POPULARITY
Categories
"Every single workshop I give is all about excellence, singing well, singing properly, and achieving the very best we can achieve. Why do we it? We don't do it because we'll be paid millions and millions of pounds. It's not cash-motivated. We do it because there is a higher purpose, a higher calling that makes us do it. I got offered a graduate scheme at university, so I could have been a corporate sellout. I'd probably arguably work less hours than I do in music, but I didn't do that. I don't have any regrets, because on an evening, I go home, I look myself in the mirror, and I can say to myself, 'we did some good stuff today.'"Caius Lee began as a chorister at Bradford Cathedral at 11 and became the Cathedral Organ Scholar at 15. At age 17, he joined Leeds Cathedral, concurrently holding the Idlewild Conducting Scholarship and Cathedral Organ Scholarship, and was appointed Assistant Organist a year later, where he was the Diocesean Organist & Director of Music for the Lourdes annual pilgrimage and he studied Music as the Neville Burston Organ Scholar at St Catharine's College, University of Cambridge. While at the university, he founded the Florence International Singing Programme, which holds several courses yearly and has sung at prestigious churches, including Westminster Abbey, St Paul's Cathedral, Saint Sulpice, Florence Cathedral, and the Vatican. For the Addamus Choral Programme Caius Lee conducts the internationally acclaimed College Choir and Boys' Choir as well as The Jericho Youth Choir and the All Sorts Community Choir. He is also responsible for a wide range of collegiate, community, and outreach initiatives, curating Music at Worcester College at the University of Oxford, including The Oxford Choral Experience, a groundbreaking instrument learning scheme, and guest lecturer as part of Institute of Sacred Music run by the University, St Stephen's House, and The Royal School of Church Music. He has worked with choirs, festivals and played solo recitals in Europe, Asia and South America. Caius's musical journey is marked by numerous collaborations that have enriched his work and excited audiences. He has conducted, played, and sang on BBC Radio (1, 2, 3 & 4), and made numerous TV appearances on BBC's Songs of Praise, and live Christmas and Easter TV broadcasts on BBC1. His commitment to community engagement and choral excellence has been recognised with a Royal Society of Arts Fellowship and a keynote speech at the 2022 National Music Teachers Association Conference.To get in touch with Caius, you can find the Addamus Choral Programme on Facebook (@addamuschoralprogramme) or Instagram (@addamus_official) or email him at caius.lee@worc.ox.ac.uk. Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson
Peter Rosenberger host to talk worship music—traditional vs. modern, sacred vs. loud, and where songs like Skillet's intense "O Come O Come Emmanuel" fit in today's church. What should worship sound like, and does it still unite us?
What does healthy, joyful, word-shaped congregational singing look like in a culture obsessed with self-expression?We are shaped more than we realise by the culture around us. And today one of the most powerful cultural forces pressing on our churches is expressive individualism — the idea that the authentic self must be expressed and affirmed.But what happens when this cultural air we breathe seeps into our church music? When sincerity becomes more important than truth, when the band is excellent yet the congregation is silent, and when singing shifts from “we proclaim Christ together” to “I express what I feel”?If we do not address this, we risk disengaged congregations, weakened church identity and a missed opportunity for deep spiritual formation that comes as we sing God's word to one another.Alanna Glover — longtime church music leader, former member of Garage Hymnal, ten years with Emu Music, songwriter, trainer and theologian — has just completed significant research on expressive individualism and congregational singing in evangelical churches. The Church Cohttp://www.thechurchco.com is a website and app platform built specifically for churches. Advertise on The Pastor's HeartTo advertise on The Pastor's Heart go to thepastorsheart.net/sponsorSupport the show
In this epsiode, Duffey is joined again by Andrew Pressley for a discussion on the history of music throughout the ages. This episode is aimed offering a discussion on the role tradition and the church's music. Is tradition good or bad? Should we be anti-traditional? Should we embrace all traditions? How should we evaulate tradition?
Hour 2 for 10/27/25 Drew and Brooke pray the Chaplet of Divine Mercy (1:00). Then, Dr. Jennifer Donelson-Nowicka covers the importance of Sacred Music (31:19). Topics: Gregorian Chant (38:23) and implementing Sacred Music in your parish (47:33). Link: https://catholicinstituteofsacredmusic.org/ https://www.usccb.org/resources/Catholic%20Hymnody%20at%20the%20Service%20of%20the%20Church_0.pdf
On the October 14 edition of the Music History Today podcast, Pearl Jam breaks a record, JoJo finally gets to release a record, & Pulp Fiction breathes life into older music. Also, happy birthday to Usher.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday
From his days growing up in rural Indiana, to teaching middle school English, to meeting Gloria and writing the songs we're all still singing, Bill Gaither put his stamp on gospel music. And at 89 he's not done yet!
In this epsiode, Duffey is joined again by Andrew Pressley for a discussion on the history of music throughout the ages. This is epsiode Part 2 of a 2-part series and considers the music of the Protestant Reformation up to the Modern era. This episode is aimed offering a wide-angle lens on church music history and seeks to provide awareness of the presence of vast differences of style and tradition. They seek to navigate the difficult conversation of what kind of music is appropriate in church settings? How have Christians thought about this issue in the past? How are we today informed by our current cultural millue regarding the conversation surrounding church music?
The Three Persons of Church Music // Bro. Aaron Baker by Central Baptist Church
In this epsiode, Duffey is joined by Andrew Pressley for a discussion on the history of music throughout the ages. This is epsiode Part 1 and considers the music of the Early Church and into the Middle Ages (the Medieval Church). On this epsiode, they try to address questions and common concerns like: How can God's people today think well about the music of the church? How can we think well about form and style of music in the church? How can we think better about instrumentation and accompaniment in church music today? Should we use instruments in worship services? If so, which ones? Should we sing in unison or with harmonies? Should we sing together (congregationally) or rely upon professionals to do the singing for us? All of these questions, and many more, have been asked since the time of the Apostles and the first century and will continue to be asked as long as the church remains. Tune in for a (hopefully) informative conversation!
On this week's Lin. Woods Gospel Entertainment Podcast, gospel legend, singer, songwriter, and choir master Keith Pringle—the voice behind gospel classics “Call Him Up” and “Can't Stop Praising His Name”—sits down with Lin. Woods for a powerful conversation.Keith shares his inspiring backstory, from getting “whipped about Night Church,” to playing piano for gospel pioneer James Cleveland, serving at Rev. C.L. Franklin's church, filling in for legends Walter and Edwin Hawkins, and recording a fresh version of his church staple “Perfect Peace.”You'll laugh, cry, and be uplifted by his stories, wisdom, and music.Don't miss it—listen, follow, subscribe, and download FREE!Connect with Lin. Woods: Instagram & TikTok: @linwoods96 Facebook & LinkedIn: @Lin Woods X (Twitter): @linwoods #LinWoodsGospelEntertainmentPodcast #GospelMusic #KeithPringle #GospelLegend #FaithAndMusic #GospelEntertainment
In this episode of The Bandwich Tapes, I get to reconnect with my good friend and former colleague, Brock Derringer. Brock and I shared a lot of time on stage, in the pit, and the music department at Wesleyan School, and it was a blast to sit down and dig into his story.We start with Brock's roots in small-town Thomasville, Georgia, a place with an unexpectedly rich arts scene, and trace his journey from a 10-year-old piano student to becoming a versatile musician and educator. He shares about his musical family, the influential teachers who shaped him, and how early church gigs prepared him for a lifetime of accompanying, leading, and creating music.Brock talks about his love of teaching, the decision to move from performance into music education, and his current work at Stillwell School of the Arts in Atlanta, where he teaches AP Music Theory and piano. We get into the challenges and changes in music education over the last two decades, the role (and limits) of technology in the classroom, and how he keeps evolving his teaching methods to meet students where they are today.Of course, we reminisce about our time collaborating on musicals, choir projects, and the legendary “Sing-Off” events, including unforgettable Beatles and Billy Joel performances that brought students and faculty to their feet. Along the way, we swap thoughts on musical influences, Billy Joel, Keith Jarrett, Oscar Peterson, and the importance of process over product in mastering any craft.This conversation is part reunion, part masterclass, and part trip down memory lane. Brock's passion for music and dedication to his students are contagious, and I left this talk reminded of why making and teaching music matter so much.Thank you for listening! If you have any questions, feedback, or ideas for the show, please contact me at brad@thebandwichtapes.com.The theme song, Playcation, was written by Mark Mundy.
“Start with the way that you structure your rehearsal, your classroom, your feedback. In terms of feedback, we talk about not giving people more than three pieces of information to work on. Working memory is affected by ADHD in particular. ‘Here's what you're doing well, here's what you can improve on, here's how you can improve it.' That structure helps with their ability to anticipate what you're going to say and quickly implement that into their own music making.”Dr. Peter Haley serves as Director of Choral Activities and Assistant Professor of Music at Ohio University, where he conducts the Ohio University Singers and Singing Men of Ohio and teaches undergraduate and graduate courses in conducting, choral literature, and music education. He previously spent seven years as a high school choir director in North Carolina where his students were consistently chosen for honor choirs on the local, state, and regional level, while being immersed in a program that stressed collaborative music-making and artistic excellence.Dr. Haley's research interests include pedagogy for neurodivergent learners in the choral rehearsal, and Arvo Pärt's sacred choral music. He has been invited to present at state and regional ACDA and MEA conferences and served as a clinician or adjudicator in Alabama, North Carolina, Ohio, and South Carolina. He has served as a pastoral musician for Baptist, Presbyterian, Reformed Jewish, and United Methodist congregations and held leadership roles on the Executive Board of the Presbyterian Association of Musicians and the Southern Region Conference of the American Choral Directors Association.Dr. Haley holds the Doctor of Musical Arts in Conducting from the University of South Carolina, as well as a B.A. in Music from Wingate University and an M.M. in Church Music from Samford University. He has the honor of being the second-best teacher in his house, behind his wife, Ashley, and is a proud parent to Patrick and Libby Kay.To get in touch with Peter, you can e-mail him at pahaley@ohio.edu or find him on Instagram: (@peterallenhaley).Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson
End Time Podcast with David Heavener: What you Won't Hear in Church
Join Robert and Hope Birdsong as they explore the controversial topic of how demonic influences may infiltrate Christian music and worship. This in-depth discussion delves into the origins of church music, the spiritual responsibilities of pastors and worship leaders, and the potential impact of music on faith communities. Robert and Hope share personal insights from their ministry experiences and emphasize the need for discernment in selecting worship songs. The conversation also touches upon the broader implications of music in spiritual warfare and its role in modern religious practices.
Join Robert and Hope Birdsong as they explore the controversial topic of how demonic influences may infiltrate Christian music and worship. This in-depth discussion delves into the origins of church music, the spiritual responsibilities of pastors and worship leaders, and the potential impact of music on faith communities. Robert and Hope share personal insights from their ministry experiences and emphasize the need for discernment in selecting worship songs. The conversation also touches upon the broader implications of music in spiritual warfare and its role in modern religious practices.
Donald Macleod investigates the life of a Renaissance genius, Giovanni da PalestrinaGiovanni Pierluigi da Palestrina (c.1525-1594) was one of the most influential composers in European classical music. With his countless masses, motets and madrigals, infused with a deep sense of spirituality and musical beauty, Palestrina was named the 'Saviour of Church Music' at a revolutionary time when Rome was rewriting the rules of music composition. But what do we know about this mysterious character, between historical fact and hagiographic myth? Donald Macleod follows the clues, to try and reconstruct the story of a fascinating composer, on the (approximately) 500th anniversary of his birth.Music Featured: Sicut cervus Laudate pueri Pueri hebraeorum (arr for dobro) Puer qui natus est Missa Assumpta est Maria (excerpt) Josquin des Prez: O virgo prudentissima Josquin des Prez: Fortuna d'un gran tempo Costanzo Festa: Sancta Maria succurre miseris Sacred Madrigals, Book 2, Città di Dio Ricercar del primo tuono Magnificat Primi toni Missa Ecce sacerdos magnus (Sanctus) Quam pulchri sunt gressus tui Pulchra es, amica mea (arr Volbers for recorder ensemble) Missa Papae Marcelli (excerpt) Vergine bella… Vergine saggia… Vestiva i colli Sabbato Sancto: Lectio III, Incipit oratio Ieremiae prophetae Motecta festorum totius anni cum Communi Sanctorum – liber primus Misso Herodes Nicola Vicentino: Jerusalem convertere Cristóbal de Morales: Gaude et laetare, Ferrariensis civitas Motecta festorum totius anni cum Communi Sanctorum (Fuit homo missus a Deo) Missa Papae Marcelli (Sanctus) Ricercar del secondo tuono Missa sine nomine a 6 arr Johann Sebastian Bach L'homme armé (exceprt) Adoramus te Christe arr Leopold Stokowski for orchestra O admirabile commercium Missa Ut re mi fa sol la (excerpt) Io son ferito (instrumental version) Missa Brevis (excerpt) Canite tuba (arr for brass ensemble) Deh hor foss'io col vago della luna (on a text by Petrarch) Offertoria totius anni (Jubilate Deo) arr A. Frackenpohl for brass ensemble Stabat Mater Missa pro defunctis (Sanctus-Benedictus) First Book of Madrigals (Sestina. Mai fu piu crud'o spietata morte) Ad te levavi Johann Joseph Fux: Gradus ad Parnassum (Fugue) Francesco Soriano: Alpha à 6 Canticum Canticorum (Osculetur me osculo oris sui) Missa Memor esto verbi tui a 5 (Credo) Missa Cantantibus organis (from the motet Cantantibus Organis by Palestrina) Sacred Madrigals, Book 2 (E questo spirto) Libera me Domine Ave MariaPresented by Donald Macleod Produced by Julien Rosa for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Giovanni Pierluigi da Palestrina (c.1525-1594) https://www.bbc.co.uk/programmes/m002d7cq And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
The principal focus of this podcast episode is the journey of a musician who transitioned from a conventional church setting to a prominent role within Elevation Church in Charlotte, North Carolina. Throughout the conversation, I elucidate the transformative experiences that shaped my musical and spiritual identity, particularly during a pivotal period in my life when I relocated to Dubai to pursue music. This narrative encapsulates the dichotomy between the structured environment of traditional worship and the dynamic, performance-oriented atmosphere I encountered in my new role. Additionally, I reflect on the challenges and triumphs associated with my personal evolution, including the profound impact of returning home and re-establishing my career in music. Ultimately, this episode serves as a testament to the resilience and adaptability required to navigate the complexities of life and artistry within a faith-based context.Takeaways: The worship leader at Elevation Church performs live, creating an intense and dynamic atmosphere across multiple campuses. The speaker recounts a significant life change at age 30, including an unexpected experience in the Middle East. Transitioning from church to a more mainstream music scene provided a unique evolution in the speaker's musical journey. The speaker's personal journey illustrates the challenges and rewards of pursuing one's passion amidst life's obstacles and changes. The audition process for Elevation Church was a pivotal moment that transformed the speaker's career and creative direction. The speaker emphasizes the importance of being grounded in one's faith while navigating the complexities of the music industry. Companies mentioned in this episode: Elevation Church Walmart London Drugs McKesson Canada
Are you considering PTZ cameras for your church worship service? Join Phil Cooke and Bryan Bailey, Director of Media at Prestonwood Baptist Church, to explore how one of the nation's leading churches is leveraging PTZ robotic cameras to transform church worship experiences. Whether you're a church media director, on a media team, or training volunteers, this behind-the-scenes conversation is packed with practical and spiritual insights to help you: · Integrate PTZ camera technology for smooth, multi-angle worship production · Lead and empower volunteer teams with clarity and confidence · Develop a ministry-focused mindset as a church media director If your goal is to elevate the worship experience through technology that enhances—not distracts from—God's presence, this episode is for you.
Reformed Brotherhood | Sound Doctrine, Systematic Theology, and Brotherly Love
n this episode of The Reformed Brotherhood, Jesse and Tony delve into Colossians 3:16–17, exploring the essential role of singing in Christian worship. They discuss how singing psalms, hymns, and spiritual songs is both a command and a spiritual discipline for believers, emphasizing its importance in teaching gospel truths and fostering mutual edification within the body of Christ. Singing is not merely an individual act of worship but a communal practice that unites the church in shared faith and gratitude. The hosts reflect on the transformative power of music in worship, emphasizing its role in shaping Christian character and relationships. They explore how singing serves as a means of mutual instruction, allowing believers to proclaim gospel truths to one another while glorifying God. Jesse and Tony also highlight the need for congregants, particularly men, to actively participate in worship through singing, modeling obedience and devotion for their families and fellow believers. Additionally, the conversation touches on how the act of singing transcends generational and cultural boundaries, bringing together believers of all ages and backgrounds. The hosts underscore the unique power of music to unite the church, deepen spiritual formation, and prepare hearts for eternal worship around the throne of God. Key Points: The Command to Sing Singing psalms, hymns, and spiritual songs is a biblical command for all believers, rooted in passages like Colossians 3:16–17 and Ephesians 5. This act of worship is not optional but central to the Christian life. Singing as Mutual Instruction Worship through singing serves as a means of teaching and admonishing one another in gospel truths. It is a communal act that fosters spiritual growth and unity among believers. The Role of Men in Worship Jesse and Tony discuss the importance of men leading by example in worship, particularly through singing, to encourage their families and the congregation to participate wholeheartedly. Music's Power to Unite and Transform Singing in worship transcends individual preferences and abilities, uniting believers of all ages and backgrounds in a shared expression of faith and gratitude to God. Practical Encouragement for Worship Participation The hosts encourage listeners to prioritize singing in both corporate worship and family settings, reminding them that even imperfect voices glorify God and edify the church. Questions for Reflection: How does your personal approach to singing in worship align with the biblical command to sing psalms, hymns, and spiritual songs? In what ways can congregational singing foster unity and mutual edification in your church? How can you encourage those around you, especially within your family, to participate in worship through singing? What steps can you take to incorporate doctrinally sound music into your daily life and family worship?
Episode #367 of BGMania: A Video Game Music Podcast. This week on the show, Bryan and Bedroth from RPGera get distracted from the main quest by heading down those roads less traveled to explore some mini-games, side missions, optional bosses, and whatever else catches our eye off the beaten path! Email the show at bgmaniapodcast@gmail.com with requests for upcoming episodes, questions, feedback, comments, concerns, or whatever you want! Special thanks to our Executive Producers: Jexak, Xancu, & Jeff. EPISODE PLAYLIST AND CREDITS Waukeens Promenade from Baldur's Gate II: Shadows of Amn [Michael Hoenig, 2000] Back on Path from The Witcher 3: Wild Hunt [Mikolai Stroinski & Marcin Przybyłowicz, 2015] Koi no Disco Queen from Yakuza 0 [Hidenori Shoji feat. Ryosuke Horii, 2015] Blitz Off from Final Fantasy X [Masashi Hamauzu, 2001] Church Music from South Park: The Stick of Truth [Jamie Dunlap, 2014] Hudson's Marriage from The Legend of Zelda: Breath of the Wild [Manaka Kataoka, Yasuaki Iwata & Hajime Wakai, 2017] Breath of Monsters from Fantasy Life [Nobuo Uematsu, 2012] Amygdala from Bloodborne [Ryan Amon, Tsukasa Saitoh, Michael Wandmacher, Yuka Kitamura, Cris Velasco & Nobuyoshi Suzuki, 2015] Medusa from Assassin's Creed Odyssey [The Flight, 2018] Valkyries from God of War [Bear McCreary, 2018] Cinco de Chocobo from Final Fantasy VII [Nobuo Uematsu, 1997] The Dave D. Taylor Blues from Doom II [Bobby Prince, 1994] Battle with Magus from Chrono Trigger [Yasunori Mitsuda, 1995] Seabird from Marvel's Spider-Man 2 [Alessi Brothers, 1977/2023] SUPPORT US Patreon: https://patreon.com/rpgera Thanks to our Patrons: Jexak, Xancu, Prof-Jeff, and Adam CONTACT US Website: https://rpgera.com Discord: https://discord.gg/cC73Heu Twitch: https://twitch.tv/therpgera Twitter: https://twitter.com/OriginalLDG Instagram: https://instagram.com/bryan.ldg/ Facebook: https://facebook.com/leveldowngaming RPGERA PODCAST NETWORK Very Good Music: A VGM Podcast Listening Religiously
In this final episode of the Lent Podcast, youth leader Cole Jones and Youth Ministry Director C.J. Lord discuss the recent OG Youth Mission Trip to Costa Rica in partnership with Asociación Ministerial Maná (Manna Ministerial Association). They discuss the trip, the Christian faith of the people in Costa Rica, and where they are finding Hope
In this episode, youth leader Vivian Mus and Youth Ministry Director C.J. Lord discuss where they are finding Hope
In this episode, youth leader Ashley DeLange and Youth Ministry Assistant Hanna Cain discuss where they are finding Hope
It's often said that we go through many tests so we can share powerful testimonies.On this Music Monday, we sit down with the incredibly talented gospel rapper Young Preach. He opens up about his troubled past, how it led him to God and music, and the biggest misconceptions about gospel rap. Then, Young Preach takes the stage to perform his anthem, “My Testimony.” FOLLOW YOUNG PREACH Facebook: @KennyPorterII YouTube: @YoungPreach1031 TikTok: @KennyP153
Melody sits down with Parker Webb, Worship Pastor at Green Street Baptist Church, and Pastor Ben Webb, Pastor of Enon Baptist Church. Together, they share invaluable advice for young pastors and worship leaders, offering encouragement and practical wisdom for those stepping into ministry. They also discuss the crucial role of worship music in the church, emphasizing the importance of ensuring that the songs we sing on Sunday mornings are doctrinally sound and align with Scripture. Whether you're a church leader, worshipper, or simply passionate about faith-filled music, this conversation is filled with insight and inspiration. Don't miss this thoughtful and enriching conversation on Quirks, Bumps & Bruises!
LENT Podcast X the OG Youth 2025 // Episode 1In this episode, Youth Director C.J. Lord and Youth Ministry Assistant Hanna Cain discuss where they are finding Hope
LENT Podcast X the OG Youth 2025 // PREVIEW EpisodeIn what may be one of the best mashups of all [OGUMC Podcast] time, the Oak Grove Youth are leading the Podcast this Lent as we look at where they are finding Hope
Speaker: Adam GodshallSeries: Why We Worship the Way We DoText: Ephesians 5:19Theme: What Qualifies for Church Music (Part 3) Test One: Is it theological?Test Two: Is it God-centered?Test Three: Is it excellent?Test Four: Is it congregational?Test Five: Is it passionate?Test Six: Is it understandable?Test Seven: Is it reverent? Test Eight: Is it singable? ...in its range ...in its rhythm ...in its musicality Test Nine: Is it spiritual? By the Spirit From the heart As worship to God Test Ten: Is it distinct? Seperate, not similar Sacred, not common
Speaker: Adam GodshallSeries: Why We Worship the Way We DoText: Ephesians 5:19Theme: What qualifies for church music? Test One: Is it theological? Test Two: Is it God-centered? Test Three: Is it Excellent? Test Four: Is it congregational? Test Five: Is it passionate? as a result of truth including a broad range of emotions with an emphasis on joy Test Six: Is it understandable? Church music is communication. Church music is literature. Test Seven: Is it reverent? It should be respectful. It should be governed. It is good to sing praises to our God ~ Psalm 147:1
Speaker: Adam GodshallSeries: Why We Worship the Way We DoText: Colossians 3:16Theme: What Qualifies for Church Music? Test One: Is it theological? It should be orthodox. It should be meaningful. It should be clear. Test Two: Is it God-centered? God should be the subject and the object of our worship. Personal pronouns may be express our needs or response. Test Three: Is it excellent? It should be non-distracting. It should be fitting. It should have musical quality. Test Four: Is it congregational? It should celebrate the human voice. It should celebrate participation. It is good to shing praises to our God ~ Psalm 147:1
Is football too violent for Christians? Is church music for the world too? And why aren't pastors talking more about the dangers of our devices? Benjamin Quinn chats with fellow Center for Faith and Culture friends about these listener questions and more. - Website: cfc.sebts.edu - Contact us: cfc.sebts.edu/about/contact-us/ - Support the work of the Center: cfc.sebts.edu/about/give/ All opinions and views expressed by guest speakers are solely their own. They do not speak for nor represent SEBTS. Read our expressed views and confessions: www.sebts.edu/about/what_we_believe.aspx
You've probably heard Caleb Martin's music somewhere on TV. I met Caleb in our music community through Shin Kawasaki, whose music you hear every week on Chapel Probation. But I had no idea Caleb had an evangelical background until just the past couple of years when we started chatting on IG about religious trauma. And I'm glad we did chat because it gave me the perfect excuse to talk to him, someone I've admired for the past 10 years or so. The admiration I have for such a fine musician and composer is still there, but now I also admire Caleb for his courage to come out of high control religion and forge a life of music and community outside. You can learn more about Caleb's work at https://www.martinmusicmedia.com/ Join the Dauntless Media Discord for more conversation with all the podcast communities. Scott's book, Asian-American-Apostate- Losing Religion and Finding Myself at an Evangelical University is available now! Music by Scott Okamoto, Jenyi, Azeem Khan, and Shin Kawasaki and Wingo Shackleford Join the Chapel Probation Patreon to support Scott and for bonus content. Join the Chapel Probation Facebook group to continue the conversations. Follow Scott on Instagram and Twitter and Substack You can subscribe to Scott's newsletter and learn more about the book, the blog, and performances at rscottokamoto.com
Peter and Grace Assad make up Poems of Grace, a duo singing songs rooted in Scripture and willing to wrestle through the wilderness journeys of life. Just in time for Advent, this episode features Peter discussing their two releases from the past year Rivers to Eden and Not Here Yet. You can find out more of their story and purchase their albums and artwork at https://www.poemsofgrace.com/.
As Christians, how we sing and what we sing are vitally important. Renae joins Stacey and Lois to discuss church music: hymns, praise songs, worship music and more!We'd love to hear from you! Please send your feedback and comments or questions to whosegirlareyou@gmail.com.
Beloved Lutheran hymnals have a long history, dating all the way back to 1524. This year in 2024, we are celebrating 500 years of Lutheran hymnals. This episode of The Concordia Publishing House Podcast features returning guest Peter Reske, Senior Editor of Music and Worship at Concordia Publishing House. Peter's takes listeners on a trip back in time to 1524 to teach us a little bit about the earliest Lutheran hymnals, how they came about, some of the stories that surround their creation, and how they were used in the congregations of the time.Shop all the editions of the Lutheran Service Book by visiting cph.org. Show NotesListen to the episode now as guest Peter Reske and host Elizabeth Pittman discuss the history of Lutheran hymnals, the connection between Scripture and the hymnody, Martin Luther's work, how Lutheran hymns have developed throughout history, and more. About the GuestPeter C. Reske, senior editor of music/worship at Concordia Publishing House, holds degrees in English literature and historical musicology from Marquette University and Pennsylvania State University. He was the editor of the Lutheran Service Book and its attendant resources.
On Episode 90, I chatted with Bob Moore about the tools of being a church music director. At the time, I was 20 months removed from being a church music director myself. However, one day after this episode releases, I will be starting a new job as a church music director. In this episode, I share my goals and action lists to help ensure that I get off to a great start. Hopefully this can give you ideas as well if you're looking to do similar work. Episode mentioned: The Tools of Church Music Directing (with Bob Moore) Let me know your thoughts on this episode as a voice message to possibly share on a future episode at https://www.speakpipe.com/MusicianToolkit If you enjoyed this, please give it a rating and review on the podcast app of your choice. You can find all episodes of this podcast at https://www.davidlanemusic.com/toolkit You can follow David Lane AND the Musician Toolkit podcast on Facebook @DavidMLaneMusic, on Instagram and TikTok @DavidLaneMusic, and on YouTube @davidlanemusic1 This episode is sponsored by Fons, an online platform that helps private teachers of all types (music, yoga, martial arts, academic tutoring, coaches, etc) with smooth, automated assistance such as securing timely automatic payments and scheduling. Click here for more information or to begin your free trial.
In this episode, Danny and Kris dive into Christian Music. What's appropriate for church, and what's not. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit dannyburnham.substack.com
Topics Covered: Resources Mentioned: Show Sponsor: My goal in this podcast is to help you grow as a worship leader. Of course that includes your formation, but it isn't limited to that—it's also with practical tools to help you in your ministry. It's hard to talk about being a worship leader without mentioning Planning Center. As […] The post #333: Charlie Peacock on Songwriting, Music Production Tricks, Church Music, & The Intersection of Faith & Art appeared first on Beyond Sunday Worship.
SIGN UP!: UPCOMING LIVE Q&A! https://bit.ly/RBQALIVE Dedication opportunities are available for episodes and series at https://ohr.edu/donate/qa Questions? Comments? podcasts@ohr.edu Yeshivat Ohr Somayach located in the heart of Jerusalem, is an educational institution for young Jewish English-speaking men. We have a range of classes and programs designed for the intellectually curious and academically inclined - for those with no background in Jewish learning to those who are proficient in Gemara and other original source material. To find the perfect program for you, please visit our website https://ohr.edu/study_in_israel whatsapp us at https://bit.ly/OSREGISTER or call our placement specialist at 1-254-981-0133 today! Subscribe to the Rabbi Breitowitz Q&A Podcast at https://plnk.to/rbq&a Submit questions for the Q&A with Rabbi Breitowitz https://forms.gle/VCZSK3wQJJ4fSd3Q7 Subscribe to our YouTube Channel at https://www.youtube.com/c/OhrSomayach/videos 00:00 - 8:50 Did Hashem prohibit something because it's bad or vice versa? 8:51- 12:00 Should the Jewish people be called the indigenous people of Israel? 12:01- 15:28 Should we educate Jews who are becoming frum with every detail? 15:29 - 16:40 Can I think about Hashem in the bathroom? 16:41 - 21:00 Is it permitted to listen to church music? 21:01 - 23:10 Seven books of the Torah? 23:11 - 28:01 If we can change nature through Tefilah, yet there were times when Tefilah wasn't strong enough, why is that? 28:02 - 31:23 Why do people stand up when a chosson and kallah walk in? 31:24 - 44:53 In the book of Iyov what is the discussion between Hashem and the Satan? 44:54 - 46:50 What is the meaning of the bracha ‘hanosein layoef koach'? 46:51 - 48:47 Is there a contradiction between the lav of ‘thou shall not take revenge' and ‘whoever spills the blood of one, their blood shall be spilt'? 48:48 - 59:25 What exactly is the idea of ‘lishma' - ‘for the sake of heaven'? 59:26 - 1:04:41 How do we rectify the machlokes between Rav Saadia Gaon and the Arizal on gilgulim (reincarnations)? 1:04:42 - 1:07:27 If someone has terminal pain and we're not able to relieve it, what should we daven for? 1:07:28 - 1:12:45 If a person has utter trust in Hashem, why should they pray? 1:12:46 - 1:15:38 If a woman is not able to have children, should they be divorced? 1:15:39 - 1:19:15 Does adopting a children fulfil the mitzvah ‘be fruitful and multiply'? 1:19:16 - 1:23:20 What is the Rav's view on Neturei Karta? 1:23:21 - 1:26:24 What exactly is Baal Tashgis? 1:26:25 - 1:27:40 What was the situation between Hizkiyahu Melech Yisrael and his son? 1:27:41 - 1:30:00 Is there anything special about seforim being printed in Israel? 1:30:01 - 1:34:50 Is it true to assume that the Sephardim were religious before the creation of the state? 1:34:51 - 1:37:08 Why do Jewish institutions allow for multiple smaller minyans when they can all daven together as one? 1:37:09 - 1:38:43 Does the original Satmar Rebbe feel that having the state of Israel will prevent the coming of Moshiach? You can listen to this and many other Ohr Somayach programs by downloading our app, on Apple and Google Play, ohr.edu and all major podcast platforms. Visit us @ https://ohr.edu PRODUCED BY: CEDAR MEDIA STUDIOS
Presented at the 2024 National Convention.
Presented at the 2024 National Convention.