Podcasts about yazmany arboleda

Hoy tenemos el placer de conversar con Yazmany Arboleda es un artista Colombo-Estadounidense radicado en la ciudad de Nueva York. Formado como arquitecto, Yazmany activa comunidades con proyectos de arte a gran escala que buscan construir conexiones sinceras que conduzcan a relaciones significativas. Él cree que el arte es un verbo, no un sustantivo. Durante las últimas dos décadas, ha creado proyectos de arte público con comunidades en la India, Japón, Kenia, Tanzania, Uganda, Sudáfrica, Afganistán, España, Colombia y los Estados Unidos. Ha colaborado con el Carnegie Hall, la Escuela de Administración de Yale y las Naciones Unidas. Es cofundador de limeSHIFT, Future Historical Society, Remember2019 y Artist As Citizen Conference. Es el primer artista residente de La Comisión de Participación Cívica (CEC) de la Ciudad de Nueva York, así como de la Red de Artes Comunitarias.En este episodio conversamos sobre las buenas prácticas para que el arte sea una herramienta del cambio sistémico, cúal es la importancia de trabajar en este ámbito para crear impacto positivo desde lo lúdico, además de explorar la potencia del arte en su nível más transformador. ¿Quieres ser sponsor? Escríbenos a hola@efectocolibri.comHistorias que regeneran. En Efecto Colibrí producimos y distribuimos contenido podcast para inspirar un mundo más justo, equitativo y regenerativo. Conoce más en https://efectocolibri.com/

Hi, PODience! We're back with Act 2 of our fascinating chat with Yazmany Arboleda titled, “Mobilizing Interdependence.” In their discussion, Courtney and Yazmany continue to tackle a range of deeply meaningful topics. One major theme that really stands out in this episode is how the process of making art in community with others helps us to understand one another, to learn new skills and to evolve into something new. In Act 2 of Arboleda's fast-paced, joyful chat with Courtney, they also discuss Yazmany's work with the Little Amal, the problematic aspects of land acknowledgments, land ownership v. land stewardship in western cultures, and how our lived experience affects how we approach how we move through the world and how we create our art.

Episode 64, Act 1: “Mobilizing Interdependence,” featuring the passionate Yazmany Arboleda, will leave you invigorated, activated and inspired to up your game and think about how you could be engaging with your art and how you're inviting others to engage with and through what you're creating. Have you ever stopped to think that we, as humans, are collectively co-creating our future at all times? Do you center inquiry as the basis for creating works of art? Have you thought of art as a mechanism for healing individual and shared traumas? In his fast-paced, joyful chat with Courtney, Yazmany Arboleda explains that the foundation of his artistry is all about remaining curious about the state of his own existence. His aim is to engage people through inquiry and to imagine the impossible, and collectively rise to the challenge of co-creating something that makes the impossible, possible.

Yazmany Arboleda is the People's Artist for New York City through the Civic Engagement Commission. This week, Yazmany joins adrienne to talk about the possibilities of creating an active, experimental, and more imaginative and democratic engagement with the people who make up a place.

During this episode of Why Change? co-hosts Madeleine and Jeff discuss politics and how to increase civic engagement through the arts. Madeleine interviews Yazmany Arboleda, who is New York City's artist in residence for civic engagement; they discuss practical strategies for co-creating imagination, joy, social action, and more. In this episode you'll learn: How you can increase civic participation through the arts; Youth and artist led projects intersecting culture and civics; and The importance of language in co-creating imagination and joy. Can you find the resources mentioned in this episode and the transcript here. ABOUT YAZMANY ARBOLEDA: A Colombian American artist based in New York City. An architect by training, Yazmany's practice focuses on creating “Living Sculptures,” people coming together to transform the world through co-creation. Over the past two decades he has created public art projects with communities in India, Japan, Kenya, Tanzania, Uganda, South Africa, Afghanistan, Spain, Colombia and the United States. He has collaborated with Carnegie Hall, the Yale School of Management, and BRIC among others. He is currently the artist in residence at IntegrateNYC and the associate director of communications for Artists Striving To End Poverty. He is a cofounder of limeSHIFT, the Future Historical Society, Remember 2019, and the Artist As Citizen Conference. He has lectured at UNC, MIT, and LPAC about the power of art in public space. WHERE TO FIND YAZMANY: Website http://www.yazmany.net/ Instagram https://www.instagram.com/yazmany/ Twitter https://twitter.com/yazmany?lang=en This episode of Why Change? A Podcast for the Creative Generation was powered by Creative Generation. Produced and edited by Daniel Stanley. For more information on this episode and Creative Generation please visit the episode's webpage and follow us on social media @Campaign4GenC --- Support this podcast: https://anchor.fm/whychange/support

Yazmany Arboleda is a Colombian-American artist whose raw materials are neighborhoods and sometimes entire cities. The residents who bring these communities to life are not only his subjects but also his collaborators. Among his more recent projects are large-scale works in Kabul, Afghanistan and Nairobi, Kenya. In Nairobi with the aid of several houses of worship he created “Colour in Faith,” a city-wide project in which he and a team of volunteers painted several religious buildings — including Christian churches, Muslim mosques and Buddhist temples — in a color named Optimistic Yellow. In Kabul he created what he calls a living sculpture when he and a team of volunteers and community activists gave away 10,000 pink biodegradable balloons to residents throughout the city as the ever-present cracks of gunfire continued to reverberate close by. For the foreseeable future, he will be making art in his hometown of New York City. A few days before this interview, Yazmany learned that starting in August of 2020, he would be Artist in Residence with the city’s Commission for Civic Engagement. Among the many organizations in which he plays a leadership role are Future Historical Society, a multi-generational team of artists, activists, educators and community members who represent a diverse range of connections to the neighborhood of Fort Greene in Brooklyn; and limeSHIFT, an art-innovation consulting company that helps organizations unleash the power of place and people through creativity.   In this interview with Artist as Leader podcast producer Pier Carlo Talenti, Yazmany describes how an outsider’s perspective has shaped how generously and delicately he weaves his art-making and leadership style into the fabric of every community he inhabits. https://www.theguardian.com/artanddesign/2016/aug/15/kenya-mosques-churches-temples-yellow-painted-yazmany-arboleda https://globalnews.ca/news/589688/gallery-kabul-residents-receive-10000-peace-filled-balloons-during-we-believe-in-balloons-day/ http://limeshift.com/ https://www.bricartsmedia.org/artist-opportunities/community-initiatives/future-historical-society

Yazmany Arboleda is a Colombian-American artist whose raw materials are neighborhoods and sometimes entire cities. The residents who bring these communities to life are not only his subjects but also his collaborators. Among his more recent projects are large-scale works in Kabul, Afghanistan and Nairobi, Kenya. In Nairobi with the aid of several houses of worship he created “Colour in Faith,” a city-wide project in which he and a team of volunteers painted several religious buildings — including Christian churches, Muslim mosques and Buddhist temples — in a color named Optimistic Yellow. In Kabul he created what he calls a living sculpture when he and a team of volunteers and community activists gave away 10,000 pink biodegradable balloons to residents throughout the city as the ever-present cracks of gunfire continued to reverberate close by. For the foreseeable future, he will be making art in his hometown of New York City. A few days before this interview, Yazmany learned that starting in August of 2020, he would be Artist in Residence with the city’s Commission for Civic Engagement. Among the many organizations in which he plays a leadership role are Future Historical Society, a multi-generational team of artists, activists, educators and community members who represent a diverse range of connections to the neighborhood of Fort Greene in Brooklyn; and limeSHIFT, an art-innovation consulting company that helps organizations unleash the power of place and people through creativity.   In this interview with Artist as Leader podcast producer Pier Carlo Talenti, Yazmany describes how an outsider’s perspective has shaped how generously and delicately he weaves his art-making and leadership style into the fabric of every community he inhabits. https://www.theguardian.com/artanddesign/2016/aug/15/kenya-mosques-churches-temples-yellow-painted-yazmany-arboleda https://globalnews.ca/news/589688/gallery-kabul-residents-receive-10000-peace-filled-balloons-during-we-believe-in-balloons-day/ http://limeshift.com/ https://www.bricartsmedia.org/artist-opportunities/community-initiatives/future-historical-society

Divisions along religious lines are deepening, and we're doubting more and more how much we have in common. How can we stand boldly and visibly together? Inspired by an idea from her collaborator Yazmany Arboleda, place-maker Nabila Alibhai and her colleagues created "Colour in Faith," a social practice art project that unites people of different religions by getting them to paint each other's houses of worship yellow, in a show of solidarity. "We've proven that the human family can come together and send a message far brighter and more powerful than the voices of those that wish to do us harm," Alibhai says. Hosted on Acast. See acast.com/privacy for more information.

Divisions along religious lines are deepening, and we're doubting more and more how much we have in common. How can we stand boldly and visibly together? Inspired by an idea from her collaborator Yazmany Arboleda, place-maker Nabila Alibhai and her colleagues created "Colour in Faith," a social practice art project that unites people of different religions by getting them to paint each other's houses of worship yellow, in a show of solidarity. "We've proven that the human family can come together and send a message far brighter and more powerful than the voices of those that wish to do us harm," Alibhai says.

As divisões ao longo das linhas religiosas estão se aprofundando, e estamos duvidando cada vez mais do quanto temos em comum. Como podemos estar firmes e visivelmente juntos ? Inspirado em uma ideia do colaborador Yazmany Arboleda, a criadora de lugares Nabila Alibhai e os colegas dela criaram o "Color in Faith", um projeto de arte de prática social que une pessoas de diferentes religiões, levando-as a pintar de amarelo os lugares religiosos uns dos outros em uma demonstração de solidariedade. "Mostramos que a família humana pode se unir e enviar uma mensagem muito mais brilhante e poderosa do que as vozes daqueles que desejam nos prejudicar", diz Alibhai.

Las divisiones a lo largo de las líneas religiosas se están profundizando, y estamos dudando más y más de lo mucho que tenemos en común. ¿Cómo podemos estar firmes y visiblemente juntos? Inspirada en una idea de su colaborador Yazmany Arboleda, la creadora de lugares Nabila Alibhai y sus colegas crearon "Color in Faith", "Coloreando la fe", un proyecto de arte de práctica social que une a personas de diferentes religiones haciendo que pinten de amarillo unos a otros las casas de culto como signo solidaridad. "Hemos demostrado que la familia humana puede unirse y enviar un mensaje mucho más brillante y más poderoso que las voces de aquellos que desean hacernos daño", dice Alibhai.

Les clivages religieux s'intensifient et nous doutons de plus en plus de ce que nous avons en commun. Comment pouvons-nous nous unir fièrement et visiblement ? Inspirée d'une idée soumise par son collaborateur Yazmany Arboleda, la militante Nabila Alibhai et ses collègues ont créé « Colour in Faith », un projet artistique de pratique sociale qui réunit des fidèles de différentes religions en leur proposant de peindre leurs lieux de culte en jaune, dans un esprit de solidarité. « Nous avons prouvé que l'humanité peut s'unir et diffuser un message bien plus lumineux et puissant que les voix de ceux qui voudraient nous nuire », déclare Nabila Alibhai.

Visual artist Yazmany Arboleda shares his experiences with the dark side, the power of creating art in public spaces, following your heart instead of working within the system, valuing yourself, asking for help, and his latest project Espejismo, which asks the question "When people see you, what would you like them to know?". Check it out and share your own reflection at http://espejismo.art Learn more about your ad choices. Visit megaphone.fm/adchoices