Podcasts about klimt

OMG! YOU GUYS! OMG! I'm kicking my feet, I'm screaming, I'm giggling, I'm flabbergasted, I'm feeling a lot of things. Yes, we're discussing episode 51 of Klimt's Kisses by LimeS! THE KISS. It happened. We need to talk about the where, the when, the why of this kiss. And let's try to guess what happens next. SUPPORT THE CREATOR: patreon.com/limeseahorse https://www.instagram.com/limeseahorse MY PATREON: https://www.patreon.com/girlwonder Connect with Girl Wonder:  My YouTube Channel: https://www.youtube.com/channel/UCTk-JbxxAnf5TKyeCchNRHA twitter.com/girlwonderpod instagram.com/girlwonderpodcast Email: girlwondersquad (at) gmail (dot) com Buy me a coffee: http://ko-fi.com/girlwonderpodcast MUSIC CREDIT: Isabella LeVan https://www.instagram.com/isabellalevan https://open.spotify.com/artist/3mHmktHG4sbkGsCORnaNT3?si=Nx2DvyOGQyatxudvD3ik9Q

In 1911 Vienna, a man on his way home spots the figure of a woman at the edge of the river. She is still, beautiful and nude, framed by tendrils of yellow hair. The man is Austrian painter Gustav Klimt. So instead of calling for help, the artist takes out his sketchbook. In his new historical novel Anima Rising, Christopher Moore uses this strange encounter as the jumping off point for his story, which goes on to involve characters like Sigmund Freud and Carl Jung. In today's episode, Moore joins NPR's Scott Simon for a conversation about the mystery at the center of the story and the real-life Klimt's relationship to women.To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Linda Tugnoli"Art Night"Rai5Art Night – Il volto e l'animaIndagine sul ritratto femminileL'intelligenza artificiale ha un problema con le donne, in particolare, con il modo con cui crea immagini che dovrebbero rappresentarle. Molti osservatori hanno notato che tende a generare, qualunque sia il “promt”, cioè la richiesta, donne troppo perfette, ipersessualizzate, preferibilmente dai tratti occidentali. Nei suoi dataset si sono depositati pregiudizi e bias preesistenti, impliciti nei milioni di immagini con cui è stata nutrita. Lo racconta il doc “Indagine sul ritratto femminile”, in onda mercoledì 21 maggio alle 21.15 in prima visione su Rai 5 per l'Art Night di Neri Marcorè.L'arte ha aiutato a forgiare quest'immagine archetipica del femminile? O potrebbe, invece, rappresentare un antidoto alla standardizzazione dei canoni estetici oggi in atto? Una storia del ritratto femminile è un viaggio che dalle Veneri preistoriche senza volto giunge fino al ‘900, in cui gli artisti hanno utilizzato il ritratto anche per esplorare tematiche di genere, identità e potere, a volte sfidando le convenzioni sociali e le aspettative riguardanti il “bel sesso”. Un viaggio che attraversa quindi numerose tematiche, dall'evoluzione dei canoni di bellezza femminile, al ruolo della donna nella società e nell'immaginario artistico e letterario maschile, alla nascita di un'arte “al femminile”, a una storia del costume. Giada Pistilli, responsabile dell'etica per una piattaforma di intelligenza artificiale franco-americana, Hugging Face, con sede a Parigi, punta il dito contro i limiti e i bias relativi all'immagine femminile, ipersessualizzata e stereotipata, nell'AI e nel mondo di Internet in genere. Per l'arte preistorica, dove dominano rappresentazioni femminili della fertilità e della maternità, si visita il Musée d'Archéologie Nationale in Francia, a St. Germain-en-Laye, intervistando Catherine Schwab, responsabile delle collezioni paleolitiche e mesolitiche, sulla celebre Dama di Brassempouy, forse il volto più antico nella storia dell'arte europea con i suoi 25.000 anni. Per l'arte egizia, Christian Greco, Direttore del Museo Egizio a Torino parla dei ritratti di due bellissime regine, Nefertiti e Tye. Luana Toniolo, Direttrice del Museo Nazionale Etrusco di Villa Giulia a Roma e Vincenzo Bellelli, Direttore del Parco Archeologico di Cerveteri e Tarquinia, vanno in uno straordinario viaggio attraverso le rappresentazioni femminili nell'arte etrusca, sottolineando il diverso ruolo sociale della donna nel mondo etrusco rispetto al mondo greco-romano. Fabrizio Paolucci, responsabile della Collezione delle Antichità Classiche delle Gallerie degli Uffizi, a Firenze, racconta la meravigliosa Giulia di Tito, un capolavoro della ritrattistica romana del II secolo d.C. Si indaga, inoltre, su un interessante fenomeno seicentesco, “Le stanze delle belle”, quelle “serie” o collezioni di ritratti femminili che riunivano tutte le esponenti delle famiglie nobili, con Francesca Cappelletti, Direttrice della Galleria Borghese a Roma, che a questo tema così particolare ha dedicato un libro, con Francesco Petrucci, conservatore del Palazzo Chigi in Ariccia dove si conserva una delle rarissime Stanze delle belle giunte fino a noi e Veronica Ambrosoli, responsabile dell'Ufficio Conservazione del FAI, Fondo Ambiente Italiano, che apre le porte dello straordinario Castello di Masino, nel Canavese, che ospita una collezione di belle donne francesi. Con Cristina Mazzantini, Direttrice della Galleria Nazionale d'Arte Moderna e Contemporanea, a Roma, si arriva fino alle soglie della modernità analizzando il fondamentale cambiamento del ruolo delle donne nella società tra ‘800 e ‘900, evidente nei volti affascinanti di Modigliani, Klimt o di Boldini conservati alla GNAM. Grazie a un accordo di collaborazione con il prestigioso Museo d'Orsay, a Parigi, che ospita la più importante collezione di opere d'arte della seconda metà dell'ottocento e in particolare dell'impressionismo, Sylvie Patry e Leïla Jarbouai approfondiscono il cambiamento forse più importante per il ritratto femminile nell'era moderna: la conquista di uno spazio autonomo da parte di artiste donne come Berthe Morisot, tra i fondatori del movimento impressionista, grazie alle quali finalmente acquista diritto di cittadinanza nel mondo dell'arte lo sguardo delle donne sulle donne. Anche tra i pionieri della fotografia, più o meno negli stessi anni, si possono annoverare diverse donne, come per esempio Julia Margaret Cameron, che, secondo Federica Muzzarelli, docente di Storia della Fotografia all'Università di Bologna, colgono con sorprendente rapidità e originalità le potenzialità proprie del nuovo mezzo, forse approfittando proprio della loro marginalità rispetto al mondo ufficiale della cultura e dell'arte.Il documentario, scritto da Linda Tugnoli e prodotto da Mark in video in collaborazione con Rai Cultura, è stato girato in Italia e in Francia integrando in modo sperimentale le tradizionali tecniche di ripresa e di grafica con tecniche di animazione con intelligenza artificiale. Art NightIndagini sull'autoritrattoViviamo nell'era del selfie: l'ultimo decennio ha visto la costruzione di un nuovo io, idealizzato, esibito e condiviso sui social; dappertutto nascono musei del selfie che predispongono sfondi appositi perché non ci basta più collezionare immagini di noi nel mondo. Secondo alcuni, questa nuova identità digitale rischia di svuotarci della nostra interiorità. L'arte è un punto di osservazione privilegiato su questo aspetto del mondo contemporaneo. Lo racconta “Indagini sull'autoritratto”, in onda in prima visione per l'Art Night di Neri Marcorè mercoledì 28 maggio alle 21.15 su Rai 5.L'autoritratto ha uno statuto assolutamente particolare all'interno della storia dell'arte: si trova all'intersezione di almeno tre elementi centrali: l'artista, la sua arte e la sua persona, intesa nel doppio significato del personaggio pubblico che l'artista intende mettere in scena e dell'individuo con la sua verità, con i suoi tratti distintivi, fisiognomici e caratteriali. Il compito di creare un proprio volto che resterà per sempre può far vacillare l'artista più sicuro di sé. A volte le facce non sono giuste, non hanno l'aspetto che dovrebbero avere: Van Dick, autore di austeri ritratti di nobili e di reali, sembra un bambino biondo; Delacroix così appassionato, così romantico, ha due baffetti a spazzola sotto un naso un po' antipatico; Degas ha un'aria un po' imbambolata; Rembrandt, nella serie di autoritratti più formidabile della storia dell'arte, non riesce a decidersi nemmeno sul suo colore d'occhi o di capelli, ma ci rivela che l'identità individuale è mutevole, come sono mutevoli le alterne fortune della vita e i segni che lo scorrere del tempo lascia sul corpo.C'è differenza tra un selfie e un autoritratto? Questo è stato il punto di partenza di questo viaggio, a Parigi, insieme a Dominique Cardon, sociologo del Médialab dell'università di SciencesPo.Il documentario, scritto da Linda Tugnoli e prodotto da Mark in video in collaborazione con Rai Cultura, è stato girato in Italia e in Francia integrando in modo sperimentale tecniche di animazione con intelligenza artificiale alle tradizionali tecniche di ripresa e di grafica.Linda Tugnoli vive tra Roma – dove lavora come autrice e regista di documentari, soprattutto per la Rai – e la campagna sabina, dove abita in un casale con il marito, tre figli, un orto, una serra e svariati cani di grossa taglia che periodicamente devastano l'orto e la serra. Ha contratto anni fa quello che gli inglesi chiamano il bug del giardiniere: una spiccata tendenza a parlare troppo di piante e di fiori. La forma del ghiaccio è il terzo romanzo dedicato alle indagini del giardiniere Guido.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Hoy hablo con Patricia Fernández Lorenzo, Socia Of Counsel en Derecho del Arte en Ramón y Cajal Abogados, sobre el fascinante mundo de las restituciones de obras de arte, donde el derecho, la historia y la investigación se cruzan. Empezamos por entender qué es una restitución y qué requisitos deben cumplirse para que una obra pueda ser devuelta: procedencia, trazabilidad, documentación y contexto histórico.Hablamos sobre el expolio sistemático de obras durante el régimen nazi y en los principios del Acuerdo de Washington. Comentamos casos emblemáticos como la Dama de Oro de Klimt y el conflicto Cassirer v. Fundación Colección Thyssen-Bornemisza. Patricia también comparte un caso en el que ha trabajado directamente: la restitución de una obra del Museo de Pontevedra a Polonia.También hablamos de las incautaciones durante la Guerra Civil española y cómo se están gestionando hoy en día. Cerramos el episodio con el debate sobre las restituciones entre Estados y el caso de los frisos del Partenón.

Millie and Finley are heating up the dance floor. He also has a very revealing conversation with Vanessa. Millie's makeover moment was so well executed and had me kicking my feet and screaming, especially when we got to Finley's reaction. There's so much chemistry between them, but a lot of obstacles preventing them from being together as well. We're discussing episodes 47-50 of Klimt's Kisses by LimeS! SUPPORT THE CREATOR: patreon.com/limeseahorse https://www.instagram.com/limeseahorse MY PATREON: https://www.patreon.com/girlwonder Connect with Girl Wonder:  My YouTube Channel: https://www.youtube.com/channel/UCTk-JbxxAnf5TKyeCchNRHA twitter.com/girlwonderpod instagram.com/girlwonderpodcast Email: girlwondersquad (at) gmail (dot) com Buy me a coffee: http://ko-fi.com/girlwonderpodcast MUSIC CREDIT: Isabella LeVan https://www.instagram.com/isabellalevan https://open.spotify.com/artist/3mHmktHG4sbkGsCORnaNT3?si=Nx2DvyOGQyatxudvD3ik9Q

Het is alweer bijna drie jaar geleden dat we in de Technoloog uitgebreid spraken over de stand van zaken rond het Internet of Things. Over IOT praten we altijd met Wienke Giezeman, mede-oprichter van The Things Industries, en dat is ook deze aflevering het geval. Sinds ons laatste gesprek is er veel veranderd, bijvoorbeeld de opkomst van generatieve AI. Waar deze technologie drie jaar geleden nog nauwelijks een rol speelde, is het nu niet meer weg te denken uit de wereld van verbonden apparaten. AI maakt het mogelijk om IoT-data sneller te analyseren en directer te benutten, maar brengt ook risico’s met zich mee, zoals grotere afhankelijkheid, complexere beveiligingsvraagstukken en vooral: onbetrouwbare apparatuur. Op het gebied van standaarden blijft Matter het toverwoord. Deze universele taal voor IoT-apparaten werd drie jaar geleden al genoemd, maar heeft sindsdien moeite gehad om echt door te breken. Dat is opmerkelijk, gezien de brede steun van grote partijen als Amazon, Samsung en Ikea. Toch blijft volledige interoperabiliteit uit. Er zijn nog altijd protocollen die hun eigen positie willen behouden, en dat maakt het moeilijk om tot één standaard te komen. Terwijl juist die eenduidigheid de hele markt vooruit zou kunnen helpen. Ook de Europese wetgever roert zich. De EU Data Act, die naar verwachting in september van kracht wordt, verplicht fabrikanten om data uit IoT-apparatuur toegankelijk te maken. Dat biedt kansen voor gebruikers om met eigen software of alternatieve oplossingen aan de slag te gaan, maar leidt mogelijk ook tot fragmentatie. Tegelijkertijd komt er met de Cyber Resilience Act een nieuwe plicht voor fabrikanten: betere standaardbeveiliging van hun producten. Dat klinkt logisch, maar zou in de praktijk botsen met de wens om systemen juist open en modificeerbaar te houden. Zeker bij open-source oplossingen is het de vraag hoe die balans moet worden bewaakt. Ten slotte werpen we een blik op de toekomst. Hoeveel slimmer, efficiënter of duurzamer is het leven met IoT inmiddels echt geworden? Is een 'slim' huis echt zoveel fijner? En waar staan we als we over een aantal jaar opnieuw de balans opmaken? Gast Wienke Giezeman Video YouTube Hosts Ben van der Burg & Daniël Mol Redactie Daniël MolSee omnystudio.com/listener for privacy information.

“Lisa Sartorio” Les désoeuvréesà la galerie binome, Parisdu 16 avril au 14 juin 2025Entretien avec Lisa Sartorio,par Anne-Frédérique Fer, à Paris, le 15 avril 2025, durée 17'33,© FranceFineArt.https://francefineart.com/2025/05/08/3614_lisa-sartorio_galerie-binome/Communiqué de presse En 1916, dans l'une de ses fameuses notes, Marcel Duchamp définissait par l'exemple le « ready-made réciproque » : « Se servir d'un Rembrandt comme planche à repasser. » À l'inverse des ready-made bien connus, le ready-made réciproque entendait convertir une oeuvre d'art en objet utilitaire. Comme les ready-made, il n'introduisait pas une différence de degré mais de nature avec l'objet d'origine : ce dernier ne devenait pas plus ou moins ce qu'il était déjà, il était dénaturé. Le ready-made réciproque n'est resté, pour l'anartiste Duchamp, qu'une hypothèse. Sa postérité n'en est pas moins immense car, de nos jours, il n'est pas un chef-d'oeuvre, de Rembrandt ou autre, que l'industrie culturelle n'ait converti, au mieux en bijou, boîte, assiette ou tasse, au pire en set de table, coque de smartphone, ruban adhésif ou papier hygiénique… Autant d'objets qui, par leur prolifération, s'imposent dans notre quotidien comme les nouveaux modes d'existence des oeuvres originelles, au point d'effacer, quand nous les connaissons, la réalité de ces dernières de nos mémoires.Le récent travail de Lisa Sartorio porte sur la dénaturation de l'art opérée, à l'ère du consumérisme culturel et touristique, par ces ready-made réciproques que sont les produits dérivés. L'artiste s'était déjà intéressée au devenir image des oeuvres d'art quand, en 2013, elle avait collecté sur internet des centaines de reproductions différentes de la Joconde, oeuvre comme il se doit la plus partagée sur les réseaux, pour créer une composition abstraite. Aujourd'hui, les quatre corpus qui forment Les Désoeuvrées sont consacrés à leur devenir objet.Pour constater l'ampleur du phénomène, Lisa Sartorio a commencé par réunir, toujours grâce à internet, les produits dérivés de deux chefs-d'oeuvre, Amandier en fleurs (1890) de Vincent van Gogh et Le Baiser (1908-1909) de Gustav Klimt, dont elle a assemblé les images dans des compositions saturées qui, en dépit de l'homogénéité du motif, laissent apparaître la diversité des objets commercialisés, y compris des chaussures, escarpins ou baskets, pour le tableau de Van Gogh, ou un parapluie, des collants et un skateboard pour celui de Klimt. Une fois imprimées, elle a utilisé ces compositions pour confectionner des objets en trois dimensions en les moulant sur de la vaisselle, des bouteilles, ustensiles de cuisine, téléphones, tongs, etc., qu'elle a agencés dans l'espace. Elle a ensuite photographié ces natures mortes en variant les lumières pour souligner la matérialité de ces objets. Mais cette matérialité, apparente dans les deux dimensions de la photographie, est feinte car, et c'est ce qui importe, ces objets sont creux : le geste de l'artiste, qui fait écho à la perte de réalité de l'oeuvre désoeuvrée en produit dérivé, a consisté à retirer le moule qui, faut-il le rappeler, s'appelle aussi l'âme. [...] Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

So ... he admits it to his brother. And MELO OVERHEARS EVERYTHING. Safe to say, Finley has feelings for Millie. But, is all of this flirting dangerous? We're discussing episodes 44-46 of Klimt's Kisses by LimeS! SUPPORT THE CREATOR: patreon.com/limeseahorse https://www.instagram.com/limeseahorse MY PATREON: https://www.patreon.com/girlwonder Connect with Girl Wonder:  My YouTube Channel: https://www.youtube.com/channel/UCTk-JbxxAnf5TKyeCchNRHA twitter.com/girlwonderpod instagram.com/girlwonderpodcast Email: girlwondersquad (at) gmail (dot) com Buy me a coffee: http://ko-fi.com/girlwonderpodcast MUSIC CREDIT: Isabella LeVan https://www.instagram.com/isabellalevan https://open.spotify.com/artist/3mHmktHG4sbkGsCORnaNT3?si=Nx2DvyOGQyatxudvD3ik9Q

This April, Meet Cute's leaning into the chaos — because love isn't just about butterflies, it's about belly laughs, bad timing, and a little bit of foolishness. Introducing April Fools in Love, an anthology of fast, flirty, and totally ridiculous rom-coms where pranks lead to passion, mix-ups make sparks fly, and sometimes, love is the biggest joke of all. Meet Cute Presents: The Kiss. When the model from Klimt's "The Kiss" steps out of the painting and comes alive...the museum security guard is surprised. And she's even more surprised when she and the model start to fall in love. Follow @MeetCute on Instagram and @MeetCuteRomComs on Twitter & TikTok. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Klimt's prince, AI thought patterns, Zoom discrimination, Accelerator fights, Whale pinging, Adorable aggression. Jennifer, Angie, Way, and Bradley discuss the curated links for the week of 4/4/2025. Please consider supporting this ad-free content on Patreon.

Flusso di pensieri e parole insieme a Marco Soellner dei Klimt 1918: ciò che è metal e non lo è (se valesse davvero la pena parlarne), come funziona la nostalgia e perché la musica è importante. Tranquilli, abbiamo ironizzato un bel po', come al nostro solito.

Un splendide portrait signé Klimt mis en vente Meta attaquée en justice " September 5 ", record de nominations

TW: suicide, violences, drogues/addictionNon, cette image n'est pas une revisite du Baiser de Klimt, ni de celui de Magritte. Derrière ce cliché pris à la volée se cache une photographe : Nan Goldin, et une histoire plus sombre, celle de toute une génération.Deux crises sanitaires, un même drame : l'épidémie du sida et la crise des opioïdes révèlent l'échec du système de santé américain. Nan Goldin dénonce un système qui ignore la souffrance des marginalisés et pointe la responsabilité de l'industrie pharmaceutique, en particulier de la famille Sackler.Avec son collectif P.A.I.N, elle mène des actions contre les institutions culturelles qui reçoivent des donations des Sackler et exige que Purdue Pharma à l'origine de l'Oxycontin reconnaisse les dangers de ses produits. Lors d'une manifestation au Met, elle interpelle :« Famille Sackler, Purdue Pharma, utilisez vos profits pour sauver des vies, les Sacklers mentent des gens meurent ! »Comparant la crise des opioïdes au sida, elle alerte :« Une génération a disparu dans les années 80… Allons-nous laisser l'histoire se répéter ? »De photographe de l'intime à photographe du réel, Nan Goldin a témoigné pour tous ces gens qui ne pouvaient plus, pour tous ces gens qui ont disparu. C'est l'histoire d'une lutte sans répit pour être vus. D'une femme contre une famille. D'une artiste contre un empire : l'empire de la douleur, celui des Sackler, producteurs de L'OxyContin. Comment une simple pilule, prescrite par les médecins, a-t-elle pu être à l'origine de l'un des plus grands scandales sanitaires des dernières décennies ?Des racines du malade aux racines du mal, on parlera d'un trafic de petits cachets devenu un nouvel esprit du capitalisme, et surtout de ce projet démiurgique : cacher la douleur ou y mettre tout simplement fin.crédit photo et bibliographie :  https://docs.google.com/document/d/1hR6nGalT9HDAXawPP11RWwS9_ZZtrTGMT2kpUlsOKi8/edit?usp=sharingecriture et voix : Ambre Duval et Lea Brayette montage, son, communication : Lea brayette 

Gustav Klimt e Vincent van Gogh, mestres da arte, utilizam o cabelo em suas obras como um poderoso símbolo de humanidade e expressão pessoal. Enquanto Klimt ornamenta e envolve seus retratos femininos em simbolismo dourado, Van Gogh destaca a emoção e a textura crua através de suas pinceladas expressivas. Ambos os artistas demonstram que o tratamento de temas cotidianos, como o cabelo, pode revelar profundas camadas de significado e beleza, refletindo suas únicas perspectivas artísticas e experiências de vida.

The family dynamics are popping of with this one! Millie sees her parents, but of course, she's also texting Finley while she's there. We're discussing episodes 43-43 of Klimt's Kisses by LimeS! SUPPORT THE CREATOR: patreon.com/limeseahorse https://www.instagram.com/limeseahorse MY PATREON: https://www.patreon.com/girlwonder Connect with Girl Wonder:  My YouTube Channel: https://www.youtube.com/channel/UCTk-JbxxAnf5TKyeCchNRHA twitter.com/girlwonderpod instagram.com/girlwonderpodcast Email: girlwondersquad (at) gmail (dot) com Buy me a coffee: http://ko-fi.com/girlwonderpodcast MUSIC CREDIT: Isabella LeVan https://www.instagram.com/isabellalevan https://open.spotify.com/artist/3mHmktHG4sbkGsCORnaNT3?si=Nx2DvyOGQyatxudvD3ik9Q

The Rest Is History https://open.spotify.com/show/7Cvsbcjhtur7nplC148TWy Birds have developed complex brains independently from mammals, studies reveal http://phys.org/news/2025-02-birds-complex-brains-independently-mammals.html (via ChatGPT) Fundamental Constants in Physics https://chatgpt.com/share/67af37fa-d56c-8006-a618-2010e51c700e (via ChatGPT) Cancer Evolution and Survival https://chatgpt.com/share/67af382a-40a8-8006-89e2-6311ea52a744 Electrical Network Discovered in Aggressive Lung Cancer https://youtu.be/KWiPjvixt8E?si=lSUW2n10a8XeKt4L This New Idea Could Explain the Laws of Nature https://youtu.be/-aGkL7RCXO0?si=HUVZ7-YMoOR4MWmX Online brain rot is undermining our ability ... Read more The post especial: como criar um universo (e como entender Klimt!) appeared first on radinho de pilha.

En ce 14 février, fête de la Saint-Valentin, il est question d'amour avec Dominique Marny, autrice d'un beau livre intitulé Je t'aime, publié aux éditions des Saints Pères. À travers de très nombreuses illustrations, des tableaux, des dessins et photos, l'autrice nous propose une promenade littéraire en compagnie de celles et ceux qui ont écrit sur ce sujet, de Victor Hugo à Romain Gary, en passant par William Shakespeare ou encore Françoise Sagan. « À travers 16 chapitres, Dominique Marny évoque l'amour en Occident. En sa compagnie, le lecteur se promène dans un parc où il découvre des kiosques présentant des textes, des peintures, des sculptures et des photographies, vogue au gré de citations, de poèmes, d'extraits littéraires, de manuscrits, et se remémore des films ou des pièces de théâtre. L'amour en peintures, poèmes, photos, dessins et correspondances amoureuses.Allant de surprise en surprise, le lecteur s'attarde devant une série de peintures, poèmes, photos, citations, dessins et correspondances amoureuses qui, toutes époques et genres confondus – de l'Antiquité à aujourd'hui -, démontrent combien le sujet a enflammé pléthore de créateurs, aiguisé leurs émotions, leur désir et leur sensualité. Sagan, Marivaux, Cocteau, Colette, Gary, Kessel, Dax, Miller, Nin, Shakespeare, Racine, Maupassant, Baudelaire, Rodin, Klimt, Brassai, Fabbris, Michel Ange, Jansson, Fragonard, Castaner, Munch, etc. » (Présentation des éditions des Saints Pères)À écouter dans 8 milliards de voisinsQuel style pour la Saint-Valentin ?

En ce 14 février, fête de la Saint-Valentin, il est question d'amour avec Dominique Marny, autrice d'un beau livre intitulé Je t'aime, publié aux éditions des Saints Pères. À travers de très nombreuses illustrations, des tableaux, des dessins et photos, l'autrice nous propose une promenade littéraire en compagnie de celles et ceux qui ont écrit sur ce sujet, de Victor Hugo à Romain Gary, en passant par William Shakespeare ou encore Françoise Sagan. « À travers 16 chapitres, Dominique Marny évoque l'amour en Occident. En sa compagnie, le lecteur se promène dans un parc où il découvre des kiosques présentant des textes, des peintures, des sculptures et des photographies, vogue au gré de citations, de poèmes, d'extraits littéraires, de manuscrits, et se remémore des films ou des pièces de théâtre. L'amour en peintures, poèmes, photos, dessins et correspondances amoureuses.Allant de surprise en surprise, le lecteur s'attarde devant une série de peintures, poèmes, photos, citations, dessins et correspondances amoureuses qui, toutes époques et genres confondus – de l'Antiquité à aujourd'hui -, démontrent combien le sujet a enflammé pléthore de créateurs, aiguisé leurs émotions, leur désir et leur sensualité. Sagan, Marivaux, Cocteau, Colette, Gary, Kessel, Dax, Miller, Nin, Shakespeare, Racine, Maupassant, Baudelaire, Rodin, Klimt, Brassai, Fabbris, Michel Ange, Jansson, Fragonard, Castaner, Munch, etc. » (Présentation des éditions des Saints Pères)À écouter dans 8 milliards de voisinsQuel style pour la Saint-Valentin ?

FINLEY GOT FIRED! But it was the best nicest possible way to be fired? And Millie still can't find a job?? Should she lie on her resume or what? We have a lot to talk about and we're discussing episodes 37-41 of Klimt's Kisses by LimeS! SUPPORT THE CREATOR: patreon.com/limeseahorse https://www.instagram.com/limeseahorse MY PATREON: https://www.patreon.com/girlwonder Connect with Girl Wonder:  My YouTube Channel: https://www.youtube.com/channel/UCTk-JbxxAnf5TKyeCchNRHA twitter.com/girlwonderpod instagram.com/girlwonderpodcast Email: girlwondersquad (at) gmail (dot) com Buy me a coffee: http://ko-fi.com/girlwonderpodcast MUSIC CREDIT: Isabella LeVan https://www.instagram.com/isabellalevan https://open.spotify.com/artist/3mHmktHG4sbkGsCORnaNT3?si=Nx2DvyOGQyatxudvD3ik9Q

Egon Schiele sieht in Gustav Klimt ein geliebtes Vorbild, einen verehrten Meister. Klimt erkennt Schieles Genie und nimmt ihn am 17. Januar 1913 in den Bund österreichischer Künstler auf. Und er hat nichts dagegen, dass Schiele sehr offensichtlich künstlerisch über ihn hinaus will. Autorin: Brigitte Kohn

Franco Cardini"Vienna"A passo leggero nella storiaEdizioni del Mulinowww.mulino.itIl cielo sopra Vienna è variabile, sovente imprevedibile, come imprevedibile è la sua storia meravigliosa, per quanto non sempre trascorsa a ritmo di walzer.Queste pagine sono una chiave preziosa per accedere alla città che è stata e che resta il cuore e il baluardo d'Europa.Affascinante e nostalgica, dotta e austera, è un'immagine che sfuma fra le vigne e i giri di walzer. Vienna è romana, poi gotica, poi asburgica. È la reggia dell'inflessibile Maria Teresa, degli illuminati riformatori Giuseppe e Pietro Leopoldo, ed è nella magica musica di Mozart e di Strauss. È nelle tele di Gustav Klimt ma anche nella bellezza inquieta dell'imperatrice Sissi e nel genio di Sigmund Freud. È la città che vede la fine di un'epoca ma anche il nascere di avanguardie del pensiero e dell'arte che hanno rivoluzionato la cultura del '900. In questo libro si parla di storia e di leggende, di miracoli e di sortilegi, di ricchezza e di miserie, di glorie e di paure. Un vademecum per chiese, musei, teatri; per palazzi, caffè, botteghe artigiane. Un filo d'Arianna lungo migliaia di anni e di vite umane.Franco Cardini è professore emerito di Storia medievale. Con il Mulino ha tra l'altro pubblicato «Gerusalemme» (2012), «Istanbul» (2014), «Samarcanda» (2016), «La via della seta» (con A. Vanoli, 2017), «Andalusia» (2018), «Il grande racconto delle crociate» (con A. Musarra, 2019), «Praga» (2020), «Le dimore di Dio» (2021) e nel 2023 «Le vie del sapere» e «Donne sacre» (con Marina Montesano).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Is science a path to cosmic connection? In this fourth episode of our series from the November 2024 symposium on Spiritual Yearning in a Disenchanted Age held at McGill University, I share results of an ongoing study on Meaning and Mystery in Science, which explores the spiritual experiences of non-religious scientists, and how the practice of science might evoke awe, wonder, and a sense of the transcendent.We open the episode with a poetry reading from Marie Trotter, and following my presentation is a discussion with Dr. Rob Gilbert, Dr. Rajeev Bhargava, and Dr. Galen Watts.Here's a summary of the episode:Marie Trotter opens the episode with original poetry, exploring themes of fragility, hope, and beauty, drawing inspiration from Klimt's paintings.Findings from the Meaning and Mystery in Science study reveal how scientists, including non-religious ones, experience awe, wonder, and spiritual yearning through their work, categorized as transcendent, immanent, or liminal enchantmentBhargava notes that spiritual yearning is often disrupted by ideological, social, and political forces, which we need to contend with more seriouslyWatts explores the idea of science as play, contrasting the childlike enchantment of discovery with the institutionalized pressures of professional scienceGilbert highlights the danger of self-satisfaction in science, arguing that humility and vulnerability are essential for true insight This episode is sponsored by:John Templeton Foundation (https://www.templeton.org/)Templeton Religion Trust (https://templetonreligiontrust.org/)Support the show

Gustav Klimt hat im 18. Jahrhundert das berühmte Bild „Der Kuss“ mit viel Gold und bunten Farben gemalt. Mit Hilfe von Digitaltechnik haben jetzt Ausstellungsmacher in der Alten Lokhalle in Mainz eine Kunst-Show geschaffen, bei der die Zuschauer in die Welt von Gustav Klimt eintauchen können. Ein atemberaubendes Hightech-Spektakel, das keinen Raum für eigene Interpretationen lässt.

George's words, not mine!

Join me as I chat with bestselling novelist Alex Connor, author of several art thrillers listed in the Visual Arts category on Art In Fiction including Rembrandt's Secret, The Caravaggio Conspiracy, and The Incubus Tapes.View the video on YouTube: https://youtu.be/Fbi3aA7gPl8Why Alexandra has chosen to center her novels--mostly art thrillers--around art.Seeing Caravaggio's Supper at Emmaus in the National Gallery when she was six.What led Alexandra to "follow her bright light" and focus on her dual careers as a writer and a painter.How Alexandra decides which artists to base a novel aroundl she's written novels related to Caravaggio, Rembrandt, Klimt, Fuseli, Bosch, and many more.Story behind the story of Rembrandt's Secret  and how Alexandra likes to go behind the scenes to find interesting and often little known stories connected with an artist.Inspiration for The Incubus Tapes.The story behind Fuseli's famous painting The Nightmare and how it forms the basis of the dual time narrative in The Incubus Tapes.Pacing when writing a thriler.Reading from The Incubus Tapes.Some of the challenges related to writing ar art-based thriller.Why a writer should keep writing and not let other people dampen their passion.What Alexandra is working on now.Press Play now & be sure to check out Alex Connor's novels on Art In Fiction: https://www.artinfiction.com/novels?q=alex+connor Alex Connor's website: https://www.alexandra-connor.co.uk/Are you enjoying The Art In Fiction Podcast? Consider giving us a small donation so we can continue bringing you interviews with your favorite arts-inspired novelists. Click this link to donate: https://ko-fi.com/artinfiction.Also, check out the Art In Fiction website at https://www.artinfiction.com and explore 2200+ novels inspired by the arts in 10 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Textile Arts, Theater, Visual Arts, & Other.Want to learn more about Carol Cram, the host of The Art In Fiction Podcast? She's the author of several award-winning novels, including The Towers of Tuscany and Love Among the Recipes. Find out more on her website.

Wat zit er in De 7?De socialisten van Vooruit zullen later vandaag communiceren over hun deelname aan de verdere regeringsgesprekken. Krijgen we straks een doorbraak?Er migreerden nog nooit zo veel mensen naar een rijk land als vorig jaar. Dat blijkt uit nieuwe cijfers van de OESO.En Belgische vastgoedbedrijven kijken hoe langer hoe meer naar Polen.  Het lijkt stilaan het nieuwe bouwwalhalla, deels omdat Polen en Belgen eigenlijk best op elkaar lijken. Host: Bert RymenProductie: Roan Van EyckSee omnystudio.com/listener for privacy information.

Joy Adenike lebt in Wien und ist aktiv bei der Schwarzen Frauen Community. Ihr Portrait - das nun im Oberen Belvedere gegenüber von Klimts Kuss hängt, wurde vom Guggenheim Museum gekauft. Wie geht es ihr damit? Wie kam es dazu, dass Amoako ein Bild von ihr gemalt hat? Was ist die Geschichte hinter dem Bild? Und was würde ihr Bild sagen, wenn es sprechen könnte?

Krajem dugog, dugog XIX veka, nestabilnog i haotičnog, dolaskom na vlast mladog Franje Josifa I, Beč postaje centar kreativnog i intelektualnog vrenja, ne samo Austrijskog Carstva već i čitave Evrope. Kroz pripovedanja istoričarki umetnosti Jovane Milovanović i Mine Radovanović fokusiramo se na trenutak kada Beč postaje kolevka ne samo umetničkih pokreta već i novih načina razmišljanja, utirući put modernoj Evropi.

Gabriele Dadati"Le ali del Piccolo Principe"Solferino Libriwww.solferinolibri.itLa vera storia di Antoine de Saint-Exupéry che precipitò nel deserto e incontrò il suo eroe.Parigi, dicembre 1935. Antoine de Saint-Exupéry è una celebrità: come pilota è stato un pioniere che ha compiuto audaci trasvolate oceaniche, mentre come scrittore ha firmato un paio di romanzi molto amati dai lettori. Eppure le cose non vanno bene. Lui e la moglie Consuelo vivono come non dovrebbero, continuando ad accumulare debiti.Per risolvere il problema, Tonio intende tentare il record di velocità nel raid Parigi-Saigon. C'è in palio una grossa somma di denaro e così, all'alba di domenica 29, decolla con il suo biposto dall'aeroporto di Le Bourget insieme al meccanico André Prévot. Mentre sorvolano il Sahara, però, i due precipitano. L'aereo è distrutto, ma loro sono vivi. Con poco da mangiare e quasi niente da bere. Come faranno a salvarsi, visto che nessuno sa dove sono?Nel frattempo l'Hotel Pont Royal, in cui i Saint-Exupéry si sono trasferiti dopo l'ultimo sfratto, viene preso d'assalto dai giornalisti. Consuelo e Marie, la madre di Tonio che ha raggiunto la nuora perché possano farsi forza a vicenda, hanno come unica difesa gli amici di lui. Tra questi ci sono l'editore Gaston Gallimard, l'intellettuale ebreo Léon Werth, il pilota Jean Lucas, che è in contatto diretto con l'Air France, e il diplomatico Henry de Ségogne, che scopre dai piani alti del ministero degli Esteri che sono già pronte le bare.Mentre al Pont Royal cresce l'angoscia, per le strade i parigini si preparano a festeggiare il Capodanno…Gabriele Dadati (Piacenza, 1982) ha pubblicato presso Baldini+Castoldi tre fortunati romanzi storici: L'ultima notte di Antonio Canova (2018), Nella pietra e nel sangue (2020), vincitore del Premio Città di Como, e La modella di Klimt (2020), uscito in Germania per Calambac Verlag. Il suo libro più recente è Secondo Casadei, “Romagna mia” e io. In viaggio con mamma sulle tracce di un genio semplice (2021).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Hoy en La Casa Azul, hablamos de los inicios del movimiento abstracto. Contamos para ello con Lucía Aguirre, comisaria de la exposición sobre Hilma af Klimt en el Guggenheim de Bilbao

Josh sits down with creator LimeS to discuss their webcomic series Klimt's Kisses. They discuss the characters, plot, inspirations, Ranma 1/2, old Cartoon Network shows, the X-Men, and much more.  We are looking for new cohosts! if you are interested in joining our team, please reach out to us on Instagram or via email at WUFcohosts@gmail.com. Thank you to WEBTOON for helping to facilitate this interview. Download the app and read thousands of comics absolutely FREE!   Follow Violet  Twitter @limeseahorse Patreon @limeseahorse & check out Klimt's Kisses on WEBTOON today!   Follow WEBTOON: Instagram @webtoonofficial Twitter @webtoonofficial   Special Thanks to this week's sponsor Wild Bill's Soda! Enjoy crisp unique olde fashioned soda flavors anytime with Wild Bill's. Head over to drinkwildbills.com and use code FANDOM10 to get 10% off your purchase!    Do you have suggestions for the show? Do have specific voice actor or creator that you would like us to interview? We would love to hear from you! Feel free to message us.   Background audio by Lofi Girl   If you enjoy the show, please rate and review! Follow the show on: Instagram @WhatsUpFandom Twitter @WhatsUpFandomPC YouTube What's Up, Fandom Podcast   Follow Josh @JoshLCain Follow Luke @tatted_triceratops   Tags:  podcast, podcasts, movies, tv, comics, pop culture, fandom, anime, ghostbusters, webtoon, webcomic, art, klimts kisses, ballet, xmen, ranma, romcom, animation 

Artist, pioneer, and mentor, Peter Layton is one of the founding fathers of British Studio Glass. He discovered the art form while teaching ceramics in the US in the mid-1960s and has played a major part in elevating glass from an industrial medium to a highly collectable art form. Most importantly, he gave it a home in the UK. This month, London Glassblowing presents Glass Heaven, an exhibition uniting two exceptional glass artists: Layton and Tim Rawlinson. The show opened August 2 and will run through September 1, 2024. Representing the next generation of glass talent, Rawlinson combines innovative approach and vibrant compositions to offer a fresh perspective, challenging conventional boundaries and resonating with today's artistic landscape. Layton, a veteran in the glass world, has captivated audiences for decades with his bold, expressive works. His 50-year journey from the studio's beginnings on the Thames to international acclaim highlights his role in elevating glass art.  Born in Prague in 1937, Layton is one of Europe's pre-eminent glass designers. He has directly influenced several of his country's leading glassmakers and inspired many more. Arriving in England in 1939, there he began his education. While at grammar school, he met another boy who had also won the attention of his art teacher – his name was David Hockney. Layton attended Bradford Art College, then went to London's Central School of Art and Design, to specialize in ceramics, where he was taught by several of the most respected potters of the time.  On graduating, Layton was offered a teaching job in Iowa University's Ceramics Department. Once in the US, in 1966, he participated in one of the first experimental glass workshops with Harvey Littleton and was bewitched by the immediacy and spontaneity of hot glass. He went on to expand his connections and friendships on this side of the pond to include participating in a Los Angeles exhibition with Marvin Lipofsky, a San Francisco show with pop artist Mel Ramos, and an exhibition at The Art Institute of Chicago with Viola Frey. Back in Britain, in 1969 Layton helped Sam Herman build the first furnace at the Glasshouse in Covent Garden, and he subsequently established his own small glass studio at Morar in the Highlands of Scotland, a Glass Department at Hornsey College of Art (Middlesex University) and, in 1976, the London Glassblowing Workshop in an old towage works on the Thames at Rotherhithe. In 2009 Layton's London Glassblowing Studio and Gallery moved to much larger premises in Bermondsey. Since its opening, London Glassblowing has nurtured and produced some of the world's leading glass artists, including (most recently) Elliot Walker of Netflix Blown Away fame. Layton's colorful and painterly works of glass art can be found in numerous public and private collections, both at home and abroad, including the Victoria and Albert Museum and the Fitzwilliam Museum, Cambridge. He has exhibited widely both nationally and internationally, receiving an Honorary Doctorate from the University of Bradford for his contribution to arts and crafts in Britain. Layton is also the founder of the Contemporary Glass Society, which is Britain's foremost organization supporting and championing the work of glass artists, both established and new. A vigorous proponent of glassblowing as an art form, Layton has authored several books, become an Honorary Liveryman of the Worshipful Company of Glass Sellers, an Honorary life member of the Contemporary Glass Society as well as been given the Freedom of the City of London.  Layton has always taken inspiration from his environment, natural or manmade: a stone wall on a snowy day, the London skyline, or works by great painters. From a mere detail, a flash of a Klimt orange or a slick of oil on the Thames, he creates painterly works with a masterly use of color. The artist is inspired by whatever is around him. For example, during the winter of 2009, the heavy snow turned his long commute by train into an intriguing black and white world full of movement and texture, shaping his recent Glacier series. He has also created a number of conceptual pieces that reflect his specific concerns with issues such as ecology, religion and racial conflict. Layton says: “A fellow artist recently described a piece that I had made for her by saying, ‘…it's as though it holds all my travels in light.' Lovely compliments like that spur me on. You never, ever create the perfect piece of glass and there are always new ideas, techniques and challenges to master. Glass is such an underrated medium – there is a fluidity and uncertainty about it that I choose to embrace rather than overcome. Every piece is an adventure.”  From October 8 – 13, 2024, PAD London returns to the iconic Berkeley Square in Mayfair, where London Glassblowing will be showcasing an extraordinary selection of work from their talented makers alongside designers and galleries from over 20 countries worldwide. To coincide with PAD and Le Verre, London Glassblowing is offering a series of exclusive events, providing a unique opportunity to explore and learn more about the captivating medium of glass. For more information visit https://londonglassblowing.co.uk/blogs/exhibitions/pad-london  

Die Kunst ist zwar weiblich, Kunst aber oft von männlichen Künstlern dominiert. Frauen sind meist nur Objekte – sei es Mona Lisa, oder seien es Frauen, die Klimt, Schiele und andere verewigt haben. Olga Wisinger-Florian, die im Kunstbetrieb des Wiener Fin de Siècle gegen diese männliche Dominanz angekämpft hat, ist jetzt ein Buch gewidmet - Barbara Echsel-Kronjäger hat es gelesen. Dieser Podcast begleitet die Sendung "Guten Morgen Steiermark", Radio Steiermark, 11. August 2024.

Eric Kandel was born in Vienna in 1929. In 1938 he and his family fled to Brooklyn, where he attended the Yeshiva of Flatbush. He studied history and literature at Harvard, and received an MD from NYU. He is a professor of biochemistry at Columbia University, and won the 2000 Nobel Prize in Medicine for his research on memory. In addition to his science textbooks, Kandel has written several books for a general readership, including In Search of Memory: The Emergence of a New Science of Mind (2007), and The Disordered Mind: What Unusual Brains Tell Us About Ourselves (2018).  In 2012 he spoke to the Institute about his book The Age of Insight: The Quest to Understand the Unconscious in Art, Mind, and Brain, from Vienna 1900 to the Present (Random House, 2012). About the book:  At the turn of the century, Vienna was the cultural capital of Europe. Artists and scientists met in glittering salons, where they freely exchanged ideas that led to revolutionary breakthroughs in psychology, brain science, literature, and art. Kandel takes us into the world of Vienna to trace, in rich and rewarding detail, the ideas and advances made then, and their enduring influence today. The Vienna School of Medicine led the way with its realization that truth lies hidden beneath the surface. That principle infused Viennese culture and strongly influenced the other pioneers of Vienna 1900. Sigmund Freud shocked the world with his insights into how our everyday unconscious aggressive and erotic desires are repressed and disguised in symbols, dreams, and behavior. Arthur Schnitzler revealed women's unconscious sexuality in his novels through his innovative use of the interior monologue. Gustav Klimt, Oscar Kokoschka, and Egon Schiele created startlingly evocative and honest portraits that expressed unconscious lust, desire, anxiety, and the fear of death. Kandel tells the story of how these pioneers--Freud, Schnitzler, Klimt, Kokoschka, and Schiele--inspired by the Vienna School of Medicine, in turn influenced the founders of the Vienna School of Art History to ask pivotal questions such as What does the viewer bring to a work of art? How does the beholder respond to it? These questions prompted new and ongoing discoveries in psychology and brain biology, leading to revelations about how we see and perceive, how we think and feel, and how we respond to and create works of art. Kandel, one of the leading scientific thinkers of our time, places these five innovators in the context of today's cutting-edge science and gives us a new understanding of the modernist art of Klimt, Kokoschka, and Schiele, as well as the school of thought of Freud and Schnitzler. Reinvigorating the intellectual enquiry that began in Vienna 1900, The Age of Insight is a wonderfully written, superbly researched, and beautifully illustrated book that also provides a foundation for future work in neuroscience and the humanities. It is an extraordinary book from an international leader in neuroscience and intellectual history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Eric Kandel was born in Vienna in 1929. In 1938 he and his family fled to Brooklyn, where he attended the Yeshiva of Flatbush. He studied history and literature at Harvard, and received an MD from NYU. He is a professor of biochemistry at Columbia University, and won the 2000 Nobel Prize in Medicine for his research on memory. In addition to his science textbooks, Kandel has written several books for a general readership, including In Search of Memory: The Emergence of a New Science of Mind (2007), and The Disordered Mind: What Unusual Brains Tell Us About Ourselves (2018).  In 2012 he spoke to the Institute about his book The Age of Insight: The Quest to Understand the Unconscious in Art, Mind, and Brain, from Vienna 1900 to the Present (Random House, 2012). About the book:  At the turn of the century, Vienna was the cultural capital of Europe. Artists and scientists met in glittering salons, where they freely exchanged ideas that led to revolutionary breakthroughs in psychology, brain science, literature, and art. Kandel takes us into the world of Vienna to trace, in rich and rewarding detail, the ideas and advances made then, and their enduring influence today. The Vienna School of Medicine led the way with its realization that truth lies hidden beneath the surface. That principle infused Viennese culture and strongly influenced the other pioneers of Vienna 1900. Sigmund Freud shocked the world with his insights into how our everyday unconscious aggressive and erotic desires are repressed and disguised in symbols, dreams, and behavior. Arthur Schnitzler revealed women's unconscious sexuality in his novels through his innovative use of the interior monologue. Gustav Klimt, Oscar Kokoschka, and Egon Schiele created startlingly evocative and honest portraits that expressed unconscious lust, desire, anxiety, and the fear of death. Kandel tells the story of how these pioneers--Freud, Schnitzler, Klimt, Kokoschka, and Schiele--inspired by the Vienna School of Medicine, in turn influenced the founders of the Vienna School of Art History to ask pivotal questions such as What does the viewer bring to a work of art? How does the beholder respond to it? These questions prompted new and ongoing discoveries in psychology and brain biology, leading to revelations about how we see and perceive, how we think and feel, and how we respond to and create works of art. Kandel, one of the leading scientific thinkers of our time, places these five innovators in the context of today's cutting-edge science and gives us a new understanding of the modernist art of Klimt, Kokoschka, and Schiele, as well as the school of thought of Freud and Schnitzler. Reinvigorating the intellectual enquiry that began in Vienna 1900, The Age of Insight is a wonderfully written, superbly researched, and beautifully illustrated book that also provides a foundation for future work in neuroscience and the humanities. It is an extraordinary book from an international leader in neuroscience and intellectual history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Eric Kandel was born in Vienna in 1929. In 1938 he and his family fled to Brooklyn, where he attended the Yeshiva of Flatbush. He studied history and literature at Harvard, and received an MD from NYU. He is a professor of biochemistry at Columbia University, and won the 2000 Nobel Prize in Medicine for his research on memory. In addition to his science textbooks, Kandel has written several books for a general readership, including In Search of Memory: The Emergence of a New Science of Mind (2007), and The Disordered Mind: What Unusual Brains Tell Us About Ourselves (2018).  In 2012 he spoke to the Institute about his book The Age of Insight: The Quest to Understand the Unconscious in Art, Mind, and Brain, from Vienna 1900 to the Present (Random House, 2012). About the book:  At the turn of the century, Vienna was the cultural capital of Europe. Artists and scientists met in glittering salons, where they freely exchanged ideas that led to revolutionary breakthroughs in psychology, brain science, literature, and art. Kandel takes us into the world of Vienna to trace, in rich and rewarding detail, the ideas and advances made then, and their enduring influence today. The Vienna School of Medicine led the way with its realization that truth lies hidden beneath the surface. That principle infused Viennese culture and strongly influenced the other pioneers of Vienna 1900. Sigmund Freud shocked the world with his insights into how our everyday unconscious aggressive and erotic desires are repressed and disguised in symbols, dreams, and behavior. Arthur Schnitzler revealed women's unconscious sexuality in his novels through his innovative use of the interior monologue. Gustav Klimt, Oscar Kokoschka, and Egon Schiele created startlingly evocative and honest portraits that expressed unconscious lust, desire, anxiety, and the fear of death. Kandel tells the story of how these pioneers--Freud, Schnitzler, Klimt, Kokoschka, and Schiele--inspired by the Vienna School of Medicine, in turn influenced the founders of the Vienna School of Art History to ask pivotal questions such as What does the viewer bring to a work of art? How does the beholder respond to it? These questions prompted new and ongoing discoveries in psychology and brain biology, leading to revelations about how we see and perceive, how we think and feel, and how we respond to and create works of art. Kandel, one of the leading scientific thinkers of our time, places these five innovators in the context of today's cutting-edge science and gives us a new understanding of the modernist art of Klimt, Kokoschka, and Schiele, as well as the school of thought of Freud and Schnitzler. Reinvigorating the intellectual enquiry that began in Vienna 1900, The Age of Insight is a wonderfully written, superbly researched, and beautifully illustrated book that also provides a foundation for future work in neuroscience and the humanities. It is an extraordinary book from an international leader in neuroscience and intellectual history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Eric Kandel was born in Vienna in 1929. In 1938 he and his family fled to Brooklyn, where he attended the Yeshiva of Flatbush. He studied history and literature at Harvard, and received an MD from NYU. He is a professor of biochemistry at Columbia University, and won the 2000 Nobel Prize in Medicine for his research on memory. In addition to his science textbooks, Kandel has written several books for a general readership, including In Search of Memory: The Emergence of a New Science of Mind (2007), and The Disordered Mind: What Unusual Brains Tell Us About Ourselves (2018).  In 2012 he spoke to the Institute about his book The Age of Insight: The Quest to Understand the Unconscious in Art, Mind, and Brain, from Vienna 1900 to the Present (Random House, 2012). About the book:  At the turn of the century, Vienna was the cultural capital of Europe. Artists and scientists met in glittering salons, where they freely exchanged ideas that led to revolutionary breakthroughs in psychology, brain science, literature, and art. Kandel takes us into the world of Vienna to trace, in rich and rewarding detail, the ideas and advances made then, and their enduring influence today. The Vienna School of Medicine led the way with its realization that truth lies hidden beneath the surface. That principle infused Viennese culture and strongly influenced the other pioneers of Vienna 1900. Sigmund Freud shocked the world with his insights into how our everyday unconscious aggressive and erotic desires are repressed and disguised in symbols, dreams, and behavior. Arthur Schnitzler revealed women's unconscious sexuality in his novels through his innovative use of the interior monologue. Gustav Klimt, Oscar Kokoschka, and Egon Schiele created startlingly evocative and honest portraits that expressed unconscious lust, desire, anxiety, and the fear of death. Kandel tells the story of how these pioneers--Freud, Schnitzler, Klimt, Kokoschka, and Schiele--inspired by the Vienna School of Medicine, in turn influenced the founders of the Vienna School of Art History to ask pivotal questions such as What does the viewer bring to a work of art? How does the beholder respond to it? These questions prompted new and ongoing discoveries in psychology and brain biology, leading to revelations about how we see and perceive, how we think and feel, and how we respond to and create works of art. Kandel, one of the leading scientific thinkers of our time, places these five innovators in the context of today's cutting-edge science and gives us a new understanding of the modernist art of Klimt, Kokoschka, and Schiele, as well as the school of thought of Freud and Schnitzler. Reinvigorating the intellectual enquiry that began in Vienna 1900, The Age of Insight is a wonderfully written, superbly researched, and beautifully illustrated book that also provides a foundation for future work in neuroscience and the humanities. It is an extraordinary book from an international leader in neuroscience and intellectual history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Millie, I think you need to get out of this! You too, Finley! Today, we're discussing episodes 21-26 of Klimt's Kisses by LimeS! SUPPORT THE CREATOR: patreon.com/limeseahorse https://www.instagram.com/limeseahorse MY PATREON: https://www.patreon.com/girlwonder Connect with Girl Wonder:  My YouTube Channel: https://www.youtube.com/channel/UCTk-JbxxAnf5TKyeCchNRHA twitter.com/girlwonderpod instagram.com/girlwonderpodcast Email: girlwondersquad (at) gmail (dot) com Buy me a coffee: http://ko-fi.com/girlwonderpodcast MUSIC CREDIT: Isabella LeVan https://www.instagram.com/isabellalevan https://open.spotify.com/artist/3mHmktHG4sbkGsCORnaNT3?si=Nx2DvyOGQyatxudvD3ik9Q

INTRO (00:00): Kathleen opens the show drinking a “They Call Me Roberto” Mexican Lager from The Mason Jar Brewing Company in Menifee, CA. She shares her sentiments regarding her dad's recent passing, reads his “mistake” prayer card from the Catholic mass, and pledges her love for Saint Cayetano, the Patron Saint of Gambling. COURT NEWS (26:20): Kathleen shares news that Queen Tanya Tucker is launching a pop-up bar in downtown Nashville, Taylor Swift features a Stevie Nicks poem on her “Tortured Poets Department” album, Jelly Roll is opening a recording studio in a juvenile detention center in Nashville, and Dolly will open CMAfest in Nashville this June. UPDATES (34:26): Kathleen shares updates on the cancellation of Charles Barkley's CNN show, an Oklahoma judge orders Chiefs fan Chiefsaholic to pay a bank teller $10M in damages, and a controversial Klimt painting sells for $32M at auction.“HOLY SHIT THEY FOUND IT” (49:04): Kathleen is amazed to read about an animal that hasn't been spotted in Ohio for 200 years has been discovered outside of Columbus, and a picture of the iceberg that most likely sunk the Titanic has been found. FRONT PAGE PUB NEWS (54:02): Kathleen shares articles on Planters Peanuts announcement that they are hiring NUTmobile drivers, the Post Office is raising the price of Forever Stamps to $0.73 in July, Buc-ee's bans Wrinkle “the Duck” from its Sevierville TN location, the 2024 Rock-N-Roll Hall of Fame inductees are announced, an Irish town banished smartphones for children under the age of 12, McDonald's brings back a popular breakfast item, and an indoor cat is accidentally sent half way across the US in an Amazon return. WHAT TO WATCH THIS WEEK (43:40): Kathleen recommends watching “Baby Reindeer” on Netflix, (and rating) her new stand-up Special “Hunting Bigfoot” on Prime Video.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

From the late-nineteenth century until the mid-1930s, Vienna was Europe's undisputed powerhouse of ideas. But along with the exhilirating achievements of Freud, Wittgenstein, Mahler, and Klimt, there were also darker forces emerging in parallel which have had their own negative impact on modernity, from organized anti-Semitism to ethnonationalism ideologies. These complex tensions are explored in detail in Richard Cockett's excellent new book, "Vienna: How the City of Ideas Created the Modern World." In this discussion with Robert Amsterdam, Cockett explains how the Habsburg emperor, Franz Joseph, permitted such intellectual flourishing to occur, as the rapid influx of Jews and other groups and their assimilation into the Austrian middle class via commercial and educational success augmented intellectual curiosity, discovery, and experimentation throughout the city.  Viennese café and salon culture also helped to foster schools of thought, as students and professors would furiously debate disputed major questions of the day into the wee hours. The conditions for this fervent intellectual incubation of course was not to last, and we're all aware of what followed. Cockett's thoughtful history of the city in this period highlights what we can learn about encouraging greater intellectual vitality, pluralism, and civilizational development.

The last painting made by Gustav Klimt, left on his easel when he died in 1918 of illnesses relating to the Spanish flu epidemic of that year, has sold at auction in Vienna for €35m including fees. But much remains unclear about the picture, including its sitter, its commissioner and what happened to it in the Second World War. Ben Luke talks to Catherine Hickley, The Art Newspaper's museums editor, about whether this murky provenance contributed to its relatively low price for a Klimt in the saleroom. A retrospective of the pioneering German artist Rebecca Horn opens this week at the Haus der Kunst in Munich, and we talk to Jana Baumann, its co-curator, about the show. And this episode's Work of the Week is Mont Sainte Victoire, one of dozens of paintings made by Paul Cézanne of the towering limestone peak near Aix-en-Provence in France. Painted in 1886-87, it is in the collection of the Phillips Collection in Washington, D.C. Elizabeth Steele, the Phillips's Head of Conservation, describes how she revealed the painting from a century of discoloured varnish and dust as it goes on view in the exhibition Up Close with Paul Cezanne, which is at the Phillips until 14 July.Rebecca Horn, Haus der Kunst, Munich, Germany, 26 April-13 OctoberUp Close with Paul Cezanne, Phillips Collection, Washington D.C., until 14 July.Subscription offer: subscribe to The Art Newspaper for as little as 50p per week for digital and £1 per week for print and digital, or the equivalent in your currency. Visit theartnewspaper.com to find out more. Hosted on Acast. See acast.com/privacy for more information.

US to deliver more arms to Ukraine after Congress approved multi-billion dollars aid package to Kyiv; also in the programme we look into claims of mass graves in Gaza; why have Tesla's profit's dropped?; and a lost Klimt painting goes on auction in Vienna.(Photo: Ukraine supporter holding American and Ukrainian flags outside Congress. Credit: Shutterstock)

As Nato's secretary general, Jens Stoltenberg, and the UK prime minister, Rishi Sunak, visit Warsaw, we examine the role that Poland plays in the diplomatic field. Then: Donald Trump's criminal trial; Taiwan wants to remove statues of Chinese dictator Chiang Kai-shek; and an exploration of the future of ticket resale with the managing director of Viagogo. Plus: aviation news and a lost Klimt painting is auctioned.See omnystudio.com/listener for privacy information.

Proč chtějí zaměstnavatelé do zákoníku práce výpověď bez udání důvodu a co na to odbory? Které zbraňové systémy a vybavení dostane Ukrajina díky schválené americké pomoci? A proč byl tak dlouho nezvěstný obraz Gustava Klimta, který by se dnes ve Vídni mohl vydražit za více než miliardu korun?

Mercredi 24 avril, un tableau de Gustav Klimt sera mis aux enchères par la maison d'enchères viennoise im Kinsky. Ce tableau, resté caché pendant près d'un siècle, est un portrait tout en couleur d'une certaine « Mademoiselle Lieser ». Il a été peint par Klimt en 1917, soit un an avant sa mort. Si la vente s'annonce historique, il reste des zones d'ombre concernant sa provenance. De notre correspondante à Vienne,À la maison de vente im Kinsky, les Viennois sont nombreux à être venus admirer ce portrait de Klimt, à l'instar de Margit.« Le tableau est impressionnant, car il a une force de rayonnement et la femme est représentée de manière si belle et lumineuse... elle exprime une belle féminité », décrit une visiteuse. « Avec mon amie, nous aimons beaucoup aller au musée et nous aimons Klimt, alors nous avons profité de l'occasion pour voir ce tableau en vrai, car ce ne sera bientôt plus possible. »Resté caché pendant un siècle, le tableau a récemment resurgi, lorsque l'actuel propriétaire autrichien a contacté im Kinsky, comme l'explique Claudia Mörth-Gasser, la responsable de la section d'art moderne au sein de cette maison.« Le propriétaire nous a expliqué qu'il allait hériter d'un tableau dans un avenir proche et nous a demandé de le conseiller. Le tableau a été transporté dans notre salle de vente il y a environ 15 mois et nous avons commencé les recherches », raconte Claudia Mörth-Gasser qui poursuit : « La famille commanditaire était la famille Lieser, une famille juive très aisée. Parmi ses membres, il y avait Henriette Lieser, qui est une possible commanditaire du tableau. Mais aujourd'hui encore, nous ne savons pas avec exactitude qui était le commanditaire. Après 1925 et jusque dans les années 1960, le destin du tableau n'est pas tout à fait clair. »Un changement de mentalitéUne enquête du quotidien autrichien Der Standard, parue depuis, a accrédité l'hypothèse qu'Henriette Lieser, morte assassinée à Auschwitz en 1943, ait été la propriétaire ainsi que la thèse d'une possible privation à l'époque nazie.On peut dès lors se demander pourquoi le tableau va-t-il tout de même être mis aux enchères. C'est en fait parce que la maison de vente avait anticipé une telle possibilité et qu'un accord a déjà été conclu, ce qui montre, selon Claudia Mörth-Gasser, un certain changement de mentalité.« Ce sont précisément ces ambiguïtés et ces lacunes historiques qui ont incité les propriétaires actuels et nous-mêmes à conclure un accord avec tous les ayants droit de la famille Lieser pour une exploitation commune de l'œuvre d'art et une répartition du produit de l'exploitation », souligne Claudia Mörth-Gasser. « Il était clair dès le départ pour nous qu'il fallait traiter ce tableau comme s'il s'agissait d'un cas de restitution évident, même si nous n'avions pas de preuves claires de l'histoire du tableau pendant cette période critique. S'il y a une ombre, la charge de la preuve doit être inversée. »Le tableau est estimé entre 30 et 50 millions d'euros.

The nuance of Klimt's Kisses. The action in The Mafia Nanny. The slowburn of Lady Liar. We are discussing these three comics on the podcast for the first time! SUPPORT THE CREATORS: patreon.com/limeseahorse https://www.instagram.com/limeseahorse https://twitter.com/matter_violet https://www.patreon.com/Maripaz_Villar https://www.instagram.com/maripaz_villar?igshid=MzNlNGNkZWQ4Mg%3D%3D MY PATREON: https://www.patreon.com/girlwonder Connect with Girl Wonder:  My YouTube Channel: https://www.youtube.com/channel/UCTk-JbxxAnf5TKyeCchNRHA twitter.com/girlwonderpod instagram.com/girlwonderpodcast Email: girlwondersquad (at) gmail (dot) com Buy me a coffee: http://ko-fi.com/girlwonderpodcast MUSIC CREDIT: Isabella LeVan https://www.instagram.com/isabellalevan https://open.spotify.com/artist/3mHmktHG4sbkGsCORnaNT3?si=Nx2DvyOGQyatxudvD3ik9Q

(2:06) Kathleen opens the show drinking a Pack of Rabid Dogs Helles Lager from Piedmont Brewery in Atlanta. (8:38) COURT NEWS: Kathleen shares news on Taylor Swift's 13th Grammy win and announcement of her forthcoming “The Tortured Poet's Department” album on April 19th, (4:31) “GOOD BAD FOOD”: Kathleen samples Patatas Fritas, Georgia Sourdough Everything Crackers, and Buc-ee's gummi bears.(16:45) UPDATES: Kathleen shares updates on Vegas's Tropicana casino's implosion date, Gatorland naming its rare gator twins, Banksy's Crazy Horse painting, and the Jacksonville Jaguars ask Fan Duel to refund $20M in stolen money.(29:45) “HOLY SHIT THEY FOUND IT”: Kathleen is amazed to read about the discovery of a missing Botticelli masterpiece, and a 2K-year-old Roman villa that could be Pliny the Elder's house.FRONT PAGE PUB NEWS: Kathleen shares articles on Michael Jordan's record-breaking shoe auction, a Klimt portrait missing for a century goes to auction, a monkey army takes over a Thai town, which Zodiac signs have the most serial killers, mysterious deaths are reported at a house party in Kansas City during the Chiefs vs Buffalo Bills game, Dead & Co. announce a residency at the Las Vegas Sphere, member of Cargill family buys and demolishes 10 lakefront homes in Minnesota, TikTok continues its feud with Universal Music, and a relic of St. Brigid returns to Ireland.WHAT TO WATCH THIS WEEK: Kathleen recommends watching (and rating) her new stand-up Special “Hunting Bigfoot” on Prime Video.or's 13th Grammy, Buc-ee's Breakfast Burrito & Zodiac Signs of Serial KillersSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The court doesn't call for a ceasefire, but rules Israel should do everything in its power to prevent acts that could be considered genocidal and ensure humanitarian access to Gaza. Also, how hermit crabs are making their homes in plastic waste, and a missing Klimt portrait is found in Austria