Podcasts about Pieter Bruegel

Vi fick chansen att intervjua Christopher P. Heuer, som är professor i konsthistoria på University of Rochester, New York, när han denna vår är gästprofessor i Göteborg. Han medverkar i ett forskningsprojekt inom idé- och lärdomshistoria vid universitetet, som heter "Freezing Cold - Northern European imaginaries of winter, snow and ice during the Little Ice Age”. Han har tidigare forskat och undervisat på Berkeley, Princeton och Columbia och är en expert på tidigmodern konst. Dessutom har han skrivit boken “Into the White. The Renaissance Arctic and the End of the Image” som kom 2019 och som har listats som en av de fem bästa böckerna om Renässansen norr om alperna. Vår bild av Arktis nuförtiden är mycket präglad av romantikens bilder från 1800-talet, när konstnärer som CD Friedrich målade isen som ett kraftfullt och mystiskt naturfenomen. Vi pratar om tidigmoderna expeditioner till Arktis och hur detta visuella ”tomrum”, som antingen beskrev som helt vitt eller helt mörkt, utmanade 1500-talets intresse i att gestalta världen perspektiviskt korrekt. Han berättar om gravyrer som holländska upptäcktsresande tog med sig till Arktis som gåvor till människor man skulle kunna möta där, och som lämnades i isen på 1500-talet, innan de spröda resterna (som påminner mer om cornflakes än om pappersark) mycket senare färdades tillbaka till Amsterdam, där de nu bevaras på Rijksmuseum. Vi pratar om den svenske biskopen Olaus Magnus (1490-1557) och hans bok ”Historien om de nordiska folken” som han författade under sin exil i Rom. Denna boks illustrationer, som påminner i sin abstraktion nästan om modernistiska verk, gav en mycket rikare bild av snö och is i Norden än någon annan samtida källa. Och så pratar vi om Pieter Bruegel den äldres vinterlandskap och hur dessa kan hänga ihop med den lilla istiden i Nederländerna (ca 1540-1620)? Lyssna på detta och mycket mer i vårt senaste avsnitt! Thank you, Christopher, for talking to us!Support till showen http://supporter.acast.com/konsthistoriepodden. Hosted on Acast. See acast.com/privacy for more information.

After a challenging year in which international galleries, auction houses and museums have been forced to scale back their operations and make redundancies on an alarming scale, a slower, more considered approach to business seems to be emerging. So are we into an era of longer, more in-depth exhibitions and bespoke events concerned more with authentic connection than flashy spectacle? Ben Luke talks to Anny Shaw, a contributing editor at The Art Newspaper. In the Netherlands, just as in the US, cuts by far-right politicians to international development seem likely to have a huge impact on arts projects. As Tefaf, the major international art fair opens in the Dutch city of Maastricht, we talk to Senay Boztas, our correspondent based in Amsterdam, about fears of a funding crisis. And this episode's Work of the Week is one of the greatest paintings ever made: The Hunters in the Snow (1565) by Pieter Bruegel the Elder. It is part of an exhibition called Arcimboldo – Bassano – Bruegel: Nature's Time, which opened this week at the Kunsthistorisches Museum in Vienna. The museum's director, Jonathan Fine, tells us more.Arcimboldo–Bassano–Bruegel: Nature's Time, Kunsthistorisches Museum, Vienna, until 29 JuneSubscription offer: enjoy 3 issues of The Art Newspaper for just £3/$3/€3—subscribe before 21 March to start your subscription with the April bumper issue including our Visitor Figures 2024 report and an EXPO Chicago special. Subscribe here. https://www.theartnewspaper.com/subscriptions-3FOR3?utm_source=podcast&promocode=3FOR3 Hosted on Acast. See acast.com/privacy for more information.

From his home in Copenhagen, a city he's called home for more than a decade, Texas-born Oscar-nominated American-Danish filmmaker JOSHUA OPPENHEIMER talks about his new narrative film The End (2024), an apocalyptic musical. Joshua discusses The End alongside his Oscar-nominated documentary films The Act of Killing (2012) and The Look of Silence (2014), and how the three provocative and divisive projects are mirrors to challenge us to look at ourselves.Joshua selects a work by Pieter Bruegel the Elder from the SMK collection.https://open.smk.dk/en/artwork/image/KMS1639(Photographer: Pascal Bünning)----------We invite you to subscribe to Danish Originals for weekly episodes. You can also find us at:website: https://danishoriginals.com/email: info@danishoriginals.com----------And we invite you to donate to the American Friends of Statens Museum for Kunst and become a patron: https://donorbox.org/american-friends-of-statens-museum-for-kunst

Pieter Bruegel the Elder's Landscape with the Fall of Icarus reimagines Ovid's Metamorphoses, transforming the myth of Icarus into a meditation on human indifference and folly. This episode unpacks how Bruegel intertwines visual storytelling with contemporary Dutch and Flemish proverbs, reframing Icarus' tragic fall as a subtle commentary on the world's disregard for individual suffering. Today's artwork: Pieter Bruegel the Elder, Landscape with the Fall of Icarus (c. 1560). Oil on canvas. Royal Museums of Fine Arts, Brussels. ______ New episodes every month. Let's keep in touch! Instagram: @artofhistorypodcast | @matta_of_fact YouTube | Substack: The Fascinator | TikTok Visit Ireland With Me! Email: artofhistorypod@gmail.com

Wir tauchen ein in die faszinierende Welt von Pieter Bruegel. Warum seine Kunst 450 Jahre später noch relevant ist – und was man mit seinen Bildern über das Leben damals lernen kann:Einblicke gibt uns Sabine Haag.Sie hat 15 Jahre das Kunsthistorische Museum geleitet, das die größte Sammlung von Bruegel-Bildern der Welt hat.

Guten Morgen! Heute reflektieren wir über ein Bild von Pieter Bruegel dem Älteren, das uns die Fragilität des menschlichen Körpers vor Augen führt. Außerdem erfahren Sie, warum Sonneneinstrahlung wichtig für unsere Gesundheit ist – und worauf es dabei ankommt. Schließlich werfen wir einen Blick auf Marco Polo: War er wirklich im Reich der Mitte, oder sind die Berichte nur Legende? Erfahren Sie mehr ... mit Epoch Times.

Luke mentions the shepherds, and Matthew the Magi, but when John begins his Gospel, he begins at the very beginning: “In the beginning was the Word….”And then John says something that is absolutely startling:"The true light, which gives light to everyone, was coming into the world. He was in the world, and the world was made through him, yet the world did not know him” (John 1:9-10).In other words, the most important thing that has ever happened happened, and everyone missed it!It's just like Pieter Bruegel painted it in his great masterpiece “Census at Bethlehem.”It's my favorite painting ever, and on Christmas Eve 2024 I talked about why.

Luke mentions the shepherds, and Matthew the Magi, but when John begins his Gospel, he begins at the very beginning: “In the beginning was the Word….”And then John says something that is absolutely startling:"The true light, which gives light to everyone, was coming into the world. He was in the world, and the world was made through him, yet the world did not know him” (John 1:9-10).In other words, the most important thing that has ever happened happened, and everyone missed it!It's just like Pieter Bruegel painted it in his great masterpiece “Census at Bethlehem.”It's my favorite painting ever, and on Christmas Eve 2024 I talked about why.

Met procureur-generaal Sue Preenen (OM) en conservator oude kunst Jip van Reijen van het Bonnefantenmuseum stappen we aan de hand van de tentoonstelling “GOED FOUT: De Zeven Hoofdzonden in beeld” in de zestiende-eeuw met de blik van nu.In deze tentoonstelling staan Hoogmoed, Luiheid, Gulzigheid, Afgunst, Woede, Lust en Hebzucht centraal. De tentoonstelling biedt een uniek beeld van goed en kwaad in de kunst uit de lange zestiende eeuw (ca. 1480-1620), ), met als middelpunt de beroemde prentserie van Pieter Bruegel de Oude uit 1558. Hoe diep zitten de zonden ingebakken in onze maatschappij? Dienen ze als spiegel om op onze eigen tijd te reflecteren en welke rol spelen ze vandaag de dag in de wereld van het strafrecht? Over de tentoonstelling De tentoonstelling “GOED FOUT: De Zeven Hoofdzonden in beeld” is tot 12 januari te zien in het Bonnefanten in Maastricht. Zie voor meer info: Pieter Breughel de Oude uit 1558: In deze aflevering worden een aantal prenten uit de tentoonstelling besproken > bekijk ze op het Instagram account van Tussen Kunst en Misdaad of via onderstaande links: Het laatste oordeel en WoedeJustitia (Gerechtigheid) - Deugd

Nadie ha retratado la muerte con tanta crudeza como aquí. 'El triunfo de la muerte' de Pieter Bruegel "El viejo" retrata un ejército de esqueletos que viene a por los humanos. El final que todos sabíamos que llegaría. Los esqueletos están por todas partes degollando, ahorcando, decapitando, torturando, ahogando y pisoteando a los vivos que intentan escapar. Nuestro 'Artesano', Pablo Ortiz de Zárate, nos explica el significado del cuadro: qué es la vida y, sobre todo, que pensemos cuál es el sentido de la vida, si es que tiene alguno.

En 'Cuenta Con Bob' hemos resuelto las inquietudes que nuestros oyentes han enviado a Bob Pop. 'La Dupla' de Galder Reguera y Rafa Cabeleira han hablado del clásico y, a consecuencia, de los jugadores y clubes que odian. Nuestro 'Artesano' nos ha explicado el mensaje detrás de 'El triunfo de la muerte', de Pieter Bruegel "El Viejo". Los desmontadores de 'Mitos 2.0' Sergio Castro y Pepe Rubio han hablado del cambio de hora con Javier Ruiz y Raquel Marín.

Bij manier van spreken - #11 Geschiedenis voor herbeginners Voor de aflevering van vandaag gaan we terug in de tijd, meer bepaalt 500 jaar terug in de tijd. In de 16e Eeuw werd al gebruikgemaakt van spreekwoorden en zegswijzen. Samen met Jonas Goossenaerts (verteller/maker) en Laurens Luyten (stemacteur) van de podcast ‘Geschiedenis voor Herbeginners' bespreken we onder andere het schilderij van Pieter Bruegel de Oude en belichten we verschillende vergeten spreekwoorden. Ook de kunst van de foute spreekwoorden komt aanbod, denk maar aan ‘een gegeven paard moet je niet in de bek schijten'.

Aux alentours de 1565, dans nos régions, le climat subit des changements importants : une légère baisse des températures moyennes, des hivers très longs et très froids, alors que les printemps et les étés sont peu lumineux, frais et humides. On fait face à des tempêtes, des inondations sévères ou à des épisodes de sécheresse. C'est dans ce contexte que Pieter Bruegel dit l'Ancien va inscrire son art et offrir à la Renaissance flamande quelques-uns de ses plus grands chefs-d'œuvre. Certains, précisément, décrivent des paysages d'hiver. Sabine Van Sprang, historienne de l'art, conservatrice aux Musées royaux des Beaux-Arts de Belgique, est l'auteure, avec Tine Luk Meganck, de Bruegel et l'hiver, aux Editions du Fonds Mercator. Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Szukam śladów jesieni w malarstwie dawnych mistrzów. Naszymi przewodnikami po tradycji malarskiej są: Pieter Bruegel starszy jako autor Powrotu stada (Jesieni) z 1565 roku, obecnie w Kunsthistorisches Museum w Wiedniu Bracia Limbourg, Barthélemy d'Eyck i Jean Colombe jako autorzy miniatur jesiennych w Bardzo bogatych godzinkach księcia de Berry powstających od 1411 roku, obecnie w Muzeum Kondeuszy w Chantilly. Giuseppe Archimboldo jako autor Jesieni z 1573 roku, obecnie w Luwrze w Paryżu. Corrado Giaquinto, autor Jesieni z około 1740/1750 roku, obecnie w National Gallery of Art w Waszyngtonie. Sami się przekonajcie dlaczego na jesiennych drzewach w malarstwie dawnym brak złotych liści, za to wszędzie dużo winogron. A tutaj znajdziecie odcinek o Myśliwych na śniegu i całym cyklu Bruegla. ... ❤️ Dziękuję, że słuchasz Otuliny o sztuce. Ten podcast powstaje dzięki Patronkom i Patronom w serwisie Patronite. Możesz to nich dołączyć tutaj: https://patronite.pl/otulina_o_sztuce

HAPPY SPOOKFEST!!!! YAYYY!!!! What better way to bring in the fall vibes than with the MOST AUTUMNAL PAINTER EVER?!?! Seriously, it's like halloween is his aesthetic and the harsh reality that life is a walking horror is the SPOOKIEST THING OF ALL!  There will be proverbs, there will be a mysterious death, and there will be BURNT SIENNA! Just like... hella burnt Sienna.  Come join in on the fun! We love you! Xoxo, The Baroque B's

A Bigger Splash (1974) / The Mill & The Cross (2011) This week we're living the lives of artists as we dive in to David Hockney's bad breakup and join Pieter Bruegel the Elder's procession

In episode 28 of Locust Radio, Adam Turl is joined by Anupam Roy – an artist based in Delhi and member of the Locust Collective. This episode is part of a series of interviews of current and former Locust Collective members and contributors. It is being conducted as research for a future text by Adam Turl on the conceptual and aesthetic strategies of the collective in the context of a cybernetic Anthropocene. Locust Radio hosts include Adam Turl, Laura Fair-Schulz, and Tish Turl. Producers include Alexander Billet, Omnia Sol, and Adam Turl. Related texts and topics:  B.R. Ambedkar, see also B.R. Ambedkar, The Annihilation of Caste (1936) (pdf); James Baldwin (writer/author); Geroges Bataille, Visions of Excess: Selected Writings 1927-1939 (pdf); The Bengal Famine (1943); Walter Benjamin, “The Work of Art in the Age of Mechanical Reproduction” (1936); John Berger (artist and critic), see also Ways of Seeing (video) and Ways of Seeing (1972) (book); Chittaprosad Bhattacharya (artist); Pieter Bruegel the Elder (artist); Claire Bishop, Disordered Attention: How We Look at Art and Performance Today (2024); Bedatri D. Choudhury, “The Artist Who Sketched a Famine in India,” Hyperallergic (April 30, 2018); Communist Party of India (Marxist-Leninist) Liberation; Ben Davis, Art in the After-Culture: Capitalist Crisis and Cultural Strategy (2022); Mark Fisher, Capitalist Realism: Is There No Alternative? (2009); Antonio Gramsci; Institutional Critique (art); Marshall McLuhan (philosopher); Fred Morton (author); Pier Paolo Pasolini (poet and filmmaker); Platform Capitalism; Lionello Puppi, Torment in Art (1991); Kohei Saito, Capital in the Anthropocene (2020); Shulka Sawant, “Cultivating a Taste for Nature: Tagore's Landscape Paintings,” Economic and Political Weekly 52, no. 19 (2017): 57–63; Songs for Sabotage, New Museum Triennial (2018);  J.W.M. Turner (artist); Adam Turl, Dead Paintings (2010-); Adam Turl interviews Anupam Roy, “We Are Broken Cogs in the Machine,” Red Wedge (May 7, 2019); Vincent Van Gogh (artist).

Professor Joseph Koerner is the Victor S. Thomas Professor of History of Art and Architecture and Professor of Germanic Languages and Literature at Harvard University, where he is also a senior fellow at the prestigious Society of Fellows.Koerner is one of the most renowned art historians and critics working today, and the world's leading specialist on Northern Renaissance and 19th Century Art, in particular German and Netherlandish painting. He has written multiple books, amongst them volumes on Caspar David Friedrich, Albrecht Durer and recently Bosch and Brueghel. Koerner has also written and presented various documentaries including ‘Northern Renaissance' and ‘Vienna: City of Dreams', both produced by the BBC. In 2018 he released his most personal film yet: ‘The Burning Child', which traces his search for the fate of his grandparents and their Vienna home, known only through a 1944 painting by his exiled father.Bosch's Garden of Earthly Delights hi-res: https://commons.wikimedia.org/wiki/The_Garden_of_Earthly_DelightsJoseph Koerner's faculty page: https://scholar.harvard.edu/jkoerner/homeJoseph Koerner's Wikipedia page: https://en.wikipedia.org/wiki/Joseph_KoernerThe Vienna Project: https://viennaproject.fas.harvard.edu/Review of 'Bosch and Bruegel: From Enemy Painting to Everyday Life' in the Guardian https://www.theguardian.com/books/2017/feb/01/bosch-bruegel-joseph-leo-koernerNOTES:Bosch's Last Judgement https://en.wikipedia.org/wiki/The_Last_Judgment_(Bosch,_Vienna)Pieter Bruegel the Elder: https://en.wikipedia.org/wiki/Pieter_Bruegel_the_ElderThe strawberry/Madroño tree: https://en.wikipedia.org/wiki/Arbutus_unedoThe Cluster F Theory Podcast is edited by Julian Mayers at Yada Yada.Subscribe for free to The Cluster F Theory Podcast. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit theclusterftheory.substack.com

This week: the Whitney Biennial reviewed. Host Ben Luke discusses the show with Ben Sutton, The Art Newspaper's editor, Americas, and the critic Annabel Keenan. Our annual survey of visitor numbers at museums is published in the next print edition of The Art Newspaper and Lee Cheshire, the co-editor of the report, joins us to discuss the findings. And this episode's Work of the Week is Pieter Bruegel the Elder's drawing The Temptation of St Anthony (around 1556). It features in the exhibition Bruegel to Rubens: Great Flemish Drawings, which opens this weekend at the Ashmolean Museum in Oxford, UK. An Van Camp, the curator of the show, discusses this remarkable study.The Whitney Biennial: Even Better than the Real Thing, Whitney Museum of American Art, New York, until 11 August.Bruegel to Rubens: Great Flemish Drawings, Ashmolean Museum, Oxford, UK, 23 March-23 June. Hosted on Acast. See acast.com/privacy for more information.

„Zwei angekettete Affen“ ist eins der kleinsten Bilder des Malers Pieter Bruegel. Bis heute gibt es dem Betrachter Rätsel auf. Ist es Gleichnis, Aufforderung zur Selbsterkenntnis oder Mahnung? Nettling, Astrid www.deutschlandfunk.de, Aus Religion und Gesellschaft

Wie vor 400 Jahren Party gemacht wurde: In diesem Kunstsnack geht es um das Dorffest von David Teniers dem Jüngeren, auf dem es unglaublich viel zu entdecken gibt. Erfahrt, warum das Gemälde zwar in der Tradition der Genremalerei steht, aber trotzdem ungewöhnlich ist und welche Rolle Peter Paul Rubens im Leben des Künstlers spielte. Was das alles mit Game of Thrones, Ritter und Eishockey zu tun hat, verrät Euch Jakob Schwerdtfeger.

Nell'episodio dal titolo "Giochi di fanciulli", la redazione di Ieri Oggi Domani ritrova il filo dei giochi e del modo di vivere la comunità negli anni della loro infanzia. La puntata si apre con un contenuto speciale di Andrea Borgnino, giornalista RAI e conduttore di Radio 3, dirigente di Raiplay Sound, che descrive un celebre quadro del 1560, "Giochi di bambini" del pittore olandese Pieter Bruegel il Vecchio. L'occasione è quella di accennare ad un altro contenuto culturale della RAI molto importante, il documentario del 1970 di Giorgio Pressburger e dal titolo, appunto, "Giochi di fanciulli". Coordinamento e conduzione di Marco Armeni. Regia di Sonia Gioia. - N° di licenza SIAE: 6541

Kids have always been like this. They've always been crazy. Always had trouble sleeping at night. Always liked to play and explore. They've been overwhelmed by hormones. They've been driving their parents crazy a long time.​We talked a while back about Pieter Bruegel the Elder's Children's Games painting which depicts a loud and raucous scene of kids playing outside. It's 463 years old and yet, with a few exceptions, it resembles almost exactly what the kids in your neighborhood were doing last weekend.✉️ Sign up for the Daily Dad email: DailyDad.com

We welcomed guest speaker Christina Eichenroht to give an excellent and accessible lecture on this intriguing topic. Recommended! What have the cluttered landscapes of Pieter Bruegel the Elder to do with the complex plots of Fyodor Dostoevsky? In each, we find subtle allusions to the holy, hidden and tucked away in the least likely of places. Bruegel and Dostoevsky "bury the lede," so to speak, and thereby implicate us in overlooking or dismissing the presence of the holy—until we stumble over it in double-take recognition, and that hidden detail proves axiomatic. In this lecture, we will consider examples of this phenomenon in Bruegel's paintings and Dostoevsky's novel. Then, we will consider why Bruegel and Dostoevsky employ these compositional strategies. Why is the hiding of the holy so urgent? (Sorry we cannot include the slides. Bruegel's paintings - left unnamed during the talk - mentioned in the talk are as follows, in order: The Fall of Icarus; The Procession to Calvary; The Census at Bethlehem; The Adoration of the Kings) The Copyright for all material on the podcast is held by L'Abri Fellowship. We ask that you respect this by not publishing the material in full or in part in any format or post it on a website without seeking prior permission from L'Abri Fellowship. Also, note that not all views expressed in the lectures or in the discussion time necessarily represent the views of L'Abri Fellowship. © Canadian L'Abri 2020

Author, poet and performer Michael Rosen is one of Britain's best loved and most prolific children's writers, having published hundreds of books over nearly fifty years, including his much-loved We're Going On Bear Hunt, the story of an exciting family outing, illustrated by Helen Oxenbury. As a broadcaster he is well known to Radio 4 listeners as the host of Word of Mouth. He was appointed as Children's Laureate in 2007 and was awarded the PEN Pinter Prize in 2023, the citation noting his “ability to address the most serious matters of life in a spirit of joy, humour and hope”. In conversation with John Wilson, Michael recalls the early influence of his parents, who were both active members of the British Communist Party, and the many books that lined the walls of the Rosen family home. He chooses, as a key cultural inspiration, a reproduction of a 16th century painting by Pieter Bruegel the Elder called Netherlandish Proverbs. Depicting ordinary people in various comic situations which represented well-known proverbs of the day, it captured the imagination of young Michael and his friends. He reveals how he started writing his own poetry in response to works by Gerard Manley Hopkins and D H Lawrence whilst at school, and remembers how We're Going On A Bear Hunt was inspired by various folk tales from around the world. Michael also discusses the impact on his work of the death of his son Eddie at the age of 18 in 1999, and in discovering more about the fate of Jewish family members during the Holocaust. Producer: Edwina Pitman

O podcast de hoje é uma crítica, antes de tudo, à superficialidade. Os coachs motivacionais são um sintoma da pós-modernidade, que exige textos curtos, formas rápidas de lidar com questões da natureza humana, conteúdos rápidos de serem consumidos e resoluções fáceis e superficiais sobre as complexidades que a vida apresenta. O problema dessa forma de consumir o mundo é que ela ignora questões complexas, mas essenciais da sociedade. (A obra do cartaz é A Parábola dos Cegos do artista Pieter Bruegel, o Velho). Para ficar por dentro dos acontecimentos envolvendo as diversas temáticas jurídicas, siga, no Instagram, o perfil oficial do Prof. Lenio Streck (@lenio_streck) e do Streck & Trindade Advogados (@strecketrindade), e acompanhe as colunas do Senso Incomum, no site do Conjur.

Pozostajemy przy mitologii. Pieter Bruegel starszy być może nie namalował "Upadku Ikara", ale bez jego pomysłu, obraz nigdy by nie powstał. Opowiadam o historii Dedala i Ikara, o przewrotności kompozycji z Brukseli, a przy okazji cytuję kilku klasyków. Posłuchajcie sami! ...

O analfabetismo funcional é um problema social que alcança, inclusive, o Direito. De acordo com o Indicador de Alfabetismo Funcional (INAF), 38% dos universitários sofrem com o analfabetismo funcional. Ainda, 1 a cada 3 brasileiros, aproximadamente, não conseguem entender o conteúdo dos textos. O podcast dessa semana aborda essa questão. (A obra do cartaz é do artista Pieter Bruegel, A Parábola dos Cegos). Para ficar por dentro dos acontecimentos envolvendo as diversas temáticas jurídicas, siga, no Instagram, o perfil oficial do Prof. Lenio Streck (@lenio_streck) e do Streck & Trindade Advogados (@strecketrindade), e acompanhe as colunas do Senso Incomum, no site do Conjur.

Sometimes you come across a text by someone and it feels like you have been seen. Like something you've been struggling with to make sense of all of a sudden appears in words right in front of you, in total clarity. It an be a very positive experience, but it can also make you feel called out. Caught in the act. Some intellectuals, a select few, have this capacity, to make us see things clearly, even when we might not want to. When I first stumbled across writings on his Substack publication , I felt this way. Like a door opened to a room I did not know existed, or had forgotten about. I think I needed some guidance about how to think about meaning and how to be a human being, especially in this moment where digital technology dominate our lives more and more. For the last couple of years at least, one of those guides for me has been Michael Sacasas, which is why I'm so glad to have him as guest in my podcast.We talk about digital technology, the ever hungry machine, artificial intelligence, why time-saving technology don't save our time, the tyranny of tiny tasks, Ivan Illich and the concept of conviviality, the art of Pieter Bruegel the elder, about how to resist and why Michael wrote that the human-built world is not built for humans.I will post a transcript of the conversation some time in the following days. An excerpt:But then there was also this expectation that you would be just simply be doing more. One example of this is in this expression, that may be is a little archaic now, but it's “spring cleaning”. The idea is that you do this large cleaning in the spring. And this comes from a time when that would have been a kind of annual practice that you do kind of a deep cleaning of the home. But now the expectation is that homes should be maintained at that level of cleanliness – all the time, constantly.So now you've undercut whatever gains you might have achieved by having certain time saving devices, in this particular case. So I think there are ways in which the the promise never quite is fulfilled. And I think most of us would discover this in our own experience, if we ask ourselves: Do we now have an abundance of of free time? I think most of us feel kind of hurried, always kind of at the at the limits of our capacities, overwhelmed. Or burnt out, which is now an extremely common way of labeling this condition of just being pushed beyond our limits and not having enough time. Time becomes an adversary. We're always trying to to to save it so we're never really inhabiting it. So I think there are there are many ways in which that idea that – “oh, these tools are going to save time here, there and everywhere” – it just doesn't pan out in our lived experience.Rak höger med Ivar Arpi is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Inför varje podd…Inför varje avsnitt av podden diskuterar jag ämnet med er och tar med era frågor till samtalet. Det ni behöver göra för att delta i samtalet är att ladda ned Substackappen och vara med i Rak högers chatt. Många är redan med, men jag hoppas givetvis på fler.För att gå med i chatten behöver du ladda ner Substackappen, som nu finns tillgänglig för både iOS och Android. Chattar skickas via appen, inte e-post, så slå på push-notiser så att du inte missar konversationen när den händer.How to get started* Download the app by clicking this link or the button below. Substack Chat is now available on both iOS and Android.* Open the app and tap the Chat icon. It looks like two bubbles in the bottom bar, and you'll see a row for my chat inside.* That's it! Jump into my thread to say hi, and if you have any issues, check out Substack's FAQ.Utgivaren ansvarar inte för kommentarsfältet. (Myndigheten för press, radio och tv (MPRT) vill att jag skriver ovanstående för att visa att det inte är jag, utan den som kommenterar, som ansvarar för innehållet i det som skrivs i kommentarsfältet.) This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.enrakhoger.se/subscribe

During a time of increasing religious and political conflict, Pieter Bruegel the Elder's paintings portrayed work and pleasure, rituals and festivals of peasant life, and biblical scenes - all in startling detail. Inspired by humanist principles, Bruegel's art questioned how well we know ourselves, often representing our ignorance and insignificance, the futility of ambition and the absurdity of pride.In this edition of Not Just the Tudors, Professor Suzannah Lipscomb talks to Professor Elizabeth Honig, author of Pieter Bruegel and the Idea of Human Nature, to explore further how Bruegel's art and ideas enable people to ponder what it means to be human. This episode was edited and produced by Rob Weinberg.For more Not Just The Tudors content, subscribe to our Tudor Tuesday newsletter here.If you'd like to learn even more, we have hundreds of history documentaries, ad free podcasts and audiobooks at History Hit - subscribe today! To download, go to Android or Apple store Hosted on Acast. See acast.com/privacy for more information.

Maarten en Tom laten horen hoe leuk kunst is. Ook voor kunst-haters. Vandaag het meestwerk 'Jagers in de sneeuw' van Pieter Bruegel de Oude.

Fasching gegen Fastenzeit: so heißt ein Bild von Pieter Bruegel dem Älteren. Hier gibt es den Re-Run, für alle die wissen wollen, in welcher Zeit des Jahres wir gerade stecken! Zu sehen ist das Bild hier: https://www.khm.at/de/objektdb/detail/320/ Besucht uns auch auf Instagram! https://www.instagram.com/immuseum.podcast

Den svenska stormaktstiden var präglad av krig, nedkylning av klimatet, farsoter och svält. De omfattande utskrivningarna till militärtjänst var i det närmaste fördröjda dödsdomar. Men det fanns samtidigt en annan verklighet i den lilla världen med lekar, festligheter och kärlek.Både barnen och vuxna lekte under stormaktstiden, en del lekar känner vi fortfarande igen. Och den folkliga kärleken och kulturen var friare än den religiösa ortodoxin accepterade. Dessutom avlöste festerna med uppenbart hedniskt ursprung varandra. Påbuden från kyrkan hade ofta ingen effekt på folkets traditioner.I den nymixade reprisen av avsnitt 108 av podden Historia Nu samtalar programledare Urban Lindstedt med Annika Sandén, docent i historia och aktuell med boken Fröjdelekar – Glädje, lust och nöjen under svensk stormaktstid.Kyrkan försökte strama upp allmogens moral. År 1608 infördes Mose lag från Gamla testamentet i lagboken. Men kyrkans förbud hade svårt att rå på allmogens hedniska traditioner där vissa som midsommar levt kvar till våra dagar.Bild: Bondbröllop (1568) av Pieter Bruegel d.ä, Google Cultural Institute. Public domain Vill du stödja podden och samtidigt höra ännu mer av Historia Nu? Gå med i vårt gille genom att klicka här: https://plus.acast.com/s/historianu-med-urban-lindstedt. Hosted on Acast. See acast.com/privacy for more information.

Nastała zima, a wraz z nią naszła mnie nostalgia za Pieterem Brueglem starszym. Stąd opowieść o jego cyklu pór roku i niekwestionowanej gwieździe zimowego sezonu, czyli "Myśliwych na śniegu". Obraz możecie zobaczyć w kolekcji Kunsthistorisches Museum w Wiedniu, razem z dwoma innymi dziełami z serii: "Powrotem stada" i "Pochmurnym dniem". Wszystkie datowane są na rok 1565. Opowiadam o: ☘️ niezwykłej wrażliwości Bruegla na obserwację otaczającego go świata, ☘️ temacie pór roku w sztuce, ☘️ tym, jak rytm życia był kiedyś silnie związany z rytmem pór roku, ☘️ tym, jak Pieter Bruegel st. stał się prekursorem dwóch nowych gatunków w malarstwie! ... Możesz zostać moją patronką lub moim patronem tutaj: https://patronite.pl/otulina_o_sztuce Każde wsparcie jest dla mnie na wagę złota ❤️ ... Nagrań możecie posłuchać na: Spotify: https://spoti.fi/3bS7qEa Anchor: https://anchor.fm/otulina-otulina Apple Podcasts: https://apple.co/3lgoqoS You Tube: https://bit.ly/3wynHGl Możecie znaleźć moje wpisy na profilu na Facebooku: https://www.facebook.com/otulinablogpl lub na Instagramie: https://www.instagram.com/otulina_o_sztuce

Welcome again to the Convivial Society, a newsletter about technology and culture. This post features the audio version of the essay that went out in the last installment: “Lonely Surfaces: On AI-generated Images.” For the sake of recent subscribers, I'll mention that I ordinarily post audio of the main essays (although a bit less regularly than I'd like over the past few months). For a variety of reasons that I won't bore you with here, I've settled on doing this by sending a supplement with the audio separately from the text version of the essay. That's what you have here. The newsletter is public but reader supported. So no customers, only patrons. This month if you'd like to support my work at a reduced rate from the usual $45/year, you can click here: You can go back to the original essay for links to articles, essays, etc. You can find the images and paintings I cite in the post below. Jason Allen's “Théâtre D'opéra Spatial”Rembrandt's “The Anatomy Lesson of Dr Nicolaes Tulp”Detail from Pieter Bruegel's “Harvesters” The whole of Bruegel's “Harvesters” Get full access to The Convivial Society at theconvivialsociety.substack.com/subscribe

The Metropolitan Museum of Art calls The Harvesters "the first modern landscape". Pieter Bruegel also shifted the Renaissance paradigm with this masterpiece. He transported the art world from biblical and classical subjects into everyday people. That's why Bruegel the Elder became the "peasant painter". Read LadyKflo's collected works and learn about more masterpieces with a click through to LadyKflo's site. https://www.ladykflo.com/category/masterpieces/ Checkout her socials too: https://www.instagram.com/ladykflo/ https://twitter.com/ladykflo

Have you heard people say visiting a museum is good for you? Why is that? Grace Calame-Mars, a Nursing Professional Development Specialist, and Carolyn Halpin-Healy, an Art Educator at The Met, know the first-hand benefit of art in museums as a tool to help our well-being. Hear about the art therapy program they helped organize for medical professionals at NYU Langone Hospital, where close-looking exercises improved clinical observation skills and strengthened empathy, which became especially valuable tools during the COVID-19 pandemic. Guests: Grace Calame-Mars, nurse educator at NYU Langone and Carolyn Halpin-Healy, art educator Objects mentioned in this episode: Pieter Bruegel the Elder (Netherlandish, 1525–1569). The Harvesters, 1565. Oil on wood, 47 x 63 3/4 in. (119 x 162 cm). The Metropolitan Museum of Art, New York, Rogers Fund, 1919 (19.164) Figure: Seated Couple, eighteenth–early nineteenth century. Mali, Dogon peoples. Wood, metal, H. 28 3/4 x W. 8 5/8 x D. 8 in. (73 x 21.9 x 20.3 cm). The Metropolitan Museum of Art, New York, Gift of Lester Wunderman, 1977 (1977.394.15) Jacques Louis David (French, 1748–1825). The Death of Socrates, 1787. Oil on canvas, 51 x 77 1/4 in. (129.5 x 196.2 cm). The Metropolitan Museum of Art, New York, Catharine Lorillard Wolfe Collection, Wolfe Fund, 1931 (31.45) www.metmuseum.org/frameofmind #FrameofMind

Kid News This Week: Celebrating Eid around the world, Azteca ants repair “trumpetrees” in Panama, Japan's latest taste-tech, Spain's smelly high art

This week on art farts, we look into Pieter Bruegel, an artist who left a lasting impression on various musicians! And us too. Plus, Kourtney turns into the Riddler this episode (to obsess over Robert Pattinson) and lead the farts in some art related games. Can you guess the proverb? Come check all that out and more! Also, muppets basketball! Sources: https://bruegel.analog.is https://rateyourmusic.com/list/misterteeth/cover-art-by-pieter-bruegel-the-elder/ https://www.bridgemanimages.com/en-US/why-indie-band-fleet-foxes-chose-brueghel/7577 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/evan-hansen037/support

Fasching gegen Fastenzeit: so heißt ein Bild von Pieter Bruegel dem Älteren. Daniel Uchtmann wird uns heute dieses vielschichtige Meisterwerk entwirren! Zu sehen ist das Bild hier: https://www.khm.at/de/objektdb/detail/320/ Besucht uns auch auf Instagram! https://www.instagram.com/immuseum.podcast

In the second half of episode 12 — for patrons and subscribers only — Tish, Adam and Holly Lewis focus on questions of art, culture and individual subjectivity as they relate to the pandemic, the idea of the working-class seizing virtual technologies, automatic writing vs. anxiety and death, haunting the rich, revenge and utopia, the sculpting of revolutionary and counter-revolutionary violence, the futurity of the doomed, blockchain, video games, and the loss of texture in the virtual world. They also discuss the dynamic of collective and individual imagining and the warm stream of Marxism. Books, articles, stories and pamphlets discussed: “Alain Badiou: ‘People cling onto identities… it is a world opposed to the encounter,'” Verso blog (2014); Albert Camus, The Plague; Mike Davis, The Monster Enters: COVID-19, Avian Flu, and the Plagues of Capitalism (Verso, 2022); Hal Draper, The Mind of Clark Kerr (October 1964); Mary Shelley, The Last Man; Nathaniel Hawthorne, “Roger Malvin's Burial” (1832); Washington Irving, “The Legend of Sleepy Hollow” (1820); Karl Marx, The Economic and Philosophic Manuscripts of 1844; Karl Marx, The German Ideology (1845-46). Artworks discussed: The Born Again Labor Museum's Communist Manifesto Redistribution Project and Cat Without a Grin; Pieter Bruegel the Elder's The Triumph of Death (1562); medieval plague crucifixes; the agit-prop of Gran Fury and Act Up; exquisite corpses; David Wojnarowicz, Untitled (Buffalo) (1988); Anupam Roy's Exodus series; Labani Jangi's Exodus series; Egon Schiele's The Family (1918) Locust Radio is hosted by Tish Turl and Adam Turl. It is produced by Alexander Billet and Drew Franzblau. Music is by Omnia Sol.

Heute hören wir von einer klirrend kalten Winterlandschaft, die im Kunsthistorischen Museum in Wien hängt und voll mit liebevollen und lustigen Details ist. Zieht euch warm an! Website Inside Bruegel: https://www.insidebruegel.net/#p/v=udroom&lan=de&a=1838 Im Museum auf Instagram: https://www.instagram.com/immuseum.podcast/ Im Museum im Web: https://www.immuseum.at/

Luke and Eleanor continue their series on Medieval food by discussing the massive number of feasts days, what those feasts were like, and more! cover art is The Fight Between Carnival and Lent by Pieter Bruegel the Elder

Download the full lesson and Power Point at: https://courses.evidence4faith.org/sciencebible (https://courses.evidence4faith.org/sciencebible) Welcome to session 6 in our 11 part series “Science & The Bible!” This series examines the relationship between different disciplines of Science and the Bible and the arguments surrounding this topic. This lesson covers the field of Astronomy and how the science has changed over the centuries. Our ideas about the universe, even as early as the 20th century, might seem very silly to us today, thanks to new knowledge obtained by satellites, probes, and advancements in telescopes. How does the Bible stack up to our modern understanding of the universe? This lesson also covers the debate among some Christians on whether scripture supports a geocentric or heliocentric model. Music Credits: https://www.pond5.com/royalty-free-music/item/116117045-funky-sax-hipster-happy-upbeat-inspirational (Stock Music) provided by EnhancedVision, from https://www.pond5.com/ (Pond5) Unsplash Photo Credits: https://unsplash.com/ (https://unsplash.com/) Tengyart, Gaëtan Othenin-Girard, Sanni Sahil, Bryan Goff, Casey Horner, Taneli Lahtinen, Ross Sneddon, Neven Krcmarek, Vedrana Filipović Wikimedia Commons Photo Credits: https://commons.wikimedia.org/wiki/Main_Page (https://commons.wikimedia.org/wiki/Main_Page) Thomas Murray, Lumos3, Theodor De Bry, Bartolomeu Velho, ibiblio.org, Mariluna, Eduard Ender, Rursus, After Lysippos, John Collier, Lemuel Francis Abbott, Smithsonian Institution from United States, Harman Smith, Laura Generosa, Beinahegut, Pearson Scott Foresman, Leonardo Da Vinci, Pieter Bruegel the Elder, Mouser, Sanu N, Till Credner Other Photo Credits: NASA, imagesurgery.com, blinklearning.com

Hoy hablamos con mi amigo Byron García, psiquiatra infantil en McLean Hospital y profesor de Harvard Medical School sobre el trastorno por déficit de atención e hiperactividad (TDAH).  Cuadro: Detalle de Juegos de Niños de Pieter Bruegel the Elder Música: Let's Go Everywhere de Medeski, Martin and Wood (the train, where's the music, pirates don't take baths, let's go everywhere)

Charles and Seth explore the painting the Tower of Babel by Pieter Bruegel the Elder, and the various implications it has on our understanding of community and achievement. (We are working on the audio quality...) Tower of Babel (https://en.wikipedia.org/wiki/Tower_of_Babel) Article on historical context by Barbara A. Kaminska (https://jhna.org/articles/come-let-us-make-a-city-and-a-tower-pieter-bruegel-the-elder-tower-of-babel-creation-harmonious-community-antwerp/) The Tower of Babel in the Kunsthistoriches Museum (https://www.khm.at/en/explore/digital-museum/bruegel-begegnen-en/)

> Sonya Clark: Monumental, The Cloth We Should Know (FWS Philly, 2019)> Follow Fran Meneses on Instagram, Twitter, and Youtube @frannerd. Also please consider supporting her via her Patreon or her ethical stationery and apparel shop @wearenicehumans*Note: Fran is a Chilean illustrator now based out of NYC, not Brazilian as mentioned. Sorry! - Shelby> Jean Michel Basquiat, Haitian-Puerto Rican American Artist (1960-1988)> Frida Khalo, Disabled, Bi, and Mexican Painter (1907-1954)> Cauleen Smith: Give It or Leave It (ICA Philly, 2018)> Bill Traylor, Self-taught African American Artist (1854-1949)> Cy Twombly, American Painter, Sculptor, and Photographer (1928-2011)> Follow Ravi Amar Zupa, on Instagram and Twitter @raviamarzupa. Also please consider supporting him via his print shop.> Pieter Bruegel the Elder, Dutch-Flemish Ren. Painter (ca. 1525–1569)> Albrecht Dürer, German Painter, Printmaker and Theorist (1471–1528)> Betye Saar, African American Visual Storyteller, Printmaker and Assemblage Artist (1926-)*Note: Saar's daughter Alison Saar (1956-) is also a sulptor, mixed-media and instalation artist. - Shelby> Marcel Duchamp, French-American Painter and Sculptor (1887-1968)> Salvador Dali, Spanish Surrealist Artist (1904-1989)> Watch Abstract: The Art of Design (2017) on Netflix

The Horror Junkies are back in the studio this week with their good friend Jorge. The Florida sky is turning black and the winds begin to pick up, which means that the conditions for recording our episode are perfect. On this week's episode we discuss Infection movies and finally tackle the underrated hit It Comes At Night by Trey Edward Shults. In the first half of the show, Patrick drags us through what felt like an eternity of Horror News. Bringing up some really anticipated Horror themed games from the E3 conference that was this past week. Such titles include: The Last of Us part 2, The Evil Within 2, Wolfenstein II, and Days Gone, which feels like it was influenced by World War Z. Be sure to check out those games if your into survival games or if you just want to cry with the lights off. We also had a pretty intense Horror History segment with Mike. Before digging into his topic, Mike brought up a painting from It Comes At Night. This particular painting is titled The Triumph of Death and was painted by Pieter Bruegel the Elder in 1562. Depicting mass death, walking skeletons, and destruction. The topic of Horror History today was the Bubonic Plague that decimated Europe in the 14th century, wiping out one-third of its population. The second half of the show is our short Spoiler Free conversation about It Comes At Night, followed by a longer spoiler filled conversation about what our thoughts are and the questions we have after watching the movie.  This movie got a really solid rating from the Horror Junkies, and it really makes the viewer think and pay attention.  But don't take our word for it, go see It Comes At Night and tell us what you think. As always.... Stay Weird! --- Support this podcast: https://anchor.fm/horrorjunkiespodcasts/support

Cathy FitzGerald invites us to discover new details in three old masterpieces, beginning with Pieter Bruegel the Elder's masterpiece The Harvesters.

Tom Shakespeare, film director Peter Greenaway and art historian Matthijs Ilsink join Matthew Sweet in Holland for an exhibition marking the 500th anniversary of the death of artist Hieronymus Bosch. Matthew also talks to Plebaan Geertjan van Rossem, priest at St John's Cathedral in 's-Hertogenbosch, to get a religious perspective on Bosch's work. Het Noordbrabants Museum in 's-Hertogenbosch, Holland, presents the Jheronimus Bosch – Visions of a Genius exhibition from February 13 to May 8, 2016. 20 paintings (panels and triptychs) and 19 drawings are on display. You might also be interested listening to Saturday 13 February, 1302-1500: Saturday Classics: Ahead of his BBC4 series Renaissance Unchained, art critic Waldemar Januszczak conjures up the sound world of this epoch of huge passions and powerful religious emotions across all of Europe. The term 'Renaissance', or 'rinascita', was coined by Giorgio Vasari in 16th-century Florence, and his assertion that it had fixed origins in Italy has since influenced all of art history. But what of Flanders, Germany and the rest of Northern Europe? Waldemar presents music from the time of the Renaissance greats: Jan Van Eyck, Hans Memling, Albrecht Dürer, Hieronymus Bosch, Pieter Bruegel, Botticelli, Michelangelo, Leonardo and El Greco. Producer: Laura Thomas