Podcasts about Michelangelo

In this episode from Highclere Castle, I sit down with Nick Hopton to talk about his book, "Marma Mia," which begins as the story of buying and restoring a holiday house in an unspoiled part of Tuscany, the Maremma and becomes a wider family and personal journey. Nick shares how reading "A Year in Provence" during COVID while he was British Ambassador to Libya helped inspire him to write a feel-good book that encourages readers to discover lesser-known regions. We discuss his Foreign Office career and his approach to languages, including learning Arabic across postings such as Morocco, Yemen, Qatar and Libya, along with French, Italian, Spanish, some German, and some Farsi ahead of becoming ambassador to Iran after the 2015 nuclear deal and the reopening of the British embassy. Nick explains how a friend's suggestion to look beyond Chianti led serendipitously to the first house they viewed and ultimately boughtalongside the realities of renovating abroad: high costs, practical challenges, and the highs and lows of making a place work for family life. We also talk about his unexpected love of landscaping and working with a skilled digger operator he calls “Michelangelo,” the region's food, wine, local olive oil and its strong Tuscan accent. Nick recounts a memorable moment when a friend arrived with an armed escort and the town's mayor turned out to greet them, and he updates me on ongoing projects, including drilling a 97-meter well to reach a fresh aquifer. Looking ahead, Nick describes writing best in the relative isolation of the Italian house and shares his interest in writing more broadly about the Mediterranean, linked to his role creating a new program at the University of Cambridge Centre for Geopolitics. We touch on the Napoleonic history of the area, including the principality of Piombino and Lucca and Napoleon's sister Elisa and end with a playful question about a dream dance guest Nick chooses Dante's Beatrice, reflecting his early love of Dante's poetry and its lifelong influence.00:00 Meet Nick Hopton & the book ‘Marma Mia' (restoring a house in Italy)00:50 Inspired by ‘A Year in Provence': writing a feel-good travel memoir during COVID01:59 Diplomatic life & learning languages: Arabic, French, Italian (and more)04:26 Why you should speak the local language (even with bad grammar)05:17 Falling for Tuscany's Maremma: the serendipitous house-buying story07:42 Renovation reality: highs, lows, and why the Maremma stays authentic08:44 Landscaping obsession: diggers, Kubotas, and ‘Michelangelo' the operator11:05 Food, wine & dialect: tomatoes, olive oil, and the Tuscan accent12:49 Small-town surprises: the ambassador friend visit and the mayor's welcome13:43 The work never ends: is the villa project ever really finished?14:01 Digging a 97m Well & the Never-Ending House Project14:27 What's Next After the Book: A Wider Mediterranean Focus14:58 Seeing the Mediterranean Holistically (Cambridge Geopolitics & Trade Routes)16:26 Duff Cooper, John Julius Norwich & Highclere's Colorful Guests17:20 Writing Habits: Tuscany, Isolation, Rhythm & Beating Procrastination18:37 Italy, Maremma & Napoleonic History: Elisa and the Principality of Piombino and Lucca20:30 Diplomatic Postings & Reopening the UK Embassy in Iran (2015)23:09 Iran Today: Regime Weakness, Protests, and a Hope to Visit the Cradle of Civilization24:21 Highclere's Library, the Book Club, and a Shared Love of Italy25:27 Finale: The Summer Dance Fantasy Guest—Dante, Beatrice & Vita NovaYou can hear more episodes of Lady Carnarvon's Official Podcasts at https://www.ladycarnarvon.com/podcast/New episodes are published on the first day of every month.

Episode 539 von TMNT - Der Talk. Das Hauptthema diesmal sind "TMNT (Vol.4)#1" und "TMNT (Vol.4)#2" von Mirage Studios. Besucht auch die Website unter https://www.tmnttalk.com/ oder schreibt mir an tmnttalk1984@gmail.com.

We interview Alexandra Greeley author of Catholic Feast Days and Peter Giersch author of Talking of Michelangelo: Death, Judgment, Heaven, and Hell in the Burgundy Region.

Welcome to Geordie Lass & Doc Sass. We're officially rooted in 2026 and feeling hopeful about what this year might bring. After a couple of heavy-feeling years, we're ready for more ease, more lightness, and maybe a little bit of magic.   Love Desk: The Dating Trends Shaping 2026 Apparently, 2026 is all about clarity, authenticity and emotional presence. We explore four emerging dating trends:

This month, We kick off the next chapter of our Mirage-era journey as we begin Volume 4 of Teenage Mutant Ninja Turtles, covering the first four issues in our ongoing monthly deep dive. Written and illustrated by Peter Laird with finishes by Jim Lawson (and additional work by Eric Talbot later in the arc), this era marks a return to Mirage continuity following the Volume 2 fork in the road — and right from the opening cover by Michael Dooney, the Turtles feel grounded, compact, and classic again.We also set the stage in the early 2000s, when these issues first appeared between September 2001 and mid-2002. Pop culture was stacked: films like Spider-Man, Star Wars: Episode II, Blade II, and My Big Fat Greek Wedding filled theaters, Nickelback and Ashanti ruled the charts, Grand Theft Auto: Vice City dominated gaming, and Family Guy was canceled (for now). Against that backdrop, Volume 4 begins a slower-burn, sci-fi-tinged saga that blends grounded family moments with looming cosmic stakes.Issue #1 mirrors the Turtles' very first alley fight as they clash with the Madhattan Maulitia, while revealing a major shift: the brothers are now in their 30s, feeling every mile of the fight. A rooftop snowmobile chase leaves Michelangelo critically injured and discovered by the imposing alien warrior Magnrok, while Donatello uncovers an abandoned armored truck that feels destined to matter later. Meanwhile, April and Casey attend a fertility appointment, Shadow senses something world-changing on the horizon, and the Fugitoid and Utroms quietly prepare a massive interstellar operation.Issue #2 finds Michelangelo surviving an airborne ambulance mishap and waking inside Kurtzburg Memorial Hospital — a facility that treats superheroes, aliens, and the otherwise unusual. Back in the lair, Donatello and Casey investigate the mysterious armored truck while Raphael contemplates being left alone with skeletonized robbers and his life choices. Shadow navigates teenage secrecy, and the Utrom plan continues to unfold beyond Earth.Issue #3 expands the scope dramatically: a research expedition in Venezuela encounters a wooden, weaponized creature, U.S. Air Defense scrambles as an Utrom craft departs the moon, and Michelangelo receives a scenic flight home courtesy of his rescuer Raptarr. As aliens descend toward New York Harbor, panic spreads, missiles fail spectacularly, and humanity greets first contact with static, confusion, and ineffective gunfire.Issue #4 delivers the payoff: the alien craft peacefully returns the long-lost spacecraft Defiant to Earth and introduces the Utroms to the world — with one clumsy stumble instantly easing global tension. Karai observes events from the shadows, revealing Foot Clan interest in the alien arrival, while a quiet rooftop moment gives way to yet another escalation: a giant robot rising from the sewers.Volume 4 opens with introspection, humor, and domestic calm colliding with cosmic inevitability. The Turtles are older, the world is bigger, and something enormous is clearly on its way.

Episode 232 of "TMNT - The Talk" in English. I am talking about "TMNT: Battle Nexus#2", "TMNT: Battle Nexus#3", "TMNT: Battle Nexus#4" and "TMNT: Battle Nexus#5" by IDW Comics. Check out the website at https://www.tmnttalk.com/ or send me an e-mail at tmnttalk1984@gmail.com.

Aoife Haakenson (Six / I Was A Teenage She-Devil) co-hosts The West End Frame Show!Aoife joins Andrew Tomlins (West End Frame's Editor) to discuss Titaníque (Criterion Theatre), Woman in Mind starring Sheridan Smith (Duke of York's Theatre), Unfortunate: The Untold Story of Ursula The Sea Witch (The Other Palace) and Oh, Mary! (Trafalgar Theatre).They also delve into the latest theatre news about Jesus Christ Superstar, Operation Mincemeat, Billy Elliot, Choir Boy, Paranormal Activity and more.Aoife made her theatrical debut as Pepper in the 2010 Asia Tour of Annie. She moved to the UK in 2019 to train at Mountview and went on to play Mary Sheldon in The Crucible (National Theatre) before starring as Catherine Parr in the UK and International Tour of Six.Last year Aoife played Mother in Pop Off, Michelangelo! (Underbelly Boulevard, London & Edinburgh Fringe Festival). Over Christmas she played Tink in The All New Adventures of Peter Pan (The Grove Theatre, Dunstable) and, next up, Aoife is leading the cast of I Was A Teenage She-Devil as Nancy at The Other Palace Studio this April. Follow Aoife on Instagram: @aoife_haakensonI Was a Teenage She-Devil runs at The Other Palace Studio 2nd – 26th April. Visit www.theotherpalace.co.uk for info and tickets. This podcast is hosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening!Email: andrew@westendframe.co.ukVisit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

Über Angst, Selbstzweifel und Mut auf dem Weg zum grossen Künstler 14 Ölgemälde von Manuel Dürr werden während der Fastenzeit vor Ostern im Petersdom in Rom ausgestellt – neben Werken von Michelangelo und Bellini. Der Auftrag zählt zu den bedeutendsten, die ein zeitgenössischer Künstler erleben kann. In diesem persönlichen Gespräch spricht Manuel Dürr offen über Angst, Selbstzweifel und Mut, über prägende Erfahrungen seines Lebens und über die Hoffnung, die ihn auf seinem künstlerischen Weg getragen hat, lange bevor der grosse Erfolg sichtbar wurde. Kunst, Philosophie und existenzielle Fragen verbinden sich zu einem eindrücklichen Porträt eines Künstlers, dessen Kreuzweg auch ein Spiegel seines eigenen Lebenswegs ist. 

The most famous fresco in the history of western art is in the Sistine Chapel, painted by Michelangelo. It depicts the stirring moment when God created humans, with God and Adam, arms outstretched, making contact. Just as moving is the stunning entryway doors to the Baptistery of St. John in Florence, Italy by Giberti, which depics the story of creation in incredible, gilded detail. The creation story is a fitting starting point in our Lenten journey, reminding us of our inherent nature as made in the image of God, and calling us to return to a full reflection of God's character, as we reach out and touch the divine.   Reflection Questions:1. How might you begin to read the Bible with multiple physical senses? 2. When has a work of art opened your eyes to wonder? 3. How do these two works of art give you deeper appreciation for the creation story? Find out more at HydeParkUMC.org/NextSteps

In this full-cut interview from our Visio Divina Lenten series, Magrey deVega sits down with Dr. Rose Trentinella from the University of Tampa to explore two extraordinary works of Renaissance art: Michelangelo's Sistine Chapel ceiling and Ghiberti's “Gates of Paradise.” From Michelangelo's reluctant frustration at being forced to paint instead of sculpt, to the astonishing technical precision of fresco on a curved vault seventy feet overhead, this conversation uncovers the human struggle behind legendary genius. Then, turning to Florence's gilded bronze baptistry doors, they examine the innovation, symbolism, and hidden details—down to tiny lizards no one on the ground would ever see—that reveal the mind of an artist working at the height of his craft. It's a deeper look at calling, creativity, and the tension between assignment and passion.Special thanks to Dr. Trentinella, the Ferman family, and the University of Tampa. Find out more and watch the full sermon at HydeParkUMC.org/NextSteps

The second season of Tales of the Teenage Mutant Ninja Turtles is spoiled!Tales of TMNT S2 Spoiler Review @4:50Tales of TMNT S2 Rating @45:30Conclusion/Plugs @46:05Text Us Your ThoughtsHosts:Daniel Grant (Bluesky & Instagram)Ben Sit (Instagram)Show:@TDFSpoiled on Instagram, Threads, TikTok & YouTubeSubscribe & Follow HERE

Episode 538 von TMNT - Der Talk. Das Hauptthema diesmal sind die "Die Abenteuer der TMNT"-Folgen "Schnappt Rod", "Die unüblichen Verdächtigen" und "Lauter Schmodder". Besucht auch die Website unter https://www.tmnttalk.com/ oder schreibt mir an tmnttalk1984@gmail.com.

Für den Petersdom in Rom malte der Bieler Reformierte Manuel Dürr 14 Kreuzweg-Bilder. Von jetzt an hängen sie neben Michelangelo, Raffael und Bernini, immer zur Fastenzeit: Denn sie erzählen vom Leiden und Sterben Jesu Christi. Darauf fällt bei Dürr immer etwas Licht: das Licht von Ostern. Manuel Dürr ist Jahrgang 1989, Künstler aus Biel und gläubiger evangelischer Christ. Für seine Arbeit fühlte er sich nun tief ein in die «typisch katholische» Kreuzweg-Frömmigkeit. Auch stilistisch passte sich der Künstler ins Umfeld des Petersdoms ein. Dürr hat in Italien Malerei studiert und liebt die alten Meister. Im klassisch katholischen Kreuzweg kommen Szenen vor, die in der evangelischen Frömmigkeit und Kunst keine Rolle spielen, etwa weil sie nicht in der Bibel stehen. Gerade die fand Manuel Dürr besonders spannend. Beispielsweise das Motiv der Heiligen Veronika: Auf dem Schweisstuch, das sie dem leidenden Jesus reicht, bildet sich dessen Gesicht ab. Die tiefe Bild-Mystik dieses Motivs könne er erst jetzt durch seine Arbeit für den Petersdom richtig nachvollziehen, erzählt Dürr in seinem Atelier in Biel. In «Perspektiven» spricht der junge Künstler Manuel Dürr über seine Idee von christlicher Kunst im 21. Jahrhundert. Dabei scheinen ihm Niederschwelligkeit für die Gläubigen und «die gute Botschaft» wichtiger zu sein als Anerkennung durch die Kunst-Avantgarde. Das Kreuz an sich sei schon «Intervention» genug. Autorin: Judith Wipfler

Get our 140+ business idea database: https://clickhubspot.com/hkf Episode 798: Sam Parr ( https://x.com/theSamParr ) and Shaan Puri ( https://x.com/ShaanVP ) tell the story of the all-inclusive resort king. — Show Notes:  (0:00) Billy of the week  (6:58) spend bigger to earn bigger (13:10) 12-star experiences (19:19) China's genius program (38:47) the Michelangelo effect (41:00) Dad Corner™ — Check Out Shaan's Stuff: • Shaan's weekly email - https://www.shaanpuri.com  • Visit https://www.somewhere.com/mfm to hire worldwide talent like Shaan and get $500 off for being an MFM listener. Hire developers, assistants, marketing pros, sales teams and more for 80% less than US equivalents. • Mercury - Need a bank for your company? Go check out Mercury (mercury.com). Shaan uses it for all of his companies! Mercury is a financial technology company, not an FDIC-insured bank. Banking services provided by Choice Financial Group, Column, N.A., and Evolve Bank & Trust, Members FDIC • I run all my newsletters on Beehiiv and you should too + we're giving away $10k to our favorite newsletter, check it out: beehiiv.com/mfm-challenge — Check Out Sam's Stuff: • Hampton - https://www.joinhampton.com/ • Ideation Bootcamp - https://www.ideationbootcamp.co/ • Copy That - https://copythat.com • Hampton Wealth Survey - https://joinhampton.com/wealth • Sam's List - http://samslist.co/ My First Million is a HubSpot Original Podcast // Brought to you by HubSpot Media // Production by Arie Desormeaux // Editing by Ezra Bakker Trupiano /

Con il Board of Peace la diplomazia ridotta a talent show. Questa l'analisi di Giuliano Noci, docente al Politecnico di Milano e Prorettore del polo territoriale cinese dell'ateneo.Venti nuove opere di Michelangelo Buonarroti identificate grazie ad uno studio condotto da Valentina Salerno, ricercatrice indipendente autrice dello studio "Michelangelo gli ultimi giorni" e del libro "Virginia e il tesoro perduto di Michelangelo" (Edizioni Corsare).In cima alla classifica delle buone notizie della settimana il medagliere olimpico. Con noi Giorgio Zini, ex sciatore freestyle e presidente dell'Associazione Skipass di Livigno, e Katia Colturi, ex pattinatrice short-track, giornalista di Livigno Tv.

Dr. Stuart Grant, founder of Archetype Medtech, shares his journey designing and delivering breakthrough orthopedic and surgical innovations across the UK, US, and China. Stuart recounts how an early internship led him into medtech, what kept him there, and how building the ASPAC Innovation Center in China helped accelerate a total knee instrument system that dramatically reduced time to market. He explains the leap from corporate leader to entrepreneur: planning for years, earning a PhD in Medtech Product Innovation, and building a consultancy that helps startups and scale-ups turn early clinical unmet needs into market-ready, regulator-approved devices through a network of experts and an “expertise for equity” model.    Guest links: https://archetype-medtech.com/  Charity supported: Sleep in Heavenly Peace Interested in being a guest on the show or have feedback to share? Email us at theleadingdifference@velentium.com.  PRODUCTION CREDITS Host & Editor: Lindsey Dinneen Producer: Velentium Medical   EPISODE TRANSCRIPT Episode 074 - Stuart Grant [00:00:00] Lindsey Dinneen: Hi, I'm Lindsey and I'm talking with MedTech industry leaders on how they change lives for a better world. [00:00:09] Diane Bouis: The inventions and technologies are fascinating and so are the people who work with them. [00:00:15] Frank Jaskulke: There was a period of time where I realized, fundamentally, my job was to go hang out with really smart people that are saving lives and then do work that would help them save more lives. [00:00:28] Diane Bouis: I got into the business to save lives and it is incredibly motivating to work with people who are in that same business, saving or improving lives. [00:00:38] Duane Mancini: What better industry than where I get to wake up every day and just save people's lives. [00:00:42] Lindsey Dinneen: These are extraordinary people doing extraordinary work, and this is The Leading Difference. Hello, and welcome back to another episode of the Leading Difference podcast. I'm your host Lindsey, and today I'm delighted to welcome Dr. Stuart Grant. Dr. Grant is a chartered engineer and the founder of Archetype Medtech, a consultancy and innovation studio helping medical device startups and scale ups transform early clinical, unmet needs into market ready products. With nearly 25 years of experience, Stuart has led global teams across the UK, US, China, and emerging markets delivering breakthrough innovations in hip, knee, shoulder, and trauma surgery. A highlight of his career was establishing the ASPAC Innovation Center in China, where he built R&D capability from the ground up and launched a pioneering total knee instrument system that dramatically reduced time to market. Passionate about advancing medical technology and mentoring future engineers, he bridges creativity, engineering, and regulation to accelerate safer, smarter medtech innovation worldwide. All right. Welcome to the show. It's so great to have you here today. Thanks for joining me. [00:01:57] Stuart Grant: It's lovely to be here, Lindsey. [00:01:58] Lindsey Dinneen: Yeah. Excellent. Well, I was wondering if you could start by sharing a little bit about yourself, your background, and what led you to medtech. [00:02:08] Stuart Grant: Yeah. So, I was actually, I'm obviously, as you can tell from my accent, I'm British, but I was born in Germany because my, my dad was in the military in the 1970s when I was born. So I was born actually in Berlin, which is quite interesting to be a place to be, grew up in. So I traveled around a lot here in the UK, in Germany with my dad getting posted everywhere. My mom's a nurse. So I was in medtech, not really knowing I was in medtech as a kid, but I, my family was, so yeah. And then obviously went to school, all the places I was at university. I went to university to do product design, and my goal was to be a product designer, a cool product designer, designing fancy products like Johnny Ive. And when I was looking for a job as a co-op, or an intern as you call them in the US, I was just really unsuccessful finding a job. I was doing a lot of interviews, getting turned down, sending my CV out a lot, and j happened just to advertise on the Board of University, and it said Johnson Orthopedics and no one really knew what that was in. And none of my fellow students at applied because they thought it would be designing baby bottles for putting talcum powder in and shampoo in and stuff like that. So they're like, "I'm not doing that job." So I desperately applied for it and luckily found out about all this medtech, and I've been here doing medtech for 25 years. So they gave me a job. I had to work hard to keep the job and get reemployed over and over again. But yeah, joining originally Johnson Orthopedics a long time ago is how I found out about medtech. I never knew when I was 18 that really it was a thing that existed. [00:03:47] Lindsey Dinneen: Yeah. So, okay. So you thought product design, and then when you got into medtech, what were some of the things that attracted you and that actually compelled you to stay and make a career out of it? [00:04:00] Stuart Grant: Ha. So I was a young guy with the student debts. What compelled me, I was getting paid to stay, but not to be too flippant about it, but, you know, when I was doing this engineering and design work in my early days in the CAD system, it was just so interesting. I was designing these products that were going into people or the instrumentation to make help the surgeon and going to these ORs and watching the surgeon do their job and trying to figure out how how I can make it better from their input was really interesting. I could apply it straight away, basically. In the early two thousands, there wasn't all these regulations and standards that slowed you down. So you could go and design an instrument, get it machined in the machine shop, get it clean, take it to the surgeon, he can use it, you know, probably be frowned upon 25 years later. But that's what we used to do and really adapt. And probably more interesting than going into product design and fast moving consumer goods where you're designing a, a kettle or a toaster or something, a plastic casing. It was actually much more interesting to do that. And I stayed because I spent four years here in Leeds, in the UK, was getting a bit bored and wanted to find something else to do, and then an opportunity came up in the US. So I moved over to Warsaw, Indiana, the orthopedics capital of the world, as you might know it. Worked there for, stayed there for seven years. Really enjoyed it.. People sort of bemoan Warsaw for being in the sticks in just a bunch of cornfields around it. But I enjoyed it. It's got, we had a good bunch of young friends there. I was in late twenties, early thirties at the time. There was Noah and Spikes. You'd go for a drink and some nice food. It was all right. I enjoyed my time and after that I was, after seven years, I was like, "Okay, what do I do next?" And I was looking around for jobs in medtech. Then another opportunity came up in and we were looking for people to go over and help set it up, train the staff on what MedTech product development was. And so I jumped to the chance and spent five years living in China, in Shanghai. After five years is your limit, so I had to come home. I couldn't stay. I wanted to stay, but they wouldn't allow me to. So, so I came back to the UK. And then started MDR for five years as leading the Joints MDR program, which was lots of fun, as you could probably tell, wasn't really R&D, was a lot of leadership and project management and dealing with a lot of people and a lot of problems on a day-to-day basis. And so, yeah, after that I I left J&J about three years ago and started my own product development agency. And we can talk about a little bit about that later. So that's where I am and where I got to. [00:06:50] Lindsey Dinneen: Excellent. Yeah, I definitely wanna talk about that as well. But going back a little bit-- and perhaps this is actually something that's occurred since you started your own company as well-- but are there any moments that really stand out to you along your journey of affirming that, "Hey, yeah, I actually am in the right place, in the right industry?" [00:07:12] Stuart Grant: That's a really hard one is sort of the, is the grass always greener somewhere else, type of question. Right? I guess compare, you shouldn't compare, but comparing to my friends at my university, my product design and what they've done and what I've done they've moved into the car industry a lot. Went to the car development and car industries always had its ups and downs and its problems. And you know, they've had some really cracking jobs working for McLaren and Ferrari and you know, but I think just the interesting things that medtech do that nobody really knows about is really what keeps me moving along and having conversations with people when they, you tell them like, "I used to design hips and knees and shoulders and things like that," and they're like, "Oh, my mother's got a hip and knee" and blah, blah, and you really talk about it. Actually, my mother does have a hip now and she's going in a couple months time to get the other hip done. I do know what brand she's got, so. [00:08:10] Lindsey Dinneen: See, that's really cool. Yeah. Okay. So, so, on your LinkedIn I noticed that you describe yourself as a fixer, a challenger, and a change maker, which I love. But I'd love to hear from you exactly what you mean by all those things as you have developed in your career, and now as you're doing, of course, your own consulting. [00:08:34] Stuart Grant: Yeah, so in Johnson and my colleagues are probably, I agree with this, I had a bit of a reputation of getting the more difficult projects. The, that's probably why I got MDR in the end 'cause I would always get the projects that had problems and I enjoyed that. I liked digging deep and solving the problem and wrangling everyone together and pushing everybody along to help. And that was actually one of the reasons why I moved to the US 'cause the original project I moved to was the project leader left and it was in a bit of a shambles. So I went over to sort of, sort of try and get it together and just ended up staying and working on multiple projects. So I like that. Really challenging, not just the engineering side. The engineering side is obviously really interesting, but the challenging project management and people management and process management in a big corporation, all of those things, people, product, process, all come together just to cause a big headache sometimes, you know, herding cats as say and going, trying to solve those problems as an engineer, always trying to solve these problems, right? So it's you're always trying to figure out how you can move forward. [00:09:52] Lindsey Dinneen: Yeah. Yeah, absolutely. So, okay, so that kind of brings us to the company. So what was it like going from employee to entrepreneur? Were you, did you feel ready and prepared for that leap? Or what has that transition and pathway been for you? [00:10:10] Stuart Grant: So I've, I was a long-term planner. I was planning for this for five years whilst I was working for Johnson. So I went and got, when I came back to the UK I started my PhD and I knew getting a PhD was a real way of building credibility immediately, right? Before you step in a room and have a conversation with you, if you've got a PhD in the subject you're about to talk about, people pay attention, hopefully. Right? So I did my, so I did my PhD in Medtech Product Innovation, what the process is. So I spent seven years part-time working for Johnson, getting my PhD, knowing that eventually in my mid forties, there'll be an inflection point, which usually isn't people in big corporations, right, that either stay to the end for until you're six, mid sixties. If you hit 50, usually stay for the next decade, right? Or you leave and do something else. And I was like, "Okay, 45, I'm gonna pull the bandaid, go in, get my PhD, set up my own company plan, get the plan to do it, get the savings," and so I was working on MDR and a new MDR was coming to an end, and then they'd have to find me a new project, which probably didn't exist. So I also knew that J&J would be like, "Ah, Stuart, you've been here for 23 years. There's not really anything of your level here." I'd be like, "Great, let's go." So this was all a, you always it's a big step, right? I have a family. I can't just sort of walk in, not come in the office anymore. So it was a big plan that my wife and I had for quite a number of years to execute. So it's still a struggle. I've been doing it for three years. It's still hard work, still building the company, finding clients, understanding what their pain points are and improving your picture and all those other things, still is still a challenge, but it's a new challenge. [00:12:06] Lindsey Dinneen: Yeah. [00:12:07] Stuart Grant: And as I say, as I said, when people worry about the risk, it's like I can easily just go and get a corporate job again as a move back and have all this new relevant experience. So it's a risk, but you have to balance that by the benefits. [00:12:21] Lindsey Dinneen: Yeah, calculated risk that you've planned for, so good for you. So, okay, so tell us a little bit about your company now and who you help and kind of where in the development or even ideation process that you can come in and really make a difference. [00:12:40] Stuart Grant: So, yeah, so Archetype MedTech is a product development, product innovation agency. And what we do, we usually work with startups or scale ups. Startup side, they'll have a proof of concept. They've already defined the unmet clinical need. They've sort of wrangled the technology and validated the actual technology does what it they're trying to make it do, but they just dunno how to make this a medical device product, right? They've they've got the technology, but they dunno how the product make a product that's sellable is releasable and it gets approved by FDA or here in the, i'll say here in the EU, I know I said in the UK, but MDR and I help them work out that product innovation strategy. So take them all through either they need to do the frontend innovation and understand their needs and the insights and the business case, and then the engineering requirements and specifications. The design and engineering part I help them with, and this is not just me. I have a network of experts, a sort of consortium of experts that come together and bring all these different specialties and then we help them with the testing, what testing they need to do, their risk management, usability, all that fun stuff. And then contact and help them work with the manufacturers. So contract manufacturers, then their regulatory approval. So really what we try to do is, 'cause we're bringing all this expertise as a group of people together, the entrepreneur, usually a salesman or surgeon at this point, who may be a university spin out, can spend a lot of time and money trying to find these experts, trying to find these resources, trying to understand the product development, the MedTech product development process, which is all written down in various books, but when you get down to the details, it gets really complicated. So what we do is help them go through that as fast and as efficiently as a possible, so they're not wasting capital fishing around for those experts. We already have that network of experts that we can bring in and take them through the process as quickly as possible. So that's what Archetype Medtech do for our clients. And has been successful. We have quite a number of clients, mostly in orthopedics and surgical 'cause that's my specialty in medtech. And what we also do, we just don't want to be a management consultancy firm. Well, we do if it's right, we share what we call expertise for equity. So we'll take some equity from the company, but we'll cut our day rates or maybe do it for free, do and help them go through the process as quickly as possible. That means we've got skin in the game, right? We're not just taking their money and going, "Great. This is great. Good luck on the commercialization. Not our problem." [00:15:29] Lindsey Dinneen: Right. [00:15:30] Stuart Grant: It is our problem. 'cause we want a return on our risk and our investment as well. So, yeah, that's what we try to do. And along with that we do a load of pro bono work with surgeons in the NHS who have had ideas. We help them just get their idea a bit further along so they can start looking for funding and investment, and I can share that with you later 'cause it's a really important program that the NHS run it. If there's any mentors out there that want to get involved I can point them in the right direction. [00:16:00] Lindsey Dinneen: Actually that's fantastic and I would love to hear a little bit more about the organization and yeah, how people can get involved and help and what do they all do. [00:16:10] Stuart Grant: Yeah. So the NHS have set up this called NHS Clinical Entrepreneurs Program. This is not my company. This is a completely separate organization. And what it is, clinicians, anybody who works in the NHS-- you know NHS is a 1.6 million people who are employed in the NHS. It's a massive company organization. They come up with clinical needs 'cause they're in the problem and they start working out how they solve it, even through medical device or health tech or an app or anything, right? And they can go into this, it is basically the equivalent of an accelerator program over about nine months. And we have mentors like myself who work with those clinicians to help them develop their idea. So I've got a couple of clinicians that I work with. One is developing a neurosurgical device for helping him cut out tumors in the brain. At the moment, they use two tools. They use a scalpel and a cordy, a bipolar cordy, and they're very basic tools. And what he has to do, he's under a microscope, and he has to swap these one by one, does this scalpel to cut the vascularization of the tumor. Then he has to seal it. And he has to pass the nurse has to pass in these tools and he can't see a, see the nurse passing him. So he is like, "Can I develop a tool that's in one a scalpel and a bipolar" so he doesn't have to keep changing the tool in his hand? And you can know by the cognitive load and changing that tool in the field that these surgeries take eight to 12 hours to cut out a tumor from the brain. So he's saying every, he swaps his tool about 200 times and it takes three seconds. So you can start doing the maths. [00:17:59] Lindsey Dinneen: Yeah. [00:18:01] Stuart Grant: Yeah. And then the other, so the other is a doctor, actually, the doc is a neonatal doctor and he's trying to develop a langoscope for neonatal babies. The langoscopes at the moment haven't really improved in the last 60 years. The Muller blades, they're called, and they're the stainless steel things that basically adult ones have been shrunk down to baby size and changed a little bit. They're not very good. And when you've got a newborn baby who's struggling to breathe, the mother's there obviously upset, so the father's probably there and you're trying to get langoscope down their throat, it's not a great, it is a very stressful situation, so he's kind of developed a, trying to develop a better one, right? Even the simple things. These things are made of stainless steel and you put a piece of metal on a baby's tongue. A newborn baby's obviously never experienced cold before, so they obviously start freaking out and squirming and you're trying to get this thing down her throat. It's crazy. So I'm helping him to see if he can come up with a better solution. He's got a, got an idea at the moment. He's developed some prototypes and we're gonna help him get it, see if we can get it a bit further along, and hopefully get to the market and solve this real small unmet clinical need, but really important one. [00:19:16] Lindsey Dinneen: Yeah. That's incredible to hear about both of those stories. That is really exciting. I love I-- this is partly why I love this industry so much is the innovation coming out of it is always amazing. People care so deeply about making a difference and improving patient outcomes, and then to hear about those kinds of innovations, ugh, that's awesome. [00:19:38] Stuart Grant: Yeah. Yeah. So if there's any experts out there listening who wanna get involved in the N-H-S-C-E-P program, I know Australia does one too. So yeah, get involved and share your knowledge freely to some clinicians who wanna, who have found an unmet clinical need and wanna solve it, but don't know how to. [00:19:56] Lindsey Dinneen: Yeah. Love it. That's fantastic. So it, it seems like, you know, from your career trajectory and your continuing education all this time that you are not someone who sits still very well. And I think you mentioned this a little bit in your LinkedIn profile, you like to keep moving. So one of the things that I noticed that you do, and I'd love if you share about it, is you do lectures on the history of innovation. Could you share a little bit about that? [00:20:24] Stuart Grant: Yeah. So. I I really, so I sort of got into reading about innovate. I love reading innovation books, right, nonfiction, innovation books, which I got in about 10 years ago. I read probably one of the first one was "The Idea Factory," which is about Bell Labs. And that was how Bell Labs has invented the telephone system and invented the transistor, won a load of Nobel Prizes. Shockley and Bardine were there. They just had this crazy Medici effect going on in Bell Labs. The Medici effect when you collect everybody together in a small area and they just start bouncing ideas and coming up with some hugely creative solutions. And that comes from Florence when DaVinci and Michelangelo and Raphael were all kicking about Florence and they were all paid for by the Medici family, so this why it's called the Medici. There's a book about it actually called "The Medici Effect." So I started reading all this and started just going backwards in history and getting to the industrial revolution and how the industrial revolution happened. And going further back to these group of men called the Lunar Men who were in Birmingham here in the UK who basically, it was James Watt, who invented the steam engine, Wedgewood, who was the pottery guy. It is Rasmus Darwin, who was Charles Darwin's great-grandfather. Yeah. All these people, they were called the Lunar Man 'cause they met every month in the full moon and discussed ideas and I think probably got drunk. [00:22:00] Lindsey Dinneen: I mean... [00:22:03] Stuart Grant: So yeah, I just love reading it and you know, I love, I'm now a little bit of a brag. As of last month, I'm a fellow of the Institute of Mechanical Engineers, and that is quite prestigious that was created by George Stevenson, and George Stevenson was the guy who created the steam train. [00:22:23] Lindsey Dinneen: Okay. [00:22:23] Stuart Grant: So we took Watts' idea of the steam engine, put it on wheels, figured out how to work. And I love, I just love steam trains and that's very dorky of me, I know. But I love, as a mechanical engineer, just seeing all the bits move and actually seeing them chug around all the noise and the steam. And here where I live in Yorkshire, in the UK, up the road in York is the National Railway Museum, which all the steam trains are at. Darlington is west. George Stevenson had his the original railway, the Darton Stock Railway. So George Stevenson created the Institute of Mechanical Engineers 'cause he was a mechanical engineer and his son created the rocket the first really fast once, Robert Stevenson. So learning all this and then figuring out how, then I went back-- I'm, so this is a long answer to your question-- then I went back went back and like understood why the industrial revolution happened and it was all about the banking system here, how people could get capital. And then the legal system grew up to protect that capital. And then agriculture improved in the UK so people weren't just stuck on farms, subsistence farming. There was enough food being produced to support the population so the population could go and work in factories and obviously James Watt creating the steam power created more power. So people in horses and everybody didn't have to work so hard. And then there was politics involved with the Hugonos, which were the Protestant, the French Protestants came over and they had all, they had the ability to make all these machine parts, 'cause that's our skill. Some of them came to the UK and the others went to Switzerland. And that's where the watch industry in Switzerland created. And then, you know, and then the scientific approach and the enlightenment came in the UK and it all just sort of bubbled up into the industrial revolution and then cascaded through the 19th century and the 20th century in. Here we are in the 21st century. So I just love knowing that whole pathway of somebody said "We need more legal," and then somebody said, "We need more banking" and as startups, right, investment is the king. So it all started 300 years ago with the UK banking system. [00:24:35] Lindsey Dinneen: Fascinating. Oh my goodness. That is so interesting. Yeah. Okay. One other interesting thing I caught from your LinkedIn profile is that you are a painter, but you are an exhibited painter, yes? [00:24:51] Stuart Grant: Yeah, I, well, I try. [00:24:54] Lindsey Dinneen: Okay. [00:24:54] Stuart Grant: So yeah. Obviously I did product design right? And I did product design because at school, I was good at art and I was good at maths and physics. So I was looking around going, "What discipline do those three things fit together?" And it looked like it was product design. I was like, "Okay, I'm half an engineer, half an artist, not good at either." So about 10 years ago I decided to pick up art again. It was, started to go to classes and doing landscapes and actually sadly the industrial decline of Britain's, so the old buildings of the industrial revolution and stuff like that. So I paint that stuff. [00:25:36] Lindsey Dinneen: Oh, that's so cool. [00:25:37] Stuart Grant: Put it into exhibitions and sometimes get rejected, sometimes get accepted, and try and sell a couple so I can at least call myself an artist. [00:25:45] Lindsey Dinneen: There you go. I love it. Yeah. Well, and that creativity and that artistry does, you know, impact your work in general, because I think sometimes having that outlet actually spurs some just creative solutions outside of the box that, you know, might have not come to you immediately if you were just like, you know, head down, really working hard on this project. And then if you could take a step back do you feel that it helps you in that way at all? [00:26:15] Stuart Grant: Yeah. Yeah, it definitely does. Not thinking about work is and just having it percolate in the background and not actually, 'cause it's a very slow deliberate process painting, right? So it does, you just lose hours and hours painting something, which is really nice. Obviously I've got a, I've got a 5-year-old at the moment running around, so I don't do that much painting. I usually just reserve it for when I go to my art class on Wednesday nights 'cause trying to focus is not a thing for a 5-year-old. [00:26:46] Lindsey Dinneen: Yeah, That's fair. Okay. Well, all right, so pivoting the conversation just for fun. Imagine that you were to be offered a million dollars to teach a master class on anything you want. It could be within your industry. It also could be your history of innovation, but what would you choose to teach? [00:27:08] Stuart Grant: So I thought about this when you gave that question because I was like, "Well, I've already talked about the history of innovation and that can pretty boring." So my other boring side, when you do a PhD, you always wish you did another subject. That's the thing is like, I wish I studied that instead. So my, as you go through the PhD, you learn other things and you're like, "Oh, that's really interesting." And you go down rabbit holes and you're like, "Oh, well stop. That's not my job. That's not what I'm trying to do here." One of the ones was how technology and society are interlinked. So technology drives society, and we've got lots of examples of that. Steam engines, trains, telephones, electricity, light bulb, broadband, and now AI. And so technology affects society. Then society drives technology. They're a virtuous circle. Some people say it not virtuous at all, but they, that's what happens. And understanding how those two things, society and culture and technology all interact is really interesting to me. And obviously not all technologies are adopted. Some are abandoned. Sometimes the better technology is abandoned for an inferior technology for lots and lots of reasons. There's examples. In the eighties, it was VHS and beta max, Blu-ray and HD DVDs. And what else? The keyboard, QWERTY keyboard is meant to be terrible. And that was designed 'cause of typewriters at the time. So the keys didn't smash together, but obviously that's not needed anymore. So those things interest me and I like to study that more, but I like to study it. Thinking about medtech and how our technology in medtech has affected society and using that lens 'cause we also always talk about clinical needs, right? What's your unmet clinical need? What are you trying to solve here? But there's also a social and cultural need that you are maybe not addressing directly, but you are addressing it. And how that drives medtech, and you know, it's we talk about like medtech equality and democratizing medtech and making it more accessible, but there's always the flip size of medtech inequalities. The big one probably at the moment is robotic surgery. Hugely expensive. Only available to very few. So how will that filter through society? How does that affect society? Will it just be for the rich developed countries to use robotic surgery? How will that affect it going forward the next 10, 20 years? Because it uses a capital equipment, right? They can't be diffused through society very easily. So that, that's one thing I would like to study and sort of talk about a little bit more, 'cause I think it's really interesting, especially now AI is being talked about and how digitizing healthcare is gonna happen over the next decade. Interesting if we're overclaiming that at the moment and a lot of startups are overclaiming, what they can really do and is it gonna, is there gonna be a backlash? Who knows? Let's see. In our, maybe in a decade, I'll present a course on it. [00:30:23] Lindsey Dinneen: There you go. Okay. And time will tell. Alright. I like it. Very cool. Okay. And how do you wish to be remembered after you leave this world? [00:30:34] Stuart Grant: Yeah. My PhD was like, I would probably like, I'd like to remember my PhD findings, but I'm like, no, who cares? [00:30:44] Lindsey Dinneen: Oh. [00:30:45] Stuart Grant: I, I've got, of course, my family, making an impact on my, what I've done here with my family, but, and I was really thinking about this question earlier. I was like, "Well, I hope this isn't the end. I hope I haven't peaked." [00:31:02] Lindsey Dinneen: Yes, that's fair, okay. [00:31:06] Stuart Grant: So maybe the next 20, 30 years, hopefully I'll be remembered for something, I hope. [00:31:12] Lindsey Dinneen: Okay. To be determined. I like that. I like that a lot all right. [00:31:18] Stuart Grant: It's a positive. [00:31:20] Lindsey Dinneen: Yeah. It's, and it's a forward way of thinking that, you know, you don't have to limit yourself to what you've already done or accomplished or seen. Who knows? The world is exciting. Yeah. I like it. Okay. [00:31:33] Stuart Grant: Well, yes, I'm yeah, definitely. [00:31:35] Lindsey Dinneen: Yeah, all. [00:31:36] Stuart Grant: One of the things we're doing-- I was looking at the Australian MedTech market and really just trying to figure out what's going on to see if there's anything I can do there. And talking to my wife, we decided, 'cause my daughter's not at school yet, we decided, "Let's go to Australia for an extended holiday." And it was gonna be like a month and we'll start working it all out, like we're just gonna go for three months, March, April and May this year, to sort of experience Australia, experience the MedTech market, go meet a lot of people, understand and just sort of grow and try to understand another way of people. I know Australia, they've got a similar culture to the UK and the US. But they do, they are far away. So they have a different take on things. And I wanna see what a difference is and see if I can get involved. So we're off to Australia on the MedTech market, so if anybody's listening, reach out to me on LinkedIn. It'll be we'll hopefully when I'm over there, we are in Brisbane. We can meet up. [00:32:32] Lindsey Dinneen: Excellent. Yeah, no, that's really exciting. And I actually have a few people I can connect you with as well, so, yeah. Okay. And then final question. What is one thing that makes you smile every time you see or think about it? [00:32:48] Stuart Grant: Oh. I think it's, it is back to my old answers, it's back to the steam trains. I just love watching the mechanism going around. My, me and my daughter who's exhibiting engineering characteristics, shall we say. Love, we love going to the railway museum and running around 'cause you can go and touch the trains, you can get on them, you can get your hands greasy if you want to, if you touch the wrong bit of it. She loves seeing them. And they're just, so when these engineers designed all these big bits of metal, they didn't have FEA or CAD or anything. They just sort of took a guess at the curves and how it should look. And some of these parts they designed are so beautiful when you start looking at them, it just makes me smile, like there was a person, a man, we'll have to say a man, right, 'cause it was 200 years ago... [00:33:44] Lindsey Dinneen: Right. [00:33:44] Stuart Grant: A engineer who decided he was gonna make it like that out of wood. And they were cast into iron and they just they were just sitting in their shop and just did what they thought was right. And most of the time it didn't break. [00:34:00] Lindsey Dinneen: Most of the time. There you go. Yeah. That's great. I love that. Well this has really been a fantastic conversation. I'm so grateful for you joining me today and sharing just some of your history and you know, what you're looking forward to next. I think it's, I think it's really incredible when you get to combine all the different things, like you said. You've got sort of that design and problem solving and you've got the engineering and you've got all these cool things that just make you an incredible help to the MedTech industry. And we're excited to be making a donation on your behalf, as a thank you for your time today, to Sleep in Heavenly Peace, which provides beds for children who don't have any in the United States. So thank you for choosing that charity to support. Thanks for joining and thanks for everything you're doing to change lives for a better world. [00:34:52] Stuart Grant: Yeah, thanks, Lindsey. It's been a real pleasure talking to you. [00:34:55] Lindsey Dinneen: Yeah, absolutely. Thank you again. [00:35:00] Dan Purvis: The Leading Difference is brought to you by Velentium Medical. Velentium Medical is a full service CDMO, serving medtech clients worldwide to securely design, manufacture, and test class two and class three medical devices. Velentium Medical's four units include research and development-- pairing electronic and mechanical design, embedded firmware, mobile app development, and cloud systems with the human factor studies and systems engineering necessary to streamline medical device regulatory approval; contract manufacturing-- building medical products at the prototype, clinical, and commercial levels in the US, as well as in low cost regions in 1345 certified and FDA registered Class VII clean rooms; cybersecurity-- generating the 12 cybersecurity design artifacts required for FDA submission; and automated test systems, assuring that every device produced is exactly the same as the device that was approved. Visit VelentiumMedical.com to explore how we can work together to change lives for a better world.

In apertura del podcast restiamo ancora sul caso dell'ex principe arrestato per capire con Raffaella Troili le reazioni del fratello, lo sfortunato Re d'Inghilterra Carlo III, quindi annunciamo un scoop del Messaggero e della vaticanista Franca Giansoldati, apriamo la pagina di cronaca con l'inviata Laura Pace e il caso di Domenico, il bimbo di Napoli dal cuore bruciato, quindi ci spostiamo a Roma con Valentina Pigliautile e la riapertura di uno degli alberghi più prestigiosi della capitale, con Fabio Nucci parliamo di economia e di aziende che vogliono cavalcare il momento, con l'esperta Gloria Satta andiamo al cinema per incontrare un anti-Zalone e chiudiamo con la giornata sport di Massimo Boccucci prima con il tennis e Sinner, quindi con le olimpiadi invernali.

Antes de las Tortugas Ninja, hubo un Donatello de verdad… y estaba haciendo esculturas tan realistas que daban miedo. En este capítulo nos vamos a la Florencia del siglo XV para conocer a Donatello, el artista que rompió con la Edad Media y prácticamente inventó el Renacimiento en piedra y bronce. Hablamos de su famoso David (sí, el que es anterior al de Michelangelo), de su obsesión por el realismo, de cómo logró que el mármol pareciera carne y de por qué su trabajo cambió la historia del arte para siempre. También te contamos el contexto político de Florencia, los Médici, las envidias artísticas y cómo este señor pasó de ser aprendiz a convertirse en el escultor más revolucionario de su época. Prepárate para drama renacentista, innovación artística y uno que otro chisme del siglo XV. Dale laik, suscribete y picale a la campanita para poder ver todos nuestros episodios, andaleeeeee. ✨️

Send a textBeauty can preach. From the first words, we invite you into the luminous world of Fra Angelico—Dominican friar, master painter, and blessed soul—whose brush turned prayer into color and gold into theology. Guided by chant, silence, and Eucharistic devotion, his vocation formed at Fiesole and blossomed in Florence's San Marco, where frescoes still teach monks and pilgrims to adore in quiet. We explore how his Annunciations and Crucifixions do more than depict events; they create space where doctrine meets wonder and the heart learns to kneel.Our journey moves through Renaissance Florence to the Vatican, where Pope Nicholas V recognized a saintly hand capable of renewing Rome's sacred imagination. Inside the Nicoline Chapel, we look closely at the lives of Stephen and Lawrence as rendered by a painter who treated every wall as an altar. We unpack his materials—crushed lapis, azurite, and gold leaf—and his choices—measured perspective, compassionate faces, and halos that glow with lived faith—to show how technique bows to purpose: to lead souls to Christ present in the Eucharist.We then turn to iconography and influence. Mary's royal blue, the angelic hosts' living flame, and the quiet resolve of saints like Dominic and Thomas form a visual catechism that shaped Fra Bartolomeo, Perugino, early Raphael, and even touched Michelangelo and Leonardo. Along the way, we trace a theology of light—Lumen Christi—that makes his work feel both intimate and immense, a gentle summons to contemplation and mission. By the end, you'll see why Fra Angelico remains a guide for artists, pastors, teachers, and anyone longing for sacred beauty that heals and convinces.If this resonates, journey with us: explore pilgrimages, devotional resources, and ways to bring sacred art into your prayer. Subscribe, share with a friend who loves the Renaissance, and leave a review telling us which work of Fra Angelico opened your heart today.Fra Angelico Collection at Journeys of FaithOpen by Steve Bailey Support the showDownload Journeys of Faith App for Iphone or Android FREE https://journeysoffaith.com/pages/download-our-app Journeys of Faith brings your Super Saints Podcasts Please consider subscribing to this podcast or making a donation to Journeys of Faith we are actively increasing our reach and we are seeing good results for visitors under 40! Help us Grow! ***Our Core Beliefs*** The Eucharist is the Source and Summit of our Faith." Catechism 132 Click Here “This is the will of God, your sanctification.” 1Thessalonians 4“ Click Here ... lay up for yourselves treasures in heaven...” Matthew 6:19-2 Click Here The Goal is Heaven Click Here...

Alessandro Angelini"Roma Seicento"La sculturaOfficina Librariawww.officinalibraria.netQuando si pensa alla scultura del Seicento a Roma vengono subito in mente le celebri opere di Gian Lorenzo Bernini: dall'Estasi di Santa Teresa in Santa Maria della Vittoria alle celebri opere della Galleria Borghese, Apollo e Dafne, il David, il Ratto di Proserpina... Il concetto stesso di Barocco romano s'identifica con il suo nome, ma altri grandi scultori contribuirono a rendere estremamente sfaccettato e complesso il panorama straordinario della statuaria a Roma di quegli anni. Il percorso prende le mosse dalla produzione scultorea dei primi decenni del secolo, rappresentata da diverse personalità e da un accentuato cosmopolitismo, che tende poco dopo a polarizzarsi attorno alle figure di Bernini, Alessandro Algardi e François Duquesnoy. A un nuovo modo di confrontarsi con l'antico si accompagna una vigorosa tendenza al colorismo di matrice veneziana e una ricerca di effetti e toni di sorprendente originalità, analizzate attentamente in una lunga introduzione al volume che ambisce a essere una vera e propria guida della città. Questo libro espone, in modo lineare e secondo una serrata successione cronologica, quei fatti storico-artistici grazie a numerose tavole a colori, aggiornati apparati e una mappa di Roma in cui ritrovare le opere dettagliatamente analizzate in agili schede di approfondimento.Alessandro Angelini (Siena, 1958), laureatosi con Giovanni Previtali, è professore ordinario in Storia dell'arte moderna all'Università degli Studi di Siena. I suoi interessi si sono concentrati per lo più sulla pittura del Rinascimento a Siena e in Toscana e sulla scultura del Seicento a Roma. Tra le sue pubblicazioni Gian Lorenzo Bernini e i Chigi tra Roma e Siena (1998); Bernini (1999); Pio II e le arti. La riscoperta dell'antico da Federighi a Michelangelo (2005); Piero della Francesca (2014). Nel 2022 ha co-curato la mostra urbinate su Federico da Montefeltro e Francesco di Giorgio: Urbino crocevia delle arti. Fa parte della redazione della rivista «Prospettiva». Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Full Text of Readings Ash Wednesday Lectionary: 219 The Saint of the day is Blessed John of Fiesole Blessed John of Fiesole's Story The patron of Christian artists was born around 1400 in a village overlooking Florence. He took up painting as a young boy and studied under the watchful eye of a local painting master. He joined the Dominicans at about age 20, taking the name Fra Giovanni. He eventually came to be known as Fra Angelico, perhaps a tribute to his own angelic qualities or maybe the devotional tone of his works. He continued to study painting and perfect his own techniques, which included broad-brush strokes, vivid colors and generous, lifelike figures. Michelangelo once said of Fra Angelico: “One has to believe that this good monk has visited paradise and been allowed to choose his models there.” Whatever his subject matter, Fra Angelico sought to generate feelings of religious devotion in response to his paintings. Among his most famous works are the Annunciation and Descent from the Cross as well as frescoes in the monastery of San Marco in Florence. He also served in leadership positions within the Dominican Order. At one point, Pope Eugenius approached him about serving as archbishop of Florence. Fra Angelico declined, preferring a simpler life. He died in 1455. Reflection The work of artists adds a wonderful dimension to life. Without art our lives would be much depleted. Let us pray for artists today, especially those who can lift our hearts and minds to God. Blessed John of Fiesole: Pray for us!Saint of the Day, Copyright Franciscan Media

Click Here to Text us. Yes really, you totally can.It's Jeremy's final episode for a few months, and we make the most of it in a extra-long, extra-unhinged episode where we discuss:Guess WhatCelebrate Friday the 13th in Theaters for 2026LawngerieBig Guys run at each other because...sports!Mary Poppins & Pennywise are relatedMike's name is now 'Baby Beaver'Even WeirderA beer with an INSANE alcohol content A barber who's just doin' sh*tDanny DeVitoadA UFO college course!Michelangelo hid some Bigfeet in his painting!Beyond The PaleMike shares stories of TERRIFYING SUMMER CAMPS. So, y'know...summer camps.Source 1Source 2Source 3Source 4Source 5Whatcha Wanna Talk About?Mike gives Zack and Jer their FINAL EXAM on GEN Z vernacular.Check Out Our Website!Join our Discord!Check out our Merch Store HERE!Follow us @theneatcast on TikTok!Follow us @neatcastpod on BlueskyFollow us @neatcastpod on Twitter!Follow us @neatcastpod on Instagram!Follow us @theneatcast on Facebook!

I greet you in Jesus' precious name! It is Sunday morning, the 15th of February, 2026, and this is your friend, Angus Buchan, with a thought for today. We start in the Gospel of Mark 15:37,”And Jesus cried out with a loud voice, and breathed His last.” Then we go to John 19:30:”So when Jesus had received the sour wine, He said, “It is finished!” And bowing His head, He gave up His spirit.” Mission accomplished. The job is done. What an amazing Saviour we have! He didn't stop halfway. He didn't say to His Father in the Garden of Gethsemane, ”Lord, I can't do this.” No, he finished the job. You and I must finish what we have started. You know an unfinished job is very ugly, like a half-built building. Rather don't start than stop halfway through. I looked up how long it took for King Solomon to build the first temple. It took approximately seven years and he finished it. What about the second temple? That took almost twenty to twenty-one years to build. We really need to work hard and finish what we have started.Michelangelo, that wonderful artist, when he painted the ceiling of the Sistine Chapel, it took him four years, folks. He had to build his own scaffold. Can you imagine climbing up there? It is very, very high, and then he did it upside down, but he finished that work of art for the glory of God.That young student who's thinking of dropping out of university, don't do it, finish your degree. That marriage that you are working through, ”Angus, we just can't get it right.” Ask God to help you. Philippians 1:6 says:”being confident of this very thing, that He who has begun a good work in you will complete it until the day of Jesus Christ;” When you start something, you must finish. It's no good saying you started, rather don't start. Finish the job!Jesus bless you and have a wonderful day.Goodbye.

Episode 537 von TMNT - Der Talk. Das Hauptthema diesmal sind die "Die Abenteuer der TMNT"-Folgen "Der Aufstieg des Night Ninja ", "Die Rückkehr des Night Ninja" und "Rache für die Katz". Besucht auch die Website unter https://www.tmnttalk.com/ oder schreibt mir an tmnttalk1984@gmail.com.

Episode 231 of "TMNT - The Talk" in English. I am talking about "TMNT: Casey Jones#2", "TMNT: Casey Jones#3" and "TMNT: Casey Jones#4" by IDW Comics. Check out the website at https://www.tmnttalk.com/ or send me an e-mail at tmnttalk1984@gmail.com.

PodChatLive 216: Paediatric flat foot, Homeopathy for calcaneal spurs, & Ostenil in the penisContact us: getinvolved@podchatlive.comLinks from this episode:Efficacy of Individualized Homeopathic Medicines in Managing Pain of Calcaneal SpurPrevalence and modifiable risk factors for pediatric flatfoot among schoolchildren in Kunming and KandaharNewly discovered Michelangelo foot sketch sells for £16.9m

Pastor Jimmy shares the process God uses to refine us into the people he has made us to be! Much like Michelangelo's David there is a lot of removal being done!

Episode 536 von TMNT - Der Talk. Das Hauptthema diesmal sind die "Die Abenteuer der TMNT"-Folgen "Die Insel", "Die anderen Mutanimals" und "Die Ungewollten". Besucht auch die Website unter https://www.tmnttalk.com/ oder schreibt mir an tmnttalk1984@gmail.com.

The Epstein files has raised big questions beyond politics, Sunday explores the moral dimension of the latest revelations. Documents reveal that in 2017 the financier and convicted paedophile was sent fragments of a cloth used to cover the Kaaba - also known as the House of God - in the Great Mosque of Mecca. Edward Stourton discusses the revelation with Leicester imam Sheik Ibrahim Mogra. A hammer price of 23 million dollars is quite a lot to pay for a small chalk drawing of a foot. Michelangelo sketch was part of a study for the magnificent Sistine Chapel fresco. Jarda Da-man, a specialist in Old Masters at Christies, describes it for the Sunday audience.The BAFTA awards are a fortnight away and the documentary 'Apocalypse in the Tropics' is in the running. It is a story of religion and right-wing politics set in Brazil, and focuses on the rule of Jair Bolsonaro, who was the country's president from 2019 until 2023, before he was replaced by President Lula da Silva. Petra Costa directed the film and details the rise in evangelical Christianity against the setting of Brazilian politics.Presenter: Edward Stourton Producers: Bara'atu Ibrahim & Katy Booth Studio Managers: Lynsey Akehurst & Phillip Halliwell Editor: Tim Pemberton

Bonjour! Bienvenue à Renaissance France! (That means welcome to renaissance France in French!) (Also, no one speaks French in this movie except for "monsieur" and "madame"). We are discussing Ever After, a beautiful movie that flips the script on the classic fairytale trope way before its time. Danielle (or Daniella?) is a woman who don't need no man, and is more than willing to save the pouty prince in his castle. We get Leonardo di Vinci and his boat shoes playing the role of the fairy godmother, while the Baroness de Ghent (Anjelica Huston) SLAAAAYS as the evil step-mother. (I have been coaching Erin on Drag Queen terms) (Yeah, right!) We talk about so much from Henry XIII's divorces, Michelangelo painting the Sistine Chapel, to the anti-Pope and the Byzantine Empire (it was still the Roman Empire). We don't know how else to say it; we love this movie and every message it brings with it. Women are smart and powerful, the men need to stop moping and get to work, and we really want that painting of Drew Barrymore because it is actually a work of art. 

In Venezuela, families of political prisoners have been rallying outside the Supreme Court in Caracas, chanting for the release of their loved ones. Lawmakers in the country have approved the first step of an amnesty bill introduced by the interim leader, Delcy Rodríguez, in a move towards freeing hundreds of opposition politicians, journalists and human rights activists detained under previous governments. Also: scandal in Norway as police launch corruption investigation into the former Prime Minister Thorbjørn Jagland's ties to the late sex offender Jeffrey Epstein. Scientists in China find a potential alternative to conventional cervical cancer tests. We find out how South Africa's fight against HIV has been affected by the sweeping cuts to the United States foreign aid programme. Finland becomes the latest country to adopt a priority traffic system, allowing lights to turn green for emergency vehicles. How a previously unknown Michelangelo drawing became an auction sensation. And - why ski jumpers are being accused of a very unusual form of cheating in the run-up to the Winter Olympics.The Global News Podcast brings you the breaking news you need to hear, as it happens. Listen for the latest headlines and current affairs from around the world. Politics, economics, climate, business, technology, health – we cover it all with expert analysis and insight. Get the news that matters, delivered twice a day on weekdays and daily at weekends, plus special bonus episodes reacting to urgent breaking stories. Follow or subscribe now and never miss a moment. Get in touch: globalpodcast@bbc.co.ukPhoto credit: Ronald Pena

On this episode of The Ty Brady Way, Ty sits down with Chris Avery, a faith-first performance coach who's been running every single day for over 1,400 days straight, and in 2027, he's planning to run 50k a day around the entire perimeter of America. Chris opens up about his journey from 17 years of addiction to drugs, alcohol, and pornography to finding God, meeting his wife, and discovering that running wasn't just about miles, it was about proving to himself and others that we're capable of way more than we think. Chris takes you through the moment that changed everything, when he said yes to running his wife's last marathon with zero training just to be a good teammate, and how crossing that finish line unlocked something deeper, a spiritual connection and a new understanding of what it means to push past limiting beliefs. He talks about starting small with just one mile a day, building up to 17 miles a day now, and how the hardest days, like running 14 miles at 11:59 PM the night his son was born, became the ones that built the most purpose. You'll hear about how Chris coaches men to stop thinking their way out of problems and start acting their way out, breaking down big goals into five-minute actions so small they almost seem stupid not to do. He shares his vision for the next 10 to 15 years, building a brotherhood of business owners, buying up real estate to create communities where men can support each other, mentor each other, and build businesses without the golden handcuffs of a salary. Chris wraps it up with his favorite Michelangelo quote about chipping away the marble that isn't you, reminding us that we're not lazy, we're just out of alignment, and the key is understanding who we are and getting into action as fast as possible. If you're looking for a conversation about faith, discipline, fatherhood, and what it really takes to become the leader God is calling you to be, this episode is it. As always, we would like to hear from you! Email us at thetybradyway@gmail.com Or DM us on Instagram @thetybradyway

How can you train your son into good character, character that will last, character that will see him become a man of responsibility and action?The allures of society can drown your son in ease of life, pleasure, and infinite time-wasting.  Many young men simply fail to do anything with their lives.It doesn't have to be this way.Irving Stone wrote of Michelangelo in The Agony and the Ecstasy, “...his own integrity… forced him to do his best, even when he would have preferred to do nothing at all.”There is a way to instill character in your son: give him godly mentors, a high target to aim for, and set challenges for him that will awaken the fire within his soul.For more encouragement and parenting advice, visit Trail Life USA or RaisingGodlyBoys.com.

The agreement would re-establish high level dialogue for the first time since President Putin ordered the invasion of Ukraine. Also in the programme: cuts at the Washington Post; a rare Michelangelo is auctioned in New York; BBC Persian creates a 'face wall' of those who have died in the Iran protests; and the director of the multi-Oscar nominated Sentimental Value - Joachim Trier - talks to us about his new family drama.(Photo: Members of the U.S. delegation attend the second round of trilateral talks between the U.S., Russia and Ukraine, in Abu Dhabi, United Arab Emirates, February 4, 2026.UAE Ministry of Foreign Affairs Handout via Reuters)

Today's episode is about wine, Vatican City, and the papacy.The Vatican City, officially known as the Vatican City State, is an independent city-state enclaved within Rome that serves as the headquarters of the Roman Catholic Church and the home of the Pope. As the smallest internationally recognized independent state in the world by both area and population, the history of the Vatican City is closely intertwined with that of the Papacy and the Catholic Church.One integral part of this history is wine. As wine holds religious and cultural significance for the Catholic Church, the vineyards and wineries within the walls of Vatican City and the Papal States have an extensive history dating back centuries. This blog post will provide an overview of this history, exploring the relationship between wine, the Vatican, and the Papacy throughout the years.Wine has long held religious and cultural importance within the Catholic Church. As one of the elements of the Eucharist – the ritual commemorating the Last Supper of Jesus Christ – wine holds deep spiritual meaning. Cultivating vineyards and producing sacramental wines thus have ancient origins within the Church.Archaeological evidence suggests vineyards have existed in the Vatican since Roman times. As the seat of the Roman Catholic Church was established in Rome beginning in the 4th century AD, wines grown in the surrounding regions became associated with the Papacy and the Vatican.In the Middle Ages, the Papal States expanded to encompass a large area of central Italy. Wine production flourished in these regions under papal patronage. Important wines were produced in areas near Rome, like Frascati, Est! Est!! Est!!! Di Montefiascone, and Orvieto Classico.The Avignon Papacy, from 1309 to 1377, when the Papacy resided in France instead of Rome, introduced Italian wines to the French aristocracy and royalty. The so-called “Popes' wines” gained significant renown. The Popes' treasury of wines laid the foundations for the Vatican to become a driving force in the development of Italian wines.Following the return of the Papacy to Rome, the Renaissance Popes of the 15th and 16th centuries oversaw a “golden age” for Vatican wine production. Pope Julius II, who commissioned Michelangelo to paint the Sistine Chapel ceiling, owned vineyards in Frascati and viewed wine as a status symbol among the church hierarchy.Pope Leo X, born to the famous Florentine Medici family, continued to elevate the role of wine in Vatican culture. He grew up appreciating fine wine and held lavish feasts and celebrations with copious amounts of Tuscan wine. Leo X declared Roman wine shops tax-exempt to ensure an adequate supply.Vatican wine production reached new heights under Pope Paul III in the mid-16th century. He appointed a personal “wine taster” to make the Vatican self-sufficient in wine. Vatican-owned Roman vineyards expanded via land reclamation projects along the Tiber River.Paul III established a stockpile of fine-aged wines in the Vatican cellars for his inner circle to use. Wines like Greco di Tufo were collected to fill hundreds of amphorae. This stockpile of exclusive vintage wines essentially established the Vatican as the world's first “wine bank.”In the 19th century, the Vatican's wine industry faced significant upheaval due to geopolitical changes and the phylloxera epidemic. The unification of Italy in the mid-1800s confiscated most of the Papal States' lands outside Rome. This significantly diminished Vatican-controlled vineyards and wine production and severed ties between Rome and historic wine zones like Montepulciano and Orvieto.Then, the phylloxera outbreak severely damaged vineyards across Europe. Phylloxera is an insect that feeds on and destroys grapevine roots. More Podcasts HereRead Full Content HereThe Flavors + Knowledge NewsletterProduced by SimVal Media Group, USA

Hoje, ‘No Pé do Ouvido, com Yasmim Restum, você escuta essas e outras notícias: Oposição na Câmara sinaliza apoio ao fim da escala 6×1. Ex-presidente do Rioprevidência é preso em investigação sobre investimentos no Banco Master. EUA derrubam drone iraniano no Golfo. Pesquisadores afirmam que a inteligência artificial geral já existe. Filme retrata caso de estupro de menina de 13 anos pelo diretor Roman Polanski. E obra de Michelangelo passa por grande limpeza na Capela Sistina.See omnystudio.com/listener for privacy information.

What do we do with the parts of our lives that feel unfinished? In this episode, Gem reflects on Michelangelo’s unfinished sculptures and offers a hopeful, formational perspective on disappointment, unrealized dreams, and the slow work of inner transformation. This conversation invites listeners to release shame, embrace process, and receive God’s love exactly where they are. ______________________________________________________ Connect with Gem on Instagram and learn more on the Unhurried Living website and her new book, Hold That Thought: Sorting Through the Voices in Our Heads Learn about PACE: Certificate in Leadership and Soul Care Discover more Christian podcasts at lifeaudio.com and inquire about advertising opportunities at lifeaudio.com/contact-us.

The Last Touch: Why AI Will Never Be an ArtistI had one of those conversations... the kind where you're nodding along, then suddenly stop because someone just articulated something you've been feeling but couldn't quite name.Andrea Isoni is a Chief AI Officer. He builds and delivers AI solutions for a living. And yet, sitting across from him (virtually, but still), I heard something I rarely hear from people deep in the AI industry: a clear, unromantic take on what this technology actually is — and what it isn't.His argument is elegant in its simplicity. Think about Michelangelo. We picture him alone with a chisel, carving David from marble. But that's not how it worked. Michelangelo ran a workshop. He had apprentices — skilled craftspeople who did the bulk of the work. The master would look at a semi-finished piece, decide what needed refinement, and add the final touch.That final touch is everything.Andrea draws the same line with chefs. A Michelin-starred kitchen isn't one person cooking. It's a team executing the chef's vision. But the chef decides what's on the menu. The chef check the dish before it leaves. The chef adds that last adjustment that transforms good into memorable.AI, in this framework, is the newest apprentice. It can do the bulk work. It can generate drafts, produce code, create images. But it cannot — and here's the key — provide that final touch. Because that touch comes from somewhere AI doesn't have access to: lived experience, suffering, joy, the accumulated weight of being human in a particular time and place.This matters beyond art. Andrea calls it the "hacker economy" — a future where AI handles the volume, but humans handle the value. Think about code generation. Yes, AI can write software. But code with a bug doesn't work. Period. Someone has to fix that last bug. And in a world where AI produces most of the code, the value of fixing that one critical bug increases exponentially. The work becomes rarer but more valuable. Less frequent, but essential.We went somewhere unexpected in our conversation — to electricity. What does AI "need"? Not food. Not warmth. Electricity. So if AI ever developed something like feelings, they wouldn't be tied to hunger or cold or human vulnerability. They'd be tied to power supply. The most important being to an AI wouldn't be a human — it would be whoever controls the electricity grid.That's not a being we can relate to. And that's the point.Andrea brought up Guernica. Picasso's masterpiece isn't just innovative in style — it captures something society was feeling in 1937, the horror of the Spanish Civil War. Great art does two things: it innovates, and it expresses something the collective needs expressed. AI might be able to generate the first. It cannot do the second. It doesn't know what we feel. It doesn't know what moment we're living through. It doesn't have that weight of context.The research community calls this "world models" — the attempt to give AI some built-in understanding of reality. A dog doesn't need to be taught to swim; it's born knowing. Humans have similar innate knowledge, layered with everything we learn from family, culture, experience. AI starts from zero. Every time.Andrea put it simply: AI contextualization today is close to zero.I left the conversation thinking about what we protect when we acknowledge AI's limits. Not anti-technology. Not fear. Just clarity. The "last touch" isn't a romantic notion — it's what makes something resonate. And that resonance comes from us.Stay curious. Subscribe to the podcast. And if you have thoughts, drop them in the comments — I actually read them.Marco CiappelliSubscribe to the Redefining Society and Technology podcast. Stay curious. Stay human.> https://www.linkedin.com/newsletters/7079849705156870144/Marco Ciappelli: https://www.marcociappelli.com/ Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What do Michelangelo, Shakespeare, Marie Curie, Ben Franklin, and Virginia Woolf all have in common? They all created long-lasting, humanity-impacting work…without the use of AI.See, there are lots of people who will tell you that you need to use AI or get left behind. Those people are wrong.In fact, I think the way to stand out is to not use AI. At least, not in the way everyone else is using it. While most people are using it to create for them…trying to get ChatGPT to “sound just like” them, I think you what you really need to do is create time and space to do good work.AI can help you do that. I talk about how in this episode.Looking to create even more time and space? Check out my free tools audit so you can make sure the apps and gear you use to run your business are actually helping you, not hurting you: https://streamlinedsolopreneur.com/tools/What do you think? Leave feedback at https://streamlinedfeedback.comAnd finally, if you need Girl Scout Cookies and haven't had someone come to your door, check out the video Teresa made for you at https://teresacasabona.com Simplify your tech stack at  https://streamlined.fm/tools ★ Support this podcast ★

Episode 535 von TMNT - Der Talk. Das Hauptthema diesmal sind die "Die Abenteuer der TMNT"-Folgen "Die Mutanten-Kampfarena", "Titelkampf im Mutantengewicht" und "Raphi gegen den Rest der Welt". Besucht auch die Website unter https://www.tmnttalk.com/ oder schreibt mir an tmnttalk1984@gmail.com.

Episode No. 743 features author and art historian William E. Wallace. Wallace is the author of Michelangelo & Titian, which will be published by Princeton University Press on February 3. The book examines what Michelangelo and Titian saw in each other's work, how they spoke to each other in paintings and sculptures, and details their two meetings. Wallace's narrative animates the many relationships with church officials, collectors, and intellectuals that the two men had in common, providing insight into their world and the many ways in which the two artists may have addressed each other in their art. Amazon and Bookshop offer it for $19-33. Wallace was previously on Episode No. 439 to discuss Michelangelo, God's Architect. Air date: January 29, 2026.

Episode 230 of "TMNT - The Talk" in English. I am talking about "TMNT: Saturday Morning Adventures#32", "Tales of the TMNT#2" and "Tales of the TMNT#3" by IDW Comics. Check out the website at https://www.tmnttalk.com/ or send me an e-mail at tmnttalk1984@gmail.com.

The magnificent Basilica of St. Peter is our last stop as we explore the extraordinary collection of art and architecture in the Vatican. In addition to its great scale and beautiful decorum, the basilica is also home to renowned masterpieces such as Michelangelo's "Pietà" and Bernini's "Baldacchino," as well as the tombs of St. Pope John Paul II and St. Pope John XXIII.

By Elias Vazquez - This sermonette "The Master Sculptor" compares God's work in our lives to Michelangelo sculpting the statue of David, emphasizing that God sees our true potential beyond our flaws, actively transforms us through life's challenges, and assures us that the process will lead to a spiritual masterpiece

The Renaissance, a period of transformation in art, learning, philosophy and science that brought us Leonardo Da Vinci, Michelangelo, Raphael and Donatello (the artists, not the turtles). This era of the Early Modern period seems to have been tinted with reds and golds, it all sounds very classy ... but how filthy was it?Kate is joined once again by Dr Julia Martins to explore how Early Modern people washed, how they got rid of their waste, and how dangerous some of their methods were.Julia can be found at juliamartins.co.ukThis episode was edited by Tim Arstall. The producer was Sophie Gee. The senior producer was Freddy Chick.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.  All music from Epidemic Sounds.Betwixt the Sheets: History of Sex, Scandal & Society is a History Hit podcast. Hosted on Acast. See acast.com/privacy for more information.

Michelangelo said, "I saw the angel in the marble and carved until I set him free" - How do you do that in your own work? And how do you bring a place to life, even if you haven't ever been there? Traveler and archaeological-thriller writer Luke Richardson is our guide today! Luke Richardson is the author of international thrillers that blend history, mystery, and adventure in exotic locations. A former English teacher and lifelong traveller, he brings his real-life adventures to the page—and to podcasts—sharing insights on storytelling, creativity, and far-off places. ✏️ 90 Days to Done NOW OPEN! http://rachaelherron.com/90daystodone✏️ 90 Day Revision NOW OPEN! http://rachaelherron.com/revision

What if the Renaissance wasn't a rebirth at all, but a survival strategy dressed in marble and Latin? We sit down with historian and novelist Ada Palmer to unwind the stories that turned a chaotic, war-ridden Italy into a “golden age” and explore why those stories still shape our politics, schools, and museums. Ada shows how nineteenth-century nationalism carved custom Renaissances for each country, how rulers redefined legitimacy as “having Roman stuff,” and why art, libraries, and Latin became tools of intimidation in a Europe full of insecure thrones.Step inside Florence with a visiting envoy and feel how a courtyard of emperor busts, a child reciting Greek, and a bronze that looks alive can flip alliances overnight. Follow the printing press not as a spark but as a response to a library boom, amplified by Venice's trade networks and the first book fairs. Track how Europe exported “no columns, no culture” across empires, pushing colonized elites to argue their rights in Ciceronian Latin because that was the only language of power the conquerors respected. And watch the myth of superiority assemble itself, piece by piece, into a worldview that still colors public debate.Ada also challenges the feel-good claim that destruction breeds creation. Michelangelo's own letters describe years lost to stress and war; peace and stability, not crisis, are what grow output and invention. Think of history as a river: trickles, leaf-widths, canoe-widths, all real beginnings depending on what you measure. Along the way, we touch on Machiavelli's brutal eyewitness era, the Ottoman refusal to play a game Italy would always win, and the practical mechanics of censorship—past and present—that rarely resemble Orwell.If you're ready to rethink the Renaissance, question neat timelines, and see how propaganda becomes common sense, this conversation will give you new lenses. Subscribe, share with a friend who loves history myths, and leave a review with the one “truth” about the past you're now willing to revisit.Send us a text Musis by Bitterlake, Used with Permission, all rights to BitterlakeSupport the showCrew:Host: C. Derick VarnIntro and Outro Music by Bitter Lake.Intro Video Design: Jason MylesArt Design: Corn and C. Derick VarnLinks and Social Media:twitter: @varnvlogblue sky: @varnvlog.bsky.socialYou can find the additional streams on YoutubeCurrent Patreon at the Sponsor Tier: Jordan Sheldon, Mark J. Matthews, Lindsay Kimbrough, RedWolf, DRV, Kenneth McKee, JY Chan, Matthew Monahan, Parzival, Adriel Mixon, Buddy Roark, Daniel Petrovic,Julian

The Medici are remembered as enlightened patrons of art—the family behind Michelangelo, Botticelli, and the Renaissance itself.That version of history is incomplete.In this episode of Hidden Forces in History, we strip away the marble and mythology to examine Medici family as they actually were: a private banking dynasty that embedded itself inside moral authority, captured a republic without abolishing it, and rewrote its legacy through art, architecture, and storytelling.We follow the money—from Florentine ledgers to the Vatican—showing how the Medici:• Plugged into Church finance to gain leverage across Europe• Used patronage as a form of long-term propaganda• Helped trigger the Reformation through indulgence financing• Lost their bank—but preserved their legendThis isn't just a Renaissance story.It's a repeatable playbook—one still used by modern elites, foundations, and institutions today.Same system.Different century.

The most famous work of art in the Vatican Museums is Michelangelo's "Sistine Chapel Ceiling." This episode explains how best to experience this stunning work of art, as well as the other masterpieces that are in the Sistine Chapel. 

The Great Michelangelo was once asked - how he created the statue of David. He didn't say: “I'm a great artist.” Or I did something special… NO He said: I removed everything that wasn't David. Michelangelo knew something – most people never understand The masterpiece was already inside the stone. ALL HE HAD TO DO – WAS SET IT FREE!