Podcasts about film and television

Do your best ideas come to you when you're walking? Lester Kiewit speaks to Karen Jeynes, creative producer, writer and PhD researcher, about the practice of "walking and thinking". Drawing on her own experiences and a growing body of research, Karen explains how structured walks can help people tackle problems, stimulate creativity, reflect more deeply and approach challenges from new angles. She also shares why she has begun hosting regular walking-and-thinking sessions and what participants can gain from stepping away from their desks and into a more reflective way of working. Good Morning Cape Town with Lester Kiewit is a podcast of the CapeTalk breakfast show. This programme is your authentic Cape Town wake-up call. Good Morning Cape Town with Lester Kiewit is informative, enlightening and accessible. The team’s ability to spot & share relevant and unusual stories make the programme inclusive and thought-provoking. Don’t miss the popular World View feature at 7:45am daily. Listen out for #LesterInYourLounge which is an outside broadcast – from the home of a listener in a different part of Cape Town - on the first Wednesday of every month. This show introduces you to interesting Capetonians as well as their favourite communities, habits, local personalities and neighbourhood news. Thank you for listening to a podcast from Good Morning Cape Town with Lester Kiewit. Listen live on Primedia+ weekdays between 06:00 and 09:00 (SA Time) to Good Morning CapeTalk with Lester Kiewit broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/xGkqLbT or find all the catch-up podcasts here https://buff.ly/f9Eeb7i Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalkSee omnystudio.com/listener for privacy information.

Rewind. Sandy and Terry will discuss Billy Wilder's 10 tips for screenwriters. Few screenwriters are as pedigreed as Billy Wilder, who is renowned as one of the most creative filmmakers of American cinema's Golden Age. Wilder was nominated 21 times at the Academy Awards, 13 for screenwriting and 8 for direction. He won the Best Director award for his 1945 film "The Lost Weekend" and again 15 years later for "The Apartment." Thanks to the success of "The Apartment," Wilder became the first person to win an Academy Award as a producer, director, and screenwriter for the same movie. Cameron Crowe said, “There's no better film school than listening to what Billy Wilder says.”The PAGE International Screenwriting Awards sponsors the WRITERS' HANGOUT.Executive Producer Kristin OvernCreator/Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

In today's episode, we're diving into a key principle of screenwriting: SHOW DON'T TELL. This simple yet powerful rule can truly elevate your writing to new heights. These three words hold a lot of meaning—so what exactly does SHOW DON'T TELL mean? Join us as we explore this idea and share some great examples from well-known films and TV shows that beautifully illustrate this principle.Executive Producer Kristin Overn Creator/Executive Producer Sandy Adomaitis Producer Terry Sampson Music by Ethan Stoller 

REWIND. Two PAGE Awards Judges, Victoria Lucas and Laurie Ashbourne, discuss how they evaluate your screenplays, whether you're just starting or have a script in the competition. You do not want to miss this inside talk.⭐️ Laurie Ashbourne began her film career in Disney animation and has worked over the past 20 years as a story consultant, writer, and producer for Disney, Amazon, and many independent producers. She has more than 30 features and short films to her credit, including her new family feature, CHRISTMAS TIME, which is currently in post-production. As a PAGE judge, Laurie reviews scripts across several genre categories, including Family Films, Comedies, Dramas, and Shorts.⭐️ Victoria Lucas is an independent producer who has developed scripts for projects starring Antonio Banderas, Scarlett Johansson, Wesley Snipes, and Hilary Swank. Among her favorite projects is the highly acclaimed coming-of-age film The Island on Bird Street, which won the Silver Bear at the Berlin International Film Festival. Victoria is also a judge for the PAGE Awards, covering a variety of genres, including Drama and Historical Films.

REWIND of two more PAGE Awards Judges, Dwayne Smith and Mike Kuciak, continues the conversation about how they evaluate your screenplay.Mike Kuciak has two movies coming out in 2022; he's the writer-director of one and the writer-producer of the other. He's a producer on a third film scheduled to begin production in late 2022. He has served as a producer and executive producer on several independent films. He was the senior vice president of development for a literary management-production company and, after that, the founder/CEO of his own company before hanging that up to focus on writing/directing/producing.Dwayne Smith has been a professional screenwriter since 1999 and has written scripts for Warner Bros., Lionsgate, Intermedia, and Gold Circle. His urban thriller PAY THE LADY is in post-production, and his sci-fi feature IMPLANT is in pre-production. Representing the management firm Circle of Confusion at numerous screenwriting conferences and festivals, Dwayne has listened to hundreds of pitches and read countless screenplays in search of new writing talent. As a judge for the PAGE Awards, he reads Comedies, Thriller/Horror, Science Fiction, and Action/Adventure scripts.The PAGE International Screenwriting Awards sponsors the WRITERS' HANGOUT.Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer/Terry SampsonMusic by Ethan StollerIf you enjoy the show, please remember to follow us and leave a review where you listen to podcasts. 

REWIND. PAGE Awards Judges David Portlock and John Evans continue our conversation about how they evaluate your screenplay. These two judges share a lot of helpful information in this interview.✰ David Portlock has worked as a script reader for United Talent Agency and currently works for Bassett Vance Productions. Over the past 15 years, David has consulted and assisted dozens of writers in developing their films. Also a screenwriter, David wrote and directed a feature film picked up by HBO, Cinemax, and Starz; a short film that premiered at Sundance; and a horror script that topped the Bloodlist. As a PAGE judge, David evaluates screenplays in the Science Fiction, Thriller/Horror, Comedy, and Drama categories.✰ John Evans received his MFA in Screenwriting from Boston University. Since moving to LA, he has worked in the development departments at ABC Studios, The Donners Company, Kopelson Entertainment, and AEI. John has also taught writing at the college level, authored six educational books, and worked as a copywriter and editor for several film distribution companies. John is the editor of our PAGE Awards ezine, and as a contest judge, he primarily reads Thriller/Horror scripts and TV Drama Pilots.

REWIND. We continue our conversation about how PAGE Awards Judges evaluate your screenplay with Karen Craig and Scott Barkan. Next week, to wrap up this four-part series, we'll be talking to Kristin Overn, the Founder and Executive Director of the PAGE International Screenwriting Awards.Karen Craig is a professional screenwriter and script doctor whose credits include AMERICAN PSYCHO II, starring Mila Kunis and William Shatner, and FORBIDDEN SECRETS, starring Kristy Swanson. Karen has served as a judge for the PAGE Awards for the past 12 years, reviewing both Thriller/Horror scripts and Family Films.Scott Barkan is a professional screenwriter with several produced films and sold scripts to his name. He has worked with Blumhouse and Lionsgate and is represented by Mainstay Entertainment and CAA. Scott is also a university professor, teaching music and communications. As a PAGE judge, he primarily reads Action/Adventure, Thriller/Horror, and Science Fiction scripts.

From Ghostbusters to Will & Grace, One Day at a Time to Jurassic Park, the past decade has seen Hollywood reach a new peak in its obsession with reboots, remakes, and revivals. Spearheaded by media giants like Disney and Netflix, these projects promise progress—more diverse casts, “timely” social commentary, and redemptive nostalgia—yet they often reproduce the very inequalities they claim to address.Rebooting Inequality: Critical Takes on Film and Television Remakes (NYU Press, 2026) brings together twelve concise, theoretically rich essays that interrogate how Hollywood's recycling of intellectual property sustains entrenched systems of racial, gender, and sexual inequality. Across genres and platforms, contributors explore how the industry's nostalgic return to familiar stories masks an ongoing reliance on white, patriarchal, and heteronormative frameworks of storytelling and production.Blending critical race, feminist, and media studies, the collection analyzes dozens of recent film and television revivals, remakes, and reboots from Roseanne to Charlie's Angels to ask what it means when entertainment markets strive for diversity while leaving the structures of inequality intact.Accessible yet deeply analytical, Rebooting Inequality exposes how nostalgia has become both a marketing strategy and a political tool, revealing how the “new” Hollywood continues to reanimate the past—profitably, repeatedly, and unequally. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

From Ghostbusters to Will & Grace, One Day at a Time to Jurassic Park, the past decade has seen Hollywood reach a new peak in its obsession with reboots, remakes, and revivals. Spearheaded by media giants like Disney and Netflix, these projects promise progress—more diverse casts, “timely” social commentary, and redemptive nostalgia—yet they often reproduce the very inequalities they claim to address.Rebooting Inequality: Critical Takes on Film and Television Remakes (NYU Press, 2026) brings together twelve concise, theoretically rich essays that interrogate how Hollywood's recycling of intellectual property sustains entrenched systems of racial, gender, and sexual inequality. Across genres and platforms, contributors explore how the industry's nostalgic return to familiar stories masks an ongoing reliance on white, patriarchal, and heteronormative frameworks of storytelling and production.Blending critical race, feminist, and media studies, the collection analyzes dozens of recent film and television revivals, remakes, and reboots from Roseanne to Charlie's Angels to ask what it means when entertainment markets strive for diversity while leaving the structures of inequality intact.Accessible yet deeply analytical, Rebooting Inequality exposes how nostalgia has become both a marketing strategy and a political tool, revealing how the “new” Hollywood continues to reanimate the past—profitably, repeatedly, and unequally. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

From Ghostbusters to Will & Grace, One Day at a Time to Jurassic Park, the past decade has seen Hollywood reach a new peak in its obsession with reboots, remakes, and revivals. Spearheaded by media giants like Disney and Netflix, these projects promise progress—more diverse casts, “timely” social commentary, and redemptive nostalgia—yet they often reproduce the very inequalities they claim to address.Rebooting Inequality: Critical Takes on Film and Television Remakes (NYU Press, 2026) brings together twelve concise, theoretically rich essays that interrogate how Hollywood's recycling of intellectual property sustains entrenched systems of racial, gender, and sexual inequality. Across genres and platforms, contributors explore how the industry's nostalgic return to familiar stories masks an ongoing reliance on white, patriarchal, and heteronormative frameworks of storytelling and production.Blending critical race, feminist, and media studies, the collection analyzes dozens of recent film and television revivals, remakes, and reboots from Roseanne to Charlie's Angels to ask what it means when entertainment markets strive for diversity while leaving the structures of inequality intact.Accessible yet deeply analytical, Rebooting Inequality exposes how nostalgia has become both a marketing strategy and a political tool, revealing how the “new” Hollywood continues to reanimate the past—profitably, repeatedly, and unequally. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

From Ghostbusters to Will & Grace, One Day at a Time to Jurassic Park, the past decade has seen Hollywood reach a new peak in its obsession with reboots, remakes, and revivals. Spearheaded by media giants like Disney and Netflix, these projects promise progress—more diverse casts, “timely” social commentary, and redemptive nostalgia—yet they often reproduce the very inequalities they claim to address.Rebooting Inequality: Critical Takes on Film and Television Remakes (NYU Press, 2026) brings together twelve concise, theoretically rich essays that interrogate how Hollywood's recycling of intellectual property sustains entrenched systems of racial, gender, and sexual inequality. Across genres and platforms, contributors explore how the industry's nostalgic return to familiar stories masks an ongoing reliance on white, patriarchal, and heteronormative frameworks of storytelling and production.Blending critical race, feminist, and media studies, the collection analyzes dozens of recent film and television revivals, remakes, and reboots from Roseanne to Charlie's Angels to ask what it means when entertainment markets strive for diversity while leaving the structures of inequality intact.Accessible yet deeply analytical, Rebooting Inequality exposes how nostalgia has become both a marketing strategy and a political tool, revealing how the “new” Hollywood continues to reanimate the past—profitably, repeatedly, and unequally. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

From Ghostbusters to Will & Grace, One Day at a Time to Jurassic Park, the past decade has seen Hollywood reach a new peak in its obsession with reboots, remakes, and revivals. Spearheaded by media giants like Disney and Netflix, these projects promise progress—more diverse casts, “timely” social commentary, and redemptive nostalgia—yet they often reproduce the very inequalities they claim to address.Rebooting Inequality: Critical Takes on Film and Television Remakes (NYU Press, 2026) brings together twelve concise, theoretically rich essays that interrogate how Hollywood's recycling of intellectual property sustains entrenched systems of racial, gender, and sexual inequality. Across genres and platforms, contributors explore how the industry's nostalgic return to familiar stories masks an ongoing reliance on white, patriarchal, and heteronormative frameworks of storytelling and production.Blending critical race, feminist, and media studies, the collection analyzes dozens of recent film and television revivals, remakes, and reboots from Roseanne to Charlie's Angels to ask what it means when entertainment markets strive for diversity while leaving the structures of inequality intact.Accessible yet deeply analytical, Rebooting Inequality exposes how nostalgia has become both a marketing strategy and a political tool, revealing how the “new” Hollywood continues to reanimate the past—profitably, repeatedly, and unequally. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

From Ghostbusters to Will & Grace, One Day at a Time to Jurassic Park, the past decade has seen Hollywood reach a new peak in its obsession with reboots, remakes, and revivals. Spearheaded by media giants like Disney and Netflix, these projects promise progress—more diverse casts, “timely” social commentary, and redemptive nostalgia—yet they often reproduce the very inequalities they claim to address.Rebooting Inequality: Critical Takes on Film and Television Remakes (NYU Press, 2026) brings together twelve concise, theoretically rich essays that interrogate how Hollywood's recycling of intellectual property sustains entrenched systems of racial, gender, and sexual inequality. Across genres and platforms, contributors explore how the industry's nostalgic return to familiar stories masks an ongoing reliance on white, patriarchal, and heteronormative frameworks of storytelling and production.Blending critical race, feminist, and media studies, the collection analyzes dozens of recent film and television revivals, remakes, and reboots from Roseanne to Charlie's Angels to ask what it means when entertainment markets strive for diversity while leaving the structures of inequality intact.Accessible yet deeply analytical, Rebooting Inequality exposes how nostalgia has become both a marketing strategy and a political tool, revealing how the “new” Hollywood continues to reanimate the past—profitably, repeatedly, and unequally. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

From Ghostbusters to Will & Grace, One Day at a Time to Jurassic Park, the past decade has seen Hollywood reach a new peak in its obsession with reboots, remakes, and revivals. Spearheaded by media giants like Disney and Netflix, these projects promise progress—more diverse casts, “timely” social commentary, and redemptive nostalgia—yet they often reproduce the very inequalities they claim to address.Rebooting Inequality: Critical Takes on Film and Television Remakes (NYU Press, 2026) brings together twelve concise, theoretically rich essays that interrogate how Hollywood's recycling of intellectual property sustains entrenched systems of racial, gender, and sexual inequality. Across genres and platforms, contributors explore how the industry's nostalgic return to familiar stories masks an ongoing reliance on white, patriarchal, and heteronormative frameworks of storytelling and production.Blending critical race, feminist, and media studies, the collection analyzes dozens of recent film and television revivals, remakes, and reboots from Roseanne to Charlie's Angels to ask what it means when entertainment markets strive for diversity while leaving the structures of inequality intact.Accessible yet deeply analytical, Rebooting Inequality exposes how nostalgia has become both a marketing strategy and a political tool, revealing how the “new” Hollywood continues to reanimate the past—profitably, repeatedly, and unequally. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Rewind. Spend some time with Sandy and Terry as they explore one of the most iconic last lines in cinema, "Forget it, Jake. It's Chinatown," from the 1974 film CHINATOWN, written by Robert Towne, directed by Roman Polanski, and starring Jack Nicholson and Faye Dunaway. In this episode, they reveal the fascinating story of how this memorable line nearly didn't make it and why!Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

Gugs Mhlungu speaks with Thinus Ferreira, Independent TV and entertainment critic, about Netflix’s investment in the global TV and streaming industry, and how its expansion and local productions are reshaping economies, creating jobs, and changing the way stories are made and shared worldwide. Gugs Mhlungu gets you ready for the weekend each Saturday and Sunday morning on 702. She is your weekend wake-up companion, with all you need to know for your weekend. The topics Gugs covers range from lifestyle, family, health, and fitness to books, motoring, cooking, culture, and what is happening on the weekend in 702land. Thank you for listening to a podcast from 702 Weekend Breakfast with Gugs Mhlungu. Listen live on Primedia+ on Saturdays and Sundays from 06:00 and 10:00 (SA Time) to Weekend Breakfast with Gugs Mhlungu broadcast on 702 https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/u3Sf7Zy or find all the catch-up podcasts here https://buff.ly/BIXS7AL Subscribe to the 702 daily and weekly newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702See omnystudio.com/listener for privacy information.

In today's show, Sandy shares some fun insights about onomatopoeia, which can be a writer's best friend when you want to avoid using the same dull words repeatedly—especially in action scenes. Onomatopoeia is when a word is formed to imitate a sound, like “Boom!”, “Pow!”, or “Splat!”. If you're a screenwriter, it's a handy trick to keep in your toolkit, especially when crafting exciting action moments. Using onomatopoeia can really bring your writing to life and make it more engaging for your readers, actors, or development executives reading your screenplay.Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

Rewind.  Did you know that our host and creator of The Writers' Hangout, Sandy Adomaitis, has extensive experience in script development for both television and film? She has worked with some of the industry's top showrunners, including Carlton Cuse, John Wirth, and Tom Spezialy. Now, for the first time, Sandy has compiled a list of ten warning signs that could dampen her enthusiasm for reading your script, available exclusively to our devoted listeners.Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

HAPPINESS INCLUDED: It's finally time for Jan, Jan, Jan!Sandy has a groovy chat with the legendary Eve Plumb, famously known as the misunderstood middle child, Jan from The Brady Bunch. Eve offers delightful insights into her new memoir, “HAPPINESS INCLUDED: Jan Brady and Beyond.” Since Eve and Sandy are longtime friends, their conversation feels like a cozy, personal catch-up—plus, they even talk about George Glass!Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan StollerHappiness Included: Jan Brady & Beyond (Book)https://www.kensingtonbooks.com/9780806545035/happiness-included/Eve Plumb Official Website https://eveplumb.tvFollow Eve Plumb https://www.instagram.com/theeveplumb

South African actress and former beauty queen Cynthia Shange has died at 76. Known for breaking barriers during apartheid, she helped expand representation in global pageantry and built a lasting career in film and television. Subscribe to our newsletter to stay informed with the latest news from a leading Black-owned & controlled media company: https://aurn.com/newsletter Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In today's episode, Sandy breaks down Agent vs. Manager and the important facts screenwriters need to know.Plus, Sandy dives deep and shares the latest details of the courtroom drama centered on screenwriter Kurt McLeod and Zero Gravity Management over an alleged conflict of interest arising from Zero Gravity Management's negotiation of his deal to write Copshop.Copshop written by Kurt McLeod is a gritty action-thriller where a wily con artist, Teddy Murretto (Frank Grillo), deliberately gets arrested by rookie officer Valerie Young (Alexis Louder) to hide in a small-town Nevada police station from a lethal hitman, Bob Viddick (Gerard Butler). Viddick manages to get himself locked up, turning the precinct into a high-stakes, single-location cat-and-mouse game, escalating into all-out mayhem with the arrival of another, crazier assassin.Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

Sandy chats with film producer, writer, and director Max Neace about his journey into the entertainment world. Max shares how he learned the ropes of producing and used that knowledge to make his own movies, like Shift—a thrilling film created mostly within tight constraints. The story of SHIFT sounds simple but intriguing: what if a thriller stayed inside a security office? Max also produced other films such as WHAT WE DO NEXT, written and directed by Steven Belber and featuring actors like Corey Stoll, Karen Pittman, and Michelle Veintimilla, along with STALKER and DON'T TELL A SOUL, plus many short films. He studied at NYU's Tisch School of the Arts and then moved to Los Angeles to pursue his passion. Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

In this episode, FPEA Chairman Suzanne Nunn speaks with Chad Stewart, animator, creator and founder of The Animation Course, to talk about childhood dreams and the determination it takes to see them through. They also explore the powerful role family plays in shaping what we believe is possible and the paths we choose to pursue.

We are so happy to have as our guest, Thom Harp, a screenwriter and director recognized for his work in comedy films and digital media. Thom is here to discuss 'HOME DELIVERY,' his latest comedy, which he both wrote and directed, scheduled for release on March 27 at a local theater. Furthermore, Thom has three feature projects in development: the teen comedy 'CRASH COURSE' for American High; the murder-mystery comedy 'KILLER PARTY' for producer Josh Shader; and an adaptation of the New York Times bestselling romantic comedy 'BUSINESS OR PLEASURE' for producer Margot Hand. There is substantial knowledge to gain here, writers, so press play!Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

We're delighted to introduce Spade Robinson, a talented filmmaker, screenwriter, and story consultant. She runs the Atlanta Film Project, a consulting firm dedicated to helping storytellers polish their scripts and projects. Currently, Spade is working on her debut feature film, 'Late Bloomers,' set against the beautiful backdrop of the American Heartland.In our chat, we explore what a story consultant does, how Spade encourages hesitant writers to be honest and dig deeper for stronger screenplays, and she shares five of her best screenwriting tips. She also talks about her favorite clients—including housewives who are passionate screenwriters—how to handle rejection with resilience, and the step she believes offers the most democratic way for a writer to change their life.    Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

CapeTalk’s Sara-Jayne Makwala King is joined on Weekend Breakfast by Executive Producer of Quizzical Pictures, Harriet Gavshon. Weekend Breakfast with Sara-Jayne Makwala King is the weekend breakfast show on CapeTalk. This 3-hour morning programme is the perfect (and perky!) way to kickstart your weekend. Author and journalist Sara-Jayne Makwala-King spends 3 hours interviewing a variety of guests about all things cultural and entertaining. The team keeps an eye on weekend news stories, but the focus remains on relaxation and restoration. Favourites include the weekly wellness check-in on Saturdays at 7:35am and heartfelt chats during the Sunday 9am profile interview. Listen live on Primedia+ Saturdays and Sundays between 07:00 and 10:00am (SA Time) to Weekend Breakfast with Sara-Jayne Makwala-King broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/AgPbZi9 or find all the catch-up podcasts here https://buff.ly/j1EhEkZ Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

Women in Film and Television New Zealand - also known as WIFT- is a not-for-profit organisation that now has over 1300 members. Its purpose is to celebrate and support women working in film and television in New Zealand. Tonight the WIFT NZ Awards are taking place, here to talk us through the finalists is the chair of the judging panel Jill McNab.

Learn more at TheCityLife.org

We're thrilled to welcome Joel Church-Cooper, a highly admired TV showrunner celebrated for his talent in creating shows around the industry's top comedic voices. We hear how Joel took a viral short video and turned it into the acclaimed half-hour comedy series BROCKMIRE, featuring Hank Azaria and Amanda Peet. Joel also shares the hurdles he faced along his writing journey and how improv played a vital role in shaping his skills as a writer today. Additionally, we discuss Joel's newest series, GOING DUTCH, with stars Dennis Leary and Danny Pudi. There's a wealth of lessons here for writers, so be sure to listen to this episode more than once! Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

Our Arts and Media Correspondent, Evelyn O'Rourke.

We're excited to welcome suspense author and travel journalist Dawn M. Barclay. She's here to share insights about her intriguing book: Vacations Can Be Murder, a fascinating travel guide that uncovers the locations of major crimes and buried bodies in New England.Writers and reference books can be great sources for screenplay ideas, and this book offers countless ideas on every page. Who knows, maybe your next script idea will be on page 43? Buckle up as we explore the criminal landscape. "Warning: this episode contains content that may be sensitive, distressing, or inappropriate for certain audiences." Please note that we discuss depictions of violence, murder, and sexual assault that you might find disturbing. Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

Have you ever wondered what a film and television producer does and thinks? Well, you're in luck because our guest is the talented Marc Resteghini, a producer who owns Jack Tar Pictures, a company based at Amazon Studios. Marc's first release under this banner is set for March 4, 2026, with Guy Ritchie's Young Sherlock, an origin story. Previously, Marc spent over eight years helping to build Amazon Studios, advancing through the executive ranks to eventually serve as the US & Global Head of TV Development. Marc has also overseen more than a dozen feature films over 15 years, working as an executive at 20th Century Fox and as a producer with DreamWorks' Parkes/MacDonald Productions and Warner Bros.' Di Novi Pictures.Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

Sandy recently came across an article in Variety that she thinks could spark your creativity for your next screenplay, short film, or vertical series. We also take a moment to revisit the March 2024 episode of 'Don't You Forget About John Hughes,' where Terry and Sandy dive into four inspiring quotes by the legendary screenwriter, producer, and director John Hughes. As one of Hollywood's most successful and influential talents, John Hughes has played a key role in launching the careers of stars like Andrew McCarthy, Molly Ringwald, Anthony Michael Hall, Macaulay Culkin, Judd Nelson, and John Candy.Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan StollerCheck out our fantastic sponsor, Novelium:https://novelium.so

Send us a textIn this episode, I sit down with Barbara Caver, a film and television production executive, passionate traveler, and first-time memoirist. Her debut memoir, A Little Piece of Cuba, weaves together Cuban heritage, family memory, and a life-changing trip in a way that resonates far beyond cultural boundaries.In our conversation, Barbara and I talk openly about the creative process, emotional roadblocks, and how lived experience slowly becomes a finished book. What emerged is a powerful reminder for aspiring authors: memoir isn't about recording everything that happened — it's about listening to what memory insists on telling.Timestamp:00:00 Cuban heritage memoir journey06:15 Writing progress through collaboration06:56 Writing, reflection, and evolving stories12:17 Overcoming challenges to keep writing16:26 From idea to published book18:49 Second-generation language struggles22:51 Memoir and memory's subjectivity23:46 Cinder Bottom: a fictional memoir27:13 Unintentional intimacy in writing33:05 Daily writing builds momentum35:00 Seeing and describing deeper37:32 Author updates and Substack contentFull show notesCOMMUNITY PROGRAMS

As a winter storm sweeps across the United States, bringing heavy snow, sleet, and freezing rain from the Southern Rockies and Plains through the mid-Atlantic and Northeast, we hope everyone stays warm and safe. Today, we're excited to welcome Brian Austin Green, a talented actor who's been a familiar face on television for over thirty years. He's most popular for his role as David Silver on "Beverly Hills 90210." With an impressive list of credits, including Smallville, Desperate Housewives, CSI, and Terminator: The Sarah Connor Chronicles, Brian joins us to share his thoughts on writers from an actor's perspective. So, cozy up, add another log to the fire, and enjoy the show!  Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan StollerCheck out our fantastic sponsor, Novelium:https://novelium.so

This week, we invite the esteemed Peter Dekom to provide an in-depth analysis of the intense bidding wars between Netflix and Paramount, emphasizing the challenges and opportunities confronting the entertainment industry today. How do these dynamics influence writers, creators, and the future of storytelling?Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan StollerCheck out our fantastic sponsor, Novelium:https://novelium.so

Watching movies can significantly boost your writing skills by providing a visual masterclass in storytelling, character development, and structure that you can actively analyze and incorporate into your work. We highlight five key areas a screenwriter should focus on while watching a film to improve as a writer. Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan StollerCheck out our fantastic sponsor, Novelium:https://novelium.so

These are the only awards that really matter, the 2026 HO Awards! On this episode of The Hollywood Outsider podcast, we are breaking down our 2026 awards for both film and television. If you haven't listened to our HO Awards for movies and TV before, we do ours a bit different, for example our "actor" category covers all genders, we do not separate it. For TV: network, cable, and streaming all count, it just has to have had at least 3 new episodes in 2025. For movies, theatrical, VOD, and streaming are all eligible. If you want to follow along, the categories are below, so let us know what your picks are on our social media channels. What will take our awards? Wake Up Dead Man, The Pitt, Stranger Things, Reacher, Pluribus, F1: The Movie, Thunderbolts, Bugonia, Adolescence, Severance, Weapons, Sinners, The Housemaid, or something else? Each of us will award our winners in each category, and at the end, we'll combine ours with listener picks to determine what was the HO TV series and Movie of the Year! Take a listen to the 2026 HO Awards for TV and Film! [divider style="solid" top="20" bottom="20"] Discussed on this episode (0:00 – 15:22) Opening | Best Movie or TV Experience, Most Impactful News Story (15:23 – 59:43) Television Awards (59:44 – 1:56:35) Film Awards (1:56:36 - 2:11:08) Listener Top 10 | HO TV Series and HO Movie of the Year Listen to our podcast, Inspired By A True Story, now available in your favorite podcast feed! Please support The Hollywood Outsider and gain immediate access to bonus content, including Patreon exclusive podcast content like our Bad Movie Night by visiting Patreon.com/ TheHollywoodOutsider Be sure to join our Facebook Group Follow us on X @BuyPopcorn Be wary of potential mild spoilers for 2024 films and TV series TV Award Categories Best Special Effects and/or Stunts on TV Best Villain or Badass Best Supporting Actor Best Actor Most Disappointing Series Best Specific Moment on TV The Justin Macumber Award: Little-seen or discussed TV series that just completely won you over and you hope more people find it in the new year. Named after the late Justin Macumber. The Top 10 Movie Award Categories Best Physical Effects or Stunts Best Use of CGI in Film Best Villain or Badass Best Supporting Actor Best Actor Most Disappointing Series Best Specific Moment in Film The Justin Macumber Award: Little-seen or discussed film that just completely won you over and you hope more people find it in the new year. Named after the late Justin Macumber. The Top 10

Sandy explores a recent Ankler.com article titled: 'Gen Z Is Huge. Their TV Shows Are Tiny. And Hollywood Is Panicking,' written by Whitney Friedlander. Showrunners Nahnatchka Khan, Ben Kronengold, and Rebecca Shaw, along with top executives, discuss the industry's biggest missed demographic target, and how the HBO series 'I LOVE LA,' created by Rachel Sennott, about a close-knit friend group that reunites after years apart to navigate ambition, relationships, and personal changes, has achieved the nearly impossible: getting Gen Z to stop scrolling and watch her show.  Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

Gentle listeners, start your engines... that you have inside you... because you are a special kind of fiend who's contracted with the Chainsaw Devil. We're discussing the premiere episode of the anime series Chainsaw Man, digging into the first season a bit in the Spoiler Zone, and even touching on 2025's Chainsaw Man: The Movie - Reze Arc! It's witty, it's bloody, it's obsessed with boobs! And of course there's a MouthGarf Report and I See What You Did There.Watch Chainsaw Man on Hulu or your streamer of choice.Please give us a 5 star rating on Apple Podcasts! Want to ask us a question? Talk to us! Email debutbuddies@gmail.comListen to the archives of Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster.Get some sci-fi from Spaceboy Books.Get down with Michael J. O'Connor and the Cold Family and check out his new compilation The Best of the Bad Years 2005 - 2025Next time: First Film Directed by Tim Robbins / Jack Black's First Film Role

 Vertical storytelling is gaining popularity, with more producers—mostly overseas—hiring screenwriters for vertical series. While these projects originated in Asia and the initial pay was low, they now offer fair compensation for authentic work.At The Writers Hangout, we advise writers to write a short to earn produced credits and gain experience. Shorts are quick to make and can open more doors. With the decline of traditional festivals, vertical series are emerging as the new frontier. Mobile reach is extensive and is becoming a good way to break into or stay active in the industry.

Tragically, on December 14, 2025, Rob and Michele Reiner were fatally stabbed by their son, Nick Reiner. How could something like this happen? To assist in understanding these devastating deaths, our guest is Neal Nordlinger, an author, interventionist, and former film and television producer, as well as the founder of inCrisis Consultants. This organization supports families in navigating treatment options for addiction and mental health.Executive Producer Kristin OvernExecutive Producer and Host Sandy AdomaitisProducer Terry SampsonMusic by Ethan StollerNovelium: Write With an Editor at Your Sidehttps://novelium.so

Hang out with Sandy as she discusses the joint statement from WGA East and West about the acquisition of Warner Bros. Discovery by Netflix and the hostile takeover by Paramount. Plus, an update on Carl Rinch, the writer/director who embezzled $11 million from Netflix. Carl Rinch's trial just wrapped up last week. We also share an inspiring story about resilience involving Meryl Streep and Dino De Laurentiis.  Executive Producer Kristin OvernExecutive Producer and Host Sandy AdomaitisProducer Terry SampsonMusic by Ethan StollerNovelium: Write With an Editor at Your Sidehttps://novelium.so

Rewind. On Christmas Eve 2000, Susan Berman, a talented journalist, screenwriter, and author, sadly lost her life at her home on 1527 Benedict Canyon Drive in Beverly Hills. Susan, the cherished daughter of a mobster and a former dancer, was raised as part of mob royalty, celebrating birthdays with Elvis and Liberace. Her tragic passing deeply affected her friends, leaving us wondering—did Susan ever suspect her killer?Executive Producer Kristin OvernExecutive Producer and Host Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

Sandy shares writing advice from Guillermo del Toro, a talented director, screenwriter, producer, and artist whose incredible work spans horror, fiction, and fairy tales. Born in Guadalajara, Mexico, in 1964, del Toro's passion for film and horror blossomed during his childhood. His unique style beautifully blends genres, often finding grace in the grotesque, and draws inspiration from anime, manga, and Japanese TV. Del Toro has brought to life impressive big-budget movies like Blade II, Hellboy, Pacific Rim, and The Shape of Water, along with Netflix's captivating Frankenstein.  

In this episode of Sew & So we welcome costume designer and wardrobe freelancer Jessica Cronin, whose work spans film, television, theater, and fashion. Raised across the U.S., Singapore, and England, Jessica brings a globally shaped perspective to the way clothing communicates who we are. With a BA in Art History from Drew University and an MFA in Costume Design from Carnegie Mellon University, she has built a dynamic career designing, styling, and crafting for productions including Gotham Knights, Dead to Me, A League of Their Own (2022), and Gossip Girl. Her experience ranges from large-scale studio work to theatrical design to commercial styling, and she moves fluidly between New York City, Atlanta, Pittsburgh, and Los Angeles.In this episode, Jessica shares the origins of her sewing journey, how global experiences shaped her artistic lens, the truth about fast fashion, the realities of costume work, and the deeper meaning of how we present ourselves through what we wear.Episode Notes:(1:49) When did Jessica begin to sew and who was her inspiration?(3:18) Jessica explains historical sewing and its techniques.(4:00) Why did Jessica's childhood take her to Singapore and England? How did living in these countries affect her perceptions of life and her work?(5:45) She started dancing at the age of three…then had to have Harrington Rod surgery for scoliosis of the spine. She takes us through this experience and how she dealt with the major changes in her life both in activity and mentally.(11:04) Jessica calls fast fashion “horrendous”? She explains why.(14:00) How do you handle the recycling in things like undergarments, socks and hard to recycle clothing items?(15:30) “Costume design isn't just pretty dreams and pretty people…” It's so very much more. Jessica takes us inside the craft.(19:54) Of all the different types of work Jessica has done…what's her favorite?(21:42) She talks about the difference in working with professional actors vs. amateur background actors.(23:45) Hear special stories about some of her costume jobs.(27:10) Jessica worked with Jennifer May Nickel Sew & So Podcast Episode #92 she talks about how they met and have worked together.(28:25) Hear about the 50,000-year-old sewing needle and how this information affects Jessica in her work.(30:36) Jessica loves to study how people communicate through clothing. Learn what she's discovered. Also learn why the color purple is associated with royalty.(33:32) Why does she think the younger generations aren't picking up these crafts or techniques?(36:30) Why is Jessica so mobile?(37:36) What does she like to do in her spare time?(38:10) What is she working on now and what is a Surrealist Ball?(40:00) What's next for her and what's her dream?(42:15) What didn't we ask?(43:06) Want to contact Jessica? @jesscronindesigns Be sure to subscribe to, review and rate this podcast on your favorite platform…and visit our website sewandsopodcast.com for more information about today's and all of our Guests.

 In remembrance of the wonderful writer, director, and actor Adrienne Shelly, we're excited to share again The Writers' Hangout Episode dedicated to her story, which we originally posted in the month she passed. It's a heartfelt chance to get to know this talented and incredible woman, whose life was tragically cut short. We hope you feel inspired and connected through her story.The PAGE International Screenwriting Awards sponsors the WRITERS' HANGOUT.Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

Happy Halloween!!Hang out with Sandy, Terry, and special guest screenwriter Mark Steen as they recap "Ghost and Mr. Chicken," starring Don Knotts from "The Andy Griffith Show" fame. Directed by Alan Rafkin and written by James Fritzell and Everett Greenbaum, "The Ghost and Mr. Chicken" is about a timid typesetter who hasn't a ghost of a chance of becoming a reporter - until he decides to solve a murder mystery and ends up spending a fright-filled night in a haunted house. You don't need to watch the movie to enjoy the show, but we encourage you to do so since it's a fun movie that the whole family can enjoy.The PAGE International Screenwriting Awards sponsors the WRITERS' HANGOUT.Executive Producer Kristin OvernCreator/Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

Rewind Episode -- British screenwriter Ian Mackintosh's plane went missing on July 7, 1979, nineteen days before his thirty-ninth birthday, over the Gulf of Alaska. What happened remains a mystery. Join us as we tell the story of Lieutenant Commander Hamish Ian Mackintosh, a British Royal Navy officer, a writer of thriller novels, and a screenwriter for British television. Ian's series, THE SANDBAGGERS, was groundbreaking.  The New York Times said, "the best spy series in television history."   Ian MacKintosh was among the first writers to present espionage realistically and as a sordid series of political struggles, double-crosses, and personality clashes.If you would like to read more about Ian Mackintosh I highly recommend The Life and Mysterious Death of Ian Mackintosh by Robert G. FolsomThe PAGE International Screenwriting Awards sponsors the WRITERS HANGOUT.Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan StollerEmail: thewritershangoutpodcast@gmail.com

Rewind Episode: Join Sandy and Terry for a fun chat about how a short story from a dime store magazine turned into one of Hollywood's most talked-about films and the fifth-highest-grossing movie of 1954. The film REAR WINDOW, featuring stars like Jimmy Stewart, Grace Kelly, Raymond Burr, and Thelma Ritter, was written by John Michael Hayes and directed by Alfred Hitchcock.   The PAGE International Screenwriting Awards sponsors the WRITERS HANGOUT.Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller