Podcast appearances and mentions of Albert Namatjira

Advisory: This podcast mentions aboriginal people who have died. In this segment of a Rights, Rorts and Rants show BMUC's Mike Holland explains his visit to the National Gallery of Australia to view Vincent Namatjira's latest exhibition Australia in Colour which charts the career of the artist (& includes a portrait of mining owner Gina Rhinehart as "a very small part of the exhibition"). Mike discusses the extensive exhibition which touches on the influence of Vincent's great great grandfather renowned artist Albert Namatjira. [Claification: The artist did not agree to have his Rhinehart portrait shown in Times Square and it did not occur]. The show was first broadcast live on Radio Blue Mountains 89.1 FM on 24 May 2024 by Blue Mountains Unions & Community and presented by Debra Smith. Blue Mountains Unions & Community pays its respect to and acknowledges, the Darug and Gundungurra First Peoples of the Blue Mountains area and acknowledges this is Aboriginal Land that was never ceded. If you'd like to add to the discussion, you can ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠leave an audio comment about our show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, which may be added to one of our podcasts. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apply to be a guest on our radio show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, Rights, Rorts and Rants on Radio Blue Mountains 89.1FM, Fridays from 4pm to 6pm or livestreamed via ⁠⁠⁠⁠⁠rbm.org.au.⁠⁠⁠⁠⁠ Join a union - 1300 486 466 or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠join online⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.   Join ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BMUC⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Authorised by D Smith, Secretary, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Blue Mountains Unions Council Inc⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, 52-52A Great Western Hwy, Mount Victoria, NSW. --- Send in a voice message: https://podcasters.spotify.com/pod/show/rightsrortsandrants/message

Gayle Quarmby, daughter of artist Rex Battarbee, and Gloria Strzelecki, Associate Curator, Aboriginal and Torres Strait Islander Art, discuss the work of Battarbee and Albert Namatjira on display in Gallery 6. Back to Top Image Caption: Toggle image caption Albert Namatjira, Western Aranda people, Northern Territory, born Ntaria (Hermannsburg), Northern Territory 1902, died Mparntwe (Alice Springs), Northern Territory 1959, Rutjipma- Mount Sonder, c 1954, Ntaria (Hermannsburg), Northern Territory?, watercolour on paper, 28.5 x 38.0 cm (sight); Donated in memory of Brian, Madge and Alister Hastings by Alison Hastings through the Art Gallery of South Australia Foundation 2018. Donated through the Australian Government's Cultural Gifts Program, Art Gallery of South Australia, Adelaide, © Namatjira Legacy Trust/Copyright Agency.

Nacimiento de Albert Namatjira y de Fahmida Riaz y un duro terremoto golpea Tangshan.Acompáñanos y descubre qué pasó un día como hoy hace algunos años mientras mejoras tu comprensión auditiva y aprendes palabras nuevas. Cuéntanos tu opinión con un correo a podcasting@babbel.com.Vocabulario útil:ciudadanía: reconocimiento de una persona como ciudadana de un paísliberal: que no se adhiere a las tradiciones y las reglas estrictasexiliarse: verse obligado/a a irse a otro paísLos sucesos presentados están escritos de manera simplificada para oyentes con un nivel intermedio de español y reflejan la información disponible hasta abril de 2022.¡Puedes escuchar y leer a la vez! Usa la transcripción del episodio: https://bit.ly/3r2JANU Aviso: violencia

Albert Namatjira and Fahmida Riaz are born, and a deadly earthquake hits Tangshan.Join us and discover what happened on this day in the past. All while improving your listening skills and learning a few new words along the way. Email us your feedback to podcasting@babbel.com.Useful wordscitizenship: the status of being recognized as a citizen – a member of a country who has rightsFirst Nations: people who were the first to live in a countryliberal: open to new ideasexile: when someone is forced to leave their countryThese events are written in a simple way for intermediate learners of English. Facts are accurate as of June 2021.If you'd like to read along, you can find the transcript for this episode here: https://bit.ly/3zDldbt Content warning: violence

Esta es una muestra de "La hermana perla (Las Siete Hermanas 4)". La versión completa tiene una duración total de 21 h 56 min. Encuentra este audiolibro completo en https://bit.ly/lahermanasperla_AudiolibroNarrado por: Anna PallejàSiete hermanas, siete destinos, un padre con un pasado misterioso... CeCe D'Aplièse nunca ha encajado en ningún lugar. Tras la muerte de su padre, el misterioso multimillonario Pa Salt, que adoptó a las seis hermanas desde distintas partes del mundo, se encuentra en una encrucijada: ha dejado la escuela de arte y su hermana Star se distancia de ella para perseguir su sueño. A la desesperada decide huir de Londres y descubrir su pasado. Las únicas pistas que tiene son una fotografía y el nombre de una mujer pionera que vivió en Australia hace un siglo. De camino hacia Sidney hace parada en el único lugar donde se ha sentido ella misma: las playas de Krabi en Tailandia, donde conoce al misterioso Ace. Cien años antes, Kitty McBride, hija de un reverendo de Edimburgo, viaja a Australia como dama de compañía de la acaudalada Sra. McCrombie. En Adelaida su destino se ve unido a la rica familia, incluidos los idénticos aunque muy diferentes gemelos, el impetuoso Drummond y el ambicioso Andrew, heredero de una fortuna en la industria de la perla. Si quieres saber más, incluso sobre mitología griega, las Pléyades, las esferas armilares..., visita la web de Lucinda Riley en español: esp.lucindariley.co.uk. También encontrarás documentación sobre aborígenes, el viaje de CeCe en Tailandia y Albert Namatjira en Hermannsburg. Reseña:«La serie "Las Siete Hermanas" es romántica, arrolladora, lujosa y glamurosa.»The Daily Mail En los blogs...«Recomiendo completamente este libro, me ha encantado, me ha enganchado y es una delicia leerlo. Como siempre está muy bien documentado, tiene un ritmo ágil y fácil de leer y antes de darte cuenta has devorado la novela entera.»Blog Lecturas adictivas «Con una narración de nuevo impecable, elegante y envolvente la autora consigue atraparnos en una doble historia con gran cantidad de documentación histórica y cultural verídica, con personajes reales, con una ambientación precisa y fascinante y rodeada de emociones y descubrimientos personales y sentimentales.»Blog El templo de la lectura «La autora consigue una y otra vez atraparnos en cada una de sus novelas gracias a la perfecta simbiosis de elementos que forma.»Blog Revista Krítica «Una saga muy recomendable que mezcla géneros como el histórico, el romántico y la saga familiar con mucho acierto, convirtiendo estos libros en un disfrute continuo.»Blog Perdida entre mis libros «Una saga recomendadísima que os encantará, unos libros de esos que merecen mucho la pena, que te lees del tirón, con unas historias fascinantes, llenas de ternura.»Blog Estoy entre páginas© 2022, Penguin Random House Grupo Editorial, S. A. U.#penguinaudio #audiolibro #audiolibros #riley #lucindariley See acast.com/privacy for privacy and opt-out information.

Albert Namatjira Written by Marc McGinness Read by Judy Stewart This bonkers podcast has been funded by two kind sponsors. Allison Bellinger from A.K. Bellinger Gallery in Inverell, NSW. Allison exhibits really exciting artists, including some of my favourites like Wendy McDonald, Nick Osmond and Kiata Mason. Please check her out on instagram @akbellingergallery and online akbellingergallery.com Our second sponsor is My Ability Pathway, an organisation that provides a range of home and community-based services to individuals with a disability, in regional South Australia. Their philosophy is to provide real-life support to individuals for their life, in the real world. Thank you Barbara and My Ability Pathway. myabilitypathway.org

Albert Namatjira is one of Australia's most celebrated watercolour painters. What makes him such a compelling artist is his love for the landscapes he painted. He painted his country. His father's country. But most importantly he painted his home.  A home he had an intimate knowledge of and deep respect.Note: Aboriginal and Torres Strait Islander listeners are advised that the following program contains names/voices of people who have died.

The name Namatjira is a famous one. Vincent Namatjira’s great-grandfather, Albert Namatjira, was one of Australia’s great painters, uniquely depicting Australia's desert landscapes in vibrant watercolour. Although he didn't know about his connection with the famous artist in his childhood - he was in foster care and removed from his culture - Vincent has made his own way to success. But this time it was through portraiture. Painting for the first time in 2012, he would soon become a regular finalist in Australia's most famous portrait prize, the Archibald, ultimately winning it in 2020. He was the first indigenous artist to win the Archibald but, as Vincent would say, 'it only took 99 years'. His winning painting, 'Stand strong for who you are’ was a portrait of the artist with Adam Goodes, the indigenous AFL player who became renowned for speaking out against racism. Vincent saw parallels between Adam's life and his own which he talks about in this conversation. The subjects of Vincent's portraits are wide-ranging; from his great-grandfather, aboriginal elders and politicians to the Queen, Captain Cook and Vladimir Putin. Painted in an expressive style, his works also encapsulate his unmistakable humour. In one work he places himself in the royal carriage with the Queen and in another is cutting a birthday cake with Donald Trump. Everyone is on a level playing field. Vincent lives in the Indulkana community in the APY lands, about 400 km south of Alice Springs and is one of about 30 artists connected to its arts centre, Iwantja Arts. He has received significant acclaim. Apart from winning the Archibald Prize, he won the Ramsay Art prize in 2019, has received an Order of Australia for his contribution to indigenous visual arts, his works have been acquired by the British Museum and significant institutional collections across Australia and he has exhibited in solo shows and international art fairs. I interviewed Vincent at the Museum of Contemporary Art Australia where he had been commissioned to paint the museum’s Foyer wall. It’s a huge 15m work called 'P.P.F (Past-Present-Future)' and depicts people who have been influential in his life. It is a spectacular work and will remain in the foyer for the next two years. To hear our podcast conversation click on 'play' below the above photo. Scroll down for images of works we talk about on the podcast. Above photo of Vincent Namatjira by Daniel Boud, standing in front of P.P.F. (Past-Present-Future), 2021, commissioned by the Museum of Contemporary Art Australia, 2021, supported by Veolia Environmental Services, image courtesy the artist; Museum of Contemporary Art Australia, Sydney; and Iwantja Arts, South Australia © the artist, Links Vincent Namatjira at Iwantja ArtsVincent Namatjira at This is No Fantasy Albert NamatjiraKunmanara 'Jimmy' PompeyAdam Goodes'The Final Quarter' documentary 'Stand Strong for who you are', 2020, acrylic on linen, 152 x 198cmWinner Archibald Prize 2020, Art Gallery of NSWImage: AGNSW website 'P.P.F. (Past-Present-Future)', 2021, synthetic polymer paint,  commissioned by the Museum of Contemporary Art Australia, 2021, supported by Veolia Environmental Services, image courtesy the artist; Museum of Contemporary Art Australia, Sydney; and Iwantja Arts, South Australia © the artist, photograph Daniel Boud 'Studio self-portrait', 2018, acrylic on linen, 152 x 198cm, Highly commended in the Archibald Prize 2018, AGNSWImage: AGNSW website 'The Royal Tour (Vincent and Elizabeth)', 2020, acrylic on linen, 67 x 91cmImage courtesy of the artist and Iwantja Arts 'Prime Minister series, 2016, 'Seven Leaders series', 2016 and 'The Richest series', 2017acrylic on canvasImage courtesy of the artist and Iwantja Arts 'Welcome to Indulkana', 2018, acrylic on canvas, 122 x 304cmImage courtesy of the artist and Iwantja Arts

The great-grandson of acclaimed artist Albert Namatjira, Vincent Namatjira has become the first Indigenous Australian to win the $100,000 Archibald Prize in its 99-year history.

Albert Namatjira by Franchesca Cubillo (with Tracey Holmes) Born on the Hermannsburg Lutheran mission in the Northern Territory in 1902, the life of iconic master painter and Western Arrernte man Albert Namatjira was entangled in virulent racial politics. Franchescha Cubillo, Churchill Scholar and Senior Curator Aboriginal & Torres Strait Islander Art at the National Gallery of Australia, offers insights into the Hermannsburg Movement, the artist’s magnificent paintings and enduring legacy. Recorded Live at the Hallstrom Theatre in the Australian Museum on 18 June 2019.

In this podcast you'll hear artist Tom Nicholson, ACCA Curator Hannah Presley and academic John Kean engage in an informal and open discussion in the galleries, taking Nicholson's work 'Gorge Photograph, 13 September 1939' 2017-19 as a point of departure for discussion. 'Gorge Photograph, 13 September 1939' 2017-19 reimagines a specific place and time, highlighting the complex relationship between Victorian watercolourist Rex Battarbee and Western Arrernte artist Albert Namatjira. This Public Meeting is programmed alongside ACCA's exhibition 'Tom Nichoslon: Public Meeting' 5 April — 16 June 2019 Further information: https://acca.melbourne/exhibition/tom-nicholson/ https://acca.melbourne/program/public-meeting-gorge-photographs-namatjira-batterbee/ Recorded at ACCA on Saturday 18 May 2019

In this episode, Allyson goes down under and discusses the life of Albert Namatjira, his watercolor painting Catherine Creek, Northern Territory (circa 1950), and theContinue ReadingEpisode 13: Namatjira’s Creek

 This week we celebrate the life & work of a famous indigenous painter, Albert Namatjira. At this time of the AFL Pride Match in Sydney, we talk about the example of another Sydney son, Ian […] http://media.rawvoice.com/joy_beentheredonethat/p/joy.org.au/beentheredonethat/wp-content/uploads/sites/90/2017/08/BTDT-Pod_2017_07_25.mp3 Podcast: Play in new window | Download (Duration: 39:22 — 36.0MB) Subscribe or Follow Us: Apple Podcasts | Android | Google Podcasts | Spotify | RSS The post Let’s paint a scene …… appeared first on Been There Done That.

Otto Pareroultja and his brothers Reuben and Edwin worked and painted at the Lutheran Hermannsburg Mission west of Mparntwe (Alice Springs). Initially influenced by their countryman, Albert Namatjira, and by Rex Battarbee, the Melbourne watercolourist who worked closely with the Hermannsburg artists, the Pareroultja brothers developed their own distinctive styles. In their paintings, the desert landscape is less representational than in Namatjira's work, and is animated by their use of vigorous, sinuous lines, dynamic areas of repeated patterning and strong colours massed together. These elements are clearly evident in Pareroultja’s c1954 painting 'The hills behind Hermannsburg', which explores the common Hermannsburg school motif of a white ghost gum in front of a distant mountain range. The painting has a graphic quality, rendered in Pareroultja’s customary high-keyed colour contrasted with distinctive black line-work. His use of brilliant yellow highlights and unpainted areas of white paper add luminosity to the landscape, emphasising the clarity of central Australian light. This vibrant approach to painting has had a strong influence on Ivy Pareroultja, Edwin’s daughter, who is currently leading a revival of the Hermannsburg painting style.

Ginger Riley Munduwalawala painted his mother's country, focusing on the weatherworn rock formations known as the Four Archers near the mouth of the Limmen Bight River in south-east Arnhem Land. Using bright, luminous and often contrasting colours and strong flattened forms, Riley depicted this landscape and its ancestral beings: Garimala the snake, who created the Four Archers; Ngak Ngak the white-breasted sea-eagle and guardian figure; the ceremonial shark's liver tree; the Four Archers themselves; and the Limmen Bight River. Riley's extraordinary creativity allowed him to reinvent this subject matter again and again, expressing in his work his vision of physical geography, creation knowledge and ancestral sites. His strong sense of place enabled this overview, and he painted, he has said, as if he was, '... on a cloud, on top of the world, looking down ... From the top I can see country right down to where I come from'. Riley saw the work of western Aranda watercolourist Albert Namatjira as a young man in the 1950s. This meeting with Namatjira made a lasting impression, and much later inspired Riley to pursue painting in acrylics when the Northern Territory Education Department offered a painting course at Ngukurr, where Riley was living, in 1987. Riley rapidly developed his own very distinctive style and iconography and, after initially exhibiting with the other Ngukurr-based painters, he established an independent career at the Alcaston Gallery, Melbourne. Riley exhibited both nationally and internationally, and was awarded an Australia Council Fellowship in 1997 the same year that the National Gallery of Victoria, Melbourne, mounted a retrospective of his work. In 'Nyamiyukanji, the river country', 1997, Riley depicts the dramatic rock formations that rear up out of the Gulf country landscape and are known as the Ruined City. This is Riley's grandfather's country, near the Nathan River. As in many of his works, Riley has painted the rocky outcrops and surrounding land in bands across the painting, while the river winds diagonally up to the sea. At the top of the painting, the bright blue sky, which is not differentiated from the sea at the mouth of the river, has large, wet season clouds raining on the landscape. In Riley's work, clouds or the sun usually represent his mother. Ngak Ngak appears in the foreground and, on the right, Garimala travels across the country. This place exists in Riley's creation knowledge as much as it does in the landscape. Wayne Tunnicliff in 'Tradition today: Indigenous art in Australia', Art Gallery of New South Wales, Sydney, 2004 © Art Gallery of New South Wales

Ginger Riley Munduwalawala painted his mother's country, focusing on the weatherworn rock formations known as the Four Archers near the mouth of the Limmen Bight River in south-east Arnhem Land. Using bright, luminous and often contrasting colours and strong flattened forms, Riley depicted this landscape and its ancestral beings: Garimala the snake, who created the Four Archers; Ngak Ngak the white-breasted sea-eagle and guardian figure; the ceremonial shark's liver tree; the Four Archers themselves; and the Limmen Bight River. Riley's extraordinary creativity allowed him to reinvent this subject matter again and again, expressing in his work his vision of physical geography, creation knowledge and ancestral sites. His strong sense of place enabled this overview, and he painted, he has said, as if he was, '... on a cloud, on top of the world, looking down ... From the top I can see country right down to where I come from'. Riley saw the work of western Aranda watercolourist Albert Namatjira as a young man in the 1950s. This meeting with Namatjira made a lasting impression, and much later inspired Riley to pursue painting in acrylics when the Northern Territory Education Department offered a painting course at Ngukurr, where Riley was living, in 1987. Riley rapidly developed his own very distinctive style and iconography and, after initially exhibiting with the other Ngukurr-based painters, he established an independent career at the Alcaston Gallery, Melbourne. Riley exhibited both nationally and internationally, and was awarded an Australia Council Fellowship in 1997 the same year that the National Gallery of Victoria, Melbourne, mounted a retrospective of his work. In 'Nyamiyukanji, the river country', 1997, Riley depicts the dramatic rock formations that rear up out of the Gulf country landscape and are known as the Ruined City. This is Riley's grandfather's country, near the Nathan River. As in many of his works, Riley has painted the rocky outcrops and surrounding land in bands across the painting, while the river winds diagonally up to the sea. At the top of the painting, the bright blue sky, which is not differentiated from the sea at the mouth of the river, has large, wet season clouds raining on the landscape. In Riley's work, clouds or the sun usually represent his mother. Ngak Ngak appears in the foreground and, on the right, Garimala travels across the country. This place exists in Riley's creation knowledge as much as it does in the landscape. Wayne Tunnicliff in 'Tradition today: Indigenous art in Australia', Art Gallery of New South Wales, Sydney, 2004 © Art Gallery of New South Wales