Podcasts about tolkien

In a world devastated by the cataclysm of war, two extraordinary authors and friends, J. R. R. Tolkien and C. S. Lewis, delivered a bracing vision of the human story: a path back to goodness, beauty, and faith. How did they do it? For the first time, historian Joseph Loconte explains how the catastrophe of World War II trans­formed the lives and literary imagination of Tolkien and Lewis. The mechanized slaughter of the First World War had created a storm of disillusionment with the political and religious ideals of Western civilization. The new ideologies of Modernism, communism, Nazism, and totalitarianism rushed to fill the vacuum. At stake was a contest between civilization and barbarism. Tolkien and Lewis sought each other out in friendship and threw themselves into the struggle.Become a Parshall Partner: http://moodyradio.org/donateto/inthemarket/partnersSee omnystudio.com/listener for privacy information.

The Fellowgroup haven't made any friends in Rivendell. Adam's kin saw through his lies and beat him up until someone brought news that Grungus Took was nearby, Guy discovered that saying the name J.R.R. Tolkien injured his fellow elves, and at the Gondor camp, Denethea declared she wanted the ring for herself, then stabbed Del when Tyler said it wasn't theirs to give to her. Del and Tyler were saved by the arrival of Gandalf, and once the wizard got the troupe alone, he revealed that he knew they didn't belong in Middle-earth and produced The Fellowship of the Ring on DVD. Does this mean the troupe will finally learn the story they're stuck inside?Featuring players Tyler Hewitt, Del Borovic, Guy Bradford, and Adam McNamara, and Dungeon Master Tom McGee.Jesters of Middle-earth streams live every Wednesday at 7:30pm ET on Twitch (https://www.twitch.tv/dumbdumbdice)Enjoying Jesters of Middle-earth? - Consider supporting the show for as little as $1 a month to get BTS fun, an ad-free feed, and even add your own character to the podcast! (https://dumbdumbdice.com/join)- Buy merch on our website (https://dumbdumbdice.com/)- Follow us on social media: @dumbdumbdice- Watch our video episodes on YouTube (https://youtube.com/@dumbdumbdice) Artwork by the brilliant Del Borovic- Website & Portfolio (https://delborovic.com/), @deltastic on socialsTheme song by Sound Gallery by Dmitry Taras- YouTube (https://www.youtube.com/@soundgallerybydmitrytaras)- Pixabay (https://pixabay.com/music/fantasy-dreamy-childrens-dark-mysterious-halloween-night-scary-creepy-spooky-horror-music-116551/)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Harry, Luca, and Nick discuss the most dangerous man in America, the ultimate farce, and how Tolkien was very based.

With the thinning of the veil comes our annual autumnal offering! Just when you thought you were safe from repulsive repasts, pilfered plates, and things that slither in the night- Hobbitween 6 has arrived! Join Theo Fleetfoot, Ozzie Oiolaire, Finellen Frostbeard, Iadar Listbalarion, Pumpkins Proudfoot, and our fearless Lore Master for another terrifying trip to Middle-earth. Happy Hobbitween!  CitationsThe One Ring role playing game by Free League: https://freeleaguepublishing.com/en/games/the-one-ring/Thank you to our cast:Lore Master: James Kaku Pierson, Bsky @james.athrabeth.comTheo Fleetfoot: Max JiménezOzzie Oiolaire: Zeke Pease, Instagram @ezpease & @greenvillearms Finellen Frostbeard: James Keen, Instagram @james.squatchIadar Listbalarion: Jude Vais, Bsky jude.athrabeth.com Pumpkins Proudfoot: Stef Midlock, Bsky @stef.athrabeth.com & Instagram @thenorthfourTitle music is “Lord of the Devil Rings” by Ponymusic, courtesy of Pond5Soundscapes provided by Tabletop Audio, https://tabletopaudio.comFeatured tracks courtesy of Epidemic Sound:Amber Glow - Waves of TImeBen Elson - Cosmic CountdownBonnie Grace - Only the BraveChristoffer Moe Ditlevsen - TrackerDream Cave - Question MarkFirst Timer - Will You Marry Me (Baby, It's Christmas)Grevens Tid - Cry of the BansheeHampus Naeselius - OverrideHampus Naeselius - ReplicantsHoward Harper-Barnes - Mysterious ForestJonathan Bondesson - Spanish HeatJules Gaia - Hot PursuitsLennon Hutton - The SlasherLupus Nocte - ManiamasterMattie Maguire - Racing HeartsMax Anson - ConclusionRachel Sandy - Machina SoldierRachel Sandy - Shadow of MortusRobert “Robi” Svard - FormenteraRoy Williams - More of the SameScoobadive - Granny DanceViktor Lundberg - Nordic Mountain ReelAdditional Music and sound effects licensed from soundstripe, https://www.soundstripe.com  Support Zeke and check out The Greenville Arms 1889 Inn! https://www.greenvillearms.comFind us on the web at https://www.athrabethnetwork.com/athrabethJoin the conversation on the Athrabeth discord!Athrabeth is a production of the Athrabeth Podcast NetworkAthrabeth is Produced by James Kaku Pierson

In dieser weiteren Ausgabe der „Glaube und Fantasy“ schauen wir uns das Leben und Wirken von George MacDonald an. G. K. Chesterton, C. S. Lewis, J. R. R. Tolkien – ihr Werk würde heute ohne MacDonald, dem „Grossvater“ des Fantasy-Genres, ganz anders aussehen. Aber er war nicht nur Fantasy-Autor, sondern auch Theologe und Pfarrer. Genau diese Verbindung gibt seinen Werken eine ungeheure Kraft.

Steve presents a learned treatise on heavy metal songs about Lord of the Rings and other works by J.R.R. Tolkien, just in time for Halloween.

In the spring of 2022, Jacke dropped everything to plummet into one of the strangest poems he had ever read, "Goblin Market" by Christina Rossetti (1830-1894). The result was a two-part episode that never quite found its home. In this special Halloween episode, we've combined the best parts of both of those episodes to bring you the full story of an idiosyncratic Victorian poet and her bizarre tale of two sisters seduced by the fruits being sold by a pack of river goblins. Enjoy! Join Jacke on a trip through literary England (signup closing soon)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠. Or visit the ⁠⁠⁠⁠History of Literature Podcast Tour itinerary⁠⁠⁠⁠ at ⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠patreon.com/literature ⁠⁠⁠⁠or ⁠⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Step into the shadows of Erebor and discover the hidden truths that lie within the depths of Chapter 13 of JRR Tolkien's The Hobbit: “Not at Home”Save 15% at uncommongoods.com/lotrpodShare this episode using this link:ringspodcast.com/238Who are you?Please tell me a little about you: ringspodcast.com/surveyWander Farther: A Free Reading GuideDownload my FREE guide for reading Tolkien's Silmarillion: https://ringspodcast.kit.com/a982347493Want to sponsor the Lore of the Rings?Sponsor rates, details, and inquires hereSupport Lore of the Rings with a donationAbout the Lore of the Rings PodcastContact the show, donate, and find past episodes: ringspodcast.comEmbark on an immersive journey through the captivating realms of J.R.R. Tolkien's Middle-earth, where the epic sagas of the Lord of the Rings, the Hobbit, the Silmarillion, and Unfinished Tales, and more come to life. Join us as we delve into the rich tapestry of Tolkien's masterful storytelling, drawing intriguing comparisons between his literary works and the cinematic adaptations crafted by Peter Jackson. Be at the forefront of the latest developments as we explore the highly anticipated Rings of Power series from Amazon. Prepare to be enthralled as we uncover hidden connections, untold tales, and delve into the depths of Middle-earth lore. Tune in now and become part of our fellowship on this extraordinary journey!This podcast is not affiliated with the Tolkien Estate.Our Sponsors:* Check out Uncommon Goods: https://uncommongoods.com/lotrpodSupport this podcast at — https://redcircle.com/ringspodcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

*Note: this is the Free Content version of my interview with Dr. Markus Davidsen. To access the full interview, please consider becoming a Patreon member, or you can purchase this episode for a one time fee. www.patreon.com/RejectedReligion.  My guest this month is Dr. Markus Davidsen.Markus Altena Davidsen is university lecturer in the sociology of religion at Leiden University, the Netherlands. His work on fiction-based religion includes his PhD dissertation “The Spiritual Tolkien Milieu” (2014, cum laude), several articles on Tolkien spirituality and Star Wars-based Jediism, and the edited book Narrative and Belief: The Religious Affordance of Supernatural Fiction (Routledge, 2018). His other research interests include method, theory and research history of the study of religion and religion education. Currently, he is developing a new curriculum and didactical approach for the school subject worldview and religion in Dutch secondary education. In this episode, Markus discusses the concept of fiction-based religion- a term he coined to describe spiritual movements rooted in fictional narratives like Star Wars, and The Lord of the Rings. He distinguishes fiction-based religions (FBRs) from traditional religions by highlighting their lack of historical truth claims and their embrace of narrative as a source of spiritual authority.Markus traces the roots of FBRs to earlier movements like Rosicrucianism, noting how mythic storytelling has long served as a vehicle for spiritual exploration. He shares insights from his research into Jediism and Tolkien-inspired spirituality, examining how these communities construct rituals, ethics, and cosmologies from fictional texts.The conversation also explores the motivations behind FBR engagement, from identity formation to aesthetic and existential meaning.Drawing on Tanya Luhrmann's concept of interpretive drift, Markus reflects on how belief can evolve through practice, suggesting that ritual and engagement may precede conviction.Regarding Huizinga's theory of Homo Ludens, Markus highlights the three kinds of human practices – work, play, and ritual, where play and ritual seem on the surface to be similar, but the difference is: with play, one knows they are playing ( “fiction-contract” as taken from Theatre Studies) whereas ritual might look like play, but it is based on assumptions that the entities actually exist (“actuality contract”). This lens helps frame fandom as a potential site of faith, where “belief” can emerge through ritualistic, creative engagement.Finally, the conversation turns to his current project, Nieuwe werelden openen (“Opening New Worlds”), a pedagogical initiative that uses narrative and perspective-based inquiry to help students explore existential and societal questions. He reflects on how his FBR research informs this work, bridging imaginative engagement with educational practice.PROGRAM NOTESMarkus Davidsen - Leiden UniversityMarkus Altena Davidsen publiceert boek voor docenten levensbeschouwing - Universiteit Leiden2014 The Spiritual Tolkien Milieu: A Study of Fiction‐based Religion (full text)Narrative and Belief | The Religious Affordance of Supernatural Fictio [Book]Markus Altena Davidsen - Universiteit Leiden [Articles]Handbook of Hyper-real Religions | Brill Photo Markus Davidsen by Arash NikkahMusic and Editing: Daniel P. SheaEnd Production: Stephanie Shea

Step into the shadows of Erebor and discover the hidden truths that lie within the depths of Chapter 13 of JRR Tolkien's The Hobbit: “Not at Home”Save 15% at uncommongoods.com/lotrpodShare this episode using this link:ringspodcast.com/238Who are you?Please tell me a little about you: ringspodcast.com/surveyWander Farther: A Free Reading GuideDownload my FREE guide for reading Tolkien's Silmarillion: https://ringspodcast.kit.com/a982347493Want to sponsor the Lore of the Rings?Sponsor rates, details, and inquires hereSupport Lore of the Rings with a donationAbout the Lore of the Rings PodcastContact the show, donate, and find past episodes: ringspodcast.comEmbark on an immersive journey through the captivating realms of J.R.R. Tolkien's Middle-earth, where the epic sagas of the Lord of the Rings, the Hobbit, the Silmarillion, and Unfinished Tales, and more come to life. Join us as we delve into the rich tapestry of Tolkien's masterful storytelling, drawing intriguing comparisons between his literary works and the cinematic adaptations crafted by Peter Jackson. Be at the forefront of the latest developments as we explore the highly anticipated Rings of Power series from Amazon. Prepare to be enthralled as we uncover hidden connections, untold tales, and delve into the depths of Middle-earth lore. Tune in now and become part of our fellowship on this extraordinary journey!This podcast is not affiliated with the Tolkien Estate.Our Sponsors:* Check out Uncommon Goods: https://uncommongoods.com/lotrpodSupport this podcast at — https://redcircle.com/ringspodcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In a world devastated by the cataclysm of war, two extraordinary authors and friends, J. R. R. Tolkien and C. S. Lewis, delivered a bracing vision of the human story: a path back to goodness, beauty, and faith. How did they do it? For the first time, historian Joseph Loconte explains how the catastrophe of World War II trans­formed the lives and literary imagination of Tolkien and Lewis. The mechanized slaughter of the First World War had created a storm of disillusionment with the political and religious ideals of Western civilization. The new ideologies of Modernism, communism, Nazism, and totalitarianism rushed to fill the vacuum. At stake was a contest between civilization and barbarism. Tolkien and Lewis sought each other out in friendship and threw themselves into the struggle.Become a Parshall Partner: http://moodyradio.org/donateto/inthemarket/partnersSee omnystudio.com/listener for privacy information.

The fireside is a place where friendship is enjoyed-- it's also a place where friendship is essential. But what constitutes a good friendship? And what does it take to be a good friend? Guest Sarah Gilliland joins Callie this week to discuss what they've learned about friendship from Biblical wisdom, their favorite authors (Keller, Lewis, and Tolkien, to name a few), and their 13 years of friendship.For new episode updates, follow Second Rodeo on Instagram @second_rodeo_podcast and like the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ page.Happy listening, and more importantly, happy trails!

Join Corey for some final reflections on the confrontation in the Chamber, followed by some commentary on the skewering of hobbits. Join us on the Signum University Discord server: https://discord.com/invite/szXMFAv

Maggie and Corey and back, and today we are looking at the brilliant adaptation work of Miriam Ellis in her paintings.Corey and Maggie review a video from artist Miriam Ellis ( https://www.miriamellis.com/ ) where she introduces two of her Tolkien paintings, 'filling in the gaps' moments from The Lord of the Rings. They then dive into the paintings, discussing them as adaptations, and scratching the surface of further investigation!Other Minds and Hands: An Open and Friendly Discussion of Tolkien Adaptation, Episode 114, recorded on October 27, 2025.Join us on the Signum University Discord server: https://discord.gg/szXMFAvJoin us on Mondays at 4:30 PM ET, on this SignumU Youtube channel https://www.youtube.com/c/SignumUniversity and SignumU Twitch channel https://www.twitch.tv/signumu Check the schedule here. https://www.twitch.tv/signumu/schedule For more information https://mythgard.org/miscellany/ You can watch or listen to the recordings here. https://youtube.com/playlist?list=PLasMbZ4s5vIV0nHc_Ji8CLs1C-a6iuXMY https://tolkienprof.fireside.fm/subscribeHosts: Dr. Corey Olsen the Tolkien Professor https://signumuniversity.org/directory/corey-olsen/ Dr. Maggie Parke https://signumuniversity.org/directory/maggie-parke/Episode guest: Miriam Ellis https://www.miriamellis.com/For more information about Signum Studios and Signum Collaboratory, visit Signum Studios https://studios.signumuniversity.org/ Signum Collaboratory https://collaboratory.signumuniversity.org/For more information about Signum University https://signumuniversity.org/

The Man of the West is genuinely sorry; fortunately, Tolkien is talking about a Swedish interpreter of The Lord of the Rings instead. Learn more about your ad choices. Visit megaphone.fm/adchoices

While nerds are great at lots of things, we can struggle being present, knowing our limits with tech use, and generally submitting to God's kingdom and not our own. It is easy, in Tolkien's words, to move from Escaping to a better Reality towards Deserting the call God has put on our lives. The problem, at the end of the day, isn't that we haven't made a good enough reality yet, but that our world is broken and needs the great Restorer.Show Notes: https://bit.ly/47BNX4U 

Tonight we share in Tolkien's delight in names by studying the growth of the hobbit family trees. Join us on the Signum University Discord server: https://discord.com/invite/szXMFAv

The year is 1816, and 18-year-old Mary Shelley has fled London with her lover, Percy Shelley, and her sister, Claire. They're on their way to visit Lord Byron's villa in Lake Geneva, Switzerland - and to change the course of literary history. In this episode, Jacke talks to Caroline Lea about her novel Love, Sex, and Frankenstein, which tells the haunting, evocative story of the summer that should have broken Mary Shelley, but instead inspired her to write her Gothic masterpiece. PLUS we hear from a listener who's been reading with her children and has a recommendation for Jacke, we cover #10 on our list of Greatest Books of All Time, and Geoffrey Turnovsky (Reading Typographically: Immersed in Print in Early Modern France) stops by to discuss his choice for the last book he will ever read. Join Jacke on a trip through literary England (signup closing soon)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠. Or visit the ⁠⁠⁠⁠History of Literature Podcast Tour itinerary⁠⁠⁠⁠ at ⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠. Help support the show at ⁠⁠⁠⁠patreon.com/literature ⁠⁠⁠⁠or ⁠⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Erendis' mom gives her some pretty questionable relationship advice; Alan and Sara give you a pretty questionable podcast episode. Join The Man of the West and The Shieldmaiden of Rohan as we near the halfway point of our 10-part series on Aldarion and Erendis from Unfinished Tales. Aldarion tells Erendis to try to see it his way, but Erendis reminds him life is very short, and there's no time; the stars of this rom-com finally get betrothed; and Meneldur gives his wayward son some hard truths. We talk about Tolkien's incredible ability to write two sides to a debate, discuss the importance of contentment and agree that once you're 300, you're too old for wheelbarrows at dawn. Also, we spot a Temu Elendilmir. Learn more about your ad choices. Visit megaphone.fm/adchoices

What do C.S. Lewis, J.R.R. Tolkien, and the apostle Paul have in common? We look at Philippians 1:3–11 and see how Paul's letter overflows with gratitude, partnership, and confidence in the God who finishes what He starts.

Forscher im Norwegen suchten nach Spuren in der Natur spielender Kinder. Die Hütten, die sie fanden, waren 15 Jahre und älter. Ein deutlicher Beleg: Die Kindheit hat sich drastisch verändert. Die Literaturagenten sprechen mit Maja Lunde über ihr Manifest: "Rettet die Kindheit" - und mit Peter Stamm über einen Jungen, der die Phantasie hat, ein Astronaut zu sein. Seine Eltern gehen darauf ein, eine ganz besondere "Reise" beginnt. Außerdem in der Sendung ein Trip der speziellen Art: Thomas Mann im Gespräch mit Tolkien und Stephen King, und: eine Comicbiographie über "Die Knef".

Born from the pages of Conan the Barbarian, Red Sonja has always reflected what each era thinks strength in a woman looks like. The 1985 film — Dino De Laurentiis's final sword-and-sorcery gamble starring Brigitte Nielsen — was a lavish, doomed spectacle that critics mocked and fans later reclaimed as cult pulp. Forty years later, M. J. Bassett's 2025 reboot starring Matilda Lutz tries to reforge the legend with sleek CGI and feminist rhetoric after fifteen years in development hell. The result, say critics, is “visually bold but spiritually hollow,” another attempt to build a woman's Lord of the Rings without grasping what made Tolkien's world sacred. Tonight we compare sincerity versus irony, pulp versus polish, and ask: in an age of manufactured heroes, what does it still mean to believe in one?Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

When many people warn about the dangers of power, they refer to "The Lord of the Rings." The One Ring can be a symbol for the dangers power presents, but the message of the books is far more nuanced. In his famous trilogy, J.R.R. Tolkien also venerated monarchy and focuses on the danger of leaders who do not embrace their authority and act decisively. Podcaster Middle-earth Mixer joins me to discuss the true message Tolkien was attempting to convey about power. Follow on: Apple: https://podcasts.apple.com/us/podcast/the-auron-macintyre-show/id1657770114 Spotify: https://open.spotify.com/show/3S6z4LBs8Fi7COupy7YYuM?si=4d9662cb34d148af Substack: https://auronmacintyre.substack.com/ Twitter: https://twitter.com/AuronMacintyre Gab: https://gab.com/AuronMacIntyre YouTube:https://www.youtube.com/c/AuronMacIntyre Rumble: https://rumble.com/c/c-390155 Odysee: https://odysee.com/@AuronMacIntyre:f Instagram: https://www.instagram.com/auronmacintyre/ Today's sponsors: Visit : https://www.christiancollegeguide.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Efteråret er den tid på året, hvor man længes efter fortællinger, der kan spejle stemningen i mørket udenfor. I dette afsnit af Poptillægget taler vi om bøger, man kan læse, mens lyset gradvist trækker sig tilbage, og blæsten bliver mere og mere konfronterende. Vi dykker ned i alt fra efterårsklassikere og kanonromaner til nye udgivelser og poesi. PANEL Bodil Skovgaard Nielsen, kulturjournalist på Dagbladet Information. Anbefaling: Tag på Glyptoteket og se både den aktuelle udstilling af Alia Farid samt skulpturen ‘Kysset’ af Auguste Rodin. Mads Jannick Holm, litteraturformidler og oversætter. Anbefaling: (Gen)se filmen ‘Verdens værste menneske’. Sabitha Söderholm, forfatter og klummeskribent. Anbefaling: Læg mærke til vinden i sæsonen og i litteraturen. Vært: Lucia Odoom. Tag til Todd Rundgrens koncert i Amager Bio d. 4. november samt læs ‘Supersoaker’ af Lasse Dyrholm Jensen, som vi taler om i Poptillæggets bogklub i november. VÆRKER, VI TALER OM ‘The Worst Witch’ af Jill Murphy ‘Ringenes Herre’ af J. R. R. Tolkien ‘Om udregning af rumfang’ af Solvej Balle ‘Min kamp’ af Karl Ove Knausgård ‘Hvad skal vi med al den skønhed?’ af Rasmus Nikolajsen ‘Mørkt forår’ af Unica Zurn ‘Brevbæreren’ af Charlotte Weitze ‘Vi dræber Stella’ og ‘Væggen’ af Marlen Haushofer ‘Hvis du er bange, så ryk tættere på’ af Liv Helm ‘Frisk fordæv - (akuttekst(‘ af Lone Aburas ‘Om efteråret’ af Gunnar Ekelöf ‘Samlede digte’ af Edith Södergran ‘Det femte barn’ af Doris Lessing ‘Vanære’ af John Michael Coetzee ‘Fiskerne’ af Hans Kirk ‘Jeg bygger et hus med mine hænder’ af Marina Vorobyeva ‘Kirsebærhaven’ af Tjekhov. ‘Hedda Gabler’ af Henrik Ibsen. ‘Årene’, ‘Den frosne kvinde’ og ‘Fortabe sig’ af Annie Ernaux ‘De små tings gud’ af Arundhati Roy REDAKTION Lucia Odoom og Jonas Bach-Madsen. See omnystudio.com/listener for privacy information.

In this 8th anniversary remastered interview, Stefan Molyneux and Dr. Duke Pesta discuss J.R.R. Tolkien's "The Hobbit" and "The Lord of the Rings," exploring the impact of World Wars on themes of heroism and morality. They analyze the symbolism of the One Ring and contrast characters like Frodo with collective failures. This conversation encourages reflection on the enduring lessons of courage and integrity within Tolkien's works. Tune in for a compelling exploration of his literary legacy.SUBSCRIBE TO ME ON X! https://x.com/StefanMolyneuxFollow me on Youtube! https://www.youtube.com/@freedomain1GET MY NEW BOOK 'PEACEFUL PARENTING', THE INTERACTIVE PEACEFUL PARENTING AI, AND THE FULL AUDIOBOOK!https://peacefulparenting.com/Join the PREMIUM philosophy community on the web for free!Subscribers get 12 HOURS on the "Truth About the French Revolution," multiple interactive multi-lingual philosophy AIs trained on thousands of hours of my material - as well as AIs for Real-Time Relationships, Bitcoin, Peaceful Parenting, and Call-In Shows!You also receive private livestreams, HUNDREDS of exclusive premium shows, early release podcasts, the 22 Part History of Philosophers series and much more!See you soon!https://freedomain.locals.com/support/promo/UPB2025

An early encounter with one of the most famous people in the world initiated Jack Zipes into the world of fairy tales - and he never looked back. In this episode, Jacke talks to the fairy tale expert about his book Buried Treasures: The Power of Political Fairy Tales, which profiles modern writers and artists who tapped the political potential of fairy tales. PLUS Jacke delivers some Chaucer news before looking at Dostoevsky's Crime and Punishment, which lands at #11 on the list of the Greatest Books of All Time. NOTE: The discussion with Jack Zipes was originally released on July 17, 2023. It has not been available in the archives for many months. Join Jacke on a trip through literary England (signup closing soon)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠. Or visit the ⁠⁠⁠⁠History of Literature Podcast Tour itinerary⁠⁠⁠⁠ at ⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠. Help support the show at ⁠⁠⁠⁠patreon.com/literature ⁠⁠⁠⁠or ⁠⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Imagine a small hobbit, armed with nothing but his wits and a ring of power, engaging in a high-stakes conversation with a fearsome dragon. In this episode, we explore the mesmerizing encounter between Bilbo Baggins and Smaug in J.R.R. Tolkien's The Hobbit. Get ready to unravel the riddle-titles, decipher the subtle clues, and witness the remarkable transformation of our beloved hobbit.Save 15% at uncommongoods.com/lotrpodShare this episode using this link:ringspodcast.com/237Who are you?Please tell me a little about you: ringspodcast.com/surveyWander Farther: A Free Reading GuideDownload my FREE guide for reading Tolkien's Silmarillion: https://ringspodcast.kit.com/a982347493Want to sponsor the Lore of the Rings?Sponsor rates, details, and inquires hereSupport Lore of the Rings with a donationAbout the Lore of the Rings PodcastContact the show, donate, and find past episodes: ringspodcast.comEmbark on an immersive journey through the captivating realms of J.R.R. Tolkien's Middle-earth, where the epic sagas of the Lord of the Rings, the Hobbit, the Silmarillion, and Unfinished Tales, and more come to life. Join us as we delve into the rich tapestry of Tolkien's masterful storytelling, drawing intriguing comparisons between his literary works and the cinematic adaptations crafted by Peter Jackson. Be at the forefront of the latest developments as we explore the highly anticipated Rings of Power series from Amazon. Prepare to be enthralled as we uncover hidden connections, untold tales, and delve into the depths of Middle-earth lore. Tune in now and become part of our fellowship on this extraordinary journey!This podcast is not affiliated with the Tolkien Estate.Our Sponsors:* Check out Uncommon Goods: https://uncommongoods.com/lotrpodSupport this podcast at — https://redcircle.com/ringspodcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Imagine a small hobbit, armed with nothing but his wits and a ring of power, engaging in a high-stakes conversation with a fearsome dragon. In this episode, we explore the mesmerizing encounter between Bilbo Baggins and Smaug in J.R.R. Tolkien's The Hobbit. Get ready to unravel the riddle-titles, decipher the subtle clues, and witness the remarkable transformation of our beloved hobbit.Save 15% at uncommongoods.com/lotrpodShare this episode using this link:ringspodcast.com/237Who are you?Please tell me a little about you: ringspodcast.com/surveyWander Farther: A Free Reading GuideDownload my FREE guide for reading Tolkien's Silmarillion: https://ringspodcast.kit.com/a982347493Want to sponsor the Lore of the Rings?Sponsor rates, details, and inquires hereSupport Lore of the Rings with a donationAbout the Lore of the Rings PodcastContact the show, donate, and find past episodes: ringspodcast.comEmbark on an immersive journey through the captivating realms of J.R.R. Tolkien's Middle-earth, where the epic sagas of the Lord of the Rings, the Hobbit, the Silmarillion, and Unfinished Tales, and more come to life. Join us as we delve into the rich tapestry of Tolkien's masterful storytelling, drawing intriguing comparisons between his literary works and the cinematic adaptations crafted by Peter Jackson. Be at the forefront of the latest developments as we explore the highly anticipated Rings of Power series from Amazon. Prepare to be enthralled as we uncover hidden connections, untold tales, and delve into the depths of Middle-earth lore. Tune in now and become part of our fellowship on this extraordinary journey!This podcast is not affiliated with the Tolkien Estate.Our Sponsors:* Check out Uncommon Goods: https://uncommongoods.com/lotrpodSupport this podcast at — https://redcircle.com/ringspodcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Paolo Gulisano, Alessandro Gnocchi"Elogio del cuore mite"Introduzione di Guido ContiEdizioni Areswww.edizioniares.it“Guardiamoci attorno, pensiamo alla nostra vita: abbiamo mai vissuto un giorno seguendo la verità della mitezza? Alessandro Gnocchi e Paolo Gulisano ci accompagnano alla riscoperta di questo tema attraverso un ricco panorama di letture, riletture e scoperte. La mitezza oggi è un valore da riscoprire. Nella società della violenza diffusa, nelle nostre vite rancorose, insoddisfatte, frustrate e sofferenti non solo dal punto di vista fisico, la mitezza può diventare un percorso di felicità per sé stessi e per chi ci sta di fronte, un modo per smorzare l'onda d'urto che ogni giorno la vita ci riserva in maniera più o meno violenta.”(Guido Conti)Alessandro Gnocchi si occupa delle tematiche religiose nella letteratura moderna e contemporanea. In questo àmbito, ha pubblicato scritti su Cristina Campo, Fëdor Dostoevskij, J.R.R. Tolkien, G.K. Chesterton, Georges Simenon, Carlo Collodi e Arthur Conan Doyle. A Giovannino Guareschi, di cui è considerato uno dei maggiori studiosi, ha dedicato una decina di opere, tra cui Don Camillo & Peppone. L'invenzione del vero (Rizzoli), Giovannino Guareschi. Una storia italiana (Rizzoli), Viaggio sentimentale nel Mondo piccolo di Guareschi (Rizzoli), Lettere ai posteri di Giovannino Guareschi (Marsilio), Andavamo con Dio e tornavamo al tramonto (DreamBook) e, nel catalogo Ares, il profilo letterario Giovannino Guareschi. La poetica della libertà (2025). Si occupa inoltre di spiritualità dell'Oriente cristiano, a cui ha dedicato tra l'altro il volume Ritorno alle sorgenti (Monasterium, 2023), già tradotto in tedesco e russo.Paolo Gulisano è nato a Milano nel 1959. È medico, cultore di storia della Medicina e saggista. Ha pubblicato nel 2002 la prima monografia italiana su Chesterton: Chesterton e Belloc: apologia e profezia ed è fondatore e vicepresidente della Società Chestertoniana Italiana. È considerato uno dei maggiori esperti di J.R.R. Tolkien a cui ha dedicato: La mappa della Terra di Mezzo, La mappa del Silmarillon, La mappa dello Hobbit, Tolkien il mito e la grazia, Gli eroi de Il Signore degli Anelli. Si è occupato inoltre del beato John Henry Newman e di san Tommaso Moro con il volume Un uomo per tutte le utopie. L'eredità di san Tommaso Moro. Per Ares ha scritto Chesterton. La sostanza della fede (con Daniele De Rosa); Là dove non c'è tenebra. Storia di amicizia tra scrittori; Indagine su Sherlock Holmes; Stevenson. L'avventura nel cuore; C.S. Lewis. Nella terra delle ombre; «Cercate prima il Regno di Dio». Stanislao Medolago Albani. Padre del cattolicesimo sociale; e, per la collana “Un santo per amico”, Giuseppe Moscati. Il santo medico and Patrizio. Un santo tra le rovine dell'Impero. Diversi suoi volumi sono stati tradotti all'estero. Il suo sito è www.paologulisano.com Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

On this week's Mean Age Daydream: Socialist Chicago Mayor proposes social media sin tax, the No Kings rallies depend on Depends, and British Universities tell students they must accept that Orcs in Tolkien are supposed to be black people. We have a new show on Lions of Liberty! The Politicks Podcast! Be sure to subscribe to the standalone Politicks Podcast feed. This is the absolute best way to support the show! Listen and subscribe on Apple Podcasts and Spotify. And remember, they're all Blood Suckers! Help support what we do and grow our show! ⁠⁠⁠⁠ ⁠http://patreon.com/lionsofliberty⁠⁠⁠⁠⁠ OR support us on Locals! ⁠⁠⁠⁠⁠https://lionsofliberty.locals.com/⁠⁠⁠⁠⁠ Subscribe to the all new FIRST EPISODE PODCAST! ⁠⁠⁠⁠⁠https://cms.megaphone.fm/channel/ENTS⁠.... First Episode Pod on Rumble: ⁠⁠⁠⁠⁠https://rumble.com/c/c-5679432 Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's Mean Age Daydream: Socialist Chicago Mayor proposes social media sin tax, the No Kings rallies depend on Depends, and British Universities tell students they must accept that Orcs in Tolkien are supposed to be black people. We have a new show on Lions of Liberty! The Politicks Podcast! Be sure to subscribe to the standalone Politicks Podcast feed. This is the absolute best way to support the show! Listen and subscribe on Apple Podcasts and Spotify. And remember, they're all Blood Suckers! Help support what we do and grow our show! ⁠⁠⁠⁠ ⁠http://patreon.com/lionsofliberty⁠⁠⁠⁠⁠ OR support us on Locals! ⁠⁠⁠⁠⁠https://lionsofliberty.locals.com/⁠⁠⁠⁠⁠ Subscribe to the all new FIRST EPISODE PODCAST! ⁠⁠⁠⁠⁠https://cms.megaphone.fm/channel/ENTS⁠.... First Episode Pod on Rumble: ⁠⁠⁠⁠⁠https://rumble.com/c/c-5679432 Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's Mean Age Daydream: Socialist Chicago Mayor proposes social media sin tax, the No Kings rallies depend on Depends, and British Universities tell students they must accept that Orcs in Tolkien are supposed to be black people. We have a new show on Lions of Liberty! The Politicks Podcast! Be sure to subscribe to the standalone Politicks Podcast feed. This is the absolute best way to support the show! Listen and subscribe on Apple Podcasts and Spotify. And remember, they're all Blood Suckers! Help support what we do and grow our show! ⁠⁠⁠⁠ ⁠http://patreon.com/lionsofliberty⁠⁠⁠⁠⁠ OR support us on Locals! ⁠⁠⁠⁠⁠https://lionsofliberty.locals.com/⁠⁠⁠⁠⁠ Subscribe to the all new FIRST EPISODE PODCAST! ⁠⁠⁠⁠⁠https://cms.megaphone.fm/channel/ENTS⁠.... First Episode Pod on Rumble: ⁠⁠⁠⁠⁠https://rumble.com/c/c-5679432 Learn more about your ad choices. Visit megaphone.fm/adchoices

Join us as we finally hear from Gandalf about his encounter at the door of the Chamber of Mazarbul. Join us on the Signum University Discord server: https://discord.com/invite/szXMFAv

What do Tolkien's ghosts reveal about sin, redemption, and the afterlife? Jeff Haecker, Thomas Salerno, Patrick Mason & Rob Leonardi uncover the undead of Middle-earth—from barrow-wights to Nazgûl—and their spiritual meaning The post Ghosts and Undead of Middle Earth appeared first on StarQuest Media.

Join The Man of the West as we continue our look into Tolkien's letters and discover just how badly the Professor was irritated by a Swedish translator. Learn more about your ad choices. Visit megaphone.fm/adchoices

*VIDEO ONLY WATCH ON SPOTIFY OR YOUTUBE*Surprise bonus episode, part two! Abi and Ashley are back with another pack-opening adventure from Magic: The Gathering – Universes Beyond: The Lord of the Rings Tales of Middle-earth by Wizards of the Coast! After having so much fun with our first pack, we couldn't resist diving into another one to see what new treasures awaited us. Once again, we're total Magic newbies—but that doesn't stop us from geeking out over the stunning artwork, clever lore connections, and a few hilarious surprises along the way. It's a lighthearted episode full of laughs, gasps, and more Tolkien-inspired card magic!⁠https://linktr.ee/sistersoftheshirepodcast⁠⁠https://www.instagram.com/sistersoftheshirepodcast/⁠⁠https://www.patreon.com/sistersoftheshirepodcast⁠⁠https://open.spotify.com/show/1HIhmdeX6761vi7RyOjl8f?si=_qwdGdP7SbmAP2RWlji54w⁠

Why is our culture obsessed with sex, race, and Israel? And what do these moral battles have in common? In this episode, we unpack a powerful biblical lens that explains our modern obsession with virtue-signaling and moral outrage. From pride flags to anti-racism campaigns to protests over Gaza, each movement taps into humanity's desperate need to feel good...to be one of the “good guys.” But Scripture reveals that this hunger for moral justification isn't new; it began in the Garden of Eden. Discover how the gospel uniquely answers our craving for moral virtue, without hypocrisy, pride, or destruction. On this episode, we talk about: 0:00 Intro 1:43 The Human Need to Be Seen as Good 4:50 Sexual Ethics and the New Morality 8:28 The Bible's Solution: Admitting We're The Baddies 11:49 Racism and the Modern Morality Game 15:13 Antisemitism and the Search for Moral Superiority 19:25 The Gospel as the Only Way Out Subscribe on Substack ➡️ https://jeremypryor.substack.com Follow Jeremy on: Instagram: https://instagram.com/jeremympryor/ X: https://x.com/jeremympryor --- Welcome to Jeremy Pryor's Podcast, or what I like to call, "Jeremy Pryor Unfiltered." We are excited to bring you seasons of content all the way from Tolkien to Theology, from Business to Family. If you like to contemplate deep philosophical ideas across a wide range of topics, you've come to the right place. Make sure to subscribe on Apple, Spotify, or YouTube so you don't miss out on future episodes!

This is The Briefing, a daily analysis of news and events from a Christian worldview.Part I (00:14 – 11:28)Decolonizing Tolkien? The Attempt to Deconstruct J.R.R. Tolkien is a Parable for Deconstructing the West and Truth ItselfA degree used to mean something. Now students are taught to ‘decolonise' Tolkien by The Telegraph (Judith Woods)If Lord of the Rings is ‘racist', answer me this by The Telegraph (Michael Deacon)Part II (11:28 – 20:42)The Spread of Assisted Suicide: The Moral Warnings from Great Britain and Canada Cannot Be Ignored in the U.S.Canada is Turning Itself into a Death Cult by The Briefing (R. Albert Mohler, Jr.)Canada is Killing Itself by The Atlantic (Elaina Plott Calabro)Canada's assisted suicide laws are out of control by The Spectator (Dan Hitchens)Part III (20:42 – 27:10)A Parable from Great Britain: Prince Andrew Surrenders Use of Royal Titles as the Scandals Surround Him Continue to BuildPrince Andrew Surrenders Duke of York Title by The New York Times (Mark Landler)Sign up to receive The Briefing in your inbox every weekday morning.Follow Dr. Mohler:X | Instagram | Facebook | YouTubeFor more information on The Southern Baptist Theological Seminary, go to sbts.edu.For more information on Boyce College, just go to BoyceCollege.com.To write Dr. Mohler or submit a question for The Mailbox, go here.

It's October, the perfect month to celebrate the master of mystery and the macabre. In this episode, Jacke talks to author Richard Kopley about his book Edgar Allan Poe: A Life, a comprehensive critical biography that combines a narrative of Poe's enduring challenges (including his difficult foster father, poverty, alcoholism, depression, and his numerous personal losses) with close readings of his works. PLUS we look at Virginia Woolf's view of what made Jane Austen so great even at the age of 15, and Christopher Herbert (Jane Austen's Favourite Brother, Henry) stops by to discuss his choice for the last book he will ever read. Join Jacke on a trip through literary England (signup closing soon)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠John Shors Travel⁠⁠⁠. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠historyofliterature.com⁠⁠⁠. Or visit the ⁠⁠⁠History of Literature Podcast Tour itinerary⁠⁠⁠ at ⁠⁠⁠John Shors Travel⁠⁠⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠gabrielruizbernal.com⁠⁠. Help support the show at ⁠⁠⁠patreon.com/literature ⁠⁠⁠or ⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Erik Goodwyn is a practising psychiatrist with a background in neurobiology who bridges the worlds of neuroscience, Jungian psychology, and fantasy. Erik is co-editor-in-chief of the International Journal of Jungian Studies and as well as dozens of academic papers he has written books on the neurobiology of the gods, dreams, and archetypes, and this year published his first fantasy novel, King of the Forgotten Darkness, which won the Literary Titan Golden Book Award.You can find Erik's work at:Website: https://erikgoodwyn.comYouTube: https://www.youtube.com/@theimaginariumIn this conversation, I sit down with Erik to explore the neuroscience of dreams and their connection to creativity, trauma, and healing. We dive deep into how the default mode network operates during dreaming, why dreams create "as if" narratives to help us make sense of our lives, and how the psyche uses metaphor to consolidate memory, regulate emotions, and plan for the future. Erik shares fascinating insights from his clinical work, including how trauma dreams evolve during the healing process and why some dreams seem to bookend creative projects. We also venture into the realm of fantasy literature, discussing how writers like Tolkien and Sanderson use fantastical elements to tell deeply human stories about real lived experiences.⏳Timestamps00:00 James's Intro01:31 Beginning: Wyoming, Mountain Time, and writing fantasy03:24 Architects vs. Gardeners: Erik's writing process08:16 The divine child archetype in therapy dreams09:13 "as if": how dreams create meaning through metaphor11:58 Dreams in crisis mode vs. exploratory mode (PTSD example)15:08 Memory consolidation and forward planning in dreams16:37 The default mode network during dreaming19:32 Creativity and the default mode network24:19 Dream sequences: Exploration of themes across multiple dreams29:27 The body's natural healing process through dreams40:58 Ernest Hartman and contextualizing metaphors42:14 What is fantasy really about? Beyond escapism43:01 Tolkien's Lord of the Rings as meditation on the problem of evil43:04 Evil and grace in Middle-earth45:29 Morgoth, Sauron, and the continuation of evil46:37 Guest recommendation: Stefano Carpani47:19 Where to find Erik

Sermon Summary: “The Patient Heart of God” Mark 12:1–12 Introduction: The Gospel That Captivates, Not Terrifies Coleton began with a story from his childhood — his first time hearing the gospel at a Vacation Bible School in Riverdale, Georgia. The preacher was loud, red-faced, and terrifying. Young Coleton walked down the aisle, not because he loved Jesus or wanted to follow Him, but because he was afraid of hell. He reflected, “The preacher's message was true — but it didn't lead me to turn to Jesus because I was captivated by Him. Jesus wasn't made beautiful or awesome to me; He was made out to be brutal, angry, mean, and threatening.” Coleton shared that his goal was to communicate the same truth that preacher did — that rejecting Jesus brings death — but in a completely different way: showing the beauty, patience, and love of God who relentlessly pursues us. From this parable, Jesus reveals two truths: The patient heart of God. What we invite into our lives when we reject the Son. 1. The Patient Heart of God Mark 12:2–5 – “At harvest time he sent a servant to the tenants to collect from them some of the fruit of the vineyard. But they seized him, beat him and sent him away empty-handed… He sent still another, and that one they killed. He sent many others; some of them they beat, others they killed.” Coleton explained that this parable paints the long history of Israel's rejection of God's prophets. Time and again, God sent messengers calling His people to repentance — and time and again, they refused to listen. Yet, instead of destroying them, God patiently sent another messenger. And another. And another. That's the heart of God: He keeps coming after His people, giving chance after chance. “The Lord is not slow in keeping His promise… Instead He is patient with you, not wanting anyone to perish, but everyone to come to repentance.” – 2 Peter 3:9 God's patience isn't weakness — it's love in action. He longs for every person to experience life and repentance. Coleton said, “This isn't just about ancient Israel. This is how God pursues each of us. Even when we run, ignore, or push Him away — He keeps sending reminders, people, and moments to get our attention.” Examples of God's Patient Pursuit C.S. Lewis described his conversion as a “chess game with God.” He was an atheist who wanted nothing to do with religion, but God kept making “moves” — awakening a longing in him for beauty and joy that the world couldn't satisfy. “If I find in myself a desire which no experience in this world can satisfy, the most probable explanation is that I was made for another world.” – C.S. Lewis Lewis later wrote about the night he finally surrendered: “I gave in, and admitted that God was God, and knelt and prayed: perhaps, that night, the most dejected and reluctant convert in all England.” – C.S. Lewis, Surprised by Joy Similarly, St. Augustine — once consumed by lust and pride — found himself restless and unsatisfied. One day, he heard a voice say, “Take up and read,” and his eyes fell on this verse: “Not in carousing and drunkenness, not in sexual immorality and debauchery… Rather, clothe yourselves with the Lord Jesus Christ.” – Romans 13:13–14 That moment changed him forever. “There was infused in my heart something like the light of full certainty and all the gloom of doubt vanished away.” – St. Augustine, Confessions Coleton then shared his own story — how God patiently pursued him through emptiness, injury, and unlikely people: First, through the emptiness he felt in high school after trying everything to fill the void. Then, through pain, when he tore his knee and began thinking about God. Then, through a person, a man named Mark McClendon, who shared the gentle love of God. Finally, through conviction, one night when he felt God chasing him — even in his brokenness. “He is always pursuing us with great patience,” Coleton said. “Because He doesn't want any to perish.” Paul wrote the same in Romans 1:19–20: “What may be known about God is plain… since the creation of the world God's invisible qualities—His eternal power and divine nature—have been clearly seen… so that people are without excuse.” God's pursuit is relentless. His heart is patient, and His goal is repentance and relationship. 2. Why God Sent the Son Mark 12:6 – “He had one left to send, a son, whom he loved. He sent him last of all, saying, ‘They will respect my son.'” Coleton pointed out the beauty and heartbreak of this verse. The owner of the vineyard — representing God — has one last hope: his beloved son. Instead of crushing the tenants, he sends his son in love, saying, “Surely they will respect my son.” God sends Jesus not to condemn, but because He desperately hopes humanity will respond. “For God so loved the world that he gave his one and only Son… For God did not send his Son into the world to condemn the world, but to save the world through him.” – John 3:16–17 Even knowing the risk — that the world would reject and kill His Son — the Father sent Him anyway. That's how deeply God values us. “Despite our sin, our Creator thinks we are worth experiencing a hellish death for. In fact, it was for the joy of spending eternity with us that Jesus endured the cross.” – Greg Boyd, Present Perfect Jesus was sent because He was humanity's best and final chance to respond to God's love. The cross is not just proof of our sin — it's proof of our worth. 3. What We Invite When We Reject the Son Mark 12:7–9 – “But the tenants said to one another, ‘This is the heir. Come, let's kill him…' So they took him and killed him… What then will the owner of the vineyard do? He will come and kill those tenants and give the vineyard to others.” Coleton explained that rejecting the Son always leads to death and loss — not because God is cruel, but because there is no one else left to send. God has exhausted every avenue. Jesus is the final messenger, the final offer of grace. Rejecting Him means rejecting life itself. Coleton warned that this truth applies both spiritually and practically: When we reject Jesus' words about marriage, we invite destruction into our relationships. When we ignore His words about generosity, we lose joy and peace. When we refuse His words about forgiveness, bitterness eats away at our hearts. Jesus' words are life. To reject them is to invite death. “To reject the Son is to reject the one person who can bring you to God. To reject the Son is to shut the door to the life He offers.” Coleton admitted that as a boy, the preacher in Riverdale made it sound like God joyfully “flicked people into hell.” But Scripture paints a different picture: “God our Savior… wants all people to be saved and to come to a knowledge of the truth… For there is one God and one mediator between God and mankind, the man Christ Jesus, who gave himself as a ransom for all people.” – 1 Timothy 2:4–6 C.S. Lewis captured the freedom God gives us: “There are only two kinds of people in the end: those who say to God, ‘Thy will be done,' and those to whom God says, in the end, ‘Thy will be done.'” – C.S. Lewis God's desire is life and joy, but He will not force it. We choose life or death, acceptance or rejection. Application: Responding to the Son Coleton closed with a question: How is God patiently pursuing you — and who is He pursuing through you? For the believer, this means joining God in His patient pursuit of others: Like J.R.R. Tolkien pursued C.S. Lewis through friendship. Like Mark McClendon spoke gently to Coleton. For the Christian, it means asking, “What is my response to Jesus' words?” For the skeptic, it means asking, “Can I see the ways God has been patiently pursuing me?” Even the Pharisees, who hated Jesus, could feel that the parable was directed at them (v.12). Coleton asked his listeners, “Do you feel Him speaking to you too?” He concluded, “If you feel like this is God speaking to you, then this is Him still patiently pursuing you. Don't reject the Son.” Discussion Questions How have you personally experienced God's patience and pursuit in your life? Why do you think God continues to pursue people who continually reject Him? What does it mean that Jesus is both the best and the last messenger God sends? In what ways might we “reject the Son” in daily life — not through unbelief, but by ignoring His words? Who might God be patiently pursuing through your life right now, and how can you join Him in that pursuit?

In this week's episode, we interview narrator Hollis McCarthy, who has narrated over 300 audiobooks, including many of THE GHOSTS and CLOAK MAGES. She is also co-author with her mother Dee Maltby of the MAGIC OF LARLION series, which you can learn more about at https://deemaltbyauthor.com/. This coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store: DRAGONSKULL25 The coupon code is valid through October 27, 2025. So if you need a new ebook this fall, we've got you covered! TRANSCRIPT Introduction and Writing Updates (00:00): Hello, everyone. Welcome to Episode 273 of The Pulp Writer Show. My name is Jonathan Moller. Today is October 17th, 2025, and today we have an interview with audiobook narrator Hollis McCarthy. Hollis has narrated many audiobooks, including numerous books from the Ghost and Cloak Mage series, so we'll talk with her about that. Before we get to our main topic, we'll have Coupon of the Week and then a progress update on my current writing projects. This week's coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store, and that coupon code is DRAGONSKULL25. The coupon code is valid through October 27th, 2025. So if you need some new ebooks to read for this fall, we've got you covered. And as always, the coupon code and the links to my store will be available in the show notes. Now for an update on my current writing projects. As of this recording, I am 80% of the way through the first round of edits in Cloak of Worlds, so making good progress and if all goes well, the book should be out before the end of the month. I'm also 14,000 words into Blade of Shadows, which will be my next main project after Cloak of Worlds is published, which means I also have to write the outline for Elven-Assassin soon, and that will be the fifth book in the Rivah series. In audiobook news, recording will be underway next week for Blade of Flames. That will be narrated excellently by Brad Wills. Ghost in Siege is now out. It should be available at of all the audiobook stories (except Spotify) and it should be available there in a few days. And that is the final book in my Ghost Armor series that is excellently narrated by Hollis McCarthy. So that is where I'm at with my current writing and audiobook and publishing projects, which makes for a good segue into our main topic, our interview with Hollis McCarthy, which begins now. 00:03:56 Interview With Hollis McCarthy Hi everyone. I'm here today with Hollis McCarthy, who is a classically trained actor. Hollis has played leads in regional and off-Broadway theater, specializing in Shakespeare. On CBS. she's been a recurring guest star judge on Bull, the president of Ireland on Bluebloods, and a senator on Netflix's House of Cards. She's narrated more than 300 books for a variety of publishers and is the proud co-author of her mom Dee Maltby's epic fantasy series, The Magic of Larlion. Hollis, thanks for coming on the show today. Hollis: My pleasure. Jonathan: So to start, can you tell us a little bit about yourself and how you got into acting and performing? Hollis: That's a great question. I think it all started with doing my little brother's Sesame Street finger puppets. He's 10 years younger than me, so I mean, I got to reread all my favorite books with him and I started voicing the finger puppets to Burt, Ernie and Cookie Monster and all those guys in the backseat of the car and playing all the characters. And then my brother went into theater. My other brother's seven years older than me, and I used to go see his shows up at the college when I was in high school and kind of fell in love with it there. I absolutely meant to be an aeronautical engineer/physicist like my dad, but it didn't end up working out. I fell in love with theater and went to Stratford. I had a dual major because I was in an honors program, so I didn't have to declare a major until my fifth year of undergrad. But then I went to Stratford up in Canada and I saw two Shakespeare shows in one day and that was it. I had to do that. That was what I loved. Jonathan: Well, since we've had many audiobooks together, I'm glad it worked out that way. Hollis: Me too. Yeah, so I got my BFA in acting, and then I got my MFA from the University of Missouri-Kansas City in performance, and I was lucky enough to have some great coaches from the RSC and did a bunch more Shakespeare, and I've done that regionally a lot. And then I fell into audiobooks because I got tired of traveling, and I love to work from my home in my jammies. Jonathan: That is the dream. Speaking of that, could you tell us a bit more about how you sort of got into audiobooks or ended up doing a lot of that? Hollis: Yeah. Well, again, it starts with my childhood. My mom, who was a writer and an artist, she had, there were five of us kids and she would read out loud to us in the kitchen to keep us from fighting when we were cleaning up. So she started with Tolkien and Watership Down and Narnia and all of that. And then I got to, like I said, read to my little brother all my favorite books. And so I started doing all different voices for the characters and I always thought that was normal until, of course I volunteered to read in class in high school and people thought I was some sort of freak, but I always loved playing all the characters. And so when I started looking at staying home more and what could I do to work from home instead of being on the road for work, which was great for a long time, but then at some point you want to stay home and have a life as an actor as well as doing what you love. And audiobooks seemed a good fit. So my husband, who's also an actor, took a class from Paul Rubin here in the city in New York. We live in the New York area now. And he got a bunch of good tips from that that he passed on to me. And then my agent got me an audition with Audible and Mike Charzuk there. I came in and read a couple of pieces for him and he came back to the booth with a book he wanted me to start on. And from there I just kept building and got a lot of great indie authors through ACX like you. I don't know how many books we've done together now. Jonathan: It's over 30, I think. Yeah, 30 over the last seven years. So it's been a while. Hollis: And you're seriously, I mean, I'm not saying this because I'm on your blog, but your series are absolutely my favorites, especially because, yeah, the two series that I do, one is Nadia from the Midwest like me and then the other one with Caina, the epic fantasy world, which uses all my British and Irish bits and I absolutely love them. So yeah, I've just kept building up, getting in with a few more publishers now, which is harder to do and I just love it. Our first booth, when the pandemic hit, we had to build a booth at home and I had been going to studios in the city up until that point, but it hit pretty suddenly. It was obvious on St. Patrick's Day when it was like us going to the studio and people who were absolutely desperate folks were the only other ones on the street. We had to stay home. So my husband took our rapier blade (we fight with swords. We're actor combatants, like you said). He took two broadsword blades and a rapier blade, and he's handy with carpentry, fortunately. That's how he worked his way through school. He bracketed those to the wall and we ordered through Amazon before they kind of shut down too. We ordered packing blankets to hang over them and I ordered a new microphone and a new interface and it was trial and error for a bunch of days. And we had an engineer on call who talked us through how to run the software programs and stuff, how to set them up. And from there I've just kept recording at home. I sometimes still go into the studios when they have a budget where they can spring for a studio, but mostly they want you to work from home these days. So that's mostly what I do. Jonathan: Oh, building a recording booth out of swords. That's very Caina. Hollis: It's very Caina. I love Caina. Caina is me as a young woman. If I had been a superhero, I would've been a Caina. All my favorite roles in Shakespeare were the girl as boy ones. You asked, one of my favorite roles in theater was when I was at Alabama Shakespeare and I was playing Queen Elizabeth in Richard III and dressing in gorgeous gowns and being very seductive and very powerful and manipulative and all that. But in the earlier scenes, we did the three plays and in the Richard III and the Henry VI we did all three. And in the earlier scenes where Elizabeth wasn't in, I got to dress up and doublet and hose and I like stippled some stipple of beard on my face and climbed a siege ladder with a sword in one hand and did a spectacular pratfall running away from the bad guys and would slide on my stomach on the deck of the stage and I would come out into the lobby and the other guys who were playing my fellow fighters would be holding up rating cards for how far I'd slid that day. Jonathan: Sounds like very practical cardio. Hollis: Yeah, very. It was a lot of fun. That was probably my most fun I've ever done, though I also loved Beatrice and Much Ado, which I got to do twice because she's just so funny and witty and passionate. She's great, and Shakespeare, you know. Jonathan: Very good. So after all these audiobooks, what goes into preparing to record an audiobook? Hollis: That's a great question, too. It depends on the book, really. And I'm lucky enough to do a lot of series now, so when you're doing a series, it gets easier as you go along. I remember with the first ones I did for you, the first Caina, it probably took me an hour of prep to get through the first chapter. There were so many made up place names that I needed to figure out how to say, and then you have to be consistent. Even if they're made up, you still have to be consistent. So I really used my theater training there because I learned the international phonetic alphabet when I was in school, and so I can write down phonetic pronunciations and for each book, I'm old school with my prep, I'll keep a legal pad and I'll write down phonetic pronunciations, the word, page number, and the phonetic pronunciation for each word, so I have a record. You don't retain them from book to book. Pronunciations is a big part of what you do. Also, character voices, because again, you want to be true to the author's intent and you want to stay consistent. Again, for Caina, it became very complicated because you had to have Caina's basic voice, which is this [speaks in Caina's voice]. She started out a bit higher because she was younger. And then as she aged, she's gotten more medium pitch-wise, but then she was in disguise as various people. She was disguised as a cockney guy for a while, and she was an Irish guy for a while. And so for each of those personas, you have to notate for yourself in the script. Oh, now she has this accent. Now she has this one. And really for each chunk of dialogue, every time a character speaks, I'll put the initial of their name and if there are a lot of characters in the scene, I will have to differentiate between them pretty frequently. If it's two characters and I know them both very well, then I kind of have the shorthand in my head. So the different character voices I also put on my legal pad so I have a record, so Calvia sounds like this [speaks a line in the character's voice]. And sometimes I'll write down physical aspects of them so that I can just kind of feel the character. And after I do them for a while, the feel of the character will give me the voice and you write down everything that the author says about the character too. I'll just notate for myself that will oftentimes give you the voice. If it's a good author, which thank God you are, you write in different voices, which makes my job easier. Jonathan: The joke I sometimes say is I didn't do audiobooks for the first seven years I was publishing, and people would ask me, how do you pronounce this? I say, I don't care, pronounce it however you want. And then suddenly we started doing audiobooks and suddenly no, it matters very much how it's pronounced. Hollis: Yeah, exactly. It's funny, I'm just looking at my tablet. I have your Shield of Power up on my tablet. I've been reading that on the treadmill and at lunch. But yeah, we have to keep tabs. And when we have so many books now, I've started special folders just for the Ghost series and the Cloak series because a lot of times a character will show up from several books previous and I go, I remember them, but I don't remember what they sounded like. So I will have notated forward alto, slightly Irish or something like that for them. I have shorthand for all of it, and so I'll do that. Jonathan: Yeah, I spent a lot of time with Control + F searching through Word documents, trying to remember the first time I wrote this character and what they looked like. Hollis: Yeah, I bet you do. Some writers I guess do, well, if they don't do it all themselves. And if they have somebody who's like an administrative assistant, they have somebody who gives you, I've gotten these from authors before. Their assistant will send me a story log of characters with everything that's said about the character. I'm like, oh, well, that's very organized and helpful, but I would think it would be massively time consuming. Jonathan: It is. I did hire someone to help me with that this year. It was getting to be too much to go back and search through things and it is a very time consuming project, but once it's done, it's very helpful because it's quite easy to find things and look things up and refresh your memory. Hollis: I bet so. When I was working on my mom's books, we hired an editor and she did a spreadsheet, a database kind of different terms and characters and what was said about them. And I go back to that and amend it all the time now that I'm trying to write book eight. Jonathan: Yeah, that kind of thing is very helpful. But on a related topic of preparation, since you've done audiobooks, stage, and TV, how would say narrating audiobooks is different from the experience of doing theater or TV? Hollis: The major thing and the hardest thing for me when I was starting out was you can't move around all the time. I had an engineer at Audible. It was just, and a lot of times the chair is very important because if you move, what you're bound to do, if you're producing your voice correctly, you need to sit up and you need to use your hands to express yourself, and you have to have an absolutely silent chair. And the chairs at Audible at that time, were not absolutely silent. So every time I moved, the chair would squeak and we'd have to stop and start again. So that was very, very hard for me. In fact, I've been doing so much audiobooks now, and I also do TV and film, but that's gone to all for auditioning for that. It's all self tape, which means it's just like head and shoulders, so still you're just kind of using a little part of your body. And I had a theater callback for Pygmalion in the city the other day, in person, in a studio, in a rehearsal room. The day before, I used to do those all the time, and that's so rare now for them to do in-person auditions since the pandemic. But I put on my character shoes and my skirt and I practice just being bigger, opening my body up and doing all this stuff I learned to do in school and that you do when you're on stage to own the space because the space is the back wall of the theater. And that's a big difference between theater, film, TV, and audiobooks is the scope of it. When I did Beatrice, I was in an 1,100 seat unamplified stone amphitheater outdoors in Colorado. So you can imagine the scope physically and vocally is so big. And then for TV, film and you have to what they say, reach the back wall of whatever space you're in. Well, for film and TV, the back wall is the camera. It's right in front of your face a lot of the times. And the back wall is really kind of the inside of your head. It's almost like you have to have internal gaze so that the thoughts are just happening. You don't have to project them, you don't have to project your voice because all the equipment comes right to you, and all you have to do is feel the feelings and think the thoughts and the camera and microphone picked that up. Similarly with audiobooks, I'm just in a little tiny padded booth. My microphone is just a few inches from my face, and so I could be very, very intimate and everything gets picked up, and you have to do a lot less work for the emotion to come through. Again, really all you have to do is kind of feel the emotion. And for me, that's always for me is being in the moment and feeling the moment and letting that dictate the pace and the vocals and everything. I guess I'm pretty Method. I'm very Method, but that's how I trained. It's what works for me. Not every narrator is like that. There's a million different proper ways to narrate, and that's just my take on it. But everything is right there. So it's just kind of keeping it much smaller and more intimate. And in fact, when you want to be big like [character name's said in the character's] voice and he was yelling a lot, and I would have to pull back from the microphone to let his scope come out. Jonathan: Well, after 30 audiobooks together, I can say that method definitely works. Related to that, as we mentioned earlier, you're now at over 300 titles on Audible over the last 12 years. Congratulations for that. What would you say is most surprising or unexpected things about audiobooks you learned during that time? Hollis: Oh, well, it was very surprising that we could make a booth out of sword blades and blankets. That surprised me. Yeah, that's a great question. It's surprising to me how simple I can be. I went back and I had an author recently who wanted me to do a new chapter to begin and end a book that I had done like 2014, something like that, shortly after I started. And I thought at the time that I was really filling these voices and what I did was fine. You're always your own worst critic. But what I've discovered now is the more you do it, the more you record, the more you use your instrument every single day for 300 some books, the more effortless it becomes and the more depth you can bring to it. And as a young actor, we always resist that. My acting coach used to say, age and experience. There's no substitute for it. I'm like, yeah, yeah, but talent and hard work, that's something. But it's really true that just the repetition, there's no substitute for it. Those chapters that I did, they were the same voices basically. But when I went back and listened to the original, I was like, oh, it surprised me how without really changing anything mechanically, the work has just gotten deeper, more effortless, but it sounds better at the same time. Does that make sense? Jonathan: It does. Because you've probably noticed I've redesigned the covers for the Caina series like seven times over the last 10 years. And every time you think this is it, this is it. I'm done. This is good. And then with more practice, you look back and think, well, maybe I can improve this again, though. I suppose that's not often something that happens in the audiobook world where you get to go back and revisit something you did previously. Hollis: That is one of the hardest and most surprising things about audiobooks. And I've heard people say that this happens to every young narrator when they're starting out, you get through the first two chapters of a new book and you go, oh God, now I get it. I want to go back and start again. Well, there's no do overs with audiobooks. With audiobooks, “done is good” is what they always tell you when you're starting out. So even in film and TV, which you don't get much rehearsal for, you get a couple of run run-throughs, but with audiobooks, you got your prep. Not everyone does, but I always read the whole book before I start if possible, because otherwise you get surprises. But you get your one read through, your prep, and then you go and yes, you can stop. You can punch and roll, edit over. If you make a mistake, you go back half a line, you start again there. But there's no evolution of the work, which is what's great about series too, I think, because with the series you get, yeah, Caina was here last time I did her and now she's going through something new. And then the character grows and it becomes less and less effortful, but it also becomes like someone you really know so that it gets so much deeper and it's so much more fun to play with. Jonathan: That makes sense. 12 years really is a long time to have done audio narration or anything. So what do you think is the key to sticking it out for audiobooks for the long term? Hollis: Well, a lot of things make a difference. I didn't do it before this interview, which is why my voice is kind of rocky, but I always warm up in the morning when I'm setting up a session. I always do a vocal warmup. You got to get a good night's sleep, you have to drink water every couple of pages. I have a tea that I drink that keeps my stomach quiet because stomach gurgles is another bad thing about audiobooks. You have to eat very carefully and drink tea to keep your stomach quiet. You don't want to have to stop every time for that. And a lot of training, a lot of vocal training. I had Linklater training and the Lavan training, and Linklater to me is the most useful. And a lot of the stuff that applies to Shakespeare applies to audiobooks too. You warm up, you get yourself breathing, you warm up your resonators, your sinus, your mask resonators, the back of your head, your chest resonators. For the men [imitates male voice], you really have to have your chest warmed up, get the vibrations going here. And so I get all that kind of going before I sit down in the booth. And that also keeps you, then you keep your throat open so you're not hurting yourself. You have to have good posture so that the air can move from your diaphragm up to your throat and have it be open. And then optimally, like with Caina, Caina has a lot of mask resonance. Brits do; they are very far forward. So you really have to have all that warmed up and then that has to have no impediments between the front of your face all the way down to your diaphragm where the breath originates. And if you can do all that, then you could be an audiobook narrator. Also diction. I warm up my diction to everything from [imitates several vocal exercises] in just to get your mouth moving. You don't want lazy mouth with, there's a lot of enunciation in audiobooks that's important. But I also don't like, I really hate when you hear people enunciating. I don't like that. And with Caina, even though she's upper class, she's not like that. She's not pretentious. And certainly Nadia, you want to be able to understand what she says, but you don't want her to be enunciating. That be weird. So all of all that stuff I worked on in grad school and did all the Shakespeare plays, I would always get to the theater an hour early. You have to be there half hour for makeup and check in, but I would always get there an hour early and do at least 15 to 20 minutes of physical and vocal warmups. And so those habits have really helped me. I think I have pipes of iron, fortunately. I'm very lucky. So all that stuff really matters with audiobooks. Jonathan: It's amazing in how many different fields of life the answer seems to boil down to do the things you're supposed to over and over again forever. Hollis: Exactly. That's really true. When are we going to get old enough that we don't have to do that anymore? [laughs] Jonathan: Just one side question. What is Linklater training? I don't think I've heard that term before. Hollis: Oh, Kristen Linklater is, she's probably the biggest American vocal coach. She has a lot of books out there about voice and the actor and all of her training stems from allowing the breathing to drop in as she calls it, not forcing it to drop into the diaphragm, and then creating a pool of vocal vibrations that go from the diaphragm through an open throat to the resonators. And you can use every resonator in your body to project that sound. When I was doing Beatrice and Gertrude at Colorado Shakes in that unamplified stone amphitheater in the foothills of the Rockies, there was winds that would come down out of the mountains when we were on stage, and that theater was known for eating women's voices. And I had to thank God the vocal coach that summer was a Linklater coach, which is the method that I trained in, and he helped me work with even resonators. If you can imagine in your back, just using the whole chest box and shaking the vibrations through your body so that basically you're making your whole human skeleton an amplifier for the vocal energy coming from your breath. And that's Linklater. She's fascinating. If you ever want to study voice, you can't do better than Linklater, to my mind. Cicely Berry is another one I studied. She's the British guru for the RSC and the Royal Shakespeare Company and all those people, and she's great too. Jonathan: Well, that's just exciting. I learned something new today. Hollis: That's always good. Always learning from your books too about Medieval combat. Jonathan: We always want to learn something new every day, whether we like it or not. Hollis: Right. Jonathan: So to turn it around a little bit, what advice would you give a new indie author who is working with a narrator for the first time? Hollis: Oh yeah, I actually, I made some notes. I thought that was such a good question. Make sure that your narrator knows what you expect from them upfront. If you go through ACX, they have this great thing called the first 15 where your narrator is, if you're new to this author, you record the first 15 minutes of the book and you put that on ACX for your author to listen to and approve. You don't have to approve it if you don't like it. And in fact, if you don't like it, it's very important you don't approve it and you tell your narrator specifics about what you need them to change before they go on with the book. Because what you can't really do is once a book is recorded, say, oh, I really don't like it. I'm not going to pay you for it. I need you to go back and do it again. That's not acceptable and it will make narrators never want to work with you. But what's great about the first 15 is you have that chance to say, well, this voice was, she was a little higher than I wanted. I hear her in my head more as an alto because for me as a narrator, what I want to do is I want to take what you, Jonathan, hear your characters being as you're writing them in your head. I want to take that and translate that into an audiobook for you. So the more you give your narrators information about your characters, the better they're going to voice it. Also, if there's a style in your head, like with Nadia books, there's a little touch of noir there. It was a dark and stormy night kind of feel. If there's a style you kind of hear in your head, that would be a good thing to give them. But ACX has also, I think a character sheet where you can tell them about the different characters. You can fill that out for your narrator. That's tremendously helpful, age of the character, if you hear a vocal pitch range, soprano, alto, tenor, bass, any dialects, they need to know that. The narrator's nightmare is you finish up a book and you shouldn't do this, you should read ahead, but you get to the last line: “I love you, darling,” he said in his beautiful French accent. Jonathan: It explicitly shows up there for the first time. Hollis: Exactly. And then for the narrator, it's like, oh my God, I have to go back and rerecord everything this guy said, which is hours and hours and hours of work for you and your editor who will kill you. But yeah, let them know about all the character traits that you can and just, I think it's on the narrator too, to, I've been lucky with my authors, we always have a good give and take. I come from a theater background and you want to collaborate. You want to realize the author's vision and you want to be a partner in creating that. So try to be partners and give them more information than you think they need and use that first 15. It is totally acceptable to send it back and say, I'm going to need you to do this again, and I'm going to need these changes. And then once you get that ironed out, then you'll probably be ready to go ahead and have a book. And when you get the book, you won't be shocked and you'll be happy (hopefully) with the read. Is that helpful? Jonathan: It does. New authors, if you're listening to this, listen to that advice. Hollis: Yeah. Jonathan: Now for a slightly different topic, can you tell us about the Magic of Larlion books and how you ended up publishing that series? Hollis: Yeah. The Magic of Larlion is an epic fantasy adventures series seven, almost eight volumes. I'm working on finishing book eight now. The first book, Wizard Stone, my brilliant mother Dee Maltby started years and years ago, probably, gosh, maybe 20 years ago now, I think when my little brother moved out from home and she had an empty nest and she had more time to write, and she wrote Wizard Stone, and she sent it out a few places, and that was the only way you could get published back when she wrote it and didn't pursue it, she got discouraged, I think, by rejections from publishers, sat in her drawer for a while, and my sister-in-law, Dana Benningfield, who's also an actor, and she was my best friend even before she married my brother. I introduced them. So yeah, that was all me. She was an editor professionally for a while, and when she moved to Ohio where I'm from and was living with my brother and my parents lived right across the orchard, I told her about this book. And she wasn't editing at the time, she was kind of done with it, but she asked mom if she could read it. So she read it and edited it, and then it became a much better book and really encouraged my mom to keep writing, which I had been telling her to do for years. But hearing somebody who wasn't family, somehow giving her that input that it was really something special, changed her perspective. So she kept writing and she and I started, I was on the road doing Shakespeare a lot. We started trading chapters. She'd send me a chapter a week and I would edit it and send it back. And so Wizard Stone evolved from there into its current form, and then she started the next book, Wizard Wind and Wizard Storm. And we went that way through five and a half books. And my dad finally, when he retired from being a physicist, said he was going to, I always told you I'd get your published Dee, I'm going to take it down to the print shop and get a hundred copies made. And by this time I was working with you and a bunch of other great indie authors who were letting thousands of happy readers read their books through an independent platform. And I said, well, wait a minute. I could do better than that. So I convinced them to hire an editor that I had worked with, and I did the rewrites and got it through the pre-production process and hired a cover artist, very talented artist. And you and Meara Platt, another of my authors, gave me so much information and help. And we got it published in 2022, I believe. We had three ready to go. And we published those all within a month of each other. One a month for three months, and then four and five, and then six came. And I co-authored five, six, and seven because my mother was losing her sight and her hearing at that point. We got those done. We had six out and a lot of people reading them and loving them and reviewing them before my mom passed. And I think it's probably one of the most satisfying things I've done in my life, because not only do I love the books, and they're just a rip roaring, fantastic adventure-filled epic trip through this incredible world my mom invented. But when she was about to, one of the last things she said to me was, I told her how many people had read her books. I just went through the Kindle numbers and thousands of people in different countries and all over the world were reading and loving her books. And I told her that, and she said, that's all that matters. And she felt such a sense of pride in herself and accomplishment because they were being received for what they are, which is a brilliant creative flight of fancy, this magical world in the tradition of all the books she loved, always Tolkien. And so I promised her I'd finish it. So after she died, I published six and seven and I've got eight about 90% written now, and I'm hoping to bring that out by the end of the year, although I've been too darn busy with narration to really spend the time. I've got the big climactic Jonathan Moeller type battle at the end sketched in my head and on an outline, but I got to write that. And then we can get that out there and finish that too. Jonathan: Will you stop with eight or keep going after eight? Hollis: My feeling is that this series will culminate with book eight. It's been a long saga of Beneban, this young wizard who kind of gets flung off a mountain by his evil wizard master and has to master his fledgling wizardry powers and his magical sword to win his love Laraynia, a powerful sorceress, and save the kingdom. And that's book one. And there's ice dragons, and then they have kids, and then the later books have become much more about their kids. And the more I write, the more it's become about young women fighting with swords. Jonathan: Well, they say write what you know. Hollis: Defeating the bad guys. Plucky young women, overachieving, competing with men. And so I think that's all going to come to a head with book eight, and that will be the end of that series. But I do think I'm going to spin it off into possibly more on the younger characters. I don't know if it's going to be YA per se, I think it'll still be for adults, but more of a YA feel to it, the younger characters of the ice dragon riding school of battle and the wizarding school. I don't know if I want to make it schools necessarily, it might limit you too much. And that's kind of been done too. But I do think the ice dragons are going to figure largely in it. Oh, and I don't know, there's a plot point I probably shouldn't give away, but my mother's full name was Willa Dee Maltby. She writes under Dee Maltby and there is a character, a very magical character named Willa that shows up in this book eight. So I think Willa will be a big character going forward and the younger generation of women and some boys too. I like boys, I do. Jonathan: Well, I suppose if people want to know more, they will have to read and find out. Hollis: Yes. And please go to the website is deemaltbyauthor.com and everything you want to know (well, maybe not everything), but everything you can know for now is there. Jonathan: Well, I was going to ask you what you would say was the most rewarding things about publishing the books, but I think you covered that pretty well. On the flip side, what was the biggest unexpected challenge in publishing them? Hollis: The PR is hard. You seem to be great at it. I even did PR professionally to work my way through undergrad and then in between grad school and undergrad and after I graduated and I had an assistantship in it at my university. But the book world specifically is a whole different kind of PR and learning Amazon ads and Facebook ads and it's a lot. It's a lot. And again, you have been so helpful with it. And I mean, there are a lot of online resources out there too, which is great. But what I'm really finding, trying to do it part-time is overwhelming. You really need a full-time block of time to not only write the books, but then to publicize them the way they deserve to be publicized. Jonathan: Yeah, the tricky part is, as you said, book advertising is very different from anything else. I was talking with a guy who is an Amazon reseller for various toiletries and hygiene products and makes a good living doing that. I was telling him how much I pay per click on Amazon ads. He's just appalled. It's like, you can't make any money doing that. And then the flip side of that too is that Internet marketing is so different than any other form of PR, so it's just sort of constant challenge there. Hollis: I know, and I know I actually signed up for a TikTok account and I just don't, again at the time. Plus every time I turn it on, I'm like, I don't want to watch that. I'm allergic to the format. You'd think being an actor, being used to being on camera, I could come up easily with little things to do for the books and I probably could for TikTok. But again, just learning the platform and then applying yourself to it is just such a big time hack that I don't have that amount of time. I know that narrators are now more and more marketing themselves by recording themselves on camera narrating and putting that out there, which I can do, I guess. And that's why I got this ring light and everything. I can do that now. I haven't done anything with it, but I guess if some of the book work dries up, I'll be more motivated to do it. Jonathan: Well, that's how anything works. You try it and if you enjoy it and it works, keep doing it. And if you don't enjoy it and it doesn't work, no point in carrying on with it. Hollis: I think that's true. And you just have to keep learning too, as we know with everything. You got to keep learning new things. Jonathan: Well, this has been a very enjoyable interview and thank you for coming on the show. Hollis: My pleasure. Jonathan: Let's close out with one last question. You've obviously done a lot of theater, so what, out of all the productions you've done was the one you would say was your favorite or that you enjoyed the most? Hollis: I think I have to go back to Beatrice probably. I mean, the Alabama Shakes getting to play a man thing, that was a lot of fun. But Beatrice, we did a Wild West Much Ado about Nothing at Colorado Shakespeare. The premise was that I was the niece of Leonardo, who is the tavern keeper, the bar keeper in this Wild West world. And there was a bar fight opening this Wild West production, and I entered through a swinging tavern door with a six shooter in one hand and a bull whip in the other. And I shot the pistol and cracked the bull whip and broke up the fight and then got to do Shakespeare's incredible Beatrice and Benedict story from there. It was so much fun. Jonathan: It almost seems like the soundtrack could have been “I Shot the Sheriff.” Hollis: Yeah. Yeah, it really could. It was a heck of a lot of fun. Jonathan: Well, speaking of fun, it was good talking with you, and thank you for taking the time to be on the show. Hollis: Yeah, I am excited to start the next Cloak book soon. So I was going to offer to do a little snatch of you want the introduction for Cloak here? Jonathan: Oh, I think we'll save it for the Real Thing. Hollis: Oh, okay. All right. Well thank you, Jonathan. It's been a pleasure. Jonathan: It's been a pleasure. And see you soon for Cloak Mage #10. Hollis: Alright. So that was our interview with Hollis McCarthy. Thank you for coming on the show and giving us a very informative and entertaining interview. A reminder that the website with the Magic of Larlion books is deemaltbyauthor.com. So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes on https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy, and we'll see you all next week.

The 4th Industrial Revolution is rapidly approaching due to the financing and organization of the World Economic Forum, in conjunction with the emergence of artificial intelligence. Early adopters of the transhumanism agenda will be the test monkeys with defective hardware in their heads and glitchy software in their brains. Paul List's book, Mount Doom, details an unusual coded, prophetic system running through the work of J.R.R. Tolkien, predicting the emergence of the dehumanization of mankind. The rise of the machines may be the greatest threat to humanity, but they have a glitch in the code. --------- Watch the video version of this episode on the Macroaggressions Rumble Channel: https://rumble.com/c/Macroaggressions  MACRO & Charlie Robinson Links Hypocrazy Audiobook: https://amzn.to/4aogwms The Octopus of Global Control Audiobook: https://amzn.to/3xu0rMm Website: www.Macroaggressions.io  Merch Store: https://macroaggressions.dashery.com/  Link Tree: https://linktr.ee/macroaggressionspodcast Guest Links Paul List - ReadMountDoom.com Activist Post Family Activist Post: www.ActivistPost.com  Natural Blaze: www.NaturalBlaze.com  Support Our Sponsors C60 Power: https://go.shopc60.com/PBGRT/KMKS9/ | Promo Code: MACRO Chemical Free Body: https://chemicalfreebody.com/macro/ | Promo Code: MACRO Wise Wolf Gold & Silver: https://macroaggressions.gold/ | (800) 426-1836 LegalShield: www.DontGetPushedAround.com  EMP Shield: www.EMPShield.com | Promo Code: MACRO Christian Yordanov's Health Program: www.LiveLongerFormula.com/macro  Above Phone: https://abovephone.com/macro/ Van Man: https://vanman.shop/?ref=MACRO | Promo Code: MACRO The Dollar Vigilante: https://dollarvigilante.spiffy.co/a/O3wCWenlXN/4471  Nesa's Hemp: www.NesasHemp.com | Promo Code: MACRO Augason Farms: https://augasonfarms.com/MACRO  ---------

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In 1945, the Nobel Committee awarded its prize for literature to Gabriela Mistral (1889-1957) "for her lyric poetry which, inspired by powerful emotions, has made her name a symbol of the idealistic aspirations of the entire Latin American world." Born in a rural Andean valley and abandoned by her free-spirited father at the age of three, Mistral struggled for the right to be a teacher - and then went on to help reform the Chilean educational system to improve the lives of women and the impoverished. After experiencing heartbreak and several tragedies, her poetry collection Desolación ("Desolation" or "Despair") (1922) made her one of Latin America's most revered writers. In this episode, Jacke looks at the life and works of this remarkable poet, whose constant search for truths in nature and humanity informed a body of work that continues to delight and inspire. Join Jacke on a trip through literary England (signup closing soon)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠John Shors Travel⁠⁠⁠. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠historyofliterature.com⁠⁠⁠. Or visit the ⁠⁠⁠History of Literature Podcast Tour itinerary⁠⁠⁠ at ⁠⁠⁠John Shors Travel⁠⁠⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠gabrielruizbernal.com⁠⁠. Help support the show at ⁠⁠⁠patreon.com/literature ⁠⁠⁠or ⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

We've been looking forward to experiencing Universal Orlando's brand-new Epic Universe: Dark Universe for well over a year, and finally we made it! Walking through the fog into Darkmoor Village felt like stepping inside a classic monster movie. We rode Curse of the Werewolf and were blown away by Monsters Unchained: The Frankenstein Experiment. There's a reason all the vloggers keep praising this attraction. We also share our thoughts on food, merchandise, characters, and atmosphere. Meeting the NEW Bride and Frankenstein in person was the perfect ending to an unforgettable visit. Next, we joined our friend Tati Perez for a wet and wild time at Halloween Horror Nights Orlando, where ten haunted mazes awaited us—and nonstop Florida rain. But hey - it's a story! We each share our Top 3 horror mazes. Five Nights at Freddy's topped our list with its creepy animatronics, while others impressed with their artistic environments. Between mazes, we wandered through eerie “Scare Zones” like The Cat Lady of Crooked Lane, where trick-or-treaters slowly turned into feral cats under glowing jack-o'-lanterns. What's not to love about spooky season!! There are 4 other “lands” or “portals' at Epic Universe, but to keep to our Halloween theme, we focued on Dark Universe in this episode. To hear more about our entire trip, including our Skywalking Meet-up, Ministry of Magic attraction, and How To Train Your Dragon: Isle of Burke, watch our Livestream dated 10/13.

In this episode, Jacke talks to author David Denby about his new book, Eminent Jews: Bernstein, Brooks, Friedan, Mailer, a group biography (loosely inspired by Lytton Strachey's Eminent Victorians) that describes how four larger-than-life figures upended the restrained culture of their forebears and changed American life. PLUS in honor of War and Peace, which lands at #13 on the list of the Greatest Books of All Time, Jacke takes a look at an early essay by Virginia Woolf that explains what made Tolstoy's works so great. Join Jacke on a trip through literary England (signup closing soon)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠John Shors Travel⁠⁠⁠. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠historyofliterature.com⁠⁠⁠. Or visit the ⁠⁠⁠History of Literature Podcast Tour itinerary⁠⁠⁠ at ⁠⁠⁠John Shors Travel⁠⁠⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠gabrielruizbernal.com⁠⁠. Help support the show at ⁠⁠⁠patreon.com/literature ⁠⁠⁠or ⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Glenn goes through some of the lessons he shared during his Turning Point USA event at the University of North Dakota. Glenn speaks with a young athlete named Frances Staudt, who, after refusing to play basketball with a male identifying as a woman, required security to speak at an event advocating for the protection of women's sports. “Mount Doom” co-author Paul List discusses what J.R.R. Tolkien predicted about artificial intelligence and transhumanism in “The Lord of the Rings.”  Learn more about your ad choices. Visit megaphone.fm/adchoices

Glenn starts the show by reading a statement made by Christopher Rufo regarding America's ongoing support for the nation of Israel. Is criticizing Israel equated to anti-Semitism? Glenn argues no, explaining why supporters of Israel must defend their position from the perspective of American interests. Glenn also calls out the evil of Islamism and the threat it poses to Israel and America. Glenn goes through some of the lessons he shared during his Turning Point USA event at the University of North Dakota. Cut this generation some slack, Glenn argues, because he sees something happening within them that gives him hope. Rutgers University Turning Point charter members Ava Kwan and Megyn Doyle join to discuss the backlash they've received since authoring a petition to remove a professor with the nickname “Dr. Antifa.” Glenn speaks with a young athlete named Frances Staudt, who, after refusing to play basketball with a male identifying as a woman, required security to speak at an event advocating for the protection of women's sports. “Mount Doom” co-author Paul List discusses what J.R.R. Tolkien predicted about artificial intelligence and transhumanism in “The Lord of the Rings.” Learn more about your ad choices. Visit megaphone.fm/adchoices