Podcasts about Te Deum

Full Text of Readings The Saint of the day is Saint Marguerite d'Youville Saint Marguerite d'Youville's Story We learn compassion from allowing our lives to be influenced by compassionate people, by seeing life from their perspectives, and reconsidering our own values. Born in Varennes, Canada, Marie Marguerite Dufrost de Lajemmerais had to interrupt her schooling at the age of 12 to help her widowed mother. Eight years later she married François d'Youville; they had six children, four of whom died young. Despite the fact that her husband gambled, sold liquor illegally to Native Americans, and treated her indifferently, she cared for him compassionately until his death in 1730. Even though she was caring for two small children and running a store to help pay off her husband's debts, Marguerite d'Youville still helped the poor. Once her children were grown, she and several companions rescued a Quebec hospital that was in danger of failing. She called her community the Institute of the Sisters of Charity of Montreal; the people called them the “Grey Nuns” because of the color of their habits. In time, a proverb arose among the poor people of Montreal, “Go to the Grey Nuns; they never refuse to serve.” In time, five other religious communities traced their roots to the Grey Nuns. The General Hospital in Montreal became known as the Hôtel Dieu (House of God) and set a standard for medical care and Christian compassion. When the hospital was destroyed by fire in 1766, Mère Marguerite knelt in the ashes, led the Te Deum—a hymn to God's providence in all circumstances—and began the rebuilding process. She fought the attempts of government officials to restrain her charity, and established the first foundling home in North America. Pope Saint John XXIII, who beatified Mère Marguerite d'Youville in 1959, called her the “Mother of Universal Charity.” She was canonized in 1990, and her liturgical feast is celebrated on October 16. Reflection Saints deal with plenty of discouragement, plenty of reasons to say, “Life isn't fair” and wonder where God is in the rubble of their lives. We honor saints like Marguerite d'Youville because they show us that with God's grace and our cooperation, suffering can lead to compassion rather than bitterness.Saint of the Day, Copyright Franciscan Media

Der große Brand in der Pariser Kathedrale Notre-Dame vor sieben Jahren hat nicht nur Frankreich erschüttert - die ganze Welt nahm daran Anteil. Und ebenso groß war die Freude, als die Kathedrale wieder eröffnet werden konnte. Der Komponist und Organist Thierry Escaich hat für Notre-Dame ein Te Deum geschrieben - ein großes, ein spannendes Werk. Es berührt viele Themen, die mit dieser Kirche, ihrer wechselvollen Geschichte und Erfahrungen des Glaubens zu tun haben. Autor Peter-Felix Ruelius folgt in der hr2 Morgenfeier den spirituellen Spuren dieses beeindruckenden Werkes.

 A Chairde,As June heads towards July the distant beat of your drums is pounding out their rhythm. The marching season for all of the Loyal Orders is well underway and the 12 July is fast approaching. One July, sitting during yet another negotiation, into the early hours with Tony Blair the ratatat of Lambegs sundered the quiet. We paused as he asked if I knew what that was. Yes ,I replied that's the Orangemen.“Jungle drums?” he said.I am minded to remind you that the Battle of the Boyne was fought on the 1st July not the 12th. The date changed in 1752 when the English adopted the Gregorian calendar introduced by Pope Gregory. The war was part of a much wider European conflagration – the Nine Years War. James was backed by the English Aristocracy, by France and by the Irish Catholic aristocracy. William who was James's son-in-law and King of Holland, was backed by the English merchant class, by Pope Innocent X1, by Spain and Germany and by Protestant settlers in Ireland. At its core it was William leading a ‘Grand Alliance' of Europeans to curb the power and expansion plans of the French King.The Pope contributed to Williams expenses and when news reached Rome of the victory there was a Te Deum hymn sang in a “joyous proclamation of praise, thanksgiving and faith.” The Pope was front and centre of it all. So much for No Pope Here!  Bodenstown“To say all in one word, Ireland shall be independent. We shall be a nation, not a province, citizens not slaves.” Wolfe Tone On 28 June Republicans from across the island of Ireland will travel to Bodenstown, County Kildare, to stand in homage at the graveside of Theobald Wolfe Tone, the founder of Irish Republicanism.For those who know of Tone and for those who don't I want to recommend a new publication – Bodenstown: Honouring Wolfe Tone – A Pictorial History – which tells his remarkable and inspirational story and recounts the generations who have travelled to Bodenstown each June to remember and celebrate his life.This new publication profiles Tone and publishes photographs of many of the commemorations that have been held there. The first image of Bodenstown is of Padraig Pearse delivering the oration in June 1913. The Irish Republican Brotherhood had asked Pearse to speak and the event was chaired by veteran Fenian Tom Clarke. Both were executed by the British less than three years later following the 1916 Easter Rising.  Cupla Focal Eile.Another few words í nGaeilge as part of this column's contribution to the effort to use whatever Irish we have even if it is only a wee bit.  Here are a few more bits and pieces to replace their English equivalents.Lá breithe shona duit means Happy birthday to you.  It also sounds really good when sung by a crowd at a birthday gathering. Or even on a one to one basis. Try it. Use the same air as the English version. Tiomaint go curamac means drive carefully. Sliothar is a hurling ball. Tóg go bóg é means take it easy. Slán abhaile means Safe home.  

Imaginez le truc. Une émission de télé qui fête son 70ème anniversaire en cette semaine de mai 2026. Vous n'aimez pas ou vous la regardez chaque année, n'empêche, vous aimez bien le suspense du décompte final, la même émission que vos parents, grands-parents, arrière-grands parents ont regardé durant des dizaines d'années.Car je ne dois pas vous faire un dessin, 18 ans le 24 mai 1956, l'âge qu'il faut avoir pour être debout devant la télé en soirée, à cette époque, ça vous fait 88 ans en 2026, pour regarder les demi-finales et la grande finale à Vienne.Avec le côté rassurant que c'est toujours le même thème au générique depuis 70 ans. Et quelle histoire derrière ce thème ultracourt ! Vous êtes peut-être de ceux qui en connaissent le compositeur, un certain Marc-Antoine Charpentier qui vivait à l'époque de Louis XIV, tu te rends compte !Vous avez tiqué quand on vous a dit que c'était une œuvre religieuse, que certains musicologues pas bien renseignés qualifiaient de requiem joyeux.Il n'en est rien, si la partition date bien du XVII° siècle, Charpentier l'a composée à la gloire de Louis XIV pour célébrer une victoire militaire française, à Braine-le-Comte. Authentique ! Mais je n'en ai pas fini avec mon cocorico belgo-belge. Car comment et où a-t-on été chercher cette musique pour en faire le thème le plus populaire à l'échelle du continent ?Charpentier, comme la plupart des compositeurs baroques, est totalement oublié depuis longtemps quand un prêtre belge originaire d'Eupen, Carl De Nys, découvre les partitions de ses Te Deum. Oh, pas par hasard, hein, il est au début des années 50 un musicologue passionné qui sillonne les bibliothèques d'Europe à la recherche de partitions dont on a perdu jusqu'au souvenir de l'existence. C'est vrai, une partition, ça se range dans des tiroirs, on les oublie, et un jour, avec le temps qui dévore tout, elles finissent par devenir uniques, derniers exemplaires survivants d'une époque. Ainsi a-t-il découvert de nombreuses œuvres de JS Bach mais aussi mis en lumière celles de ses fils.Alors quand il retrouve cette œuvre très enlevée, en 1953, il la fait jouer à la radio et à la télévision françaises où il anime des émissions de musique classique. Le public enthousiaste pousse un éditeur à le sortir en disque et c'est ainsi qu'il tombe dans les mains de ceux qui doivent décider du thème musical qui précédera la retransmission télévisée du couronnement d'Elizabeth II la même année, en direct dans toute l'Europe. L'audience record de l'événement suscite une question dans des dizaines de milliers de chaumières : mais c'est quoi ? C'est génial. Bonne chance ! Pas internet, encore moins Shazam, les disquaires ont dû avoir beaucoup de visites la semaine suivante.Tout comme lors de l'édition 1995 du Concours, presque 40 ans plus tard, avec cette chanson dont on n'a pas su chanter les paroles du refrain quand on est allé demander le petit disque, et pour cause, …

Kirchenmusik beim ESC? Die Fanfare, die vor allen Eurovisionssendungen erklingt, ist vom französischen Barockkomponisten Marc-Antoine Charpentier. Und eigentlich ein Gotteslob.

Kot gostujoči dirigent se je na 5. koncertu letošnje sezone filharmoničnega cikla FKK predstavil Trevor Pinnock; pod naslovom Spomin na Piso, ki se navezuje na zadnje sodelovanje filharmonikov s tem britanskim dirigentom, je zazvenela glasba Josepha Haydna Wolfganga Amadeusa Mozarta in Felixa Mendelssohna. Poleg Orkestra in Zbora Slovenske filharmonije so nastopili še Mešani pevski zbor Glasbene matice Ljubljana in trije vokalni solisti. Prispevek Mihaela Kozjeka (Druga jutranja kronika, 8. 5. 2026). Legendarni Trevor Pinnock, ki ga morda najbolje poznamo kot ustanovitelja in dolgoletnega dirigenta orkestra The English Concert, je bil prvo umetniško ime tokratnega koncerta. Za uvod je prepričljivo zazvenela Haydnova uglasbitev hvalnice Te Deum; izvedbo so zaznamovali agilna igra orkestra ter prožen, glasovno homogen zbor, v katerem so izstopali predvsem samozavestni soprani. Sledila je Simfonija št. 25 v g-molu, K. 183 Wolfganga Amadeusa Mozarta, v kateri je skupna igra nekajkrat zanihala, sicer pa je Orkester Slovenske filharmonije delo, prežeto s številnimi izvajalsko-tehničnimi izzivi, pod črto podal korektno. V drugem delu koncerta je zvenela še obsežna Simfonija št. 2 v B-duru, imenovana 'Hvalospev' Felixa Mendelssohna. Na oder Gallusove dvorane so stopili vsi nastopajoči; poleg orkestra še združeni zbor, sestavljen iz Zbora Slovenske filharmonije in Mešanega pevskega zbora Glasbene matice Ljubljana in trije vokalni solisti – sopranistki Lauryna Bendžiunaite in Mojca Bitenc Križaj ter švicarski tenorist Mauro Peter, ki je izstopal s svetlim, mehko oblitim liričnim glasom. Odličen je bil tudi združeni zbor, predvsem z zlitostjo glasov, artikuliranostjo in energijo v polifonih odsekih, nekajkrat, še zlasti v počasnejšem delu simfonije in s posameznimi soli, tudi orkester. Čeprav Mendelssohnov Hvalospev ni bil tehnično popoln, ga je zaznamovalo tisto pomembnejše – žlahtno muziciranje, predanost in srčnost izvajalcev, ki jih je muzikalno vseskozi spodbujal in prebujal zimzeleni Trevor Pinnock.

Monika Volz https://www.selige-kzdachau.de/

También podríamos titular Arias de bigote a este programa en el que, en efecto, desfilan una serie de momentos famosos y generalmente comprometidos destinados a voces de soprano, de tenor, de barítono y de bajo. Comenzamos por los tenores y escuchamos a Giacomo Lauri Volpi cantando, como Elisabeth Retbergh y Giuseppe de Luca el final de la escena del Nilo de Aida de Verdi. Luego seguimos a Miguel Fleta en varios fragmentos de Marina de Arrieta, la famosa salida de Jorge en primer lugar. Después Alfredo Kraus nos asombra con su interpretación del aria T’amo qual t’ama un angelo de Lucrezia Borgia de Donizetti. Pasamos al registro de bajo con Cesare Siepi, que borda la célebre aria del Cardenal Brogni de La judía de Halevy. Damos el salto a las sopranos yadmiramos el temple dramático de Edda Moser cantando Poveri Fiori de La clemencia de Tito de Mozart. Pasamos a otro gran bajo, Ezio Pinza, que recrea el aria de Procida, O tu, Palermo, de Las vísperas sicilianas de Verdi. Y aparece por fin un barítono, el coloso George London, que domina con enorme presencia el Te Deum de Tosca de Puccini. El imponente final de El Oro del Rin de Wagner remata el programa.Escuchar audio

durée : 01:28:43 - par : Lionel Esparza - En 1885, l'Europe musicale est en ébullition. Johannes Brahms signe sa dernière symphonie, Antonin Dvořák crée sa septième à Londres, César Franck s'inspire de Victor Hugo pour Les Djinns et Anton Bruckner offre son Te Deum à Vienne. - réalisation : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:13:07 - Le Disque classique du jour du vendredi 27 février 2026 - Réputé pour sa profonde musicalité et sa connaissance historique, Jordi Savall invite les auditeurs à un voyage spirituel, mettant en lumière la beauté sacrée et la profondeur émotionnelle du Te Deum de Marc-Antoine Charpentier. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:17 - En pistes ! du vendredi 27 février 2026 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Aux cotés de sa Capella Reial de Catalunya, le chef catalan enregistre deux œuvres de Marc-Antoine Charpentier composées à deux ans d'écart et présentant de nombreuses ressemblances : le célèbre Te Deum, et l'oratorio In nativitatem Domini canticum. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:13:07 - Le Disque classique du jour du vendredi 27 février 2026 - Réputé pour sa profonde musicalité et sa connaissance historique, Jordi Savall invite les auditeurs à un voyage spirituel, mettant en lumière la beauté sacrée et la profondeur émotionnelle du Te Deum de Marc-Antoine Charpentier. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:17 - En pistes ! du vendredi 27 février 2026 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Aux cotés de sa Capella Reial de Catalunya, le chef catalan enregistre deux œuvres de Marc-Antoine Charpentier composées à deux ans d'écart et présentant de nombreuses ressemblances : le célèbre Te Deum, et l'oratorio In nativitatem Domini canticum. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

El Te Deum del 3 de noviembre de 2025, celebrado en la Catedral Basílica Santa María la Antigua, no fue un simple acto protocolario, sino una solemne proclamación de gratitud a Dios por la soberanía y el destino de la Nación Panameña. L'articolo Te Deum Solemne – 16 de noviembre del 2025 proviene da Radio Maria.

Composer Errollyn Wallen, Master of the King's Music, and lyricist and musician Richard Stilgoe, join Jeffrey and Anna as they add five more tracks to the playlist, taking us from the Nashville Sound to Dublin rock via New Zealand.Producer Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:Do I Ever Cross Your Mind by Dolly Parton & Chet Atkins Tre sbirri, una carrozza...Te Deum by Giacomo Puccini Sober by Lorde Memory by Elaine Paige With Love by Thin Lizzy Other music in this episode:Gypsy Sahara by Taraf de Haïdouks & Kočani Orkestar The Outside by Taylor Swift Four Walls by Jim Reeves Oh Lonesome Me by Don Gibson Royals by Lorde Parisienne Walkways by Gary Moore The Boys are Back in Town by Thin Lizzy

Riascoltiamo la Veglia di Ringraziamento ed il Te Deum  proposti da "Quelli di Capitoli Online" con Laura Viscardi (iconografa e teologa) e Claudio Gentili (già Presidente nazionale del Masci). Autori di testi di spiritualità e di riflessione sociale, dirigono dal 2004 il Centro di formazione per la pastorale familiare Betania di Roma. 

Send us a textThis episode originally aired at 1pm on Wednesday Dec 31 on SiriusXM 129 The Catholic ChannelFrontiers of Faith is now broadcast weekly on SiriusXM and uploaded here immediately after! Join us for this week as we discuss the importance of hope, the things we are grateful for this year, check in with Fr. Augustine Dada and the church in Nigeria and also our resolutions for 2026Click here to learn more about supporting the Pontifical Missions Societies:https://pontificalmissions.orgFollow us on socials!https://x.com/tpms_usahttps://www.instagram.com/tpms_us/

Primeras vísperas y Te Deum de Acción de Gracias por el año que finaliza con el Papa León XIV

Te Deum - Omelia di Mons. Guido Marini by RadioPNR

In this episode, we look back and pick our favorite classical and jazz recordings from 2025.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 241 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   Russ' Classical Picks   Episode 204: “Anniversaries & Inner Journeys” 3/17/2025 “Hough: Piano Concerto, Sonatina & Partita” (Hyperion) Sir Stephen Hough, The Hallé, Sir Mark Elder https://open.spotify.com/album/6aj6j7obrqKiSJJF9GB51l https://music.apple.com/us/album/hough-piano-concerto-sonatina-partita/1790189101 https://music.amazon.com/albums/B0DSWK94H6   Episode 208: “Elegance & Fire” 4/14/2025 “Prokofiev & Shor” (Alpha) Behzod Abduraimov, Royal Philharmonic Orchestra / Vasily Petrenko https://open.spotify.com/album/6yTib2Mj4XZNvPoC7ILgqR https://music.apple.com/us/album/prokofiev-shor/1792782208 https://music.amazon.com/albums/B0DV5N35H1   Episode 210: “Fluted Grooves” 4/28/2025 “Daugherty: Blue Electra” (Naxos) Anne Akiko Meyers, Albany Symphony Orchestra / David Alan Miller https://open.spotify.com/album/7KeVVROhrOyr7hwyAMc2Od https://music.apple.com/us/album/michael-daugherty-blue-electra-last-dance-at-the-surf/1803167332 https://music.amazon.com/albums/B0DTKSWBX9   Episode 211: “Saxurated Sound” 5/5/2025 “Tales of the Jazz Age” (La Dolce Volta) Florian Noack https://open.spotify.com/album/1pgOmjL6jYB69GOA2aMNxP https://classical.music.apple.com/sg/album/1795617036 https://music.amazon.com/albums/B0DWNBXQ3M   “Ancient Modernity” (Delphian) Louise McMonagle https://open.spotify.com/album/4mYIWqAJAYTqU4ayjzJnsI https://music.apple.com/za/album/ancient-modernity/1799737575 https://music.amazon.com/albums/B0DZ31FWKW   Episode 213: “Sacred Trinity & Swingin' Trio” 5/18/2025 “Alexander Scriabin: Vers La Flamme” (BIS) Yevgeny Sudbin https://open.spotify.com/album/3wYDp7bi9o73xbr9ZzWLrk https://music.apple.com/us/album/scriabin-vers-la-flamme/1803174467 https://music.amazon.com/albums/B0F1Z3KHWL   Episode 218: “A Quarter for Your Tones” 7/7/2025 “Persia & Baroque - Classical Persian Music and European Baroque” (Christophorus) Hamburger Ratsmusik / Simone Eckert, Ulrich Wedemeier, Anke Dennert, Neoclassical Ensemble of Tehran / Arash Mohafez https://open.spotify.com/album/5owCWVmzhFYnjbqZHg4lT0 https://music.apple.com/us/album/persia-baroque-classical-persian-music-and-european/1822952513 https://music.amazon.com/albums/B0F8C7Z8D5   Episode 219: “Border Crossers” 7/14/2025 “Laurent Boutros: Apatride, An Armenian in Paris” (Da Vinci Classics) Antonino Ielo https://open.spotify.com/album/7hQ2upqq5JxHfbJ8yDlX5C https://music.apple.com/us/album/laurent-boutros-apatride-an-armenian-in-paris/1819815810 https://music.amazon.com/albums/B0FCP46QV9   Episode 229: “A Trumpet Junket” 9/29/2025 “Kevin Puts: Concerto for Orchestra, Silent Night Elegy & Virelai” (Delos) Saint Louis Symphony Orchestra / Stéphane Denève https://open.spotify.com/album/3s5T4R7QJKHjgfNHmVy6Vz https://music.apple.com/us/album/kevin-puts-concerto-for-orchestra-silent-night-elegy/1826975431 No Amazon Music   Episode 231: “Bourbon Based” 10/13/2025 “Robert Russell Bennett & Vernon Duke: Violin Concertos” (Chandos) Chloë Hanslip, Singapore Symphony Orchestra / Andrew Litton https://open.spotify.com/album/5SQS6UVFNNBMf7Itmo1JEG https://music.apple.com/us/album/bennett-duke-violin-works/1830974602 https://music.amazon.com/albums/B0FKQ8BJYV   Mike's Classical Picks   Episode 202: “The Spaces Between” 2/24/2025 “The Age of Extremes: W.F. Bach, G. Benda & C.P.E. Bach” (Arcana) Francesco Corti, Il Pomo d'Oro https://open.spotify.com/album/666rWzJgsF6pZo9KyAZ27A https://music.apple.com/gh/album/the-age-of-extremes-w-f-bach-g-benda-c-p-e-bach/1781631697 https://music.amazon.com/albums/B0DN6QFCXM   Episode 207: “Blues ‘n' Bones” 4/7/2025 “Dvořák & Price: Piano Quintets” (Hyperion) Takacs Quartet, Marc-Andre Hamelin https://open.spotify.com/album/1i8Dx19cZUT4y5TcD9bomJ https://music.apple.com/us/album/dvořák-price-piano-quintets/1791744025 https://music.amazon.com/albums/B0DTKP5X5F   Episode 209 “Women on the Open Road” 4/21/2025 “Vox Feminae” (Alpha) Les Kapsber'girls https://open.spotify.com/album/7CMohdNtQxiB83iEMqntc7 https://music.apple.com/us/album/vox-feminae/1793025660 https://music.amazon.com/albums/B0DV5PTBMJ   Episode 212: “From Bach to Boogaloo” 5/12/2025 “Concertos: Pécou, Lazkano, Nante” (Erato) Alexandre Tharaud https://open.spotify.com/album/6bI8HUotFbewV3WMYX0OV0 https://music.apple.com/us/album/pécou-lazkano-nante-piano-concertos/1806217843 https://music.amazon.com/albums/B0F3FG9KJ7   Episode 213: “Sacred Trinity & Swingin' Trio” 5/18/2025 “Clérambault: Te Deum & Histoire de la Femme Adultère” (Château de Versailles Spectacles) Lisandro Abadie, Guy Cutting, Samuel Namotte, Gwendoline Blondeel A Nocte Temporis, Chœur de Chambre de Namur / Reinoud Van Mechelen https://open.spotify.com/album/3kITS98BQIa4cFBjT1NSnH https://music.apple.com/us/album/clérambault-te-deum-histoire-de-la-femme-adultère/1799108129 https://music.amazon.com/albums/B0DYNNF76N   Episode 215 “Doorway to the Horizon” 6/7/2025 “Ni Dufay, Ni Binchois - the Works of Johannes Pullois” (Passacaille) Sollazzo Ensemble https://open.spotify.com/album/4NMrnD08oj20PzLNDHM0rL https://music.apple.com/us/album/ni-dufay-ni-binchois-the-works-of-johannes-pullois/1807330875 https://music.amazon.com/albums/B0F44CTHZL   Episode 224: “Moon Tunes” 8/18/2025 “Bach, Telemann & Albinoni: Concerti” (Alpha) Sophie Gent, Kathleen Kajioka, Ensemble Masques / Olivier Fortin https://open.spotify.com/album/4Z9606TIlzMs2YA6LXiZnP https://music.apple.com/us/album/j-s-bach-telemann-albinoni-concerti/1807001257 https://music.amazon.com/albums/B0F8NM4DPF   Episode 227: “Melodic Reflections” 9/9/2025 “Libro primo” (ECM) Rolf Lislevand https://open.spotify.com/album/3XPfRhPmgp2sTj5rLPPH2I https://music.apple.com/us/album/libro-primo/1826581965 https://music.amazon.com/albums/B0FHJ5H7JV   Episode 229: 2A Trumpet Junket” 9/29/2025 “Martinů String Quartets 2-3-5-7” (Supraphon) Pavel Haas Quartet https://open.spotify.com/album/5LhBAJvYfW3akK0G35B8wh https://music.apple.com/us/album/martinů-string-quartets-nos-2-3-5-7/1832782214 https://music.amazon.com/albums/B0FM474BZ7   Episode 234 “Found Objects & Fresh Air” 11/10/2025 “Martinu Violin Concertos 1 & 2, Stravinsky Divertimento” (Supraphon) Josef Spacek, Prague Radio Symphony Orchestra / Petr Popelka https://open.spotify.com/album/0SKhKsHvwcPZ4OYMtzGRuK https://music.apple.com/us/album/martinů-violin-concertos-1-2-stravinsky-divertimento/1846791139 https://music.amazon.com/albums/B0FTGJLNHZ   “Found Objects / Sound Objects” (Hyperion) Marc-André Hamelin https://open.spotify.com/album/2dGt6QoBUsh75ShmyWOERe https://music.apple.com/us/album/found-objects-sound-objects/1828259285 https://music.amazon.com/albums/B0FJHYS4SJ   Mike's Jazz Picks   Episode 205: “Fragmented Inspirations” 3/24/2025 “South” (Sunnyside) Randal Despommier https://open.spotify.com/album/1EcSKXQuNPs7UIzaTkLl0j https://music.apple.com/us/album/south/1797433088 https://music.amazon.com/albums/B0DTWJSFZJ   Episode 208: “Elegence and Fire” 4/14/2025 “Live at Snug Harbor” (Outside in Music) Leon Anderson https://open.spotify.com/album/34XmNuGwm09hMfwDqaiGyf https://music.apple.com/us/album/live-at-snug-harbor/1792288803 https://music.amazon.com/albums/B0DTWHYQSL   Episode 212: “From Bach to Boogaloo” 5/12/2025 “Steep Steps” (Hobby Horse Records) Carl Winther, Richard Andersson, Jeff “Tain” Watts https://open.spotify.com/album/6mSi775nA3yYvU9Njpd7LV https://music.apple.com/us/album/steep-steps/1796891336 https://music.amazon.com/albums/B0DXFZPK8X   Episode 218: “A Quarter for Your Tones” 7/7/2025 “Nico's Dream” (SteepleChase) Tony Miceli https://open.spotify.com/album/5wUvoUKyZ0mmP87LZT877P https://music.apple.com/us/album/nicos-dream/1828638176 https://music.amazon.com/albums/B0F4DSQMVV   Episode 229: “A Trumpet Junket” 9/29/2025 “Oblivity” (Origin) Shawn Purcell https://open.spotify.com/album/4BdcYHpppD4zNskoxnuP2Z https://music.apple.com/us/album/oblivity/1831093754 https://music.amazon.com/albums/B0FL4V5HPB   Episode 230: “Concertos & Ciphers” 10/6/2025 “Cipher” (PHP Records) Charlie Porter https://open.spotify.com/album/2Nf8PpF9l3pDz6FLn4V18s https://music.apple.com/us/album/cipher/1807658361 https://music.amazon.com/albums/B0F49QRDH5   Episode 233: “Origin-al Recipe” 11/3/2025 “New Outlook” (Origin) Affinity Trio, Eric Jacobson https://open.spotify.com/album/6lhUbkRZQbk93E8rqane5J https://music.apple.com/us/album/new-outlook/1841929457 https://music.amazon.com/albums/B0FSCP685Q   “In the Groove: Live at the Alluvion” (OA2) trumpet, 10/17/2025 Anthony Stanco https://open.spotify.com/album/1eTkEAn2waOoKYJTjGkRyi https://music.apple.com/us/album/in-the-groove-live-at-the-alluvion/1841931160 https://music.amazon.com/albums/B0FSCSVSY6   Episode 235: “Impressions & Connections” 11/17/2025 “Lasting Impression” (Savant/High Note) Brandon Sanders https://open.spotify.com/album/1avyPXf8rP4eqgbfGHnnQN https://music.apple.com/us/album/lasting-impression/1840695827 https://music.amazon.com/albums/B0FRNM61SQ   Episode 240: “Double Trouble” 12/22/2025 “It's On!” (Nervy Nigel Records) Nigel Price https://open.spotify.com/album/0y2Rph1r8YLaqktG90Xxeh https://music.apple.com/gb/album/its-on/1850003081 https://music.amazon.com/albums/B0FY3P1HB4   Honorable Mention   Episode 228: “Synergy, Vocals, and Vibes” 9/22/2025 “Synergy” (SteepleChase) Paul Bollenback, Boris Kozlov https://open.spotify.com/album/59j2rbwlkeEgvAwKTVZz9o https://music.apple.com/us/album/synergy/1843953911 https://music.amazon.com/albums/B0FL5GF4F1   Russ' Jazz Picks   Episode 198: “Serene Screen Time” 1/27/2025 “The Snake Charmer” (Origin) Brad Goode Polytonal Big Band https://open.spotify.com/album/3FGXtQeRDC6i5LQMDTnyDl https://music.apple.com/us/album/polytonal-big-band-the-snake-charmer/1781618413 https://music.amazon.com/albums/B0DNZ5HRRD   Episode 202: “The Spaces Between” 2/24/2025 “Table for Three” (SteepleChase) Alex Norris https://open.spotify.com/album/2l4TGcCJaluGa98MqC8Ht7 https://music.apple.com/us/album/table-for-three/1806266526 https://music.amazon.com/albums/B0DVBDCBXQ   Episode 206: “Timbre Tantrum” 3/31/2025 “LightSide” (A.MA Records) Matteo Pastorino https://open.spotify.com/album/4z1xt1yALoiVkVk4t5vgVi https://music.apple.com/us/album/lightside-feat-dario-deidda-armando-luongo-domenico-sanna/1798791324 https://music.amazon.com/albums/B0DYN9FLW8   Episode 214: “Building Characters & Light Bassoonery” 5/26/2025 “Building Characters” (Cellar Music) Charles Chen https://open.spotify.com/album/5u6CjR2OTU7MjQUU5OOJCZ https://music.apple.com/us/album/building-characters/1795037951 https://music.amazon.com/albums/B0DWG54DLB   Episode 220: “Trans-phonic” 7/21/2025 “Transverse” (Calligram Records) Chad McCullough, Gordan Spasovski, Kiril Tufekčievski, Viktor Filipovski https://open.spotify.com/album/4GsqtJEMpqYfEDF14dxPzu https://music.apple.com/us/album/transverse/1819687910 https://music.amazon.com/albums/B0FCM5H3K5   Episode 222: “Mountain Viewfinder” 8/4/2025 “Viewfinder” (Attica Records) Hugh Pascall https://open.spotify.com/album/7IBrlJsdgj0sY579JDebqT https://music.apple.com/us/album/viewfinder/1825686850 https://music.amazon.com/albums/B0FH2XKXG5   Episode 224: “Moon Tunes” 8/18/2025 “Many Moons” (Third Coast Sound) Markus Rutz https://open.spotify.com/album/4MK0b4KgkFSclrpIqbrF3b https://music.apple.com/us/album/many-moons/1810126274 https://music.amazon.com/albums/B0F61HBSNF   Episode 225: “Chromatic Dreams” 8/25/2025 “Still We Dream” (Posi-Tone) Josh Lawrence https://open.spotify.com/album/3Rybpa0B2Xs4hrB8JBG4yP https://music.apple.com/us/album/still-we-dream/1821713242 https://music.amazon.com/albums/B0FGZMSQDS   Episode 232: “A French Connection” 10/20/2025 “The Dark Forest” (Steeplechase) Chris Byars https://open.spotify.com/album/4kFItljxvnU4JdIln0Wdp4 https://music.apple.com/us/album/the-dark-forest/1844056557 https://music.amazon.com/albums/B0FSG9R8C1   Episode 234: “Found Objects & Fresh Air” 11/10/2025 “A Breath of Fresh Air” (Taylor Christian Records) Sean Mason https://open.spotify.com/album/6mS8l8ZNHCu2CWerK3iBt7 https://music.apple.com/us/album/a-breath-of-fresh-air/1836167990 https://music.amazon.com/albums/B0FP2V4FH2        

El Vaticano prepara la publicación, el 29 de diciembre, de un número especial navideño del Governatorato. Es el primer texto del Papa León 14 con reflexiones concretas sobre la Navidad, resaltando la esperanza del jubileo. Homenajea a los franciscanos por el 800 aniversario de San Francisco de Asís, incluyendo una exposición de sus restos por un mes. León 14, en su primera Navidad como pontífice, preside misas de Nochebuena y Navidad, y la bendición Urbi et Orbi. Se encuentra en Castel Gandolfo; próximamente celebra el Ángelus dominical, una audiencia y el Te Deum el 31 de diciembre. El 1 de enero, oficia una misa por la paz mundial. El 6 de enero clausura el jubileo con el cierre de la puerta santa, siendo la segunda vez que un Papa diferente al iniciador finaliza un jubileo. El 11 de enero, bautiza a hijos de empleados vaticanos en la Capilla Sixtina. Sus mensajes navideños centran en la paz, invitando a introspección, perdón y solidaridad, abordando problemas sociales como empleo ...

durée : 00:27:30 - Les Midis de Culture - par : Marie Labory - Aujourd'hui, au menu de notre débat critique, deux disques de musique classique avec l'Opéra "Robinson Crusoé" d'Offenbach dirigé par Marc Minkowski et mis en scène par Laurent Pelly & " Te Deum pour Notre-Dame" de Thierry Escaich - réalisation : Laurence Malonda - invités : Emmanuel Dupuy Rédacteur en chef du magazine Diapason; Emmanuelle Giuliani Journaliste à La Croix

durée : 00:15:41 - Les Midis de Culture - par : Marie Labory - À l'occasion de la réouverture de Notre-Dame de Paris, le compositeur Thierry Escaich livre un Te Deum enregistré dans la cathédrale tout juste restaurée. Sous la direction d'Alain Altinoglu, l'œuvre rassemble près de 180 musiciens et choristes pour célébrer la renaissance d'un symbole national. - réalisation : Laurence Malonda - invités : Emmanuelle Giuliani Journaliste à La Croix; Emmanuel Dupuy Rédacteur en chef du magazine Diapason

durée : 00:12:10 - Le Disque classique du jour du jeudi 04 décembre 2025 - Si le célèbre Te Deum a assuré à Charpentier sa place dans l'histoire, c'est sans doute sa Messe de Minuit qui a le plus forgé sa renommée. Sous la direction de Gaétan Jarry, l'ensemble Marguerite Louise sublime ces oratorios latins et pastorales françaises. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:12:10 - Le Disque classique du jour du jeudi 04 décembre 2025 - Si le célèbre Te Deum a assuré à Charpentier sa place dans l'histoire, c'est sans doute sa Messe de Minuit qui a le plus forgé sa renommée. Sous la direction de Gaétan Jarry, l'ensemble Marguerite Louise sublime ces oratorios latins et pastorales françaises. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

What's up, dudes? Advent is here, and it's time to prepare for Christmas! Fr. Thom Crowe from ‘Tis the Podcast is here with me to discuss the differences between Catholic and Orthodox Advent liturgies!How long is each one? Which one omits parts of the Ordinary? Are they both strict fasts? We get into all of it! There are striking similarities and glaring differences. The sanctoral and temporal cycles overlap, and function as a weak analogy of the hydrostatic union.The West has more structural variation and variable parts parts, but the East has the stricter fast. We delve into the Mass/Divine Liturgy and the Office/Hours. After that, we tackle popular Advent devotions from both traditions. St. Nicholas definitely gets some play!Gloria in excelsis? Nope. Te Deum? Uh uh. Benedicamus Domino? Definitely! So grab your folded chasuble, switch it out for a broad stole, and chant along to this episode on Catholic and Orthodox Advent liturgies!'Tis the PodcastFB: @tisthepodcastBlueSky: @tisthepodcast.bsky.socialIG: @tisthepodcastFB Group: Tis the Podcast GroupGive us a buzz! Send a text, dudes!Check us out on Facebook, Twitter, Instagram, Totally Rad Christmas Mall & Arcade, Teepublic.com, or TotallyRadChristmas.com! Later, dudes!

In this episode we explore how Jean-Baptiste Lully, the towering figure of French Baroque music, met an unexpectedly grim fate: while fiercely conducting his own Te Deum, he stabbed his foot with his staff, refused surgery and died of gangrene. Along the way we follow his rise from Italian miller's son to court composer of Louis XIV, survey the evolving tools of conducting, and reflect on how a moment of hubris and misstep changed music history. Strap in for spectacle, irony and a reminder that even great maestros can trip up literally—and yes, the internet says it's true. Did you know The Internet Says It's True is now a book? Get it here: https://amzn.to/4miqLNy   Review this podcast at https://podcasts.apple.com/us/podcast/the-internet-says-it-s-true/id1530853589 Bonus episodes and content available at http://Patreon.com/MichaelKent For special discounts and links to our sponsors, visit http://theinternetsaysitstrue.com/deals

El 18 de septiembre de 1859 asesinaron a Juan Vidaurre-Leal, intendente de Valparaíso. La muerte ocurrió posterior a la realización del Te Deum, a consecuencia de una herida de bala disparada por Lorenzo Valenzuela, durante un motín en la Revolución de 1859.

A medal for a massacre. A Te Deum for thousands of deaths. A celebration that still shocks centuries later. On this day in history—11 September 1572—Pope Gregory XIII ordered Rome to give thanks for not one, but two "victories": the Catholic triumph over the Ottomans at Lepanto and the mass slaughter of French Protestants during the St Bartholomew's Day Massacre. In this episode: The shocking papal reaction to the St Bartholomew's Day Massacre The political and religious tensions behind Gregory's “thanksgiving” Why he linked the massacre with the naval victory at Lepanto The commemorative medal and what it tells us about 16th-century propaganda Gregory XIII's surprising legacy—from calendar reform to Jesuit patronage To some, it was divine justice. To others—then and now—it was unthinkable. Watch next: The St Bartholomew's Day Massacre – https://youtu.be/1DmTMXr0TcQ The Gregorian Calendar - https://youtu.be/VRz98plSjqk Like, subscribe, and ring the bell for more daily deep dives into Tudor and early modern history. #OnThisDay #StBartholomewsDay #Lepanto #GregoryXIII #TudorHistory #Reformation #CounterReformation #ClaireRidgway #GregorianCalendar #HistoryDebate #ReligiousHistory #EarlyModernEurope

Matins up to and including the Te Deum

Sujeten haut: Virowend an Nationalfeierdag selwer, Resumé vum Te Deum, Gefor Iran a Sécherheet um Nato-Sommet zu Den Haag.

Full Text of ReadingsThe Solemnity of the Most Holy Trinity Lectionary: 166The Saint of the day is Saint Marguerite dYouvilleSaint Marguerite d'Youville's Story We learn compassion from allowing our lives to be influenced by compassionate people, by seeing life from their perspectives, and reconsidering our own values. Born in Varennes, Canada, Marie Marguerite Dufrost de Lajemmerais had to interrupt her schooling at the age of 12 to help her widowed mother. Eight years later she married François d'Youville; they had six children, four of whom died young. Despite the fact that her husband gambled, sold liquor illegally to Native Americans, and treated her indifferently, she cared for him compassionately until his death in 1730. Even though she was caring for two small children and running a store to help pay off her husband's debts, Marguerite still helped the poor. Once her children were grown, she and several companions rescued a Quebec hospital that was in danger of failing. She called her community the Institute of the Sisters of Charity of Montreal; the people called them the “Grey Nuns” because of the color of their habits. In time, a proverb arose among the poor people of Montreal, “Go to the Grey Nuns; they never refuse to serve.” In time, five other religious communities traced their roots to the Grey Nuns. The General Hospital in Montreal became known as the Hôtel Dieu (House of God) and set a standard for medical care and Christian compassion. When the hospital was destroyed by fire in 1766, Mère Marguerite knelt in the ashes, led the Te Deum—a hymn to God's providence in all circumstances—and began the rebuilding process. She fought the attempts of government officials to restrain her charity, and established the first foundling home in North America. Pope Saint John XXIII, who beatified Mère Marguerite in 1959, called her the “Mother of Universal Charity.” She was canonized in 1990, and her liturgical feast is celebrated on October 16. Reflection Saints deal with plenty of discouragement, plenty of reasons to say, “Life isn't fair” and wonder where God is in the rubble of their lives. We honor saints like Marguerite because they show us that with God's grace and our cooperation, suffering can lead to compassion rather than bitterness. Saint of the Day, Copyright Franciscan Media

https://youtu.be/4qvoP86yDdUDiscover the deep comfort of the Triune God in this Holy Trinity Sunday sermon: “The Word That Death Cannot Silence” from John 8:48–59. Preached in the tradition of C.F.W. Walther and grounded in the Lutheran Church—Missouri Synod (LCMS), Pastor Balla proclaims the eternal power of Christ's Word—stronger than sin, louder than the grave, and shining with divine beauty. This Gospel-centered message explores the mystery of the Holy Trinity, the glory of the incarnate Word, and the lasting victory over death that is yours in Jesus Christ.Celebrate the Te Deum through LSB 941, confess the Athanasian Creed, and behold the beauty of God through the lens of theological aesthetics. This sermon is ideal for those searching for LCMS sermons, Trinitarian preaching, Holy Trinity Sunday reflections, or rich Law and Gospel proclamation. Strengthen your faith through the Word that cannot be silenced—even by death itself.✅ Subscribe for more confessional Lutheran sermons, weekly devotions, and Christ-centered content.⸻

(3:45) Bible Study: Acts 18:1-8 Father explains the time line of the Acts of the Apostles. John 16:16-20 What does Jesus mean in this passage? Father explains. (21:09) Break 1 (21:49) Letters: How do pets fit into salvation? What are plenary indulgences? Father answers these and other questions. Send him a letter at simon@relevantradio.com (34:29) Break 2 (36:18) Word of the Day Worship (38:39) Phones: Kim - my son and I talking about Pope Leo. when did Cardinals begin changing their names when they became Pope and why? Sr. Maria Francesca - do we know the history of the Te Deum? where does this come from? Noah - struggling with trusting God's Divine Will for me. how do I put my life in His hands? Dolores - today is Ascension but deferred to Sunday. does that mean today is just a regular day? Pam - question about Holy Spirit. saying Pope Francis was going to change date of Easter to coincide with Eastern Orthodox. I thought Eastern Orthodox didn’t believe in Filioque. I am confused

durée : 01:29:08 - En pistes ! du jeudi 29 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Deux symphonies zéros signées Schumann et Bruckner à découvrir aujourd'hui dans En Pistes ! Il y aura aussi de la musique sacrée avec le Te Deum et l'unique oratorio de Louis-Nicolas Clérambault, ainsi que le Stabat Mater de Dvorak...

durée : 01:29:08 - En pistes ! du jeudi 29 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Deux symphonies zéros signées Schumann et Bruckner à découvrir aujourd'hui dans En Pistes ! Il y aura aussi de la musique sacrée avec le Te Deum et l'unique oratorio de Louis-Nicolas Clérambault, ainsi que le Stabat Mater de Dvorak...

Ein Album von diversen Künstlern - vorgestellt auf NDR Kultur.

Nix wie raus aus der Badewanne – das Te Deum von Marc-Antoine Charpentier (aka die Eurovisionhymne) quäkt schon aus den Lautsprechern des holzvertäfelten Telefunken-Röhrenfernsehers und Omma hat die Käsepieker bereitgestellt für die große Samstagabend-Unterhaltungsshow! Zum siebten Mal haben Jan, Gerrit und Sebastian 21 Prominente von vorgestern aus dem Sack, der eigentlich eine Schachtel ist, gezogen, und sich zu ihnen insgesamt 105 knifflige Hinweise einfallen lassen. Nun heißt es wieder: Raten-raten-raten, denn es geht in dieser Folge, die ihre Sendezeit wieder einmal tüchtig überzieht, um Spannung, Spaß, Punkte, den Quiz-Thron und gekühlte Getränke. Vielleicht ist es außerdem das erste Promi-Raten, bei dem nicht sieben Male Heidi Kabel erwähnt wird. Wir wünschen Ihnen, sehr verehrte Zuschauerinnen und Zuschauer, angenehme Unterhaltung und heiteres Mitgrübeln. Wer die sechs bisherigen Ausgaben dieses Formats hören möchte, findet diese in unseren Folgen 40, 53, 63, 76, 87 und 98.

In this episode, we discuss recordings of “Clérambault: Te Deum & Histoire de la Femme Adultère” (Château de Versailles Spectacles) by Lisandro Abadie, Guy Cutting, Samuel Namotte, Gwendoline Blondeel, A Nocte Temporis & Chœur de Chambre de Namur / Reinoud Van Mechelen, “Alexander Scriabin: Vers La Flamme” (BIS) by Yevgeny Sudbin, “Electric Fields” (Alpha) by Barbara Hannigan, Katia Labèque, Marielle Labèque & David Chalmin, “The Man I Love” (Alys Jazz) by The Gabriel Latchin Trio, “ASH” (AlfaMusic) by Alessandro Altarocca, and “Resilience” (SFÄR) by Landæus Trio.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 213 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   “Clérambault: Te Deum & Histoire de la Femme Adultère” (Château de Versailles Spectacles) Lisandro Abadie, Guy Cutting, Samuel Namotte, Gwendoline Blondeel A Nocte Temporis, Chœur de Chambre de Namur / Reinoud Van Mechelen https://open.spotify.com/album/3kITS98BQIa4cFBjT1NSnH https://music.apple.com/us/album/clérambault-te-deum-histoire-de-la-femme-adultère/1799108129 https://music.amazon.com/albums/B0DYNNF76N   “Alexander Scriabin: Vers La Flamme” (BIS) Yevgeny Sudbin https://open.spotify.com/album/3wYDp7bi9o73xbr9ZzWLrk https://music.apple.com/us/album/scriabin-vers-la-flamme/1803174467 https://music.amazon.com/albums/B0F1Z3KHWL   “Electric Fields” (Alpha) Barbara Hannigan, Katia Labèque, Marielle Labèque, David Chalmin https://open.spotify.com/album/2ceVeuhEHhpWmonDa48miQ https://music.apple.com/us/album/electric-fields/1798627186 https://music.amazon.com/albums/B0DYVJ78KP   “The Man I Love” (Alys Jazz) The Gabriel Latchin Trio https://open.spotify.com/album/4fnnKNM1jhOzlT403JMcvv https://music.apple.com/us/album/the-man-i-love/1798555899 https://music.amazon.com/albums/B0DYGGYRYV   “ASH” (AlfaMusic) Alessandro Altarocca https://open.spotify.com/album/1HJJRRjvDuqhgWU8PbxKs7 https://music.apple.com/us/album/ash-feat-horacio-el-negro-hernandez/1811674139 https://music.amazon.com/albums/B0F6ZMQMX3   “Resilience” (SFÄR) Landæus Trio No Spotify https://music.apple.com/us/album/resilience-feat-cornelia-nilsson-johnny-åman-mathias/1807074514 https://music.amazon.com/albums/B0F3XS84WR

Episode 171 Chapter 30, EMS Analog Synthesizers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 30, EMS Analog Synthesizers from my book Electronic and Experimental music.   Playlist: MUSIC MADE WITH EMS ANALOG SYNTHESIZERS   Time Track Time Start Introduction –Thom Holmes 01:34 00:00 1.     Delia Derbyshire, “Dance From ‘Noah' " (1970). Composed for a television program. Used the EMS VCS3. 00:55 01:44 2.     Selections from the demonstration disc, EMS Synthi And The Composer (1971). Excerpts from Harrison Birtwistle, “Medusa,” Peter Zinovieff, “January Tensions,” and Tristram Cary, “Continuum.” 06:15 02:34 3.     Peter Zinovieff and Harrison Birtwistle, “Chronometer” (1971–2). Featured both the EMS Synthi VCS3 and modified sound recordings of the ticking of Big Ben and the chimes of Wells Cathedral clock. 24:23 08:48 4.     Mike Hankinson, “Toccata And Fugue In D Minor” (Bach) (1972) from The Classical Synthesizer. South African record realized using the Putney (EMS) VCS3. 07:04 33:06 5.     Electrophon, “Arrival of the Queen of Sheba” (1973) from In a Covent Garden (1973).  Electrophon Music was described as the studio where the electronics were recorded and produced in the UK by Radiophonic musicians Brian Hodgson, Dudley Simpson. A variety of synthesizers were used including the obscure EMS Synthi Range, a multi-effect instrument. 03:04 40:10 6.     The Eden Electronic Ensemble, “Elite Syncopations” (Joplin) (1974) from The Eden Electronic Ensemble Plays Joplin. Realized using the EMS VCS3 and Minimoog synthesizers. 04:53 43:12 7.     Peter Zinovieff, “A Lollipop For Papa” (1974).  Realized with the EMS Synthi AKS. 06:26 48:04 8.     Peter Zinovieff and Hans Werner Henze, “Tristan” (Long Section) (1975). Tape accompaniment realized with the EMS Synthi AKS. 07:40 54:40 9.     J.D. Robb, “Poem of Summer” (1976) from Rhythmania And Other Electronic Musical Compositions. Realized using the EMS Synthi AKS. 02:04 01:02:18 10.   J.D. Robb, “Synthi Waltz” (1976) from Rhythmania And Other Electronic Musical Compositions. Realized using the EMS Synthi AKS and Synthi Sequencer 256 (digital sequencer). 01:52 01:04:24 11.   Bruno Spoerri, “Hymn Of Taurus (Taurus Is Calling You!)” (1978) from Voice Of Taurus. Realized using a host of equipment, including a few EMS instruments: EMS Synthi 100, EMS VCS3, EMS AKS, EMS Vocoder 2000, Alto Saxophone with EMS Pitch-to-voltage Converter & Random Generator, plus the Lyricon, Prophet-5 Polyphonic Synthesizer, ARP Omni & Odyssey, Minimoog, Moog Taurus Bass Pedal, RMI Keyboard Computer, Ondes Martenot , Vako Polyphonic Orchestron, Bode Frequency Shifter, AMS Tape Phase Simulator, Echoplex, Roland Echo, Roland Rhythm Box, Bruno Spoerri. 02:48 01:06:16 12.   Henry Sweitzer, “Open Windows” (1979) from Te Deum.  Realized with the EMS Synthi AKS. 11:11 01:09:02 13.   Eduard Artemyev, Yuri Bogdanov, Vladimir Martynov, “Le Vent Dans La Plaine,” “Io Mi Son Giovinetta,” and “Why Ask You?” (1980) from Metamorphoses. Composed and realized using the EMS Synthi 100, a large synthesizer unit combining several EMS3 models and connecting circuitry. 08:38 01:20:14 14.   Jean-Michel Jarre, “Les Chants Magnétiques,” (side 1) (1981) from Les Chants Magnétiques. Portions realized with the EMS Synthi AKS, EMS Synthi VCS3, and EMS Vocoder 1000. 17:58 01:28:52 15.   Alessandro Cortini and Merzbow, “AAMC” (2017) from Alessandro Cortini And Merzbow. Recent recording with all sounds realized using a vintage EMS Synthi AKS. 04:49 01:46:40   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.  

Matins is a bit of a tough one. The invitatory stays the same, so you get the hang of that. The responsories have a bit of variation and in Lent where the Te Deum is not said and instead there's a third responsory, “Felix namquam”. I'm singing the one from the Baronius Press book, which comes from Hartker's Nocturnale.But here is Matins for Sunday, Monday and Thursday from Septuagesima Sunday through to Holy Wednesday or Holy Saturday if you're praying in private.I've included the optional ending in case you don't go straight into Lauds. Feel free to skip this if you have Lauds queued up ready to roll. Hopefully your podcast app allows you to do this.Booklets in PDF available: littleoffice.brandt.id.auSupport this channel, either via Substack or Buy Me a Coffee Get full access to Little Office of the Blessed Virgin Mary at littleoffice.substack.com/subscribe

I'm copying from the previous post, just changing the bit to make it 2nd Nocturn. Even the audio pretty much does this. It's a shortcut. Hope it's not too aggravating.Matins is a bit of a tough one. The invitatory stays the same, so you get the hang of that. The responsories have a bit of variation and in Lent where the Te Deum is not said and instead there's a third responsory, “Felix namquam”. I'm singing the one from the Baronius Press book, which comes from Hartker's Nocturnale.But here is Matins for Tuesday and Friday from Septuagesima Sunday through to Holy Wednesday or Holy Saturday if you're praying in private.I've included the optional ending in case you don't go straight into Lauds. Feel free to skip this if you have Lauds queued up ready to roll. Hopefully your podcast app allows you to do this.Booklets in PDF available: littleoffice.brandt.id.auSupport this channel, either via Substack or Buy Me a Coffee Get full access to Little Office of the Blessed Virgin Mary at littleoffice.substack.com/subscribe

Very similar to the last two posts, just subbing out the Psalms for the 3rd Nocturn. This recording was plagued by bird noises. First take it was Sulphur Crested Cockatoos, second take my voice was audibly much more tired and one chicken was hanging around, making her presence felt. So here you can hear one psalm from the first take and two psalms from the second take and you might guess which is which.Matins is a bit of a tough one. The invitatory stays the same, so you get the hang of that. The responsories have a bit of variation and in Lent where the Te Deum is not said and instead there's a third responsory, “Felix namquam”. I'm singing the one from the Baronius Press book, which comes from Hartker's Nocturnale.But here is Matins for Wednesdays and Saturdays from Septuagesima Sunday through to Holy Wednesday or Holy Saturday if you're praying in private.I've included the optional ending in case you don't go straight into Lauds. Feel free to skip this if you have Lauds queued up ready to roll. Hopefully your podcast app allows you to do this.Booklets in PDF available: littleoffice.brandt.id.auSupport this channel, either via Substack or Buy Me a Coffee Get full access to Little Office of the Blessed Virgin Mary at littleoffice.substack.com/subscribe

Fe hecha canción es el programa de EWTN Radio Católica Mundial que promociona la música de los grupos y cantantes católicos del mundo hispano. Desde el Estudio 3 de Radio Católica Mundial, Douglas Archer comparte con ustedes una hora cargada de canciones, incluyendo las últimas novedades y estrenos, y de vez en cuando con algún invitado que canta o toca en directo.

Conclusión de este 2024 en la Basílica de San Pedro con las Primeras Vísperas de la Solemnidad de María Santísima, Madre de Dios y el tradicional Te Deum de acción de gracias. Presidió la celebración el Papa Francisco quien, recordando las exigentes obras de infraestructura emprendidas en Roma para el Jubileo, expresó su deseo de que puedan crear un ambiente abierto a todos los peregrinos de la esperanza, sin distinción. Que «lo que no es humano» se transforme en deseo de fraternidad, dijo el Santo Padre.PARA VERLAS Y ESCUCHARLAS, pincha aquí: https://youtu.be/B8BUlN-v1ug?si=4yy3HQ1Ih40cjLA9

New Year's Eve has been celebrated in the US for over 150 years, when Congress made it a federal holiday. We take a look at some of our major coverage from 2024. And as we prepare to welcome 2025, we'd like to turn our hearts and minds to God and look at a beautiful, ancient hymn called the Te Deum.

DescriptionCelebrating 200 Episodes & Anton Bruckner (born 1824) in 60 Seconds. Take a minute to get the scoop!Fun FactAnton Bruckner's Symphony No. 4 in E-flat major, known as the "Romantic," is his most famous work. Celebrated for its majestic themes, sweeping orchestration, and evocative depiction of nature and medieval life, it captures Bruckner's deep spirituality and dramatic vision, solidifying his place among the great symphonic composers of the Romantic era.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

An ancient prayer with lots of wisdom.

Full Text of ReadingsSaturday of the Tenth Week in Ordinary Time Lectionary: 364The Saint of the day is Saint Marguerite dYouvilleSaint Marguerite d'Youville's Story We learn compassion from allowing our lives to be influenced by compassionate people, by seeing life from their perspectives, and reconsidering our own values. Born in Varennes, Canada, Marie Marguerite Dufrost de Lajemmerais had to interrupt her schooling at the age of 12 to help her widowed mother. Eight years later she married François d'Youville; they had six children, four of whom died young. Despite the fact that her husband gambled, sold liquor illegally to Native Americans, and treated her indifferently, she cared for him compassionately until his death in 1730. Even though she was caring for two small children and running a store to help pay off her husband's debts, Marguerite still helped the poor. Once her children were grown, she and several companions rescued a Quebec hospital that was in danger of failing. She called her community the Institute of the Sisters of Charity of Montreal; the people called them the “Grey Nuns” because of the color of their habits. In time, a proverb arose among the poor people of Montreal, “Go to the Grey Nuns; they never refuse to serve.” In time, five other religious communities traced their roots to the Grey Nuns. The General Hospital in Montreal became known as the Hôtel Dieu (House of God) and set a standard for medical care and Christian compassion. When the hospital was destroyed by fire in 1766, Mère Marguerite knelt in the ashes, led the Te Deum—a hymn to God's providence in all circumstances—and began the rebuilding process. She fought the attempts of government officials to restrain her charity, and established the first foundling home in North America. Pope Saint John XXIII, who beatified Mère Marguerite in 1959, called her the “Mother of Universal Charity.” She was canonized in 1990, and her liturgical feast is celebrated on October 16. Reflection Saints deal with plenty of discouragement, plenty of reasons to say, “Life isn't fair” and wonder where God is in the rubble of their lives. We honor saints like Marguerite because they show us that with God's grace and our cooperation, suffering can lead to compassion rather than bitterness. Saint of the Day, Copyright Franciscan Media