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10 episodes with Salieri
9 episodes with Salieri
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8 episodes with Salieri
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7 episodes with Salieri
3 episodes with Salieri
2 episodes with Salieri
2 episodes with Salieri
We're exacting righteous vengeance on love rat exes (not that Love Rat) in The Revenge Club on Paramount+ this week, and star Martin Compston joins us on the show for a chat about it as well. Elsewhere, Amadeus makes its debut on Sky Atlantic, pitting Mozart vs Salieri in a piano-off for the ages. Plus we cover Imposter (possibly THE Imposter, it's still unclear) on Channel 5. James was thrilled. (Episode 367)
The penultimate episode of the TV Gold podcast this week features reviews and previews of: • Jay Kelly (Netflix movie)George Clooney plays Jay Kelly, a famous movie star who, along with his manager Ron (Adam Sandler), travels through Europe and is forced to confront his life choices, work and family relationships, and legacy. The film is a study of a man facing an identity crisis, grappling with the difference between his public persona and his private self. • The Abandons (Netflix, 7 episodes) The Abandons is a gritty Western series on Netflix set in 1850s Oregon, focusing on a bloody feud between two powerful matriarchs: the devout, found-family leader Fiona Nolan (Lena Headey) and the ruthless mining heiress Constance Van Ness (Gillian Anderson). • Amadeus (Binge/Foxtel, 5 episodes)The drama examines the rivalry between Wolfgang Amadeus Mozart (Will Sharpe) and court composer Antonio Salieri (Paul Bettany) when Mozart arrives in 18th-century Vienna, focusing on his volatile genius, his romance with Constanze Weber, and Salieri's growing torment and jealousy as Mozart's talent overshadows his own. Next week: Andrew and James present their Best and Worst of 2025See omnystudio.com/listener for privacy information.
[@ 3 min] Alright, this week…Gregory Spears goes Inside the Huddle! The American composer is in the middle of a banner season, which includes the 10th anniversary of his opera, Fellow Travelers. Find out about his new opera, Sleepers Awake, a reimagining of the fairy tale Sleeping Beauty, which gets its world premiere this spring... [@ 35 min] Plus, in the Two Minute Drill...a protestor apologizes for disrupting a performance at the Met, and WE apologize for clowning on Rienzi at Bayreuth… GET YOUR VOICE HEARD Stream new episodes every Saturday at 10 AM CT on amplisoundsradio.com operaboxscore.com facebook.com/obschi1 operaboxscore.bsky.social
SALIERI: La Cifra (selec.) (Aria de Lisotta “E voi da buon marito…. Aria de Eurilla “Alfin son sola… Sola e mesta) (12.08). C. Bartoli (sop.), Orchestra of the Age of Enlightenment. Dir.: A. Fischer. Falstaff, ossia le tre burle (selec.) (Principio del Acto II) (19.12). J. Gregor (baj.), M. Zempleni (sop.), D. Gulyas (ten.), I. Gatti (bar.), E. Panczel (mez.), T. Csurja (bar.), E. Vamossy (sop.), Coro de Cámra y Orq. de Cámara Salieri. Dir.: T. Pal. Die Hussiten von Naumburg (selec.) (15.48). Orq. Mozart de Mannheim. Dir.: T. Fey.Escuchar audio
SALIERI. A calamita de’cori (Sinfonia a due orchestre, Acto III) (8.38). Orq. Mozart de Mannheim. Dir.: T. Fey. Les Danaides (selec.) (Acto 1) (17.59). J. van Wanroij (sop.), P. Talbot (ten.), T. Christoyannis (bar.), K. Velletaz (sop.), T. Dolié (bar.), Les Chantres du Centre de Musique Baroque de Versailles, Les Talens Lyriques. Dir.: C. Rousset. Cassazione en Do Mayor (15.57). Ensemble Italiano di Fiati.Escuchar audio
SALIERI: Per la ricuperata salute di Ofelia K 477 A (6.01). D. Williams (sop.), Orq. Sinfonia de Praga. Dir.: C. Benda. Armida (selec.) (Principio del Acto II) (18.22). L. Ruiten (sop.), F. Valiquette (sop.), T. Iervolino (mez.), A. Riches (bar.), Coro de Cámara de Namur, Les Talens Lyriques. Dir.: C. Rousset. Trío para dos oboes y fagot en Mi bemol Mayor (7.59). Trío para dos oboes y fagot en Do Mayor (4.59). P. Pollastri (ob.), C. Tenan (ob.), D. Muleri (fg.).Escuchar audio
Bob and Brad return to one of cinema's grandest portrayals of genius and jealousy with a revisit of the 1984 theatrical cut of Amadeus, winner of 8 Academy Awards including Best Picture and Best Actor. From Tom Hulce's electrifying portrayal of Mozart to F. Murray Abraham's haunting, Oscar-winning turn as Salieri, the film's mix of theatricality and psychological depth makes for one of the most fascinating character studies in film history. Then, the hosts sip and review Redbreast 12 Year Irish Whiskey, a staple of the single pot still category.(0:00) Intro(8:01) Brad Explains(11:59) Performances, Themes(37:03) Redbreast 12 Year Irish Whiskey review(47:44) Two Facts and a Falsehood(52:30) Final Analysis(1:00:23) Let's Make it a Double and Final ScoresSave on your bottle of Blackwood (use code FILMWHISKEY)Film & Whiskey InstagramFilm & Whiskey FacebookFilm & Whiskey TwitterEmail us!Join our Discord server!For more episodes and engaging content, visit Film & Whiskey's website at www.filmwhiskey.com.Timestamps
SALIERI: Les Horaces (Ópera en tres actos) (selec. del Acto III) (17.53). J. van Wanroij (sop.), C. Dubois (ten.), J. Dran (ten.), J.-S. Bou (bar.), P.-N. Martin (bar.), A. Foster-William (baj.-bar.), E. Lefevbre (sop.), Les chantres du Centre de Musique Baroque de Versailles, Les Talens Lyriques. Dir.: C. Rousset. Axur, re d’Ormus (Ópera en cuatro actos, versión en cinco actos) (Acto 5) (17.12). A. Martin (baj.), C. Rayam (ten.), E. Mei (sop.), E. Nova (baj.), A. Vespasiani (mez.), M. Valentini, Coro Guido d’Arezzo, Orq. Fil. de Rusia. Dir.: R. Clemencic.Escuchar audio
SALIERI: Sinfonía en Re Mayor “Il giorno onomastico” (19.54). Orq. Sinf. de Londres. Dir.: Z. Pesko. BEETHOVEN/SALIERI: 10 Variaciones para piano en Si bemol Mayor sobre “La stessa, La stessissima” de la ópera de Salieri “Falstaff” Woo 73 (9.52). P. Mangova (p.). SALIERI: Quinteto para dos oboes, dos cornos y continuo en Si bemol Mayor (14.02). P. Pollastri (ob.), C. Tenan (ob.), F. Fava (corno), M. Campagnini (corno), Ensemble Italiano Di Fiati.Escuchar audio
SALIERI: Recitativo y aria de Emilia “Eccomi ppiu che nai… Amor, pietoso amore” (Escena 14, Acto II, de Il Ricco d’un giorno) (5.43). Recitativo y aria de Rinaldo “E non degg’io seguirla… Lungi da te… Forse, chi sa veranno… vieni me sull’alli d’oro” (Escena 2, Acto II de Armida) (9.54). C. Bartoli (Sop.). Ochestra of the Age of the Enlightenment. Dir.: A. Fischer. Concierto para piano y orquesta en Si bemol Mayor (24.34). A. Staier (fortep.), Concerto Köln. BEETHOVEN: Ejercicios en declamación italiana para Salieri (selec.) (Ma tu tremi, Fra tutte le pene). (2.46). C. Klopsch (sop.), A. Pilzecker (con.), J. Vogt (ten.).Escuchar audio
SALIERI: Misa de Requiem en Do menor (37.12). A. Zukerman (sop.), S. Ivag (mez.), A. Zdunikowski (ten.), L. Rodrigues (bar.), Coro y Orq. de la Fundación Gulbenkian de Lisboa. Dir.: L. Foster. 4 Scherzi instrumentali in stilo fugato (selec.) (nº 1, 3 y 4) (6.23). P. Thomas (vl.), J. rees (vl.), T. Tichauer (vla.), N. Cooper (vc.).Escuchar audio
#237 Predator: Badlands, Bugonia, Amadeus A runt-of-the-litter warrior must prove himself worthy on a hostile planet partnered with a creature and a loquacious android. Two men kidnap a CEO, convinced she's an alien being out to destabilize and destroy humanity, in the hopes to set a meeting on a lunar eclipse. The respected court composer Salieri fights himself and God when acclaimed figure Mozart enters his world, upending his beliefs and talent which leads to malice and scheming. Next Time: Wicked For Good, Hamnet, If Beale Street Could Talk Recent Discoveries Ralf: Now You See Me: Now You Don't, The Marksman Luke: Romper Stomper, Kiss of the Spider Woman, Die My Love, Now You See Me: Now You Don't, The Running Man Oscar: The Last Unicorn, Kiss of the Spider Woman, The Lost Bus, Hell House LLC: Lineage, The Running Man, Nuremberg Otherpodcast.com Show Notes 00:00:00 INTRO 00:02:40 Recent Discoveries 00:56:08 Predator: Badlands 01:29:42 spoilers 01:53:11 Bugonia 02:03:46 spoilers 02:34:52 Amadeus 03:41:50 EXIT
SALIERI: Pafio e Mirra ossia I Prigionieri di Cipro (Música de ballet basada en la ópera L’Europa Riconosciuta) (23.56). Orq. Mozart de Mannheim. Dir.: T. Fey. Variaciones sobre “La Follia di Spagna” (20.56). Orq. Sinf- de Londres. Dir.: Z. Peiko.Escuchar audio
Front Row Classics is taking a look at the Best Picture winner of 1984. Brandon is joined by Dominic Cellini to discuss Milos Forman's Amadeus. We chat about the legendary performances of Tom Hulce and F. Murray Abraham (in an Oscar-winning performance) as Mozart and Salieri. Brandon and Dominic also discuss the film's incredible fusion of genres which allows it be a cut above the typical biopic,
Amadeus Front Row Classics is taking a look at the Best Picture winner of 1984. Brandon is joined by Dominic Cellini to discuss Milos Forman’s Amadeus. We chat about the legendary performances of Tom Hulce and F. Murray Abraham (in an Oscar-winning performance) as Mozart and Salieri. Brandon and Dominic also discuss the film’s incredible … Continue reading Ep. 381- Amadeus →
Few actors can claim a career as rich and varied as F. Murray Abraham. From his classical theater roots to his unforgettable Oscar-winning turn as Salieri in Amadeus, from Tony-nominated Broadway performances to his recent scene-stealing work in The White Lotus, Homeland, and Star Trek: Discovery—Abraham has mastered the art of reinvention without ever compromising his craft. In this intimate conversation, the 85-year-old legend opens up about the highs and lows of a six-decade journey through American entertainment. He reveals why winning an Academy Award didn’t guarantee stardom, how he’s chosen challenging roles over commercial success, and what it means to still be delivering career-best performances in his ninth decade—including his current starring role in the new Broadway production of The Queen of Versailles. Abraham discusses what drew him back to live theater at this stage of his career and the unique electricity of performing before an audience eight times a week. He shares insights from working with the Coen Brothers on Inside Llewyn Davis, reflects on his rigorous classical training, and explains the discipline required to sustain a working actor’s life across film, television, and stage. He offers behind-the-scenes stories from iconic productions spanning Amadeus to The Grand Budapest Hotel, discusses the art of playing complex villains and antiheroes, and provides hard-won wisdom about longevity, artistry, and staying relevant across generations. Whether you’re an aspiring actor, a film buff, or simply a fan of great storytelling, this episode offers a masterclass in dedication, versatility, and the power of choosing substance over flash. F. Murray Abraham proves that the best careers aren’t built overnight—they’re crafted one brilliant performance at a time. Listen now to hear from one of the most respected character actors of our time.Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.
Few actors can claim a career as rich and varied as F. Murray Abraham. From his classical theater roots to his unforgettable Oscar-winning turn as Salieri in Amadeus, from Tony-nominated Broadway performances to his recent scene-stealing work in The White Lotus, Homeland, and Star Trek: Discovery—Abraham has mastered the art of reinvention without ever compromising his craft. In this intimate conversation, the 85-year-old legend opens up about the highs and lows of a six-decade journey through American entertainment. He reveals why winning an Academy Award didn’t guarantee stardom, how he’s chosen challenging roles over commercial success, and what it means to still be delivering career-best performances in his ninth decade—including his current starring role in the new Broadway production of The Queen of Versailles. Abraham discusses what drew him back to live theater at this stage of his career and the unique electricity of performing before an audience eight times a week. He shares insights from working with the Coen Brothers on Inside Llewyn Davis, reflects on his rigorous classical training, and explains the discipline required to sustain a working actor’s life across film, television, and stage. He offers behind-the-scenes stories from iconic productions spanning Amadeus to The Grand Budapest Hotel, discusses the art of playing complex villains and antiheroes, and provides hard-won wisdom about longevity, artistry, and staying relevant across generations. Whether you’re an aspiring actor, a film buff, or simply a fan of great storytelling, this episode offers a masterclass in dedication, versatility, and the power of choosing substance over flash. F. Murray Abraham proves that the best careers aren’t built overnight—they’re crafted one brilliant performance at a time. Listen now to hear from one of the most respected character actors of our time.Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.
SALIERI: Concierto para piano y orquesta en Do Mayor (22.16). A. Staier (fortep.), Concerto Köln. Picciola serenata en Si bemol Mayor (14.12). Sección de vuento de Il Gruppo di Roma. Cavatina “Pensieri funesti” (3.52). A.-S. Müller (mez.), U. Eisenlohr (p.).Escuchar audio
SALIERI: Concierto para violín, oboe, violoncello y orquesta en Re Mayor “Triple concierto” (25.27). T. Fueri (vl.), H. Holliger (ob.), T. Demenga (vc.), Camerata Bern. Dir.: T. Fueri. Il mondo alla rovescia (Obertura) (5.03). Orq. Mozart de Mannheim. Dir.: T. Fey. Il genio degli stati: Soneto (2.56). Deh, si piacevole. Ode (5.56). I, Eerens (sop.), U. Eisenlohr (p.).Escuchar audio
Milos Forman ya se inventó que Salieri mató a Mozart, así que preparáos para un remake de la misma mentira.-CINE: Send help, Remain, Karmadonna-SECUELAS: Predator: Bad Lands, Amadeus-SERIES: A knight of the seven kingdoms, Down Cemetery Road, Stranger Things, Invencible, Wonder WomanY os recuerdo que este viernes tenéis una nueva entrega de EXCELSIOR, mi podcast de literatura y cómics, cortesía de LETRAS AL MARGEN (podéis seguirnos en Instagram, TikTok y YouTube). Esta semana os hablo de: ARTHUR C. CLARKE.Podéis contactar conmigo en X (@antoniorentero)
Přátelství italského skladatele Antonia Salieriho a hraběte Jindřicha Viléma Haugwitze ze zámku v Náměšti nad Oslavou dokládá a dokumentuje výstava nazvaná Maestro Salieri.
Episode: 2488 Revision: An Essential Component of the Creative Process. Today, creator vs. revisor.
Zwei verfeindete Zwillingsbrüder im alten Ägypten und Griechenland, eine Massenhochzeit, ein Massenmord und ein Schlussbild mit Furienchor und Feuerregen - Salieri lieferte dem Pariser Publikum bei der Uraufführung 1784 eine Dramatik und ein Spektakel, das man dort noch nicht gesehen hatte. Antonio Salieri landete mit seinen Danaiden einen Riesenerfolg, der noch Jahrzehnte nachwirkte. Über diesen Fünfakter schwärmten später auch Hector Berlioz sowie Richard Wagner, und Ludwig van Beethoven, nur einer der vielen berühmten Schüler des Hofkomponisten von Joseph II., kopierte Stellen des Werks im Unterricht, um davon zu lernen. Wohl wegen des aufkommenden Nationalismus am Anfang des 19. Jahrhunderts fielen Antonio Salieri und sein grosses, teils geradezu avantgardistisches Œuvre mit fast 40 Opern zwischen Stuhl und Bank: Für die Italiener war der bereits als Teenager ausgewanderte Salieri ein Wiener, für die Wiener blieb er Italiener, und für die Franzosen war er ein Deutscher. Er wurde somit in keinem der Länder, in welchen er so erfolgreich wirkte, zur nationalen Identifikationsfigur oder zum Nationalkomponisten erkoren. Zum Doppeljubiläum von Salieri, seinem 275. Geburtstag am 18. August und seinem 200. Todestag am 7. Mai 2025, besprechen wir in der Diskothek erstmals ein Werk dieses damals so beliebten und häufig gespielten Komponisten. Gäste von Moritz Weber sind der Salieri-Biograf Timo Jouko Herrmann und der Bassbariton Robert Koller.
Winner of eight Academy Awards including Best Picture, Miloš Forman's masterpiece tells the story of Mozart through the envious eyes of his rival Salieri. But how did a Czech director come to make a classic Viennese tale? And what's the real story behind "too many notes"?Join John, Westy, and Matt as they dive deep into the making of a theatrical triumph turned cinematic classic. From Peter Shaffer adapting his own stage play to Tom Hulce's rock-and-roll approach to playing Mozart (yes, really), we explore how Forman transformed a Broadway hit into one of cinema's great achievements.We uncover the fascinating production history, including the painstaking recreation of 18th-century Vienna, the decision to film in Prague during the Cold War, and which Hollywood legends (plus a Rolling Stone) were originally considered for the lead roles. Plus, discover how F. Murray Abraham's performance as Salieri became the perfect embodiment of jealousy and genius, and why this film makes you simultaneously want to compose a symphony and maybe poison your neighbour (we don't recommend the latter).This is the story of how one of history's greatest composers became the subject of one of cinema's greatest films—told the way only All The Right Movies can tell it.Telling the story of Hollywood, one movie at a time.Connect with ATRM: To support what we do, access our archive and listen to exclusive episodes, become an ATRM patron:Listen on Patreon Listen on Apple PodcastsListen on SpotifyTwitter/X: @ATRightMoviesYouTube: Subscribe to our channelInstagram: @allthe_rightmovies Threads: @allthe_rightmoviesFacebook: Join our movie groupBluesky: @alltherightmovies.comTikTok: @alltherightmoviesWebsite: alltherightmovies.com
En faisant de lui un intriguant sans scrupule et l'empoisonneur de Mozart, la postérité s'est complu à noircir l'image d'Antonio Salieri. Ce viennois d'adoption, en son temps compositeur apprécié et pédagogue recherché, méritait bien une réhabilitation.Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
Hoy escuchamos: Es momento de luchar, Vida, Viejos dinosaurios, Todo se me muere, Tocar el cielo, Silencio.Lujuria: Mozart y Salieri, Migas de paz, El amor está en el aire, Joda a quien joda, Corazón de heavy metal.Escuchar audio
O episódio #603 do Cinem(ação) nos leva direto ao coração da música, da inveja e da genialidade. Rafael Arinelli recebe Pedro Amaro e Diego Quaglia para discutir Amadeus, o clássico de Milos Forman que, mais de 40 anos depois de seu lançamento, continua a nos impressionar.Vencedor de 8 Oscars, Amadeus é muito mais do que uma cinebiografia sobre Mozart. Baseado na peça de Peter Shaffer, o filme mergulha em uma Viena do século XVIII povoada por intrigas, ressentimentos e partituras perfeitas. No centro da narrativa, temos o conflito entre o respeitado Antônio Salieri (vivido por F. Murray Abraham, em performance premiada) e o irreverente Wolfgang Amadeus Mozart (Tom Hulce), numa rivalidade tão fictícia quanto profundamente simbólica.Mas o que faz esse filme atravessar gerações? O episódio explora como Forman subverte as convenções da cinebiografia para colocar no centro da trama temas universais: o peso da mediocridade, a solidão dos gênios e a arte como expressão divina. Tudo isso com uma direção sutil, figurinos luxuosos, uma fotografia barroca e, claro, trilha sonora de tirar o fôlego.Ao longo do papo, refletimos também sobre as liberdades criativas do filme, a construção humanizada dos personagens e como a ficção é usada como espelho da verdade - mesmo que não seja factual. Afinal, é possível odiar alguém por ser tão brilhante quanto você nunca será?Então dá o play e vem com a gente nesse papo profundo e apaixonado por uma das maiores obras do cinema. Porque entender Amadeus é, de certa forma, entender o próprio ato de criar.• 03m21: Pauta Principal• 1h07m27: Plano Detalhe• 1h19m06: EncerramentoOuça nosso Podcast também no:• Spotify: https://cinemacao.short.gy/spotify• Apple Podcast: https://cinemacao.short.gy/apple• Android: https://cinemacao.short.gy/android• Deezer: https://cinemacao.short.gy/deezer• Amazon Music: https://cinemacao.short.gy/amazonAgradecimentos aos padrinhos: • Bruna Mercer• Charles Calisto Souza• Daniel Barbosa da Silva Feijó• Diego Alves Lima• Eloi Xavier• Flavia Sanches• Gabriela Pastori Marino• Guilherme S. Arinelli• Katia Barga• Thiago Custodio Coquelet• William SaitoFale Conosco:• Email: contato@cinemacao.com• Facebook: https://bit.ly/facebookcinemacao• BlueSky: https://bit.ly/bskycinemacao• Instagram: https://bit.ly/instagramcinemacao• Tiktok: https://bit.ly/tiktokcinemacaoApoie o Cinem(ação)!Apoie o Cinem(ação) e faça parte de um seleto clube de ouvintes privilegiados, desfrutando de inúmeros benefícios! Com uma assinatura a partir de apenas R$5,00, você terá acesso a vantagens incríveis. E o melhor de tudo: após 1 ano de contribuição, recebe um presente exclusivo como agradecimento! Não perca mais tempo, acesse agora a página de Contribuição, escolha o plano que mais se adequa ao seu estilo e torne-se um apoiador especial do nosso canal! Junte-se a nós para uma experiência cinematográfica única!Plano Detalhe:• (Diego): Filme: Prédio Vazio• (Diego): Filme: As Pontes de Madison• (Diego): Série: O Ensaio• (Pedro): Filme: "Amadeus" winning Best Picture• (Pedro): Série: O Estúdio• (Rafa): Newsletter: Rafael SbaraiEdição: ISSOaí
durée : 01:28:08 - En pistes ! du vendredi 13 juin 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - A l'occasion du 50e anniversaire de la mort du compositeur russe, un disque nous propose de découvrir des raretés encore jamais enregistrées. Mais aussi, une symphonie de Franz Lachner, le voyage musical parisien de Fernando Sor et une réédition consacrée à Salieri pour le bicentenaire de sa mort.
durée : 01:28:08 - En pistes ! du vendredi 13 juin 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - A l'occasion du 50e anniversaire de la mort du compositeur russe, un disque nous propose de découvrir des raretés encore jamais enregistrées. Mais aussi, une symphonie de Franz Lachner, le voyage musical parisien de Fernando Sor et une réédition consacrée à Salieri pour le bicentenaire de sa mort.
durée : 00:15:10 - Le Disque classique du jour du mardi 06 mai 2025 - Dans Cublai, gran kan de' Tartari (1788), Salieri mêle héroïsme comique et satire piquante des monarchies européennes. Censurée avant sa création, l'œuvre est enfin ressuscitée dans cet enregistrement par Les Talens Lyriques et Christophe Rousset.
durée : 01:27:40 - En pistes ! du mardi 06 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Avant même sa création, Cublai de Salieri a été censuré. Christophe Rousset nous fait découvrir cette partition piquante avec son ensemble Les Talens Lyriques. Autre opéra, "Adriana Mater" de la compositrice finlandaise Kaija Saariaho, créé en 2006 et gravé pour la première fois au disque.
durée : 00:15:10 - Le Disque classique du jour du mardi 06 mai 2025 - Dans Cublai, gran kan de' Tartari (1788), Salieri mêle héroïsme comique et satire piquante des monarchies européennes. Censurée avant sa création, l'œuvre est enfin ressuscitée dans cet enregistrement par Les Talens Lyriques et Christophe Rousset.
durée : 01:27:40 - En pistes ! du mardi 06 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Avant même sa création, Cublai de Salieri a été censuré. Christophe Rousset nous fait découvrir cette partition piquante avec son ensemble Les Talens Lyriques. Autre opéra, "Adriana Mater" de la compositrice finlandaise Kaija Saariaho, créé en 2006 et gravé pour la première fois au disque.
Salieris Werk war zu seinen Lebzeiten äußerst populär, seine Opern wurden in ganz Europa aufgeführt. Seine angebliche Rivalität mit Wolfgang A. Mozart ist eine Erfindung. Neben seiner Arbeit als Komponist und Direktor der Hofkapelle war Salieri auch als Lehrer und Musikpädagoge bedeutend. Das Institut für Gesang und Stimmforschung in der Musikpädagogik an der Universität für Musik und darstellende Kunst Wien (mdw) ist nach ihrem Mitbegründer Salieri benannt. Salieri war auch maßgeblich an der Gründung der Gesellschaft der Musikfreunde in Wien 1812 beteiligt - deren Konzerthaus, der "Musikverein", ist in der Welt der Klassik weltberühmt.
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Antonio Salieri wurde vom Musikdirektor des Wiener Hofes, Florian Gassmann, als Jugendlicher in Venedig entdeckt und mit nach Wien genommen - wo er bis zu seinem Tod 1825 lebte. Nach dem Tod seines Mentors wurde Salieri dessen Nachfolger und hatte somit eine der einflussreichsten Positionen in der Wiener Musikwelt dieser Zeit inne. Die Spuren seines Lebens sind an vielen Orten der Inneren Stadt zu finden.
Lynda's concerned for Khalil after the loss of Constanza yesterday. Khalil assures her he's okay. They take Salieri for a walk, the start of a regular thing and Khalil loves it. He admits he sometimes feels stupid and his mother has low expectations of him. Lynda assures him this isn't true. He tells Lynda about a boy whose funeral he attended. Seeing the boy's mum's face put him in mind of his own mum and how she might feel if he died. He knows his cancer could return. He apologises for the dark conversation and Lynda comforts him. She knows his mum's just thrilled he's alive and thriving, and has complete faith in him. Joy checks in with Mick, making sure he's still happy for Rochelle to stay with them. Mick confirms it's all good; he's pleased for Joy that Rochelle's around. Joy declares him a good man. Mick raises the delicate topic of what's really going on between the two women. He needs Joy to be straight with him. Joy gradually opens up, disclosing the extent of her ex husband's betrayal as he conducted a string of affairs. She thinks Rochelle might blame her for her father leaving. Joy worries she leaned on Rochelle a bit too much at that time. She confesses she left for a few days, acknowledging Rochelle was probably too young for this. It was a dark time in their lives; they've never really got over it. Mick understands, relieved Joy's been honest with him. He promises things will be better from now on.
In this episode, Anna and Derek debate what people may know of Salieri's actual legacy, whether this Oscar winner needed to be trimmed up a bit, and much more during their discussion of Milos Forman's Amadeus (1984).Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.
The Oscars may be over, but we're keeping the party going with a live roundtable review of Amadeus--which racked up a symphony of statues 40 years ago!In Milos Forman's adaptation of Peter Shaffer's play, F. Murray Abraham plays Italian composer Antonio Salieri, whose dreams of musical immortality are shattered when he encounters child prodigy Wolfgang Amadeus Mozart (Tom Hulce). The film opens with Salieri in an asylum, confessing to a priest that he'd killed Mozart years earlier--and much of Amadeus takes us behind the scenes of their tumultuous relationship.This was a first-time watch for Ian and, as you'll soon see, Amadeus is another one of those "They Should've Just Stopped Making Movies After This Movie" movies. But what do the rest of the EMC think? Join us as we compose ourselves while talking spoilers and taking your questions, comments, and SuperChats!Subscribe, like, and comment on Kicking the Seat here on YouTube, and check us out at:kickseat.comXLetterboxdBlueSkyInstagramFacebookShow LinksWatch the Amadeus trailer.Warner Bros recently released a 4K UHD of the Amadeus theatrical cut, available wherever you pick up movies.Watch F. Murray Abraham's moving (and brief!) "Best Actor" acceptance speech at the 1985 Oscars (mentioned in the show).Support all of Earth's Mightiest Critics at their various outlets:Check out Mark "The Movie Man" Krawczyk's The Spoiler Room Podcast.Keep up with Jeff York's criticism and caricatures at The Establishing Shot and Pipeline Artists.Get seated with The Blonde in Front!Follow David Fowlie's film criticism at Keeping It Reel.Get educated with Don Shanahan at Every Movie Has a Lesson…...And Film Obsessive...and the Cinephile Hissy Fit Podcast.Keep up with Annie Banks at The Mary Sue....and We Got This Covered.Make Nice with Mike Crowley of You'll Probably Agree.And stir things up with Will Johnson of the Cinephile Hissy Fit Podcast.
for the full episode join the Patreon [patreon.com/fashiongrunge]To say that I'm beyond thrilled to talk about Amadeus would be an understatement. Like I have mentioned before, I can't believe it has taken this long to review this literal perfect film. The obsessive nature between the two men we compare to more contemporary film dynamics (*cough Saltburn). We are talking the Director's Cut of this film since the extra 20 minutes are just a gift to us as cinefiles. I honestly don't think there is anything bad to say about this film and we talk about how a 'Best Picture' winner hasn't really come close since. Me and Charles had such a great time finding out all the behind the scenes, the history of the real men, and get into how we love to watch films about rivalries. Off-topic rants include: Zoobilee Zoo, who was Kurt Cobain's 'Salieri'?, the Family Guy spoof, and The Cure movie from 1995 ---GIVE US A 5 STAR RATING & SUBSCRIBE to the main Fashion Grunge Podcast feed on (mostly) 90s films!Hosts: Lauren @lauren_melanie & Charles @charleshaslamFollow Fashion Grunge PodcastFind more Fashion Grunge on LinktreeJoin me on Substack: The Lo Down: a Fashion Grunge blog/newsletter☕️ Support Fashion Grunge on Buy Me a Coffee: https://www.buymeacoffee.com/fashiongrunge
Wolfgang Amadeus Mozart is a remarkably talented young composer who unwittingly finds a fierce rival in the disciplined and determined Antonio Salieri. Resenting Mozart for both his hedonistic lifestyle and his undeniable talent, Salieri is gradually consumed by his jealousy and becomes obsessed with Mozart's downfall, leading to a devious scheme that has dire consequences for both men. Michael and Eric sabotage Amadeus (1984), directed by Milos Forman. Follow Aflixionados Podcast on social media for extended conversations, interesting tidbits, and other news! Linktree | Instagram | Facebook | YouTube | Merch
Donald Macleod explores Vienna in the company of Franz SchubertOf all Europe's major cities, perhaps Vienna is the one with the reputation as the most comfortable, the most sophisticated, and the most musical. In fact, has any other city been home to so many great composers as Vienna? Mozart, Beethoven, Haydn, and Salieri all spent their best years working there. Yet none of those starry names was born in the city, none were true Viennese. This week, Donald Macleod explores Vienna through the lens of arguably the greatest home grown composer the city has ever produced – Franz Schubert – a man whose short life spanned a crucial period in Austrian history, a time of crisis and much change. In his company we'll explore Vienna's churches and theatres, its parks, coffee houses and taverns, and also glimpse the darker side of the city too – the excesses of Europe's aristocracy and the all seeing eyes of Vienna's secret police.Music Featured: “Kupelwieser” Waltz in G flat Major, D Anh I/14 Symphony No 9 in C Major “The Great”, D944 (3rd mvt, Scherzo) String Quintet in C Major, D 956 (2nd mvt, Adagio) Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri, D407 Marches Militaires, D733 (No 1 in D Major) Gretchen am Spinnrade, D118 6 Moment Musicaux, Op 94, D780 (No 3 in F min) Mass No 1 in F Major, D105 (Gloria) Grande Marche Funebre, D859 Symphony No 2 in B flat Major, D125 (4th mvt,Presto) Rosamunde, D797 (No 5 ,Entracte No 3 in B flat Major: Andantino) Licht und Liebe, D352 Quartettsatz Lazarus, Act 2 (unfinished) Schwanengesang, D744 4 Impromptus, D899, Op90 (No 3 in G Flat Major) Symphony No 8 in B minor, D759 “Unfinished” (1st mvt, Allegro moderato) Symphony No 5 in B flat Major, D485 (1st mvt, Allegro) Winterreise, D911 (No 24, Der Leiermann) Der Wanderer, D489 Piano Quintet in A Major, D667 “The Trout” (3rd mvt, Scherzo) 38 Waltzes, D145, Op 18 (Nos 6, 8 & 9 ) An Sylvia, D891, Op 6 (No 4) Fantasy in F minor, D940, Op 103 Ave Maria, D839, Op 52, No 6 Mass No 6 in E Flat Major, D950 (Credo) Rosemunde incidental music, D797 (Nos 7-9) Alfonso and Estrella, D732 (Act I, Aria “Sei mir gegrusst, o Sonne!”) An die MusikPresented by Donald Macleod Produced by Sam Phillips for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Schubert and Vienna https://www.bbc.co.uk/programmes/m0026800 And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
Who's ready to listen to Salieri whine some more? It goes off the rails this week, lil onions, as we conclude our two-part coverage of Amadeus (1984). Carie gets really granular with Mozart's infamous Requiem Mass and Mozart's creative process. Ross continues to bemoan Salieri's inability to just enjoy another's success. The siblings also expand on the circumstances of Mozart's demise. RELATED MEDIA: Great Music Explained SUPPORT US ON PATREON!
¡Vótame en los Premios iVoox 2024! En el programa de hoy os presentamos dos títulos en absoluto opuestos, pero sin duda muy dispares entre sí. En la primera parte de la edición, en nuestra sección Videoteca Lode, destriparemos del derecho y del revés la película AMADEUS, donde se nos contaba una ficción cuasi ucrónica acerca del asesinato sutil y magistralmente orquestado por el maestro Salieri del insigne e irrepetible genio Mozart. Un drama con tintes de thriller que fue llevado a la pantalla hace ahora 30 años de la mano de Milos Forman, donde debemos rendirnos ante la magnífica interpretación de F. Murray Abraham, entre otros. La batuta de dirección correrá a cargo de Antonio Runa, Coronel Nathan Kurtz y Elia Martell. En la segunda parte del programa, en la sección de cómics Entre Viñetas, se analizará la reciente pero espectacular colección SUPERIOR SPIDERMAN, donde Raúl Martín y Rafa Pajis nos hablarán de cómo el Dr Octopues hará algo más que tomar la vida de Peter Parker, en una etapa que los lectores de cómics Marvel recordarán largamente por la alta calidad mostrada en sus páginas. Un programa de La Órbita de Endor que pretende conseguir que paséis unas horas de entretenimiento sin demasiadas pretensiones, con una música, la del Maestro Mozart, que ya es Patrimonio de la Humanidad, y en el segundo bloque de programa, dentro del marco Creative Commons, los temas de Gregoire Lourme. Gracias por habernos elegido y disfrutad del audio. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals
Jolene and Kenton have difficulty photographing their kitten for the kitten naming competition – she keeps disappearing off! Later they spot a boy stroking her in the pub car park, claiming that the kitten was on the road and that he'd practically saved her life. He tells them his name's Kahlil and he's just moved into Beechwood.Later, Kenton's not satisfied with his kitten photos, but Jolene likes the one in the old Shires ashtray and they decide to go with it for the competition photo. Jolene invites Fallon and Harrison over for a drink later – George is in court this week and Fallon's feeling confused about reading out her personal statement in court. Jolene's going there with her for support.Lilian asks Lynda's advice about whether she should encourage Alice to come to court for George's sentencing on Thursday. They stop in mid-flow when they spot a boy appearing to be feeding Lynda's llamas crisps. He's adamant he isn't though, explaining how llama's digestive systems work. He thinks Salieri's constipated. That's too much for Lynda who demands to know the boy's name to report him to his parents. But he runs off before she can finish. Later a girl turns up looking for him. When Lynda suggests he's dropped his drinks can as litter, the girl says it's not his. They're boycotting that drink. The boy reappears and she heads home with him. Slowly Lynda realises who they might've been. Azra lives in Beechwood – what if they're her children? Lynda worries that she might've offended Adil's family practically as soon as they've moved in
When the Springfield Library becomes low on books, the children of Springfield Elementary don't have enough resources to do research for their history papers. To help out, Marge gives the kids verbal anecdotes about historical figures including tales of King Henry VIII, Sacagawea's assistance to the Lewis and Clark Expedition and a very Bart-like Mozart feuding with his sister Salieri. Click the link below to contact us, listen to past episodes, merch, and more! linktr.ee/AnnoyedGruntBoys ***Next Episode: S26 E22 - Mathlete's Feat*** --- Support this podcast: https://podcasters.spotify.com/pod/show/138simpsons/support
Wir springen in dieser Folge ins 18. Jahrhundert. In der nördlich von Venedig gelegenen Stadt Ceneda wird im Jahr 1749 ein Junge geboren, dessen Werdegang ihn u.a. von Venedig, nach Wien, London und schließlich New York führen wird. Dazwischen arbeitet er mit niemand Geringerem als Wolfang Amadé Mozart zusammen. Obwohl dies seinen späteren Ruhm begründen wird, ist es vor allem dieser Werdegang, der Lorenzo Da Ponte zu einem der interessantesten Männer seiner Zeit macht. //Literatur – Rodney Bolt. Lorenzo Da Ponte - Mozarts Librettist und sein Aufbruch in die Neue Welt. Bloomsbury Verlag, 2011. in einer Übersetzung von Martin Pfeiffer – Wiebke Krohn und Johannes Schweitzer: „LORENZO DA PONTE: LEBEN UND WERK“. aus "Lorenzo Da Ponte. Aufbruch in die Neue Welt." anlässlich einer Ausstellung im Jahr 2006 im jüdischen Museum Wien. September, 2006. //Erwähnte Folgen – GAG429: Der Eimerkrieg – https://gadg.fm/429 Das Episodenbild zeigt eine Darstellung Da Pontes aus dem frühen 18. Jahrhundert. //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte //Wir haben auch ein Buch geschrieben: Wer es erwerben will, es ist überall im Handel, aber auch direkt über den Verlag zu erwerben: https://www.piper.de/buecher/geschichten-aus-der-geschichte-isbn-978-3-492-06363-0 Wer Becher, T-Shirts oder Hoodies erwerben will: Die gibt's unter https://geschichte.shop Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt!
Kit and Steve revisit the 1984 masterpiece 'Amadeus.' This Oscar-winning film portrays the life of Wolfgang Amadeus Mozart through the envious eyes of his rival, Antonio Salieri. Witness the riveting drama unfold as Salieri's admiration turns to obsession, leading him down a dark path against the backdrop of Mozart's sublime music. Explore with us the intricate dynamics of genius and jealousy, set against the opulence of 18th-century Vienna. Tune in for a deep dive into this cinematic classic.00:00:00 - Introduction:Welcome to a new episode of Streaming Things, where we dive deep into the world of streaming content!00:01:56 - Overall Thoughts:Our hosts share their initial impressions and overarching thoughts on today's movie/TV episode.00:22:07 - Scene by Scene Recap:Join us as we break down the episode or movie scene by scene, offering insights and commentary.Support Streaming Things:Subscribe to our Patreon!Engage with Streaming Things:Merchandise: Check out our BRAND NEW Merch Store for the latest Streaming Things apparel and accessories.YouTube: Don't miss our visual content on Streaming Things YouTube channel.Website: Visit our official website for more updates and content.Connect with Us:Email: Send your feedback and questions to streamingthingspod@gmail.com.Instagram: Follow us @streamingthingspodofficial for behind-the-scenes content.Twitter: Stay updated with our latest tweets @StreamThingPod or follow Chris @moviesRtherapy.Fan Mail:Address: Send your letters and fan mail to:Streaming Things6809 Main St. #172Cincinnati, OH 45244Episode Sponsors:This episode is sponsored by BetterHelp. Get the support you need at betterhelp.com/streamingthings. Hosted on Acast. See acast.com/privacy for more information.
Amy & Paul hum along to 1984's classical fantasia Amadeus! They learn how closely this unusual biopic matches the true history of Mozart, discover a Marvel reference to Salieri, and praise director Milos Forman for highlighting what made Mozart's compositions endure. Plus: The phenomenon that inspired a smash novelty single. Next week, Paul & Amy are talking about American Beauty! You can join the conversation on Paul's Discord at https://discord.gg/ZwtygZGTa6. Check out this week's spotlight episode from the Unspooled archives, One Flew Over The Cuckoo's Nest: https://www.earwolf.com/episode/one-flew-over-the-cuckoos-nest/ Paul's book Joyful Recollections of Trauma is on presale now! Find it at https://www.harpercollins.com/products/joyful-recollections-of-trauma-paul-scheer Learn more about the show at unspooledpod.com, follow us on Twitter @unspooled and Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Spotify or where you listen to podcasts.
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