1767). This painting was exhibited in the salon of 1767, which was recorded by Saint-Aubin in "View of the salon of 1767'". Art historian Michael Levey described this painting as the 'high point' in the artist's career, suggesting the drama of the piece may be a precursor to that which characterises the French Romantic painting of the 19th century. He notes how the writhing figures of the foreground are similar to those found in The Raft of the Medusa by Théodore Géricault. In 1773 Doyen painted his The Last Communion of St Louis for the high altar of the chapel at the École Militaire; it is strongly reminiscent of The Last Communion of St Jerome by Domenichino and displays a sharp clarity of message, required by its position far above the high altar. Another notable work of this period in Doyen's life is the Triumph of Thetis for the chapel of the Invalides. In 1776 he was appointed professor at the academy.During the initial stages of the French Revolution he became active in the national museum project; however in 1791 he left France for Russia on the invitation of Catherine II of Russia. He settled in St Petersburg, where he was much honoured by the Imperial family and Russian art establishment. He died there on 5 June 1806.This recording reflects the Wikipedia text as of 00:53 UTC on Thursday, 18 July 2024.For the full current version of the article, see Gabriel François Doyen on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Brian.

Die vroeë kunswerk van die Venesiese meester Titian, The Rest on the Flight into Egypt, is teen ʼn rekordprys van sowat 405 miljoen Namibiese dollar op ʼn veiling in Londen verkoop. Die skildery is talle kere gesteel en is in 1995 in ʼn plastieksak by ʼn Londense bushalte gevind nadat dit uit Longleat House in Engeland verwyder is. Die afslaer Christie's se woordvoerder, Letizia Treves, sê Titian het die kunswerk in die eerste dekade van die 16de eeu gemaak:

The guys get UCC Champion Ken Bruner on the line to talk about his trail to UCC, his experience at the event, and the build that brought home the trophy. Holman shares his latest exploits on the road, and Lightning is excited to premier some new TSP music. The Truck Show Podcast is proudly presented by Nissan in association with Banks Power and AMSOIL.

BEN PASTOR chats to Paul about her new literary historical crime novel THE VENUS OF SALÒ, Martin Bora, Totalitarianism, Rome, writing in English, growing up in a divided world, Shaun the Sheep.    THE VENUS OF SALÒ October 1944, in the Republic of Salò, a German puppet state in the north of Italy and the last fascist stronghold in the country. After months of ferocious fighting on the Gothic Line, Colonel Martin Bora of the Wehrmacht is handed a new, red-hot case. Transferred to the town of Salò on the shore of Lake Garda, he must investigate the theft of a precious painting of Venus by Titian, stolen with uncanny ease from a local residence. While Bora's inquiry proceeds among many difficulties, discovering three dead bodies throws an even more sinister light on the scene. The victims are female, very beautiful, apparently dead by their own hand but in fact, elegantly murdered. Is it the work of a serial killer, or are the homicides somehow related to the stolen Venus? Why were intriguing clues left behind for Bora to find? And why is there an official attempt to make the investigator himself appear as the culprit? Caught in an unforeseeable web of events, hounded by the Gestapo (for years at his heels on the charge of anti-Nazi activities), hopelessly in love with an enigmatic, real-flesh “Venus,” Bora must resort to all his courage and ability – not only to solve the mystery and expose the perpetrator, but also, in a breathtaking crescendo, to try to save himself from the firing squad and secure an unlikely way out...Ben Pastor, born in Italy, lived for thirty years in the United States, working as a university professor in Vermont and has since returned to her native country. She is the author of the Martin Bora series and other novels, including The Water Thief and The Fire Waker (set in Roman times and published to high acclaim in the US by St. Martin's Press), and is considered one of the most talented writers in the field of historical fiction. In 2008 she won the prestigious Premio Zaragoza for best historical fiction. She writes in English.Recommendations Walden Henry David ThoreauMoby Dick Hermen MelvillePaul Burke writes for Monocle Magazine, Crime Time, Crime Fiction Lover and the European Literature Network. He is also a CWA Historical Dagger Judge 2023. An Encyclopedia of  Spy Fiction will be out in 2025.Music courtesy of  Guy Hale KILLING ME SOFTLY - MIKE ZITO featuring Kid Anderson. GUY HALE Produced by Junkyard DogCrime TimeCrime Time FM is the official podcast ofGwyl Crime Cymru Festival 2023CrimeFest 2023CWA Daggers 2023& Newcastle Noir 20232024 Slaughterfest, National Crime Reading Month, CWA Daggers

The DIATESSARON Part Two This compilation of the ORIGINAL circulation of the four gospels is from 160 AD, that is 170 years BEFORE the council of Nicea. The author, Titian, was Assyrian, and there is a nice added explanation of the "customs of Judea" as would be expected by somoene who was basically from OUTSIDE the community, aka Gentiles. Or as one might have called it in today's USA: "Aliens" or simply foreigners. Part two dives right into the borth of a boy child..."and his name shall be called Jesus." --- Send in a voice message: https://podcasters.spotify.com/pod/show/living-wellness-manifest/message

Welcome to the Instant Trivia podcast episode 1182, where we ask the best trivia on the Internet. Round 1. Category: Known By One Name 1: He's often called the "Father of Geometry". Euclid. 2: Before he could exact his revenge, he was taken prisoner by Cortes and died after an attack. Montezuma. 3: He recently announced that he plans to step down as Japan's emperor in April 2019. Akihito. 4: After her baptism and marriage, she went by the name Lady Rebecca Rolfe. Pocahontas. 5: The Venus in his "Venus of Urbino" painting has hair of the red-gold color for which his art was known. Titian. Round 2. Category: That Movie'S Genius 1: Doc Brown created the flux capacitor, which is what makes time travel possible, in this film. Back to the Future. 2: Dr. Ryan Stone is a medical engineer on her first shuttle mission in this 2013 film. Gravity. 3: An un-Gandhi-like Ben Kingsley takes a child chess prodigy under his wing in this 1993 film. Searching for Bobby Fischer. 4: Hugh Jackman is super-hacker Stanley Jobson in this 2001 film; give us the password. Swordfish. 5: Coal miner's son Homer Hickam (Jake Gyllenhaal) takes up rocketry in this film. October Sky. Round 3. Category: A Word In Your Ear 1: It's a 4-letter word for the soft part of the external ear. lobe. 2: Let's hear you nail this other word for the malleus. a hammer. 3: It precedes "membrane" to designate the eardrum. the tympanic. 4: The curved fold of the external ear is called this spiral shape--just single, not double. a helix. 5: I predict you will know this 7-letter word for the visible part of the outer ear. the auricle. Round 4. Category: World City Walk 1: It's the city (also a country) that's home to St. Peter's Basilica. Vatican City. 2: In the 17th century the Corsairs controlled this current capital of Morocco. Rabat. 3: The first Japanese city to host the Winter Olympics, it's also famous for its beer and its Snow Festival. Sapporo. 4: In 1942 Field Marshal Erich Von Manstein led a failed effort to assist surrounded German forces in this Soviet city. Stalingrad. 5: Found in the Dong Cheng district, this capital city's main railway station connects to Harbin and Qingdao. Beijing. Round 5. Category: 1951 1: In 1951 it celebrated its 175th anniversary and was sealed in a helium-filled case. the Declaration of Independence. 2: On February 26 a constitutional amendment became law, limiting the holder of this office to 2 terms. President of the United States. 3: In May, this utility co. became the 1st corporation in the world to have over 1,000,000 stockholders. ATandT. 4: 90 cadets at this academy were ousted in a cheating scandal. West Point. 5: On Oct. 24,1951, Truman declared our state of war with this country had finally ended. Germany. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

We are back in Venice for the latest edition of the biggest biennial in the world of art. The 60th Venice Biennale comprises an international exhibition featuring more than 300 artists, dozens of national pavilions in the Giardini—the gardens at the eastern end of the city—and the Arsenale—the historic shipyards of the Venetian Republic—and host of official collateral exhibitions and other shows and interventions across Venice. The Art Newspaper's contemporary art correspondent, Louisa Buck, editor-at-large Jane Morris and host Ben Luke review the international exhibition, Foreigners Everywhere/Stranieri Ovunque, curated by the Brazilian artistic director, Adriano Pedrosa. We talk to artists and curators behind five national pavilions—Jeffrey Gibson in the US pavilion, John Akomfrah in the British pavilion, Romuald Hazoumè in the Benin pavilion, Gustavo Caboco Wapichana, the curator of the Hãhãwpuá or Brazilian pavilion, and Valeria Montii Colque in the Chilean pavilion—about their presentations. And we like to end our Venice specials by responding to an example of the historic work that made la Serenissima one of the world's great centres for art. So for this episode's Work of the Week, Ben Luke gained exclusive access to one of the most significant paintings in Venetian history: the Assunta or Assumption of the Virgin made between 1516 and 1518 by Titian. Since the last Biennale in 2022, the Assunta has been unveiled after a four-year conservation project, funded by the charity Save Venice. We spoke to the man who restored this incomparable masterpiece, Giulio Bono, right beneath Titian's painting.The Venice Biennale, 20 April-24 November. Listen to the interview with Adriano Pedrosa in the episode of this podcast from 2 February.The website that Giulio Bono mentions, which will present the findings of the conservation of Titian's Assunta in detail, will go online later this year.Save Venice, savevenice.org.Subscription offer: subscribe to The Art Newspaper for as little as 50p per week for digital and £1 per week for print or the equivalent in your currency. Visit theartnewspaper.com to find out more. Hosted on Acast. See acast.com/privacy for more information.

It included masterpieces by Titian, Rapahel and more...

Holman grabs an interview with Raptor Chief Engineer Carl Widmann and slides behind the wheel of the 2024 Ford Ranger Raptor. The Truck Show Podcast is proudly presented by Nissan in association with Banks Power.

Sheldon Brown, Chief Engineer for the all-new 2024 Toyota Tacoma returns to the podcast to talk about all of the features of Toyota's newest truck. Hear the latest truck news and the truth about Producer Miles is revealed. The Truck Show Podcast is proudly presented by Nissan in association with Banks Power.

Chapter 1 What's Bright Earth Book by Philip BallThe Bright Earth: Art and the Invention of Color is a book written by Philip Ball. In this book, Ball explores the history and significance of color in art, science, and culture. He traces the use and creation of pigments throughout history, from ancient societies to modern times, and discusses their influence on artistic movements, trade, and technological advancements. The book delves into the chemistry, symbolism, and cultural contexts of various pigments, highlighting their role in shaping artistic expression and human perception of color. It offers a comprehensive exploration of the relationship between art, science, and color, presenting a fascinating journey through the history of pigments and their impact on our world.Chapter 2 Is Bright Earth Book A Good BookOpinions on books can vary, so it is subjective to say whether "Bright Earth" by Philip Ball is a good book or not. However, it has generally received positive feedback and critical acclaim. It explores the history, science, and cultural impact of color throughout the world. The book is well-researched, engaging, and informative, combining science, art, and history to offer a comprehensive view on the topic. If you are interested in colors, their origins, and their significance in various cultures, it is likely that you would find this book enjoyable and informative.Chapter 3 Bright Earth Book by Philip Ball Summary"Bright Earth: Art and the Invention of Color" is a book written by Philip Ball that explores the history, science, and cultural significance of colors in art. In this book, Ball takes readers on a journey through the ages, explaining how artists and scientists over time have developed and understood color.The book starts by examining the ancient world and the limited palette of colors available to artists at that time. It then moves on to discuss the development of pigments in the Renaissance, with a focus on the groundbreaking work of painters such as Titian and his use of vibrant reds and blues.Ball also delves into the scientific side of the story, exploring the chemistry and physics behind color perception and the development of artificial pigments. He explains how scientists and artists have worked together to create new shades and hues, such as the invention of mauve in the 19th century.Throughout the book, Ball weaves in anecdotes and historical narratives to bring the story of color to life. He explores how color has influenced different cultures and societies, reflecting on its symbolism and cultural significance in different periods of history.Furthermore, Ball discusses the social impact of color, highlighting how it has been used as a signifier of wealth, power, and identity. He examines the relationship between color and gender, race, and class, shedding light on how certain colors have been associated with specific social groups throughout history.Overall, "Bright Earth" is a comprehensive and engaging exploration of the history and science of color in art. It combines historical research, scientific knowledge, and cultural analysis to provide readers with a deeper understanding of the role color has played in human civilization. Chapter 4 Bright Earth Book AuthorPhilip Ball is a British science writer and author. His book "Bright Earth: Art and the Invention of Color" was first published in 2001. The book explores the history and science behind artists' pigments and their role in shaping art and culture. It examines various pigments and their impact on different artistic movements.Apart from...

From the Dagger Award–winning author of Norwegian by Night comes a vivid, thrilling, and moving World War II art-heist-adventure tale where enemies become heroes, allies become villains, and a child learns what it means to become an adult—for fans of All the Light We Cannot See.  August, 1943. Fourteen-year-old Massimo is all alone. Newly orphaned and fleeing from Rome after surviving the American bombing raid that killed his parents, Massimo is attacked by thugs and finds himself bloodied at the base of the Montecassino. It is there in the Benedictine abbey's shadow that a charismatic and cryptic man calling himself Pietro Houdini, the self-proclaimed “Master Artist and confidante of the Vatican,” rescues Massimo and brings him up the mountain to serve as his assistant in preserving the treasures that lay within the monastery walls. But can Massimo believe what Pietro is saying, particularly when Massimo has secrets too? Who is this extraordinary man? When it becomes evident that Montecassino will soon become the front line in the war, Pietro Houdini and Massimo execute a plan to smuggle three priceless Titian paintings to safety down the mountain. They are joined by a nurse concealing a nefarious past, a café owner turned murderer, a wounded but chipper German soldier, and a pair of lovers along with their injured mule, Ferrari. Together they will lie, cheat, steal, fight, kill, and sin their way through battlefields to survive, all while smuggling the Renaissance masterpieces and the bag full of ancient Greek gold they have rescued from the “safe keeping” of the Germans.  Heartfelt, powerfully engaging, and in the tradition of City of Thieves by David Benioff, Derek B. Miller's novel The Curse of Pietro Houdini (Simon and Schuster, 2024) is a work of storytelling bravado: a thrilling action-packed adventure heist, an imaginative chronicle of forgotten history, and a philosophical coming-of-age epic where a child navigates one of the most enigmatic and morally complex fronts of World War II and lives to tell the tale. AJ Woodhams hosts the "War Books" podcast. You can subscribe on Apple here and on Spotify here. War Books is on YouTube, Facebook and Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

From the Dagger Award–winning author of Norwegian by Night comes a vivid, thrilling, and moving World War II art-heist-adventure tale where enemies become heroes, allies become villains, and a child learns what it means to become an adult—for fans of All the Light We Cannot See.  August, 1943. Fourteen-year-old Massimo is all alone. Newly orphaned and fleeing from Rome after surviving the American bombing raid that killed his parents, Massimo is attacked by thugs and finds himself bloodied at the base of the Montecassino. It is there in the Benedictine abbey's shadow that a charismatic and cryptic man calling himself Pietro Houdini, the self-proclaimed “Master Artist and confidante of the Vatican,” rescues Massimo and brings him up the mountain to serve as his assistant in preserving the treasures that lay within the monastery walls. But can Massimo believe what Pietro is saying, particularly when Massimo has secrets too? Who is this extraordinary man? When it becomes evident that Montecassino will soon become the front line in the war, Pietro Houdini and Massimo execute a plan to smuggle three priceless Titian paintings to safety down the mountain. They are joined by a nurse concealing a nefarious past, a café owner turned murderer, a wounded but chipper German soldier, and a pair of lovers along with their injured mule, Ferrari. Together they will lie, cheat, steal, fight, kill, and sin their way through battlefields to survive, all while smuggling the Renaissance masterpieces and the bag full of ancient Greek gold they have rescued from the “safe keeping” of the Germans.  Heartfelt, powerfully engaging, and in the tradition of City of Thieves by David Benioff, Derek B. Miller's novel The Curse of Pietro Houdini (Simon and Schuster, 2024) is a work of storytelling bravado: a thrilling action-packed adventure heist, an imaginative chronicle of forgotten history, and a philosophical coming-of-age epic where a child navigates one of the most enigmatic and morally complex fronts of World War II and lives to tell the tale. AJ Woodhams hosts the "War Books" podcast. You can subscribe on Apple here and on Spotify here. War Books is on YouTube, Facebook and Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

When it comes to the idea of longevity, my guest on this episode of The Unfinished Print has just that: the hard work and sacrifice to make a career in making mokuhanga, bringing the art form to people worldwide.    Today I speak with mokuhanga printmaker, graphic designer, and writer, Tuula Moilanen. Currently living in Finland, Tuula has made mokuhanga for almost 40 years and has been an essential part of the worldwide mokuhanga community, teaching, instructing and overseeing the art form's growth.   Tuula speaks about her twenty years in Japan, her teachers, and how she views her mokuhanga. We discuss creating work, social media, and the philosophy of art.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Publishers are given if known. Tuula Moilanen  - website Tetsuya Noda -is a respected printmaker and artist who works with photography, mokuhanga, and serigraphy (silkscreen). Was head of the printmaking department at the National Fine Arts and Music University in Tōkyō until 2006. More info can be found here.  Diary: Nov. 7th ‘68  (#1) 31 15/16" × 31" (1963-1976) Akira Kurosaki 黒崎彰 (1937-2019) - was one of the most influential woodblock print artists of the modern era. His work, while seemingly abstract, moved people with its vibrant colour and powerful composition. He was a teacher and invented the “Disc Baren,” which is a great baren to begin your mokuhanga journey with. At the 2021 Mokuhanga Conference in Nara, Japan there was a tribute exhibit of his life works. Azusa Gallery has a nice selection of his work, here.   Meeting of Comets (1980) 5.7"x 3.9"   Kyoto Seika University - is a private university based in Kyōto, Japan. It is a university focused on art and scholarship. More info, here.    nagashizuki - is a style of paper making in Japan. This way of making paper creates a strong, translucent paper good for multiple uses. For a more detailed analysis of creating this type of washi check out Awagami's description, here.    shodo -is the name attributed to calligraphy in the Japanese style, which involves writing characters using a brush and ink. mokulito - a type of lithography which incorporated woodblock. Artist Danielle Creenaune uses mokulito in her work. She has a fine detailed explanation on its uses, here.     shina - is a type of Japanese plywood used in mokuhanga. Not all shina is made equally, buyer beware.   Utagawa Kuniyoshi (1798-1861) - is considered one of the last “masters” of the ukiyo-e genre of Japanese woodblock printmaking. His designs range from landscapes, samurai and Chinese military heroes, as well as using various formats for his designs such as diptychs and triptychs.   Taira Kiyomori from the series Meiko hyaku yuden 名高百勇傳 published by Izumiya Ichibei    Keizo Sato - is a mokuhanga printmaker who owns and operates a shop in Kyoto making reproductions of ukiyo-e prints. He has demonstrated at the International Mokuhanga Conference, in 2011. Has been associated with the Adachi Foundation of Woodblock Print Preservation.    takuhon - is a style of printmaking one in which the pigments are rubbed into the washi with a type of pad. Printmaking At Newcastle University on YouTube has a fine video about the process, here.    hyōgu - is a traditional Japanese process of mounting calligraphy and paper works such as paintings.   intaglio printing - is a printing method, also called etching, using metal plates such as zinc, and copper, creating “recessed” areas which are printed with ink on the surface of these "recesses.” More info, here. The MET has info, here.     European woodcuts - woodcuts began in Europe in 1400; the woodcut/woodblock tradition has long been in Western Europe. These prints gained prominence during the late Middle Ages (500-14/1500 AD) and the Renaissance (14th Century - 17th Century AD), spreading visual information from religious iconography to political propaganda. Some famous artists we know today are Albrecht Dürer (1471-1528) and Titian (? - 1576).    © Popular Wheat Productions opening and closing musical credit - Put It Down by Otis McDonald, John Patittuci, and Mike Chiavarro, from their single Put It Down released on TrackTribe (2023) logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                

For the 22nd episode of "Reading the Art World," host Megan Fox Kelly speaks with Richard Lacayo, author of “Last Light: How Six Great Artists Made Old Age a Time of Triumph,” published by Simon and Schuster.Richard Lacayo is one of the world's top art critics and he has been a long-time writer and editor at Time magazine. From 2003 to 2016 he was the magazine's art and architecture critic. Richard has also written on art and architecture for People, Foreign Policy, and Graydon Carter's new online publication, Air Mail. He's the co-author, with George Russell, of “Eyewitness: 150 Years of Photojournalism,” and in 2013 he delivered a lecture at the Smithsonian American Art Museum on the late careers of artists, the topic of this book. “Last Light” tells the stories of the late careers of six of history's greatest artists — Titian, Goya, Monet, Matisse, Hopper and Nevelson —  and shows how they continued to push themselves and the boundaries of their art-making right up until the end. As Richard's book reveals, the importance of much of this late-in-life work would not be fully understood or appreciated until decades later."Reading the Art World" is a live interview and podcast series with leading art world authors hosted by art advisor Megan Fox Kelly. The conversations explore timely subjects in the world of art, design, architecture, artists and the art market, and are an opportunity to engage further with the minds behind these insightful new publications. Megan Fox Kelly is an art advisor and past President of the Association of Professional Art Advisors who works with collectors, estates and foundations. For more information, visit meganfoxkelly.com and subscribe to our new posts. Follow us on Instagram: @meganfoxkellyPurchase “Last Light: How Six Great Artists Made Old Age a Time of Triumph” at Simon & Schuster and at Barnes & Noble. Music composed by Bob Golden.

From capturing the erymanthian boar to battling a guy stuffed like pig, on today's episode we tell you the epic tale of the Mighty Hercules. We'll discuss his immortal father leaving him to meager humans, his adventures on the territories to prove himself a hero, and the quest to conquer Titian. Come talk about the episodes: ⁠Instagram.com/10BellPod ⁠ Discord: ⁠https://discord.gg/H45nvTMu⁠ Patreon: ⁠https://www.patreon.com/10BellPod⁠ Pro Wrestling Tees ⁠https://www.prowrestlingtees.com/related/10bellpod.html --- Support this podcast: https://podcasters.spotify.com/pod/show/10bellpod/support

Yellowfang goes through a break up and gets a promotion.  Book: Super Edition: Yellowfang's Secret Support us on Ko-fi! WCWITCast Ko-fi Follow us on Twitter! WCWITCast (@WCWITCast)  Follow us on Instagram! WCWITCast  What We Are Reading (Not Sponsored): Horrorstör by Grady Hendrix Cat Fact Sources: Purr-n-Fur UK | Working Felines | Shop cats from Poland Dante's Blog (Polish) Dante's Facebook Kot Dante Youtube ft Titian and Antykwariat Naukowy Antykwariat Naukowy Facebook Antykwariat Naukowy Music: The following music was used for this media project: Happy Boy Theme by Kevin MacLeod  Link: https://incompetech.filmmusic.io/song/3855-happy-boy-themeLicense: http://creativecommons.org/licenses/by/4.0/

Adrianna, Giuli and Sofi discuss the concept of “virginity” as a way of loving others according to their destiny: Christ. How does this account of virginity differ from others in the Church and the world? Where in our lives have we experienced the joy of virginal purity and integrity in our relationships? What helps us live the sacrifices demanded by this kind of love? // Our media recommendation is the song Beyond the Blue by Josh Garrels (music: www.tinyurl.com/k4m2jf2k lyrics: www.azlyrics.com/lyrics/joshgarrels/beyondtheblue.html). And our monthly challenge is to identify a relationship in which you are being invited to greater purity of love, and to join this sacrifice to that of the Lord at the Mass. // We'd love to hear from you! Write to us at pilgrimsoulpodcast@gmail.com or find us on Instagram at @pilgrimsoulpodcast. Our website is www.pilgrimsoulpodcast.com. // Other resources we mention: - Fr. Paolo Prosperi FSCB's article on virginity in Communio “Do Not Hold Me: Ascending the Ladder of Love”: www.tinyurl.com/4nvsms9r - Bishop Erik Varden's interview in The Pillar about his new book on chastity: www.pillarcatholic.com/p/to-be-chaste-is-to-be-whole-bishop - Fr. Luigi Giussani's trilogy of books “Is It Possible to Live This Way?” - Pope Francis' Apostolic Letter on St. Joseph: www.vatican.va/content/francesco/en/apost_letters/documents/papa-francesco-lettera-ap_20201208_patris-corde.html - Titian's painting “Noli me tangere” www.nationalgallery.org.uk/paintings/titian-noli-me-tangere // Our theme music is Nich Lampson's “Dolphin Kicks.” We are part of the Spoke Street media network: check it out at www.spokestreet.com.

Left unfinished at this death in 1576, Titian's “Pietà” was intended to serve as his funerary monument. Its extreme use of loose brushstroke and unconventional color combinations led one art historian to describe the painting as an example of “chromatic alchemy.”

Painted in the last year's of Titian's life, the “Crowning with Thorns” in Munich revisited a theme that he painted 30 years earlier in a painting today located in the Louvre in Paris. Examined side by side, there is perhaps no better way to demonstrate the dramatic evolution of Titian's style to very loose and suggestive brushwork in the final stage of his career.

Nietzsche concludes the book with the suggestion that cognition itself is “common”, insofar as communicability is more effective the more common the experience that is communicated. Language facilitates the “abbreviation” of the most common sentiments and experiences, which is part of the process of joining a people together as one. The person whose experiences, thoughts or feelings are individual & peculiar will necessarily find himself unable to communicate them to others, and will be thrust into solitude. Much of the final aphorisms concern this eternal struggle between the rule and the exception, one of the themes of the work. Nietzsche ultimately muses that even the precious, wicked thoughts he has offered us throughout the work are but a pale imitation of the thoughts during their spring: for all thoughts are events, fleeting experiences, a physiological process within a living being. All the philosopher can do is catalogue their aftermath, or display the frozen remnants that linger in their memory. This section also contains multiple remarks on pity, and the prose poem, “The Genius of the Heart”. An exegesis of this poem can be found in episode 39. Episode art: Bacchus and Ariadne by Titian (detail)

Painted around 1565, this exquisite painting exemplifies Titian's later style with its loose brushstroke, sophisticated use of color, and delicate tonal transitions. The meaning of the painting is somewhat controversial as it does not fall into any traditional iconographical schemes and has consequently resulted in various scholarly theories being proposed.

In 1573, Paolo Veronese was commissioned by the Dominicans at the church of Saints Giovanni and Paolo in Venice to paint a “Last Supper” to replace an earlier version by Titian that had been destroyed by fire. The result was a massive image full of numerous figures engaged in a hedonistic celebration. Not surprisingly, a few months after completing the painting, the artist was called before the Holy Tribunal of Venice to answer to accusations of indecorous religious painting. Veronese was able to satisfy his inquisitors and save his painting by changing its subject to the “Feast in the House Levi.”

We meet legendary artist Julian Schnabel to explore more than 40 years of painting. Since his first solo exhibition in 1976, Schnabel has been on a quest to express the inexpressible. Best known for his multidisciplinary practice that extends beyond painting to include sculpture and film. His use of preexisting materials not traditionally used in art making, varied painting surfaces and modes of construction were pivotal in the reemergence of painting in the United States. Resisting the turn to traditional conventions of painting and sculpture that characterized the 1980s, he began his series of Plate Paintings, representational works with sculptural surfaces produced by layering shards of found pottery with thick applications of pigment. Throughout his career, he has sustained his use of found materials and chance-based processes, transforming the conventions of painting and opening the door for a new generation of young artists.The works on display in Schnabel's upcoming show were made in concert with the preparation of his seventh feature film, In the Hand of Dante, an adaptation of Nick Tosches's novel of the same name. For Schnabel, filmmaking and painting exist in a continuum in which subject matter crosses between mediums, assuming myriad forms. This relationship resonates throughout the exhibition, where indecipherable narratives emerge from a process of imagery central both to Schnabel's film and to the paintings on view.Celebrated for his vast and experimental practice that extends into the realms of sculpture and filmmaking, the artist has always been a painter first and foremost. Since 1978, when he created the first plate painting, The Patients and the Doctors—a work which abandoned traditional canvas in favor of a surface composed of broken plates—his use of unconventional, found materials has led to the invention of entirely new modes of painting. Dispensing with traditional distinctions between abstraction and figuration, Schnabel's plate paintings, and his works on velvet, reinvigorated interest in painting as a medium for contemporary art. Moreover, in the early years of his practice, Schnabel decided to make paintings that incorporated the history and materiality of the medium itself, embracing a singular approach to both form and subject.With these new velvet paintings, Schnabel considers the ways that the material appears as subject matter throughout the history of art—particularly in the works of Titian, Goya, and other Old Masters—and its symbolic weight in the history of humanity itself. But rather than creating illusionistic depictions of velvet, the artist uses the material for the surfaces of his works, inventing a new, contemporary kind of history painting in the process.Among Schnabel's recent velvet works in the exhibition is the ten-panel Buñuel Awake (for Jean-Claude Carrière) or Bouquet of Mistakes (2022), a large-scale composition that evokes the grandeur of retablos, architecturally scaled paintings that loom behind the altars of Renaissance and Baroque churches across southern Europe. Also included in this body of new works is Gesù Deriso. Jesus Mocked (2023), which refers directly to an enigmatic Renaissance fresco by the Dominican monk Fra Angelico in the famous monastery of San Marco in Florence.Julian's new exhibition 'Bouquet of Mistakes' is now open and runs until October 28th 2023.Visit: pacegallery.com/exhibitions/julian-schnabel-new-york/Follow @JulianSchnabel and visit his official website: www.julianschnabel.comSpecial thanks to @PaceGallery. Hosted on Acast. See acast.com/privacy for more information.

Paolo Veronese is the third member of the great Venetian late Renaissance trio that also includes Titian and Tintoretto. The church of San Sebastiano in Venice was decorated over 15 years with paintings exclusively by Veronese and is a veritable shrine to the genius of this great painter.

We're baaacckk! Mandolyn Wilson Rosen and I have returned for Part 2 to finish our report on Giorgio Vasari's "Lives of the Artists," a combo-bio of Florentine High Renaissance artists from the 1580's. Pull up a carved high-backed chair, grab yourself a goblet of watered-down wine and join us for the continuation of our journey back to this fabled time in Italian art. In Part 2, we cover Sandro Botticelli, Leonardo da Vinci, Raphael, Jacopo da Pontormo, Michelangelo, and Titian (with some discussion of Albrecht Durer as well). In the Boticelli section, Mandy references this article by Alexxa Gotthardt on Artsy: https://www.artsy.net/article/artsy-editorial-botticellis-birth-venus-challenged-depictions-nude-art Please visit our sponsor, The New York Studio School, to enroll for their wonderful Marathon courses (by Sept 8) or for over a dozen different 11 week Evening & Weekend Courses (by Sept 18) at NYSS.org Find your own copy of "Lives of the Artists" by Giorgio Vasari at your public library or at most online bookstores. The 1991 English Translation by Julia and Peter Bondanella includes the lone woman artist in Vasari: Sculptor Madonna Properzia de Rossi. Earlier translations often exclude her, so keep an eye out if buying used! Mandolyn Wilson Rosen is online here: website: https://mandolynwilsonrosen.com/home.html and IG: https://www.instagram.com/mandolyn_rosen/ Amy Talluto is online here: website: https://www.amytalluto.com/ and IG: https://www.instagram.com/talluts/ Thanks for listening! ---------------------------- Pep Talks on IG: ⁠@peptalksforartists⁠ Pep Talks on Art Spiel as written essays: ⁠https://tinyurl.com/7k82vd8s⁠ Amy's Interview on Two Coats of Paint: ⁠https://tinyurl.com/2v2ywnb3⁠ Amy's website: ⁠https://www.amytalluto.com/⁠ Amy on IG: ⁠@talluts⁠ ⁠BuyMeACoffee⁠ Donations appreciated! --- Send in a voice message: https://podcasters.spotify.com/pod/show/peptalksforartistspod/message Support this podcast: https://podcasters.spotify.com/pod/show/peptalksforartistspod/support

Summary Ioanna Iordanou (Twitter; LinkedIn) joins Andrew (Twitter; LinkedIn) to discuss Venice's Secret Service. Her research on “centralized intelligence” during the Italian Renaissance has secured her two entries in Guiness World Records! What You'll Learn Intelligence The origins of centralized intelligence  “The Council of Ten” - Venice's spy chiefs “The Inquisitors of the State” - Venice's counterintelligence body Venetian power in the Eastern Mediterranean  Reflections The rise and fall of empires The relationship between geography and power And much, much more … *EXTENDED SHOW NOTES & FULL TRANSCRIPT HERE* Quotes of the Week “Considering some of the most significant challenges we face right now, such as disease, we just got over a global pandemic or migration or trade or climate change or cybersecurity, all these issues do not stop at the borders like any early modern spies, they cross borders. So even reflecting on how people dealt with these things in the past might help us make better political, social, economic decisions.” – Ioanna Iordanou. Resources  SURFACE SKIM *Headline Resource  Venice's Secret Service: Organizing Intelligence in the Renaissance, Ioanna Iordanou (Oxford University Press, 2014)  *SpyCasts* Espionage and the Two Queens with Kent Tiernan (2023)  The Counterintelligence Chief with FBI Assistant Director Alan Kohler (2023)  The Lion and the Fox – Civil War Spy vs. Spy with Alexander Rose (2023) Keeping Secrets/Disclosing Secrets with Spy Chief turned DG of Australia's National Archives David Fricker (2022) *Beginner Resources* A Brief Overview of Renaissance History, Art in Context (2023) [Short article] Profile of a City: Venice, Renaissance Italy (2012) [Short article]  Brief History of the Renaissance in 5 Minutes, 5 Minutes (2022) [YouTube video] *EXTENDED SHOW NOTES & FULL TRANSCRIPT HERE* DEEPER DIVE Books Inventing the World: Venice and the Transformation of Western Civilization, M. F. Small (Pegasus Books, 2020) City of Fortune: How Venice Ruled the Seas, R. Crowley (Random House, 2013) A World Lit Only by Fire: The Medieval Mind and the Renaissance, W. Manchester (Little, Brown and Company, 1993)  Primary Sources  The Life and Letters of Sir Henry Wotton, Internet Archive (1907)  The de'Barbari Map (View of Venice), Cartography Venice Project Center (1500)  Letter of Aeneas Silvius Piccolomini to Lord Cardinal Firmanus, Carleton College (1453)  The Shorter Annals of Venice, Carleton College (ca. 13th century)  Primary Collections  Venetian Diplomatic Agents in England, British History Online (1202-1509) *Wildcard Resource* Browse the art of Titian, an artist whose work was used as a form of payment for spies and intelligence gatherers in Venice. Not a bad paycheck!  *EXTENDED SHOW NOTES & FULL TRANSCRIPT HERE*

This painting is the last of six paintings that make up Titian's extraordinary “Poesie” series for King Philip II of Spain. Of all six, it is in the worst state of conservation and went through major compositional changes while it was being painted. Nevertheless, the “Perseus and Andromeda” is an important work of beauty, innovation, and visual interpretation of a classical literary source. 

One of the greatest masterpieces of Italian Renaissance painting, Titian's painting depicts the abduction of the nymph Europa by Jupiter, who has disguised himself as a bull. Titian employs all of his painterly skill to create a dazzling array of textures, colors, and images that coalesce into a hypnotically beautiful work of art. 

Part of Titian's magnificent “Poesie” series which he painted for King Philp II of Spain in the 1550s, the “Diana and Callisto" represents the exposure of the pregnancy of the nymph Callisto who had been loved by Jupiter. 

The third of six paintings constituting Titian's famous “Poesie” series for King Philip II of Spain, “Diana and Acteon” represents a mythological account of divine punishment. A hapless hunter named Acteon stumbles upon Diana, goddess of chastity and of the hunt, and is punished for violating her decency by being transformed into a stag and killed by his own hounds.

Part of Titian's six mythological paintings for King Philip II of Spain known as the “Poesie,” the innovative and sensual “Venus and Adonis” was the most popular. We know this because some 30 versions of the painting exist today, all of which can be traced back to 2 main prime types – the Prado and the Farnese versions – both of which are discussed in this episode.