Podcasts about zinoman

In this episode, Johnny Mac interviews Jason Zinoman, a distinguished comedy critic for the New York Times. The discussion spans a variety of topics, including Zinoman's approach to covering comedy, his observations on Dave Chappelle's recent work, the changing nature of comic fame, and the intricacies of the current comedy scene impacted by streaming and digital platforms. Timestamps drift depending how many ccommercials you get dynamicallys erved but here's the order01:59 Interview with Jason Zinnaman Begins03:16 Discussing the Comedy Scene07:28 Dave Chappelle's Controversial Legacy12:20 Jerry Seinfeld's Potential Political Turn15:31 The Fragmented Fame of Modern Comedians18:20 David Letterman's Late Night Legacy24:42 John Mulaney's Show and Its Potential25:42 Critics vs. Public Reaction27:01 The Challenge of Sustaining a Show27:27 The Art of Call-In Shows28:41 Saturday Night Live's Future31:08 The Comedy Special Landscape40:03 Comedy Criticism and Snobbery48:44 Regional Comedy and Internet Influence Timestamps may vary depending on how long the commercials are. Unlock an ad-free podcast experience with Caloroga Shark Media! Get all our shows on any player you love, hassle free! For Apple users, hit the banner on your Apple podcasts app. For Spotify or other players, visit caloroga.com/plus. No plug-ins needed! Subscribe now for exclusive shows like 'Palace Intrigue,' and get bonus content from Deep Crown (our exclusive Palace Insider!) Or get 'Daily Comedy News,' and '5 Good News Stories' with no commercials! Plans start at $4.99 per month, or save 20% with a yearly plan at $49.99. Join today and help support the show! We now have Merch!  FREE SHIPPING! Check out all the products like T-shirts, mugs, bags, jackets and more with logos and slogans from your favorite shows! Did we mention there's free shipping? Get more info from Caloroga Shark Media and sign up for our newsletter here. See the full list of shows and sign up for our newsletter for more great news from Caloroga Shark Media. www.buymeacoffee.com/dailycomedynews Facebook group: www.facebook.com/groups/dcnpod - join us to to discuss comedy and your favorite comedians. YouTube channel:https://www.youtube.com/@dailycomedynews?sub_confirmation=1 Twitter is @dcnpod because the person with what I want tweeted once Email: john at thesharkdeck dot com Daily Comedy News commentary includes satire and parody. Daily Comedy News is a production of Caloroga Shark Media, the leading company in short form daily podcastsBecome a supporter of this podcast: https://www.spreaker.com/podcast/daily-comedy-news-the-daily-show-about-comedians-and-comedy--4522158/support.

Chris Rock appeared in a live stand-up special that could be viewed as Jason Zinoman of the New York Times described it as "comedy revenge." Exerpts from Mr. Zinoman's review and exerpts from Bishop Desmond Tutu's book The Book of Forgiving are excerpted and commentary by this podcast host Marc Medley is given during this episode. Take a listen in its entirety.

For the next few months, we're sharing some of our favorite conversations from the podcast's archives. This week's segments first appeared in 2017 and 2018, respectively.The longtime New York Times comedy critic Jason Zinoman is the first person ever to hold that position at the paper, and he's a natural fit for it: In 2017, when his biography of the late-night host David Letterman was published, he explained on the podcast that his early love of Letterman had shaped not only his love of comedy but to some extent his outlook on the world: “I worshiped David Letterman as a kid,” Zinoman told the host Pamela Paul. “He is one of these people who I loved before I thought like a critic. And I do believe that you love things as a kid in a deep way that you don't love things as an adult. And to a large degree I think my sense of humor was defined by David Letterman. When I was a kid I talked like him. I smiled like him. My sense of sarcasm came from him. Even as an adult I can sort of see traces of it.”Also this week, we revisit our 2018 conversation with the New York Times Magazine writer Sam Anderson, who talked about basketball, Oklahoma City and his book “Boom Town.”We would love to hear your thoughts about this episode, and about the Book Review's podcast in general. You can send them to books@nytimes.com.

At 22 years old, Suleika Jaouad was a recent college graduate who had moved to Paris, looking forward to everything life might offer. Then she received a diagnosis of leukemia. In her new memoir, “Between Two Kingdoms,” Jaouad writes about the ensuing years. On this week’s podcast, she discusses her experience with the disease and her effort, in writing the book, to avoid the many platitudes that surround serious illness.“When you’re sick, you get bombarded with all kinds of bumper-sticker sayings,” she says. “You’re told to find the silver lining, that everything happens for a reason, or — the one that I hated the most — that God doesn’t give you more than you can handle, because in my case it certainly felt like I had been given more than I could handle. So I was really focused on writing toward the silence and toward the shadows, and writing about the experiences that maybe aren’t as palatable but that, from my perspective, needed to be unveiled.”The Times’s comedy critic, Jason Zinoman, visits the podcast to discuss his favorite memoirs by comedians, including books by Harpo Marx, Joan Rivers and Tina Fey, and to discuss the genre as a whole.“The comedy memoir is the worst genre of book that I can’t get enough of,” Zinoman says. “I gobble up comedy memoirs, even though the vast, vast majority of them are terrible.” One reason for that, Zinoman says, is because “you don’t need to make a great book to become a best seller. It’s the same with political books; most books by politicians are bad because they don’t need to be good to be successful, and the same logic applies here.”Also on this week’s episode, Tina Jordan looks back at Book Review history during this year of its 125th anniversary; Alexandra Alter has news from the publishing world; and Gregory Cowles and John Williams talk about what people are reading. Pamela Paul is the host.Here are the books discussed in this week’s “What We’re Reading”:“Let Me Tell You What I Mean” by Joan Didion“Her First American” by Lore Segal“A Promised Land” by Barack Obama

Joy Zinoman founded the Studio Acting Conservatory in Washington, DC in 1975. Three years later, she established the Studio Theatre. She continues to build on her career spanning over four decades as an acclaimed "Titan of DC Theatre" with a new home for the Studio Acting Conservatory in the Columbia Heights neighborhood of DC.

Amanda has being working as an editor, producer and director in film and television for over 25 years. Her work has been honored with News Emmys, Peabodys and a Nomination for a Prime Time Emmy for Non-Fiction Editing. Her work has screened on PBS, ABC, HBO, Discovery and at festivals and screens around the world. Amanda's films include the Last Jews of Libya, Thunder in Guyana, Real Sex, The Shvitz and Deputized. She is the single mother of an African American adopted son and lives in Brooklyn NY. To watch Jonas's film mentioned in the interview go to YouTube home page or talkaboutbias.com. Sorry for the abrupt ending - I lost the las 5 minutes of the interview. oops. no worries the juicy part is in the middle.

Over the course of the 1930s, Vietnamese author Vũ Trọng Phụng published eight novels, hundreds of works of narrative nonfiction, stories, plays, essays and articles. He was a best-selling writer in his own day who sharpened his acute literary talents, Peter Zinoman observes in the opening pages of Vietnamese Colonial Republican: The Political Vision of Vu Trong Phung (University of California Press, 2014), “as a lower-class, untraveled, half-educated, opium addicted, colonized subject from a remote outpost of France’s second-rate empire”. He died in 1939, aged just 28. Today he is remembered as a literary giant, for Zinoman, comparable to Orwell in the English-reading world. Like Orwell, he was a complex and defiant figure whose work crossed genres and drew deeply on his rich life experiences as well as his wide reading in literature, politics, and psychology. His views on a range of topics attracted heated debate in his own lifetime, in which he engaged vigorously. He had a persistent interest in sexuality and sexual promiscuity, and for this some critics labeled his work obscene. After his death, he was for a quarter century denounced and banned by the ruling communist party, before being rehabilitated in the 1990s. Peter Zinoman joins New Books in Southeast Asian Studies to discuss Vũ Trọng Phụng’s life and oeuvre, why he is best characterized as a Vietnamese colonial republican, and how a reappraisal of his political interests and commitments through this category opens up opportunities for a more nuanced account of Vietnamese political history beyond the usual binaries of pro-French versus anti-French; collaborators versus nationalists; and capitalists versus communists. Listeners of this episode might also be interested in: * Eric Jennings, Imperial Heights: Dalat and the Making and Undoing of French Indochina * Ken Maclean, The Government of Mistrust: Illegibility and Bureaucratic Power in Socialist Vietnam Nick Cheesman is a fellow at the College of Asia and the Pacific, Australian National University. He can be reached at nick.cheesman@anu.edu.au Learn more about your ad choices. Visit megaphone.fm/adchoices

Over the course of the 1930s, Vietnamese author Vũ Trọng Phụng published eight novels, hundreds of works of narrative nonfiction, stories, plays, essays and articles. He was a best-selling writer in his own day who sharpened his acute literary talents, Peter Zinoman observes in the opening pages of Vietnamese Colonial Republican: The Political Vision of Vu Trong Phung (University of California Press, 2014), “as a lower-class, untraveled, half-educated, opium addicted, colonized subject from a remote outpost of France’s second-rate empire”. He died in 1939, aged just 28. Today he is remembered as a literary giant, for Zinoman, comparable to Orwell in the English-reading world. Like Orwell, he was a complex and defiant figure whose work crossed genres and drew deeply on his rich life experiences as well as his wide reading in literature, politics, and psychology. His views on a range of topics attracted heated debate in his own lifetime, in which he engaged vigorously. He had a persistent interest in sexuality and sexual promiscuity, and for this some critics labeled his work obscene. After his death, he was for a quarter century denounced and banned by the ruling communist party, before being rehabilitated in the 1990s. Peter Zinoman joins New Books in Southeast Asian Studies to discuss Vũ Trọng Phụng’s life and oeuvre, why he is best characterized as a Vietnamese colonial republican, and how a reappraisal of his political interests and commitments through this category opens up opportunities for a more nuanced account of Vietnamese political history beyond the usual binaries of pro-French versus anti-French; collaborators versus nationalists; and capitalists versus communists. Listeners of this episode might also be interested in: * Eric Jennings, Imperial Heights: Dalat and the Making and Undoing of French Indochina * Ken Maclean, The Government of Mistrust: Illegibility and Bureaucratic Power in Socialist Vietnam Nick Cheesman is a fellow at the College of Asia and the Pacific, Australian National University. He can be reached at nick.cheesman@anu.edu.au Learn more about your ad choices. Visit megaphone.fm/adchoices

Over the course of the 1930s, Vietnamese author Vũ Trọng Phụng published eight novels, hundreds of works of narrative nonfiction, stories, plays, essays and articles. He was a best-selling writer in his own day who sharpened his acute literary talents, Peter Zinoman observes in the opening pages of Vietnamese Colonial Republican: The Political Vision of Vu Trong Phung (University of California Press, 2014), “as a lower-class, untraveled, half-educated, opium addicted, colonized subject from a remote outpost of France’s second-rate empire”. He died in 1939, aged just 28. Today he is remembered as a literary giant, for Zinoman, comparable to Orwell in the English-reading world. Like Orwell, he was a complex and defiant figure whose work crossed genres and drew deeply on his rich life experiences as well as his wide reading in literature, politics, and psychology. His views on a range of topics attracted heated debate in his own lifetime, in which he engaged vigorously. He had a persistent interest in sexuality and sexual promiscuity, and for this some critics labeled his work obscene. After his death, he was for a quarter century denounced and banned by the ruling communist party, before being rehabilitated in the 1990s. Peter Zinoman joins New Books in Southeast Asian Studies to discuss Vũ Trọng Phụng’s life and oeuvre, why he is best characterized as a Vietnamese colonial republican, and how a reappraisal of his political interests and commitments through this category opens up opportunities for a more nuanced account of Vietnamese political history beyond the usual binaries of pro-French versus anti-French; collaborators versus nationalists; and capitalists versus communists. Listeners of this episode might also be interested in: * Eric Jennings, Imperial Heights: Dalat and the Making and Undoing of French Indochina * Ken Maclean, The Government of Mistrust: Illegibility and Bureaucratic Power in Socialist Vietnam Nick Cheesman is a fellow at the College of Asia and the Pacific, Australian National University. He can be reached at nick.cheesman@anu.edu.au Learn more about your ad choices. Visit megaphone.fm/adchoices

Over the course of the 1930s, Vietnamese author Vũ Trọng Phụng published eight novels, hundreds of works of narrative nonfiction, stories, plays, essays and articles. He was a best-selling writer in his own day who sharpened his acute literary talents, Peter Zinoman observes in the opening pages of Vietnamese Colonial Republican: The Political Vision of Vu Trong Phung (University of California Press, 2014), “as a lower-class, untraveled, half-educated, opium addicted, colonized subject from a remote outpost of France’s second-rate empire”. He died in 1939, aged just 28. Today he is remembered as a literary giant, for Zinoman, comparable to Orwell in the English-reading world. Like Orwell, he was a complex and defiant figure whose work crossed genres and drew deeply on his rich life experiences as well as his wide reading in literature, politics, and psychology. His views on a range of topics attracted heated debate in his own lifetime, in which he engaged vigorously. He had a persistent interest in sexuality and sexual promiscuity, and for this some critics labeled his work obscene. After his death, he was for a quarter century denounced and banned by the ruling communist party, before being rehabilitated in the 1990s. Peter Zinoman joins New Books in Southeast Asian Studies to discuss Vũ Trọng Phụng’s life and oeuvre, why he is best characterized as a Vietnamese colonial republican, and how a reappraisal of his political interests and commitments through this category opens up opportunities for a more nuanced account of Vietnamese political history beyond the usual binaries of pro-French versus anti-French; collaborators versus nationalists; and capitalists versus communists. Listeners of this episode might also be interested in: * Eric Jennings, Imperial Heights: Dalat and the Making and Undoing of French Indochina * Ken Maclean, The Government of Mistrust: Illegibility and Bureaucratic Power in Socialist Vietnam Nick Cheesman is a fellow at the College of Asia and the Pacific, Australian National University. He can be reached at nick.cheesman@anu.edu.au Learn more about your ad choices. Visit megaphone.fm/adchoices

Over the course of the 1930s, Vietnamese author Vũ Trọng Phụng published eight novels, hundreds of works of narrative nonfiction, stories, plays, essays and articles. He was a best-selling writer in his own day who sharpened his acute literary talents, Peter Zinoman observes in the opening pages of Vietnamese Colonial Republican: The Political Vision of Vu Trong Phung (University of California Press, 2014), “as a lower-class, untraveled, half-educated, opium addicted, colonized subject from a remote outpost of France’s second-rate empire”. He died in 1939, aged just 28. Today he is remembered as a literary giant, for Zinoman, comparable to Orwell in the English-reading world. Like Orwell, he was a complex and defiant figure whose work crossed genres and drew deeply on his rich life experiences as well as his wide reading in literature, politics, and psychology. His views on a range of topics attracted heated debate in his own lifetime, in which he engaged vigorously. He had a persistent interest in sexuality and sexual promiscuity, and for this some critics labeled his work obscene. After his death, he was for a quarter century denounced and banned by the ruling communist party, before being rehabilitated in the 1990s. Peter Zinoman joins New Books in Southeast Asian Studies to discuss Vũ Trọng Phụng’s life and oeuvre, why he is best characterized as a Vietnamese colonial republican, and how a reappraisal of his political interests and commitments through this category opens up opportunities for a more nuanced account of Vietnamese political history beyond the usual binaries of pro-French versus anti-French; collaborators versus nationalists; and capitalists versus communists. Listeners of this episode might also be interested in: * Eric Jennings, Imperial Heights: Dalat and the Making and Undoing of French Indochina * Ken Maclean, The Government of Mistrust: Illegibility and Bureaucratic Power in Socialist Vietnam Nick Cheesman is a fellow at the College of Asia and the Pacific, Australian National University. He can be reached at nick.cheesman@anu.edu.au Learn more about your ad choices. Visit megaphone.fm/adchoices

Over the course of the 1930s, Vietnamese author Vũ Trọng Phụng published eight novels, hundreds of works of narrative nonfiction, stories, plays, essays and articles. He was a best-selling writer in his own day who sharpened his acute literary talents, Peter Zinoman observes in the opening pages of Vietnamese Colonial Republican: The Political Vision of Vu Trong Phung (University of California Press, 2014), “as a lower-class, untraveled, half-educated, opium addicted, colonized subject from a remote outpost of France’s second-rate empire”. He died in 1939, aged just 28. Today he is remembered as a literary giant, for Zinoman, comparable to Orwell in the English-reading world. Like Orwell, he was a complex and defiant figure whose work crossed genres and drew deeply on his rich life experiences as well as his wide reading in literature, politics, and psychology. His views on a range of topics attracted heated debate in his own lifetime, in which he engaged vigorously. He had a persistent interest in sexuality and sexual promiscuity, and for this some critics labeled his work obscene. After his death, he was for a quarter century denounced and banned by the ruling communist party, before being rehabilitated in the 1990s. Peter Zinoman joins New Books in Southeast Asian Studies to discuss Vũ Trọng Phụng’s life and oeuvre, why he is best characterized as a Vietnamese colonial republican, and how a reappraisal of his political interests and commitments through this category opens up opportunities for a more nuanced account of Vietnamese political history beyond the usual binaries of pro-French versus anti-French; collaborators versus nationalists; and capitalists versus communists. Listeners of this episode might also be interested in: * Eric Jennings, Imperial Heights: Dalat and the Making and Undoing of French Indochina * Ken Maclean, The Government of Mistrust: Illegibility and Bureaucratic Power in Socialist Vietnam Nick Cheesman is a fellow at the College of Asia and the Pacific, Australian National University. He can be reached at nick.cheesman@anu.edu.au Learn more about your ad choices. Visit megaphone.fm/adchoices

(This program was originally aired on June 5, 2017) With more than 6,000 hours of shows logged during an influential career that spanned more than 30 years, David Letterman’s impact on the landscape of late-night is unquestioned. On today's Midday, a closer look at the life and work of the trend-setting funny man, through the eyes of a writer-journalist who's spent the past three years sizing up the Letterman legacy.Jason Zinoman writes about comedy for the New York Times, and has contributed to Slate, the Guardian and Vanity Fair. He’s the author of three books: Shock Value, a chronicle of the horror film industry, and Searching for Dave Chappelle, a probing look at the unexpected twists and turns in the career of that brilliant comedian.Zinoman's latest book is a study of another gifted and enigmatic comedian: David Letterman retired in 2015 after more than three decades on TV, during which time he became a cultural icon. Today, Zinoman joins host Tom Hall from Argot Studios in New York City to talk about his new biography: Letterman: The Last Giant of Late Night.

Volvo generates some electricity. Tesla decelerates. And Berkshire Hathaway makes a big buy. Our analysts discuss those stories and share some stocks on their radar. Plus, New York Times comedy critic Jason Zinoman talks about his new book, Letterman: The Last Giant of Late Night. Thanks to Slack for supporting The Motley Fool. Learn more at www.slack.com.     

Jason Zinoman, the comedy critic New York Times, talks about his new book Letterman: The Last Giant of Late Night.  Jason discusses how Letterman created something totally different that parodied talk shows and rewrote the conventions of comedy and he talks about the many ways that Letterman’s legacy can be seen on every late night show on television today. We’ll get into the legendary “late night wars” between Leno and Letterman, what made Letterman a far superior interviewer to Carson or Jay Leno, his amazing ability as an ad-libber, and his subtle and not so subtle digs at the phoniness of celebrity. Plus, stupid pet tricks, top 10 lists, and Jason’s surprisingly candid interview with David Letterman himself. Order Letterman: The Last Giant of Late Night on Amazon.  Read Jason Zinoman's column in the New York Times and follow him on Twitter at @Zinoman. Today's episode is sponsored by Texture, Casper, and Bosch.  Get access to over 200 magazines on your smartphone or tablet with a 14 day free trial at www.texture.com/KICKASS.  Get $50 toward any Casper mattress purchase by visiting www.casper.com/KICK and using offer code KICK.  Stream season 3 of Bosch on Amazon Prime on April 21st. Please subscribe to Kickass News on iTunes and take a minute to take our listener survey at www.podsurvey.com/KICK. Support the show by donating at www.gofundme.com/kickassnews. Visit www.kickassnews.com for more fun stuff.    

Writer Douglas Carter Beane and composer Lewis Flinn discuss their new musical “Lysistrata Jones.” Also, critic Jason Zinoman of “The New York Times” talks about ‘new horror’ films, the subject of his book “Shock Value.”