Podcasts about Michelangelo

In Venezuela, families of political prisoners have been rallying outside the Supreme Court in Caracas, chanting for the release of their loved ones. Lawmakers in the country have approved the first step of an amnesty bill introduced by the interim leader, Delcy Rodríguez, in a move towards freeing hundreds of opposition politicians, journalists and human rights activists detained under previous governments. Also: scandal in Norway as police launch corruption investigation into the former Prime Minister Thorbjørn Jagland's ties to the late sex offender Jeffrey Epstein. Scientists in China find a potential alternative to conventional cervical cancer tests. We find out how South Africa's fight against HIV has been affected by the sweeping cuts to the United States foreign aid programme. Finland becomes the latest country to adopt a priority traffic system, allowing lights to turn green for emergency vehicles. How a previously unknown Michelangelo drawing became an auction sensation. And - why ski jumpers are being accused of a very unusual form of cheating in the run-up to the Winter Olympics.The Global News Podcast brings you the breaking news you need to hear, as it happens. Listen for the latest headlines and current affairs from around the world. Politics, economics, climate, business, technology, health – we cover it all with expert analysis and insight. Get the news that matters, delivered twice a day on weekdays and daily at weekends, plus special bonus episodes reacting to urgent breaking stories. Follow or subscribe now and never miss a moment. Get in touch: globalpodcast@bbc.co.ukPhoto credit: Ronald Pena

The agreement would re-establish high level dialogue for the first time since President Putin ordered the invasion of Ukraine. Also in the programme: cuts at the Washington Post; a rare Michelangelo is auctioned in New York; BBC Persian creates a 'face wall' of those who have died in the Iran protests; and the director of the multi-Oscar nominated Sentimental Value - Joachim Trier - talks to us about his new family drama.(Photo: Members of the U.S. delegation attend the second round of trilateral talks between the U.S., Russia and Ukraine, in Abu Dhabi, United Arab Emirates, February 4, 2026.UAE Ministry of Foreign Affairs Handout via Reuters)

What do we do with the parts of our lives that feel unfinished? In this episode, Gem reflects on Michelangelo’s unfinished sculptures and offers a hopeful, formational perspective on disappointment, unrealized dreams, and the slow work of inner transformation. This conversation invites listeners to release shame, embrace process, and receive God’s love exactly where they are. ______________________________________________________ Connect with Gem on Instagram and learn more on the Unhurried Living website and her new book, Hold That Thought: Sorting Through the Voices in Our Heads Learn about PACE: Certificate in Leadership and Soul Care Discover more Christian podcasts at lifeaudio.com and inquire about advertising opportunities at lifeaudio.com/contact-us.

The Last Touch: Why AI Will Never Be an ArtistI had one of those conversations... the kind where you're nodding along, then suddenly stop because someone just articulated something you've been feeling but couldn't quite name.Andrea Isoni is a Chief AI Officer. He builds and delivers AI solutions for a living. And yet, sitting across from him (virtually, but still), I heard something I rarely hear from people deep in the AI industry: a clear, unromantic take on what this technology actually is — and what it isn't.His argument is elegant in its simplicity. Think about Michelangelo. We picture him alone with a chisel, carving David from marble. But that's not how it worked. Michelangelo ran a workshop. He had apprentices — skilled craftspeople who did the bulk of the work. The master would look at a semi-finished piece, decide what needed refinement, and add the final touch.That final touch is everything.Andrea draws the same line with chefs. A Michelin-starred kitchen isn't one person cooking. It's a team executing the chef's vision. But the chef decides what's on the menu. The chef check the dish before it leaves. The chef adds that last adjustment that transforms good into memorable.AI, in this framework, is the newest apprentice. It can do the bulk work. It can generate drafts, produce code, create images. But it cannot — and here's the key — provide that final touch. Because that touch comes from somewhere AI doesn't have access to: lived experience, suffering, joy, the accumulated weight of being human in a particular time and place.This matters beyond art. Andrea calls it the "hacker economy" — a future where AI handles the volume, but humans handle the value. Think about code generation. Yes, AI can write software. But code with a bug doesn't work. Period. Someone has to fix that last bug. And in a world where AI produces most of the code, the value of fixing that one critical bug increases exponentially. The work becomes rarer but more valuable. Less frequent, but essential.We went somewhere unexpected in our conversation — to electricity. What does AI "need"? Not food. Not warmth. Electricity. So if AI ever developed something like feelings, they wouldn't be tied to hunger or cold or human vulnerability. They'd be tied to power supply. The most important being to an AI wouldn't be a human — it would be whoever controls the electricity grid.That's not a being we can relate to. And that's the point.Andrea brought up Guernica. Picasso's masterpiece isn't just innovative in style — it captures something society was feeling in 1937, the horror of the Spanish Civil War. Great art does two things: it innovates, and it expresses something the collective needs expressed. AI might be able to generate the first. It cannot do the second. It doesn't know what we feel. It doesn't know what moment we're living through. It doesn't have that weight of context.The research community calls this "world models" — the attempt to give AI some built-in understanding of reality. A dog doesn't need to be taught to swim; it's born knowing. Humans have similar innate knowledge, layered with everything we learn from family, culture, experience. AI starts from zero. Every time.Andrea put it simply: AI contextualization today is close to zero.I left the conversation thinking about what we protect when we acknowledge AI's limits. Not anti-technology. Not fear. Just clarity. The "last touch" isn't a romantic notion — it's what makes something resonate. And that resonance comes from us.Stay curious. Subscribe to the podcast. And if you have thoughts, drop them in the comments — I actually read them.Marco CiappelliSubscribe to the Redefining Society and Technology podcast. Stay curious. Stay human.> https://www.linkedin.com/newsletters/7079849705156870144/Marco Ciappelli: https://www.marcociappelli.com/ Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Episode No. 743 features author and art historian William E. Wallace. Wallace is the author of Michelangelo & Titian, which will be published by Princeton University Press on February 3. The book examines what Michelangelo and Titian saw in each other's work, how they spoke to each other in paintings and sculptures, and details their two meetings. Wallace's narrative animates the many relationships with church officials, collectors, and intellectuals that the two men had in common, providing insight into their world and the many ways in which the two artists may have addressed each other in their art. Amazon and Bookshop offer it for $19-33. Wallace was previously on Episode No. 439 to discuss Michelangelo, God's Architect. Air date: January 29, 2026.

Episode 230 of "TMNT - The Talk" in English. I am talking about "TMNT: Saturday Morning Adventures#32", "Tales of the TMNT#2" and "Tales of the TMNT#3" by IDW Comics. Check out the website at https://www.tmnttalk.com/ or send me an e-mail at tmnttalk1984@gmail.com.

The magnificent Basilica of St. Peter is our last stop as we explore the extraordinary collection of art and architecture in the Vatican. In addition to its great scale and beautiful decorum, the basilica is also home to renowned masterpieces such as Michelangelo's "Pietà" and Bernini's "Baldacchino," as well as the tombs of St. Pope John Paul II and St. Pope John XXIII.

Episode 534 von TMNT - Der Talk. Das Hauptthema diesmal ist der Jahresrückblick 2025. Besucht auch die Website unter https://www.tmnttalk.com/ oder schreibt mir an tmnttalk1984@gmail.com.

By Elias Vazquez - This sermonette "The Master Sculptor" compares God's work in our lives to Michelangelo sculpting the statue of David, emphasizing that God sees our true potential beyond our flaws, actively transforms us through life's challenges, and assures us that the process will lead to a spiritual masterpiece

The Renaissance, a period of transformation in art, learning, philosophy and science that brought us Leonardo Da Vinci, Michelangelo, Raphael and Donatello (the artists, not the turtles). This era of the Early Modern period seems to have been tinted with reds and golds, it all sounds very classy ... but how filthy was it?Kate is joined once again by Dr Julia Martins to explore how Early Modern people washed, how they got rid of their waste, and how dangerous some of their methods were.Julia can be found at juliamartins.co.ukThis episode was edited by Tim Arstall. The producer was Sophie Gee. The senior producer was Freddy Chick.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.  All music from Epidemic Sounds.Betwixt the Sheets: History of Sex, Scandal & Society is a History Hit podcast. Hosted on Acast. See acast.com/privacy for more information.

Michelangelo said, "I saw the angel in the marble and carved until I set him free" - How do you do that in your own work? And how do you bring a place to life, even if you haven't ever been there? Traveler and archaeological-thriller writer Luke Richardson is our guide today! Luke Richardson is the author of international thrillers that blend history, mystery, and adventure in exotic locations. A former English teacher and lifelong traveller, he brings his real-life adventures to the page—and to podcasts—sharing insights on storytelling, creativity, and far-off places. ✏️ 90 Days to Done NOW OPEN! http://rachaelherron.com/90daystodone✏️ 90 Day Revision NOW OPEN! http://rachaelherron.com/revision

What if the Renaissance wasn't a rebirth at all, but a survival strategy dressed in marble and Latin? We sit down with historian and novelist Ada Palmer to unwind the stories that turned a chaotic, war-ridden Italy into a “golden age” and explore why those stories still shape our politics, schools, and museums. Ada shows how nineteenth-century nationalism carved custom Renaissances for each country, how rulers redefined legitimacy as “having Roman stuff,” and why art, libraries, and Latin became tools of intimidation in a Europe full of insecure thrones.Step inside Florence with a visiting envoy and feel how a courtyard of emperor busts, a child reciting Greek, and a bronze that looks alive can flip alliances overnight. Follow the printing press not as a spark but as a response to a library boom, amplified by Venice's trade networks and the first book fairs. Track how Europe exported “no columns, no culture” across empires, pushing colonized elites to argue their rights in Ciceronian Latin because that was the only language of power the conquerors respected. And watch the myth of superiority assemble itself, piece by piece, into a worldview that still colors public debate.Ada also challenges the feel-good claim that destruction breeds creation. Michelangelo's own letters describe years lost to stress and war; peace and stability, not crisis, are what grow output and invention. Think of history as a river: trickles, leaf-widths, canoe-widths, all real beginnings depending on what you measure. Along the way, we touch on Machiavelli's brutal eyewitness era, the Ottoman refusal to play a game Italy would always win, and the practical mechanics of censorship—past and present—that rarely resemble Orwell.If you're ready to rethink the Renaissance, question neat timelines, and see how propaganda becomes common sense, this conversation will give you new lenses. Subscribe, share with a friend who loves history myths, and leave a review with the one “truth” about the past you're now willing to revisit.Send us a text Musis by Bitterlake, Used with Permission, all rights to BitterlakeSupport the showCrew:Host: C. Derick VarnIntro and Outro Music by Bitter Lake.Intro Video Design: Jason MylesArt Design: Corn and C. Derick VarnLinks and Social Media:twitter: @varnvlogblue sky: @varnvlog.bsky.socialYou can find the additional streams on YoutubeCurrent Patreon at the Sponsor Tier: Jordan Sheldon, Mark J. Matthews, Lindsay Kimbrough, RedWolf, DRV, Kenneth McKee, JY Chan, Matthew Monahan, Parzival, Adriel Mixon, Buddy Roark, Daniel Petrovic,Julian

The Medici are remembered as enlightened patrons of art—the family behind Michelangelo, Botticelli, and the Renaissance itself.That version of history is incomplete.In this episode of Hidden Forces in History, we strip away the marble and mythology to examine Medici family as they actually were: a private banking dynasty that embedded itself inside moral authority, captured a republic without abolishing it, and rewrote its legacy through art, architecture, and storytelling.We follow the money—from Florentine ledgers to the Vatican—showing how the Medici:• Plugged into Church finance to gain leverage across Europe• Used patronage as a form of long-term propaganda• Helped trigger the Reformation through indulgence financing• Lost their bank—but preserved their legendThis isn't just a Renaissance story.It's a repeatable playbook—one still used by modern elites, foundations, and institutions today.Same system.Different century.

The most famous work of art in the Vatican Museums is Michelangelo's "Sistine Chapel Ceiling." This episode explains how best to experience this stunning work of art, as well as the other masterpieces that are in the Sistine Chapel. 

Herzlich willkommen zu Ihrem morgendlichen Newsletter! Korruption in der Ukraine, ein neues weltweites Friedenskomitee und Schönheit aus der Vergangenheit: Warum besitzen ukrainische Beamte Gold in großen Mengen, welches sie in Russland lagern? Und wer wird künftig im neuen von Trump gegründeten Friedensrat sitzen? Lassen Sie sich schließlich mit Michelangelo in die erstaunliche Welt der Renaissancekunst verführen.

The Great Michelangelo was once asked - how he created the statue of David. He didn't say: “I'm a great artist.” Or I did something special… NO He said: I removed everything that wasn't David. Michelangelo knew something – most people never understand The masterpiece was already inside the stone. ALL HE HAD TO DO – WAS SET IT FREE!

Episode 533 von TMNT - Der Talk. Das Hauptthema diesmal sind die 2003-Cartoon-Folgen "The Lesson" und "New Blood". Besucht auch die Website unter https://www.tmnttalk.com/ oder schreibt mir an tmnttalk1984@gmail.com.

This is a recap of the top 10 posts on Hacker News on January 16, 2026. This podcast was generated by wondercraft.ai (00:30): Cloudflare acquires AstroOriginal post: https://news.ycombinator.com/item?id=46646645&utm_source=wondercraft_ai(01:56): STFUOriginal post: https://news.ycombinator.com/item?id=46649142&utm_source=wondercraft_ai(03:23): Just the BrowserOriginal post: https://news.ycombinator.com/item?id=46645615&utm_source=wondercraft_ai(04:49): Cursor's latest “browser experiment” implied success without evidenceOriginal post: https://news.ycombinator.com/item?id=46646777&utm_source=wondercraft_ai(06:16): Canada slashes 100% tariffs on Chinese EVs to 6%Original post: https://news.ycombinator.com/item?id=46648778&utm_source=wondercraft_ai(07:42): OpenBSD-current now runs as guest under Apple HypervisorOriginal post: https://news.ycombinator.com/item?id=46642560&utm_source=wondercraft_ai(09:09): East Germany balloon escapeOriginal post: https://news.ycombinator.com/item?id=46648916&utm_source=wondercraft_ai(10:35): 6-Day and IP Address Certificates Are Generally AvailableOriginal post: https://news.ycombinator.com/item?id=46647491&utm_source=wondercraft_ai(12:02): List of individual treesOriginal post: https://news.ycombinator.com/item?id=46641284&utm_source=wondercraft_ai(13:29): Michelangelo's first painting, created when he was 12 or 13Original post: https://news.ycombinator.com/item?id=46646263&utm_source=wondercraft_aiThis is a third-party project, independent from HN and YC. Text and audio generated using AI, by wondercraft.ai. Create your own studio quality podcast with text as the only input in seconds at app.wondercraft.ai. Issues or feedback? We'd love to hear from you: team@wondercraft.ai

Episode 229 of "TMNT - The Talk" in English. I am talking about "TMNT: Shredder#2", "TMNT: Shredder#3" and "TMNT: Shredder#4" by IDW Comics. Check out the website at https://www.tmnttalk.com/ or send me an e-mail at tmnttalk1984@gmail.com.

So many of us are walking around tired — not just physically, but soul-tired. Tired of striving. Tired of proving. Tired of carrying versions of ourselves that were never meant to be permanent. In this episode, I invite you into a gentle and sacred conversation about true identity, surrender, and becoming who God created you to be. Using the beautiful story of Michelangelo carving the angel from marble and the timeless parable of the two wolves within us, this episode explores: ✨ Why you are not broken — you are being revealed ✨ The difference between your protective self and your true self ✨ How what you “feed” in your mind and heart shapes who you become ✨ Why becoming often looks like letting go ✨ What it means to stop striving and start trusting ✨ How to live from peace, love, and truth instead of fear and performance This episode is a reminder that you don't need to create yourself — you need to uncover yourself. The masterpiece is already within you. The angel is already in the marble. And God is gently, lovingly at work — setting you free.

Episode 532 von TMNT - Der Talk. Das Hauptthema diesmal sind die 2003-Cartoon-Folgen "H.A.T.E." und "Nobody's Fool". Besucht auch die Website unter https://www.tmnttalk.com/ oder schreibt mir an tmnttalk1984@gmail.com.

Fluent Fiction - Italian: Finding Her Own Venus: Giulia's Journey Beyond Comparison Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2026-01-10-08-38-20-it Story Transcript:It: Nel cuore dell'inverno, con una leggera nebbia che avvolgeva Firenze, Giulia camminava verso la Galleria degli Uffizi.En: In the heart of winter, with a light mist enveloping Firenze, Giulia walked towards the Galleria degli Uffizi.It: Era nervosa ma speranzosa.En: She was nervous but hopeful.It: Il suo progetto di tesi doveva essere unico, ispirante.En: Her thesis project needed to be unique and inspiring.It: Entrò nella galleria con l'abbonamento per studenti, e l'aria fresca del museo la circondò immediatamente.En: She entered the gallery with her student pass, and the fresh air of the museum immediately surrounded her.It: L'odore dei libri vecchi e delle pareti storiche la mise a suo agio.En: The scent of old books and historic walls put her at ease.It: Accanto a lei, Lorenzo, il suo compagno di corso, osservava le opere con occhi critici.En: Next to her, Lorenzo, her classmate, was observing the artworks with critical eyes.It: "Pensa a quello che fece Michelangelo," commentava in continuazione.En: "Think about what Michelangelo did," he continuously commented.It: Ogni parola di Lorenzo sembrava un peso sulle spalle di Giulia.En: Every word from Lorenzo felt like a weight on Giulia's shoulders.It: Queste aspettative altissime la facevano dubitare di sé stessa.En: These high expectations made her doubt herself.It: Tra le sale, incontrarono Alessandro, la guida del museo.En: Among the halls, they met Alessandro, the museum guide.It: Lui notò l'espressione preoccupata di Giulia e si avvicinò.En: He noticed the worried expression on Giulia's face and approached.It: "Posso aiutarti?"En: "Can I help you?"It: chiese con un sorriso gentile.En: he asked with a gentle smile.It: Giulia esitò un attimo, poi decise di confidarsi.En: Giulia hesitated for a moment, then decided to confide in him.It: "Cerco l'ispirazione per il mio progetto," ammise.En: "I'm looking for inspiration for my project," she admitted.It: "Seguimi," disse Alessandro, guidandola verso una stanza più tranquilla.En: "Follow me," said Alessandro, guiding her to a quieter room.It: Si fermarono davanti a "La Nascita di Venere" di Botticelli.En: They stopped in front of "The Birth of Venus" by Botticelli.It: "Sai perché Botticelli è speciale?"En: "Do you know why Botticelli is special?"It: chiese Alessandro.En: Alessandro asked.It: "Non solo per la tecnica, ma per l'emozione.En: "Not just for the technique, but for the emotion.It: Guardala.En: Look at it.It: Senti il vento, la passione, la scoperta."En: Feel the wind, the passion, the discovery."It: Giulia ascoltava attenta.En: Giulia listened intently.It: Alessandro raccontò la storia dietro il dipinto, parlando di come l'arte andasse oltre il confronto, fosse invece un viaggio personale.En: Alessandro recounted the story behind the painting, talking about how art went beyond comparison and was instead a personal journey.It: Mentre ascoltava, una nuova luce brillò negli occhi di Giulia.En: As she listened, a new light shone in Giulia's eyes.It: Le parole di Alessandro avevano toccato qualcosa in lei.En: Alessandro's words had touched something within her.It: Decise allora che sarebbe stata la sua voce, la sua storia, a emergere.En: She then decided it would be her voice, her story, that would emerge.It: Tornò a casa con energia nuova, pronta a creare arte che raccontava la sua verità, non quella dei grandi maestri.En: She returned home with new energy, ready to create art that told her truth, not that of the great masters.It: Lorenzo poteva continuare a confrontarla, ma Giulia ora sapeva che ogni artista ha la sua Venere da scoprire.En: Lorenzo could continue to compare her, but Giulia now knew that every artist has their own Venere to discover.It: Così, col cuore colmo di fiducia, Giulia cominciò a dipingere con vera passione.En: Thus, with her heart full of confidence, Giulia began to paint with true passion.It: Il suo lavoro, finalmente, parlava di sé stessa.En: Her work finally spoke of herself.It: E quel giorno in cui stava davanti a "La Nascita di Venere", aveva trovato non solo un'ispirazione, ma la sua strada.En: And that day when she stood before "The Birth of Venus," she had found not only inspiration but her path. Vocabulary Words:heart: cuorewinter: invernomist: nebbiagallery: galleriathesis: tesistudent pass: abbonamento per studentifresh air: aria frescahistoric: storichewall: paretehopeful: speranzosaclassmate: compagno di corsocritical: criticiweight: pesoshoulder: spallaexpectation: aspettativadoubt: dubitarehall: salamuseum guide: guida del museoworried expression: espressione preoccupatainspiration: ispirazionetechnique: tecnicaemotion: emozionewind: ventodiscovery: scopertacomparison: confrontoconfidence: fiduciapath: stradapassion: passionetruth: veritàgreat masters: grandi maestri

In “The Testament of Ann Lee,” a new film directed by Mona Fastvold, Amanda Seyfried plays the founder and leader of the Shaker movement—a woman believed by her followers to be the second coming of Christ. Fastvold uses song and dance to convey the fervor that Mother Ann shares with her acolytes. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss how such depictions of religious devotion might land with modern viewers. They trace this theme from Martin Scorsese's docuseries “The Saints” to “Lux,” a recent album in which Rosalía mines the divine for musical inspiration. These stories, many of them centuries old, might seem out of step with modern concerns. But we're still borrowing their iconography—and anointing saints of our own—today. “The bracing and sort of terrifying thing about them is precisely that they are human beings,” Cunningham says. “What they say to us is, ‘If you had the juice, you could do it, too.' ” Read, watch, and listen with the critics:“Marty Supreme” (2025)“The Testament of Ann Lee” (2025)“Martin Scorsese Presents: The Saints” (2024—)Rosalia's “Lux”“Conclave” (2024)Michelangelo's “The Temptation of Saint Anthony”“The Flowers of Saint Francis” (1950)Madonna's “Like a Prayer”“The bizarre rise of ‘convent dressing,' ” by Eleanor Dye (The Daily Mail)“What Kind of New World Is Being Born?,” by Vinson Cunningham (The New Yorker)“Patricia Lockwood Goes Viral,” by Alexandra Schwartz (The New Yorker)New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.Critics at Large is a weekly discussion from The New Yorker which explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture. Learn about your ad choices: dovetail.prx.org/ad-choices

====> Entra nella Free Library⁠Trovi glossari, testi, esercizi e materiali extra!Cosa succede quando due grandi artisti si incontrano e si scontrano?Con il podcast di oggi impariamo di più sul rapporto tra i geni italiani Leonardo da Vinci e Michelangelo.What happens when two great artists meet and clash?With today's podcast, we learn more about the relationship between the Italian geniuses Leonardo da Vinci and Michelangelo.⁠====> Read the text while you're listening!Buon ascolto!

Visit our Patreon page to see the various tiers you can sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon! NEWSMarvel's 'Ultimate Endgame' Blind Bags went from collectible to straight-up lottery ticketScott Snyder reveals Jonah Hex on the way:But now to have it be like a load bearing book at DC, or a book that generates excitement and money for them in a way that allows us more creative latitude on other books, the things that it's engendered for Next Level—I can't wait for you to see these books. I mean, all of them are really creator forward. They're real big swings, Lobo and Deathstroke. They're big over the top epic books. Batwoman, real, real great swing by Greg Rucka and Dani. Zatanna really levels Zatanna up. Firestorm and Shadow of the Bat. I mean, there are just so many good ones. There really are. Legion of Superheroes and Jonah Hex and there's just a ton coming that we can't wait for you to see. And they're all passion projects. And a lot of that is born out of you guys supporting things that are riskier, that are different, that hopefully feel yours. And it's the best time I've ever had in superhero comics. I'm so, so grateful to you guys and so proud of what we're able to do right now at DC. So first, let me start this end of year thing by just saying thank you.Our Top Books of the Week:Dave:Punisher: Red Band #4 (Ben Percy, Julius Ohta)Escape #5 (Rick Remender, Daniel Acuna)Coplan:​​Ultimate Endgame #1 (Deniz Camp, Jonas Scharf)Lost Fantasy #6 (Curt Pires, Maxi Dallo)Standout KAPOW moment of the week:Coplan: Ultimate Endgame #1 (Deniz Camp, Jonas Scharf)Dave: Ultimate Endgame #1 (Deniz Camp, Jonas Scharf)TOP BOOKS FOR NEXT WEEKCoplan: Toxic Avenger Comics #6 (Matt Bors, Fred Harper)Dave: X-Men #23 (Jed MacKay, Tony Daniel)JUDGING BY THE COVER JR.Dave: The Amazing Spider-Man #19 (Sara Pichelli Variant)Coplan: Twilight Zone #3 (James Stokoe Main)Interview: Andrew Joustra - Tales of TMNT #4 (out Mar 18, 2026, FOC Feb 9th)Recently he wrote the theatrical animated short Teenage Mutant Ninja Turtles: Chrome Alone 2 - Lost in New Jersey for Paramount and is currently writing the Tales of the Teenage Mutant Ninja Turtles comic book series for IDW Publishing.Andrew has dwelled in the sewer for a while now, having been the script & recording coordinator for Teenage Mutant Ninja Turtles: Mutant Mayhem and currently working as the script supervisor for its sequel.1. Andrew's comics debutAndrew, Tales of the Teenage Mutant Ninja Turtles #4 marks your comic-writing debut and kicks off a three-issue arc. What did it feel like to finally see your name on a TMNT comic page after working in animation for so long?2. Transition from screen to pageYou've worked as Script Coordinator and Script Manager on Mutant Mayhem and its sequel—what muscles did you have to retrain (or unlearn) when shifting from screenwriting to writing comics?3. Working with Louie JoyceCan you talk about collaborating with Louie Joyce on this arc? How did your scripts leave room for visual storytelling, especially with action and emotion?4. Fugitoid's debut in TalesThis arc introduces Fugitoid into the Tales of the TMNT universe. What made him the right character to bring into this specific corner of TMNT, and what excites you most about using him in this format?5. Anti-AI themes and “Chrome Alone 2”Andrew, you recently wrote the animated short Chrome Alone 2, which has a clear anti-AI message. Without getting into anything off-limits, how important is it for you to sneak big ideas and values into genre storytelling?6. Franchise stewardshipWhat's exciting about Tales of the TMNT specifically as a space for experimentation and tone shifts within the brand?7. Entry point for new readersFor readers who might be jumping into Tales of the TMNT for the first time, what do you think makes this arc—between your voice, Louie's art, and Fugitoid's arrival—a great onboarding point?8. Fun / silly closer: Last one: If the Turtles were brutally honest, which one would give the worst notes on your script—and why would it definitely be Michelangelo?

Episode 531 von TMNT - Der Talk. Das Hauptthema diesmal sind die 2003-Cartoon-Folgen "Touch and Go" und "Hunted". Besucht auch die Website unter https://www.tmnttalk.com/ oder schreibt mir an tmnttalk1984@gmail.com.

In this episode, we examine the decisive clash between Martin Luther and Pope Leo X, focusing on the documents and events that turned reform into rupture. We walk through Exsurge Domine (Arise, O Lord) and Decet Romanum Pontificem(It Becomes the Roman Pontiff), explaining what Rome actually condemned, why Luther refused to recant, and how authority, obedience, and doctrine became the central fault lines of the Reformation.The episode also explores Luther's responses in 1520, the public burning of the papal bull, and the appeal to a future council, alongside Leo X's broader vision for the Church, including his patronage of Renaissance art through figures like Michelangelo and Raphael. By grounding the discussion in primary sources rather than slogans, this episode asks a crucial question: who has the authority to judge doctrine when Scripture itself is disputed?This is a historical and theological deep dive into how competing claims of authority produced one of the most consequential schisms in Western Christian history.If you'd like to donate to our ministry or be a monthly partner that receives newsletters and one on one discussions with Dr. Stephen Boyce, here's a link: https://give.tithe.ly/?formId=6381a2ee-b82f-42a7-809e-6b733cec05a7Here a the link to the documents: https://www.papalencyclicals.net/leo10/l10exdom.htmhttps://www.papalencyclicals.net/leo10/l10decet.htm

Episode 228 of "TMNT - The Talk" in English. I am talking about TMNT#13 and "TMNT: Battle Nexus#1" by IDW Comics. Check out the website at https://www.tmnttalk.com/ or send me an e-mail at tmnttalk1984@gmail.com.

Happy New Year to all our listeners. We hope you enjoy hearing what has been happening on Patreon over the last year.  Next year starts with Michelangelo, so well worth a listen.   Join our Patreon family for yet more episodes and to join our Discord - Tudoriferous | creating a Podcast discussing the great, good and mad Tudor Era | Patreon   Relevant Episodes:  Patreon Snippetty Bits 2024 | Tudoriferous Patreon Snippetty Bits 2023 | Tudoriferous Patreon Snippetty Bits 2022 | Tudoriferous

As the year wraps, Rob Lawrence welcomes back the “EMS Avenger” Jimmy Apple for a fast-moving, end-of-year pulse check on the EMS universe — through the lens of social media, research and what frontline clinicians are actually saying when the mic is on and the comments are open. Building on last week's data-and-trends conversation , this episode pivots into “the world according to Jimmy Apple” and his alter ego, the EMS Avenger, exploring what's made providers lean in, push back or flat-out declare “enough is enough.” | SHARE YOUR STORY: A call for real stories from the EMS field, station and beyond  From burnout and workforce conditions to AI-assisted ECG interpretation and the rise of microlearning, the conversation lands on a central theme: the future of EMS isn't just protocols — it's people, technology and how we choose to learn, adapt and debate. Jimmy also names his “paper of the year” on spinal immobilization, explains how he handles disagreement without falling into “quicksand arguments,” and previews a packed 2026 speaking calendar — plus a relaunch of his podcast. Memorable quotes “If we can just verify that you're retaining the information, that's much more important than the veracity of how long it took you to get that information.” — Jimmy Apple “You can catch more flies with honey than you can with vinegar.” — Jimmy Apple “That's the future; is that literally, we're going to swipe it, absorb it and swipe away again.” — Rob Lawrence “My paper of the year is the paper that was published on spinal mobilization … It does not support the use of backboards as anything other than an extrication tool.” — Jimmy Apple “I think that a big push that I'm making this year is to really start talking about the EMS provider as the person.” — Jimmy Apple Episode timeline 00:56 — Rob welcomes listeners, references year-in-review data and notes ambulance thefts continue to trend. 01:38 — Rob brings Jimmy back and asks for a quick summary of Jimmy's year and growing reach, and the top themes Jimmy has seen. 04:12 — Jimmy identifies provider conditions and mindset as the dominant theme and describes discussion of collapse/collapsing systems. 06:12 — Jimmy explains social media as the pulse point and highlights burnout, anger and provider frustration. 06:52 — Jimmy pivots to technology's growing role and EMS resistance to tech encroachment in practice. 07:23 — Rob connects the tech thread to conference observations (Axon, AI). Jimmy gives examples (AI 12-lead, apps) and argues tech advancement shouldn't be rejected due to “skill deterioration” fears. 09:34 — Rob asks Jimmy's “how do you explain complex concepts quickly?” Jimmy uses the Michelangelo anecdote to describe stripping concepts to essentials; critiques padded, time-gated education. 12:29 — Jimmy argues for education credit models that recognize microlearning and self-directed learning if retention can be verified. 14:04 — Rob asks for standout research; Jimmy discusses RSI/induction agent considerations, pressors debate and prehospital antibiotics. 16:47 — Rob and Jimmy preview NAEMSP's annual meeting (“research Disney”), value of posters, networking and clinical depth. 18:26 — Jimmy names spinal immobilization evidence review as his “paper of the year” and explains its conclusions. 21:36 — Rob asks how Jimmy handles disagreement/detractors with a larger platform — Jimmy describes disagreement as healthy, focuses on respectful pushback and staying anchored in data. 29:00 — Final question: Jimmy emphasizes “provider as person,” healing the clinician and a sponsored podcast relaunch in January. Additional resources Meet the EMS Avenger: Saving lives with kindness and content. TikTok sensation and pediatric critical care paramedic Jimmy Apple shares his rise in EMS education, battling misinformation with heart and hustle Jimmy Apple's “paper of the year:” Millin MG, Innes JC, King GD, Abo BN, et al. “Prehospital Trauma Compendium: Prehospital Management of Spinal Cord Injuries — A NAEMSP Comprehensive Review and Analysis of the Literature.” Prehosp Emerg Care. 2025 Aug. Connect with Jimmy Apple, better known as The EMS Avenger: TikTok — Jimmy offers short-form, evidence-based EMS content here: @emsavenger Instagram — Engage with in-depth reels, visuals, and professional updates: @emsavenger X (formerly Twitter) — Follow EMS commentary, conversation, and boosts: @EMSAvenger Facebook — Join the group for discussions and shared insights: EMS Avenger community Apple Podcasts — Listen to “EMS Avenger: 20 Minutes to Save the World”: Weekly podcast series AAA & AIMHI EMS Media Log: EMS Intel Enjoying the show? Contact the EMS One-Stop team at editor@EMS1.com to share ideas, suggestions and feedback.

Episode 530 von TMNT - Der Talk. Das Hauptthema diesmal ist die 2003-Cartoon-Folge "The Christmas Aliens". Besucht auch die Website unter https://www.tmnttalk.com/ oder schreibt mir an tmnttalk1984@gmail.com.

Episode Topic: Art, Theology, and ImaginationExplore the dynamic imagination of Christian artists who transformed pagan gods into powerful symbols of their new faith. From the early Church's reinterpretation of Hercules to the Renaissance genius of Michelangelo, discover how classical art was not rejected, but creatively absorbed and given profound new theological meaning.Featured Speakers:Gary Anderson, Hesburgh Professor Emeritus of Catholic Thought, Department of Theology, University of Notre DameRobin Jensen, Professor Emeritus, Department of Theology, University of Notre DameElizabeth Lev, Professor, Duquesne University Read this episode's recap over on the University of Notre Dame's open online learning community platform, ThinkND: https://go.nd.edu/a58701.This podcast is a part of the ThinkND Series titled On Catholic Imagination.Thanks for listening! The ThinkND Podcast is brought to you by ThinkND, the University of Notre Dame's online learning community. We connect you with videos, podcasts, articles, courses, and other resources to inspire minds and spark conversations on topics that matter to you — everything from faith and politics, to science, technology, and your career. Learn more about ThinkND and register for upcoming live events at think.nd.edu. Join our LinkedIn community for updates, episode clips, and more.

Episode 529 von TMNT - Der Talk. Das Hauptthema diesmal sind die 2003-Cartoon-Folgen "Worlds Collide Part II" und "Worlds Collide Part III". Besucht auch die Website unter https://www.tmnttalk.com/ oder schreibt mir an tmnttalk1984@gmail.com.

A Different View is a new exhibition coming to Wellington fusing centuries old art with new tech to show off over 50 masterpieces.

Sanatta ilham gerçekten var mı? “Deha” dediğimiz şey doğuştan mı gelir, yoksa masa başında emekle mi oluşur? Spekülatif'in bu bölümünde kültür üretimi, yaratıcılık ve ilham kavramını tarihten örneklerle ele alıyoruz. Emre Dündar, Michelangelo'nun 24 yaşında yaptığı La Pieta'dan Beethoven'ın eskiz defterlerine, Pascal Dussapin'in ilham reddine, Dostoyevski'den Proust'a kadar yaratıcı süreçlerin arkasındaki gerçekleri konuşuyor. Sanat ilhamla mı yapılır? Sanatta romantik mitler neden hâlâ güçlü? Yoksa üretimin ana gücü irade, çalışma ve tasarım mıdır? Sanat, kültür ve felsefeye meraklıysanız Spekülatifin bu bölümünü kaçırmayın. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 227 of "TMNT - The Talk" in English. I am talking about "TMNT: Saturday Morning Adventures#29", "TMNT: Saturday Morning Adventures#30" and "TMNT: Saturday Morning Adventures#31" by IDW Comics. Check out the website at https://www.tmnttalk.com/ or send me an e-mail at tmnttalk1984@gmail.com.

You've done the work. You've built the career, gone to therapy, read the books. So why does love still feel like the one area where your brilliance doesn't translate?Annie Lalla is a relationship cartographer with an Honors Science Degree in Biology and Philosophy, a minor in Buddhism, and professional certifications in Coaching, NLP, and Clinical Hypnotherapy. Her work weaves evolutionary psychology, integral theory, intergenerational family systems, and therapeutic sexuality into a framework that actually works. She helps singles done with dating find their person—and couples in love resolve the conflicts that keep them stuck. Her mission: help you build a relationship that's a trampoline for your dreams and a sanctuary for your heart.In this episode, you'll discover:→ Why women are actually the visionary leaders of relationships—and what happens when they wait to be rescued instead→ The reason your partner triggers you so intensely (hint: you've time-traveled back to childhood)→ How to know if overwhelming emotions are actually yours—or inherited pain you've been carrying for someone else→ The simple practice that releases feelings that aren't yours back to their rightful owner→ Why conflict is actually a collaboration trying to happen—and how to use it to strengthen your bond→ The "WTF to MLK" method that transforms criticism into an invitation your partner can't refuse→ What your partner is really doing when they challenge you (think Michelangelo carving David)→ The one question that reveals whether a relationship is worth the growth it demandsHere's the truth: The love you're looking for exists. But it won't come from rescue. It won't come from finding someone who finally "gets it" so you don't have to feel your feelings anymore. True love is the emotional CrossFit of human existence—and it's rare because most people are chasing happily ever after instead of alive ever after. The fantasy says love should be easy. The truth says love is the highest game you can play as a human being. You have everything you need to lead. Listen to the full episode and let Annie show you how.Connect with Annie:Website: https://www.annielalla.com/Instagram: @lallabirdConnect with Raj:Newsletter – Sign up here: https://www.rajjana.com/staygrounded/Website: http://www.rajjana.com/Instagram: @raj_janaiTunes: https://podcasts.apple.com/rs/podcast/stay-grounded-with-raj-jana/id1318038490Spotify: https://open.spotify.com/show/22Hrw6VWfnUSI45lw8LJBPYouTube: https://www.youtube.com/@raj_janaLegal Disclaimer: The information and opinions discussed in this podcast are for educational and entertainment purposes only. The host and guests are not medical or mental health professionals, and their advice should not be a substitute for seeking professional help. Any action taken based on the information presented is strictly at your own risk. The podcast host and their guests shall have neither liability nor responsibility to any person or entity with respect to any loss, damage, or injury caused or alleged to be caused directly or indirectly by information shared in this podcast. Consult your physician before making any changes to your mental health treatment or lifestyle. Hosted on Acast. See acast.com/privacy for more information.

Jeopardy! recaps from the week of December 8th, 2025. We discuss the traumatizing animals that we don't eat anymore, the Die Hard Question, and Emily dives deep into The Love Song of J. Alfred Prufrock. Find us on Facebook (Potent Podables). Check out our Patreon (patreon.com/potentpodables). Email us at potentpodablescast@gmail.com. Continue to support social justice movements in your community and our world. https://www.doctorswithoutborders.org/  www.rescue.org  www.therebelsproject.org www.abortionfunds.org  https://wck.org/  https://www.pcrf.net/   https://www.givedirectly.org/ 

At least 15 people are dead after a violent attack in Sydney on Sunday. Two alleged gunmen opened fire during a Hanukkah celebration. Australia's prime minister responds.Authorities give an update on the Saturday afternoon shooting at Brown University. Police say a person of interest has been taken into custody.A former Hispanic outreach director for the Trump campaign gives his take on why the Miami mayoral seat flipped to the Democratic party for the first time in nearly 30 years. Should Republicans be worried about the upcoming midterms?An immigration expert discusses the Trump administration's ending of a program that reunited immigrant families in the United States.Do the rewards of boxing justify the dangers of concussion and blunt-force trauma? A USA Boxing team physician and a former professional boxer offer their insights into the pros and cons of the sport.And, a new exhibition in Bologna, Italy, details the life and career of Michelangelo. It offers a closer look at lesser-known sculptures, drawings, and original letters from the Renaissance master.

Episode 528 von TMNT - Der Talk. Das Hauptthema diesmal sind die 2003-Cartoon-Folgen "Space Invaders Part III" und "Worlds Collide Part I". Besucht auch die Website unter https://www.tmnttalk.com/ oder schreibt mir an tmnttalk1984@gmail.com.

To Heaven's Rim is a new anthology of great Christian poetry translated from non-English languages, from the first 18 centuries of the Faith. Editor Burl Horniachek joins to discuss and read samples from poets from a variety of traditions, like St. Jacob of Serug (Syriac), St. Romanus the Melodist (Greek), an anonymous medieval Irish monk, the criminal Francois Villon (French), Michelangelo's friend Vittoria Colonna (Italian), and the Chinese Jesuit/painter/poet Wu Li. To Heaven's Rim: The Kingdom Poets Book of World Christian Poetry: Beginnings to 1800, in English Translation https://www.amazon.com/Heavens-Rim-Christian-Beginnings-Translation/dp/1666716820 DONATE to make this show possible! http://catholicculture.org/donate/audio SIGN UP for Catholic Culture's newsletter: https://www.catholicculture.org/newsletters

We welcome you to our podcast, which seems this week to largely be composed of pitches for other podcasts. Plus! The side quests of Michelangelo, D&D stories, and our favorite Jedi! Our podcast, like our videos, sometimes touches on the violence, assaults, and murders your English required reading list loves (also we curse sometimes). Treat us like a TV-14 show.OSP has new videos every Friday:https://www.youtube.com/c/OverlySarcasticProductionsChannelQuestion for the Podcast? Head to the #ask-ospod discord channel:https://discord.gg/OSPMerch:https://overlysarcastic.shopFollow Us:Patreon.com/OSPTwitter.com/OSPyoutubeTwitter.com/sophie_kay_Music By OSP Magenta ★ Support this podcast on Patreon ★

Kiera is joined by renowned cosmetic dentist Dr. Pia Lieb to talk about Dr. Lieb's journey in her field, as well as her insights into what the rich and famous ask for (and pay for) when it comes to their teeth. Episode resources: Subscribe to The Dental A-Team podcast Schedule a Practice Assessment Leave us a review Transcript: Kiera Dent (00:00) Hello, Dental A Team listeners. This is Kiera. And today I am so excited. I have an incredible doctor on our podcast. Dr. Pia is coming to   from New York, Manhattan. And this woman is incredible. She has been able to build and sustain a high-end cosmetic practice. She's figured out how to be, you guys are gonna love this, a referral only destination for patients seeking discretion, innovation, and ultra-personalized care.   This woman has been named the Michelangelo of dentistry and I am so excited to welcome her on the podcast. Welcome Dr. Pia, how are you today?   Dr Pia (00:32) Thanks for having me, Kiera.   Kiera Dent (00:34) Of course. Well, I have been so excited about this podcast. I don't often get to bring clinical guests onto the podcast. And so to just kind of hear of how you do your cosmetic dentistry, how did you become this practice of being so sought after? ⁓ How did you become the Michelangelo of dentistry? So kind of just walk the listeners through how did Dr. Pia go from where she was to where she is today? Kind of just give us a background on, on who you are and what your story has been.   Dr Pia (01:04) Well, I'm gonna start with, it all started in dental school. There was a lecturer by the name of Dr. Gallup Evans who has passed away since. And he was giving a PG, which is obviously post-doctoral course on cosmetic dentistry. And his reputation was he was the one who did.   the supermodel Polina Povaskova's veneers back in the early 90s. And I went up to him after the lecture and I basically said, I'm a sponge, teach me, tell me what to do so I can do the same thing that you're doing. I've completely fell in love and cut out a class to go to that course. And after the course, he turned around to me and said, well,   sweetheart. You're either born with it or you're not. So I went home and I cried for five days.   and he completely tore me to shreds and that really got me upset and ⁓ I was a great student. was the youngest in NYU as a student. I graduated high school at 16. I was the nerd, right? And basically what I did is I was asked to start teaching after residency and that was my...   Kiera Dent (02:03) Absolutely.   Dr Pia (02:26) way to make sure that I would never allow anyone to speak to a student like that. And my whole point was, I want to empower the dental students. I don't want anyone to feel the way I did by this particular person. And basically I had nowhere to start. So I started taking all of these courses, these PG program courses, and I met up.   Kiera Dent (02:37) Mm-hmm.   Dr Pia (02:53) When I was actually in dental school, I went and I met the holy grail ceramist who invented veneers in America. And I went up to him and I said the same thing, I'm a sponge, please teach me. And he was like, great. Okay. You have a car. And I'm like, yes, I do. He goes, all right, come to the lab every Friday after school and every Saturday, let me teach you how to prep and how to do veneers. And this man who also passed away has taught me everything.   Kiera Dent (03:12) I'm   Dr Pia (03:23) that I know because the doctors were not doing it and there was only two guys in New York that were doing veneers in the 80s and in the 90s and those were older men in their 40s and they were not going to take a young 20 year old female and teach her what to do because they were you know insecure that we were going to take over the business from them.   So that's how it all started. And obviously, I taught for 18 years and I did do that what I set my mind to do. I wanted to give every one of my students the best experience that they can have with dentistry and with cosmetic dentistry. And we're still friends after all these years. So I must have done something right, that they still love me to invite me for dinners into their houses.   Kiera Dent (04:10) Thank   ⁓ I think that you're speaking to my own heart. mean, having that love   being in the dental colleges, of   to give back, like that's the whole reason Dental A Team exists was because of those students that you just fall in love with. And kudos to you because I got really lucky and I worked at Midwestern University's Dental College in Arizona. And I have been told that the culture there and the experience there is not like most dental schools. It was a very empowering, very enriching. There was no smashing of models. There was no...   ⁓ destroying people's dreams, but I know that that's not everywhere. so kudos to you for ⁓ making a stance and also not giving up on your dream. And I think something I took from that is how often are we maybe told something that's not true and we believe it. We take that on as an identity and yes, crying for five days. I don't blame you, I would have done the same thing, but ⁓ it is.   Dr Pia (05:03) No, it's demoralizing, you know, like it's   just here you are, you're this young bright-eyed and bushy-tailed eager beaver who wants to be the best at her profession and then you get some 50 year old man telling you, ⁓ honey, you can't do this, you gotta be born with it. I'm like, really?   Kiera Dent (05:20) Hmm.   Maybe I am born with it and have you seen it. ⁓   Dr Pia (05:25) And you know what I was and that's that's the   thing and it's just but it's the way he said it but we'll get back to karma because 18 years go by and he was lecturing again and karma if it's a small I don't want to say the b word on a podcast but   Kiera Dent (05:42) Mmm.   Hahaha   Dr Pia (05:51) it is. So he's got the lecture, same thing, same before and afters. And this time I'm wearing a white lab coat and scrubs underneath and I had you know, and at this point, I was clinical assistant professor and there were like 350 doctors in the audience. And he's like, Does anyone have anything to say? And I'm at the back wall, I wasn't sitting down, I was standing up and I raised my hand and I was like,   He goes, and he goes, I know that name. You're in press and you're my competition. And he was like, and you know, what is it that I said? said, you know what? Thanks to you, I am who I am today. I want to say thank you. If you didn't say this to me and make me go home and cry for five days, I wouldn't have.   done everything humanly possible to be your competition and here I am I didn't know if he was gonna slap me or kick me out or just whatever it was but it was not what I and he said you know come on down and just tell us more about it he goes you've got so much pressure all over the place and it was funny because at that point   Kiera Dent (06:52) Ha!   Dr Pia (07:08) That was like maybe 10 months after I did 10 episodes on TLC of 10 years younger. And I was all over the place. Like everybody knew me from TV and from press and ⁓ the New York Times wrote that I'm the Michelangelo in Smile Boutique. And it just got to that point. I got the recognition that I worked so hard for. he was like, all right, give me a hug. I was like, thank God.   to   get a slap. But I was ready to get like thrown out or to. So that's kind of what I wanted to do is I just want to empower every single person out there. And you have to understand, when I went to school, we there were no women, it was 97 % men, we had   Kiera Dent (07:43) You   Dr Pia (08:02) maybe seven girls in the graduating class. I mean, not that we had a lot. We have much smaller classes back then and we were 97, but seven out of 97 is a low percentage.   Kiera Dent (08:14) That is,   yeah. Wow, that's such a fun, ⁓ I think kudos to you. And one of my favorite lines through life has been, life is not happening to us, it's happening for us. And I'm sure in that moment, you felt like life was happening to you. Like, who is this jerk? And they destroyed my dreams. And yet, ⁓ again, not to say that that's ever the right route to go. But I just want to highlight and compliment of you took something that people could have said would be sour grapes and you actually turned it into beautiful wine.   and you turned it into something beautiful and it was fuel to your fire to make you into this incredible woman that the world needed. And so I'm very curious, how did you then go from, okay, here we are, how'd you become this renowned cosmetic dentist, getting on TLC, getting all the press, like what was kind of the way to get into that? Because I'm sure there's a lot of dentists who want to live your dream. How did you do it?   Dr Pia (09:04) I think the   way in was truly like in 1998 or 99, I don't remember what year it was, but it was the first gen art fashion show for Fashion Week in New York where they took up and coming young designers and they had a private fashion show with about 10 of small up and coming, which we don't have anymore. mean, New York Fashion Week is no longer what   used to be. But I go there and I had a patient from Belgium who had a really good friend who was an up and coming crazy French designer and he was showing the runway and I just basically went with her and I remember that we were after the fashion show there was a VIP with champagne and we got these wristbands and so forth and my   my patient was, you know, late 30s, single and ready to mingle. And there was this really cute male model that did the runway for ⁓ another designer that wasn't as big. And she was like, my God, he's so cute. And here I was, I had no makeup on, right?   Kiera Dent (10:07) Yeah.   Dr Pia (10:23) this long Margiela dress and I have like Doc Marten boots, my hair up in a ponytail, just like mascara and red lips on. And I went up to this guy and I said, hi, I'm Dr. Pia. You know, my friend Jacqueline wants to meet you. And he had this woman who was next to him and she was like, you gotta talk to me. I'm his booker. I didn't know what a booker was. So I'm like, what's a booker? I thought it was like the, you know, betting on horses, know, like booking, you know, that's what I thought.   Kiera Dent (10:47) Yeah.   Yeah.   Dr Pia (10:53) And basically, ⁓ I was like, No, no, no, I'm just, you know, we're going behind if you guys want to come and join us at the after party behind and he was like, great, she goes, No, no, no, we can't go anywhere. You got to go through me. And I'm like, Okay, I said, Look, I'm a cosmetic dentist. And back then we had cards, right? So I was like, Here's my card. She goes, I want one, too. And I and   Yeah, that was it. had some drinks afterwards. And she was like, Yeah, I want to come in as a patient. I have to come in first before he comes in. Because he said he needed his teeth done. I was like, okay, so the next morning, I'm like, live it at like nine o'clock. I call Wilhelmina who was like back then the number one modeling agency for men. And I call and I'm like, Can I speak to Jennifer and   Kiera Dent (11:32) Yeah.   Dr Pia (11:47) She picks up the phone. I'm like, hi, it's dr. P again. I'm like, I just want to make it really clear I'm married. I do not I am NOT picking up on on your male model It was my friend who was interested just making putting it out there and being totally transparent. So she's like fine I Want an appointment so I booked her and the moment that I booked her She introduced me to the modeling industry. So then I started getting all the models   Kiera Dent (11:57) Mm-hmm.   Dr Pia (12:13) the supermodels, I got everybody in and I think that's how it all started with the press and everything because they've seen my work with the modeling industry and that's how kind of it all started and the thing with me it's always been privacy it's I've never named names I will never name names because it's like plastic surgery if you're going to go in and get a facelift do want it to be plastered all over the press I don't think so so it's the same thing with veneers I mean I do very   natural handmade porcelain and the whole secret that I think to my success is I've never gone into that chicklity white Hollywood smile the toilet bowl teeth or the turkey teeth as now they all go to Turkey to have them done well I've never done that so for me I've always followed what I believe in and did the best that I can and I think that that is as long as you love what you do   Kiera Dent (12:55) Mm-hmm, mm-hmm.   Yeah.   Dr Pia (13:12) and try to be the best that you can be. think the universe, no matter what God you believe in, you know, I think the universe gives it back to you.   Kiera Dent (13:23) I think, well, and also what I heard from that is kudos to you for just going and meeting people and for being out there. Like, I don't think people realize the power of connections, the power of human interaction, the power of who you know. I think we're in such a society where it's all online and we just think, which you can still connect online, but like, don't be afraid to say hi to people. Don't be afraid to introduce yourselves and...   Like I said at the beginning, Dr. Pia, it's very rare that I bring on clinical guests to the podcast. So I'm curious, you work on supermodels, you work on really incredible people. I have a doctor, which we will not name names either, who works on movie stars in LA. so I have a couple of questions and if you don't want to answer by all, you probably do. We will chat post show and see, exactly off call. ⁓ But.   Dr Pia (14:07) I probably know him. If it's it, we'll do it all off, off.   Kiera Dent (14:15) I'm curious, Dr. Pia, just for listeners to know, what is like, I'm gonna ask a few questions and like I said, privacy and respect are my number one. So if there's something that you're like, I'm not gonna answer by all means, audience just know Dr. Pia is so kind to come onto the podcast for us and I did not prep her because I never know what I'm gonna ask. It's just a genuine curious host over here wanting to know, what are the average cases like dollar wise, our low end to our high end of cases that you're doing?   I just want people to know, because I think people do not believe that this is real life dentistry and it can be.   Dr Pia (14:51) You're talking about veneers or you're talking about all the procedures. Veneers. Veneers are from three to 45, 100 or two. It depends. mean, if someone is a massive grinder and I've got issues with them.   Kiera Dent (14:54) I would say let's do veneers and then let's do other procedures.   Dr Pia (15:12) having, you know, doing the grinding at night, felspathic, I'm a little bit weary of doing that and I'll do the 3D printed. ⁓ As much as I'm not the greatest fan of doing that, I would rather keep them in a night guard and let them have the beautiful teeth. But it basically is... ⁓   Kiera Dent (15:19) Totally.   Mm-hmm.   Dr Pia (15:35) You know, for the handmade porcelain, I mean, there are some people out there that are charging over five. And I think that's just a little bit exaggerated because I know how much it costs me to make. think, you know, 4500 is a fair price. You don't have to go above five. I think that's just the ingredient.   Kiera Dent (15:42) Totally.   Sure.   Mm-hmm. Which I appreciate that you say that, especially with the press and with the people that you worked on. You have an opportunity to charge more, but you're also being ethical and fair, which I think ties to the passion, the love, the reason people can trust you. So how many veneers, this is like, now I'm gonna just be like a nerdy patient. How many, because I feel like a lot of people just want like the four veneers and then the six and then.   Dr Pia (16:15) Alright, come on, bring it on!   Kiera Dent (16:20) Do you just do all of them? there a space where clinically you recommend like we stop here for smile lines? What's kind of your, what's your, what's your clinical excellence on this? What do you recommend?   Dr Pia (16:25) No!   I think you should have either one or as many as you need. think the biggest problem and the... Okay, now you got me. So my competition in New York will only do 10. And he's my former student.   Kiera Dent (16:37) I'm ready. She got fired up everybody. Juicy like sits up.   Mm-hmm.   Dr Pia (16:51) which is even more infuriating to me. Like I so disagree because I think if you have a beautiful smile and let's say you fell and you've had a root canal and the tooth is starting to change color. I think if you're a good clinician and a good clinician is a cosmetic dentist, I don't believe a GP could do this. Okay. And men, we have the issue with 40 % are colorblind. So that's another issue altogether.   Kiera Dent (16:52) That's   I do remember there was a girl in dental school who couldn't like really see and I was like, how do you like she couldn't see colors and I'm like, how do you, how do you, how do you get over that as a dentist? I'm just curious. I can't check the color, right? Okay, so making sure you think that you can do one if you're a good clinician, which is, love this. Cause people tell me all the time, you can't do one.   Dr Pia (17:29) Well, they get the dental assistant to choose the color.   I do one. do one. So I do one.   I do one. I'll do two. If you're if you ground I do four.   I'll do six, I'll do 10, I'll do 12. If the person has a really big smile and it's a color correction like a tetracycline case, then I have to do 12, you know, like, because it depends if you're someone that has this uber large mouth, then and you when you smile, you go back to the second molars, you have to do it. But I feel that this whole entire ⁓   doing 10 or nothing. think that is so unfair to the patients. And I think it's such bad karma as well, because it's going to come back and bite you later on, because I don't feel that everyone has to have that many done. And the other thing that I'm actually known for is the fact that I don't believe that   you have to necessarily file the tooth down. If the teeth are in the correct position, okay let's back it up. If the teeth are not in the correct position do Invisalign first and then do the handcrafted veneers because the way I do them they're as thin as a contact lens so there is no drilling needed. Anytime why I wouldn't want anyone to drill my teeth to put veneers on why are you taking away to add on it's an   Kiera Dent (18:42) Love.   Mm-hmm.   Dr Pia (19:08) moron right so if you are a true cosmetic dentist and know how to do this and have the right support of the right ceramist they should be see-through   Kiera Dent (19:09) Mm-hmm, mm-hmm.   Yeah.   Dr Pia (19:24) So if that's the case, there's no drilling involved. And if you need only one, just do one. There's no reason to spend that money on doing more if you don't need them.   Kiera Dent (19:32) It's incredible.   which I'm so grateful to hear this. This is why I was so excited. I'm like, I have so many questions about this and I'm just curious of how you do it and to hear that being really talented at this, you don't need to do more than that because I hear all the time like, well, if you only do four, then you're gonna see it, but I don't disagree with you. think if you're good at what you, and this isn't just dentists. I also think dentists, well, I'm gonna go out on a limb. Now I'm fired up to be, like, here we go.   Dr Pia (20:02) No, no, they   want the money. It's clear as day. They're doing it for the money.   Kiera Dent (20:06) Right.   Well, and also I'm like, if you're not good enough to be able to do one without it looking like a chicklet, I might question, you good enough to be doing this in general? And that I know is a very bold statement, but I might get really good at this. I don't disagree.   Dr Pia (20:18) No, they should not be doing them. I'm sorry, they should   not be doing it. And with felspathic, with the handmade porcelain, it... I can't say it enough. One is not a problem.   Kiera Dent (20:35) Okay, let's talk about different labs and how do you choose a good lab for ceramic, for cosmetic cases? Like what's the difference? I mean, I've heard some people that are printing ⁓ Emax crowns for the front and I wanna like cringe and I'm like, ⁓ that feels really bad. So let's talk about like, how do you pick a good lab? What's the difference of a good lab? How is it handmade versus not? Like what are some of those nuances within the cosmetic world that really make a difference on being able to do one versus having to do eight to 10?   Dr Pia (20:48) No, no, no, no, I didn't write.   Kiera Dent (21:03) because you're gonna see lines and it's gonna look different.   Dr Pia (21:06) Okay, so I'm a nerd. I'm going to give you the whole entire background. Okay. ⁓ So basically the handmade porcelain is felspathic and it can be as thin as 0.16 of a millimeter, which is technically a contact lens. Okay. It's thinner than your natural fingernail, not with gel on it or powder, you know, polish. I'm talking about a natural fingernail. So having said that,   Kiera Dent (21:08) I love it. I want this.   Mm-hmm.   Dr Pia (21:33) Now in the way that those are made they're done on platinum foil so you take the model of the teeth they put platinum foil which is also like super super thin microns it's you know anywhere between 10 microns 20 microns okay and then on that porcelain on that platinum foil the porcelain multiple colors multiple translucencies get added on and that's   the veneer is made. Okay so that's how we're able to have them super thin. The 3D printing, different story altogether. So 3D printing needs to have minimum   Kiera Dent (22:05) Mm-hmm.   Yeah.   Dr Pia (22:17) between 1.5 to 2 millimeters of thickness. So those right there are thick. Okay, so that's why you need to file. Otherwise, everything is gonna be out. That's why they need to do 10 because they can't match the flatness of a natural tooth. So those are done by a computer. So what you do is you scan with the feldspathic. You still have to take good old fashioned impressions because the model has to be poured in   Kiera Dent (22:22) Right.   Mm-hmm.   Mm-hmm.   Dr Pia (22:47) it cannot be on plastic to do the platinum foil. With the 3D printing, with 3D printing veneers and crowns, you basically just scan the tooth, send it via, you know, the cloud. It gets to the lab, they print out the model, and then they start designing the shape and the size of what they want the veneer or the crown to look like.   Kiera Dent (22:51) Interesting.   Dr Pia (23:14) and then they have this block which is like about this big and it's like a disc it's like an oversized hockey puck okay and out of those they usually get out of those hockey pucks usually they get 25 crowns and veneers like either or okay ⁓   Kiera Dent (23:22) Mm-hmm. Okay.   Sure, okay.   Dr Pia (23:35) Now those blocks you have to understand they come in one solid color and very opaque hence why they look like toilet bowls like you can see like ⁓ Simon from What is it the the show with America's Got Talent right now his teeth walk in before him   Kiera Dent (23:55) Mm-hmm.   Dr Pia (23:58) They're so white and chalky. He had them done and they're too big, personal. I mean, I think they're too, he's too horsey. He should have stayed with the veneers he had before because they looked more natural and.   Kiera Dent (23:58) It's true.   Dr Pia (24:12) But that's the problem. If you have them very, if you have the 3D printed, the opacity is one solid, you know, base that the computer then drills that hockey puck to form the crowns and the veneers. So you're never going to get the aesthetics of having incisal translucency or having a halo or having them nice and flat. You're not, because the computer is going to make them the thickness that   Kiera Dent (24:33) right?   Dr Pia (24:41) They cannot drill those any thinner than that because they're going to break.   Kiera Dent (24:46) So this is fascinating and I love this because now I have more quite like being an assistant, also having worked in this, also having gone to labs, also having like things done for family and friends that I know. Are you a fan of custom shading where you send your patients to the lab or how, okay, so how do you get it to where it's like a perfect shade match, like consistently, any tips that you have to make it to where it is really that absolutely perfect, making your smiles.   Dr Pia (25:04) Hell no.   Kiera Dent (25:15) beyond perfect without sending them to a lab. Because I think a lot of people hold back and they're like, I've got to send it. But I've seen a lot of dentists where they'll try to put the shading in, they try to put the translucency in. This is no knock on dentists. This is like, hey, we've got an expert here. Let's ask how she does it so we can all rise up.   Dr Pia (25:30) Okay, honestly, I take the patient to the window. My whole main thing is every single office that I've built, I need to have windows that are five feet tall.   and sunlight. So I'm able just to move the patient to the window. And that's where the talent comes in. I'm able to take shade without a shade guide. I mean, I'm at that point, but I've been doing this for decades now. So it's like at the beginning, I wasn't so I would do the shade guide and I would write it on a piece of paper and just be like, okay, the neck is an A two and then we have an A one body and then we have translucency of two millimeters and a halo and I just draw it.   Kiera Dent (25:41) Fascinating.   Dr Pia (26:10) and then they would make every single veneer with the same recipe. It's almost like cooking. But the window and natural sunlight is the key. Because all these computers that you put up against your tooth, all due respect.   Kiera Dent (26:15) I see. Mm-hmm. Yep. Mm-hmm.   That's great.   they shade it differently.   Dr Pia (26:29) it's not only   that you have to understand everybody's tooth is a different length okay like your centrals are fairly long for the average person right that particular shade guide is not going to read color on your tooth that you probably have 12 millimeter long centrals and i'm diagnosing you over the video right so that particular   Kiera Dent (26:35) Mm-hmm.   Mm-hmm. Mm-hmm.   Yeah.   Mm-hmm. Hey, thank you. Yeah.    Dr Pia (26:58) light source is not going to be able to read 12 millimeters perfectly from the gum line to the incisal. It's just not going to happen. You're going to need and if you're not good at taking shade, go do endo or oral surgery or ortho.   Kiera Dent (27:07) Right.   It's true cosmetic is about I feel it's about the precision. It's about the aesthetics and like there I mean I hire designer to do my house. I'm not going to do it. I know that that is not my forte. I'm really good at other things, but I'm not good at color matching and what goes well together and how to put this together. It's just not my strength and skill set and I really do believe like this is what I think going back to your original professor speaker lecturer who   completely dash your dreams. I think maybe possibly what he meant was, I think there's some people who have a natural eye for cosmetic and aesthetics and there's other people who maybe don't. And I think you can adapt it and evolve it and become, and you have clearly proven that. But my guess is, I mean, hearing that you're even on fashion week, my hunch is you already by default had a very strong fashion aesthetic. Maybe you didn't, but I would guess that that kind of has been a part of you.   Dr Pia (28:07) No, I did. did.   And you know, I do like my own makeup and I know my colors and things like that. And so that helped. I have to say that really did help me quite a bit.   Kiera Dent (28:11) Mm-hmm.   which is why you were drawn   to this. You had the passion, fire, because you already knew that.   Dr Pia (28:21) And I loved it and I was like, how can I? And then what the other thing is like, you may not know you have it. So the other thing what I say is buy some art books. That's what I did. Buy some art books. Get to learn the difference between the chroma and the hue and just take a couple of art classes and see if you have it.   And if not, what can you pick up and learn from those art classes if you really want to do it? And I'm not trying to be sexist by any means, but I do think that women are better at it because of color. And I think we're a lot more patient because the way I do it is I do diagnostic wax ups on every case, whether it's one tooth, unless it's even with the prepless veneers where I don't touch the tooth.   Kiera Dent (28:52) Yeah.   Dr Pia (29:16) I still do the wax ups to see I've had all let me backtrack a little bit but I've had every single 2d program   in the last what 16 years that they've been out more than 16 years okay and it's not the same when you see yourself in a photo with the size and shape and color that you might want okay it's like using it's like using the apps to change your hair color i'm   Kiera Dent (29:32) Wow.   I agree.   Mm-hmm.   Mm-hmm.   Dr Pia (29:50) the strongest belief that if you do want to change your hair color, I think you should try on a wig and wear it for a couple of days. So that that whole entire ⁓   Kiera Dent (29:58) Yeah, I don't disagree.   Dr Pia (30:03) philosophy that I have what I do is I do the diagnostic wax-ups I do the indexes and without drilling the teeth the patients come in and I pop it over their teeth, you know with the Luxe attempt, know the temporary material that sets over it and I tell them to walk out with it and You know, it's not bonded on or anything. They can just take their fingernail and just pop it all off But go out let your family see it. Let your partner see it. See how you feel. Is it too long?   Kiera Dent (30:22) Mm-hmm.   Dr Pia (30:33) Is it too square? Is it too round? I'm allowed to have my opinion, but you're paying me and if your opinion is different than mine You have you should have the right as a patient to get what you want. Not what I want We have to come somewhere in between sometimes like I'll put my foot down and I'll be like you really don't want them that way   Kiera Dent (30:49) Mm-hmm. And I'm glad...   You're right. We don't want them to make a statement before you walk in the room. That's what we're going to just highlight here. But hey, if you want white white, like at the end of the day, that's what they're going to have. I love that you, ⁓ I think this is probably what's made you really great. I don't know. I've heard a lot about you. But I think what you do is you make sure that the patients are obsessed with the results and not that Dr. Pia is obsessed. Like you're obsessed with the craftsmanship of what you've done.   You're really talented at that. But like hearing that you let people walk out and go try these on and what is it going to be like before you do it? That to me says that you are so obsessed about the outcome and the result for the patient. And then your job is to make sure you have the most excellent craftsmanship, the best product, the best techniques, the best method to get them the outcome they want. And I think hearing that, I'm just so proud of you. And I'm so grateful to hear that there are clinicians in our industry that   are obsessed about that rather than the reverse. Because I think some people are obsessed about maybe the dollar, maybe about doing these types of cases, but they're not the best at it, or this is what I think that they should look like. You really want to make sure that that patient is like a walking raving fan of you before you even do the work on them. And that I think is very special about you.  

A peer-reviewed paper claims a glowing, seated-Buddha fractal generated from the Mandelbrot set is hidden in the Mona Lisa, Michelangelo's Sistine Chapel, Tutankhamun's mask, and masterpieces across cultures—proof of simulation, aliens, or the collective unconscious. Greg explains what fractals and the Buddhabrot actually are, shows why the overlays are genuinely uncanny, and then pivots to the far more astonishing Catholic truth: beauty is a transcendental property of being itself. From Plato to Aquinas to the Catechism, the Church has always taught that creation is stamped with the splendor of its rational Creator—and that the ache we feel in front of great art is homesickness for Him. SUPPORT THIS SHOW Considering Catholicism is 100% listener-supported. If this podcast has helped you on your journey, please become a patron today! For as little as $5/month you get: • Every regular episode ad-free and organized into topical playlists • Exclusive bonus content (extra Q&As, Deep-Dive courses, live streams, and more) • My deepest gratitude and a growing community of like-minded listeners ➡️ Join now: https://patreon.com/consideringcatholicism (or tap the Patreon link in your podcast app) One-time gift: Donate with PayPal! CONNECT WITH US • Website & contact form: https://consideringcatholicism.com • Email: consideringcatholicism@gmail.com • Leave a comment on Patreon (I read every one!) RATE & REVIEW If you enjoy the show, please leave a rating (and even better, a review) on Apple Podcasts, Spotify, or wherever you listen — it really helps new listeners find us. SHARE THE SHOW Know someone who's curious about Catholicism? Send them a link or share an episode on social media. Thank you! Christus vincit, Christus regnat, Christus imperat.

Episode 527 von TMNT - Der Talk. Das Hauptthema diesmal sind die 2003-Cartoon-Folgen "Space Invaders Part I" und "Space Invaders Part II". Besucht auch die Website unter https://www.tmnttalk.com/ oder schreibt mir an tmnttalk1984@gmail.com.

Reginald Pole started out as a man who Henry VIII sponsored and celebrated, but soon turned on the king, becoming an outright and vocal critic of his all too bloody reign. To discuss Reginald with me, I am pleased to welcome historian Dr Helen Hyde onto the podcast for a discussion based around her recent book, The King's Traitor, Reginald Pole and the Tudors. We explore Reginald's early life, his position as an arch enemy of Henry VIII, his very close bond to Queen Mary I and even his friendship with none other than Michelangelo himself!

Kader Attia talks to Ben Luke about his influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped his life and work. Attia was born in 1970 in Dugny, France, and lives in Berlin and Paris. He grew up between the French capital and Bab el Oued, a suburb of Algiers in Algeria, and his Algerian-French identity and the culture and history of Europe and North Africa—the global north and south—have profoundly informed his subject matter and materials. His work across three decades in photography, collage, sculpture, installation and sound, is concerned with a central concept: repair. By association, the notion of repair is inevitably connected with violence and injury. Within this overarching theme, he explores political and social issues in the present and the complex legacies of colonialism. While directly addressing particular historical and current moments, his work is rich in metaphor, and he considers this poetic aspect crucial to art's ability to effect social change. Attia regards his output as the evidence of an ongoing process of research, but despite its fundamentally philosophical and textual genesis, it is often dramatic visually and experientially.He reflects on what he calls the “menemonic traces” and ghosts present through his work, explains why he feels the gaze is a bodily phenomenon beyond the ocular, and discusses the importance of his trips while a young person in Congo and Mexico. He talks about his early interest in Michelangelo's drawings, his engagement with writers from the psychoanalyst Karima Lazali to the poets Édouard Glissant and Aimé Césaire, and the cathartic power of music. Plus he gives insight into his life in the studio and answers our usual questions, including the ultimate: what is art for?Kader Attia: Shattering and Gathering our Traces, Lehmann Maupin, New York, until 20 December; Kader Attia. The Lost Paradise, Centro Andaluz de Arte Contemporáneo, Seville, Spain, until 18 January 2026; Kader Attia: A Descent into Paradise, Museo Amparo, Puebla, Mexico, until 4 January 2026.Bienal de Sao Paulo: Not All Travellers Walk Roads—Of Humanity as Practice, until 11 January 2026; The World Tree: 24th Paiz Art Biennial, Guatemala City and Antigua Guatemala, until 15 February 2026. Hosted on Acast. See acast.com/privacy for more information.

Two highly intelligent, creative, compassionate and accomplished elders of our society— Randall Carlson and Master Sculptor Sabin Howard— enter into a deeply honest and important conversation about life, art, education, sociology, world history, personal history, war & peace, science, spirituality, religion, architecture and sacred geometry. They also discuss humanity's evolving consciousness set against rapidly advancing technology and the geopolitical influences that are clearly at play. They even dip into transhumanism, suggesting that the proverbial crossroads upon which humanity now stands, demands that we make a choice; a decision of the utmost importance that is sure to indelibly shape humanity's future forever— all discussed over an EPIC, 2+ hour episode. We hope you enjoy this very deep, very compelling and very important conversation between two legends. ONLY RANDALL'S AUDIENCE GET'S HIS FAVORITE CBD PRODUCTS (for pain relief, for deep sleep and/or stress and anxiety relief) WITH FREE SHIPPING FOR LIFE: https://cbdfromthegods.com ABOUT SABIN HOWARD: https://sabinhoward.com/ Sabin Howard is the foremost practitioner of, and authority on, Modern Classicism. Sabin Howard grew up in New York City and in Torino, Italy. He studied art at the Philadelphia College of Art and then earned his MFA from the New York Academy of Art. For twenty years, he taught at the graduate and undergraduate levels. He has been elected to the board of the National Sculpture Society. He has received numerous commissions and has showed his work at more than fifty solo and group shows. After 45,000 hours of working from life models in the studio, he is the creator of three heroic scale pieces, HERMES, APHRODITE, and APOLLO, as well as many smaller pieces. His works are owned by museums and private collectors all over the world, and they have been favorably reviewed by The New York Times, The Washington Post, The Epoch Times,American Artist, Fine Arts Connoisseur, American Arts Collector, and The New Criterion, as well as many other journals internationally. He is an accomplished public speaker and is the subject of several television profiles. He is the author of the book THE ART OF LIFE with his wife author Traci L. Slatton.

The hands of the master artist Michelangelo formed a shapeless block of marble into David, perhaps the most famous sculpture in the world. You may feel that your life has no purpose or direction, but if you come to God through faith in Jesus Christ, He'll gradually form you into the image of His beloved Son and make your life into something beautiful in His eyes. Have you entrusted your life into the loving hands of the Master? Listen to Dr. Barnhouse's classic teaching on Dr. Barnhouse and the Bible. To support this ministry financially, visit: https://www.oneplace.com/donate/791/29?v=20251111

Contrary to Victorian era illustrations and Michelangelo's chubby cherubs in the Sistine Chapel, angels are always described as glorious and fear-inducing.  Whenever someone sees a vision of an angel in Scripture, the person who sees them is dumbfounded and crippled by fear. In most instances, the angel has to tell the person not to fear and followed by supernatural help to recuperate. Such is the case with Daniel, who receives an interpretation of his vision from an angel. There's far too much to talk about concerning the historical fulfillment of Daniel's vision, but the prophesy moves from near future to the end of days when it is mentioned that the king will do whatever he wants.Daniel 10 - 1:12 . Daniel 11 - 5:12 . Daniel 12 – 15:11 . Isaiah 45 - 18:18 .  :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org