Podcast appearances and mentions of bernard green

The Henry Morgan Show with their first episode titled 'Manhattan In The Year 3000'. This episode aired Monday, September 2, 1946. The Henry Morgan Show aired on ABC Radio from 1946-1950. Henry Morgan: b. March 1915, NYC - d. May 1994, New York City. Program Features: Henry Morgan, Susie Dusseau, Charles Irving, Bernard Green and His Orchestra, Arnold Stang : : : : : My other podcast channels include: DRAMA X THEATER -- SCI FI x HORROR -- MYSTERY X SUSPENSE -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLES Enjoy my podcast? You can subscribe to receive new post notices. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot. Thank you for your support. https://otr.duane.media/ (https://otr.duane.media) | Instagram https://www.instagram.com/duane.otr/ (@duane.otr)

Bernard Green M.Ed, Doctoral Candidate (@johnnybgood09) joins host Jeff Perla (@thetravelinbum) to challenge him to have a conversation about race. Can white people be victims of racism? Is it ok to use the "N" word in songs? Is racism a power dynamic that is pushed upon others? Grab a glass of wine and keep up with us on this episode of Behind the Bum! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/behindthebum/support

In this episode, I talk with Constance "Connie" Lai about being an architect and a woman working in the preservation trades and construction field. We talk about professional differences she observed while completing her Richard Morris Hunt Fellowship in France and the importance of valuing the impact of tradespeople on the built environment. It's a great conversation that explores the impact of builders on the built environment and different ways to problem solve people & construction problems.Parable:A man came upon a construction site where three people were working. He asked the first, “What are you doing?” and the man replied: “I am laying bricks.” He asked the second, “What are you doing?” and the man replied: “I am building a wall.” As he approached the third, he heard him humming a tune as he worked, and asked, “What are you doing?” The man stood, looked up at the sky, and smiled, “I am building a cathedral!” - Vision ParableLinks:Washington Building CongressNat'l Association of window restoration specialists FB groupHope CrewPreservation Trades NetworkArchitect's Foundation Richard Morris Hunt PrizeDiversity Advancement ScholarshipLaboratoire de recherche des monuments historiques (LRMH)National Preservation InstituteNational Organization of Minority ArchitectsBlack in Historic PreservationTangible Remnants on InstagramTangible Remnants on FacebookTangible Remnants WebpageBio: Constance Lai, FAIA, NCARB, LEED AP BD+C, USACE-CQMConstance Lai is the Historic Preservation Manager for Grunley Construction. She provides Historic Preservation and Conservation support to both the Pre-Construction and Operations Departments. Her expertise ranges from design-build to quality control to sustainability. She has over 16 years of experience in historic preservation and has worked on the Eisenhower Executive Office Building, the Washington Monument, and the U.S. Capitol. She has lectured on integrating conservation into the design and construction process, the Washington Monument Earthquake Repair project, and the contributions of Thomas Casey and Bernard Green to the Washington, DC, built environment.She received her Bachelor of Architecture from Rice University and her Master of Science in Architectural Studies (History, Theory, and Criticism) from the Massachusetts Institute of Technology. She is an alumna of the AIADC Chapter’s Christopher Kelley Leadership Program. In 2017, she was awarded the Richard Morris Hunt Prize Scholarship, which afforded her the opportunity to spend five weeks in France visiting preservation architecture firms and visiting construction sites.

Download Podcast Over the years my husband and I have learned that if we want to keep our relationship alive we have to make each other a priority. We have to keep doing the things we know works. It is essential that we talk and listen…not just listen, but listen attentively. We have to forgive,  love and give generously. My husband has taught me the importance And the truth is the really important stuff have to stay a priority.  Most important relationship can grow stale. The truth is our relationship with God can grow stale too. It’s not that we exactly stop loving Him or anything like that, it’s just that life piles in on us. And, before we know it we are over committed and over whelmed. It is so easy to skip the things that are not tied to a due date or an emergency. Prayer. Bible Study. Worship. All fall in that category. Necessary. Essential even, but if we aren’t careful can lose their place on our schedule. I believe Mark 12:29-30 holds a very important key to keeping important things a priority. “Jesus replied, “The most important commandment is this: ‘Listen, O Israel! The LORD our God is the one and only LORD. 30And you must love the LORD your God with all your heart, all your soul, all your mind, and all your strength.’ Have you ever really looked at the words in that verse? And while I memorized the verse years ago, I missed the words…”all your mind.” Somehow I didn't realize that my spirit (heart and soul), mind (thoughts) and body (strength) were all involved  and worked together in the loving process.  A Sad truth... I loved God with all my heart…but because I let my emotions get in the way, there was some areas that I didn’t obey Him. I can wrap my disobedience in all kinds of pretty excuses, but it’s still sin. Lately, I’ve learned I need to love God with my mind too. Emotional maturity is shaped out of mental maturity 1 Corinthians 14:20 NIV Brothers and sisters, stop thinking like children. In regard to evil be infants, but in your thinking be adults.  How do children think? They think it’s fun to play in the street. They think the wall is a great place to draw and they think they should stick sharp things into the outlets. And what they believe will get them in big trouble. Their thinking is influenced by their lack of knowledge and their immaturity.  So what does a parent do? Parents train their children. They guide them. They give them facts and a value system that guides them in making right choices instead of simply reacting.  Train your mind like you would a child. 1 Timothy 4:7 But reject irreverent and silly myths. Instead, train yourself for godliness. As a believer, the thoughts and ideas that shape our beliefs and attitudes must be filtered through truth. I know a lady that loved her mother deeply, but nothing she did could change what that mother believed. She believed a lie and that lie kept her from having a relationship with her daughter. Pain from the mother’s childhood deceived her heart. The first sin came as a result of deception. Deception continues to be a dangerous trap. That is why it is so important to make Scripture a priority in your life.  I know all to well how easy that we can become so busy that it is difficult to find time to nourish our thinking with God's Word. With technology we have the opportunity to turn precious moments into spiritual nourishment, reminders and goads that get us back on track. If you are like me, podcasts are one of those ways to learn and grow while I drive or clean house.   New Podcast That’s why I'm starting a new podcast. I want to give you regular reminders, encouragement, stories and illustrations to build your faith and help you stay connected with God. I want to help you stoke your fire and I want to help you keep your relationship with God a priority. It's called Pat's View.  Click here to listen on iTunes. Be sure to subscribe to the podcast so you don't miss anything.   I'll be launching it in the next few days.  It will be a 21 day focus on "Thinking God's Way for a Change." I don’t know where you are in your walk with God, but I’m hungry for more of  Him. I want my life to bring glory to God. If I want change, I must change what I believe. I must base my life on truth, not public opinion. Let me explain with one of our adventures. We were making our way home from a conference in Kansas when we decided to stop in Jackson, MS to see their capitol building. Built in 1903 in the ornate Beaux Arts style. Like 30 other state capitol buildings it had a large magnificent dome that crowns the building regally. I love the mindset of the Architect Theodore Link, “The style adopted is a pure renaissance classic of dignity and elegance of proportion which will fittingly express the power, honor, and stability of the State.  more from flickr.com Twelve of the capitol buildings in the U.S. choose a totally distinct style and left off the dome entirely. That would break Bernard Green (a consultant to the State House Commission’s heart) He said, “A Capitol, of all buildings, should be strikingly massive, grand, noble…at once recognizable over all other buildings in the neighborhood as the Capitol.” The Mississippi State capitol does that grandly! Our tour began inside the rotunda looking up into the dome. It was breath taking as was everything I saw. The ornate Mississippi capitol building with all its shiny columns, stained glass, tall doorways, beautiful paintings, lavish moldings and opulent furnishings was indeed a reflection of that goal. The building décor includes 11 different kinds of marble (The kid in me says, marbles? Let’s play.) On the third and fourth floor instead of marble, they used a less expensive art process called scagliola. It produced walls and columns that had the marbling effect and shiny finish, but they could be made with sharper and richer colors. I thought it was marble until our tour guide corrected my error.    A bigger error. I didn’t realize that I was about to meet a man that was concerned with a much bigger error that would affect a lot more people. As we continued the tour, our guide explained that although the regular legislative session had ended the House was currently in special session to complete their budget. She added, but I think they are gone for the day, so let’s see if we can get inside to see the House Chambers.    As we entered the room I began to pray silently. Actually I had already been doing lots of that, because I understand that important decisions are made in that beautiful building. There was one representative in the room. He greeted us warmly. I respect busy people, so I was hesitant to say anything more, except I felt like God wanted me to ask him a question. “Is there anything that you would like for me to pray about?  He thought for a minute then he explained. “Truth. Pray that truth will be spoken here. That might surprise you, but the greatest need in this room is for truth.” Can I expand that scope? The whole world needs truth. But I also want to narrow that scope… You need truth. I recently read a serious warning for everyone with a hummingbird feeder. It warned against using artificial sweeteners in a bird feeder. It said the birds might die very quickly of starvation because there are no calories to sustain them. And that is exactly what is happening in our culture. Lies don’t come with a warning or poison label. When your mind is fed lies, those lies will shape what you believe. You will be deceived. Your mind won’t automatically spit out lies like you would spoiled milk, so you have to train your mind with truth.  Knowing truth helps you recognize and reject lies. John 17:17 NLT makes that process really clear. “Make them holy by your truth; teach them your word, which is truth.”   In the next few days I’ll invite you to join me for a free 21 day journey to help you “Think God’s Way for a Change.” When we change how and what we think, we change our actions too! Thinking God’s Way will shape your attitudes, your beliefs and your actions. It will bring healing and hope to your heart. It will challenge you and change you. It’s time to feed your faith and starve your fear. It’s time to win more battles and walk in the Spirit instead of your carnal desires. It time to experience more joy, more peace and even sleep better. Your thoughts matter more than you think… it’s time to change what you think and how you think. So if you’re ready for some change…please join me as I launch my brand new podcast…Think God’s Way for a Change!   If you were blessed by this post please share it with your friends. It might be exactly what they need.

There's nothing we can do to be safer on the roads than to educate ourselves and motorists. This show could save your life! American League of Cyclists Certified Instructors Jim Baross Jr, Bernard Green, Kellie J Morris, and Dave Morris share their training and experience

This episode, packed with 46 opening and closing theme tunes, will focus on the theme music to seven series, each from a different decade from the 1950s up to the present, and all of them with titles beginning with the letter B. Here are the series and theme tunes included in this episode: BLONDIE (1957) 1957 opening and closing titles Music composed by Leon Klatzkin; opening screeching by Arthur Lake BONUS THEMES: THE ADVENTURES OF SUPERMAN 1952-1958 opening titles Music composed by Leon Klatzkin BLONDIE (1968 revival) 1968-1969 opening titles Music composed by Al Brodax & Bernard Green; lyrics written by Dennis Marks; performed by Patricia Harty and Will Hutchins BURKE'S LAW/AMOS BURKE-SECRET AGENT (1963-1966) 1963-1965 opening and closing titles Music composed by Herschel Burke Gilbert 1965-1966 opening and closing titles Music composed by Herschel Burke Gilbert BONUS THEMES: HONEY WEST 1965-1966 opening titles Music composed by Herschel Burke Gilbert BURKE'S LAW (1994 revival) 1994-1994 opening titles Music composed by John E. Davis -Commercial Break- BARNEY MILLER (1975-1982) January 1975-September 1975 opening and closing titles Music composed by Jack Elliott & Allyn Ferguson September 1975-1976 opening and closing titles Music composed by Jack Elliott & Allyn Ferguson 1976-1977 opening and closing titles Music composed by Jack Elliott & Allyn Ferguson 1977-1982 opening and closing titles Music composed by Jack Elliott & Ferguson BONUS THEMES: FISH 1977-1978 opening and closing titles Music composed by Jack Elliott & Allyn Ferguson PISTOLS 'N' PETTICOATS 1966-1967 opening titles Music and lyrics written by Jack Elliott THE NEW DICK VAN DYKE SHOW 1971-1972 opening titles Music composed by Jack Elliott & Allyn Ferguson LOTSA LUCK! 1973-1974 opening titles Music and lyrics written by Jack Elliott & Allyn Ferguson, with Bill Persky & Sam Denoff; voice-overs by Dom DeLuise, Kathleen Freeman, Wynn Irwin, Beverly Sanders & Jack Knight CHARLIE'S ANGELS 1976-1977 opening titles Music composed by Jack Elliott & Allyn Ferguson; narrated by John Forsythe NIGHT COURT 1984-1992 opening titles Music composed by Jack Elliott BEAUTY AND THE BEAST (1987-1990) 1987-1989 opening titles Music composed by Lee Holdridge; dialogue by Ron Perlman & Linda Hamilton BONUS THEMES: GEMINI MAN 1976 opening titles Music composed by Lee Holdridge and Mark Snow CODE R 1977 opening titles Music composed by Lee Holdridge EIGHT IS ENOUGH 1978-1981 opening titles Music composed by Lee Holdridge; lyrics written by Molly-Ann Leikin; performed by Grant Goodeve MOONLIGHTING 1985-1988 opening titles Music composed by Lee Holdridge; lyrics written and theme performed by Al Jarreau -Commercial Break- BEVERLY HILLS, 90210 (1990-2000) 1990-1991 opening titles Music composed by John E. Davis 1991-1992 opening titles Music composed by John E. Davis 1992-1993 opening titles Music composed by John E. Davis 1993-1994 opening titles Music composed by John E. Davis 1994-2000 opening titles Music composed by John E. Davis 1994-1995 closing titles Music composed by John E. Davis BONUS THEMES: MELROSE PLACE 1992-1999 opening titles Music composed by Tim Truman 90210 2008-2009 opening titles Music composed by John E. Davis (based on his 1990 theme music to BEVERLY HILLS, 90210) MELROSE PLACE (2009 revival) 2009-2010 opening titles Music composed by Danny Lux (based on Tim Truman's 1992 theme music to MELROSE PLACE) THE BIG BANG THEORY (2007-present) 2007-present opening and closing titles Music and lyrics (used in opening titles only) written and performed by The Barenaked Ladies (Jim Creeggan, Kevin Hearn, Ed Robertson, Tyler Stewart) BEAUTY AND THE BEAST (2012-2016) 2012-2013 opening and closing titles Music composed by Claude Foisy; narrated by Kristin Kreuk & Jay Ryan 2013-2015 opening and closing titles

The Fat Man - "There he goes across the street into the drugstore, steps on the scale, height: 6 feet, weight: 290 pounds, fortune: Danger.  Who isit? The Fat Man." Brad Runyon was the Fat Man, played by Jack Scott Smart.  The series was created by Dashall Hammott and was first heard on the ABC network Jan. 21, 1946. J. Scott Smart fit the part of the Fat Man perfectly, weighing in at 270 pounds himself.  When he spoke, there was no doubt that this was the voice of a big guy.  Smart gave a witty, tongue-in-cheek performance and helped make THE FAT MAN one of the most popular detective programs on the  air. Smart also appeared in The March Of Time (early 1930s), the Theater Guild On The Air, Blondie, The Fred Allen Show, and The Jack Benny Program. There was also an version made in Australia, syndicated on the Artansa lable, about 1954.  There are at least 36 shows available from vendors.  The Australian Fat Man was played possibly by Lloyd Berrell. Although not featuring J. Scott Smart, who really fit the part, the series is quite good.THIS EPISODE:April 1, 1949. ABC network. "Murder Makes A Ham". Sponsored by: Pepto Bismol, Unguentine. An actress hires Runyon to find a photograph. J. Scott Smart, Dick Beals (commercial spokesman), Clark Andrews (director), Bernard Green (conductor), Bryna Raeburn, Charles Irving (announcer), Lawrence Klee (writer), Jean Ellen. 29:30.

The Fat Man"There he goes across the street into the drugstore, steps on the scale, height: 6 feet, weight: 290 pounds, fortune: Danger. Who isit? THE FAT MAN." Brad Runyon was the Fat Man, played by Jack Scott Smart. The series was created by Dashall Hammott and was first heard on the ABC network Jan. 21, 1946. J. Scott Smart fit the part of the Fat Man perfectly, weighing in at 270 pounds himself. When he spoke, there was no doubt that this was the voice of a big guy. Smart gave a witty, tongue-in-cheek performance and helped make THE FAT MAN one of the most popular detective programs on the air. Smart also appeared in The March Of Time (early 1930s), the Theater Guild On The Air, Blondie, The Fred Allen Show, and The Jack Benny Program. There was also an version made in Australia, syndicated on the Artansa lable, about 1954. There are at least 36 shows available from vendors. The Australian Fat Man was played possibly by Lloyd Berrell. Although not featuring J. Scott Smart, who really fit the part, the series is quite good. THIS EPISODE: Murder Calls The Undertaker (1951) - J. Scott Smart, Robert Sloane (director), Dashiell Hammett (author), Bernard Green (music director). 29:40.

The Fat Man premiered on ABC on Monday, January 21, 1946, at 8:30pm, as part of a block of four new programs which also included "I Deal in Crime," "Forever Tops," and "Jimmy Gleason's Diner." "The Fat Man" originated in the studios of WJZ in New York and began as a modestly priced sustainer [no sponsor but the station] vaguely based upon character ideas in Dashiell Hammett's writings and fleshed out by producer, E.J. ("Mannie") Rosenberg. The announcer was Charles Irving. The directors for the program were Clark Andrews, creator of "Big Town," and Charles Powers. The main writer for the series was Richard Ellington, but it was also scripted by Robert Sloane, Lawrence Klee and others. The veteran character actor Ed Begley was featured as Sgt. O'Hara. Regulars on the program included Petty Garde, Paul Stewart, Linda Watkins, Mary Patton as Lila North, and Vicki Vola, also the female lead in "Mr. District Attorney." Amzie Strickland played the ingenue, Cathy Evans, and Nell Harrison played Runyon's mother during the early episodes. The cast also included Dan Ocko, Roily Bester (wife of Alfred Pester, the science fiction writer), and Robert Dryden. An eleven-piece orchestra was on hand to provide live music, and was directed by Bernard Green, who also wrote that memorably stirring theme. The sound effects were by Ed Blaney, who actually did drop a coin in a change slot each week for the sound of the drug store scale."

The Fat Man" premiered on ABC on Monday, January 21, 1946, at 8:30pm, as part of a block of four new programs which also included "I Deal in Crime," "Forever Tops," and "Jimmy Gleason's Diner." "The Fat Man" originated in the studios of WJZ in New York and began as a modestly priced sustainer [no sponsor but the station] vaguely based upon character ideas in Dashiell Hammett's writings and fleshed out by producer, E.J. ("Mannie") Rosenberg. The announcer was Charles Irving. The directors for the program were Clark Andrews, creator of "Big Town," and Charles Powers. The main writer for the series was Richard Ellington, but it was also scripted by Robert Sloane, Lawrence Klee and others. The veteran character actor Ed Begley was featured as Sgt. O'Hara. Regulars on the program included Petty Garde, Paul Stewart, Linda Watkins, Mary Patton as Lila North, and Vicki Vola, also the female lead in "Mr. District Attorney." Amzie Strickland played the ingenue, Cathy Evans, and Nell Harrison played Runyon's mother during the early episodes. The cast also included Dan Ocko, Roily Bester (wife of Alfred Pester, the science fiction writer), and Robert Dryden. An eleven-piece orchestra was on hand to provide live music, and was directed by Bernard Green, who also wrote that memorably stirring theme. The sound effects were by Ed Blaney, who actually did drop a coin in a change slot each week for the sound of the drug store scale." THIS EPISODE:The Fat Man. April 1, 1949. ABC net. "Murder Wins The Draw". Sponsored by: Pepto Bismol, Unguentine. In Mexico, a beautiful woman leans Runyon to Guatemala City and a dead body in a hotel...murdered with a machete! J. Scott Smart, Dick Beals (commercial spokesman), Clark Andrews (director), Bernard Green (conductor), Bryna Raeburn, Charles Irving (announcer), Lawrence Klee (writer), Jean Ellen. 29:30