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The BBC's Panorama revives the Epstein scandal with unseen Virginia Giuffre footage as King Charles lets Andrew keep his Falklands medal—but the disgraced royal might soon be cashing in his trinkets and queuing for a £9K pension. Plus, new revelations from his California “Twit of the Year” tour prove he's been a royal mess for decades.Hear our new show "Crown and Controversy: Prince Andrew" here.Check out "Palace Intrigue Presents: King WIlliam" here.
History isn't something that other people lived through and we get to read about. We all live through history and we all can make it if we choose.
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Netanyahu's Foreign Lobby Pressure Group AIPAC Is Openly Trying To Paint Trump's Base As The “New Hitler” & Bring Down MAGA From Within! Plus, Trump Prepares Strikes In Mexico, Venezuela, Syria As US Enters Day 33 Of Shutdown
Episode 200– Mini Colour and The Forges of Saturn Woop, woop – we made it to 200 after 10+ years of recording and to celebrate we recorded a pretty regular show.. Henry from Cult of Paint tries to answer why another paint line may actually be a good thing with obvious bias (but also some really good points). Then we have a look through the new Journal Tactica and see how it stacks up as value for money. Oh we chat a bit, bit of news – you know the score... 00:00:00 – 00:12:26 – Intro, Hobby, rambling 00:12:26 – 00:33:20 – News 00:33:20 – 01:32:25 – Mini Colour with Henry 01:32:25 – 02:19:44 – The Forges of Saturn 02:19:44 – 02:26:58 – Closing the Show Teespring store: https://teespring.com/en-GB/stores/the-imperial-truth If you want to support the show then consider purchasing from Element Games. http://elementgames.co.uk/?d=10057 Don't forget you can use the codes for extra crystals. Greg – GRE259 Howard – HOW583 You can also support the Patreon here: https://www.patreon.com/TheImperialTruth Or via Ko-fi here: https://ko-fi.com/theimperialtruthfullstride If you enjoyed the show then please leave a positive review on Itunes. You can contact the show via Greg@TheImperialTruth.com You can follow us on Twitter: Show – @Imperial_Truth Greg – @ChildofFang Also our facebook page: https://www.facebook.com/the.imperial.truth.au And our facebook group https://www.facebook.com/groups/436768449815184/
It is time to make a plan/And maybe take a van, The team has built a lot/Even a giant robot, Now they are rehearsing the play/Hoping to win the day, We hope the rhyming helps/Otherwise they are all dead.....whelps. So my rhyming skills need some work. I tried ok. And so is the team. They have got a plan, they have rehearsed their roles and now they are going to execute. But first, they need to booze up and riot. Or something like that. This does bring up a question, how hyper do kids really get when given copious amounts of sugar and caffeine? My guess is they act exactly the same as if you gave robots the same thing....if robots could digest caffeine and sugar. I think that whatever happens, the use of graffiti as a weapon would increase. I know that whenever I get into the chocolate bars, I want to start defacing public property. I think that it is just something in my genes. With the rage fuel brewing in my tummy, it is time to unleash the havok and let loose my barking dogs!!! Paint the walls fuchsia and with raised voices, yell. Make with the loud noises and tip stuff over. Let us not forget the reason that we are doing all of this. It's to take down that master of disaster, that phenom of fear, that prognosticator of penalties....Dr Dooooooooom!!!! (and the crowd goes wild with boos!!!!! Oh NO!!!! Doom has taken a jolt of science to the chest!!! What is gonna happen next?? Spoiler, everyone takes a nap. Tune in next time!!!! We also have some merchandise over at Redbubble. We have a couple of nifty shirts for sale. https://www.redbubble.com/people/jeffrickpresent/?asc=u To see the pretty pictures, check out our website: https://jeffandrickpresent.wordpress.com/2025/10/07/ff-v2-15-operation-latveria/ You can also subscribe and listen to us on YouTube! Our show supports the Hero Initiative, Helping Comic Creators in Need. http://www.heroinitiative.org/ Eighties Action by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3703-eighties-action License: http://creativecommons.org/licenses/by/4.0/ Rise Of Legends by Sascha Ende
Description: The boys dive right in with Ray's homemade windshield wiper re-blading project which segues into cabin air filter and door jamb cleaning. Tire pressure checking and options for painting steel wheels are also explored by the MotorMouth's. While Ray has his paint out he re-sprays a trophy he was awarded to match his car, and Chris can't find the one he was granted. Check our social media feed to see the pictures; on Instagram: @real_motormouthradio and on You Tube: https://youtu.be/owGhqI_Sq78Spreaker: https://www.spreaker.com/episode/mmr-11-02-2025--68389685
This episode we start to get more into the material culture of the period with court fashion, as we look at the court robes that went along with the updated court ranks. Granted, we only have a few resources, but from those it does seem like we can construct at least a plausible idea of what the court may have looked like at this time. For more discussion, check out the blogpost: https://sengokudaimyo.com/podcast/episode-137 Rough Transcript Welcome to Sengoku Daimyo's Chronicles of Japan. My name is Joshua and this is Episode 137: Courtly Fashion. In the New Year's ceremony, the court officials lined up in front of the Kiyomihara Palace, arranged by their relative court rank, dressed in their assigned court robes. The effect was impressive—the rows of officials painting the courtyard like the bands of color in a rainbow, albeit one with only a couple of hues. The fact that they were all wearing the same style of dress and black, stiffened gauze hats only added to the effect. The individual officers were all but lost in what was, at least in outward form, a single, homogenous machine of government, just waiting for the command of their monarch to attend to the important matters of state. We are covering the reign of Ohoama no Ohokimi, aka Ama no Nunahara oki no mabito no Sumera no Mikoto, aka Temmu Tennou. Last episode we went over the changes he had made to the family titles—the kabane—as well as to the courtly rank system. For the former, he had consolidated the myriad kabane and traditional titles across Yamato into a series of eight—the Yakusa no Kabane. These were, from highest to lowest: Mabito, Asomi, Sukune, Imiki, Michinoshi, Omi, Muraji, and Inaki. By the way, you might notice that "Mabito" actually occurs in Ohoama's posthumous name: Ama no Nunahara oki no mabito, which lends more credence to the idea that that kabane was for those with a special connection to the royal lineage. Besides simplifying and restructuring the kabane, Ohoama also reformed the court rank system. He divided the Princely ranks into two categories: Myou, or Bright, and Jou, or Pure. For the court nobles the categories were: Shou – Upright Jiki – Straight Gon – Diligent Mu – Earnest Tsui – Pursue Shin – Advancement Each category was further divided into four grades (except for the very first princely category, Myou, which was only two). Each grade was then further divided into large, "dai", or broad, "kou". And this brings us to our topic today. Along with this new rank system, Ohoama's administration also instituted a new set of court sumptuary laws. Some are vague in the record—we can just make assumptions for what is going on based on what we know from later fashion choices. Others are a little more clear. We'll take a look at those sumptuary laws, particularly those that were directly associated with the new court rank system, but we'll also look at the clothing styles more generally. To start with, let's talk about what we know about clothing in the archipelago in general. Unfortunately, fabric doesn't tend to survive very well in the generally acidic soils of the Japanese archipelago. Cloth tends to break down pretty quickly. That said, we have fragments here and there and impressions in pottery, so we have some idea that there was some kind of woven fabric from which to make clothing out of. And before I go too far I want to give a shout out to the amazing people at the Kyoto Costume Museum. They have a tremendous website and I will link to it in the comments. While there may be some debate over particular interpretations of historical clothing, it is an excellent resource to get a feel for what we know of the fashion of the various periods. I'll also plug our own website, SengokuDaimyo.com, which has a "Clothing and Accessory" section that, while more geared towards Heian and later periods, may still be of some use in looking up particular terms and getting to know the clothing and outfits. At the farthest reaches of pre-history, we really don't have a lot of information for clothing. There is evidence of woven goods in the Jomon period, and we have Yayoi burials with bits of cloth here and there, but these are all scraps. So at best we have some conjecture as to what people were wearing, and possibly some ability to look across the Korean peninsula and see what people had, there. There are scant to no reliable records from early on in Japanese history, and most of those don't really do a great job of describing the clothing. Even where we do get something, like the Weizhi, one has to wonder given how they tended to crib notes from other entries. There is at least one picture scroll of interest: Portraits of Periodical Offering of Liang, or Liáng -Zhígòngtú. It is said to have been painted by Xiao Yi in the early 6th century, and while the original no longer exists there is an 11th century copy from the time of the Song Dynasty. The scroll shows various ambassadors to the Liang court, including one from Wa. The Wa ambassador is shown with what appears to be a wide piece of cloth around his hips and legs, tied in front. His lower legs are covered in what we might call kyahan today: a rather simple wrap around leg from below the knee to the foot. He has another, blue piece of cloth around his shoulders, almost like a shawl, and it is also tied in front. Then there is a cloth wrapped and tied around his head. It's hard to know how much of this depiction is accurate and how much the artist was drawing on memory and descriptions from things like the Weizhi or Wei Chronicles, which stated that the Wa people wore wide cloths wrapped around and seamlessly tied As such, it may be more helpful to look at depictions actually from the archipelago: specifically, some of the human-figured haniwa, those clay cylinders and statues that adorned the burial mounds which gave the kofun period its name. Some of these haniwa are fairly detailed, and we can see ties, collars, and similar features of clothing. These haniwa primarily seem to cluster towards the end of the Kofun period, in the later 6th century, so it is hard to say how much they can be used for earlier periods, though that is exactly what you will typically see for periods where we have little to know evidence. I'm also not sure how regional certain fashions might have been, and we could very much be suffering from survivorship bias—that is we only know what survived and assume that was everything, or even the majority. Still, it is something. Much of what we see in these figures is some kind of upper garment that has relatively tight sleeves, like a modern shirt or jacket might have, with the front pieces overlapping create a V-shaped neckline. The garment hem often hangs down to just above the knee, flaring out away from the body, and it's held closed with ties and some kind of belt, possibly leather in some cases, and in others it looks like a tied loop of cloth. There is evidence of a kind of trouser, with two legs, and we see ties around the knee. In some cases, they even have small bells hanging from the ties. Presumably the trousers might have ties up towards the waist, but we cannot see that in the examples we have. We also see individuals who have no evidence of any kind of bifurcated lower garment. That may indicate an underskirt of some kind, or possibly what's called a "mo"—but it could also be just a simplification for stability, since a haniwa has a cylindrical base anyway. It is not always obvious when you are looking at a haniwa figure whether it depicts a man or woman: in some cases there are two dots on the chest that seem to make it obvious, but the haniwa do come from different artisans in different regions, so there is a lot of variability. We also see evidence of what seem to be decorative sashes that are worn across the body, though not in all cases. There are various types of headgear and hairstyles. Wide-brimmed and domed hats are not uncommon, and we also see combs and elaborate hairstyles depicted. On some occasions we can even see that they had closed toed shoes. For accessories, we see haniwa wearing jewelry, including necklaces (worn by both men and women), bracelets, and earrings. In terms of actual human jewelry, early shell bracelets demonstrate trade routes, and the distinctive magatama, or comma shaped jewel, can be found in the archipelago and on the Korean peninsula, where it is known as "gogok". Based on lines or even colored pigment on the haniwa, it appears that many of these outfits were actually quite heavily decorated. Paint on the outfits is sometimes also placed on the face, suggesting that they either painted or tattooed themselves, something mentioned in the Wei Chronicles. We also have archaeological examples of dyed cloth, so it is interesting that people are often depicted in undyed clothing. There is one haniwa that I find particularly interesting, because they appear to be wearing more of a round-necked garment, and they have a hat that is reminiscent of the phrygian cap: a conical cap with the top bent forward. These are traits common to some of the Sogdians and other Persian merchants along the silk road, raising the possibility that it is meant to depict a foreigner, though it is also possible that it was just another local style. If we compare this to the continent, we can see some immediate difference. In the contemporaneous Sui dynasty, we can see long flowing robes, with large sleeves for men and women. The shoes often had an upturned placket that appears to have been useful to prevent one from tripping on long, flowing garments. Many of these outfits were also of the v-neck variety, with two overlapping pieces, though it is often shown held together with a fabric belt that is tied in front. The hats appear to either be a kind of loose piece of fabric, often described as a turban, wrapped around the head, the ends where it ties together trailing behind, or black lacquered crowns—though there were also some fairly elaborate pieces for the sovereign. As Yamato started to import continental philosophy, governance, and religion, they would also start to pick up on continental fashion. This seems particularly true as they adopted the continental concept of "cap rank" or "kan-i". Let's go over what we know about this system, from its first mention in the Chronicles up to where we are in Ohoama's reign. As a caveat, there is a lot we don't know about the details of these garments, but we can make some guesses. The first twelve cap-ranks, theoretically established in 603, are somewhat questionable in their historicity, as are so many things related to Shotoku Taishi. And their names are clearly based on Confucian values: Virtue, Humanity, Propriety, Faith, Justice, and Wisdom, or Toku, Nin, Rei, Shin, Gi, and Chi. The five values and then just "Virtue", itself. The existence of this system does seem to be confirmed by the Sui Shu, the Book of Sui, which includes a note in the section on the country of Wa that they used a 12 rank system based on the Confucian values, but those values were given in the traditional Confucian order vice the order given in the Nihon Shoki. The rank system of the contemporaneous Sui and Tang dynasties was different from these 12 ranks, suggesting that the Yamato system either came from older dynasties—perhaps from works on the Han dynasty or the Northern and Southern Dynasty, periods—or they got it from their neighbors, Baekje, Silla, and Goguryeo. There does seem to be a common thread, though, that court rank was identifiable in one's clothes. As for the caps themselves, what did they look like? One would assume that the Yamato court just adopted a continental style cap, and yet, which one? It isn't fully described, and there are a number of types of headwear that we see in the various continental courts. Given that, we aren't entirely sure exactly what it looked like, but we do have a couple of sources that we can look at and use to make some assumptions. These sources l ead us to the idea of a round, colored cap made of fabric, around the brim that was probably the fabric or image prescribed for that rank. It is also often depicted with a bulbous top, likely for the wearer's hair, and may have been tied to their top knot. Our main source for this is the Tenjukoku Mandala Embroidery (Tenjukoku-mandara-shuuchou) at Chuuguuji temple, which was a temple built for the mother of Prince Umayado, aka Shotoku Taishi. This embroidery was created in 622, so 19 years after the 12 ranks would have been implemented. It depicts individuals in round-necked jackets that appear to have a part straight down the center. Beneath the jacket one can see a pleated hem, possibly something like a "hirami", a wrapped skirt that is still found in some ceremonial imperial robes. It strikes me that this could also be the hem of something like the hanpi, which was kind of like a vest with a pleated lower edge. Below that we see trousers—hakama—with a red colored hem—at least on one figure that we can see. He also appears to be wearing a kind of slipper-like shoe. As for the women, there are a few that appear to be in the mandala, but it is hard to say for certain as the embroidery has been damaged over the years. That said, from what we can tell, women probably would have worn something similar to the men in terms of the jacket and the pleated under-skirt, but then, instead of hakama, we see a pleated full-length skirt, or mo. We also don't have a lot of evidence for them wearing hats or anything like that. The round necked jacket is interesting as it appears to be similar to the hou that was common from northern China across the Silk Road, especially amongst foreigners. This garment came to displace the traditional robes of the Tang court and would become the basis for much of the court clothing from that period, onwards. The round necked garment had central panels that overlapped, and small ties or fastenings at either side of the neck to allow for an entirely enclosed neckline. This was more intricate than just two, straight collars, and so may have taken time to adopt, fully. The next change to the cap-rank system was made in 647, two years into the Taika Reform. The ranks then were more directly named for the caps, or crowns—kanmuri—and their materials and colors. The ranks translate to Woven, Embroidered, Purple, Brocade, Blue, Black, and finally "Establish Valor" for the entry level rank. The system gets updated two years later, but only slightly. We still see a reference to Woven stuff, Embroidery, and Purple, but then the next several ranks change to Flower, Mountain, and Tiger—or possibly Kingfisher. These were a little more removed from the cap color and material, and may have had something to do with designs that were meant to be embroidered on the cap or on the robes in some way, though that is just speculation based on later Ming and Qing court outfits. Naka no Ohoye then updates it again in 664, but again only a little. He seems to add back in the "brocade" category, swapping out the "flower", and otherwise just adds extra grades within each category to expand to 26 total rank grades. And that brings us to the reforms of 685, mentioned last episode. This new system was built around what appear to be moral exhortations—Upright, Straight, Diligent, Earnest, etc. And that is great and all, but how does that match up with the official robes? What color goes with each rank category? Fortunately, this time around, the Chronicle lays it out for us pretty clearly. First off we are given the color red for the Princely ranks—not purple as one might have thought. Specifically, it is "Vermillion Flower", hanezu-iro, which Bentley translates as the color of the "Oriental bush" or salmon. In the blogpost we'll link to a table of colors that the founder of Sengoku Daimyo, Anthony Bryant, had put together, with some explanation of how to apply it. I would note that there is often no way to know exactly what a given color was like or what shades were considered an acceptable range. Everything was hand-dyed, and leaving fabric in the dye a little longer, changing the proportions, or just fading over time could create slightly different variants in the hue, but we think we can get pretty close. From there we have the six "common" ranks for the nobility. Starting with the first rank, Upright, we have "Dark Purple". Then we have "Light Purple". This pattern continues with Dark and Light Green and then Dark and Light Grape or Lilac. Purple in this case is Murasaki, and green here is specifically Midori, which is more specifically green than the larger category of "Aoi", which covers a spectrum of blue to green. The grape or lilac is specifically "suou", and based on Bentley's colors it would be a kind of purple or violet. The idea is that the official court outfits for each rank would be the proper color. And yes, that means if you get promoted in rank, your first paycheck—or rice stipend—is probably going to pay for a new set of official clothes. Fortunately for the existing court nobles at the time, in the last month of 685, the Queen provided court clothing for 55 Princes and Ministers, so they could all look the part. And the look at court was important. In fact, several of the edicts from this time focus specifically on who was allowed—or expected—to wear what. For instance, in the 4th month of 681, they established 92 articles of the law code, and among those were various sumptuary laws—that is to say, laws as to what you could wear. We are told that they applied to everyone from Princes of the blood down to the common person, and it regulated the wearing of precious metals, pearls, and jewels; the type of fabric one could use, whether purple, brocade, embroidery, or fine silks; and it also regulated woollen carpets, caps, belts, and the colors of various things. And here I'd like to pause and give some brief thought to how this played into the goals of the court, generally, which is to say the goal of creating and establishing this new system of governance in the cultural psyche of the people of the archipelago. From the continental style palaces, to the temples, and right down to the clothing that people were wearing, this was all orchestrated, consciously or otherwise, to emphasize and even normalize the changes that were being introduced. When everything around you is conforming to the new rules, it makes it quite easy for others to get on board. The court had surrounded themselves with monumental architecture that was designed along continental models and could best be explained through continental reasoning. Even if they weren't Confucian or Daoist, those lines of reasoning ran through the various cultural and material changes that they were taking up. Sure, they put their own stamp on it, but at the same time, when everything is right in front of you, it would become that much harder to deny or push back against it. And when you participated in the important rituals of the state, the clothing itself became a part of the pageantry. It reinforced the notion that this was something new and different, and yet also emphasized that pushing against it would be going against the majority. So court uniforms were another arm of the state's propaganda machine, all designed to reinforce the idea that the heavenly sovereign—the Tennou—was the right and just center of political life and deserving of their position. Getting back to the sumptuary laws and rank based regulations: It is unfortunate that the record in the Nihon Shoki doesn't tell us exactly how things were regulated, only that they were, at least in some cases. So for anything more we can only make assumptions based on later rules and traditions. A few things we can see right away, though. First is the restriction of the color purple. Much as in Europe and elsewhere in the world, getting a dark purple was something that was not as easy as one might think, and so it tended to be an expensive dye and thus it would be restricted to the upper classes—in this case the princely and ministerial rank, no doubt. Similarly brocade and fine silks were also expensive items that were likely restricted to people of a particular social station for that reason. The mention of woolen rugs is particularly intriguing. Bentley translates this as woven mattresses, but I think that woolen rugs makes sense, as we do have examples of woolen "rugs" in Japan in at least the 8th century, stored in the famous Shousouin repository at Toudaiji temple, in Nara. These are all imported from the continent and are actually made of felt, rather than woven. As an imported item, out of a material that you could not get in the archipelago, due to a notable lack of sheep, they would have no doubt been expensive. The funny thing is that the carpets in the Shousouin may not have been meant as carpets. For the most part they are of a similar size and rectangular shape, and one could see how they may have been used as sleeping mattresses or floor coverings. However, there is some conjecture that they came from the Silk Road and may have been originally meant as felt doors for the tents used by the nomadic steppe peoples. This is only conjecture, as I do not believe any of these rugs have survived in the lands where they would have been made, but given the size and shape and the modern yurt, it is not hard to see how that may have been the case. Either way, I tend to trust that this could very well have meant woolen rugs, as Aston and the kanji themselves suggest, though I would understand if there was confusion or if it meant something else as wool was not exactly common in the archipelago at that time or in the centuries following. The last section of the regulations talks about the use of caps and belts. The caps here were probably of continental origin: The kanmuri, or official cap of state of the court nobles, or the more relaxed eboshi—though at this time, they were no doubt closely related. In fact, a year later, we have the most specific mention to-date of what people were actually wearing on their heads: there is a mention of men tying up their hair and wearing caps of varnished gauze. Earlier caps related to the cap rank system are often thought to be something like a simple hemisphere that was placed upon the head, with a bulbous top where the wearer's hair could be pulled up as in a bun. The kanmuri seems to have evolved from the soft black headcloth that was worn on the continent, which would have tied around the head, leaving two ends hanging down behind. Hairstyles of the time often meant that men had a small bun or similar gathering of hair towards the back of their head, and tying a cloth around the head gave the effect of a small bump. This is probably what we see in depictions of the early caps of state. Sometimes this topknot could be covered with a small crown or other decoration, or wrapped with a cloth, often referred to as a "Tokin" in Japanese. But over time we see the development of hardened forms to be worn under a hat to provide the appropriate silhouette, whether or not you actually had a topknot (possibly helpful for gentlemen suffering from hair loss). And then the hat becomes less of a piece of cloth and more just a hat of black, lacquered gauze made on a form, which was much easier to wear. At this point in the Chronicle, the cap was likely still somewhat malleable, and would made to tie or be pinned to that bun or queue of hair. This explains the mention of men wearing their hair up. This pin would become important for several different types of headgear, but ties were also used for those who did not have hair to hold the hat on properly. Two years after the edict on hats, we get another edict on clothing, further suggesting that the court were wearing Tang inspired clothing. In 685 we see that individuals are given leave to wear their outer robe either open or tied closed. This is a clue that this outer robe might something akin to the round-necked hou that we see in the Tenjukoku Mandala, where the neck seems to close with a small tie or button. However, we do see some examples, later, of v-necked garments with a tie in the center of the neck, so that may be the reference.. Opening the collar of the formal robes was somewhat akin to loosening a necktie, or unbuttoning the top button of a shirt. It provided a more relaxed and comfortable feeling. It could also be a boon in the warm days of summer. Leaving it closed could create a more formal appearance. The courtiers also had the option of whether or not to wear the "Susotsuki", which Bentley translates as "skirt-band". I believe this refers to the nai'i, or inner garment. This would often have a pleated hem—a suso or ran—which would show below the main robe as just a slight hem. Again, this is something that many would dispense with in the summer, or just when dressing a bit more casually, but it was required at court, as well as making sure that the tassles were tied so that they hung down. This was the uniform of the court. We are also told that they would have trousers that could be tied up, which sounds like later sashinuki, though it may have referred to something slightly different. We are also given some regulations specifically for women, such as the fact that women over 40 years of age were allowed the discretion on whether or not to tie up their hair, as well as whether they would ride horses astride or side-saddle. Presumably, younger women did not get a choice in the matter. Female shrine attendants and functionaries were likewise given some leeway with their hairstyles. A year later, in 686, they do seem to have relaxed the hairstyles a bit more: women were allowed to let their hair down to their backs as they had before, so it seems that, for at least a couple of years, women under the age of 40 were expected to wear their hair tied up in one fashion or another. In that same edict, men were then allowed to wear "habakimo". Aston translates this as "leggings" while Bentley suggests it is a "waist skirt". There are an example of extant habakimo in the Shousouin, once again, and they appear to be wrappings for the lower leg. It actually seems very closely related to the "kyahan" depicted all the way back in the 6th century painting of the Wo ambassador to Liang. Even though these edicts give a lot more references to clothing, there is still plenty that is missing. It isn't like the Chroniclers were giving a red carpet style stitch-by-stitch critique of what was being worn at court. Fortunately, there is a rather remarkable archaeological discovery from about this time. Takamatsuzuka is a kofun, or ancient burial mound, found in Asuka and dated to the late 7th or early 8th century. Compared to the keyhole shaped tombs of previous centuries, this tomb is quite simple: a two-tiered circular tomb nestled in the quiet hills. What makes it remarkable is that the inside of the stone burial chamber was elaborately painted. There are depictions of the four guardian animals, as well as the sun and the moon, as well as common constellations. More importantly, though, are the intricate pictures of men and women dressed in elaborate clothing. The burial chamber of Takamatsuzuka is rectangular in shape. There are images on the four vertical sides as well as on the ceiling. The chamber is oriented north-south, with genbu, the black tortoise, on the north wall and presumably Suzaku, the vermillion bird, on the south wall—though that had been broken at some point and it is hard to make out exactly what is there. The east and west walls are about three times as long as the north and south walls. In the center of each is a guardian animal—byakko, the white tiger, on the west wall and seiryuu, the blue—or green—dragon on the east. All of these images are faded, and since opening of the tomb have faded even more, so while photos can help, it may require a bit more investigation and some extrapolation to understand all of what we are looking at. On the northern side of both the east and west wall we see groups of four women. We can make out green, yellow, and red or vermillion outer robes with thin fabric belt sashes, or obi, tied loosely and low around the waist. There is another, lightly colored—possibly white, cream or pink—that is so faded it is hard to make out, and I don't know if that is the original color. These are v-necked robes, with what appear to be ties at the bottom of the "v". Around the belt-sash we see a strip of white peaking out from between the two sides of the robe—most likely showing the lining on an edge that has turned back slightly. The cuffs of the robe are folded back, showing a contrasting color—either the sleeves of an underrobe or a lining of some kind. Below the outer robe is a white, pleated hem—possibly a hirami or similar, though where we can make it out, it seems to be the same or similar color as the sleeves. Under all of that, they then have a relatively simple mo, or pleated skirt. The ones in the foreground are vertically striped in alternating white, green, red, and blue stripes. There is one that may just be red and blue stripes, but I'm not sure. In the background we see a dark blue—and possibly a dark green—mo. At the base of each mo is a pleated fringe that appears to be connected to the bottom of the skirt. The toe of a shoe seems to peek out from underneath in at least one instance. They don't have any obvious hair ornaments, and their hair appears to be swept back and tied in such a way that it actually comes back up in the back, slightly. They appear to be holding fans and something that might be a fly swatter—a pole with what looks like tassels on the end. In comparison, at the southern end of the tomb we have two groups of men. These are much more damaged and harder to make out clearly. They have robes of green, yellow, grey, blue, and what looks like dark blue, purple, or even black. The neckline appears to be a v-necked, but tied closed, similar to what we see on the women. We also see a contrasting color at the cuff, where it looks like the sleeves have turned back, slightly. They have belt-sashes similar to the women, made of contrasting fabric to the robe itself. Below that we see white trousers, or hakama, and shallow, black shoes. On some of the others it is suggested that maybe they have a kind of woven sandal, but that is hard to make out in the current image. On their heads are hats or headgear of black, stiffened—probably lacquered—gauze. They have a bump in the back, which is probably the wearer's hair, and there is evidence of small ties on top and larger ties in the back, hanging down. Some interpretations also show a couple with chin straps, as well, or at least a black cord that goes down to the chin. They carry a variety of implements, suggesting they are attendants, with an umbrella, a folding chair, a pouch worn around the neck, a pole or cane of some kind, and a bag with some kind of long thing—possibly a sword or similar. The tomb was originally found by farmers in 1962, but wasn't fully examined until 1970, with an excavation starting in 1972. The stone at the entryway was broken, probably from graverobbers, who are thought to have looted the tomb in the Kamakura period. Fortunately, along with the bones of the deceased and a few scattered grave goods that the robbers must have missed, the murals also survived, and somehow they remained largely intact through the centuries. They have not been entirely safe, and many of the images are damaged or faded, but you can still make out a remarkable amount of detail, which is extremely helpful in determining what clothing might have looked like at this time—assuming it is depicting local individuals. And there is the rub, since we don't know exactly whom the tomb was for. Furthermore, in style it has been compared with Goguryeo tombs from the peninsula, much as nearby Kitora kofun is. Kitora had images as well, but just of the guardian animals and the constellations, not of human figures. There are three theories as to who might have been buried at Takamatsuzuka. One theory is that it was one of Ohoama's sons. Prince Osakabe is one theory, based on the time of his death and his age. Others have suggested Prince Takechi. Based on the teeth of the deceased, they were probably in their 40s to 60s when they passed away. Some scholars believe that it may be a later, Nara period vassal—possibly, Isonokami no Maro. That would certainly place it later than the Asuka period. The third theory is that it is the tomb of a member of one of the royal families from the Korean peninsula—possibly someone who had taken up refuge in the archipelago as Silla came to dominate the entire peninsula. This last theory matches with the fact that Takamatsuzuka appears to be similar to tombs found in Goguryeo, though that could just have to do with where the tomb builders were coming from, or what they had learned. That does bring up the question of the figures in the tomb. Were they contemporary figures, indicating people and dress of the court at the time, or were they meant to depict people from the continent? Without any other examples, we may never know, but even if was indicative of continental styles, those were the very styles that Yamato was importing, so it may not matter, in the long run. One other garment that isn't mentioned here is the hire, a scarf that is typically associated with women. It is unclear if it has any relationship to the sashes we see in the Kofun period, though there is at least one mention of a woman with a hire during one of the campaigns on the Korean peninsula. Later we see it depicted as a fairly gauzy piece of silk, that is worn somewhat like a shawl. It is ubiquitous in Sui and Tang paintings of women, indicating a wide-ranging fashion trend. The hire is a fairly simple piece of clothing, and yet it creates a very distinctive look which we certainly see, later. Finally, I want to take a moment to acknowledge that almost everything we have discussed here has to do with the elites of society—the nobles of the court. For most people, working the land, we can assume that they were probably not immediately adopting the latest continental fashions, and they probably weren't dressing in silk very much. Instead, it is likely that they continued to wear some version of the same outfits we see in the haniwa figures of the kofun period. This goes along with the fact that even as the elite are moving into palaces built to stand well above the ground, we still have evidence of common people building and living in pit dwellings, as they had been for centuries. This would eventually change, but overall they stuck around for quite some time. However, farmers and common people are often ignored by various sources—they aren't often written about, they often aren't shown in paintings or statues, and they did often not get specialized burials. Nonetheless, they were the most populous group in the archipelago, supporting all of the rest. And with that, I think we will stop for now. Still plenty more to cover this reign. We are definitely into the more historical period, where we have more faith in the dates—though we should remember that this is also one of the reigns that our sources were specifically designed to prop up, so we can't necessarily take everything without at least a hint of salt and speculation, even if the dates themselves are more likely to be accurate. Until then, if you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts. If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page. You can also email us at the.sengoku.daimyo@gmail.com. Thank you, also, to Ellen for their work editing the podcast. And that's all for now. Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.
Send us a textThe Paint by Murders - Harrisburg Homicide Mysteries podcast is an original podcast based on a series of unpublished mystery novels. It is written, hosted, and narrated by M. Travis DiNicola.This is the fourth and last episode of the fifth season.Paint by Murders – Harrisburg Homicide Mysteries, is an original podcast based on my mystery novels. Season four picks up where season three ended, and is based on my novella, MURDER ON THE ROCKS, and each episode features subsequent installments from the story.In this series the Capital city and its art galleries, bars, restaurants, and long-held secrets are featured in these cozy-inspired mysteries that are as unpredictable as the mighty Susquehanna River it sits onPaint by Murders features the painter, and amateur detective, Keith Reed, his wife Ginger, their crew of neighborhood friends, and the cozy, but sometimes dangerous city of Harrisburg. In the last episode, Keith and William uncovered more motives for Annie to kill Danny, and even Detective Henry was impressed by what Keith put up on his white board implicating her. But Keith had his doubts, which he shared with Charles, that perhaps the evidence against Annie was just a bit too neat. Keith then tried to confront Annie, at The River Room, with her motives, means, and lies but she told him that if he didn't have proof, he didn't have anything, and walked out. If you've been enjoying the episodes, please leave a review and share this with your friends.If you would like more information about the project, of have comments you would like to share, please do so on the social media pages where you found this, or email me at paintbymurders@gmail.comThanks for listening.
Send us a textWelcome to Guilders-Ford Radio, a Necromunda podcast broadcasting from the East Gate Docks of Hive Primus (via Guildford Games Club, Surrey, UK).Can you believe it... three, yes THREE whole years since we started this little podcasting adventure… we're still at it, and we're as amazed as you are.This month we have a very special guest - Florian Weinand joins us straight from his win at the Spiel Essen Golden Demon to talk about his winning Necromunda entry, his inspiration, process and painting philosophies. If you've been hiding under a sump pipe, go check out Florian's stunning House Ty delegation on his Instagram Page here.After winging it last month, Team GFR circle back to give our fleshed-out opinions on the ‘Bastions of Law' book, and Dixie and Gaz report on their playtesting ahead of our upcoming 'Cult of Gangrene' unofficial gang supplement.As ever, we finish up the episode with our usual hobby round up, and take a moment to marvel at the truly international Guilders-Ford Radio community!We'd like to take the opportunity to thank all our listeners who have chosen to support us on Patreon & Buzzsprout - your contributions help us make a better show!• Flow • Denny Wright • Stefan Sahlin • Matt Miler • Matti Puh • Nick McVett •Warhammer in the Dark •From_Somewhere • Alfonso • The Traitor • Johnny DeVille • Stephan B • Jeff Nelson • Lankydiceroller • Morskul • Beau • Justin Clark • Dr.Toe • Mikael Livas • Josh Reynolds • StandStab • ChestDrain • Scott Spieker • Tucker Steel • Shaughn • Stewart Young • Goatincoat • Jason • Joseph Serrani • Billy • Phil • Stephen Griffiths • Søren D • Spruewhisperer • Kevin Fowler • Scott Spieker • Andy Tabor • TheMichaelNimmo • Tucker Steel • Dave Shearman • Shaughn • Stewart Young •Damien Davis • Wayne Jeffrey • Frawgenstein • Matthey Mulcahy • William Payne •Thomas Laycock • Stephen Livingston • Tyler Anderson • McGobbo • Jed Tearle • Gene Archibald • James Marsden • John Haynes • Ryan Taylor • Yuki van Elzelingen • Dick Linehan • Rhinoxrifter • Shawn Hall • Eric McKenzie • Paul Shaw • Jenifer • Drew Williams • Greg Miller • Andy Farrell • Nate Combrink • Don Johnson • Michael Yule • Joe Roberts • TheRedWolf • Lukasz Jainski • Aaron Vissers • One Punch Orlock (Tom) • Matt Price • ShnubutsSupport the showHelp us make better content, and download free community resources!www.patreon.com/guildersfordradioAny comments, questions or corrections? We'd love to hear from you! Join the Guilders-Ford Radio community over at;https://linktr.ee/guildersfordradiowww.instagram.com/guildersfordradiowww.facebook.com/guildersfordradioGuildersFordRadio@Gmail.com ** Musical Attribution - Socket Rocker by (Freesound - BaDoink) **
This week on ‘The Write Question,' the first of a two-part conversation with novelist Chris Whitaker, author of ‘All the Colors of the Dark' (Crown Publishing Group). This conversation was recorded live at the Ravalli County Museum in Hamilton, Montana, in partnership with Chapter One Bookstore.
This week on ‘The Write Question,' the first of a two-part conversation with novelist Chris Whitaker, author of ‘All the Colors of the Dark' (Crown Publishing Group). This conversation was recorded live at the Ravalli County Museum in Hamilton, Montana, in partnership with Chapter One Bookstore.
Send us a textThe Paint by Murders - Harrisburg Homicide Mysteries podcast is an original podcast based on a series of unpublished mystery novels. It is written, hosted, and narrated by M. Travis DiNicola.This is the third episode of the fifth season.Paint by Murders – Harrisburg Homicide Mysteries, is an original podcast based on my mystery novels. Season four picks up where season three ended, and is based on my novella, MURDER ON THE ROCKS, and each episode features subsequent installments from the story.In this series the Capital city and its art galleries, bars, restaurants, and long-held secrets are featured in these cozy-inspired mysteries that are as unpredictable as the mighty Susquehanna River it sits onPaint by Murders features the painter, and amateur detective, Keith Reed, his wife Ginger, their crew of neighborhood friends, and the cozy, but sometimes dangerous city of Harrisburg. In the last episode, we found out that Danny Dolan was cutting Annie Lin out of a deal, which provides her with a motive for his murder. Also, Shelia Porter was closer to Danny than we knew, and had some personal issues with him, which could be a motive. And, the tox-screen came back showing that Danny was murdered with digitalis in his bourbon, making Michael Detective Henry's number one suspect. If you've been enjoying the episodes, please leave a review and share this with your friends.If you would like more information about the project, of have comments you would like to share, please do so on the social media pages where you found this, or email me at paintbymurders@gmail.comThanks for listening.
Sacramento Kings lose to the Chicago Bulls 126-113In this episode of The Royal Report I discuss the Kings not being able to defend the Bulls in the paint, the possibility of lineups when Keegan Murray returns from injury, and Sabonis showing signs of life offensively.
The All Local Afternoon Update for Tuesday, October 29 2025
Summary: A call from Ephesians 4 to let God demolish the old self, renew the mind, and live out the new life through truth, purity, tender hearts, and real forgiveness.Series: Ephesians - Unstoppable: The Life you Were Made To LiveTitle: Part 7 - Out with the Old, In with the NewDate: 10/29/25, 6:30pm, Wednesday Bible StudySpeaker: Pastor Scott AndersonApproximate Outline:00:00 – Paint story & the renovation metaphor04:20 – When it looks worse before it looks better07:50 – Ephesians 4: Out with the old, in with the new11:10 – The old mindset: emptiness and blindness15:10 – Hardened hearts & lost sensitivity18:50 – Broken compass: deception and direction22:40 – New identity in Christ: put off / put on27:00 – Living new: truth, anger, and words32:10 – Tender heart vs. bitterness36:40 – Forgiveness & closing prayer
Tune in for an inspiring reminder that God's plan is often revealed in the everyday moments—if we simply say yes.How can you stay in the present?Scotti Taylor shares how she's learned to trust God daily and see His presence in the small affirmations around her.She reminds us of the beauty in slowing down with her favorite quote, “Paint what is right in front of you,” a powerful metaphor for living faithfully in the present. Our candid conversation touches on motherhood, perseverance, community, and spiritual growth, offering encouragement for women navigating life's transitions with grace and faith.Scotti is our guest this week for Spicy Christian Women - Becoming All that and a Bag of Chips. This is part two.Scotti has been on the podcast before in I Will Not Be Silent episode 33; Takeaways and Looks Ahead episode 40 and How to Show Up for Each Other episode 108.You can find Scotti on Instagram Hey Scotti Taylor.Thanks for being part of the UY conversation.The Unabashed You website has a page for each guest of photos, quotes and a blog with embedded audio at unabashedyou.com. You can find the show on other podcast platforms. Want to lend your support and encouragement? We invite you to follow, rate, review and share.Social media (direct links):FacebookInstagramYouTubeIf you have questions or comments email us at: unabashedyou@gmail.com.We build upon on website visits, social media and word of mouth to share these episodes. We appreciate growth knowing these conversations help you think, celebrate who you are, and move you in some way.So be encouraged and continue to listen, read and be inspired.
Send us a textThe Paint by Murders - Harrisburg Homicide Mysteries podcast is an original podcast based on a series of unpublished mystery novels. It is written, hosted, and narrated by M. Travis DiNicola.This is the second episode of the fifth season.Paint by Murders – Harrisburg Homicide Mysteries, is an original podcast based on my mystery novels. Season four picks up where season three ended, and is based on my novella, MURDER ON THE ROCKS, and each episode features subsequent installments from the story.In this series the Capital city and its art galleries, bars, restaurants, and long-held secrets are featured in these cozy-inspired mysteries that are as unpredictable as the mighty Susquehanna River it sits onPaint by Murders features the painter, and amateur detective, Keith Reed, his wife Ginger, their crew of neighborhood friends, and the cozy, but sometimes dangerous city of Harrisburg. In the last episode, the well known-lobbyist Danny Dolan was found slumped over dead at the back table in The River Room. Foul play is suspected, though not confirmed, and for once Michael, the bar's owner, wants Keith to bring his investigation into The River Room. Many people had motives to kill Danny, including the jazz musician, Mose Alonso, who Keith caught up with later at the HMAC. He just left there when this episode begins. If you've been enjoying the episodes, please leave a review and share this with your friends.If you would like more information about the project, of have comments you would like to share, please do so on the social media pages where you found this, or email me at paintbymurders@gmail.comThanks for listening.
John, Candice and Jonathan join from IUPAT to talk about coating and paint. Alan Zipperer joins to talk about concrete pipe. Michael Chanin from Cherry Street joins from Cherry Street. And then the Hippy Segment.
Today on the phone-in: Jim White takes all your questions about painting and stainingBut first, the latest in development in the up-and-down story of efforts to save the historic Église Sainte-Marie in Church Point, Nova Scotia.
We pay tribute to Ace Frehley by watching a video of him shopping at a WalMart. This leads us to researching a story from the 90s where a Peter Criss imposter got in tabloids claiming that Criss is homeless. Then, we found old clips of Gene Simmons and Paul Stanley on Oprah and Geraldo. This led us to take a stroll down memory lane, reminiscing about 90s studio talk shows. We discover Steve Wlikos is still on air, and also learn who Karamo and Ed Mylett are. We end the show playing some motivational videos Rob's mom has sent him. Watch the episode on Youtube for free. Join our Patreon and get a bonus episode each month, and other behind-the-scenes goodies. More info here.Follow us on: Twitch, Instagram, Facebook, Twitter, Youtube and our Discord Chat. Also don't forget about our Spotify playlist. We also have merch if you're into that kind of sharing. Hosted on Acast. See acast.com/privacy for more information.
Send us a textThe Paint by Murders - Harrisburg Homicide Mysteries podcast is an original podcast based on a series of unpublished mystery novels. It is written, hosted, and narrated by M. Travis DiNicola.This is the first episode of the fifth season.Paint by Murders – Harrisburg Homicide Mysteries, is an original podcast based on my mystery novels. Season four picks up where season three ended, and is based on my novella, MURDER ON THE ROCKS, and each episode features subsequent installments from the story.In this series the Capital city and its art galleries, bars, restaurants, and long-held secrets are featured in these cozy-inspired mysteries that are as unpredictable as the mighty Susquehanna River it sits onPaint by Murders features the painter, and amateur detective, Keith Reed, his wife Ginger, their crew of neighborhood friends, and the cozy, but sometimes dangerous city of Harrisburg. If you've been enjoying the episodes, please leave a review and share this with your friends.If you would like more information about the project, of have comments you would like to share, please do so on the social media pages where you found this, or email me at paintbymurders@gmail.comThanks for listening.
Road paint isn't a barrier! Get off the road to safety! full 1435 Fri, 24 Oct 2025 18:05:00 +0000 j2ODqMdgUlI0Z1t0fwjCVzqXIMLfqSsm news,a-newscasts,top picks Marty Griffin news,a-newscasts,top picks Road paint isn't a barrier! Get off the road to safety! On-demand selections from Marty's show on Newsradio 1020 KDKA , airing weekdays from 10 a.m. to 2 p.m. 2024 © 2021 Audacy, Inc. News News News News news News News News News News False https://player.amperwavepodcasting.co
Design meets real estate in this week's Real Estate Today. We're exploring the hottest home design trends shaping America's housing market and the smart updates that can actually boost your home's value. From the “Ozempic of surface materials” slimming down kitchens everywhere to the newly announced 2026 Color of the Year, our experts break down what's in, what's out, and what's worth the investment. Guests include Mallory Slesser, interior designer and home stager; Sue Wadden, director of color marketing at Sherwin-Williams; Latham Jenkins, associate broker; Kati Spaniak, REALTOR®; and Mary Harmon, real estate expert. Plus, in our Hot or Not segment, we're talking two of the season's boldest design trends: faux fur finishes and curvy
Want to turn your content into a magnet for your dream clients? In this episode, Jason reveals how to craft a powerful “hero message” that positions your audience as the hero and you as their trusted guide. By understanding their struggles, confronting their limiting beliefs, and communicating your unique solution with clarity and emotion, you'll learn to influence and inspire without needing to go viral. Through storytelling, belief-shifting, and smart messaging, you'll discover how saying the right words in the right way to the right people can attract the clients you truly want. “People will cling on to their beliefs with all of their life. People fight for their limiting beliefs, unfortunately. And so we have to have a little bit of persuasion, a little bit of influence, a little bit of truth that we have to speak to them. In order to do that, you just have to get clear on what your belief is.” Key takeaways: Say the right words to the right people. The foundation of effective marketing lies in clear, targeted messaging that speaks directly to your ideal client's needs and desires. Your client is the hero. Position your audience as the main character in the story—you're the guide who helps them overcome struggles and achieve transformation. Get specific, not generic. The more detailed you are about your dream client's struggles, beliefs, and goals, the more your content will resonate and convert. Identify the villain. Every great story has a problem or force working against the hero—naming that villain helps your audience connect emotionally and see you as their solution. Show the transformation journey. Paint a clear picture of your client's step-by-step path from struggle to success to make their desired outcome believable and tangible. Develop a unique solution. Create and name your own process or framework to stand out in a crowded market and show how your approach is different. Shift beliefs through storytelling. Use personal or client stories to challenge limiting beliefs, build trust, and inspire people to take action. Connect with Jason Meland: Email: jason@goliveonlinemastermind.com Website: https://www.growmyvisibility.com/ Instagram: @coachjasonmeland Facebook: Jason Meland - In Demand Coach LinkedIn: Jason Meland
Our host, Stephanie Fortunato speaks with Andrea Dempster Chung, Co-Founder & Executive Director of Kingston Creative, about their long-term strategy to build a cultural district in downtown Kingston – and what it takes to turn natural talent into a thriving creative ecosystem. External references: Kingston Creative – the official site of the initiative.Paint the City – a large-scale mural programme aimed at beautifying downtown Kingston and supporting local artists.Artwalk Kingston – monthly activation by Kingston Creative in downtown Kingston.CreateTech Caribbean – a regional programme launched by Kingston Creative to support creative entrepreneurs through training and access to finance.Climate Change Art Park – a public art project by Camille Chedda developed in collaboration with GCDN and Alserkal Advisory as part of A Feral Commons.About the guest:Andrea Dempster Chung, is an engineer, entrepreneur and executive. She is the Cofounder and Executive Director of Kingston Creative an organisation seeking to transform Downtown; the founder of Bookophilia, a bookstore that promotes Caribbean literature and the founder of Go Global Art, an art marketing platform which helps artists from developing countries gain access to global markets. +
Microsoft is promising a bold AI-infused future for Windows 11, as the company aims to turn the OS into an AI-powered "agentic" hub. Amid all the Copilot hype, the hosts ask the tough questions: Are these AI features solving real problems, or is Big Tech just chasing a revenue gold rush? Tune in for sharp takes on AI skepticism, notable buzzwords, and the practical impact of Microsoft's ambitious new direction. Windows 11... Windows.ai?? Microsoft announces several new Copilot and AI features in Windows while redefining the term "AI PC" out from under Intel New features: Hey Copilot wake phrase (and goodbye), Copilot Vision is GA, new features coming soon include Copilot replacing Search in the Taskbar, Copilot Actions for local files, Manus AI agent and Filmora integration with File Explorer AI Actions, Zoom integration with Click to Do This is about Windows transforming into an "AI native" agentic OS Which ties into Paul's AI is the End of Apps editorial, where apps became programmable so that they can be controlled by AI - You can see baby steps in Windows 11 in-box apps now Microsoft explains how it will secure agents in Windows because Recall what happened last time Microsoft releases so-called emergency update for Windows 11 after the October Patch Tuesday updates killed USB mouse and keyboard supports in the Windows Recovery Environment (WRE). Windows Insider Program: Mobile devices settings improvements, File Explorer improvements, Drag Tray improvements, and other changes head to Dev (25H2) and Beta (24H2) channels New Start menu, battery icons, Copilot Vision integration in Taskbar, File Explorer improvements, Voice access improvements, and Click to Do improvements (Copilot+ PC only) head to Release Preview, indicating they will be a Week D preview and then Patch Tuesday release in November Restyle rolling out in Paint across most Insider channels Open AI finally launches long-expected web browser, but only on the Mac because FU, Microsoft Facebook Messenger for Windows is retiring, will chase rabbits on a farm upstate Microsoft What does Microsoft's annual report say about its relationship with consumers? Three core consumer businesses: Windows, Microsoft 365 Consumer, Xbox/gaming Xbox/gaming smallest (500m) but also the most engaged - and also the most discussed in the report Not clear what % of users/revenues is consumer based, but it's not a small number (guessing its at least one-third of each) AI Copilot for Education is coming in December, $18 per student per month Anthropic Claude is coming for Copilot in Microsoft 365 commercial Copilot has AI competition on Samsung smart TVs now Opera Neon is getting an AI research agent Xbox and gaming Xbox president says next console will be "very premium". You know, like Xbox Game Pass Ultimate. ASUS ROG Xbox Ally and Xbox Ally X are now available for purchase New wave of games coming to Game Pass across PC, console, and cloud, including Microsoft Flight Simulator 2024, The Outer Worlds 2, and more Following console price hikes, Xbox Development Kit gets a 33 percent price increase thanks to insane U.S. tariffs Tips & Picks Tip of the week: Laptops are upgradeable again and life is good App pick of the week: A grab bag of apps for Windows users RunAs Radio this These show notes have been truncated due to length. For the full show notes, visit https://twit.tv/shows/windows-weekly/episodes/955 Hosts: Leo Laporte, Paul Thurrott, and Richard Campbell Sponsors: ventionteams.com/twit helixsleep.com/windows framer.com/design promo code WW outsystems.com/twit
Microsoft is promising a bold AI-infused future for Windows 11, as the company aims to turn the OS into an AI-powered "agentic" hub. Amid all the Copilot hype, the hosts ask the tough questions: Are these AI features solving real problems, or is Big Tech just chasing a revenue gold rush? Tune in for sharp takes on AI skepticism, notable buzzwords, and the practical impact of Microsoft's ambitious new direction. Windows 11... Windows.ai?? Microsoft announces several new Copilot and AI features in Windows while redefining the term "AI PC" out from under Intel New features: Hey Copilot wake phrase (and goodbye), Copilot Vision is GA, new features coming soon include Copilot replacing Search in the Taskbar, Copilot Actions for local files, Manus AI agent and Filmora integration with File Explorer AI Actions, Zoom integration with Click to Do This is about Windows transforming into an "AI native" agentic OS Which ties into Paul's AI is the End of Apps editorial, where apps became programmable so that they can be controlled by AI - You can see baby steps in Windows 11 in-box apps now Microsoft explains how it will secure agents in Windows because Recall what happened last time Microsoft releases so-called emergency update for Windows 11 after the October Patch Tuesday updates killed USB mouse and keyboard supports in the Windows Recovery Environment (WRE). Windows Insider Program: Mobile devices settings improvements, File Explorer improvements, Drag Tray improvements, and other changes head to Dev (25H2) and Beta (24H2) channels New Start menu, battery icons, Copilot Vision integration in Taskbar, File Explorer improvements, Voice access improvements, and Click to Do improvements (Copilot+ PC only) head to Release Preview, indicating they will be a Week D preview and then Patch Tuesday release in November Restyle rolling out in Paint across most Insider channels Open AI finally launches long-expected web browser, but only on the Mac because FU, Microsoft Facebook Messenger for Windows is retiring, will chase rabbits on a farm upstate Microsoft What does Microsoft's annual report say about its relationship with consumers? Three core consumer businesses: Windows, Microsoft 365 Consumer, Xbox/gaming Xbox/gaming smallest (500m) but also the most engaged - and also the most discussed in the report Not clear what % of users/revenues is consumer based, but it's not a small number (guessing its at least one-third of each) AI Copilot for Education is coming in December, $18 per student per month Anthropic Claude is coming for Copilot in Microsoft 365 commercial Copilot has AI competition on Samsung smart TVs now Opera Neon is getting an AI research agent Xbox and gaming Xbox president says next console will be "very premium". You know, like Xbox Game Pass Ultimate. ASUS ROG Xbox Ally and Xbox Ally X are now available for purchase New wave of games coming to Game Pass across PC, console, and cloud, including Microsoft Flight Simulator 2024, The Outer Worlds 2, and more Following console price hikes, Xbox Development Kit gets a 33 percent price increase thanks to insane U.S. tariffs Tips & Picks Tip of the week: Laptops are upgradeable again and life is good App pick of the week: A grab bag of apps for Windows users RunAs Radio this These show notes have been truncated due to length. For the full show notes, visit https://twit.tv/shows/windows-weekly/episodes/955 Hosts: Leo Laporte, Paul Thurrott, and Richard Campbell Sponsors: ventionteams.com/twit helixsleep.com/windows framer.com/design promo code WW outsystems.com/twit
In this week's Q&A, we put Honda's notoriously-finicky black paint under the lights for a live demo as we target water spots & daily driving dirt using a combination of GTECHNIQ's W9 Water Spot Remover, W3 Ceramic GWash and more! As always, Dane & Anthony will also be answering your detailing product & technique questions for the whole two-hour event!Want to get your hands on the latest & greatest detailing towels, chemicals and tools from this year's TRCMA show? Check it all out at: https://theragcompany.comWant to catch the next live Q&A? Tune into The Rag Company YouTube Channel Thursdays at 2pm Mountain Time (4pm Eastern)
Microsoft is promising a bold AI-infused future for Windows 11, as the company aims to turn the OS into an AI-powered "agentic" hub. Amid all the Copilot hype, the hosts ask the tough questions: Are these AI features solving real problems, or is Big Tech just chasing a revenue gold rush? Tune in for sharp takes on AI skepticism, notable buzzwords, and the practical impact of Microsoft's ambitious new direction. Windows 11... Windows.ai?? Microsoft announces several new Copilot and AI features in Windows while redefining the term "AI PC" out from under Intel New features: Hey Copilot wake phrase (and goodbye), Copilot Vision is GA, new features coming soon include Copilot replacing Search in the Taskbar, Copilot Actions for local files, Manus AI agent and Filmora integration with File Explorer AI Actions, Zoom integration with Click to Do This is about Windows transforming into an "AI native" agentic OS Which ties into Paul's AI is the End of Apps editorial, where apps became programmable so that they can be controlled by AI - You can see baby steps in Windows 11 in-box apps now Microsoft explains how it will secure agents in Windows because Recall what happened last time Microsoft releases so-called emergency update for Windows 11 after the October Patch Tuesday updates killed USB mouse and keyboard supports in the Windows Recovery Environment (WRE). Windows Insider Program: Mobile devices settings improvements, File Explorer improvements, Drag Tray improvements, and other changes head to Dev (25H2) and Beta (24H2) channels New Start menu, battery icons, Copilot Vision integration in Taskbar, File Explorer improvements, Voice access improvements, and Click to Do improvements (Copilot+ PC only) head to Release Preview, indicating they will be a Week D preview and then Patch Tuesday release in November Restyle rolling out in Paint across most Insider channels Open AI finally launches long-expected web browser, but only on the Mac because FU, Microsoft Facebook Messenger for Windows is retiring, will chase rabbits on a farm upstate Microsoft What does Microsoft's annual report say about its relationship with consumers? Three core consumer businesses: Windows, Microsoft 365 Consumer, Xbox/gaming Xbox/gaming smallest (500m) but also the most engaged - and also the most discussed in the report Not clear what % of users/revenues is consumer based, but it's not a small number (guessing its at least one-third of each) AI Copilot for Education is coming in December, $18 per student per month Anthropic Claude is coming for Copilot in Microsoft 365 commercial Copilot has AI competition on Samsung smart TVs now Opera Neon is getting an AI research agent Xbox and gaming Xbox president says next console will be "very premium". You know, like Xbox Game Pass Ultimate. ASUS ROG Xbox Ally and Xbox Ally X are now available for purchase New wave of games coming to Game Pass across PC, console, and cloud, including Microsoft Flight Simulator 2024, The Outer Worlds 2, and more Following console price hikes, Xbox Development Kit gets a 33 percent price increase thanks to insane U.S. tariffs Tips & Picks Tip of the week: Laptops are upgradeable again and life is good App pick of the week: A grab bag of apps for Windows users RunAs Radio this These show notes have been truncated due to length. For the full show notes, visit https://twit.tv/shows/windows-weekly/episodes/955 Hosts: Leo Laporte, Paul Thurrott, and Richard Campbell Sponsors: ventionteams.com/twit helixsleep.com/windows framer.com/design promo code WW outsystems.com/twit
Happy Spooky Wednesday!It's the 4th week of Urban Legends October and we are here to bring you: Creepypastas!
Microsoft is promising a bold AI-infused future for Windows 11, as the company aims to turn the OS into an AI-powered "agentic" hub. Amid all the Copilot hype, the hosts ask the tough questions: Are these AI features solving real problems, or is Big Tech just chasing a revenue gold rush? Tune in for sharp takes on AI skepticism, notable buzzwords, and the practical impact of Microsoft's ambitious new direction. Windows 11... Windows.ai?? Microsoft announces several new Copilot and AI features in Windows while redefining the term "AI PC" out from under Intel New features: Hey Copilot wake phrase (and goodbye), Copilot Vision is GA, new features coming soon include Copilot replacing Search in the Taskbar, Copilot Actions for local files, Manus AI agent and Filmora integration with File Explorer AI Actions, Zoom integration with Click to Do This is about Windows transforming into an "AI native" agentic OS Which ties into Paul's AI is the End of Apps editorial, where apps became programmable so that they can be controlled by AI - You can see baby steps in Windows 11 in-box apps now Microsoft explains how it will secure agents in Windows because Recall what happened last time Microsoft releases so-called emergency update for Windows 11 after the October Patch Tuesday updates killed USB mouse and keyboard supports in the Windows Recovery Environment (WRE). Windows Insider Program: Mobile devices settings improvements, File Explorer improvements, Drag Tray improvements, and other changes head to Dev (25H2) and Beta (24H2) channels New Start menu, battery icons, Copilot Vision integration in Taskbar, File Explorer improvements, Voice access improvements, and Click to Do improvements (Copilot+ PC only) head to Release Preview, indicating they will be a Week D preview and then Patch Tuesday release in November Restyle rolling out in Paint across most Insider channels Open AI finally launches long-expected web browser, but only on the Mac because FU, Microsoft Facebook Messenger for Windows is retiring, will chase rabbits on a farm upstate Microsoft What does Microsoft's annual report say about its relationship with consumers? Three core consumer businesses: Windows, Microsoft 365 Consumer, Xbox/gaming Xbox/gaming smallest (500m) but also the most engaged - and also the most discussed in the report Not clear what % of users/revenues is consumer based, but it's not a small number (guessing its at least one-third of each) AI Copilot for Education is coming in December, $18 per student per month Anthropic Claude is coming for Copilot in Microsoft 365 commercial Copilot has AI competition on Samsung smart TVs now Opera Neon is getting an AI research agent Xbox and gaming Xbox president says next console will be "very premium". You know, like Xbox Game Pass Ultimate. ASUS ROG Xbox Ally and Xbox Ally X are now available for purchase New wave of games coming to Game Pass across PC, console, and cloud, including Microsoft Flight Simulator 2024, The Outer Worlds 2, and more Following console price hikes, Xbox Development Kit gets a 33 percent price increase thanks to insane U.S. tariffs Tips & Picks Tip of the week: Laptops are upgradeable again and life is good App pick of the week: A grab bag of apps for Windows users RunAs Radio this These show notes have been truncated due to length. For the full show notes, visit https://twit.tv/shows/windows-weekly/episodes/955 Hosts: Leo Laporte, Paul Thurrott, and Richard Campbell Sponsors: ventionteams.com/twit helixsleep.com/windows framer.com/design promo code WW outsystems.com/twit
We want to hear from you, Send us a TextIn this episode, Scott and Jeff lead the way in conversation about paint. That's right, the history of paint and it's composition back when Jeep first began all the way up to the future of paint. Learn about Enamel, 2 Stage, Clear Coat, Ceramic Coat, Powder Coat, and more. Plus, Neil finally gets excited about paint when future paint technology gets discussed. Self-Healing Paint and Solar Charging Paint? Tune in to find out more! Support the showThanks for listening, give us a review and check us out on YouTube -SFJ4x4 and visit our website to grab some great gear or products for your Jeep, SFJ4x4.com. Don't forget, you can email Jeffc@sfj4x4.com for special content requests, blind react videos, suggestions, special guests, or general questions. Check out our Patreon patreon.com/ISpeakJeep
Microsoft is promising a bold AI-infused future for Windows 11, as the company aims to turn the OS into an AI-powered "agentic" hub. Amid all the Copilot hype, the hosts ask the tough questions: Are these AI features solving real problems, or is Big Tech just chasing a revenue gold rush? Tune in for sharp takes on AI skepticism, notable buzzwords, and the practical impact of Microsoft's ambitious new direction. Windows 11... Windows.ai?? Microsoft announces several new Copilot and AI features in Windows while redefining the term "AI PC" out from under Intel New features: Hey Copilot wake phrase (and goodbye), Copilot Vision is GA, new features coming soon include Copilot replacing Search in the Taskbar, Copilot Actions for local files, Manus AI agent and Filmora integration with File Explorer AI Actions, Zoom integration with Click to Do This is about Windows transforming into an "AI native" agentic OS Which ties into Paul's AI is the End of Apps editorial, where apps became programmable so that they can be controlled by AI - You can see baby steps in Windows 11 in-box apps now Microsoft explains how it will secure agents in Windows because Recall what happened last time Microsoft releases so-called emergency update for Windows 11 after the October Patch Tuesday updates killed USB mouse and keyboard supports in the Windows Recovery Environment (WRE). Windows Insider Program: Mobile devices settings improvements, File Explorer improvements, Drag Tray improvements, and other changes head to Dev (25H2) and Beta (24H2) channels New Start menu, battery icons, Copilot Vision integration in Taskbar, File Explorer improvements, Voice access improvements, and Click to Do improvements (Copilot+ PC only) head to Release Preview, indicating they will be a Week D preview and then Patch Tuesday release in November Restyle rolling out in Paint across most Insider channels Open AI finally launches long-expected web browser, but only on the Mac because FU, Microsoft Facebook Messenger for Windows is retiring, will chase rabbits on a farm upstate Microsoft What does Microsoft's annual report say about its relationship with consumers? Three core consumer businesses: Windows, Microsoft 365 Consumer, Xbox/gaming Xbox/gaming smallest (500m) but also the most engaged - and also the most discussed in the report Not clear what % of users/revenues is consumer based, but it's not a small number (guessing its at least one-third of each) AI Copilot for Education is coming in December, $18 per student per month Anthropic Claude is coming for Copilot in Microsoft 365 commercial Copilot has AI competition on Samsung smart TVs now Opera Neon is getting an AI research agent Xbox and gaming Xbox president says next console will be "very premium". You know, like Xbox Game Pass Ultimate. ASUS ROG Xbox Ally and Xbox Ally X are now available for purchase New wave of games coming to Game Pass across PC, console, and cloud, including Microsoft Flight Simulator 2024, The Outer Worlds 2, and more Following console price hikes, Xbox Development Kit gets a 33 percent price increase thanks to insane U.S. tariffs Tips & Picks Tip of the week: Laptops are upgradeable again and life is good App pick of the week: A grab bag of apps for Windows users RunAs Radio this These show notes have been truncated due to length. For the full show notes, visit https://twit.tv/shows/windows-weekly/episodes/955 Hosts: Leo Laporte, Paul Thurrott, and Richard Campbell Sponsors: ventionteams.com/twit helixsleep.com/windows framer.com/design promo code WW outsystems.com/twit
Microsoft is promising a bold AI-infused future for Windows 11, as the company aims to turn the OS into an AI-powered "agentic" hub. Amid all the Copilot hype, the hosts ask the tough questions: Are these AI features solving real problems, or is Big Tech just chasing a revenue gold rush? Tune in for sharp takes on AI skepticism, notable buzzwords, and the practical impact of Microsoft's ambitious new direction. Windows 11... Windows.ai?? Microsoft announces several new Copilot and AI features in Windows while redefining the term "AI PC" out from under Intel New features: Hey Copilot wake phrase (and goodbye), Copilot Vision is GA, new features coming soon include Copilot replacing Search in the Taskbar, Copilot Actions for local files, Manus AI agent and Filmora integration with File Explorer AI Actions, Zoom integration with Click to Do This is about Windows transforming into an "AI native" agentic OS Which ties into Paul's AI is the End of Apps editorial, where apps became programmable so that they can be controlled by AI - You can see baby steps in Windows 11 in-box apps now Microsoft explains how it will secure agents in Windows because Recall what happened last time Microsoft releases so-called emergency update for Windows 11 after the October Patch Tuesday updates killed USB mouse and keyboard supports in the Windows Recovery Environment (WRE). Windows Insider Program: Mobile devices settings improvements, File Explorer improvements, Drag Tray improvements, and other changes head to Dev (25H2) and Beta (24H2) channels New Start menu, battery icons, Copilot Vision integration in Taskbar, File Explorer improvements, Voice access improvements, and Click to Do improvements (Copilot+ PC only) head to Release Preview, indicating they will be a Week D preview and then Patch Tuesday release in November Restyle rolling out in Paint across most Insider channels Open AI finally launches long-expected web browser, but only on the Mac because FU, Microsoft Facebook Messenger for Windows is retiring, will chase rabbits on a farm upstate Microsoft What does Microsoft's annual report say about its relationship with consumers? Three core consumer businesses: Windows, Microsoft 365 Consumer, Xbox/gaming Xbox/gaming smallest (500m) but also the most engaged - and also the most discussed in the report Not clear what % of users/revenues is consumer based, but it's not a small number (guessing its at least one-third of each) AI Copilot for Education is coming in December, $18 per student per month Anthropic Claude is coming for Copilot in Microsoft 365 commercial Copilot has AI competition on Samsung smart TVs now Opera Neon is getting an AI research agent Xbox and gaming Xbox president says next console will be "very premium". You know, like Xbox Game Pass Ultimate. ASUS ROG Xbox Ally and Xbox Ally X are now available for purchase New wave of games coming to Game Pass across PC, console, and cloud, including Microsoft Flight Simulator 2024, The Outer Worlds 2, and more Following console price hikes, Xbox Development Kit gets a 33 percent price increase thanks to insane U.S. tariffs Tips & Picks Tip of the week: Laptops are upgradeable again and life is good App pick of the week: A grab bag of apps for Windows users RunAs Radio this These show notes have been truncated due to length. For the full show notes, visit https://twit.tv/shows/windows-weekly/episodes/955 Hosts: Leo Laporte, Paul Thurrott, and Richard Campbell Sponsors: ventionteams.com/twit helixsleep.com/windows framer.com/design promo code WW outsystems.com/twit
In this Road2Billions episode, I talk about one of the most overlooked details in real estate rehabs — paint selection. The right paint can make a cheap flip look luxury and a rental look brand new. I break down which finishes to use for walls, trim, and ceilings, how to pick colors that sell, and what brands give you the best value for your budget. From flat vs. eggshell, semi-gloss vs. satin, and the go-to universal color combos that attract buyers and tenants — this episode gives you the full cheat code for making every property pop without overpaying. Key Takeaway: Don't just paint to cover walls — paint to increase value.
Full show notes and links available at https://www.permissiontopaint.co/podcast102 Ever wondered how artists actually make a living from their art? In this episode, I'm diving into the secret to sustainable income — multiple streams that support both your creativity and your bank account. Whether you've sold a few pieces or you're dreaming of your first sale, you'll discover how to turn your passion into a thriving art business — without losing your creative spark. ...read the full article at https://www.permissiontopaint.co/podcast102 Email support@rosgervayart.com to chat about how I can help you grow your art business. Resources & Mentions: Art for the Heart Growth Hub — Step-by-step support to sell your work, grow your audience, and turn inspiration into income. https://www.permissiontopaint.co/afh The Permission to Paint 2026 Planner — Your creative companion for planning a joyful and productive year. https://www.permissiontopaint.co/offers/DkBdZx9m/checkout Connect on Instagram https://www.instagram.com/rosgervayart Get weekly art biz tips straight to your inbox: https://www.permissiontopaint.co/stay-connected Leave a review! It helps other artists find the show. https://rosgervayart.com/blogs/art-for-the-heart-blog/how-to-leave-a-podcast-review-on-apple-podcasts
Do you ever think much about paint and coatings? Or the fact that pretty much everything in the built environment has some sort of protection on it? Paint and coatings are a $200 billion global industry, according to the American Coatings Association. Engineers are constantly developing new and innovative protections to ensure structures can withstand the elements and even improve a building's energy savings or carbon footprint. Paul Lavallee joins ASME TechCast to share some insights into the coatings industry. Lavallee is global market manager of Kynar Coatings at Arkema, where he has spent 27 years in a variety of engineering, manufacturing, research, supply chain, and business roles. He holds a bachelor's degree in Chemical Engineering from Rensselaer Polytechnic Institute and a Business Administration Executive Certificate from University of Notre Dame.
Tonight on Late Night Legends, Tim drags Frank and Maria through three hauntings so absurd they shouldn't exist—yet no one's managed to kill them with skepticism.First, The Haunted Chicken. Reports of clucking, fluttering shapes in cold corridors, and a bird that refuses to stay dead. It's ridiculous—until you hear the witnesses. Then it's ridiculous and unsettling.Next, The Paint-Color Suicide. A guest so enraged by the wrong shade in someone else's home that she took her own life. The room hasn't behaved since: hues shift on their own, fresh coats bleed through, and the air carries a sour note of obsession. Aesthetic fury made permanent.Finally, Francis Bacon's Final Experiment. The father of the scientific method tried to preserve meat by packing a chicken with snow, caught pneumonia, and died. What followed were whispers of cold, claws, and a feathered presence that stalked the edges of reason. When logic freezes, something else thaws.These aren't hauntings of love or grief—they're hauntings of pride, vanity, and philosophical breakdown.Tell us in the comments: Which story wrecked your sanity the most—Chicken, Paint, or Bacon?JOIN US ON 10/27— Our Halloween Harry Potter Night at Hogwarts Special! Wands, house rivalries, cursed games, and magical chaos. Subscribe so you don't miss the Great Hall mayhem.Follow Ashley (AshvsEvilBread): Horror, hauntings, and beautifully bad decisionshttps://linktr.ee/ashvsevilbreadJoin the Late Night Legends Discord: Share your stories, drop cursed memes, and live in year-round spooky seasonhttps://discord.gg/kESdgRH47UHere at Late Night Legends, spooky season is all year. Like, subscribe, and pray the chicken doesn't follow you home.
NB: Jane! It was Jane, not Julie, who recommended the TIB essay. Sorry, Jane!SLEERICKETS is a podcast about poetry and other intractable problems. My book Midlife now exists. Buy it here, or leave it a rating here or hereFor more SLEERICKETS, subscribe to SECRET SHOW, join the group chat, and send me a poem for Listener Crit!Leave the show a rating here (actually, just do it on your phone, it's easier). Thanks!Wear SLEERICKETS t-shirts and hoodies. They look good!SLEERICKETS is now on YouTube!For a frank, anonymous critique on SLEERICKETS, subscribe to the SECRET SHOW and send a poem of no more 25 lines to sleerickets [at] gmail [dot] com Some of the topics mentioned in this episode:Pre-order Brian's new book The Optimists!The Fatima Sun Miracle: Much More Than You Wanted To Know by Scott AlexanderPoetry Demon HuntersWilliam JamesPascal's wagerEp 214: Serious Bad Catholic, ft. Steve KnepperNight by Elie WieselI Spent Years Searching for Magic—I Found God Instead by Tara Isabella BurtonHail Satan? (2019)Andrew PalmerThomas AquinasBrats (2024)Reverse Cowgirl, Raving, and Love and Money, Sex and Death by McKenzie WarkKathy AckerI'm very into you: Correspondence 1995-1996 by McKenzie Wark and Kathy AckerJudith ButlerFrequently mentioned names:– Joshua Mehigan– Shane McCrae– A. E. Stallings– Ryan Wilson– Morri Creech– Austin Allen– Jonathan Farmer– Zara Raab– Amit Majmudar– Ethan McGuire– Coleman Glenn– Chris Childers– Alexis Sears– JP Gritton– Alex Pepple– Ernie Hilbert– Joanna Pearson– Matt Wall– Steve Knepper – Helena FederOther Ratbag Poetry Pods:Poetry Says by Alice AllanI Hate Matt Wall by Matt WallVersecraft by Elijah BlumovRatbag Poetics By David Jalal MotamedAlice: In Future PostsBrian: @BPlatzerCameron: Minor TiresiasMatthew: sleerickets [at] gmail [dot] comMusic by ETRNLArt by Daniel Alexander Smith
Who's thirsty? This week your gals are ditzy, frisky, and absolutely tipsy off an episode all about booze perfumes. It's a bad day to be a beer at Nose Candy HQ, where the ladies are covering everything from wet ashtrays to pumpkin spice season to powdery patchouli perfection. What do you get when you mix a gay guy open bar and a fresh nipple piercing? Paint thinner Negronis of course! Get ready to pour one up, take one back, and tie one on and because this is an episode that you certainly won't remember about perfumes you'll never forget.Fragrances Discussed:Centerfold by Hollywood Gifts Black Tie by Celine Angel by MuglerSex and the Sea Francesca Bianchi Oriza LeGrande HorizonDelina by Parfums de MarleyPink Sugar Ariana Grande CloudRelique d'Amour by Oriza LeGrandHéliotrope by Oriza LeGrandYSL Back Opium Drunk Saffron Born to Stand OutBe my Cookie Born to Stand OutDirty Milk Born to Stand Out Hosted on Acast. See acast.com/privacy for more information.
This week's episode is all about Share the Arrows—a conservative Christian women's event in Dallas, Tx. I've had the honor of being invited to speak and represent the motherhood perspective from a biblical standpoint for 2024 (the year of its inception) and 2025. And both times were utterly surreal experiences in sheer scope of number of attendees (4,000 the first year and 6,700 the next) and the work involved to prep/run our booth Paint and Prose booth to serve a never-ending stream of customers and moms who stopped by to say hi.I'm sharing my thoughts and reactions to the event (spoiler: You should definitely come to the next one!) and why this is one women's conference I'll gladly say yes to. Enjoy! Mentions:Ep. 53: A Conversation About Deconstruction With Alisa ChildersSponsor Info:King's Ridge ElderberriesFresh, cold-pressed elderberry from a family-owned farm!Visit Their Site HereDon't forget to use the code: MAMA10 at checkout for 10% off!Bible References:Psalm 127:41 Peter 3:15Matthew 10:26-28Romans 12:151 Thessalonians 4:13-18Links:The Gentleness ChallengePenny Reward SystemPaint & ProseM Is for MamaPenny Reward System
Is it feasible to pursue paint:art for online business?
In this episode of Sister Wives Season 20, we react to Meri hosting a paint night as she continues to build a new life and community for herself. Meanwhile, Tony and Mykelti find themselves caught in a hail storm and tornado — because nothing with the Browns ever goes smoothly! And of course… Kody and Robyn are moving again.Join us as we dive into the storms, the transitions, and the ongoing dynamics that make Sister Wives Season 20, Episode 3 so unforgettable.#SisterWives #SisterWivesReaction #KodyBrown #RobynBrown #MeriBrown #TonyPadron #MykeltiBrownIf you or someone you love has left polygamy and needs assistance, please reach out to "Holding Out HELP" at 801-548-3492 or visit their website at www.holdingouthelp.orgAt Growing Up In Polygamy our mission is to "Create compassion for communities that have been misunderstood, marginalized and/or abused by their leaders, and to empower those who have left by giving them a platform to share their stories with the world."If you would like to DONATE to this cause you can do so here: https://donorbox.org/growing-up-in-polygamyInsta: @growingupinpolygamyNew website is now up! www.growingupinpolygamy.comTheme Song created by @artcowles Please feel free to reach out to us!growingupinpolygamy@gmail.com
There are so many reasons why you might want to pack up a bunch of supplies and carry them off to a family trip or exotic local.There are great reasons to try just this.But there are also reasons to leave your supplies at home.So in today's mini, let's talk about why you might want to keep working while traveling, why you might NOT want to, and then if yes, how do you set yourself up for success.---Each week, discover 3 ideas you can put to work in your next painting. Sign up for free here: www.learntopaintpodcast.com/newsletterSupport the show
Flourishing Clover, Beehive Lifters, Paint gone wrong, Kloss Update, Out and About at beekeeping events, Local Hive Report, Closing Comments
-News-Challenges-Item Shop-Tip of the DaySupport-A-Creator - mmmikie Support Daily Fortnite - anchor.fm/daily-fortnite/support Twitch - www.twitch.tv/mmmikedaddy YouTube - www.youtube.com/channel/UCNEJ4F24Xq8aNQRyI3FWhOg Twitter - https://twitter.com/MMMikieGames Instagram - instagram.com/mmmikedaddy/ Discord Server - discord.gg/qugJAVpMerch - https://shop.spreadshirt.com/mmmikedaddy Facebook - fb.me/mmmikedaddy email - mmmthatsgoodstuffgaming@gmail.com Epic - MMMikeDaddy PS4 - MagnificantMikie Daily Fortnite - itunes.apple.com/us/podcast/daily-fortnite/id1366304985The goal of Daily Fortnite is to build a positive community of Fortnite players so we can all enhance our enjoyment of Fortnite together.I want to hear your tips, tricks and stories too! So use the Anchor app to call the show and leave a message and you might be featured on the show!Remember to rate, review, subscribe, and like to help grow the show and the community!And as always, have fun, be safe, and Don't Get Lost in the Storm!