Podcasts about The Art Newspaper

The Smithsonian Institution in Washington, D.C. has faced unprecedented scrutiny and government interference since President Trump came to power. Now, its long cherished plans for a Smithsonian American Women's History Museum on the National Mall in D.C. have been dealt a blow because the US House of Representatives has struck down a bill to build the museum. Ben Luke talks to Elena Goukassian, The Art Newspaper's senior editor of museums and heritage in New York, about the partisan rift that led to failure of the bill, as well as other developments relating to the Smithsonian. As part of London Gallery Weekend, which begins on 5 June, the British artist Oliver Beer will show new paintings and related sound and video works in an exhibition, The Sky in the Cave, at Thaddaeus Ropac. The show relates to Beer's opus Resonance Project: The Cave, in which he brought eight singers into a prehistoric painted cave in the Dordogne in France to respond to its particular acoustic frequencies. Among them was the singer songwriter Rufus Wainwright, and Ben speaks to Oliver and Rufus about their collaboration. And this episode's Work of the Week is Painting with Two Balls by Jasper Johns. It is part of a new retrospective of the American artist's work at the Guggenheim Bilbao, Night Driver. Ben talks to the exhibition's curator, Enrique Juncosa.Oliver Beer: The Sky in the Cave, Thaddaeus Ropac, London, 5 June—31 July. Oliver and Rufus will be in conversation at the gallery on Friday 5 June, 12.00;Visit rufuswainwright.comJasper Johns: Night Driver, Guggenheim Bilbao, 29 May-12 October. Hosted on Acast. See acast.com/privacy for more information.

This season's much anticipated auctions in New York have brought some records and eye-popping prices, including for works by Jackson Pollock, Constantin Brancusi and Mark Rothko, and some more middling results. Ben Luke talks to Judd Tully, who has been reporting on some of the sales for The Art Newspaper. The largest show of the art of James McNeill Whistler in Europe for more than 30 years has just opened at Tate Britain in London, and travels later in the year to the Netherlands, where it forms two shows, at the Van Gogh Museum in Amsterdam and The Mesdag Collection in The Hague. Ben takes a tour of the Tate show with its lead curator Carol Jacobi. And this episode's Work of the Week is the frieze made by Edvard Munch in 1922 for the women's canteen of the Freia Chocolate Factory in Oslo. The frieze remains in the collection of the Freia chocolate company today, but is on temporary loan to MUNCH, the museum in the Norwegian capital for the exhibition Edvard Munch and the Chocolate Factory. Our digital editor, Alexander Morrison, went to Oslo to speak to the curator of the exhibition, Ana María Bresciani, about the frieze.James McNeill Whistler, Tate Britain, London, until 27 September 2026; before splitting into two parallel presentations in the Netherlands, Whistler: Dandy and Disruptor, Van Gogh Museum, Amsterdam; Whistler: Loving The Netherlands, The Mesdag Collection, The Hague, both 16 October-10 January 2027.Edvard Munch and the Chocolate Factory, MUNCH, Oslo, until 11 October. Hosted on Acast. See acast.com/privacy for more information.

For the 46th episode of Reading the Art World, host Megan Fox Kelly speaks with Georgina Adam, editor-at-large of The Art Newspaper, about her new book NextGen Collectors and the Art Market, published by Lund Humphries in association with Sotheby's Institute of Art.Adam argues that the generational shift now underway is different from those that came before it—not just in scale, but in kind. Younger collectors grew up online, which has reshaped how they discover and evaluate art, who influences their taste, and what they're willing to buy. Their conversation covers the collapse of traditional connoisseurship, the geographic expansion of the collector base into China, India, and the Middle East, and whether galleries, auction houses, and museums are adapting fast enough to a generation that collects very differently from the one before it.ABOUT THE AUTHORGeorgina Adam is the former Art Market editor of The Art Newspaper, where she is now editor-at-large. She is a contributor to the Financial Times Life & Arts Section, lectures at Sotheby's and Christie's institutes in London and regularly participates in panels about the art market.PURCHASE THE BOOKhttps://www.lundhumphries.com/products/nextgen-collectors-and-the-art-marketPARTNERThis episode is sponsored by Neuberger Wealth, a firm with a founding story at the intersection of investing and the arts. Neuberger Wealth provides individuals, families and their charitable organizations with comprehensive wealth management solutions, from investments across public and private markets to wealth and estate planning, fiduciary services, and philanthropic and family governance advisory. With the experience that only comes from advising across generations, they understand that the most meaningful financial lives are built around purpose. Learn more at neubergerwealth.com.SUBSCRIBE, FOLLOW AND HEAR INTERVIEWS:For more information, visit meganfoxkelly.com, hear our past interviews, and subscribe at the bottom of our Of Interest page for new posts.Follow us on Instagram: @meganfoxkelly"Reading the Art World" is a podcast featuring live interviews with leading authors and writers on important new art books. Megan Fox Kelly is an art advisor and past President of the Association of Professional Art Advisors who works with collectors, estates and foundations.Music composed by Bob Golden

The latest edition of Frieze New York is open now and we hear all about this year's fair from The Art Newspaper's editor-in-chief in the Americas, Ben Sutton, and our art market editor, Kabir Jhala. Cupid Complaining to Venus (1526-27), a painting by Lucas Cranach the Elder in the National Gallery in London has long been known to have a complicated provenance and was once in the possession of Adolf Hitler. In The Art Newspaper's May print edition, a photograph of the work in Hitler's Munich apartment is reproduced for the first time in an English-language publication. Ben Luke talks to Martin Bailey, our special correspondent in London, who has been following this story since the 1990s, about the latest news. And this episode's Work of the Week is the Glamour Posse series from the early 1990s by the British photographer Ajamu X. The work features in Gender Stories, a UK touring exhibition that this week opens at the Walker Art Gallery in Liverpool, and Ben speaks to the head of the gallery, Charlotte Keenan.Frieze New York continues until Sunday, 17 May, Esther continues until 16 May and Tefaf is on until 19 May.Gender Stories, Walker Art Gallery, Liverpool, 16 May-31 August. Hosted on Acast. See acast.com/privacy for more information.

In this week's episode of the ArtTactic Podcast, host Adam Green is joined by Jori Finkel, a Los Angeles-based journalist who writes for The New York Times and The Art Newspaper, to discuss the highly anticipated new building at the Los Angeles County Museum of Art. Designed by Peter Zumthor, the project has been years in the making and has generated significant attention across the art world. Jori recently visited the museum and published an in-depth review, and in this conversation she shares her perspective on the experience of the new galleries, the vision behind the building, and how it compares to traditional museum models. They also explore the broader response from critics and the public, place LACMA within the context of Los Angeles's rapidly evolving art scene, and consider what impact the museum's transformation could have on the city's cultural landscape moving forward.

The UK government last week issued a response to a report ostensibly exploring the future of the funding body Arts Council England but containing an idea that has prompted much debate: that the government should consider changing its policy of free admission for all to national museums in England, and charge tourists an entry fee. Ben Luke discusses the report and the charging issue with Gareth Harris, The Art Newspaper's chief contributing editor, and one of our London-based correspondents, Dale Berning Sawa. Last weekend in New York, the Metropolitan Museum of Art opened Raphael: Sublime Poetry, amazingly the first full career survey of the Italian Renaissance master in the United States. Seven years in the making, it explores Raphael's remarkable output across his short life, from his earliest years in his native Urbino to his work for two Popes in Rome, where he died aged just 37 in 1520. We talk to the show's curator, Carmen Bambach. And this episode's Work of the Week is Senga Nengudi's Performance Piece (1977), a series of three photographs depicting one of the iterations of the US artist's landmark sculpture and performance work RSVP. The photographs are part of a small exhibition focusing on Nengudi's performances at the Whitechapel Gallery in London, and Ben talks to the exhibition's curator Hannah Woods.Raphael: Sublime Poetry, The Metropolitan Museum of Art, New York, until 28 June.Senga Nengudi: Performance Works 1972-1982, Whitechapel Gallery, London, until 14 June. Hosted on Acast. See acast.com/privacy for more information.

The Grand Palais in Paris this week unveiled an enormous exhibition focusing on the final 13 years of Henri Matisse's life and work, a project conceived by the Centre Pompidou. The show includes abundant examples of the celebrated gouache cut-outs, his works for the Chapel of the Rosary in Vence, and his final paintings, drawings, and illustrated books, among much else. Ben Luke interviews the exhibition's curator, the Centre Pompidou's Claudine Grammont, in Paris. The latest edition of Art Basel Hong Kong opened this week amid much uncertainty about the Hong Kong art world after a prolonged downturn in the Chinese economy. Yet, some commentators are suggesting that Hong Kong has turned a corner. The Art Newspaper's chief contributing editor, Gareth Harris, has been in Hong Kong this week and tells us what he discovered. And for this episode's Work of the Week, we focus on a related painting and dress. The painting is Salvador Dalí's Necrophiliac Spring (1936), which was owned by the fashion designer Elsa Schiaparelli; the dress is the Tears Dress with Veil, from Schiaparelli's Circus Collection of 1938, made with a fabric designed by Dalí. The painting and the garment are in Schiaparelli: Fashion Becomes Art at the Victoria and Albert Museum in London, which opens this weekend, and Ben talks to Rosalind McKeever, one of the three curators of the exhibition, about the pairing.Matisse 1941-1954, Grand Palais, Paris, until 26 July. You can read more on the show, and get the full details on a wealth of Matisse shows opening in various museums and galleries in 2026, on the website or app.Art Basel Hong Kong continues until Sunday, 29 March.Schiaparelli: Fashion Becomes Art, Victoria and Albert Museum, London, 28 March-8 November Hosted on Acast. See acast.com/privacy for more information.

Silicon Bites Ep307 | 2026-03-25 | Russia's record attack on Ukraine — and the miracle defence that's been overlooked.Nine hundred and forty-eight drones. In twenty-four hours. Between the evening of March 23rd and the evening of March 24th, Russia launched the largest aerial assault of the entire war against Ukraine — nearly a thousand drones and missiles fired at cities, at homes, at hospitals, at churches, at children. The Institute for the Study of War confirmed it: the largest Russian strike series since February 2022. The previous record? Eight hundred and ten launches, set back in September 2025.Ukraine shot down nine hundred and six of them. That is not just a record. That is a revolution in air defence. And almost nobody in the West is paying attention. ----------SUPPORT THE CHANNEL:https://www.buymeacoffee.com/siliconcurtainhttps://www.patreon.com/siliconcurtainhttps://www.gofundme.com/f/scaling-up-campaign-to-fight-authoritarian-disinformation----------SOURCES:Interfax-Ukraine — "Russia launches record 948 drones at Ukraine in 24 hours, 906 downed or damaged – Air Force," March 24, 2026.Kyiv Independent — "Russian drones strike Lviv in daytime attack, casualties reported," March 24, 2026.NBC News — "Russian drones attack downtown Lviv in broad daylight," March 24, 2026.Euronews — "Almost 1,000 drones within 24 hours: Russia launched one of its largest attacks on Ukraine," March 24, 2026.Al Jazeera — "Russia fires 948 drones at Ukraine as new offensive begins," March 24, 2026.PBS News — "Russia fires 400 drones at Ukraine, signaling its spring offensive has started," March 24, 2026.The Art Newspaper — "Unesco-protected monastery in Lviv damaged by Russian drone strike," March 25, 2026.Atlantic Council / UkraineAlert — Peter Dickinson, "Russia bombs UNESCO site as Putin escalates attacks on Ukrainian civilians," March 24, 2026.United24 Media — "Russia Launches 982 Drones and Missiles in Record 24-Hour Attack on Ukraine," March 25, 2026.United24 Media — "UNESCO Speaks Out After Russian Drone Strike Hits Lviv World Heritage Site," March 25, 2026.----------SILICON CURTAIN LIVE EVENTS - FUNDRAISER CAMPAIGN Events in 2025 - Advocacy for a Ukrainian victory with Silicon Curtainhttps://buymeacoffee.com/siliconcurtain/extrasOur events of the first half of the year in Lviv, Kyiv and Odesa were a huge success. Now we need to maintain this momentum, and change the tide towards a Ukrainian victory. The Silicon Curtain Roadshow is an ambitious campaign to run a minimum of 12 events in 2025, and potentially many more. Any support you can provide for the fundraising campaign would be gratefully appreciated. https://buymeacoffee.com/siliconcurtain/extrasWe need to scale up our support for Ukraine, and these events are designed to have a major impact. Your support in making it happen is greatly appreciated. All events will be recorded professionally and published for free on the Silicon Curtain channel. Where possible, we will also live-stream events.https://buymeacoffee.com/siliconcurtain/extras----------

For the 44th episode of Reading the Art World, host Megan Fox Kelly speaks with András Szántó—cultural strategist, writer, and longtime observer of museums and markets—about his new book, "The Future of the Art World: 38 Dialogues," published by Hatje Cantz.The book brings together 38 conversations with artists, curators, sociologists, philosophers, collectors, gallerists, and institutional leaders—what Szántó describes as a “stained-glass window” onto the art world's possible futures. Rather than advancing a single thesis, the dialogues map the pressures shaping the field: the dominance of mega-galleries and the squeeze on mid-sized dealers, the erosion of traditional art criticism and what may replace it, the precarious economics of artistic careers, and whether today's system is evolving gradually or approaching a more fundamental realignment.Their conversation takes up the scale of the global art world—some 300 art fairs, more than 100,000 museums, and a market approaching $60 billion—and asks whether that expansion has altered the system in kind, not only in size. They discuss the role of the art advisor within an increasingly complex ecosystem, the importance of criticism in sustaining the values the market depends on, and whether artificial intelligence may emerge as a new connective tissue for engagement with art. Szántó is cautiously optimistic, pointing to developments such as the emergence of gallery districts in Tribeca, the Studio Museum in Harlem's new building, and the reopening of the Frick—while remaining clear-eyed about the structural headwinds ahead.For those working within the art world—as well as those seeking to understand it—this conversation offers something rare: the breadth of 38 dialogues distilled into a single, considered one.ABOUT THE AUTHOR András Szántó, PhD, advises museums, foundations, educational institutions, and leading brands worldwide on cultural strategy. He has directed the Museums of Tomorrow Roundtable at the Fine Arts Museums of San Francisco, the Global Museum Leaders Colloquium at the Metropolitan Museum of Art, and the National Arts Journalism Program at Columbia University. His writing has appeared in The New York Times, Artforum, and The Art Newspaper. Born in Budapest, he lives in Brooklyn.PURCHASE THE BOOK https://andras-szanto.com/book/the-future-of-the-art-world-38-dialogues/Note: click the “ask a question” button to see the AI feature mentioned in the episode. SUBSCRIBE, FOLLOW AND HEAR INTERVIEWS:For more information, visit meganfoxkelly.com, hear our past interviews, and subscribe at the bottom of our Of Interest page for new posts.Follow us on Instagram: @meganfoxkelly"Reading the Art World" is a podcast featuring live interviews with leading authors and writers on important new art books. Megan Fox Kelly is an art advisor and past President of the Association of Professional Art Advisors who works with collectors, estates and foundations.Music composed by Bob Golden

The New Museum in New York opens its new extension, designed by Shohei Shigematsu and Rem Koolhaas of the architectural practice OMA, this week. Ben Luke talks to Massimiliano Gioni, the New Museum's artistic director, and the co-curator of the inaugural exhibition in the new building, called New Humans: Memories of the Future. We then speak to one of The Art Newspaper's editors-at-large, Georgina Adam, who has just published a new book NextGen Collectors and the Art Market. And this episode's Work of the Week is an example of a Wardian Case, a wooden box with a glass cover developed by the physician Nathaniel Bagshaw Ward in the early 1830s. This example is part of the exhibition In Bloom: How Plants Changed Our World, at the Ashmolean Museum in Oxford. Ben speaks to Shailendra Bhandare, co-curator of the exhibition.The New Museum and New Humans: Memories of the Future open on 21 March.NextGen Collectors and the Art Market, by Georgina Adam, Lund Humphries, £19.99In Bloom: How Plants Changed Our World, Ashmolean Museum, Oxford, 19 March-16 August Hosted on Acast. See acast.com/privacy for more information.

Episode 520 / Elizabeth HazanElizabeth Hazan is a New York based visual artist born and raised in New York City and attended Bryn Mawr College and the New York Studio School where she was awarded a fellowship to the Skowhegan School of Painting and Sculpture. She has twice been a resident of Yaddo, and received a grant from the Peter S. Reed Foundation. Her recent solo shows include Double Fantasy at Hesse Flatow, NY, Weather, at  Pamela Salisbury Gallery, Hudson, NY; and Under the Sun, HESSE FLATOW, NY. Her work has been written about in Hyperallergic, Forbes, Two Coats of Paint, Art Critical, The Brooklyn Rail and The Art Newspaper. She serves as the founder and director of Platform Project Space in Brooklyn, NY.

This is a free preview of a paid episode. To hear more, visit smokeempodcast.substack.comNancy and Sarah talk about the Oscars and a question that lingers after the show: Why did the public turn on Timothée Chalamet? The Academy Awards have never been about the BEST so much as who speaks to the current cultural appetite. Speaking of cultural appetites, Nancy's latest for RealClearInvestigations revisits a MeToo defenestration from 2020 and examines the angles of opportunity that led to it. Also discussed:* Wait, who wants men to be androgynous?* Some love for Conan O'Brien * Rob Reiner's amazing '80s-'90's run* Michael B. Jordan was always our favorite* Nancy and Sarah have a Safdie brothers problem* Leo underrated?* Sean Penn: a counter-opinion* Bye bye, network TV* Do NOT offer the intern coffee on your apartment deck* How would you like to become the “referendum” on your profession? * A journalist's blistering 23-point email: How to NOT get a subject to respond* “The Art Newspaper only runs stories we can verify.”Plus, the lessons of the Seymour Hersh documentary, the greatness of Casey Affleck, Nancy leaves her body listening to a podcast, and much more!Don't you wanna peek behind that paywall? Become a paid subscriber.

As the war in the Middle East continues to rage, Ben Luke speaks to The Art Newspaper's reporter on Iran and other countries in the region, Sarvy Geranpayeh, about the response of cultural communities in Iran and Lebanon, and the damage to heritage in both countries. The latest edition of the Art Basel and UBS Global Art Market Report has been published and shows that the market has returned to growth. But the details show a more complicated story, which Ben explores with the writer of the report, Clare McAndrew. And this episode's Work of the Week is VOLUME (III – White Bay Power Station, Australia) a new work by the Indigenous American artist Cannupa Hanska Luger. This sculpture and sound installation featuring seven ceramic dingo skulls is part of the latest edition of the Sydney Biennale in Australia, and has gained an unintended topicality due to a recent tragedy involving the death of a backpacker in Queensland. Ben speaks to our reporter in Australia, Elizabeth Fortescue, about the work and the wider context.Rememory: the 25th Biennale of Sydney, 14 March-14 JuneSave up to 50% on The Art Newspaper's annual print and digital package with a new limited-time offer. Subscribe by 19 March to receive the April edition including our annual Visitor Figures guide and a special report on EXPO Chicago. In May, don't miss our Venice Biennale Guide and map to must-see exhibitions and pavilions.www.theartnewspaper.com/subscriptions-MARCH50?promocode=MARCH50&utm_source=podcast&utm_campaign=MARCH50 Hosted on Acast. See acast.com/privacy for more information.

Immortality projects represent an often irrational, and sometimes even unconscious, way to tamp down anxiety about death. There are some shocking examples of people, especially those with lots and lots of money, who try to leave some sort of mark in a futile attempt to keep from facing death. In this episode, we run a special fantasy-football style draft to take a look at immortality projects, some horrendous, but some with positive effects. Originally recorded on February 6, 2026.Sources/Links/Notes:Adam McCay, The Big Short, 2015 filmHenry VIIIGabriella Angeleti, “Two men sentenced to prison time for vandalising Nevada petroglyphs,” The Art Newspaper, November 10, 2022Owen Clarke, “A Utah Woman Must Pay $15,000 in Fines for Vandalizing Ancient Petroglyphs,” Outside Magazine, November 20, 2025Lehman's CatalogJohn Prine, “Paradise” 1971 songX post on Brian Johnson's erections, February 11, 2024Epic of GilgameshTompkins Conservancy and Patagonia National ParkInstituto TerraEric Grundhauser, “Visit a Beard That Killed Its Owner,” Atlas Obscura, January 26, 2018Raoul WallenbergRelated episode(s) of Crazy Town:Crazy Town Classics “Terror Management Theory”Episode 51, “A Load of Papal Bull: Greenlighting Colonization and the Mindset of Extraction”Episode 54, “Colonizing the Sky: The Untold Environmental Toll of Skyscrapers”Episode 92, “Escaping Otherism: Why Dr. Seuss Could Never Find a Rhyme for Genocide”

As the war against Iran instigated last week by Israel and the United States continues to spread through the Middle East, we explore how it affects tourism in the Arabian Gulf, of which art and culture more generally have been a cornerstone. One of The Art Newspaper's Middle East correspondents, Melissa Gronlund, joins Ben Luke to discuss the latest news. The 82nd biennial at the Whitney Museum of American Art in New York opens this weekend and our editor-in-chief in the Americas, Ben Sutton, and Elena Goukassian, our senior editor of museums and heritage, tell us what they thought of it. And this episode's Work of the Week is the Vision of Zacharias in the Temple (1633) by Rembrandt. Researchers at the Rijksmuseum in Amsterdam have demonstrated that the painting, which had previously been documented as a copy of a lost original, is in fact an authentic work by the Dutch master. We speak to Jonathan Bikker, curator of 17th-century Dutch paintings, who was part of the team that secured the attribution to Rembrandt. The picture is now on view to the public at the Rijksmuseum.Whitney Biennial 2026, Whitney Museum of American Art, New York, 8 March-23 AugustRembrandt's The Vision of Zacharias in the Temple is now on view at the Rijksmuseum, Amsterdam.Save up to 50% on The Art Newspaper's annual print and digital package with a new limited-time offer. Subscribe by 19 March to receive the April edition including our annual Visitor Figures guide and a special report on EXPO Chicago. In May, don't miss our Venice Biennale Guide and map to must-see exhibitions and pavilions.www.theartnewspaper.com/subscriptions-MARCH50?promocode=MARCH50&utm_source=podcast&utm_campaign=MARCH50 Hosted on Acast. See acast.com/privacy for more information.

Following the tragic death of Koyo Kouoh last May, the details of her final project—In Minor Keys, the international exhibition of the 2026 Venice Biennale—were unveiled this week by the collaborative team that will carry through her vision for the show. Ben Luke speaks to The Art Newspaper's editor-at-large Jane Morris, about the show's themes and strands and the artist list. The Barbican Art Gallery in London has opened a new exhibition of the work of the Colombian artist Beatriz González, who died in January, aged 93. Ben takes a tour of the show with its curator, Lotte Johnson. And this episode's Work of the Week features in another major new London show: Tracey Emin: A Second Life, at Tate Modern. Our digital editor, Alexander Morrison, speaks to the outgoing director of Tate, Maria Balshaw, who has curated the Emin exhibition, about The Last of the Gold (2002), an embroidered blanket that has never been shown publicly until now.The Venice Biennale, 9 May-22 November.Beatriz González, Barbican Art Gallery, until 10 May. You can hear our interview with Doris Salcedo in which we discuss González's influence on A brush with… Doris Salcedo, wherever you get your podcasts.Tracey Emin: A Second Life, Tate Modern, London, 27 February-31 August. Hosted on Acast. See acast.com/privacy for more information.

After opening a major building project in May last year and announcing the details of another in September, which is due to open in the early 2030s, the National Gallery in London has revealed, quite unexpectedly, that it has to make serious cuts, including to its staff, in the face of a deficit that could rise to £8.2m in the coming year. Martin Bailey, The Art Newspaper's special correspondent in London, tells us more. In The Hague in the Netherlands, the Mauritshuis has just opened a new exhibition called BIRDS – Curated by The Goldfinch & Simon Schama. Since The Goldfinch, the 17th-century painting by Carel Fabritius, is not able to speak, Schama tells Ben Luke about the show, including Fabritius' remarkable picture. And this episode's Work of the Week is Sunbeams or Sunlight. Dust Motes Dancing in the Sunbeams, Strandgade 30 (1900) by the Danisj painter Vilhelm Hammershøi. The picture is one of the many highlights of a new exhibition, Hammershøi: The Eye that Listens, at the Museo Nacional Thyssen-Bornemisza in Madrid. The curator of the exhibition, Clara Marcellán, joins Ben to discuss the painting.BIRDS – Curated by The Goldfinch & Simon Schama, Mauritshuis, The Hague, The Netherlands, until 7 June.Hammershøi: The Eye that Listens, Museo Nacional Thyssen-Bornemisza, Madrid, until 31 May 2026; Kunsthaus Zürich, 3 July-25 October. Visit the Vilhelm Hammershøi Digital Archive, hammershoi.smk.dk.Buy The Art Newspaper's book The Year Ahead 2026 at theartnewspapershop.com Hosted on Acast. See acast.com/privacy for more information.

On 4 July 2026 the US will mark the 250th anniversary of the Declaration of Independence, the nation's founding document. But huge divisions in US society and culture are symbolised in a number of disputes relating to its history and the representation of its people. The latest furore came this week, when it emerged that the Trump administration had removed the rainbow Pride flag from the Stonewall Monument, the landmark for LGBTQ+ rights in New York. Ben Luke speaks to Ben Sutton, The Art Newspaper's editor-in-chief, Americas, about this and other flashpoints as the US grapples with its history, and we explore the cultural initiatives that are marking the semiquincentennial. One of London's best known and longest-established art dealers, Stephen Friedman, has announced the closure of his London gallery, following that of his New York space last year. Ben speaks to our contributing art market editor, Anny Shaw, about the fallout from the closure and the significance for the wider London art market. And this episode's Work of the Week is the Tudor Heart, an intricately decorated golden pendant with links to Henry VIII and his first wife, Katherine of Aragon. The British Museum has raised £3.5m to acquire the work, following a four-month fundraising campaign. Our digital editor, Alexander Morrison, talks to Rachel King, the curator of Renaissance Europe and the Waddesdon Bequest at the museum, about the pendant.The Tudor Heart pendant is now on view at the British Museum. Hosted on Acast. See acast.com/privacy for more information.

The first Art Basel Qatar art fair is now open in Qatar's capital, Doha, and The Art Newspaper's art market editor, Kabir Jhala, joins Ben Luke to discuss its impact, as well as reflecting on the wider artistic outlook in Qatar and the Middle East. The author of a new catalogue raisonné of the work of Albrecht Dürer argues that a painting of the artist's father in the National Gallery in London, long thought to be a copy after Dürer's original, is in fact an autograph work. Our special correspondent in London, Martin Bailey, tells us about the arguments for and against its authenticity. And this episode's Work of the Week is actually a pair of works. That is because there is a compelling double header opening at the Albertinum in Dresden this weekend, the exhibition Paula Modersohn-Becker and Edvard Munch: The Big Questions of Life. The exhibition's co-curator Andreas Dehmer discusses Selbstbildnis mit Hand am Kinn or Self-Portrait with Hand on Chin (1906) by Modersohn-Becker and Vampir or Vampire (1895) by Munch with our digital editor, Alexander Morrison.Art Basel Qatar continues until Saturday, 7 February.Christof Metzger, Albrecht Dürer: The Complete Paintings. Selected Drawings and Prints, Taschen, £175 (hb)Paula Modersohn-Becker and Edvard Munch: The Big Questions of Life, Albertinum, Dresden, 8 February-31 May.To buy The Art Newspaper's guidebook The Year Ahead 2026, an authoritative look at the year's unmissable art exhibitions, museum openings and significant art events, visit theartnewspapershop.com. £14.99 or the equivalent in your currency. Hosted on Acast. See acast.com/privacy for more information.

The South African culture minister, the right-wing populist Gayton McKenzie, is attempting to cancel the project for South Africa's pavilion at the forthcoming Venice Biennale, proposed by the artist Gabrielle Goliath and curator Ingrid Masondo. Goliath and Masondo have appealed to the country's president and submitted a case to its high court to overturn McKenzie's decision. Ben Luke speaks to Charles Leonard, who has been reporting on this story for The Art Newspaper over the past few weeks. The art dealer Marian Goodman, who founded her gallery on New York's 57th Street in 1977 and represented many of the world's leading artists over recent decades, has died aged 97. Ben talks to one of The Art Newspaper's New York writers, Linda Yablonsky, about this titan of the New York art world. And this episode's Work of the Week is The Card Players, made between 1893 and 1896 by Paul Cezanne. The painting is in a major new exhibition of the French artist's late works at the Beyeler Foundation in Basel, Switzerland. We talk to the exhibition's curator, Ulf Küster, about it.Cezanne, Fondation Beyeler, Riehen, near Basel, Switzerland, until 25 May.To buy The Art Newspaper's guidebook The Year Ahead 2026, an authoritative look at the year's unmissable art exhibitions, museum openings and significant art events, visit theartnewspapershop.com. £14.99 or the equivalent in your currency. Hosted on Acast. See acast.com/privacy for more information.

The Smithsonian's National Museum of African Art in Washington, D.C. this week opens Here: Pride and Belonging in African Art, a new exhibition focusing on LGBTQ+ artists from across Africa and its diaspora. Ben Luke talks to its co-curator, Kevin Dumouchelle, about the exhibition and forthcoming book. We explore the cultural effects of the protests in Iran that began at the end of last year, and the brutal crackdown that followed, with Sarvy Garenpayeh, one of The Art Newspaper's reporters on the Middle East. Sarvy has attempted to contact art workers after the Iranian government cut off the internet two weeks ago. And this episode's Work of the Week is Louise Nevelson's Moon Garden Plus One (1958), a landmark installation first staged in New York that is being reprised, at least in part, in a new survey of the American sculptor's work at the Centre Pompidou-Metz in Metz, France. We speak to the curator of the exhibition, Anne Horvath.Here: Pride and Belonging in African Art, National Museum of African Art, Washington, D.C., 23 January–23 August. The related book, published by Smithsonian Books, will be available later this year.The London gallery Ab-Anbar, which was founded in Tehran in 2014, has announced that it has extended its solo exhibition of the Iranian artist Amin Bagheri's work until 22 February. The gallery has been hosting what it describes as “moments of togetherness for its London community: a space to gather, talk, and be together”, in solidarity with the people of Iran.Louise Nevelson: Mrs. N's Palace, Centre Pompidou-Metz, Metz, France, 24 January-31 AugustTo buy The Art Newspaper's guidebook The Year Ahead 2026, an authoritative look at the year's unmissable art exhibitions, museum openings and significant art events, visit theartnewspapershop.com. £14.99 or the equivalent in your currency. Hosted on Acast. See acast.com/privacy for more information.

As the British Museum opens Hawaiʻi: a kingdom crossing oceans, Ben Luke takes a tour of the exhibition with the museum's head of Oceania, Alice Christophe. We also hear about the museum's fresh approach to the stewardship of its collection of Hawaiian objects and materials. In Venice, one of the most famous palazzi on the Grand Canal, the Ca' Dario, is up for sale and we discuss the building, its history and its supposed curse with the founder of The Art Newspaper and former chair of the Venice in Peril charity, Anna Somers Cocks. And this episode's Work of the Week is Bathtub (1961-87), a late work made by Joseph Beuys, cast in bronze after his death in 1986. It is at the centre of a new show of Beuys's work at the Thaddaeus Ropac gallery in London, and I speak to Thaddaeus Ropac about the sculpture and its long journey to completion.Hawaiʻi: a kingdom crossing oceans, British Museum, London, until 25 May 2026.Joseph Beuys: Bathtub for a Heroine, Thaddaeus Ropac, London, until 21 March. Hosted on Acast. See acast.com/privacy for more information.

It is the first episode of 2026. So we look ahead at the next 12 months with a guide to big museum openings, biennials and exhibitions. Ben Luke is joined by Jane Morris, editor-at-large at The Art Newspaper and Cultureshock, and Gareth Harris, chief contributing editor at The Art Newspaper, to discuss the key art fairs, major museum building projects and the top biennials of the year, and we pick our exhibition highlights.All of the events discussed and many more are featured in The Art Newspaper's guidebook The Year Ahead 2026, an authoritative look at the year's unmissable art exhibitions, museum openings and significant art events. Visit theartnewspapershop.com. £14.99 or the equivalent in your currency.Events discussed:ART FAIRS: Art Basel Qatar, Doha, Qatar, 5-7 Feb; Frieze Abu Dhabi, 17-22 Nov; MUSEUM OPENINGS: Guggenheim Abu Dhabi, date tbc; V&A East, opens 18 Apr; Los Angeles County Museum of Art (Lacma), opens Apr; Lucas Museum of Narrative Art, opens 22 Sep; Dataland, Los Angeles, opens spring; New Museum, New York, date tbc. BIENNIALS: Venice Biennale, In Minor Keys, 9 May-22 Nov; Arthur Jafa and Richard Prince: Helter Skelter, Fondazione Prada, Venice, 9 May-22 Nov; Marina Abramović: Transforming Energy, Gallerie dell'Accademia, Venice, 6 May-19 Oct; Whitney Biennial, opens 8 Mar; Greater New York 2026, MoMA PS1, 16 Apr-17 Aug; EXHIBITIONS: Gainsborough: The Fashion of Portraiture, Frick Collection, 12 Feb-11 May; Raphael: Sublime Poetry, Metropolitan Museum of Art, New York, 29 Mar-28 Jun; Zurbarán, National Gallery, London, 2 May-23 Aug; Michaelina Wautier, Royal Academy of Arts, 27 Mar-21 Jun; James McNeill Whistler, Tate Britain, 21 May-27 Sep, Van Gogh Museum, Amsterdam, 16 Oct-10 Jan 2027; Seurat and the Sea, Courtauld Gallery, ​​13 Feb-17 May; Peggy Guggenheim in London: The Making of a Collector, Peggy Guggenheim Collection, Venice, 25 Apr-19 Oct; Royal Academy, London, 21 Nov-14 Mar 2027, Cezanne, Fondation Beyeler, Basel, 25 Jan-25 May; Leonor Fini, Schirn Kunsthalle, Frankfurt, 22 Oct-28 Feb 2027; Hilma af Klint, Grand Palais, 6 May-30 Aug, Matisse 1941-1954, Grand Palais, Paris, 24 Mar-26 Jul; Chez Matisse: The Legacy of a New Painting, Caixa Forum, Barcelona, 27 Mar-16 Aug; Fratino and Matisse: To See This Light Again, Baltimore Museum of Art, 11 Mar-6 Sep; Matisse's Femme au Chapeau: A Modern Scandal, SFMOMA, San Francisco, 16 May-7 Sep; Marcel Duchamp, MoMA, New York, 12 Apr-22 Aug; Mary Cassatt: An American in Paris, National Gallery of Art, Washington, DC, 14 Feb-30 Aug; Mary Cassatt: After Impressionism, Art Institute of Chicago, 6 Sep-3 Jan 2027; Modern Iran and the Avant-Gardes, 1948-78, Vancouver Art Gallery, 11 Dec-2 May 2027; Spectrosynthesis Seoul, Art Sonje Center, Seoul, 20 Mar-28 Jun; Carol Bove, Solomon R. Guggenheim Museum, New York, 5 Mar-2 Aug; New Humans: Memories of the Future, New Museum, New York, opens early 2026; Hurvin Anderson, Tate Britain, 26 Mar-23 Aug; Tracey Emin: A Second Life, 26 Feb-31 Aug; Ana Mendieta, Tate Modern, London, 9 Jul-10 Jan 2027. Hosted on Acast. See acast.com/privacy for more information.

Episode 509 / Terra KeckTerra Keck is a Brooklyn based artist and performer. She received her MFA in Printmaking from the University of Hawai'i at Mānoa in 2018, and her BFA in Drawing from Ball State University in 2013. She moved to Brooklyn in the summer of 2018 and works in East Williamsburg. Terra's work featured in publications such as Hyperallergic, The Art Newspaper, and Oxford American Arts as well as in permanent institutional collections in Japan, Australia, New Zealand, Italy, Hawaii, and California. She's had solo shows at Field Projects, Sweet Lorraine, the Honolul Museum of Art amongst other venues and group shows at Maia COntemporary, Here to Sunday, Immaterial Porjects and many others. Terra is a founding member of the international artist collective GRRIC Contemporary, an experimental art space, happening, omnipotence. In 2017 she co-curated the show “Afterschool Special” at the Honolulu Museum of Art and several shows through the GRRIC Contemporary Art Gallery in Honolulu. Terra also co-hosts the comedy podcast “Witch, Yes!” which seeks the humor and humanity of the occult, folklore, and witchcraft in its relationship to history, identity and contemporary politics. 

As always, the final episode of The Week in Art of the year is a review of the past 12 months. To look at the top stories, the big issues and the best art in 2025, host Ben Luke is joined by The Art Newspaper's contemporary art correspondent, Louisa Buck, our art market editor, Kabir Jhala, and Ben Sutton, our editor-in-chief, Americas. We reflect on subjects from the Los Angeles wildfires in January, via President Trump's raft of policies in relation to culture and heritage, to the crisis at the Louvre, the National Gallery in London's expansion plans and their potential effect on the gallery's relationship with Tate, and the fortunes of the art market, including the flight to the Middle East for art fairs and auction houses. Plus, the guests select their exhibitions and works of the year, including those by Kerry James Marshall, Helen Chadwick, Coco Fusco, Jack Whitten, Henri Matisse and Hamad Butt. Hosted on Acast. See acast.com/privacy for more information.

The Great Art Fraud: Performance, Pretty Privilege & an $86 Million ScandalThis week's episode of All About Art dives into one of the biggest recent scandals in contemporary art. It's based on my recent experience watching the BBC's The Great Art Fraud, which chronicles Inigo Philbrick's spectacular $86 million fraud that shook the art world to its core.I discuss a range of factors that led to this happening, from the halo effect and “pretty privilege” to the culture of opacity that still defines high-value art deals. I explore how Philbrick sold a lifestyle as much as he sold art - and how the BBC's documentary, perhaps unintentionally, keeps that performance of glamor alive.We discuss the gaps in regulation, the role of symbolic capital in luxury markets, and why the documentary's hero's journey framing (I explain why I think its framed like this) feels kind of uncomfortably forgiving. Will the art world forget this scandal and engage in art deals with Philbrick in the future? It sure did feel like it towards the end…If you've watched the series or are fascinated by the intersection of psychology, performance, and market failure, I would love for you to have a listen & leave a comment to share your thoughts!Image & Media CreditsJay Jopling photograph: Oli Scarff / Getty Images, via Artnet NewsKenny Schachter image: Courtesy of Sotheby'sInigo Philbrick image: Getty Images, via The New York TimesThe Great Art Fraud promotional artwork: BBCAdditional images (if applicable): Courtesy KennySchachter.artImage & Source CreditsThis episode includes images sourced from Getty Images, Sotheby's, The New York Times, the BBC, and KennySchachter.art. Images are presented solely for purposes of criticism, commentary, news reporting, and education. All copyrighted material remains the property of its respective rights holders. No copyright infringement is intended. Images are displayed at reduced resolution and only for the duration necessary to support commentary.

The Art Newspaper's editor-in-chief, Americas, Ben Sutton, and art market editor, Kabir Jhala, are in Miami Beach for Art Basel's latest edition and discuss the top sales and the wider mood at the fair. As staff at the Musée du Louvre in Paris vote to strike, Ben Luke talks to Vincent Noce, our correspondent in Paris, about the deepening crisis at the museum, following the robbery in October. And this episode's Work of the Week is Helene Scherfbeck's The Tapestry (1914-16). It features in a new exhibition of the Finnish artist's work opening this week at the Metropolitan Museum of Art in New York. We talk to the curator of the exhibition, Dita Amory, about the painting.Art Basel Miami Beach, 5-7 December 2025.Seeing Silence: The Paintings of Helene Schjerfbeck, Metropolitan Museum of Art, New York, 5 December-5 April 2026 Hosted on Acast. See acast.com/privacy for more information.

After a delayed application process and an aborted initial commission, the US has at last appointed its artist for next year's Venice Biennale: the Utah-born, Mexico-based artist Alma Allen. The Art Newspaper's editor-in-chief in the Americas, Ben Sutton, talks Ben Luke through this confusing saga. At the National Museum of Norway in Oslo a new exhibition, Deviant Ornaments, focuses on the expression and representation of queerness in Islamic art over more than a millennium. Ben talks to the curator of the exhibition Noor Bhangu. And this episode's Work of the Week is the Cree artist Duane Linklater's wintercount_215_kisepîsim (2022), a piece using recycled canvas from teepees, and referencing the deaths of First Nations children after they were separated from their families in the Residential School system in Canada. It's part of an exhibition called Winter Count: Embracing the Cold, at the National Gallery of Canada in Ottawa, and we talk to two of the four curators of that show, Wahsontiio Cross and Jocelyn Piirainen, about the work.Deviant Ornaments, The National Museum of Art, Architecture and Design, Oslo, until 15 March 2026.Winter Count: Embracing the Cold, National Gallery of Canada, Ottawa, until 22 March 2026Black Friday subscription offer: enjoy up to 70% off across subscription packages to The Art Newspaper this Black Friday, with a year's digital subscription just £21, reduced from £70 (or the equivalent in your currency) and a print and digital subscription just £40, reduced from £99. https://www.theartnewspaper.com/subscriptions-BF25?promocode=BF25&utm_source=display+ads&utm_campaign=blackfriday25 Hosted on Acast. See acast.com/privacy for more information.

Gustav Klimt's Portrait of Elisabeth Lederer (1914-16) sold for the second highest price ever realised at auction at Sotheby's in New York on Tuesday. It was the most notable of several big sales in the sold-out (or “white-glove”) auction of 24 works from the collection of the late billionaire Leonard Lauder, and has prompted some commentators to declare that the art market has turned a corner following a prolonged downturn. Ben Luke speaks to The Art Newspaper's senior art market editor in the Americas, Carlie Porterfield, about this week's auctions, and asks if they do mark a turning point in the art market's fortunes. Cop 30, the United Nations Climate Change Conference, is taking place in Belém, Brazil, and ends on Friday. To coincide with the conference, the Gallery Climate Coalition is publishing a Stocktake Report, in which it gives hard data on the efforts of its members to reduce their carbon emissions. The Art Newspaper's contemporary art correspondent in London, Louisa Buck, who is a co-founder of the coalition, tells Ben more. And this episode's Work of the Week is Victorious Cupid (1601-02) by Caravaggio, a landmark work by the artist, made at the height of his fame in Rome. The painting is making a rare journey from its home at the Gemäldegalerie in Berlin to the Wallace Collection in London, where it is at the centre of an exhibition opening next week. Ben talks to the collection's director, Xavier Bray, about the painting.Caravaggio's Cupid, Wallace Collection, London, 26 November-12 April 2026 Hosted on Acast. See acast.com/privacy for more information.

Studio Museum in Harlem, Grand Egyptian Museum, Stanley SpencerAs the Studio Museum in Harlem opens in its first ever purpose-built space, a new building by the architects Adjaye Associates, The Art Newspaper's editor-in-chief in the Americas, Ben Sutton, speaks to Thelma Golden, the museum's director, and Ben Sutton then gives reviews the building and the inaugural programming with Ben Luke. In Egypt, the long-awaited Grand Egyptian Museum, or GEM, has opened at last. Our digital editor, Alexander Morrison, talks to one of our Middle East correspondents, Melissa Gronlund, about this monumental institution. And this episode's Work of the Week is Tree and Chicken Coops, Wangford by Stanley Spencer (1925). The painting features in the exhibition Love & Landscape: Stanley Spencer in Suffolk at Gainsborough's House in Sudbury, which is in the heart of the eastern English county of Suffolk. Ben Luke speaks to Amy Lim, the co-curator of the exhibition, about the picture. The Studio Museum in Harlem opens 15 November. The Grand Egyptian Museum is open now.Love & Landscape: Stanley Spencer in Suffolk, Gainsborough's House, Sudbury, UK, 15 November-22 March 2026; Stanley Spencer Gallery, Cookham, UK, 4 April-1 November 2026.Subscription offer: eight-week free digital trial of The Art Newspaper. The subscription auto-renews at full price for your region. Cancel anytime. www.theartnewspaper.com/subscriptions-8WEEKSOFFER Hosted on Acast. See acast.com/privacy for more information.

In this week's episode, host Adam Green speaks with arts and culture journalist Dale Berning Sawa, whose work has appeared in The New York Times, The Guardian, The Art Newspaper, and on her Substack at daleberningsawa.substack.com, about the shocking theft at the Louvre that has captivated the art world. Dale brings us up to speed on the latest developments in the investigation and explores the deeper questions the heist has raised, including how museums can balance public access with protecting their collections, why security systems failed, and what this reveals about the evolving role of museum staff and technology. Together they discuss what this high-profile theft says about museum culture today and what lessons institutions everywhere should take from it.

The Museum of Fine Arts (MFA) in Boston, US, has agreed to return two works from 1857 by the enslaved 19th-century potter David Drake to his present-day descendants. By the terms of the contract, one vessel will remain on loan to the museum for at least two years. The other—known as the “Poem Jar”—has been purchased back by the museum from the heirs for an undisclosed sum and now comes with “a certificate of ethical ownership”. Ben Luke talks to Ethan Lasser, the MFA's chair of the art of Americas, about this landmark agreement. At the Museum of Modern Art in New York, the exhibition Wifredo Lam: When I Don't Sleep, I Dream opens on Monday. Lam, who was of African and Chinese descent, is now widely regarded as a key, and singular, figure in Modernist painting. Connected in his long life to the Surrealists and Pablo Picasso, and to literary greats including Aimé Césaire and Edouard Glissant, his distinctive practice was above all centred on a profound engagement with Black diasporic culture. Ben talks to the two lead curators of the exhibition, Beverly Adams, curator of Latin American Art at MoMA, and the museum's new director, Christophe Cherix. And this episode's Work of the Week is the Adoration of the Magi (1488) by Domenico Ghirlandaio. The painting is in the Ospedale degli Innocenti, the first hospital for unwanted or orphaned infants, or foundlings, in Europe, built by the great Renaissance architect, Filippo Brunelleschi. The Innocenti, as it is called, is the subject of a new book, called The Innocents of Florence: The Renaissance Discovery of Childhood, by Joseph Luzzi, and Ben speaks to him about the painting and its significance in the Innocenti's collection.Wifredo Lam, Museum of Modern Art, New York, 10 November-11 April 2026.The Innocents of Florence: The Renaissance Discovery of Childhood, published in hardback by WW Norton, from 11 November in the US, priced $29.99, and from 28 November in the UK, priced £23.New subscription offer: eight-week free digital trial of The Art Newspaper. The subscription auto-renews at full price for your region. Cancel anytime. www.theartnewspaper.com/subscriptions-8WEEKSOFFER Hosted on Acast. See acast.com/privacy for more information.

The authenticity of the final self-portrait by Paul Gauguin, made in 1903 and housed in the Kunstmuseum in Basel, was earlier this year called into question. Now, the museum has completed its promised analysis, and confirmed that the painting is not a fake and is by Gauguin. Ben Luke talks to The Art Newspaper's special correspondent, Martin Bailey, about the saga. In recent years, the late Indian sculptor Mrinalini Mukherjee has come to increasing prominence. Now, a show at the Royal Academy of Arts in London, called A Story of South Asian Art: Mrinalini Mukherjee and Her Circle, explores her work in the context of six other artists including her parents, Leela Mukherjee and Benode Behari Mukherjee. The exhibition's curator, Tarini Malik, tells Ben more. And this episode's Work of the Week is Character Head No.25 by Franz Xaver Messerschmidt, the 18th-century sculptor who was born in Germany, and lived in modern-day Austria and Slovakia. The bust features in the exhibition Franz Xaver Messerschmidt: More than Character Heads, at the Belvedere in Vienna, and we talk to the exhibition's curators, Katharina Lovecky and Georg Lechner, about the work.New subscription offer: eight-week free digital trial of The Art Newspaper. Cancel anytime. The subscription auto-renews at full price for your region. www.theartnewspaper.com/subscriptions-8WEEKSOFFERA Story of South Asian Art: Mrinalini Mukherjee and Her Circle, Royal Academy of Arts, London, 31 October-24 February 2026.Franz Xaver Messerschmidt: More Than Character Heads, Belvedere, Vienna, 31 October-6 April 2026. Hosted on Acast. See acast.com/privacy for more information.

In this spontaneous pre-Halloween freestyle episode, the hosts begin with a light catch up session before getting into their full cosplay costumes (Kat as Storm from the Marvel comic books, and Moni as Dionne Davenport from Clueless). They share memories of Halloween traditions growing up, their favorite Halloween memories, and how those childhood rituals shape how we feel about the holiday as adults. The conversation pivots to Kanye West's “betrayal list,” which they use as a springboard to improvise their own betrayal list. This leads to a deeper discussion about what redemption really looks like after betrayal. The hosts playfully imagine creating a “redemption ritual” as a communal practice: whose job is it to decide what it takes to truly be redeemed after betraying your community? Tap in and hear what the ladies had to say. Cheers!*Please be advised this episode is intended for adult audiences and contains adult language and content. We are expressing opinions on the show for entertainment purposes only.Dedication: To our Patrons!! WE LOVE YOU!Moni: To the fall and all its beauty! To https://www.instagram.com/colorsattheloft and https://www.instagram.com/officialmademanimprovfor making our weekend fun!!Kat: To the https://fristartmuseum.org Frist Art Museum in Nashville Tennessee. https://fristartmuseum.org/article/new-african-masquerade-press-release/Notes:Link for the Indigenous-artist MET takeover: Art Newspaper coverage artnews.comMoni's costume inspo: Emma by Jane Austen  (The movie Cluless was based on this book)   https://www.goodreads.com/book/show/6969.EmmaKat's costume inspo: https://en.wikipedia.org/wiki/Storm/Marvel_ComicsIs the owner of Bucees racist??https://www.chron.com/politics/article/Bucees-Texas-Republicans-GOP-Arch-Aplin-donationhttps://www.sacurrent.com/news/south-texas-shoppers-Sue Bucees for 1 million Devil's Night History Detroit: https://www.detroithistorical.org/haunted-history-devils-nightNext week's book pick:"Nobody's Girl" by Virginia Roberts Giuffre**Stranger than Fiction:

It is an event that has shocked the world and prompted a national reckoning in France: the robbery of eight jewels from the Apollo Gallery of the Louvre last Sunday. Ben Luke talks to Anaël Pigeat, editor-at-large of The Art Newspaper France and journalist at Paris Match, and Dale Berning Sawa, a regular contributor to The Art Newspaper, about the heist, the reaction, the political fallout and what it tells us about the place of culture in French society today. The Performa Biennial is celebrating its 20th anniversary edition from next week, and Ben talks to its founder RoseLee Goldberg about the biennial and the publication of the updated version of Goldberg's classic book Performance Art: From Futurism to the Present. And this episode's Work of the Week is On the Other Earth, a new installation by the choreographer Wayne McGregor. It is unveiled next week at Stone Nest in London, as part of a major exhibition of McGregor's work at Somerset House, called Infinite Bodies. Ben speaks to McGregor about the installation.The Performa Biennial 2025, 1–23 November. Performance Art: From Futurism to the Present, RoseLee Goldberg, Thames and Hudson, $29.95/£24.99.Wayne McGregor: Infinite Bodies, Somerset House, London; On the Other Earth, Stone Nest, London, 30 October-22 February 2026; On the Other Earth is booked in one-hour slots, visit somersethouse.org.uk for more information. Hosted on Acast. See acast.com/privacy for more information.

In this episode I am welcomed by visual artist Terra Keck. Together we explored her initial interests in occult spirituality and how that began to evolve in her life and especially its influence over her art practice.  We discuss the nature of awareness and the importance of cultivating a space (both physical and mental) that allows for channeling and transmission to come through the creative process.  ———————————Terra Keck is an artist, curator, and writer based in Brooklyn, New York. She received her MFA from the University of Hawai'i at Mānoa and her BFA from Ball State University. She is a partner at Field Projects Gallery in the Chelsea Arts District of Manhattan and cohosts the comedy-educational podcast “Witch, Yes!” Her work has been published in Hyperallergic, The Art Newspaper, and Oxford American Arts and can be found in permanent institutional collections in Japan, Australia, New Zealand, Hawaii, and California. She is a regular contributing writer to Artspiel, Impulse Magazine, and Artefuse. www.terrakeck.com  Field Projects Gallery https://www.fieldprojectsgallery.com/ Terra's Podcast: Witch, Yes! https://open.spotify.com/show/1kWQXQEAkBUhLRFpvqP0EJ Follow Martin Benson for more insights:*To stay updated on the podcast and related content, check out ⁠⁠⁠⁠⁠⁠⁠my Instagram⁠⁠⁠⁠⁠⁠⁠*To support the show and access exclusive content, consider subscribing for $0.99/month on Instagram (link above).Credits: Special thanks to Matthew Blankenship of ⁠⁠⁠⁠⁠⁠⁠The Sometimes Island⁠⁠⁠⁠⁠⁠⁠ for our podcast theme music!Support this podcast: ⁠⁠⁠⁠⁠⁠⁠https://podcasters.spotify.com/pod/show/martin-l-benson/support

Amid much debate about the health of the art market, Frieze is back in London, with its two fairs, Frieze London and Frieze Masters. Ben Luke talks to The Art Newspaper's art market editor, Kabir Jhala, about the mood in the big tents in Regent's Park. Beyond Frieze, of course, is a vast parallel art world, with thousands of unrepresented artists and curators keen to realise their big ideas. Hypha Studios has for some years been finding vacant property in cities around the UK to provide free exhibition and studio space to artists, curators and other creatives. This week, it launched Hypha Curates, an online sales platform. Ben talks to the non-executive director of Hypha Studios, Will Jennings. And this episode's Work of the Week is a drawing by Pierre Auguste Renoir. A study in red and white chalk for one of his greatest works, the painting known as The Great Bathers in the Philadelphia Museum of Art, it's a key piece in a new exhibition at the Morgan Library & Museum in New York, called Renoir Drawings. We speak to the exhibition's curator, the director of the Morgan Library and Museum, Colin B. Bailey.Frieze London and Frieze Masters, until Sunday, 19 October.Visit hyphastudios.com and hyphacurates.comRenoir Drawings, Morgan Library and Museum, New York, 17 October-8 February 2026; Musée d'Orsay, 17 March-5 July 2026. Hosted on Acast. See acast.com/privacy for more information.

Tate Modern continues to explore the histories of Modern art beyond the European and North American canons that were once its focus. This week it opened the exhibition Nigerian Modernism, and The Art Newspaper's digital editor, Alexander Morrison, speaks to the show's co-curator, Osei Bonsu, and to one of the 50 artists in the exhibition, Jimoh Buraimoh. Before the 12-day war between Israel and Iran in June of this year, the art scene in the Iranian capital, Tehran, was thriving. Sarvy Geranpayeh, one of our correspondents for the Middle East, travelled to Tehran for The Art Newspaper and tells Ben Luke how the art world has responded in the aftermath of the conflict. And this episode's Work of the Week is Cakes (1963) by Wayne Thiebaud, a painting in the National Gallery of Art in Washington that has travelled to the Courtauld Gallery in London for Wayne Thiebaud: American Still Life, the first UK museum exhibition of his art. We visit the show and speak to Barnaby Wright, its co-curator.Nigerian Modernism, Tate Modern, London, until 10 May 2026.Wayne Thiebaud. American Still Life, Courtauld Gallery, London, 10 October-18 January 2026.LAST CHANCE student subscription offer: stay connected to the art world from your first lecture to your final dissertation with a three-year student subscription to The Art Newspaper for just £99/$112/€105. Gift, quarterly and annual subscriptions are also available.https://www.theartnewspaper.com/subscriptions-student?offer=4c1120ea-bc15-4cb3-97bc-178560692a9c Hosted on Acast. See acast.com/privacy for more information.

A new exhibition at the Fitzwilliam Museum in Cambridge, UK, called Made in Ancient Egypt, reveals untold stories of the people behind a host of remarkable objects, and the technology and techniques they used. The Art Newspaper's digital editor, Alexander Morrison visits the museum to take a tour with the curator, Helen Strudwick. One of the great revelations of the past two decades in scholarship about women artists is Michaelina Wautier, the Baroque painter active in what is now Belgium in the middle of the 17th century. The largest ever exhibition of Wautier's work opened this week at the Kunsthistorisches Museum in Vienna, and travels to the Royal Academy of Arts in London next year. Ben Luke speaks to the art historian who rediscovered this extraordinary painter, Katlijne Van der Stighelen, who has also co-edited the catalogue of the Vienna show. And this episode's Work of the Week is Robert Rauschenberg's Bed (1955), one of the most important works of US art of the post-war period. It features in the exhibition Five Friends: John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg, Cy Twombly, which this week arrives at the Museum Ludwig in Cologne. We speak to Yilmaz Dziewior, the co-curator of the exhibition.Made in Ancient Egypt, Fitzwilliam Museum, Cambridge, UK, 3 October-2 April 2026Michaelina Wautier, Painter, Kunsthistorisches Museum, Vienna30 September-22 February 2026; Royal Academy of Arts, London27 March – 21 June 2026.Five Friends: John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg, Cy Twombly, Museum Ludwig, Cologne, Germany,3 October-11 January 2026Student subscription offer: stay connected to the art world from your first lecture to your final dissertation with a three-year student subscription to The Art Newspaper for just £99/$112/€105. Gift, quarterly and annual subscriptions are also available.https://www.theartnewspaper.com/subscriptions-student?offer=4c1120ea-bc15-4cb3-97bc-178560692a9c Hosted on Acast. See acast.com/privacy for more information.

The Art Newspaper's chief contributing editor, Gareth Harris, has just published a new book, Towards the Ethical Art Museum, which explores a range of issues affecting museums in the 21st century, from questions of provenance and restitution to funding and governance and responsibilities to staff and the communities the museums serve. He joins Ben Luke to discuss the book. One of the exhibitions of the year has just opened in Florence in Italy: the Fondazione Palazzo Strozzi and the Museo di San Marco are jointly presenting Fra Angelico, devoted to the great 15th-century Florentine master. Our digital editor, Alexander Morrison talks to Carl Brandon Strehlke, a curator emeritus of the Philadelphia Museum of Art, and curator of the exhibition. And this episode's Work of the Week is PsychoBarn (Cut-Up) by Cornelia Parker, an installation first made in 2023 and relating closely to the British artist's 2016 project for the roof commission for the Metropolitan Museum of Art in New York, Transitional Object (PsychoBarn). The work is in a major new group exhibition at the Kunstmuseum in Basel, Ghosts: Visualising the Supernatural and Luke speaks to its curator, Eva Reifert.Towards the Ethical Art Museum, by Gareth Harris, published by Lund Humphries, out now in the UK, £19.99 (hb), published in November in the US and Canada, US $34.99, CA $46.99.Fra Angelico, Palazzo Strozzi and the Museo di San Marco, Florence, 26 September-25 January 2026.Ghosts: Visualising the Supernatural, Kunstmuseum, Basel, until 8 March 2026.Student subscription offer: stay connected to the art world from your first lecture to your final dissertation with a three-year student subscription to The Art Newspaper for just £99/$112/€105. Gift, quarterly and annual subscriptions are also available. https://www.theartnewspaper.com/subscriptions-student?offer=4c1120ea-bc15-4cb3-97bc-178560692a9c Hosted on Acast. See acast.com/privacy for more information.

Episode 492 / Maria KreynMaria Kreyn (b.1987) is an American artist known for evocative paintings that merge figuration, abstract geometries, and elemental atmospherics. She studied mathematics and philosophy at the University of Chicago and is self taught in painting. Maria's work has been featured in Vanity Fair, the Wall Street Journal, The Art Newspaper, The Financial Times, and many others. Maria's painting ‘Alone Together' drives the plot of Shonda Rhimes' ABC television show The Catch; and her Shakespeare Cycle paintings appear on the award-winning show The Crown. Her public works include a collection of 8 monumental paintings based on Shakespeare, commissioned by Andrew Lloyd Webber, now on permanent display in the lobby of London's historic Theater Royal Drury Lane. Her solo presentation during the 60th International Venice Biennale (2024) was presented by the MoN Art Foundation, staged at St. George's Church in Venice, Italy. 

Kerry James Marshall: The Histories at the Royal Academy of Arts in London is the largest ever European retrospective of the work of the US artist and has been greeted with universal critical acclaim. Ben Luke takes a tour of the exhibition with Mark Godfrey, its curator, and visits a related exhibition of Marshall's graphic novel project, Rythm Mastr, at The Tabernacle in Notting Hill, London, with the co-curator of that show with Godfrey, Nikita Sena Quarshie. Last week, the National Gallery in London announced that it will build a major new extension, at a cost around £400m, of which £375m has already been raised. Project Domani, as it is called, is billed by the National as the largest transformation since it was founded, 200 years ago. The National will also expand its collecting boundary beyond 1900 in a major shift in the division of UK national collections. The Art Newspaper's digital editor, Alexander Morrison, talks to the director of the National Gallery, Gabriele Finaldi. And this episode's Work of the Week is The Three Dancers by Pablo Picasso, one of the greatest of all the many thousands of works by the Spanish artist. The painting was made in 1925 and Tate Modern is celebrating its centenary with an exhibition, Theatre Picasso, in which The Three Dancers is the centrepiece. Ben talks to Natalia Sidlina, co-curator of the exhibition, and to Enrique Fuenteblanca who, with the artist Wu Tsang, has designed the radical staging of the exhibition.Kerry James Marshall: The Histories, Royal Academy of Arts, London, 20 September-18 January 2026; Kunsthaus Zürich, 27 February-16 August 2026; Musée d'Art Moderne de Paris, 18 September 2026-24 January 2027; Rythm Mastr: The Chronicles, The Tabernacle, London, until 14 December.Theatre Picasso, Tate Modern, London, until 12 April 2026.Student subscription offer: stay connected to the art world from your first lecture to your final dissertation with a three-year student subscription to The Art Newspaper for just £99/$112/€105. Gift, quarterly and annual subscriptions are also available. https://www.theartnewspaper.com/subscriptions-student?offer=4c1120ea-bc15-4cb3-97bc-178560692a9c Hosted on Acast. See acast.com/privacy for more information.

Ep. 348: Mark Asch on Toronto 2025: Christy, Maggie's Secret, Claire Denis's The Fence, Sacrifice Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The Toronto International Film Festival began its 50th edition, and for this jubilee year, I kicked things off with critic Mark Asch, a past TIFF correspondent on the podcast who is writing for The Art Newspaper and Little White Lies. Among the TIFF premieres discussed are Christy (directed by David Michod and starring Sydney Sweeney), The Fence (directed by Claire Denis), Maggie's Secret (directed by and starring John Early), and Sacrifice (a Romain Gavras joint). Stay tuned for more on TIFF's sprawling slate! Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Earlier this year, we took a tour of the V&A East Storehouse, the Victoria and Albert Museum's vast new complex in East London. This week, it opens the David Bowie Centre, a dedicated space to the music icon. It is the permanent repository of thousands of items from Bowie's archive, which are on display and also available for personal study. Ben Luke explores the displays at the centre with the curator, Madeleine Haddon. Last week, a new biennial opened in Bukhara in Uzbekistan, part of a major cultural shift in the country. The Art Newspaper's art market editor, Kabir Jhala went to Bukhara for the opening event and delivers his verdict, and we also hear from its curator, Diana Campbell. And this episode's Work of the Week is a pair of paintings: Untitled (2025), a new piece by Hurvin Anderson, and West Indies (2014) by Kara Walker. They are part of an exhibition at Michael Werner Gallery in London, curated by the critic and writer Hilton Als, which explores the Dominican-born writer Jean Rhys. We went to the gallery to talk to Als about these two remarkable paintings and his fascination with Jean Rhys's life and work.David Bowie Centre, V&A East Storehouse, from 13 September.The Bukhara Biennial continues until 20 November.Postures: Jean Rhys in the Modern World, curated by Hilton Als, Michael Werner, London, 12 September-22 November.Student subscription offer: stay connected to the art world from your first lecture to your final dissertation with a three-year student subscription to The Art Newspaper for just £99/$112/€105. Gift, quarterly and annual subscriptions are also available.https://www.theartnewspaper.com/subscriptions-student?offer=4c1120ea-bc15-4cb3-97bc-178560692a9c Hosted on Acast. See acast.com/privacy for more information.

Since we were last on air in June, the US government has announced what it calls a comprehensive internal review of activities at eight of the 21 museums under the umbrella of the Smithsonian Institution. Meanwhile, one of those museums, the National Portrait Gallery in Washington, D.C., saw the artist Amy Sherald cancel a long-scheduled exhibition of her work, citing censorship and institutional fear of the US government. Ben Luke talks to Ben Sutton, The Art Newspaper's editor-in-chief in the Americas, about Donald Trump and his administration's growing interference in museums, and whether Sherald's act of resistance is an outlier or a marker of a wider art world response. The first major art fair of the new season, Frieze Seoul, is happening this week in the South Korean capital, after a period of political turmoil there. Our correspondent in Asia, Lisa Movius, visits the fair and gauges the mood. And this episode's Work of the Week is Technology/Transformation: Wonder Woman (1978-79), by Dara Birnbaum. This landmark of video art is part of a new exhibition at San Marco Art Centre, or SMAC, a new space in the Procuratie Vecchie in St Mark's Square, Venice. The show, called The Quantum Effect, explores the work of several leading contemporary artists in the context of quantum theory. I talk to the exhibition's curators, Daniel Birnbaum—no relation—and Jacqui Davies, and to Ulf Danielsson, a physicist who has suggested quantum equations to accompany each of the pieces in the show.Frieze Seoul until 6 September.The Quantum Effect, SMAC, Venice, Italy, 5 September-23 November. Hosted on Acast. See acast.com/privacy for more information.

Edition No200 | 24-07-2025 - Stalin's Camps to Putin's Russia — The hint of a new Gulag Archipelago takes shape. Remember the Gulag? That grim and terrifying institution of forced labour, mass arrests and industrial scale torment that Stalin used to apparently modernize Russia. It wasn't just camps—it was terror, ideology turned into watch towers and razor wire, and millions of lives drained into Russia's unforgiving soil, for what seemed like capricious and measly ends. Above all, the Gulag was a mindset – of horror for incarcerated, and terror for those threatened with it. But it also served as a projection of power for the Russian state on the international stage. It said ‘look at the horrors we are prepared to inflict on our own people. Imagine, if we are capable of this, then what we can do to you, and your loved ones.' This is where so many people get Russia's rulers wrong right down to Putin. Russia's power, its existence does not come from the raw exercise of power, because in monetary term and most other indices that denote powerful countries, Russia trails far behind. No, Russia's power, its sense of worth, its status, its very existence cones from the idea that is feared. If Russia is not feared, Putin believes, and has hinted at many times in speeches, then it is not. To be fear is to exist, and to be ignored is the real existential threat to Putin and by extension all of Russia. ----------SUPPORT THE CHANNEL:https://www.buymeacoffee.com/siliconcurtainhttps://www.patreon.com/siliconcurtain----------SOURCES: CEPA, Gulag 2.0 — Russia Reopens the Camps (June 23, 2025)The Guardian, Gulag History Museum… closed (Nov 14, 2024) The Moscow Times, Kremlin & FSB order museum closure (Nov 14, 2024) Meduza, Citing ‘fire safety violations'… museum shutters (Nov 15, 2024)The Art Newspaper, Battle for memory at Russia's Gulag Museum (Mar 5, 2025) Barents Observer, FSB wants its own pre-trial detention centres (Feb 28, 2025) Meduza, The End of a Life Cycle (Jan 15, 2025) Wikipedia, Gulag Museum, Solovki prison campThe Guardian, Skobov sentenced to 16 years (Mar 21, 2025)Vox, Kara‑Murza's experience (Dec 1, 2024)Memorial (society) Wikipedia entry----------TRUSTED CHARITIES ON THE GROUND:Save Ukrainehttps://www.saveukraineua.org/Superhumans - Hospital for war traumashttps://superhumans.com/en/UNBROKEN - Treatment. Prosthesis. Rehabilitation for Ukrainians in Ukrainehttps://unbroken.org.ua/Come Back Alivehttps://savelife.in.ua/en/Chefs For Ukraine - World Central Kitchenhttps://wck.org/relief/activation-chefs-for-ukraineUNITED24 - An initiative of President Zelenskyyhttps://u24.gov.ua/Serhiy Prytula Charity Foundationhttps://prytulafoundation.orgNGO “Herojam Slava”https://heroiamslava.org/kharpp - Reconstruction project supporting communities in Kharkiv and Przemyślhttps://kharpp.com/NOR DOG Animal Rescuehttps://www.nor-dog.org/home/----------

A new stage production that's been inspired by the writer's own experience as an inmate. Academy Award winning playwright and director Terry George served a sentence in Long Kesh jail near Lisburn in the 1970s and his time there - when a number of successful and unsuccessful escape attempts were made. These inspire The Tunnel, a play which is being staged in Ireland for the first time, at the Lyric Theatre Belfast. Neil McCormick pays tribute to co-founder of Black Sabbath and 'Prince of Darkness' Ozzy Osbourne, discussing his musical legacy, and his final concert which raised £140 million for charity.Composer Jay Capperauld tells us about the 19th century Austrian composer Anton Bruckner's fascination with death and death masks, which has inspired his own work Bruckner's Skull, which is being performed at The Proms this Friday. And what can museums and galleries do to curb the accidental damage being done to priceless artworks by visitors who want to take selfies? Melanie Gerlis of The Art Newspaper and Robert Read, Head of Art and Private Clients at Hiscox Insurance discuss. Presenter: Kirsty Wark Producer: Mark Crossan

Episode 481 / Debbi KenoteDebbi Kenote is a painter who lives and works in Brooklyn, NY. She holds an MFA from Brooklyn College and a BFA from Western Washington University. Her recent solo and two person exhibitions include Baker-Hall in Miami, Duran Contemporain in Montreal, Cristin Tierney in New York and My Pet Ram in New York. Selected group exhibitions include Kate Werble in New York, Fir Gallery in Beijing, Cob Gallery in London, Hawkins Headquarters in Atlanta and SOIL Gallery in Seattle. She has been an artist in residence at Stove Works, The Ucross Foundation, PLOP, the Saltonstall Foundation, Vermont Studio Center, DNA, Nes, CAI Projects, and the Mineral School. Her work is part of the permanent OZ Art Collection and has been featured in The Art Newspaper, Art Fuse, Maake Magazine, Suboart, Art of Choice, Two Coats of Paint, and Hyperallergic. She is a curator at the NYC based gallery Below Grand. She is represented by Cristin Tierney gallery in New York and Duran Contemporain in Montreal.Even the stump agrees, solo show on view at Baker-Hall in Miami, FL through July 12. Mindscape is a Pattern, group show, curated by Caetlynn Booth on view at Project Art Space in New York, NY.

An exhibition opens this weekend at Conditions, the low-cost studio programme for artists in Croydon, on the outskirts of south London, featuring two of the great works of art of recent decades: Mark Leckey's Fiorucci Made Me Hardcore (1999) and Arthur Jafa's Love is the Message, the Message is Death (2016). Ben Luke talks to Mark and AJ about showing together and the affinities and contrasts in these two contemporary masterpieces. The 12th SITE SANTA FE International exhibition also opens on Friday, and Ben speaks to Cecilia Alemani, the artistic director of the biennial, about the show, which is called Once Within a Time. And this episode's Work of the Week is Glacial Decoy, the 1979 collaboration between the choreographer Trisha Brown and the artist Robert Rauschenberg. This landmark work is the subject of a new exhibition at the Walker Art Center in Minneapolis, and its curator, Brandon Eng, tells us more.ARTHUR JAFA / MARK LECKEY: HARDCORE / LOVE, Conditions, 28 June-10 August. You can find out more about Conditions at conditions.studio. Listen to A brush with... Arthur Jafa and A brush with... Mark Leckey wherever you get your podcasts. Those interviews feature alongside 23 others from the A brush with… series in the book by Ben Luke, What is Art For? Contemporary artists on their influences, inspirations and disciplines, published by HENI, released on 2 September (US) and 4 September (UK), $39.95/£29.95 (hb).12th SITE SANTA FE International: Once Within a Time, 27 June-12 January 2026.Trisha Brown and Robert Rauschenberg: Glacial Decoy, Walker Art Center, Minneapolis, US, until 24 May 2026.Summer season of art scubscription offer: get 50% off a digital subscription to The Art Newspaper and gain unrestricted access today. Hosted on Acast. See acast.com/privacy for more information.

The Art Newspaper's digital editor Alexander Morrison is in Basel for the annual Art Basel fair. He talks to our art market editor, Kabir Jhala, about the atmosphere at the fair after a long downturn in the art market and underwhelming auctions last month in New York. While some major museums around the world would rather avoid the topic of returning objects acquired in the colonial period to their countries of origin, The Wereldmuseum in Amsterdam is attempting to get on the front foot, with an exhibition called Unfinished past: return, keep, or...? One notable aspect of the show is that it is not presenting any human remains. Ben Luke speaks to our correspondent in the Netherlands, Senay Boztas, about the future of human body parts in Dutch museums. And this episode's Work of the Week is Untitled or Not Yet (1966) by Eva Hesse, which is in a new exhibition at The Courtauld in London, called Abstract Erotic. The exhibition unites Hesse with fellow sculptors Alice Adams and Louise Bourgeois. Ben talks to Jo Applin, the co-curator of the show.Art Basel continues until Sunday, 22 June.Unfinished Pasts, Wereldmuseum, Amsterdam, until 3 January 2027.Abstract Erotic: Louise Bourgeois, Eva Hesse, Alice Adams, The Courtauld, 20 June-14 September; Louise Bourgeois: Drawings from the 1960s, the Courtauld, 20 June-14 September.Summer subscription offer: get up to 50% off an annual print & digital subscription to The Art Newspaper. https://www.theartnewspaper.com/subscriptions-SUMMER25P&D?promocode=SUMMER25&utm_source=special+offer+banner&utm_campaign=SUMMER25 Hosted on Acast. See acast.com/privacy for more information.