Podcast appearances and mentions of franz josef haydn

Laura Jackson, Reno Phil Music Director and Conductor, talks with Chris Morrison about the Reno Phil's “Lord Nelson Mass” concerts, the final concerts of the orchestra's 2024-25 Classix season, on April 12 and 13, 2025. The concerts feature the west coast premiere of Go where the wind takes you... by Iryna Aleksiychuk, the Mathis der Maler Symphony by Paul Hindemith, and, with the Reno Phil Chorus and soloists, the Lord Nelson Mass by Franz Josef Haydn.

Welcome to Season 03 Episode 19 - the "Bach and Beyond 2024 Part 2" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include: Mr. Paul Preston from The Movie Guys, Mr. Alexander Pegis, the 2024 B&B Emerging Young Artist, and Ms. Cheryl Bishkoff, founding oboist of the B&B Festival. Notes from the Aisle Seat is available from most of your favorite podcast sites, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. Thanks for listening! Time Stamps Paul Preston/Amadeus and Chevalier  02:27 Alexander Pegis  22:33 Arts Calendar  41:35 Cheryl Bishkoff 43:07 Media excerpt from Amadeus; Milos Foreman, director, F. Murray Abraham as Salieri, Orion Pictures 1984 Sinfonia in D Major, "La Veneziana": I. Allegro assai, A. Salieri, composer; performed by Amadeus Chamber Orchestra, YoungHo Choi, conductor, January 2013 Cello Concerto in B minor RV 424; A. Vivaldi, composer; performed by the Berlin Baroque Soloists, Georg Faust, cello, January 2015 Sonata #3 for Two Violins; Joseph Bologne, Chevalier de Saint-Georges, composer; Nathan Cole and Akiko Tarumotu, violins, Nov. 2022  Symphony # 45 in F-sharp minor (Farewell): IV. Finale, Franz Josef Haydn, composer; performed by the New Century Chamber Orchestra, San Francisco Conservatory of Music, May 2013 Artist Links The Movie Guys Paul Preston Alexander Pegis Cheryl Bishkoff   BECOME AN OPERA HOUSE MEMBER!  

Welcome to Season 03 Episode 18 - the "Bach and Beyond 2024 Part 1" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include: Mr. Ben Sheedy from Main Street Studios in Fredonia, and Dr. Byron Adams and Maestro Grant Cooper discussing the upcoming Bach and Beyond Festival.  Notes from the Aisle Seat is available from most of your favorite podcast sites, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. Thanks for listening! Time Stamps Ben Sheedy/Main Street Studios  02:22 Grant Cooper and Byron Adams/ Bach and Beyond Festival Part 1 21:41 Grant Cooper and Byron Adams/ Bach and Beyond Festival Part 2 38:53 Media Violin Concerto No. 1 in A Minor BWV 1041, J.S. Bach, composer. performed by Deutsche Kammerphilharmonie Bremen. Conductor: Omer Meir Wellber; Violin : Hilary Hahn, April 2020 "Life is a Cabaret," from the 1972 movie adaptation of the musical Cabaret; music by John Kander, lyrics by Fred Ebb, book by Joe Masteroff. Performed by Liza Minnelli, ABC Pictures Corp., 1972 Serenade for Nine Instruments: I. Allegro amabile, Byron Adams, composer (2011); performed by the Sinfonietta of Riverdale, Mark Mandarano, conductor; Albany Records 2016 Illuminations: 2. La tristesse amoureuse de la nuit, Byron Adams, composer (2008); Gary Barnett, piano; EKmusic 2022 Symphony # 45 in F-sharp minor (Farewell): IV. Finale, Franz Josef Haydn, composer; performed by the New Century Chamber Orchestra, San Francisco Conservatory of Music, May 2013 Artist Links Ben Sheedy Main Street Studios Ticket Website Byron Adams Grant Cooper BECOME AN OPERA HOUSE MEMBER!  

29 June 2021 | Ss. Peter and Paul | Eugene, Ore. After a week away from the podcast (and a record-breaking heatwave here in the Northwest!), we're back and skimming lightly over hundreds of years' history in the middle chapters of the Silmarillion. Also in this episode: Tolkien's answer to the question “what is the Lord of the Rings all about?”, St. John Henry Newman on the contrary yet vital spirits of Peter and Paul, and what lies behind the recently newsworthy doctrine of “Eucharistic coherence.” Opening music: “Gloria” from the Lord Nelson Mass, composed by Franz Josef Haydn, sung by the Bach Choir of Wellington, 2017. All rights reserved. --- Send in a voice message: https://anchor.fm/in-your-embrace/message

Prelude | Adagio by Franz Josef Haydn Christopher Hossfeld, Director of Music and Ritual, piano Seasons of Light is hosted by Harvard Divinity School's Office of Religious and Spiritual Life under the direction of Christopher Hossfeld, Director of Music and Ritual, and Kerry A. Maloney, Chaplain and Director of Religious and Spiritual Life. The full video recording of Seasons of Light 2020 can be found on the HDS YouTube page: https://www.youtube.com/watch?v=hVuYb9d7tCc&t=587s

Let's welcome a new season with a new season! The question is: "Are we welcoming Autumn with Season 2 of N&S or vice versa?" Either way, KC and Izaac are beyond excited for both seasons. Autumn's colors inspire so much beauty, but we've got more than just colors for you in this episode - plenty, decay, harvest, a certain fermented drink... How do artists and composers depict all these elements of this gorgeous season? Well, join us for the first episode of N&S's Season 2 to find out!   Artwork: Filippo Parodi (1630-1702): Allegory of Autumn (Bacchus) (1670s) Pieter Bruegel the Elder (c.1525-1569): The Return of the Herd (1565) Nicholas Poussin (1594-1665): Autumn (or The Spies with the Grapes of the Promised Land) (1660-1664)   Music: Antonio Vivaldi (1678-1741): La Quattro Stagioni: L'autunno (1716-17) Franz Josef Haydn (1732-1809): Die Jahreszeiten: Der Herbst (c.1800) Gustav Mahler (1860-1911): Das Lied von der Erde: Der Einsame im Herbst (1908-09) 

20 March 2020 | Third Friday of Lent | Roseburg, Ore. It’s hard to believe it’s only been a week since the last episode of this podcast. In that time, our worlds have been turned upside down in so many ways. Speaking to you now from a late-night walk on the deserted streets of my small Oregon hometown, some reflections on the Church, discernment, prayer and, yes, love in the time of coronavirus. Some practical tips also on how to make good use of the sufferings of this time to advance in the spiritual life (which essentially consists in loving well!) and some new resources coming your way from this podcast in the coming days and weeks. We’re all sheltering in place. May our place be in the heart of the Trinity, the living fount of love. Opening music: “Credo” from Missa in Angustiis (“Lord Nelson Mass”), composed by Franz Josef Haydn, sung by the Bach Choir of Wellington at St. Peter’s on Willis, Wellington, NZ, 2017. All rights reserved. --- Send in a voice message: https://anchor.fm/in-your-embrace/message

In this episode of Inside the Music: The Reno Phil Podcast, Laura Jackson and Chris Morrison discuss the second concerts of the Reno Phil's 2019-20 season. On November 9 and 10, 2019, Laura Jackson, the Orchestra, and guest violinist Oliver Leitner perform Ernest Chausson's Poeme, Franz Josef Haydn's dramatic Symphony No. 49 "La passione," and Sir Edward Elgar's colorful masterpiece the "Enigma" Variations.

Music this week includes, Franz Josef Haydn, 92nd symphony, third movement Vaughn Williams, Oxford Elegy Giovanni Bottesini, Arabian Nights, The Desert Alan Hovhaness, Oror (op. 1) Rufus Wainwright, Hometown Waltz Jan Dismas Zelenka, Votive Mass […] http://media.rawvoice.com/joy_queenofthenight/p/joy.org.au/queenofthenight/wp-content/uploads/sites/183/2019/07/2019_07_07_QOTN_01.mp3 Podcast: Play in new window | Download (Duration: 51:24 — 94.1MB) Subscribe or Follow Us: Apple Podcasts | Android | Google Podcasts | Spotify | RSS The post Whatcha Haydn? appeared first on Queen of the Night.

In 1795 composer Franz Josef Haydn was handed a libretto — something for which a symphonist would have no need. The title was "The Creation of the World." Nashville Symphony Chorus director Tucker Biddlecombe describes the piece it became, Haydn's Creation , as a gateway piece of orchestral music for choral singers.

The String Quartet in B Minor (Op. 33, No. 1) was the first of six quartets composed in 1781 by Franz Josef Haydn and popularly known as the "Russian" quartets. By this point in his career Haydn was a master of his craft, and with that confidence he began to experiment with the sonata form. This quartet is one of two that Haydn set in the key of B minor, a rare key for both Haydn and the string repertoire, and it has an uncharacteristically adventurous, questing quality. It moves from B minor through several keys, restlessly exploring rhythms, melodies, and modulations before "landing" back upon its home key in the breathless, virtuosic final movement. This piece amply demonstrates why Mozart held Haydn in high esteem. Series: "La Jolla Music Society: SummerFest" [Arts and Music] [Show ID: 33220]

The String Quartet in B Minor (Op. 33, No. 1) was the first of six quartets composed in 1781 by Franz Josef Haydn and popularly known as the "Russian" quartets. By this point in his career Haydn was a master of his craft, and with that confidence he began to experiment with the sonata form. This quartet is one of two that Haydn set in the key of B minor, a rare key for both Haydn and the string repertoire, and it has an uncharacteristically adventurous, questing quality. It moves from B minor through several keys, restlessly exploring rhythms, melodies, and modulations before "landing" back upon its home key in the breathless, virtuosic final movement. This piece amply demonstrates why Mozart held Haydn in high esteem. Series: "La Jolla Music Society: SummerFest" [Arts and Music] [Show ID: 33220]

The String Quartet in B Minor (Op. 33, No. 1) was the first of six quartets composed in 1781 by Franz Josef Haydn and popularly known as the "Russian" quartets. By this point in his career Haydn was a master of his craft, and with that confidence he began to experiment with the sonata form. This quartet is one of two that Haydn set in the key of B minor, a rare key for both Haydn and the string repertoire, and it has an uncharacteristically adventurous, questing quality. It moves from B minor through several keys, restlessly exploring rhythms, melodies, and modulations before "landing" back upon its home key in the breathless, virtuosic final movement. This piece amply demonstrates why Mozart held Haydn in high esteem. Series: "La Jolla Music Society: SummerFest" [Arts and Music] [Show ID: 33220]

The String Quartet in B Minor (Op. 33, No. 1) was the first of six quartets composed in 1781 by Franz Josef Haydn and popularly known as the "Russian" quartets. By this point in his career Haydn was a master of his craft, and with that confidence he began to experiment with the sonata form. This quartet is one of two that Haydn set in the key of B minor, a rare key for both Haydn and the string repertoire, and it has an uncharacteristically adventurous, questing quality. It moves from B minor through several keys, restlessly exploring rhythms, melodies, and modulations before "landing" back upon its home key in the breathless, virtuosic final movement. This piece amply demonstrates why Mozart held Haydn in high esteem. Series: "La Jolla Music Society: SummerFest" [Arts and Music] [Show ID: 33220]

Brother Lawrence A. Whitney, LC+ preaches a sermon entitled "Te Deum". The Marsh Chapel Choir sings "Hymn to the Eternal Flame" by Stephen Paulus and "Te Deum in C major" by Franz Josef Haydn along with service music and hymns.

Brother Lawrence A. Whitney, LC+ preaches a sermon entitled "Te Deum". The Marsh Chapel Choir sings "Hymn to the Eternal Flame" by Stephen Paulus and "Te Deum in C major" by Franz Josef Haydn along with service music and hymns.

Kevin L. Mack leads the orchestra and chorale in a performance of the first and the last choral works of Franz Josef Haydn and Johannes Brahms. Concert is at Manchester High School at 7:30 PM Tickets $18, $15 seniors and students, under 18 free.

This Podcast of the Banff Centre's Rolston Recital Series features interviews and performances from an accordionist and a cello, percussion, laptop duo. First, you'll hear Olivia Steimel talk about playing the accordion from childhood and perform Piano Sonata no. 50 in D Major by Franz-Josef Haydn. After, Elise Pittenger and Fernando Rocha will discuss playing contemporary works and feeling the emotion of their work followed by their performance of Intersections by Joao Pedro Oliviera.