Podcasts about Sinfonietta

Das Theater, das im Kulturhaus Palazzo beheimatet ist, macht dafür unter anderem die veraltete Infrastruktur des Hauses verantwortlich. Die Besitzer des Kulturhauses möchten nun über die Bücher, damit das Haus schnell saniert werden kann. Ausserdem: · Baselbieter Landrat segnet nächste Finanzierungsperiode des Energiepakets ab - ohne Gegenstimme · FCB-Besitzer David Degen zieht nach vier Jahren Bilanz und freut sich über Meistertitel und volle Kassen · Uraufführung: In Basel spielt die Sinfonietta das Fussball-Oratorium "Der 7. Himmel"

durée : 00:11:00 - Les Midis de Culture - par : Marie Labory - Les critiques discutent de “Bach : Concertos pour piano”, l'album de Beatrice Rana, pianiste italienne parmi les plus reconnues qui donne, avec l'Orchestre Amsterdam Sinfonietta, une lecture nouvelle de Bach. - réalisation : Laurence Malonda - invités : Anna Sigalevitch Journaliste et auteure; Zoé Sfez Productrice de La Série musicale sur France Culture

In ihrem Orchesterwerk «Endless Sediments» geht Isabel Mundry den Spuren von zeitlich und räumlich entfernter Musik nach. Gemma Ragués Pujol hat ein kubistisches Stück geschrieben, in dem Rhythmus und Text eine Hauptrolle spielen. Ylva Lund Bergner untersucht das Wechselspiel von Wind und Bäumen. Maja Solveig Kjelstrup Ratkje will nur eines: fliegen. Und Cathy Milliken interessiert sich für 500 Millionen Jahre alte Fossilien. Isabel Mundry: Endless Sediments für Kammerorchester Gemma Ragués Pujol: Trust Me Ylva Lund Bergner: dOWN Maja Solveig Kjelstrup Ratkje: Considering Icarus für Posaune und Orchester Cathy Milliken: Earth Plays V: Ediacaran Fields für Orchester und Publikum Stephen Menotti, Posaune Gemma Ragués Pujol, Performance Basel Sinfonietta Titus Engel, Leitung Konzert vom 7. Juni 2024, Black Diamond Library, Kopenhagen (Copenhagen Avantgarde Music Festival) Das Konzert steht bis 30 Tage nach Sendetermin zum Nachhören zur Verfügung.

durée : 00:05:44 - Le Bach du matin du mercredi 12 mars 2025 - Notre Bach du matin, est un Bach dansant. Sur son nouvel album qui parait le 21 mars, Beatrice Rana a gravé les concertos pour clavier du compositeur avec le Sinfonietta d'Amsterdam qu'elle dirige du clavier. On découvre en avant-première ce 3ème mouvement du Concerto en Mi Majeur (BWV 1053).

durée : 00:05:44 - Le Bach du matin du mercredi 12 mars 2025 - Notre Bach du matin, est un Bach dansant. Sur son nouvel album qui parait le 21 mars, Beatrice Rana a gravé les concertos pour clavier du compositeur avec le Sinfonietta d'Amsterdam qu'elle dirige du clavier. On découvre en avant-première ce 3ème mouvement du Concerto en Mi Majeur (BWV 1053).

Donald Macleod explores the early years in Benjamin Britten's creative storyBenjamin Britten was one of the most influential British composers of the 20th century, with celebrated works such as 'Peter Grimes', 'Friday Afternoons' or 'A Simple Symphony'. Music infused his very first moments in life and he started to develop his musical instincts from a very early age. Many of his future masterpieces can be traced back to the inspiration of his youth. This week, Donald Macleod explores these crucial early years in Britten's creative story, from his birth under the star of St Cecilia to his departure for America at 25 years old.Music featured:Hymn to St Cecilia, Op 27 Four Sea Interludes, Op 33a (from 'Peter Grimes') A Charm of Lullabies, Op 41 (arr for voice and orchestra by Colin Matthews) Five Waltzes Beware! Three Early Songs (No 1, 'Beware') On This Island, Op 11 (No 3, 'Seascape') Psalm 150, Op 67 Quatre chansons françaises Suite for harp in C major, Op 83 A Hymn to the Virgin A Walden Trio: Christmas Song of the Women The Birds Twelve Variations on a Theme, for piano Three Divertimenti for String Quartet (2nd mvt) Sinfonietta, Op 1 (1st mvt) Phantasy, Op 2, for oboe, violin, viola and violoncello (1st & 2nd mvt) Holiday Diary, Op 5 A Boy Was Born, Op 3 (Variation I, 'Lullay, Jesu') Simple Symphony, Op 4 Mont Juic (co-composed with Lennox Berkeley) (4th mvt) Friday Afternoons (excerpts) Suite for Violin and Piano, Op 6 (3rd & 4th mvts) Train Sequence, from 'The King's Stamp' Percussion Sequence, from 'Night Mail' (text by W.H. Auden) Love Music, from 'Love from a Stranger' Russian Funeral Soirées musicales, Op 9 Lullaby for a retired colonel' A Midsummer Night's Dream, Op 64 (excerpt) Variations on a Theme of Frank Bridge, Op 10 The Company of Heaven ( Part 3, No 7, ‘A Thousand, Thousand Gleaming Fires') Piano Concerto, Op 13 (1st mvt) Les Illuminations, Op 18 (on poems by Arthur Rimbaud)Presented by Donald Macleod Produced by Julien Rosa for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Benjamin Britten (1913-1976) https://www.bbc.co.uk/programmes/m0027tjp And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

durée : 00:14:39 - Concerto n°2 "Presence" : Peteris Vasks - Sol Gabetta / Amsterdam Sinfonietta dirigé par Candida Thompson - Enregistrement de la première mondiale du Concerto n°2 pour violoncelle et orchestre à cordes, " Presence " (" Klātbūtne "), du compositeur letton Pēteris Vasks. L'ouvrage commandé par l'ensemble Amsterdam Sinfonietta, a été créé par cet orchestre en concert le 25 octobre 2012. (SONY 2015)

durée : 00:14:39 - Concerto n°2 "Presence" : Peteris Vasks - Sol Gabetta / Amsterdam Sinfonietta dirigé par Candida Thompson - Enregistrement de la première mondiale du Concerto n°2 pour violoncelle et orchestre à cordes, " Presence " (" Klātbūtne "), du compositeur letton Pēteris Vasks. L'ouvrage commandé par l'ensemble Amsterdam Sinfonietta, a été créé par cet orchestre en concert le 25 octobre 2012. (SONY 2015)

durée : 00:14:39 - Concerto n°2 "Presence" : Peteris Vasks - Sol Gabetta / Amsterdam Sinfonietta dirigé par Candida Thompson - Enregistrement de la première mondiale du Concerto n°2 pour violoncelle et orchestre à cordes, " Presence " (" Klātbūtne "), du compositeur letton Pēteris Vasks. L'ouvrage commandé par l'ensemble Amsterdam Sinfonietta, a été créé par cet orchestre en concert le 25 octobre 2012. (SONY 2015)

"Dance Talk” ® with Joanne Carey and special guest Skylar Brandt.  In this episode of "Dance Talk” ® , host Joanne Carey interviews Skylar Brandt, a principal dancer with the American Ballet Theatre. They discuss Skylar's journey from childhood dance classes to becoming a professional dancer, the importance of private coaching, and the emotional connection required in performance. Skylar shares insights into her preparation for roles, the dynamics of partnering, and her experiences as a principal dancer. The conversation also touches on her advocacy for causes close to her heart, her love for teaching, and her upcoming performances.  Skylar Brandt was born in Purchase, New York and began her training at the age of six at Scarsdale Ballet Studio. She attended the Jacqueline Kennedy Onassis School at American Ballet Theatre from 2005-2009. Brandt was a silver medalist at Youth America Grand Prix in 2004 and 2008. Brandt joined ABT II in 2009, became an apprentice with ABT in 2010, and joined the corps de ballet in 2011. She was promoted to Soloist in 2015 and to Principal in 2020. Among her leading roles with the Company are Giselle in Giselle, Medora in Le Corsaire, Kitri in Don Quixote, Odette/Odile in Swan Lake, Gamzatti in La Bayadere, Olga in Onegin, Clara, the Princess in The Nutcracker, Young Jane in Jane Eyre, Columbine in Harlequinade, Princess Praline in Whipped Cream, the Lead Maiden in Firebird, the Golden Cockerel in The Golden Cockerel, and roles in The Green Table, Pillar of Fire, The Sleeping Beauty, Bach Partita, The Brahms-Haydn Variations, Company B, Gong, In the Upper Room, Piano Concerto #1, Raymonda Divertissements, Sinfonietta, Symphonic Variations, and AFTERITE. Brandt was awarded a 2013 Princess Grace Foundation-USA Dance Fellowship. That same year, she was featured in the movie “Ballet's Greatest Hits”. In 2018, Brandt was the recipient of an unprecedented Special Jury Award for her performances on the Russian television show “Big Ballet”. In 2022, Brandt was named to the renowned "Forbes 30 Under 30" list of most influential leaders and entrepreneurs.  Skylar Brandt Website  ⁠https://www.skylarbrandt.com/ ⁠ Follow Skylar on Instagram ⁠ ⁠ ⁠@skylarbrandtballet ⁠  American Ballet Theatre Upcoming Performances  ⁠https://www.abt.org/performances/abt-on-tour/⁠  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. ⁠⁠⁠⁠ ⁠⁠⁠⁠⁠ ⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠⁠⁠ ⁠ Follow Joanne on Instagram @westfieldschoolofdance  Tune in. Follow. Like us. And Share.  Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

COMPOSITORI CECHILeós Janàček (1854 - 1928) - Sinfonietta, VI/18 Fanfara: Allegretto. Allegro maestosoIl castello: Andante. AllegrettoIl castello della regina: ModeratoLa strada del castello: AllegrettoIl municipio: Andante con moto Wiener PhilharmonikerSir Charles Mackerras, direttore*******24:19Vítězslav Novák (1870-1949) - Piano Quintet in la minore, Op. 12 1. Allegro molto moderato2. Andante - Variazioni su un'antica canzone d'amore boema del XV secolo3. Allegro risoluto - Slovakian Kubin Quartet*******50:18Vítězslava Kaprálová (1915-1940) - Military Sinfonietta Brno PhilharmonicOlga Machonova-Pavlu, direttore

ALEX VEGA is on the show this week to help Host Alec Rodriguez share their reactions watching Disney/Pixar's COCO with a live score accompaniment by The Sinfonietta and Mariachi Flor de Toloache at Town Hall on Día de los Muertos!  ✨Follow Alex on Instagram HERE ✨Follow The Sinfonietta on Instagram HERE ✨Follow Flor de Toloache on Instagram HERE

Tota una setmana dedicada a la Sinfonietta resumida en menys d'una hora de r

Tota una setmana dedicada a la sinfonietta resumida en menys d'una hora de r

Piazzolla, Villa-Lobos o Milhaud van compondre tamb

El primer opus d'un compositor

La "Sinfonietta" de Poulenc ens trasllada a un per

La "Sinfonietta" de Korngold ho

Aquesta setmana "Els homes cl

Charlamos con el Maestro violinista y director, y con la cantante lírica y directora, en su rol de Director Artístico y Asistente de dirección y solista de la Orquesta de Cámara de Montevideo. Una nueva formación fundada a fines de marzo de 2024, por el mismo Giró, a raíz de la inquietud de varios colegas en abordar y realizar nuevas obras para este tipo de agrupaciones. Fue seleccionada para participar en las Máster Clases que brindaron la “Sinfonietta de Ámsterdam" bajo la dirección de la Maestra Candida Thompson que en esa oportunidad realizaron un concierto en el teatro Solís acompañado a Janine Janson. Los integrantes de la orquesta de Cámara de Montevideo son todos músicos profesionales, solistas y estables de las principales orquestas (Ossodre, Filarmónica de Montevideo y Banda Sinfónica). La orquesta se presenta este 8 de noviembre a las 20:00hs en sala “La experimental de Malvín” con obras destacadas. Entradas en venta en Tickantel.

durée : 00:03:58 - Retour vers le futur : la Sinfonietta de Poulenc - par : Max Dozolme - Ca s'est passé un 24 octobre : le 24 octobre 1948 à la BBC de Londres était créée l'une des œuvres les plus remarquables de Francis Poulenc ! Une Sinfonietta, une petite symphonie qui a tout d'une grande et qui se souvient de celles que composait Joseph Haydn au XVIIIe siècle.

This week's guest is the Tony award-winning Founder of THE SINFONIETTA — an all-women and majority WOC Orchestra renowned for reimagining the music of popular culture in a symphonic setting — MACY SCHMIDT. They're bringing Disney/Pixar's Coco in Concert LIVE TO FILM to Town Hall on Dia de los Muertos (Nov 1) and joining them is NYC's first and only all-women and GRAMMY-winning Mariachi group, FLOR DE TOLOACHE!  Listen to her and Host Alec Rodriguez discuss the journey she and the Sinfonietta have taken this past year by reimagining fan-favorite movies and anime series like SPIDER-MAN: INTO THE SPIDER-VERSE, BARBIE, COWBOY BEBOP, and AVATAR: THE LAST AIRBENDER — performed at historic landmark venues and movie palaces like The Kings Theater in Brooklyn, The Hollywood Bowl, and The Town Hall. Then get a glimpse at what will unfold for audiences at Town Hall during the ONE NIGHT ONLY event on Dia de los Muertos! ✨Follow Macy on Instagram HERE ✨Follow The Sinfonietta on Instagram HERE ✨Follow Flor de Toloache on Instagram HERE

ICYMI: Hour Three of ‘Later, with Mo'Kelly' Presents – An in-depth conversation with celebrated, Tony Award-winning conductor Macy Schmidt who joins the program to preview ‘Barbie the Movie: In Concert - Featuring the Barbie Land™ Sinfonietta'…Produced and orchestrated by Schmidt, alongside an all-women and majority women-of-color ensemble; ‘Barbie the Movie: In Concert - Featuring the Barbie Land™ Sinfonietta' is a “groundbreaking, live-to-film concert experience that immerses fans in the soaring score and songs of last year's record-shattering film, coming to the world-famous Hollywood Bowl, for one night only, Saturday, July 27”…PLUS – A look at the new ‘Forever' stamp honoring Alex Trebek - on KFI AM 640…Live everywhere on the iHeartRadio app

ICYMI: ‘Later, with Mo'Kelly' Presents – An in-depth conversation with celebrated, Tony Award-winning conductor Macy Schmidt who joins the program to preview the ‘Barbie the Movie: In Concert - Featuring the Barbie Land™ Sinfonietta'…Produced and orchestrated by Schmidt, alongside an all-women and majority women-of-color ensemble; ‘Barbie the Movie: In Concert - Featuring the Barbie Land™ Sinfonietta' is a “groundbreaking, live-to-film concert experience that immerses fans in the soaring score and songs of last year's record-shattering film, coming to the world-famous Hollywood Bowl, for one night only, Saturday, July 27” - on KFI AM 640…Live everywhere on the iHeartRadio app

Aquesta

durée : 00:16:16 - Le Disque classique du jour du jeudi 30 mai 2024 - Premier volume d'un nouveau cycle de l'orchestre finlandais Tapiola Sinfonietta sous la direction de Janne Nisonen présentant les symphonies de Ferdinand Ries, élève, ami proche et biographe de Beethoven

Welcome to Season 03 Episode 18 - the "Bach and Beyond 2024 Part 1" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include: Mr. Ben Sheedy from Main Street Studios in Fredonia, and Dr. Byron Adams and Maestro Grant Cooper discussing the upcoming Bach and Beyond Festival.  Notes from the Aisle Seat is available from most of your favorite podcast sites, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. Thanks for listening! Time Stamps Ben Sheedy/Main Street Studios  02:22 Grant Cooper and Byron Adams/ Bach and Beyond Festival Part 1 21:41 Grant Cooper and Byron Adams/ Bach and Beyond Festival Part 2 38:53 Media Violin Concerto No. 1 in A Minor BWV 1041, J.S. Bach, composer. performed by Deutsche Kammerphilharmonie Bremen. Conductor: Omer Meir Wellber; Violin : Hilary Hahn, April 2020 "Life is a Cabaret," from the 1972 movie adaptation of the musical Cabaret; music by John Kander, lyrics by Fred Ebb, book by Joe Masteroff. Performed by Liza Minnelli, ABC Pictures Corp., 1972 Serenade for Nine Instruments: I. Allegro amabile, Byron Adams, composer (2011); performed by the Sinfonietta of Riverdale, Mark Mandarano, conductor; Albany Records 2016 Illuminations: 2. La tristesse amoureuse de la nuit, Byron Adams, composer (2008); Gary Barnett, piano; EKmusic 2022 Symphony # 45 in F-sharp minor (Farewell): IV. Finale, Franz Josef Haydn, composer; performed by the New Century Chamber Orchestra, San Francisco Conservatory of Music, May 2013 Artist Links Ben Sheedy Main Street Studios Ticket Website Byron Adams Grant Cooper BECOME AN OPERA HOUSE MEMBER!  

Ar diriģentu Normundu Šne saruna par kamerorķestra "Sinfonietta Rīga" sadarbību ar altistu Maksimu Risanovu, ar kuru kopā orķestris noslēgs šo sezonu. Piektdien, 24. maijā, plkst. 19.00 Lielajā ģildē 18. koncertsezonu noslēgs Valsts kamerorķestris "Sinfonietta Rīga". Kā ierasts, orķestra mākslinieciskais vadītājs Normunds Šnē parūpējies par noskaņās daudzveidīgu muzikālo programmu, kurā mūsdienu skaņuraksti veidos dialogu ar romantisma laikmeta liriku. Koncerta īpašais viesis - harismātiskais ukraiņu altists Maksims Risanovs. Viņa sniegumā dzirdēsim mūsdienu bulgāru komponistes Dobrinkas Tabakovas veltījumu Francim Šūbertam - “Fantasy Homage to Schubert”, kā arī Koncertu altam un orķestrim. Orķestra sniegumā izskanēs paša Šūberta vitālas enerģijas caurstrāvotā Otrā simfonija, kā arī lietuviešu komponistes Justes Janulītes skaņdarbs “Apnea”. “Classic FM Gramophone” balvas “Gada jaunais mākslinieks” laureāts Maksims Risanovs uzskatāms par vienu no pasaules spožākajiem un aizrautīgākajiem altistiem. Laikraksts American Record Guide, raksturo mākslinieku kā “mūziķi, kurš arī telefongrāmatu spētu pārvērst mūzikā un padarīt to aizraujošu”.  Dzimis Ukrainā, alta spēli mācījies Londonas Gildholas Mūzikas un teātra skolā pie Džona Glikmena. Turpat Londonā apguvis diriģēšanu pie Alena Heizeldaina, apmeklējis arī Genādija Roždestvenska un Jormas Panulas meistarklases. Šobrīd savu altista un diriģenta karjeru mūziķis attīsta vienā no Centrāleiropas mūzikas citadelēm – Budapeštā, sniedzot koncertus nozīmīgos festivālos un koncertzālēs visā pasaulē.

Max Reger (1873-1916) - Sinfonietta in A Major, Op. 90 (1904-1905)Allegro moderato Allegro vivace - 15:20Larghetto - 28:30Allegro con spirito - 36:52  Dresdner PhilharmonieHeinz Bongartz, conductor

Musik - rau wie das Meer. Ich katapultiere dich mit dieser Playlist direkt an die Küste. Diese Musikstücke hast Du in der Folge gehört: James Taylor - "Caroline I see you" // Francis Poulenc - "Sinfonietta" // Fred Simon - "A View of you" // Maurice Ravel - "Miroirs" // Danit Treubig - "Heartbeat" // Den Podcast "radioWissen" von Bayern 2 findest du hier: https://www.ardaudiothek.de/sendung/radiowissen/5945518/ Wenn Du eine Idee oder einen Wunsch zu einem musikalischen Thema hast, dann schreib mir eine Mail: playlist@ndr.de

Vēl nesen par “Gada jauno mākslinieku” pasludinātā diriģenta Aivja Gretera vārds arvien biežāk izskan arī starptautiskā mērogā – savulaik kora “Kamēr...” līderis nu jau regulāri stājas Eiropas orķestru priekšā un sadarbojas arī ar Rīgas un Gēteborgas opernamiem. Veidojot savu jaunāko koncertprogrammu, kas gaidāma 23. martā Lielajā ģildē kopā ar kamerorķestri "Sinfonietta Rīga", Aivis Greters pievērsies emocionāli nospriegotiem, pārdrošu ideju un jaunības enerģijas caurstrāvotiem opusiem. Tāds ir gan Volfganga Amadeja Mocarta Otrais flautas koncerts, gan par “Heroisko” dēvētā Bēthovena Trešā simfonija, kuras skaņurakstos iedvesmu jaundarbam smēlies arī viens no spilgtākajiem latviešu jaunajiem talantiem – mūslaiku romantiķis Jēkabs Jančevskis. Ar Aivi Greteru un komponistu Jēkabu Jančevski tiekamies "Spīķeru koncertzālē" īsi pēc pirmā mēģinājuma. Lai gan koncerta pieteikumā tātad minēts, ka šī būs viņa pirmā satikšanās ar "Sinfonietta Rīga" pilmetrāžas koncertā, taču diriģenta ceļi ar kamerorķestri krustojušies jau iepriekš. "Drošības sajūtu dod vilkme pēc Latvijas un satikšanās ar "Sinfoniettu Rīga"," stāsta Aivis Greters. "Manas atmiņas ar viņiem ir no Doma baznīcas, kad kopā ar kori "Kamēr" uzstājāmies sarežģītajā pēckovida periodā. Bija milzīgs prieks, ka "Kamēr…" jubilejas reizē mēs varējām būt komandā, un tagad, atsevišķi stājoties pie diriģenta pults jau ar simfonisko programmu, es tomēr teiktu, ka no pirmajām reizēm mēs nevaram izbēgt – tās nāk ar zināmu satraukumu. Šodien es pamodos satraukts, kā būs, jo tomēr ar viņiem neesmu ticies vairāk nekā divus gadus. Toreiz darbs bija ar citādāku uzdevumu. Šodien mēs veidojam jaunas attiecības, un man ir liels prieks, kā tas ir iesācies ar pirmo lasījumu – gan saistībā ar simfoniju, gan Jēkaba darbu." Arī Jēkabs Jančevskis atzīst, ka viņš jūtoties ērti un brīvi, rakstot mūziku orķestrim. "Es pamatā pret visiem uzdevumiem cenšos izturēties nopietni, bet man ļoti patīk rakstīt orķestrim - tīri orķestrālu mūziku. Es tajā jūtos ērti un brīvi, un varu būt eksperimentālāks, atklāt jaunas faktūras, tīri pats priekš sevis. Protams, mēģinājumu process vienmēr ir brīnišķīga lieta, ko es nekad nelaižu garām, tāpēc arī esmu šeit un iespēju robežās būšu arī nākamajās reizēs."  Kas ielika pamatakmeni šīs programmas tapšanā? Aivis Greters stāsta, ka studiju ietvaros rakstījis maģistra darbu par "Sinfoniettas Rīga" pienesumu jaunajā mūsdienu mūzikā. "Maģistra darbs bija saistībā ar kamersimfonijas žanru, kurā "Sinfonietta Rīga" ir ļoti ražīgi strādājuši, pateicoties Normundam [Šnē] un devuši iespējas komponistiem. Kad man piedāvāja veidot šo programmu, man uzreiz likās, cik tas būtu forši, ja šajā koncertā varētu būt jaundarbs, jo piedāvājums nāca ļoti sen atpakaļ, un mums bija laiks tam sagatavoties. (..) Cik forši bija Jēkabam dot uzdevumu: "Jēkab, programmā būs Bēthovens, Mocarts..." Beigās jau jāprasa Jēkabam, vai tas bija vieglāk vai sarežģītāk, bet man kā diriģentam šķita saistoši, aicinot komponistu, atrast tur kopēju vadlīniju. Pats foršākais, ka Jēkabs pats vasaras periodā atrada pareizās atbildes, ko viņam nozīmē Bēthovens, ko viņš grib šajā darbā ielikt, par ko viņš grib rakstīt. Mani ļoti tas iepriecināja." Proti, Jēkabs Jančevskis bija devies "svētceļojumā" pa vietām, kur Bēthovens savulaik dzīvojis, un tur sēdējis, un rakstījis mūziku. Likās, ka tas tik tiešām komponistam ir liels process – atrast ceļu pie darba. "Mani uzrunā viss biogrāfiskais, kas saistīts ar šo spilgto personību," atklāj Jēkabs Jančevskis. "Ir interesanti paskatīties un padomāt, kādi šie cilvēki ir bijuši kā cilvēki, nevis kā ģēniji. Protams, neizbēgami viņi ir ģēniji, bet viņos katrā ir šis cilvēcības aspekts. Tāpēc arī tēmas, kurām es šajā darbā pieskaros, ir trīs pavisam īsi, konkrēti citāti. Tie, vismaz lasot Bēthovena biogrāfiju un viņa vēstules, ievirza centrālo tēmu loku, kas man ir ļoti būtiski. Es patiešām ar pietāti izturējos pret to, neesmu citātu lielmeistars, bet biju pārsteigts, cik ļoti mani šī Bēhovena personība "ievilka", tas notika ļoti spēcīgi, magnētiski, tāpēc šis darbs radās īpaši, bez kādām mokām un ļoti organiski. Mūzika vienkārši plūda."    

Kevie, a co-host of TuxJam, talks about setting up a Raspberry Pi as a network wide ad and domain blocker using the Pi-hole project. Before starting this project you will need: A Raspberry Pi with Raspberry Pi OS installed and SSH enabled A basic knowledge of changing the settings on your router. I can't talk you through this as every router is different. Specifically you need to know how to give a device a static IP address and set a DNS server The ability to use SSH Once we have SSH'd into the Pi the first thing we should do is update it: sudo apt update && sudo apt upgrade -y Then we need to install the Pi-hole software itself. We can do this with the command: curl -sSL https://install.pi-hole.net | bash This will start an installation wizard Once this has completed, it is recommended that you set a new admin password: pihole -a -p Exit the Pi and go to the admin web page by entering {the_IP_of_your_Pi}/admin in your browser's address bar. Click on Adlist on the left side and you should see 2 input boxes. The address is where we can enter our adlist, the comment box is purely optional. Go to firebog.net/ Choose one or two from each category, but make sure that these are active (the ones in green). Add the following two addresses to Adlist if you wish to block pornographic site: https://raw.githubusercontent.com/Sinfonietta/hostfiles/master/pornography-hosts https://raw.githubusercontent.com/StevenBlack/hosts/master/alternates/porn/hosts For a list of specific types of sites to block then visit https://blocklistproject.github.io/Lists/ If using Cloudflare, you can add another pornography filter. Click on Settings on the left and then the DNS tab at the top. In Custom 1 (IPv4) enter the value 1.1.1.3, make sure that it is ticked. If there is a specific site that you want to block then click on Domains in the menu on the left and add the domain. If you want to block it, then click Blacklist or if Pi-hole is blocking a site that you want to access then click on Whitelist. Before we exit we must apply these changes or they will not take effect. On the left click on tools and then Update Gravity from the drop down menu. Press the Update button (it will take a couple of minutes to complete). You must do this every time that you make a change. Any time you add a new Adlist, Domain, Whitelist or Blacklist, it will not take effect until you do this. Go to your Router's homepage, set the DNS server to the IP address of the Pi. This means that all traffic will run through the Pi-hole. Don't forget to hit apply if necessary before exiting. One final task: reboot your router. This will force every device to reconnect and everything will be running through the Pi-hole.

durée : 00:17:55 - Disques de légende du jeudi 22 février 2024 - Pour Mackerras, Leoš Janáček était un des plus grands compositeurs du XXe siècle.

This week we're diving into two 'bohemian' heroes of classical music, Bohuslav Martinů and Leoš Janáček. Stephen remembers encountering the music of Martinů at Cambridge, and being confronted by ‘pure simple joy' of it. From the lyricism of Martinů, we work back towards Janáček – another gifted Czech composer – and get to grips with the fairy-tale essence of The Cunning Little Vixen, Sinfonietta and the exultant Glagolitic Mass. Strap in. The Bohemians have arrived.

Ar lieliem jaunumiem šo gadu sācis Valsts kamerorķestris „Sinfonietta Rīga” – par tā māksliniecisko partneri kļuvis pieprasītais vācu komponists, diriģents un klarnetists Jērgs Vidmanis (Jörg Widmann). Viņa inaugurācijas koncerti piektdien, 2.februārī, Liepājas koncertzālē „Lielais dzintars” un 3.februārī Lielajā ģildē Rīgā iezīmē jaunu posmu „Sinfoniettas” radošajā dzīvē, no kuras pamazām attālināsies ilggadējais mākslinieciskais vadītājs Normunds Šnē.  „Sinfonietta Rīga” mēģinājumā Spīķeru koncertzālē viesojos pāris dienas pirms koncerta, kad rit mēģinājums kopā ar solisti Ingu Kalnu. Skan Jērga Vidmaņa „Fūgas māksla” un darbs notiek vāciski, angliski un brīžam arī smieklu valodā. Kad vēlāk saku Jērgam Vidmanim, ka viņam, šķiet, ir dabas dots talants likt orķestrim smaidīt, viņš par to ļoti priecājas. „Tas mani ļoti iepriecina! Ir svarīgi, ka spējam muzicēt ar smaidu, jo mēs strādājam smagi un ļoti nopietni. Šis skaņdarbs ir par tādām lielām tēmām kā dzīvība un nāve, bet es no sirds ticu, ka mēs varam sasniegt šos dziļumus, ja muzicējam draudzīgā garā. Gadu gaitā starp mani un „Sinfoniettu Rīga” patiešām ir izveidojusies draudzība, un laikam to var just.” Vidmanis ar „Sinfonietta Rīga” pirmoreiz muzicēja pirms desmit gadiem. Ar neviltotu aizrautību viņš stāsta arī par citiem latviešu mūziķiem, ar ko spēlējis ārpus Latvijas – diriģentiem Marisu Jansonu, Andri Nelsonu, vijolnieci Vinetu Sareiku, kas pirmatskaņoja viņa septīto stīgu kvartetu. Latvijas mūzikas tradīcijas ir leģendāras visā pasaulē, viņš uzsver. Jērgs Vidmanis nākamos trīs gadus piekritis būt par „Sinfonietta Rīga” māksliniecisko partneri. Līdzīga sadarbība viņam pašlaik ir arī ar Ziemeļvācijas Radio filharmonisko orķestri Hanoverē un Minhenes kamerorķestri dzimtajā Vācijā. Kādēļ „Sinfonietta Rīga” viņu uzrunāja šādai ilgstošai sadarbībai, telefonsarunā jautāju orķestra mākslinieciskajam vadītājam Normundam Šnē. „Māksliniekus, kas šodien nosaka muzikālā procesa gaitu pasaulē un kuriem seko līdzi visas pasaules muzikālā sabiedrība, nav nemaz tik viegli uzaicināt pie mums ciemos tādā prognozējamā veidā, jo viņu grafiks ir ārkārtīgi saspringts. Ja runājam par Jērgu Vidmanu, viņš tiešām ir cilvēks, kurš, kā viņš pats saka, nedzīvo normālu dzīvi. Viņš ļoti daudz uzstājas gan kā klarnetists, gan kā diriģents, un papildus tam viņš ļoti daudz komponē. Faktiski tas ir tas, ko viņš redz kā savu galveno misiju šobrīd. Tāpēc viņa ierašanās Rīgā līdz šim vienmēr bijusi atkarīga no brīviem brīžiem. Mēs ļoti vēlējāmies padarīt šo mūsu sadarbību mazliet prognozējamāku – gan laika ziņā, gan veidojot ciešākas un konkrētākas vadlīnijas mūsu sadarbībai. Interesanti, ka orķestris nobalsoja par viņu kā par nākamo māksliniecisko vadītāju pēc manis, kas būs aktuāli pēc apmēram diviem gadiem. Viņš diemžēl nepiekrita šim variantam, jo ir ļoti aizņemts un grib saglabāt zināmu radošo brīvību. Bet tad mēs viņam piedāvājām šādu variantu, kas būtu mazāk saistīts ar plānošanas lietām, ar ko ir jānodarbojas orķestra mākslinieciskajam vadītājam, bet mazliet vairāk radošās brīvības mazliet prognozējamākā sadarbības modelī. Tam viņš ļoti laipni atsaucās. Un te nu mēs esam!” Tuvākajos trīs gados Jērgs Vidmanis ar „Sinfonietta Rīga” veidos vismaz trīs programmas gadā, kurās gan diriģēs, gan spēlēs klarneti, repertuārā apvienojot laikmetīgo un tradicionālo mūziku. Bet Normunds Šnē pēc diviem gadiem plāno atvadīties no orķestra mākslinieciskā vadītāja amata.

¿Por qué escuchar esta entrevista? Luis Julio Toro tiene experiencia en deportes extremos, es un apasionado de la fotografía, posee conocimientos profundos de flauta clásica hindú y es pieza esencial de la Camerata Criolla, orquesta de cámara impulsada por el Ensamble Gurrufío.  Ha participado en festivales internacionales en América Latina, Estados Unidos, el Caribe, Europa, Medio Oriente y Japón. Ha realizado presentaciones en el Festival Internacional de Radio France Montpellier, acompañado a la Orquesta de Cámara de Noruega. Ha participado en el Festival Cervantino en el XI Foro de Música Nueva y el Gran Festival de la Ciudad de México, Festival de Música Iberoamericana en Barcelona (España), en Santa Fe Chamber Music Festival en Estados Unidos, con la Orquesta Sinfónica de Antioquia, la Orquesta Sinfónica de Venezuela, la Orquesta Sinfónica Municipal de Caracas y Sinfonietta de Caracas, la Orquesta Sinfónica de Córdoba y de Málaga en España, así como en el Festival Internacional de Morelia en México, entre otros.  Entre sus conciertos como solista se ha presentado en London City University, Electroacoustic Music Festival, Almeida Festival y el sexto crucero de Jóvenes Virtuosos patrocinado por la Fundación Beracasa. También ha realizado giras por Egipto, Chipre, Turquía, Israel y Grecia acompañado por la Orquesta de Cámara de Estambul.  Luis Julio posee una extensa discografía como solista con orquesta, en distintos formatos de cámara, junto al Ensamble Gurrufío y como solista, que lo convierten, de acuerdo con la crítica y el público, en uno de los más interesantes flautistas de Latinoamérica.  La crítica especializada valoraba ampliamente su trabajo, entre ellos el Washington Post, The New York Times, Latina Tokyo y el Financial Times. A lo largo de su carrera, Luis Julio ha recibido numerosos reconocimientos, entre ellos el premio The Best Lotus of the Year en 1981, el Oliver Dawson en 1982, el primer premio Yves Kish en 1984, al mismo tiempo de ser seleccionado por la British Flute Society para participar en clases magistrales con James Galway, mejor conocido como el hombre de la flauta de oro, uno de los mayores virtuosos del instrumento. ¡ Comparte esta entrevista a quienes puedan estar interesadas en la vida y trabajo de Luis Julio Toro !

Listener discretion advised due to language --- Each year, Chicago mentorship organization BUILD hosts an inspiring event bringing youth from under-resourced neighborhoods together with area business, media and thought leaders, who have lived a similar experience. On this week's episode, we hear from BUILD's staff about their mission and recent expansion, as well as those who have benefitted from the program, past and present. ---- Sources used:cdc.govpewresearch.org WHNS News U.S. Dept. of EducationFor more information on our contributors:BUILD Chicago Sinfonietta Feinberg School of Medicine at Northwestern

Je dagelijkse portie muzikale verwondering. Welkom in mijn wonderkamer, vol muziek, verhalen en voorwerpen. Een muzikale reis door eeuwen, windstreken en genres. ‘Een eredoctoraat, een kade en een beeld' Verbazingwekkend fris en speels klinkt de muziek van Johan Wagenaar, ooit directeur van het Utrechts Conservatorium. Op 9 februari 1918 voerde Wagenaar zijn Sinfonietta uit in K&W Utrecht.  Meer zien? Klik hier (https://www.nporadio4.nl/klassiek/podcasts/73ee4c44-0c92-4512-a175-ea174e4f87d5/dit-hoor-je-deze-week-in-franks-klassieke-wonderkamer-week-6-6-t-m-10-februari) Julius Rontgen Buiten, op.65; VIII Droomgeluid Mark Anderson, piano (album: Rontgen Piano Music vol.1) Johan Wagenaar Sinfonietta, op.32; I. Allegro giocoso Nordwestdeutsche Philharmonia olv Antony Hermus (Album: Wagenaar, Sinfonietta, vol.2) Franks Klassieke Wonderkamer is straks niet meer via de Bach van de Dag feed te beluisteren. Niks missen? Abonneer je dan op de podcast Franks Klassieke Wonderkamer.

The pianist Frank Dupree's new album for Capriccio is his third devoted to the music of Kapustin: his previous concerto album, which included the Fourth Piano Concerto, made it to the short list in the Concerto category for last year's Gramophone Classical Music Awards, and this new release, as well as containing the Fifth Piano Concerto, also includes the Concerto for two pianos and percussion, and the Sinfonietta for two pianos, both works find Frank joined by Adrian Brendle, and Dominik Beykirch conducts the Berlin RSO in the Fifth Piano Concerto. James Jolly caught up with Frank to talk about how he discovered Kapustin's music and how it perfectly plays to his strengths as both a classical and jazz pianist.

Along with Antonin Dvorak and Bedrich Smetana, Leos Janacek is known as one of the three great Czech composers. He was born in Moravia, part of the Austrian Empire at the time, and became passionately interested in studying the folk music of his Moravian culture. After World War I, when the empire collapsed and Moravia became incorporated into the new country of Czechoslovakia, those nationalistic sentiments only increased, and Janacek was the perfect person to express those feelings through his music, seeing as his interest in the folk music of his homeland had been a lifelong passion for him. Enter the Sinfonietta, written in 1926, commissioned by none other than a Gymnastics festival! A sinfonietta is usually a smaller scale piece than a symphony, shorter, with a lighter orchestration and a lighter touch. But Janacek was always a rebel, and his Sinfonietta is a symphony in all but name, featuring an absolutely massive brass section that lustily performs the nationliaistic fanfares that Janacek gleefully adds  to the music. The Sinfonietta is an expression of patriotic love for Janacek's homeland, but it is also a piece that shows off so many of the things that make Janacek such a unique and underrated composer, his love of short fragmented melodies, his shocks and surprises, his innovative use of orchestration, and more. If you're not familiar with Janacek's music, the Sinfonietta is the perfect entry point, so come join us on this Patreon-sponsored episode!

Join conductor Mark Steighner and special guest Mitchell Jett Spencer, as they discuss the upcoming performance of Rachmaninoff's Second Piano Concerto on November 18 and 20. Tickets and information at gorgeorchestra.org --- Send in a voice message: https://anchor.fm/cgoa/message

durée : 00:19:55 - Disques de légende du mardi 13 septembre 2022 - Le chef d'orchestre britannique Oliver Knussen, a été l'ami très proche de Takemitsu, dévasté par la mort du compositeur, il lui rend hommage avec ce disque enregistré juste après la mort de Takemitsu.

Lilburn, Aotearoa Overture Schubert, Fantasie in C, 3rd movt Gesualdo, Eram quasi agnus innocens Mozart, Horn Concerto #4, 1st movt Vaughan Williams, Silent Noon Janacek, Sinfonietta, 3rd movt Elgar, Cello Concerto, 4th movt This show was broadcast on OAR 105.4FM Dunedin - oar.org.nz

Synopsis On today's date in 1950, the orchestra of the Musical Arts Society of La Jolla, California gave the premiere performance of this music by the Czech composer Bohuslav Martinu. The "Sinfonietta La Jolla" was Martinu's response to the Society's call for a tuneful and approachable piece of new music for their chamber orchestra. Martinu modeled his 20th century work on the 18th century symphonies of Haydn, a composer he very much admired. In fact, in 1890, when Martinu was born, his native Bohemia was still a part of the Austria-Hungarian empire in which Haydn had lived and worked a hundred years earlier. Martinu's music blends the modernism of 20th century composers like Stravinsky with the rich 19th century tradition of Czech national composers like Dvořák – but Martinu's relations with his native land were anything but smooth. He was twice kicked out of the Prague Conservatory for his supposed lack of academic discipline, and instead established himself as a freelance composer in France and Switzerland. Then, just as his music began to receive some recognition and performances back in Prague, the Nazi invasion of World War II led to his works being banned. In 1941, Martinu settled in the United States, where his music was very well received. In 1948, Martinu returned briefly to Prague, but found the new Communist government there as distasteful to him as the Nazis. Martinu's "Sinfonietta La Jolla" was written shortly after he returned to the United States. Music Played in Today's Program Bohuslav Martinu (1890-1959) –Sinfonietta "La Jolla" (Saint Paul Chamber Orchestra; Christopher Hogwood, cond.) London 433 660

This episode is also available as a blog post: https://thecitylife.org/2022/06/07/carnegie-hall-citywide-series-the-hot-sardines-ft-nellie-mckay-afro-latin-jazz-ensemble-the-broadway-sinfonietta-and-more-free-on-fridays-in-july-at-bryant-park-picnic-performances/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

durée : 00:14:05 - Saint-Saëns: Works for Piano & Orchestra - Alexandre Kantorow, Tapiola Sinfonietta, Jean-Jacques Kantorow - Père et fils Kantorow s'associent à l'ensemble Tapiola Sinfonietta pour nous offrir un bel album reprenant les oeuvres pour piano et orchestre du compositeur Camille Saint-Saëns. C'est notre disque du jour !

Synopsis On today's date in 1968, a 72-year-old Italian-born American composer named Mario Castelnuovo-Tedesco died in Beverley Hills. As a young man, Castelnuovo-Tedesco was already known as a rising composer, concert pianist, music critic and essayist. In 1939 he left Mussolini's Italy and came to America, and like a lot of European musicians of the time, he found work writing film scores for major Hollywood studios. Castelnuovo-Tedesco became an American citizen, and eventually taught at the Los Angeles Conservatory, where his pupils included many famous names from the next generation of film composers, including Jerry Goldsmith, Henry Mancini, Andre Previn, Nelson Riddle and John Williams. In addition to film scores, Castelnuovo-Tedesco composed a signifigant body of concert music, including concertos for the likes of Heifetz and Segovia. A number of Castelnuovo-Tedesco's works are directly related to his Jewish faith, including a choral work from 1947, entitled “Naomi and Ruth.”  The composer's mother was named Naomi, and he claimed the faithful Ruth in the Biblical story reminded him of his own wife, Clara. “In a certain sense,” he wrote, “it was really my symbolic autobiography, existing before I decided to write – to open my heart – in these pages.” Music Played in Today's Program Mario Castelnuovo-Tedesco (1895 - 1968) — Naomi and Ruth (St.Martin's Academy and Chorus; Sir Neville Marriner, cond.) Naxos 8.559404 On This Day Births 1937 - American composer David Del Tredici, in Cloverdale, Calif.; Deaths 1736 - Italian composer Giovanni Battista Pergolesi, age 26 (of consumption), in Pozzuoli; 1881 - Russian composer Modest Mussorgsky (Gregorian date: Mar. 28) 1968 - Italian-born American composer Mario Castelnuovo-Tedesco, age 62, in Los Angeles; 1985 - American composer Roger Sessions, age 88, in Princeton, N.J.; Premieres 1735 - Handel: Organ Concertos Op. 4, nos. 2-3 (Julian date: March 5); 1750 - Handel: oratorio "Theodora," in London at the Covent Garden Theater; At the same event, the possible premiere of Handel's Organ Concerto Op. 7, no. 5, as well (Gregorian date: March 27); 1751 - Handel: oratorio "The Choice of Hercules" in London at the Covent Garden Theater; At the same event, Handel's Organ Concerto Op. 7, no. 3 premieres following Act II of a revival performance of Handel's cantata "Alexander's Feast" on the same program (Gregorian date: March 27); 1833 - Bellini: opera "Beatrice di Tenda" in Venice at the Teatro la Fenice; 1870 - Tchaikovsky: fantasy-overture "Romeo and Juliet," in Moscow, with Nicolas Rubinstien conducting (Julian date: Mar. 4); 1871 - Tchaikovsky: String Quartet in D, Op. 11, in Moscow, by members of the Russian Musical Society (Gregorian date: Mar. 28); 1879 - Dvorák: choral setting of Psalm No. 149, Op. 79, in Prague; 1888 - American premiere of the revised version of Bruckner: Symphony No. 4 ("Romantic"), with New York Philharmonic-Society conducted by Anton Seidl; In the preface to a book on Bruckner, the elderly conductor Walter Damrosch claimed he conducted the American premiere of this symphony (His memory played him false: Damrosch led the first American performance of Bruckner's THIRD Symphony; 1894 - Massenet: opera "Thaïs," at the Paris Opéra; 1938 - Martinu: opera "Julietta," in Prague at the National Theater; 1942 - Martinu: "Sinfonietta giocosa," for piano and chamber orchestra, in New York City; 2002 - Paul Schoenfield: "Nocturne" for solo cello, oboe and strings, by cellist Peter Howard, with oboist Kathryn Greenbank and the Saint Paul Chamber Orchestra, Gilbert Varga conducting. Links and Resources On Mario Castelnuovo-Tedesco

„Suite“, „Symphonette“ oder „Sinfonietta“? Ja was denn nun? Robert Schumann, fantasiebegabt wie kaum einer, komponiert 1841 ein Orchesterstück, das sich den Normen entzieht und hartnäckig so keine Sinfonie sein soll: in seinen Tage- bzw. Haushaltsbüchern nennt er sein Opus 52 unter anderem eine „Symphonette“.

Sam chats to an innuendo-filled Nicky Spence about Jenůfa at the Royal Opera, the ‘vortex of need' and his rustic roots …Catch the Royal Opera's production of Jenůfa here: https://www.youtube.com/watch?v=TFvD7suXk1I&t=969s Here's our episode on Janáček's Sinfonietta: https://timmyfisher.co.uk/the-classical-music-pod/2020/11/20/mahan-esfahani-janek-and-j-lo …Music referenced:‘Tim and Sam's Podcast', written and performed by Harry SeverNicky Spence in Janáček's Jenůfa at the Royal Opera House… Buy us a coffee innit: https://ko-fi.com/classicalpod … Follow us here: instagram.com/classicalpod/ twitter.com/ClassicalPod facebook.com/ClassicalPod/

Disfruta un par de obras de José Pablo Moncayo García (Guadalajara, Jalisco, 29 de junio de 1912-Ciudad de México, 16 de junio de 1958), uno de los más importantes representantes del nacionalismo mexicano en la música. Ambas interpretaciones están a cargo de la Orquesta Sinfónica de Minería, grabadas en vivo desde la Sala Nezahualcóyotl, bajo la dirección de José Areán. Encuentra más contenido en nuestro sitio web. Síguenos en redes sociales: Facebook, Twitter, Instagram y YouTube, como Descarga Cultura.UNAM.