POPULARITY
listener comments? Feedback? Shoot us a text!For our season 4 finale, we take some time to answer burning questions from our listeners, and make some book recommendations for those interested in learning more about Chicano-Mexicano history, culture, and identity!Your hosts:Kurly Tlapoyawa is an archaeologist, ethnohistorian, and filmmaker. His research covers Mesoamerica, the American Southwest, and the historical connections between the two regions. He is the author of numerous books and has presented lectures at the University of New Mexico, Yale University, San Diego State University, and numerous others. He recently released a documentary film "Guardians of the Purple Kingdom" about Indigenous textile production in Oaxaca.Ruben Arellano Tlakatekatl is a scholar, activist, and professor of history. His research explores Chicana/Chicano indigeneity, Mexican indigenist nationalism, and Coahuiltecan identity resurgence. Other areas of research include Aztlan (US Southwest), Anawak (Mesoamerica), and Native North America. He has presented and published widely on these topics and has taught courses at various institutions. He currently teaches history at Dallas College – Mountain View Campus. Support the showFind us: https://www.facebook.com/TalesFromAztlantis Merch: https://chimalli.storenvy.com/ Book: The Four Disagreements: Letting Go of Magical Thinking (Amazon)
"In your face: Arte Chicano después de CARA" El título de la exposición In Your Face (En Tu Cara) fue tomado de una exposición de 1990 que comenzó en Los Ángeles y viajó a diez museos en los Estados Unidos, México (Museo de Arte Moderno, Ciudad de México) y España (Museo de América, Madrid) durante tres años. Treinta años después de CARA, In Your Face se esfuerza por presentar el arte Chicano-Mexicano a nuevas audiencias en Europa y en Méxicoa través de importantes asociaciones con las Embajadas de México en Italia, Alemania y España, y ahora con la Embajada de los Estados Unidos en México y el Smithsonian Museo Nacional del Latino Americano. Esta exposición demuestra cómo estos artistas han continuado creando obras de arte que son igual de vibrantes y poderosas, abordando audazmente los mismos temas de CARA que siguen siendo una parte integral de susvidas personales y artísticas. Presente en el Festival Internacional Cervantino Museo Conde Rul Del 13 de octubre al 4 de febrero de 2024 #RedMuseosIEC #FIC51 #Guanajuato
"In your face: Arte Chicano después de CARA" El título de la exposición In Your Face (En Tu Cara) fue tomado de una exposición de 1990 que comenzó en Los Ángeles y viajó a diez museos en los Estados Unidos, México (Museo de Arte Moderno, Ciudad de México) y España (Museo de América, Madrid) durante tres años. Treinta años después de CARA, In Your Face se esfuerza por presentar el arte Chicano-Mexicano a nuevas audiencias en Europa y en Méxicoa través de importantes asociaciones con las Embajadas de México en Italia, Alemania y España, y ahora con la Embajada de los Estados Unidos en México y el Smithsonian Museo Nacional del Latino Americano. Esta exposición demuestra cómo estos artistas han continuado creando obras de arte que son igual de vibrantes y poderosas, abordando audazmente los mismos temas de CARA que siguen siendo una parte integral de susvidas personales y artísticas. Presente en el Festival Internacional Cervantino Museo Conde Rul Del 13 de octubre al 4 de febrero de 2024 #RedMuseosIEC #FIC51 #Guanajuato
"In your face: Arte Chicano después de CARA" El título de la exposición In Your Face (En Tu Cara) fue tomado de una exposición de 1990 que comenzó en Los Ángeles y viajó a diez museos en los Estados Unidos, México (Museo de Arte Moderno, Ciudad de México) y España (Museo de América, Madrid) durante tres años. Treinta años después de CARA, In Your Face se esfuerza por presentar el arte Chicano-Mexicano a nuevas audiencias en Europa y en Méxicoa través de importantes asociaciones con las Embajadas de México en Italia, Alemania y España, y ahora con la Embajada de los Estados Unidos en México y el Smithsonian Museo Nacional del Latino Americano. Esta exposición demuestra cómo estos artistas han continuado creando obras de arte que son igual de vibrantes y poderosas, abordando audazmente los mismos temas de CARA que siguen siendo una parte integral de susvidas personales y artísticas. Presente en el Festival Internacional Cervantino Museo Conde Rul Del 13 de octubre al 4 de febrero de 2024 #RedMuseosIEC #FIC51 #Guanajuato
"In your face: Arte Chicano después de CARA" El título de la exposición In Your Face (En Tu Cara) fue tomado de una exposición de 1990 que comenzó en Los Ángeles y viajó a diez museos en los Estados Unidos, México (Museo de Arte Moderno, Ciudad de México) y España (Museo de América, Madrid) durante tres años. Treinta años después de CARA, In Your Face se esfuerza por presentar el arte Chicano-Mexicano a nuevas audiencias en Europa y en Méxicoa través de importantes asociaciones con las Embajadas de México en Italia, Alemania y España, y ahora con la Embajada de los Estados Unidos en México y el Smithsonian Museo Nacional del Latino Americano. Esta exposición demuestra cómo estos artistas han continuado creando obras de arte que son igual de vibrantes y poderosas, abordando audazmente los mismos temas de CARA que siguen siendo una parte integral de susvidas personales y artísticas. Presente en el Festival Internacional Cervantino Museo Conde Rul Del 13 de octubre al 4 de febrero de 2024 #RedMuseosIEC #FIC51 #Guanajuato
This performance was recorded at a concert in Granger, WA as part of Gritos del Alma, a project that began in 1992 in collaboration with Washington State Arts Commission and Radio KDNA to recognize and honor the diverse traditions of the people of Mexican descent residing in Washington State. The resulting 23-page bilingual booklet and 60-minute cassette provide an excellent introduction to the Chicano/Mexicano music traditions of the Yakima Valley.
As immigration from Mexico to the United States grew through the 1970s and 1980s, the Border Patrol, police, and other state agents exerted increasing violence against ethnic Mexicans in San Diego's volatile border region. In response, many San Diego activists rallied around the leadership of the small-scale print shop owner Herman Baca in the Chicano movement to empower Mexican Americans through Chicano self-determination. The combination of increasing repression and Chicano activism gradually produced a new conception of ethnic and racial community that included both established Mexican Americans and new Mexican immigrants. In Raza Si, Migra No: Chicano Movement Struggles for Immigrant Rights in San Diego (University of North Carolina Press, 2017), Jimmy Patino narrates the rise of this Chicano/Mexicano consciousness and the dawning awareness that Mexican Americans and Mexicans would have to work together to fight border enforcement policies that subjected Latinos of all statuses to legal violence. By placing the Chicano and Latino civil rights struggle on explicitly transnational terrain, Patino fundamentally reorients the understanding of the Chicano movement. Ultimately, Patio tells the story of how Chicano/Mexicano politics articulated an abolitionist position on immigration–going beyond the agreed upon assumptions shared by liberals and conservatives alike that deportations are inherent to any solutions to the still burgeoning immigration debate. Jimmy Patino is Assistant Professor of Chicano and Latino studies at the University of Minnesota. His broader research and teaching interests include Comparative Ethnic Studies, Chicano/a-Latino/a History, diaspora/transnationalism/borderlands, social movements and political mobilizations, and Cultural Studies. Lori A. Flores is an Associate Professor of History at Stony Brook University (SUNY) and the author of Grounds for Dreaming: Mexican Americans, Mexican Immigrants, and the California Farmworker Movement (Yale University Press, out in paperback May 2018). Learn more about your ad choices. Visit megaphone.fm/adchoices
As immigration from Mexico to the United States grew through the 1970s and 1980s, the Border Patrol, police, and other state agents exerted increasing violence against ethnic Mexicans in San Diego's volatile border region. In response, many San Diego activists rallied around the leadership of the small-scale print shop owner Herman Baca in the Chicano movement to empower Mexican Americans through Chicano self-determination. The combination of increasing repression and Chicano activism gradually produced a new conception of ethnic and racial community that included both established Mexican Americans and new Mexican immigrants. In Raza Si, Migra No: Chicano Movement Struggles for Immigrant Rights in San Diego (University of North Carolina Press, 2017), Jimmy Patino narrates the rise of this Chicano/Mexicano consciousness and the dawning awareness that Mexican Americans and Mexicans would have to work together to fight border enforcement policies that subjected Latinos of all statuses to legal violence. By placing the Chicano and Latino civil rights struggle on explicitly transnational terrain, Patino fundamentally reorients the understanding of the Chicano movement. Ultimately, Patio tells the story of how Chicano/Mexicano politics articulated an abolitionist position on immigration–going beyond the agreed upon assumptions shared by liberals and conservatives alike that deportations are inherent to any solutions to the still burgeoning immigration debate. Jimmy Patino is Assistant Professor of Chicano and Latino studies at the University of Minnesota. His broader research and teaching interests include Comparative Ethnic Studies, Chicano/a-Latino/a History, diaspora/transnationalism/borderlands, social movements and political mobilizations, and Cultural Studies. Lori A. Flores is an Associate Professor of History at Stony Brook University (SUNY) and the author of Grounds for Dreaming: Mexican Americans, Mexican Immigrants, and the California Farmworker Movement (Yale University Press, out in paperback May 2018). Learn more about your ad choices. Visit megaphone.fm/adchoices
As immigration from Mexico to the United States grew through the 1970s and 1980s, the Border Patrol, police, and other state agents exerted increasing violence against ethnic Mexicans in San Diego's volatile border region. In response, many San Diego activists rallied around the leadership of the small-scale print shop owner Herman Baca in the Chicano movement to empower Mexican Americans through Chicano self-determination. The combination of increasing repression and Chicano activism gradually produced a new conception of ethnic and racial community that included both established Mexican Americans and new Mexican immigrants. In Raza Si, Migra No: Chicano Movement Struggles for Immigrant Rights in San Diego (University of North Carolina Press, 2017), Jimmy Patino narrates the rise of this Chicano/Mexicano consciousness and the dawning awareness that Mexican Americans and Mexicans would have to work together to fight border enforcement policies that subjected Latinos of all statuses to legal violence. By placing the Chicano and Latino civil rights struggle on explicitly transnational terrain, Patino fundamentally reorients the understanding of the Chicano movement. Ultimately, Patio tells the story of how Chicano/Mexicano politics articulated an abolitionist position on immigration–going beyond the agreed upon assumptions shared by liberals and conservatives alike that deportations are inherent to any solutions to the still burgeoning immigration debate. Jimmy Patino is Assistant Professor of Chicano and Latino studies at the University of Minnesota. His broader research and teaching interests include Comparative Ethnic Studies, Chicano/a-Latino/a History, diaspora/transnationalism/borderlands, social movements and political mobilizations, and Cultural Studies. Lori A. Flores is an Associate Professor of History at Stony Brook University (SUNY) and the author of Grounds for Dreaming: Mexican Americans, Mexican Immigrants, and the California Farmworker Movement (Yale University Press, out in paperback May 2018).
As immigration from Mexico to the United States grew through the 1970s and 1980s, the Border Patrol, police, and other state agents exerted increasing violence against ethnic Mexicans in San Diego's volatile border region. In response, many San Diego activists rallied around the leadership of the small-scale print shop owner Herman Baca in the Chicano movement to empower Mexican Americans through Chicano self-determination. The combination of increasing repression and Chicano activism gradually produced a new conception of ethnic and racial community that included both established Mexican Americans and new Mexican immigrants. In Raza Si, Migra No: Chicano Movement Struggles for Immigrant Rights in San Diego (University of North Carolina Press, 2017), Jimmy Patino narrates the rise of this Chicano/Mexicano consciousness and the dawning awareness that Mexican Americans and Mexicans would have to work together to fight border enforcement policies that subjected Latinos of all statuses to legal violence. By placing the Chicano and Latino civil rights struggle on explicitly transnational terrain, Patino fundamentally reorients the understanding of the Chicano movement. Ultimately, Patio tells the story of how Chicano/Mexicano politics articulated an abolitionist position on immigration–going beyond the agreed upon assumptions shared by liberals and conservatives alike that deportations are inherent to any solutions to the still burgeoning immigration debate. Jimmy Patino is Assistant Professor of Chicano and Latino studies at the University of Minnesota. His broader research and teaching interests include Comparative Ethnic Studies, Chicano/a-Latino/a History, diaspora/transnationalism/borderlands, social movements and political mobilizations, and Cultural Studies. Lori A. Flores is an Associate Professor of History at Stony Brook University (SUNY) and the author of Grounds for Dreaming: Mexican Americans, Mexican Immigrants, and the California Farmworker Movement (Yale University Press, out in paperback May 2018). Learn more about your ad choices. Visit megaphone.fm/adchoices
As immigration from Mexico to the United States grew through the 1970s and 1980s, the Border Patrol, police, and other state agents exerted increasing violence against ethnic Mexicans in San Diego’s volatile border region. In response, many San Diego activists rallied around the leadership of the small-scale print shop owner Herman Baca in the Chicano movement to empower Mexican Americans through Chicano self-determination. The combination of increasing repression and Chicano activism gradually produced a new conception of ethnic and racial community that included both established Mexican Americans and new Mexican immigrants. In Raza Si, Migra No: Chicano Movement Struggles for Immigrant Rights in San Diego (University of North Carolina Press, 2017), Jimmy Patino narrates the rise of this Chicano/Mexicano consciousness and the dawning awareness that Mexican Americans and Mexicans would have to work together to fight border enforcement policies that subjected Latinos of all statuses to legal violence. By placing the Chicano and Latino civil rights struggle on explicitly transnational terrain, Patino fundamentally reorients the understanding of the Chicano movement. Ultimately, Patio tells the story of how Chicano/Mexicano politics articulated an abolitionist position on immigration–going beyond the agreed upon assumptions shared by liberals and conservatives alike that deportations are inherent to any solutions to the still burgeoning immigration debate. Jimmy Patino is Assistant Professor of Chicano and Latino studies at the University of Minnesota. His broader research and teaching interests include Comparative Ethnic Studies, Chicano/a-Latino/a History, diaspora/transnationalism/borderlands, social movements and political mobilizations, and Cultural Studies. Lori A. Flores is an Associate Professor of History at Stony Brook University (SUNY) and the author of Grounds for Dreaming: Mexican Americans, Mexican Immigrants, and the California Farmworker Movement (Yale University Press, out in paperback May 2018). Learn more about your ad choices. Visit megaphone.fm/adchoices
As immigration from Mexico to the United States grew through the 1970s and 1980s, the Border Patrol, police, and other state agents exerted increasing violence against ethnic Mexicans in San Diego’s volatile border region. In response, many San Diego activists rallied around the leadership of the small-scale print shop owner Herman Baca in the Chicano movement to empower Mexican Americans through Chicano self-determination. The combination of increasing repression and Chicano activism gradually produced a new conception of ethnic and racial community that included both established Mexican Americans and new Mexican immigrants. In Raza Si, Migra No: Chicano Movement Struggles for Immigrant Rights in San Diego (University of North Carolina Press, 2017), Jimmy Patino narrates the rise of this Chicano/Mexicano consciousness and the dawning awareness that Mexican Americans and Mexicans would have to work together to fight border enforcement policies that subjected Latinos of all statuses to legal violence. By placing the Chicano and Latino civil rights struggle on explicitly transnational terrain, Patino fundamentally reorients the understanding of the Chicano movement. Ultimately, Patio tells the story of how Chicano/Mexicano politics articulated an abolitionist position on immigration–going beyond the agreed upon assumptions shared by liberals and conservatives alike that deportations are inherent to any solutions to the still burgeoning immigration debate. Jimmy Patino is Assistant Professor of Chicano and Latino studies at the University of Minnesota. His broader research and teaching interests include Comparative Ethnic Studies, Chicano/a-Latino/a History, diaspora/transnationalism/borderlands, social movements and political mobilizations, and Cultural Studies. Lori A. Flores is an Associate Professor of History at Stony Brook University (SUNY) and the author of Grounds for Dreaming: Mexican Americans, Mexican Immigrants, and the California Farmworker Movement (Yale University Press, out in paperback May 2018). Learn more about your ad choices. Visit megaphone.fm/adchoices
As immigration from Mexico to the United States grew through the 1970s and 1980s, the Border Patrol, police, and other state agents exerted increasing violence against ethnic Mexicans in San Diego’s volatile border region. In response, many San Diego activists rallied around the leadership of the small-scale print shop owner Herman Baca in the Chicano movement to empower Mexican Americans through Chicano self-determination. The combination of increasing repression and Chicano activism gradually produced a new conception of ethnic and racial community that included both established Mexican Americans and new Mexican immigrants. In Raza Si, Migra No: Chicano Movement Struggles for Immigrant Rights in San Diego (University of North Carolina Press, 2017), Jimmy Patino narrates the rise of this Chicano/Mexicano consciousness and the dawning awareness that Mexican Americans and Mexicans would have to work together to fight border enforcement policies that subjected Latinos of all statuses to legal violence. By placing the Chicano and Latino civil rights struggle on explicitly transnational terrain, Patino fundamentally reorients the understanding of the Chicano movement. Ultimately, Patio tells the story of how Chicano/Mexicano politics articulated an abolitionist position on immigration–going beyond the agreed upon assumptions shared by liberals and conservatives alike that deportations are inherent to any solutions to the still burgeoning immigration debate. Jimmy Patino is Assistant Professor of Chicano and Latino studies at the University of Minnesota. His broader research and teaching interests include Comparative Ethnic Studies, Chicano/a-Latino/a History, diaspora/transnationalism/borderlands, social movements and political mobilizations, and Cultural Studies. Lori A. Flores is an Associate Professor of History at Stony Brook University (SUNY) and the author of Grounds for Dreaming: Mexican Americans, Mexican Immigrants, and the California Farmworker Movement (Yale University Press, out in paperback May 2018). Learn more about your ad choices. Visit megaphone.fm/adchoices
As immigration from Mexico to the United States grew through the 1970s and 1980s, the Border Patrol, police, and other state agents exerted increasing violence against ethnic Mexicans in San Diego’s volatile border region. In response, many San Diego activists rallied around the leadership of the small-scale print shop owner Herman Baca in the Chicano movement to empower Mexican Americans through Chicano self-determination. The combination of increasing repression and Chicano activism gradually produced a new conception of ethnic and racial community that included both established Mexican Americans and new Mexican immigrants. In Raza Si, Migra No: Chicano Movement Struggles for Immigrant Rights in San Diego (University of North Carolina Press, 2017), Jimmy Patino narrates the rise of this Chicano/Mexicano consciousness and the dawning awareness that Mexican Americans and Mexicans would have to work together to fight border enforcement policies that subjected Latinos of all statuses to legal violence. By placing the Chicano and Latino civil rights struggle on explicitly transnational terrain, Patino fundamentally reorients the understanding of the Chicano movement. Ultimately, Patio tells the story of how Chicano/Mexicano politics articulated an abolitionist position on immigration–going beyond the agreed upon assumptions shared by liberals and conservatives alike that deportations are inherent to any solutions to the still burgeoning immigration debate. Jimmy Patino is Assistant Professor of Chicano and Latino studies at the University of Minnesota. His broader research and teaching interests include Comparative Ethnic Studies, Chicano/a-Latino/a History, diaspora/transnationalism/borderlands, social movements and political mobilizations, and Cultural Studies. Lori A. Flores is an Associate Professor of History at Stony Brook University (SUNY) and the author of Grounds for Dreaming: Mexican Americans, Mexican Immigrants, and the California Farmworker Movement (Yale University Press, out in paperback May 2018). Learn more about your ad choices. Visit megaphone.fm/adchoices
As immigration from Mexico to the United States grew through the 1970s and 1980s, the Border Patrol, police, and other state agents exerted increasing violence against ethnic Mexicans in San Diego’s volatile border region. In response, many San Diego activists rallied around the leadership of the small-scale print shop owner Herman Baca in the Chicano movement to empower Mexican Americans through Chicano self-determination. The combination of increasing repression and Chicano activism gradually produced a new conception of ethnic and racial community that included both established Mexican Americans and new Mexican immigrants. In Raza Si, Migra No: Chicano Movement Struggles for Immigrant Rights in San Diego (University of North Carolina Press, 2017), Jimmy Patino narrates the rise of this Chicano/Mexicano consciousness and the dawning awareness that Mexican Americans and Mexicans would have to work together to fight border enforcement policies that subjected Latinos of all statuses to legal violence. By placing the Chicano and Latino civil rights struggle on explicitly transnational terrain, Patino fundamentally reorients the understanding of the Chicano movement. Ultimately, Patio tells the story of how Chicano/Mexicano politics articulated an abolitionist position on immigration–going beyond the agreed upon assumptions shared by liberals and conservatives alike that deportations are inherent to any solutions to the still burgeoning immigration debate. Jimmy Patino is Assistant Professor of Chicano and Latino studies at the University of Minnesota. His broader research and teaching interests include Comparative Ethnic Studies, Chicano/a-Latino/a History, diaspora/transnationalism/borderlands, social movements and political mobilizations, and Cultural Studies. Lori A. Flores is an Associate Professor of History at Stony Brook University (SUNY) and the author of Grounds for Dreaming: Mexican Americans, Mexican Immigrants, and the California Farmworker Movement (Yale University Press, out in paperback May 2018). Learn more about your ad choices. Visit megaphone.fm/adchoices
As immigration from Mexico to the United States grew through the 1970s and 1980s, the Border Patrol, police, and other state agents exerted increasing violence against ethnic Mexicans in San Diego’s volatile border region. In response, many San Diego activists rallied around the leadership of the small-scale print shop owner Herman Baca in the Chicano movement to empower Mexican Americans through Chicano self-determination. The combination of increasing repression and Chicano activism gradually produced a new conception of ethnic and racial community that included both established Mexican Americans and new Mexican immigrants. In Raza Si, Migra No: Chicano Movement Struggles for Immigrant Rights in San Diego (University of North Carolina Press, 2017), Jimmy Patino narrates the rise of this Chicano/Mexicano consciousness and the dawning awareness that Mexican Americans and Mexicans would have to work together to fight border enforcement policies that subjected Latinos of all statuses to legal violence. By placing the Chicano and Latino civil rights struggle on explicitly transnational terrain, Patino fundamentally reorients the understanding of the Chicano movement. Ultimately, Patio tells the story of how Chicano/Mexicano politics articulated an abolitionist position on immigration–going beyond the agreed upon assumptions shared by liberals and conservatives alike that deportations are inherent to any solutions to the still burgeoning immigration debate. Jimmy Patino is Assistant Professor of Chicano and Latino studies at the University of Minnesota. His broader research and teaching interests include Comparative Ethnic Studies, Chicano/a-Latino/a History, diaspora/transnationalism/borderlands, social movements and political mobilizations, and Cultural Studies. Lori A. Flores is an Associate Professor of History at Stony Brook University (SUNY) and the author of Grounds for Dreaming: Mexican Americans, Mexican Immigrants, and the California Farmworker Movement (Yale University Press, out in paperback May 2018). Learn more about your ad choices. Visit megaphone.fm/adchoices
This podcast highlights the work of two organizations as we speak with Tupac Enrique Acosta about TONATIERRA in Phoenix, Arizona and Chris Crass about the Catalyst Project in San Francisco, California. TONATIERRA is continuing the fight against racial profiling and the denial of the right to education for Chicano/Mexicano and Indigenous peoples in Arizona. Tupace Enrique speaks about some of the recent education and campaign initiatives of the organization to resist these human rights violations. For more information on TONATIERRA visit http://cdb-tonatierra.blogspot.com/. The Catalyst Project just released an anti-racist educational manual called "Catalyzing Liberation Toolkit: Anti-Racst Organizing to build the 99% Movement". Catalyst Project co-founder, Chris Crass, speakes about the toolkit and the potentiality of the Occupy or 99% movement. For more information on the Toolkit visit http://www.organizingupgrade.com/2012/02/anti-racist-organizing-to-build-the-99-movement/. Tupac Enrique Acosta is a Judge of the First Nations International Court of Justice, Tupac is a founding member of the community-based organization of Indigenous Peoples TONATIERRA in Phoenix, Arizona. A long time researcher and activist in the field of indigenous international law, he has served as representative of Izkalotlan Pueblo to the United Nations Human Rights Commission, the UN Working Group on Indigenous Populations in Geneva, Switzerland and the UN Permanent Forum on Indigenous Issues in New York. As Yaotachcauh of Tlahtokan Nahuacalli, he serves as custodian and ambassador of the Nahuacalli, Embassy of the Indigenous Peoples in Phoenix, Arizona. As international observer, he has traveled to areas of armed conflict in Chiapas, Mexico, Guatemala, Colombia, Ecuador, Peru, Canada and across the US to monitor and report on the violations of civil, human and territorial rights of the Indigenous Peoples in their ongoing struggles against colonialism. Chris Crass is a longtime organizer working to build powerful working class-based, feminist, multiracial movements for collective liberation. Throughout the 1990s he was an organizer with Food Not Bombs, an economic justice anti-poverty group, strengthening the direct action-based anti-capitalist Left. As part of the global justice movement, he helped start the Catalyst Project in 2000, and was part of the leadership collective for eleven years. He is now a stay at home Dad, involved in the Occupy movement, and working on his book “Towards Collective Liberation: anti-racist organizing, feminist praxis, and movement building strategy”. He lives in Knoxville, TN with his partner and their son, River.
In this podcast we examine the effects of the Obama election on the Chicano/Mexicano community in the Greater Lansing and Michigan areas. We are fortunate to interview MSU and Lansing’s very own Ernesto Todd Mireles. Todd is a Ph.D student in American and Chicano/Latino Studies looking at social mobilization strategies in the Americas. Moreover, Todd […]