Podcasts about like orwell

“In a time of universal deceit, telling the truth is a revolutionary act.” - George Orwell On The Bill Walton Show, Mark Mills strips away the Newspeak surrounding the innocuously named "Inflation Reduction Act" (IRA) to reveal it as perhaps the most audacious experiment in government-directed industrial planning in U.S. history. Mark P. Mills is the executive director of the National Center for Energy Analytics, and author of The Cloud Revolution. Like Orwell's Ministry of Truth, which turned lies into official doctrine, the architects of this legislation have manufactured their own reality. They call it the "Inflation Reduction Act" while knowing it will create profound inflation. They promise "affordable clean energy" while mandating the replacement of working systems with ones that are demonstrably more expensive. They speak of "climate justice" while building a system that will impoverish the middle class. The numbers tell their own stark story: Between $3-6 trillion in total spending – approaching the inflation-adjusted cost of World War II. But unlike that war, which mobilized American industry to defeat fascism, this massive expenditure aims to dismantle our existing energy infrastructure in favor of an unproven alternative.   Mills, speaking with the precision of his physics background and decades of energy expertise, reveals the dystopian preview already unfolding in Europe. In Germany, the green energy transition has led to a 300% increase in energy costs, shuttered factories, and a 70% collapse in foreign investment. The corruption inherent in the Inflation Reduction Act would be comical if it weren't so tragic. Mills points to organizations receiving billion-dollar grants mere weeks after their formation. One entity, showing a previous annual income of exactly $100, received $940 million in taxpayer funds. Kafka himself couldn't have designed a more sinister bureaucracy. But perhaps most chilling is the corrupting political engineering at work. Like the chocolate ration increases in "1984," which actually masked decreases, the IRA's architects have carefully distributed funds across red states to create dependency and prevent future reform. It's a masterclass in political manipulation. And there's more: Electric vehicle manufacturers losing up to $100,000 per car even with $30,000+ subsidies Wind and solar projects requiring massive new transmission infrastructure that ratepayers, not taxpayers, will fund Bureaucrats, with no experience in managing large grant programs, suddenly overseeing billions in climate funds A guarantee of higher electric bills sold as "savings" to the American public   Key moments from this essential conversation: 00:57 Origins of Deception - How partisan reconciliation birthed history's most expensive energy legislation 02:11 The True Ledger - Analysis revealing $1-4 trillion in direct costs plus $2-3 trillion hidden in future utility bills 04:27 Electric Dreams Meet Reality - The mathematical impossibility of current EV economics 05:34 European Prophecy - Germany's de-industrialization preview of America's possible future 13:05 Following the Money - The labyrinth of newly-formed organizations receiving billions 17:39 Political Engineering - How strategic fund distribution creates dependency across red states 25:50 Inflation by Design - The inevitable consequence of printing trillions while mandating expensive energy 29:57 The Forbidden Discussion - Scientific context about CO2 that challenges the narrative 34:19 Gates' Admission - Why even complete implementation won't change 2050 outcomes 38:40 Hope for Reform - The urgent need for transparency and oversight As Mills notes, comparing this to World War II spending isn't hyperbole – it's mathematics. But unlike that war, which united Americans in common cause, this massive expenditure threatens to divide us while weakening our industrial base and energy security.   Don't let this crucial conversation be memory-holed. Subscribe to the Bill Walton Show on Substack, YouTube, Rumble, and major podcast platforms to stay informed about the critical issues shaping our nation's future. Remember: Freedom is the freedom to say two plus two makes four. If that is granted, all else follows.

Franz Kafka (1883-1924) was a German-speaking Bohemian novelist and short-story writer, widely regarded as one of the major figures of 20th-century literature. His reputation, however, only really advanced in the light of the atrocities of the Nazi regime. Kafka was Jewish. Like Orwell, Kafka's name has become synonymous with the type of world he portrays, in Kafka's case a world operating under an absurd series of conditions in which human freedom is rendered meaningless, and in which human nature becomes utterly dehumanized.

The tech giant’s president fears automated spying on private citizens if politicians do not get to grips with the march of artificial intelligence. Facebook to take action against users repeatedly sharing misinformation as Biden’s spies hunt Covid source. QAnon slogans are disappearing from mainstream sites, say researchers. German scientists claim to have solved Covid vaccine blood-clot puzzle. Climate crisis boiling point as world nears maximum working temperature. Police investigate ‘arson attack’ at Tesla’s German Gigafactory. Scientists hail ‘entirely new and promising way’ to combat heart failure. Stephen Hawking’s office and archive saved for the nation...including his Simpsons script. See acast.com/privacy for privacy and opt-out information.

Over the course of the 1930s, Vietnamese author Vũ Trọng Phụng published eight novels, hundreds of works of narrative nonfiction, stories, plays, essays and articles. He was a best-selling writer in his own day who sharpened his acute literary talents, Peter Zinoman observes in the opening pages of Vietnamese Colonial Republican: The Political Vision of Vu Trong Phung (University of California Press, 2014), “as a lower-class, untraveled, half-educated, opium addicted, colonized subject from a remote outpost of France’s second-rate empire”. He died in 1939, aged just 28. Today he is remembered as a literary giant, for Zinoman, comparable to Orwell in the English-reading world. Like Orwell, he was a complex and defiant figure whose work crossed genres and drew deeply on his rich life experiences as well as his wide reading in literature, politics, and psychology. His views on a range of topics attracted heated debate in his own lifetime, in which he engaged vigorously. He had a persistent interest in sexuality and sexual promiscuity, and for this some critics labeled his work obscene. After his death, he was for a quarter century denounced and banned by the ruling communist party, before being rehabilitated in the 1990s. Peter Zinoman joins New Books in Southeast Asian Studies to discuss Vũ Trọng Phụng’s life and oeuvre, why he is best characterized as a Vietnamese colonial republican, and how a reappraisal of his political interests and commitments through this category opens up opportunities for a more nuanced account of Vietnamese political history beyond the usual binaries of pro-French versus anti-French; collaborators versus nationalists; and capitalists versus communists. Listeners of this episode might also be interested in: * Eric Jennings, Imperial Heights: Dalat and the Making and Undoing of French Indochina * Ken Maclean, The Government of Mistrust: Illegibility and Bureaucratic Power in Socialist Vietnam Nick Cheesman is a fellow at the College of Asia and the Pacific, Australian National University. He can be reached at nick.cheesman@anu.edu.au Learn more about your ad choices. Visit megaphone.fm/adchoices

Over the course of the 1930s, Vietnamese author Vũ Trọng Phụng published eight novels, hundreds of works of narrative nonfiction, stories, plays, essays and articles. He was a best-selling writer in his own day who sharpened his acute literary talents, Peter Zinoman observes in the opening pages of Vietnamese Colonial Republican: The Political Vision of Vu Trong Phung (University of California Press, 2014), “as a lower-class, untraveled, half-educated, opium addicted, colonized subject from a remote outpost of France’s second-rate empire”. He died in 1939, aged just 28. Today he is remembered as a literary giant, for Zinoman, comparable to Orwell in the English-reading world. Like Orwell, he was a complex and defiant figure whose work crossed genres and drew deeply on his rich life experiences as well as his wide reading in literature, politics, and psychology. His views on a range of topics attracted heated debate in his own lifetime, in which he engaged vigorously. He had a persistent interest in sexuality and sexual promiscuity, and for this some critics labeled his work obscene. After his death, he was for a quarter century denounced and banned by the ruling communist party, before being rehabilitated in the 1990s. Peter Zinoman joins New Books in Southeast Asian Studies to discuss Vũ Trọng Phụng’s life and oeuvre, why he is best characterized as a Vietnamese colonial republican, and how a reappraisal of his political interests and commitments through this category opens up opportunities for a more nuanced account of Vietnamese political history beyond the usual binaries of pro-French versus anti-French; collaborators versus nationalists; and capitalists versus communists. Listeners of this episode might also be interested in: * Eric Jennings, Imperial Heights: Dalat and the Making and Undoing of French Indochina * Ken Maclean, The Government of Mistrust: Illegibility and Bureaucratic Power in Socialist Vietnam Nick Cheesman is a fellow at the College of Asia and the Pacific, Australian National University. He can be reached at nick.cheesman@anu.edu.au Learn more about your ad choices. Visit megaphone.fm/adchoices

Over the course of the 1930s, Vietnamese author Vũ Trọng Phụng published eight novels, hundreds of works of narrative nonfiction, stories, plays, essays and articles. He was a best-selling writer in his own day who sharpened his acute literary talents, Peter Zinoman observes in the opening pages of Vietnamese Colonial Republican: The Political Vision of Vu Trong Phung (University of California Press, 2014), “as a lower-class, untraveled, half-educated, opium addicted, colonized subject from a remote outpost of France’s second-rate empire”. He died in 1939, aged just 28. Today he is remembered as a literary giant, for Zinoman, comparable to Orwell in the English-reading world. Like Orwell, he was a complex and defiant figure whose work crossed genres and drew deeply on his rich life experiences as well as his wide reading in literature, politics, and psychology. His views on a range of topics attracted heated debate in his own lifetime, in which he engaged vigorously. He had a persistent interest in sexuality and sexual promiscuity, and for this some critics labeled his work obscene. After his death, he was for a quarter century denounced and banned by the ruling communist party, before being rehabilitated in the 1990s. Peter Zinoman joins New Books in Southeast Asian Studies to discuss Vũ Trọng Phụng’s life and oeuvre, why he is best characterized as a Vietnamese colonial republican, and how a reappraisal of his political interests and commitments through this category opens up opportunities for a more nuanced account of Vietnamese political history beyond the usual binaries of pro-French versus anti-French; collaborators versus nationalists; and capitalists versus communists. Listeners of this episode might also be interested in: * Eric Jennings, Imperial Heights: Dalat and the Making and Undoing of French Indochina * Ken Maclean, The Government of Mistrust: Illegibility and Bureaucratic Power in Socialist Vietnam Nick Cheesman is a fellow at the College of Asia and the Pacific, Australian National University. He can be reached at nick.cheesman@anu.edu.au Learn more about your ad choices. Visit megaphone.fm/adchoices

Over the course of the 1930s, Vietnamese author Vũ Trọng Phụng published eight novels, hundreds of works of narrative nonfiction, stories, plays, essays and articles. He was a best-selling writer in his own day who sharpened his acute literary talents, Peter Zinoman observes in the opening pages of Vietnamese Colonial Republican: The Political Vision of Vu Trong Phung (University of California Press, 2014), “as a lower-class, untraveled, half-educated, opium addicted, colonized subject from a remote outpost of France’s second-rate empire”. He died in 1939, aged just 28. Today he is remembered as a literary giant, for Zinoman, comparable to Orwell in the English-reading world. Like Orwell, he was a complex and defiant figure whose work crossed genres and drew deeply on his rich life experiences as well as his wide reading in literature, politics, and psychology. His views on a range of topics attracted heated debate in his own lifetime, in which he engaged vigorously. He had a persistent interest in sexuality and sexual promiscuity, and for this some critics labeled his work obscene. After his death, he was for a quarter century denounced and banned by the ruling communist party, before being rehabilitated in the 1990s. Peter Zinoman joins New Books in Southeast Asian Studies to discuss Vũ Trọng Phụng’s life and oeuvre, why he is best characterized as a Vietnamese colonial republican, and how a reappraisal of his political interests and commitments through this category opens up opportunities for a more nuanced account of Vietnamese political history beyond the usual binaries of pro-French versus anti-French; collaborators versus nationalists; and capitalists versus communists. Listeners of this episode might also be interested in: * Eric Jennings, Imperial Heights: Dalat and the Making and Undoing of French Indochina * Ken Maclean, The Government of Mistrust: Illegibility and Bureaucratic Power in Socialist Vietnam Nick Cheesman is a fellow at the College of Asia and the Pacific, Australian National University. He can be reached at nick.cheesman@anu.edu.au Learn more about your ad choices. Visit megaphone.fm/adchoices

Over the course of the 1930s, Vietnamese author Vũ Trọng Phụng published eight novels, hundreds of works of narrative nonfiction, stories, plays, essays and articles. He was a best-selling writer in his own day who sharpened his acute literary talents, Peter Zinoman observes in the opening pages of Vietnamese Colonial Republican: The Political Vision of Vu Trong Phung (University of California Press, 2014), “as a lower-class, untraveled, half-educated, opium addicted, colonized subject from a remote outpost of France’s second-rate empire”. He died in 1939, aged just 28. Today he is remembered as a literary giant, for Zinoman, comparable to Orwell in the English-reading world. Like Orwell, he was a complex and defiant figure whose work crossed genres and drew deeply on his rich life experiences as well as his wide reading in literature, politics, and psychology. His views on a range of topics attracted heated debate in his own lifetime, in which he engaged vigorously. He had a persistent interest in sexuality and sexual promiscuity, and for this some critics labeled his work obscene. After his death, he was for a quarter century denounced and banned by the ruling communist party, before being rehabilitated in the 1990s. Peter Zinoman joins New Books in Southeast Asian Studies to discuss Vũ Trọng Phụng’s life and oeuvre, why he is best characterized as a Vietnamese colonial republican, and how a reappraisal of his political interests and commitments through this category opens up opportunities for a more nuanced account of Vietnamese political history beyond the usual binaries of pro-French versus anti-French; collaborators versus nationalists; and capitalists versus communists. Listeners of this episode might also be interested in: * Eric Jennings, Imperial Heights: Dalat and the Making and Undoing of French Indochina * Ken Maclean, The Government of Mistrust: Illegibility and Bureaucratic Power in Socialist Vietnam Nick Cheesman is a fellow at the College of Asia and the Pacific, Australian National University. He can be reached at nick.cheesman@anu.edu.au Learn more about your ad choices. Visit megaphone.fm/adchoices

Over the course of the 1930s, Vietnamese author Vũ Trọng Phụng published eight novels, hundreds of works of narrative nonfiction, stories, plays, essays and articles. He was a best-selling writer in his own day who sharpened his acute literary talents, Peter Zinoman observes in the opening pages of Vietnamese Colonial Republican: The Political Vision of Vu Trong Phung (University of California Press, 2014), “as a lower-class, untraveled, half-educated, opium addicted, colonized subject from a remote outpost of France’s second-rate empire”. He died in 1939, aged just 28. Today he is remembered as a literary giant, for Zinoman, comparable to Orwell in the English-reading world. Like Orwell, he was a complex and defiant figure whose work crossed genres and drew deeply on his rich life experiences as well as his wide reading in literature, politics, and psychology. His views on a range of topics attracted heated debate in his own lifetime, in which he engaged vigorously. He had a persistent interest in sexuality and sexual promiscuity, and for this some critics labeled his work obscene. After his death, he was for a quarter century denounced and banned by the ruling communist party, before being rehabilitated in the 1990s. Peter Zinoman joins New Books in Southeast Asian Studies to discuss Vũ Trọng Phụng’s life and oeuvre, why he is best characterized as a Vietnamese colonial republican, and how a reappraisal of his political interests and commitments through this category opens up opportunities for a more nuanced account of Vietnamese political history beyond the usual binaries of pro-French versus anti-French; collaborators versus nationalists; and capitalists versus communists. Listeners of this episode might also be interested in: * Eric Jennings, Imperial Heights: Dalat and the Making and Undoing of French Indochina * Ken Maclean, The Government of Mistrust: Illegibility and Bureaucratic Power in Socialist Vietnam Nick Cheesman is a fellow at the College of Asia and the Pacific, Australian National University. He can be reached at nick.cheesman@anu.edu.au Learn more about your ad choices. Visit megaphone.fm/adchoices

While my expertise is in the pharmaceutical world, I explore the various scientific, nutritional, and pharmacological ins and outs of optimal health. My training includes 4 years in plant biology, bachelor in nutritional science and food science, doctorate in pharmacy, and Crossfit Nutrition Certified by Robb Wolf (and Nicki Violetti). Like Orwell discovered, writing can fuse together favorite purposes. In this case, it melds medicine, music and MAXIMUM VITALITY. Check out Grace's amazing seminar in Berkley this coming December! https://thegutinstitute.com/rock-your-microbiome-and-practice?campaign=warm-leads    

This hour we head back in time to 1984. [Listen to the full show here http://bit.ly/1vNkzgC] 1984 (the year not the book) by Benjamen Walker (Benjamen Walker's Theory of Everything, 2014) In the book 1984, George Orwell predicted that in the future "Big Brother" would watch and dictate our every move. In the year 1984, producer Benjamen Walker was in middle school. Like Orwell's protagonist Winston Smith, Benjamen kept a diary for "future citizens" in which he recorded the country's descent into totalitarianism — and his crush on a girl named Theresa. In 2014, he revisited those diaries and produced this sonic catapult to the days of Reagonomics, Thriller, Clara Peller and the birth of Apple. What would Benjamen's 12-year-old self think about the 42-year-old's documentary? Find out in Behind the Scenes. Advice on Ageing Jonathan Goldstein & Mira Burt-Wintonick What if, by some magic time/space dimensional realignment, you could go back and advise your younger self. What words of wisdom would... See acast.com/privacy for privacy and opt-out information.