Podcasts about Salieri

#237 Predator: Badlands, Bugonia, Amadeus A runt-of-the-litter warrior must prove himself worthy on a hostile planet partnered with a creature and a loquacious android. Two men kidnap a CEO, convinced she's an alien being out to destabilize and destroy humanity, in the hopes to set a meeting on a lunar eclipse. The respected court composer Salieri fights himself and God when acclaimed figure Mozart enters his world, upending his beliefs and talent which leads to malice and scheming.    Next Time: Wicked For Good, Hamnet, If Beale Street Could Talk    Recent Discoveries Ralf: Now You See Me: Now You Don't, The Marksman Luke: Romper Stomper, Kiss of the Spider Woman, Die My Love, Now You See Me: Now You Don't, The Running Man Oscar: The Last Unicorn, Kiss of the Spider Woman, The Lost Bus, Hell House LLC: Lineage, The Running Man, Nuremberg   Otherpodcast.com   Show Notes 00:00:00 INTRO 00:02:40 Recent Discoveries 00:56:08 Predator: Badlands 01:29:42 spoilers 01:53:11 Bugonia 02:03:46 spoilers 02:34:52 Amadeus 03:41:50 EXIT

SALIERI: Pafio e Mirra ossia I Prigionieri di Cipro (Música de ballet basada en la ópera L’Europa Riconosciuta) (23.56). Orq. Mozart de Mannheim. Dir.: T. Fey. Variaciones sobre “La Follia di Spagna” (20.56). Orq. Sinf- de Londres. Dir.: Z. Peiko.Escuchar audio

Front Row Classics is taking a look at the Best Picture winner of 1984. Brandon is joined by Dominic Cellini to discuss Milos Forman's Amadeus. We chat about the legendary performances of Tom Hulce and F. Murray Abraham (in an Oscar-winning performance) as Mozart and Salieri. Brandon and Dominic also discuss the film's incredible fusion of genres which allows it be a cut above the typical biopic, 

Amadeus Front Row Classics is taking a look at the Best Picture winner of 1984. Brandon is joined by Dominic Cellini to discuss Milos Forman’s Amadeus. We chat about the legendary performances of Tom Hulce and F. Murray Abraham (in an Oscar-winning performance) as Mozart and Salieri. Brandon and Dominic also discuss the film’s incredible … Continue reading Ep. 381- Amadeus →

Few actors can claim a career as rich and varied as F. Murray Abraham. From his classical theater roots to his unforgettable Oscar-winning turn as Salieri in Amadeus, from Tony-nominated Broadway performances to his recent scene-stealing work in The White Lotus, Homeland, and Star Trek: Discovery—Abraham has mastered the art of reinvention without ever compromising his craft. In this intimate conversation, the 85-year-old legend opens up about the highs and lows of a six-decade journey through American entertainment. He reveals why winning an Academy Award didn’t guarantee stardom, how he’s chosen challenging roles over commercial success, and what it means to still be delivering career-best performances in his ninth decade—including his current starring role in the new Broadway production of The Queen of Versailles. Abraham discusses what drew him back to live theater at this stage of his career and the unique electricity of performing before an audience eight times a week. He shares insights from working with the Coen Brothers on Inside Llewyn Davis, reflects on his rigorous classical training, and explains the discipline required to sustain a working actor’s life across film, television, and stage. He offers behind-the-scenes stories from iconic productions spanning Amadeus to The Grand Budapest Hotel, discusses the art of playing complex villains and antiheroes, and provides hard-won wisdom about longevity, artistry, and staying relevant across generations. Whether you’re an aspiring actor, a film buff, or simply a fan of great storytelling, this episode offers a masterclass in dedication, versatility, and the power of choosing substance over flash. F. Murray Abraham proves that the best careers aren’t built overnight—they’re crafted one brilliant performance at a time. Listen now to hear from one of the most respected character actors of our time.Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Few actors can claim a career as rich and varied as F. Murray Abraham. From his classical theater roots to his unforgettable Oscar-winning turn as Salieri in Amadeus, from Tony-nominated Broadway performances to his recent scene-stealing work in The White Lotus, Homeland, and Star Trek: Discovery—Abraham has mastered the art of reinvention without ever compromising his craft. In this intimate conversation, the 85-year-old legend opens up about the highs and lows of a six-decade journey through American entertainment. He reveals why winning an Academy Award didn’t guarantee stardom, how he’s chosen challenging roles over commercial success, and what it means to still be delivering career-best performances in his ninth decade—including his current starring role in the new Broadway production of The Queen of Versailles. Abraham discusses what drew him back to live theater at this stage of his career and the unique electricity of performing before an audience eight times a week. He shares insights from working with the Coen Brothers on Inside Llewyn Davis, reflects on his rigorous classical training, and explains the discipline required to sustain a working actor’s life across film, television, and stage. He offers behind-the-scenes stories from iconic productions spanning Amadeus to The Grand Budapest Hotel, discusses the art of playing complex villains and antiheroes, and provides hard-won wisdom about longevity, artistry, and staying relevant across generations. Whether you’re an aspiring actor, a film buff, or simply a fan of great storytelling, this episode offers a masterclass in dedication, versatility, and the power of choosing substance over flash. F. Murray Abraham proves that the best careers aren’t built overnight—they’re crafted one brilliant performance at a time. Listen now to hear from one of the most respected character actors of our time.Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.

SALIERI: Concierto para piano y orquesta en Do Mayor (22.16). A. Staier (fortep.), Concerto Köln. Picciola serenata en Si bemol Mayor (14.12). Sección de vuento de Il Gruppo di Roma. Cavatina “Pensieri funesti” (3.52). A.-S. Müller (mez.), U. Eisenlohr (p.).Escuchar audio

SALIERI: Concierto para violín, oboe, violoncello y orquesta en Re Mayor “Triple concierto” (25.27). T. Fueri (vl.), H. Holliger (ob.), T. Demenga (vc.), Camerata Bern. Dir.: T. Fueri. Il mondo alla rovescia (Obertura) (5.03). Orq. Mozart de Mannheim. Dir.: T. Fey. Il genio degli stati: Soneto (2.56). Deh, si piacevole. Ode (5.56). I, Eerens (sop.), U. Eisenlohr (p.).Escuchar audio

Milos Forman ya se inventó que Salieri mató a Mozart, así que preparáos para un remake de la misma mentira.-CINE: Send help, Remain, Karmadonna-SECUELAS: Predator: Bad Lands, Amadeus-SERIES: A knight of the seven kingdoms, Down Cemetery Road, Stranger Things, Invencible, Wonder WomanY os recuerdo que este viernes tenéis una nueva entrega de EXCELSIOR, mi podcast de literatura y cómics, cortesía de LETRAS AL MARGEN (podéis seguirnos en Instagram, TikTok y YouTube). Esta semana os hablo de: ARTHUR C. CLARKE.Podéis contactar conmigo en X (@antoniorentero)

Přátelství italského skladatele Antonia Salieriho a hraběte Jindřicha Viléma Haugwitze ze zámku v Náměšti nad Oslavou dokládá a dokumentuje výstava nazvaná Maestro Salieri.

Episode: 2488 Revision: An Essential Component of the Creative Process.  Today, creator vs. revisor.

Zwei verfeindete Zwillingsbrüder im alten Ägypten und Griechenland, eine Massenhochzeit, ein Massenmord und ein Schlussbild mit Furienchor und Feuerregen - Salieri lieferte dem Pariser Publikum bei der Uraufführung 1784 eine Dramatik und ein Spektakel, das man dort noch nicht gesehen hatte. Antonio Salieri landete mit seinen Danaiden einen Riesenerfolg, der noch Jahrzehnte nachwirkte. Über diesen Fünfakter schwärmten später auch Hector Berlioz sowie Richard Wagner, und Ludwig van Beethoven, nur einer der vielen berühmten Schüler des Hofkomponisten von Joseph II., kopierte Stellen des Werks im Unterricht, um davon zu lernen. Wohl wegen des aufkommenden Nationalismus am Anfang des 19. Jahrhunderts fielen Antonio Salieri und sein grosses, teils geradezu avantgardistisches Œuvre mit fast 40 Opern zwischen Stuhl und Bank: Für die Italiener war der bereits als Teenager ausgewanderte Salieri ein Wiener, für die Wiener blieb er Italiener, und für die Franzosen war er ein Deutscher. Er wurde somit in keinem der Länder, in welchen er so erfolgreich wirkte, zur nationalen Identifikationsfigur oder zum Nationalkomponisten erkoren. Zum Doppeljubiläum von Salieri, seinem 275. Geburtstag am 18. August und seinem 200. Todestag am 7. Mai 2025, besprechen wir in der Diskothek erstmals ein Werk dieses damals so beliebten und häufig gespielten Komponisten. Gäste von Moritz Weber sind der Salieri-Biograf Timo Jouko Herrmann und der Bassbariton Robert Koller.

Winner of eight Academy Awards including Best Picture, Miloš Forman's masterpiece tells the story of Mozart through the envious eyes of his rival Salieri. But how did a Czech director come to make a classic Viennese tale? And what's the real story behind "too many notes"?Join John, Westy, and Matt as they dive deep into the making of a theatrical triumph turned cinematic classic. From Peter Shaffer adapting his own stage play to Tom Hulce's rock-and-roll approach to playing Mozart (yes, really), we explore how Forman transformed a Broadway hit into one of cinema's great achievements.We uncover the fascinating production history, including the painstaking recreation of 18th-century Vienna, the decision to film in Prague during the Cold War, and which Hollywood legends (plus a Rolling Stone) were originally considered for the lead roles. Plus, discover how F. Murray Abraham's performance as Salieri became the perfect embodiment of jealousy and genius, and why this film makes you simultaneously want to compose a symphony and maybe poison your neighbour (we don't recommend the latter).This is the story of how one of history's greatest composers became the subject of one of cinema's greatest films—told the way only All The Right Movies can tell it.Telling the story of Hollywood, one movie at a time.Connect with ATRM: To support what we do, access our archive and listen to exclusive episodes, become an ATRM patron:Listen on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Listen on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter/X: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ATRightMovies⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@allthe_rightmovies ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@allthe_rightmovies⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our movie group⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alltherightmovies.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alltherightmovies⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠alltherightmovies.com⁠⁠⁠⁠

En faisant de lui un intriguant sans scrupule et l'empoisonneur de Mozart, la postérité s'est complu à noircir l'image d'Antonio Salieri. Ce viennois d'adoption, en son temps compositeur apprécié et pédagogue recherché, méritait bien une réhabilitation.Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Hoy escuchamos: Es momento de luchar, Vida, Viejos dinosaurios, Todo se me muere, Tocar el cielo, Silencio.Lujuria: Mozart y Salieri, Migas de paz, El amor está en el aire, Joda a quien joda, Corazón de heavy metal.Escuchar audio

Antonio Salieri (1750-1825) - Piccolo Requiem1.       Introitus - Requiem2.       Sequenzia - Dies irae3.       Tuba mirum4.       Rex tremendae5.       Recordare -- Confutatis -- Lacrimosa6.       Offertorium -- Domine Jesu -- Hostias7.       Sanctus8.       Benedictus9.       Agnus Dei Iva Hospesová, sopranoMagdalena Kozená, altoZoltán Korda, tenoreJiri Klecker, baritono Italian Chamber ChoirConcertino Notturno Praha Andreas Kröper, conductor

La fe cristiana depende de la Historia de una manera distinta a cualquier otra religión. Si el origen del Islam o el budismo no es como ellos cuentan, eso no cambia nada su enseñanza y la verdad del camino al que su fe apunta, pero si Jesús no resucitó, dice Pablo que nuestra fe no tiene sentido (1 Corintios 15:14). John Michael Talbot nació en una familia metodista de Oklahoma, pero como tantos hippies empezó a tocar la guitarra con su hermano Terry en un grupo de "country-rock", mientras buscaba el sentido de su vida en la religión nativa americana y el budismo. En la Revolución por Jesús descubre que "Él ha resucitado" (He Is Risen). Tras su conversión hace un disco con su hermano Terry e inicia una carrera en solitario en 1976. El primer álbum bajo su nombre lleva esta canción. Luego se divorcia y se hace monje franciscano en 1978. Hay todavía mucha música maravillosa poco conocida de la Gente de Jesús, antes de que se formara la industria de la llamada "música cristiana contemporánea". Un buen ejemplo es el de la cantautora británica Lou Hayles y su único disco en 1977, que tiene un precioso tema dedicado también a la verdad de que Cristo resucitó, "¡No dejes que te engañen!" (Don´t Let Them Fool You!). El mayor opositor a la comercialización de esta música fue, sin duda, el tristemente pronto fallecido Keith Green, muerto en un accidente de aviación. Su canción sobre la victoria de Cristo a la muerte (The Victor) la grabó en el único disco de un músico de su iglesia, la Comunidad de la Viña, que aparece Bob Dylan tocando la armónica en1978, antes de sacar "Slow Train Coming" y anunciar al mundo su nueva fe en 1979. El llamado "cine bíblico" es generalmente sinónimo de mediocridad con su excesivo tono épico, habla engolada y falsa teatralidad. Suele ser además, bastante aburrido. No es el caso de "En busca de la tumba de Cristo" (L´Inchiesta 2006), un intento de recuperar lo mejor de aquellas producciones europeas de los 60 con grandes actores como el protagonista sueco de tantas películas de Bergman, Max Von Sydow o el Salieri de "Amadeus", Murray Abraham. Es obra de un director italiano Giulio Base con dinero también del español Enrique Cerezo. Se llama originalmente "La investigación" y tiene el atractivo de no confundir la ficción con la historia de los Evangelios, al tratar una investigación romana sobre la desaparición del cuerpo de Jesús, tres años después ya de la crucifixión. José de Segovia comenta algunos diálogos doblados al castellano con la banda sonora original del hijo de Ennio Morricone, Andrea. La tumba vacía es ciertamente la primera evidencia de la Resurrección, junto con el carácter transformado de los discípulos y el testimonio de varios registros históricos auténticos. Michelle Pillar nos dice quién "Movió la piedra" (He Rolled Away The Stone) en su canción de 1983. Tras comenzar en los discos de alabanza de Maranatha!, graba un tema con el guitarrista Phil Keaggy, que le lleva a hacer algunos discos en solitario hasta su matrimonio con el músico de jazz Larry Carlton, poco antes de que fuera tiroteado delante de su casa en Los Ángeles en 1988. Pillar cantó en muchas campañas de Billy Graham, además de poner voz a Los Simpson. En una de esas reuniones evangelísticas se convirtió Benny Hester, un músico de Texas que trabajaba en Las Vegas. En una canción de 1985 nos habla de cómo la esperanza de la Resurrección "Llena nuestros corazones vacíos" (To Fill Our Empty Hearts).

Ispirato alla vita del vero Milarepa, il primo Buddha tibetano vissuto 500 anni prima di Cristo, arriva nelle sale italiane "Milarepa" diretto da Louis Nero, con F. Murray Abraham, Harvey Keitel e Franco Nero. Intervista esclusiva con F. Murray Abraham e Luis Nero.Con il nostro Boris Sollazzo parliamo di "28 anni dopo", diretto da Danny Boyle, con Jodie Comer, Aaron Taylor-Johnson e Jack O'Connell e di "Il Maestro e Margherita", diretto da Michael Lockshin, con August Diehl, Yuliya Snigir e Evgeniy Tsyganov."Elio" è il nuovo film di animazione targato Disney, per la regia di Adrian Molina, Madeline Sharafian, Domee Shi, con Yonas Kibreab, Andrea Fratoni e Alexander Gusev. Lo ha visto per noi e ce lo racconta Chiara Pizzimenti.Importanti novità in arrivo da grandi registi italiani del calibro di Nanni Moretti, Antonio Albanese e Marco Bellocchio. Vediamo cosa bolle in pentola assieme a Ilaria Ravarino, critica di cinema per Il Messaggero.

O episódio #603 do Cinem(ação) nos leva direto ao coração da música, da inveja e da genialidade. Rafael Arinelli recebe Pedro Amaro e Diego Quaglia para discutir Amadeus, o clássico de Milos Forman que, mais de 40 anos depois de seu lançamento, continua a nos impressionar.Vencedor de 8 Oscars, Amadeus é muito mais do que uma cinebiografia sobre Mozart. Baseado na peça de Peter Shaffer, o filme mergulha em uma Viena do século XVIII povoada por intrigas, ressentimentos e partituras perfeitas. No centro da narrativa, temos o conflito entre o respeitado Antônio Salieri (vivido por F. Murray Abraham, em performance premiada) e o irreverente Wolfgang Amadeus Mozart (Tom Hulce), numa rivalidade tão fictícia quanto profundamente simbólica.Mas o que faz esse filme atravessar gerações? O episódio explora como Forman subverte as convenções da cinebiografia para colocar no centro da trama temas universais: o peso da mediocridade, a solidão dos gênios e a arte como expressão divina. Tudo isso com uma direção sutil, figurinos luxuosos, uma fotografia barroca e, claro, trilha sonora de tirar o fôlego.Ao longo do papo, refletimos também sobre as liberdades criativas do filme, a construção humanizada dos personagens e como a ficção é usada como espelho da verdade - mesmo que não seja factual. Afinal, é possível odiar alguém por ser tão brilhante quanto você nunca será?Então dá o play e vem com a gente nesse papo profundo e apaixonado por uma das maiores obras do cinema. Porque entender Amadeus é, de certa forma, entender o próprio ato de criar.• 03m21: Pauta Principal• 1h07m27: Plano Detalhe• 1h19m06: EncerramentoOuça nosso Podcast também no:• Spotify: https://cinemacao.short.gy/spotify• Apple Podcast: https://cinemacao.short.gy/apple• Android: https://cinemacao.short.gy/android• Deezer: https://cinemacao.short.gy/deezer• Amazon Music: https://cinemacao.short.gy/amazonAgradecimentos aos padrinhos: • Bruna Mercer• Charles Calisto Souza• Daniel Barbosa da Silva Feijó• Diego Alves Lima• Eloi Xavier• Flavia Sanches• Gabriela Pastori Marino• Guilherme S. Arinelli• Katia Barga• Thiago Custodio Coquelet• William SaitoFale Conosco:• Email: contato@cinemacao.com• Facebook: https://bit.ly/facebookcinemacao• BlueSky: https://bit.ly/bskycinemacao• Instagram: https://bit.ly/instagramcinemacao• Tiktok: https://bit.ly/tiktokcinemacaoApoie o Cinem(ação)!Apoie o Cinem(ação) e faça parte de um seleto clube de ouvintes privilegiados, desfrutando de inúmeros benefícios! Com uma assinatura a partir de apenas R$5,00, você terá acesso a vantagens incríveis. E o melhor de tudo: após 1 ano de contribuição, recebe um presente exclusivo como agradecimento! Não perca mais tempo, acesse agora a página de Contribuição, escolha o plano que mais se adequa ao seu estilo e torne-se um apoiador especial do nosso canal! Junte-se a nós para uma experiência cinematográfica única!Plano Detalhe:• (Diego): Filme: Prédio Vazio• (Diego): Filme: As Pontes de Madison• (Diego): Série: O Ensaio• (Pedro): Filme: "Amadeus" winning Best Picture• (Pedro): Série: O Estúdio• (Rafa): Newsletter: Rafael SbaraiEdição: ISSOaí

durée : 01:28:08 - En pistes ! du vendredi 13 juin 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - A l'occasion du 50e anniversaire de la mort du compositeur russe, un disque nous propose de découvrir des raretés encore jamais enregistrées. Mais aussi, une symphonie de Franz Lachner, le voyage musical parisien de Fernando Sor et une réédition consacrée à Salieri pour le bicentenaire de sa mort.

durée : 01:28:08 - En pistes ! du vendredi 13 juin 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - A l'occasion du 50e anniversaire de la mort du compositeur russe, un disque nous propose de découvrir des raretés encore jamais enregistrées. Mais aussi, une symphonie de Franz Lachner, le voyage musical parisien de Fernando Sor et une réédition consacrée à Salieri pour le bicentenaire de sa mort.

durée : 00:15:10 - Le Disque classique du jour du mardi 06 mai 2025 - Dans Cublai, gran kan de' Tartari (1788), Salieri mêle héroïsme comique et satire piquante des monarchies européennes. Censurée avant sa création, l'œuvre est enfin ressuscitée dans cet enregistrement par Les Talens Lyriques et Christophe Rousset.

durée : 00:15:10 - Le Disque classique du jour du mardi 06 mai 2025 - Dans Cublai, gran kan de' Tartari (1788), Salieri mêle héroïsme comique et satire piquante des monarchies européennes. Censurée avant sa création, l'œuvre est enfin ressuscitée dans cet enregistrement par Les Talens Lyriques et Christophe Rousset.

durée : 01:27:40 - En pistes ! du mardi 06 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Avant même sa création, Cublai de Salieri a été censuré. Christophe Rousset nous fait découvrir cette partition piquante avec son ensemble Les Talens Lyriques. Autre opéra, "Adriana Mater" de la compositrice finlandaise Kaija Saariaho, créé en 2006 et gravé pour la première fois au disque.

durée : 01:27:40 - En pistes ! du mardi 06 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Avant même sa création, Cublai de Salieri a été censuré. Christophe Rousset nous fait découvrir cette partition piquante avec son ensemble Les Talens Lyriques. Autre opéra, "Adriana Mater" de la compositrice finlandaise Kaija Saariaho, créé en 2006 et gravé pour la première fois au disque.

Salieris Werk war zu seinen Lebzeiten äußerst populär, seine Opern wurden in ganz Europa aufgeführt. Seine angebliche Rivalität mit Wolfgang A. Mozart ist eine Erfindung. Neben seiner Arbeit als Komponist und Direktor der Hofkapelle war Salieri auch als Lehrer und Musikpädagoge bedeutend. Das Institut für Gesang und Stimmforschung in der Musikpädagogik an der Universität für Musik und darstellende Kunst Wien (mdw) ist nach ihrem Mitbegründer Salieri benannt. Salieri war auch maßgeblich an der Gründung der Gesellschaft der Musikfreunde in Wien 1812 beteiligt - deren Konzerthaus, der "Musikverein", ist in der Welt der Klassik weltberühmt.

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Antonio Salieri wurde vom Musikdirektor des Wiener Hofes, Florian Gassmann, als Jugendlicher in Venedig entdeckt und mit nach Wien genommen - wo er bis zu seinem Tod 1825 lebte. Nach dem Tod seines Mentors wurde Salieri dessen Nachfolger und hatte somit eine der einflussreichsten Positionen in der Wiener Musikwelt dieser Zeit inne. Die Spuren seines Lebens sind an vielen Orten der Inneren Stadt zu finden.

Lynda's concerned for Khalil after the loss of Constanza yesterday. Khalil assures her he's okay. They take Salieri for a walk, the start of a regular thing and Khalil loves it. He admits he sometimes feels stupid and his mother has low expectations of him. Lynda assures him this isn't true. He tells Lynda about a boy whose funeral he attended. Seeing the boy's mum's face put him in mind of his own mum and how she might feel if he died. He knows his cancer could return. He apologises for the dark conversation and Lynda comforts him. She knows his mum's just thrilled he's alive and thriving, and has complete faith in him. Joy checks in with Mick, making sure he's still happy for Rochelle to stay with them. Mick confirms it's all good; he's pleased for Joy that Rochelle's around. Joy declares him a good man. Mick raises the delicate topic of what's really going on between the two women. He needs Joy to be straight with him. Joy gradually opens up, disclosing the extent of her ex husband's betrayal as he conducted a string of affairs. She thinks Rochelle might blame her for her father leaving. Joy worries she leaned on Rochelle a bit too much at that time. She confesses she left for a few days, acknowledging Rochelle was probably too young for this. It was a dark time in their lives; they've never really got over it. Mick understands, relieved Joy's been honest with him. He promises things will be better from now on.

In this episode, Anna and Derek debate what people may know of Salieri's actual legacy, whether this Oscar winner needed to be trimmed up a bit, and much more during their discussion of Milos Forman's Amadeus (1984).Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

The Oscars may be over, but we're keeping the party going with a live roundtable review of Amadeus--which racked up a symphony of statues 40 years ago!In Milos Forman's adaptation of Peter Shaffer's play, F. Murray Abraham plays Italian composer Antonio Salieri, whose dreams of musical immortality are shattered when he encounters child prodigy Wolfgang Amadeus Mozart (Tom Hulce). The film opens with Salieri in an asylum, confessing to a priest that he'd killed Mozart years earlier--and much of Amadeus takes us behind the scenes of their tumultuous relationship.This was a first-time watch for Ian and, as you'll soon see, Amadeus is another one of those "They Should've Just Stopped Making Movies After This Movie" movies. But what do the rest of the EMC think? Join us as we compose ourselves while talking spoilers and taking your questions, comments, and SuperChats!Subscribe, like, and comment on Kicking the Seat here on YouTube, and check us out at:kickseat.comXLetterboxdBlueSkyInstagramFacebookShow LinksWatch the Amadeus trailer.Warner Bros recently released a 4K UHD of the Amadeus theatrical cut, available wherever you pick up movies.Watch F. Murray Abraham's moving (and brief!) "Best Actor" acceptance speech at the 1985 Oscars (mentioned in the show).Support all of Earth's Mightiest Critics at their various outlets:Check out Mark "The Movie Man" Krawczyk's The Spoiler Room Podcast.Keep up with Jeff York's criticism and caricatures at The Establishing Shot and Pipeline Artists.Get seated with The Blonde in Front!Follow David Fowlie's film criticism at Keeping It Reel.Get educated with Don Shanahan at Every Movie Has a Lesson…...And Film Obsessive...and the Cinephile Hissy Fit Podcast.Keep up with Annie Banks at The Mary Sue....and We Got This Covered.Make Nice with Mike Crowley of You'll Probably Agree.And stir things up with Will Johnson of the Cinephile Hissy Fit Podcast.

for the full episode join the Patreon [patreon.com/fashiongrunge]To say that I'm beyond thrilled to talk about Amadeus would be an understatement. Like I have mentioned before, I can't believe it has taken this long to review this literal perfect film. The obsessive nature between the two men we compare to more contemporary film dynamics (*cough Saltburn). We are talking the Director's Cut of this film since the extra 20 minutes are just a gift to us as cinefiles. I honestly don't think there is anything bad to say about this film and we talk about how a 'Best Picture' winner hasn't really come close since. Me and Charles had such a great time finding out all the behind the scenes, the history of the real men, and get into how we love to watch films about rivalries. Off-topic rants include: Zoobilee Zoo, who was Kurt Cobain's 'Salieri'?, the Family Guy spoof, and The Cure movie from 1995 ---GIVE US A 5 STAR RATING & SUBSCRIBE to the main Fashion Grunge Podcast feed on (mostly) 90s films!Hosts: Lauren @lauren_melanie &  Charles @charleshaslamFollow Fashion Grunge PodcastFind more Fashion Grunge on LinktreeJoin me on Substack:  The Lo Down: a Fashion Grunge blog/newsletter☕️ Support Fashion Grunge on Buy Me a Coffee: https://www.buymeacoffee.com/fashiongrunge

Per Andersson har även ett och annat att säga till Armand Duplantis. Lyssna på alla avsnitt i Sveriges Radio Play. Hela veckans Morgonpasset i P3 – Gästen hör du i Sveriges Radio Play.Per Andersson är med i pjäsen "Amadeus" som handlar om världens äldsta musikbeef: Salieri och Mozart! Sprallig i vanlig ordning bjuder han på stories om Riche och inte en tysk imitation men hans omgjorda tal på Idrottsgalan. Vad vill Per Anderssson säga till årets manliga idrottare?Programledare: David Druid och Linnea Wikblad.

In this episode, I chat with Dr. Kristin Franseen (Western University) about her musical upbringing as a bassist, her early interest in becoming an orchestral librarian, and her time at McGill University earning a PhD in musicology. We also chat about her first book, Imagining Musical Pasts, and her current research on the intersection of music and gossip, specifically within the supposed feud between Mozart and Salieri. The HMA book club meets this Sunday, January 26th at 3:00 pm EST! Sign up on Substack to get the book and book club emails! Imagining Musical Pasts Kristin's website Kristin's article "Have Quotes about Salieri" Kristin's article "The Salieri Rumor and Why Gossip Matters" Kristin's article "The Song of the Dying Composer" Jazz by Toni Morrison My episode with Jair Gallardo My episode with Brad Osborn My episode with Patrick Nickleson Patrick Nickleson's The Names of Minimalism Get in touch with me at: hermusicacademia@gmail.com

Wolfgang Amadeus Mozart is a remarkably talented young composer who unwittingly finds a fierce rival in the disciplined and determined Antonio Salieri. Resenting Mozart for both his hedonistic lifestyle and his undeniable talent, Salieri is gradually consumed by his jealousy and becomes obsessed with Mozart's downfall, leading to a devious scheme that has dire consequences for both men. Michael and Eric sabotage Amadeus (1984), directed by Milos Forman.   Follow Aflixionados Podcast on social media for extended conversations, interesting tidbits, and other news! Linktree | Instagram | Facebook | YouTube | Merch

Donald Macleod explores Vienna in the company of Franz SchubertOf all Europe's major cities, perhaps Vienna is the one with the reputation as the most comfortable, the most sophisticated, and the most musical. In fact, has any other city been home to so many great composers as Vienna? Mozart, Beethoven, Haydn, and Salieri all spent their best years working there. Yet none of those starry names was born in the city, none were true Viennese. This week, Donald Macleod explores Vienna through the lens of arguably the greatest home grown composer the city has ever produced – Franz Schubert – a man whose short life spanned a crucial period in Austrian history, a time of crisis and much change. In his company we'll explore Vienna's churches and theatres, its parks, coffee houses and taverns, and also glimpse the darker side of the city too – the excesses of Europe's aristocracy and the all seeing eyes of Vienna's secret police.Music Featured: “Kupelwieser” Waltz in G flat Major, D Anh I/14 Symphony No 9 in C Major “The Great”, D944 (3rd mvt, Scherzo) String Quintet in C Major, D 956 (2nd mvt, Adagio) Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri, D407 Marches Militaires, D733 (No 1 in D Major) Gretchen am Spinnrade, D118 6 Moment Musicaux, Op 94, D780 (No 3 in F min) Mass No 1 in F Major, D105 (Gloria) Grande Marche Funebre, D859 Symphony No 2 in B flat Major, D125 (4th mvt,Presto) Rosamunde, D797 (No 5 ,Entracte No 3 in B flat Major: Andantino) Licht und Liebe, D352 Quartettsatz Lazarus, Act 2 (unfinished) Schwanengesang, D744 4 Impromptus, D899, Op90 (No 3 in G Flat Major) Symphony No 8 in B minor, D759 “Unfinished” (1st mvt, Allegro moderato) Symphony No 5 in B flat Major, D485 (1st mvt, Allegro) Winterreise, D911 (No 24, Der Leiermann) Der Wanderer, D489 Piano Quintet in A Major, D667 “The Trout” (3rd mvt, Scherzo) 38 Waltzes, D145, Op 18 (Nos 6, 8 & 9 ) An Sylvia, D891, Op 6 (No 4) Fantasy in F minor, D940, Op 103 Ave Maria, D839, Op 52, No 6 Mass No 6 in E Flat Major, D950 (Credo) Rosemunde incidental music, D797 (Nos 7-9) Alfonso and Estrella, D732 (Act I, Aria “Sei mir gegrusst, o Sonne!”) An die MusikPresented by Donald Macleod Produced by Sam Phillips for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Schubert and Vienna https://www.bbc.co.uk/programmes/m0026800 And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Who's ready to listen to Salieri whine some more? It goes off the rails this week, lil onions, as we conclude our two-part coverage of Amadeus (1984). Carie gets really granular with Mozart's infamous Requiem Mass and Mozart's creative process. Ross continues to bemoan Salieri's inability to just enjoy another's success. The siblings also expand on the circumstances of Mozart's demise.  RELATED MEDIA: Great Music Explained SUPPORT US ON PATREON!

durée : 00:09:30 - Le Disque classique du jour du jeudi 31 octobre 2024 - Nathan Granner présente des airs de ténor de Paër, Mozart, Gluck, Salieri et Bologne, mettant en valeur l'essor du ténor à la fin du XVIIIe siècle, ainsi que l'esprit des Lumières de l'époque.

durée : 00:09:30 - Le Disque classique du jour du jeudi 31 octobre 2024 - Nathan Granner présente des airs de ténor de Paër, Mozart, Gluck, Salieri et Bologne, mettant en valeur l'essor du ténor à la fin du XVIIIe siècle, ainsi que l'esprit des Lumières de l'époque.

¡Vótame en los Premios iVoox 2024! En el programa de hoy os presentamos dos títulos en absoluto opuestos, pero sin duda muy dispares entre sí. En la primera parte de la edición, en nuestra sección Videoteca Lode, destriparemos del derecho y del revés la película AMADEUS, donde se nos contaba una ficción cuasi ucrónica acerca del asesinato sutil y magistralmente orquestado por el maestro Salieri del insigne e irrepetible genio Mozart. Un drama con tintes de thriller que fue llevado a la pantalla hace ahora 30 años de la mano de Milos Forman, donde debemos rendirnos ante la magnífica interpretación de F. Murray Abraham, entre otros. La batuta de dirección correrá a cargo de Antonio Runa, Coronel Nathan Kurtz y Elia Martell. En la segunda parte del programa, en la sección de cómics Entre Viñetas, se analizará la reciente pero espectacular colección SUPERIOR SPIDERMAN, donde Raúl Martín y Rafa Pajis nos hablarán de cómo el Dr Octopues hará algo más que tomar la vida de Peter Parker, en una etapa que los lectores de cómics Marvel recordarán largamente por la alta calidad mostrada en sus páginas. Un programa de La Órbita de Endor que pretende conseguir que paséis unas horas de entretenimiento sin demasiadas pretensiones, con una música, la del Maestro Mozart, que ya es Patrimonio de la Humanidad, y en el segundo bloque de programa, dentro del marco Creative Commons, los temas de Gregoire Lourme. Gracias por habernos elegido y disfrutad del audio. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Jolene and Kenton have difficulty photographing their kitten for the kitten naming competition – she keeps disappearing off! Later they spot a boy stroking her in the pub car park, claiming that the kitten was on the road and that he'd practically saved her life. He tells them his name's Kahlil and he's just moved into Beechwood.Later, Kenton's not satisfied with his kitten photos, but Jolene likes the one in the old Shires ashtray and they decide to go with it for the competition photo. Jolene invites Fallon and Harrison over for a drink later – George is in court this week and Fallon's feeling confused about reading out her personal statement in court. Jolene's going there with her for support.Lilian asks Lynda's advice about whether she should encourage Alice to come to court for George's sentencing on Thursday. They stop in mid-flow when they spot a boy appearing to be feeding Lynda's llamas crisps. He's adamant he isn't though, explaining how llama's digestive systems work. He thinks Salieri's constipated. That's too much for Lynda who demands to know the boy's name to report him to his parents. But he runs off before she can finish. Later a girl turns up looking for him. When Lynda suggests he's dropped his drinks can as litter, the girl says it's not his. They're boycotting that drink. The boy reappears and she heads home with him. Slowly Lynda realises who they might've been. Azra lives in Beechwood – what if they're her children? Lynda worries that she might've offended Adil's family practically as soon as they've moved in

Lucian Msamati has played leading roles on our most famous stages: Salieri in Peter Shaffer's Amadeus at the National Theatre, Iago in Othello at the Royal Shakespeare Company and Estragon opposite Ben Whishaw in Waiting for Godot at the Theatre Royal Haymarket in London. He started out performing – in his words – ‘for farmers sitting on beer crates in rural Africa, with tables for a stage'. And when he decided to leave Zimbabwe, where he began his career, to see if he could make it in the UK, he had to work as a cleaner to pay the bills. His perseverance paid off: as well as success on stage, he's appeared in high-profile TV shows, including Game of Thrones and the Number One Ladies Detective Agency. After his role in Amadeus, it's no surprise to find Mozart among his musical passions, which also include Satie, Tchaikovsky and an unusual track by Stevie Wonder.Presenter Michael Berkeley Producer Clare Walker

When the Springfield Library becomes low on books, the children of Springfield Elementary don't have enough resources to do research for their history papers. To help out, Marge gives the kids verbal anecdotes about historical figures including tales of King Henry VIII, Sacagawea's assistance to the Lewis and Clark Expedition and a very Bart-like Mozart feuding with his sister Salieri. Click the link below to contact us, listen to past episodes, merch, and more! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠linktr.ee/AnnoyedGruntBoys⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ***Next Episode: S26 E22 - Mathlete's Feat*** --- Support this podcast: https://podcasters.spotify.com/pod/show/138simpsons/support

Strike up the orchestra and prepare for a crescendo of myth-busting as Dr. Kristin Franseen takes the stage on History Rage. With a passion for the melodious tales of classical music's past, Kristin unravels the tangled web of gossip and anecdote surrounding the legendary figures of Mozart and Salieri. This episode conducts a symphony of truth, debunking the sensationalized rivalry pitched by the famous film 'Amadeus' and diving into the real historical narrative of these iconic composers.Episode Highlights:The Real Mozart and Salieri:Dr. Franseen dissects the historical inaccuracies in 'Amadeus' and illuminates the true relationship between Mozart and Salieri, revealing a collegial bond rather than a spiteful duel.Behind the Music:Explore the collaborative nature of opera in 18th-century Vienna and the roles both composers played in shaping the musical landscape of their time.Teaching Titans:Salieri's esteemed position as a teacher to the greats, including Beethoven and Schubert, is discussed, contrasting with Mozart's reputation as a virtuoso and a prodigy.Gossip as Historical Lens:Kristin encourages us to consider the role of rumours and gossip in shaping our understanding of history, urging a critical examination of what these tales reveal about societal beliefs across the ages.Conclusion:Dr. Kristin Franseen's expert insights orchestrate a fresh understanding of Mozart and Salieri, inviting us to appreciate the complexities of music history beyond the silver screen fiction. Tune in for a harmonious blend of facts and thoughtful analysis that will resonate with history and music enthusiasts alike.Discover more by following Kristin on Twitter @musicologygeek, and don't hesitate to engage with her vibrant discourse. And don't forget to support our continued quest for historical truth at patreon.com/historyrage, where your patronage earns you early episode access, prize draws, and the iconic History Rage mug.To catch up on all the rage from bygone times go to the website www.historyrage.comIf you want to get in touch with History Rage then email historyragepod@gmail.comFollow History Rage on Social MediaFacebook: https://www.facebook.com/HistoryRageTwitter: https://twitter.com/HistoryRageInstagram: https://www.instagram.com/historyrage/Bluesky: https://bsky.app/profile/historyrage.bsky.socialStay Angry, Stay Informed - History Rage Hosted on Acast. See acast.com/privacy for more information.

Movie of the Year: 1984Amadeus (with Katie Walsh!)The Movie of the Year podcast recently turned its attention to the iconic film Amadeus, offering listeners an in-depth analysis of this classic through an engaging conversation with guest critic Katie Walsh. Amadeus, directed by Milos Forman, is not just a retelling of Mozart's life; it's a rich exploration of genius, jealousy, and the complexities of talent. In this episode, the hosts and Walsh delve into the film's themes, focusing on what it means to have talent, the unique approach Milos Forman took to the musician biopic, and the unforgettable performances by Tom Hulce and F. Murray Abraham.Exploring Amadeus: The Nature of TalentThe discussion begins with one of Amadeus's central themes: the nature of talent. The hosts and Walsh explore how the film juxtaposes the extraordinary, almost divine talent of Wolfgang Amadeus Mozart with the more modest abilities of Antonio Salieri. The podcast highlights how Amadeus portrays talent as both a gift and a curse, examining Salieri's agony as he recognizes Mozart's genius, something he can admire but never replicate.Katie Walsh brings an insightful perspective on how the film's portrayal of talent transcends the musical realm and touches on broader human experiences. She notes that Amadeus raises questions about the fairness of life's gifts and the torment that can arise from recognizing one's limitations in the face of someone else's brilliance. The conversation underscores how Amadeus resonates with anyone who has ever felt overshadowed by a more gifted peer, making it a timeless study of human emotion and ambition.Milos Forman's Amadeus: A Revolutionary Musician BiopicMilos Forman's direction of Amadeus is another focal point of the episode. The podcast examines how Forman, already renowned for his work on One Flew Over the Cuckoo's Nest, revolutionized the musician biopic genre with this film. Instead of crafting a straightforward biography, Forman created a lush, operatic drama that blends historical accuracy with artistic license, bringing Mozart's world to life in a way that feels both authentic and larger-than-life.The hosts and Walsh discuss how Forman's approach to Amadeus differs from other musician biopics, particularly focusing on the rivalry between Mozart and Salieri. The film does not merely celebrate Mozart's genius; it also delves into the darker aspects of his life and the intense envy it provokes in Salieri. This choice elevates Amadeus beyond a simple retelling of Mozart's life, making it a profound exploration of human nature, power, and legacy.Katie Walsh praises Forman for his ability to balance the film's grand, operatic scale with intimate character studies, allowing audiences to connect with both the historical figures and the universal themes they represent. She points out that Forman's direction ensures that Amadeus remains accessible and engaging, even for those who might not be familiar with classical music or Mozart's life.Tom Hulce and F. Murray Abraham in Amadeus: A Study in ContrastsNo discussion of Amadeus would be complete without acknowledging the outstanding performances of its lead actors, Tom Hulce and F. Murray Abraham. The podcast dedicates a significant portion of the episode to analyzing how these two actors brought Mozart and Salieri to life with such depth and nuance.Tom Hulce's portrayal of Mozart is described as both electrifying and tragic. The hosts and Walsh discuss how Hulce captures Mozart's childlike exuberance, as well as his...

Wir springen in dieser Folge ins 18. Jahrhundert. In der nördlich von Venedig gelegenen Stadt Ceneda wird im Jahr 1749 ein Junge geboren, dessen Werdegang ihn u.a. von Venedig, nach Wien, London und schließlich New York führen wird. Dazwischen arbeitet er mit niemand Geringerem als Wolfang Amadé Mozart zusammen. Obwohl dies seinen späteren Ruhm begründen wird, ist es vor allem dieser Werdegang, der Lorenzo Da Ponte zu einem der interessantesten Männer seiner Zeit macht. //Literatur – Rodney Bolt. Lorenzo Da Ponte - Mozarts Librettist und sein Aufbruch in die Neue Welt. Bloomsbury Verlag, 2011. in einer Übersetzung von Martin Pfeiffer – Wiebke Krohn und Johannes Schweitzer: „LORENZO DA PONTE: LEBEN UND WERK“. aus "Lorenzo Da Ponte. Aufbruch in die Neue Welt." anlässlich einer Ausstellung im Jahr 2006 im jüdischen Museum Wien. September, 2006. //Erwähnte Folgen – GAG429: Der Eimerkrieg – https://gadg.fm/429 Das Episodenbild zeigt eine Darstellung Da Pontes aus dem frühen 18. Jahrhundert. //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte //Wir haben auch ein Buch geschrieben: Wer es erwerben will, es ist überall im Handel, aber auch direkt über den Verlag zu erwerben: https://www.piper.de/buecher/geschichten-aus-der-geschichte-isbn-978-3-492-06363-0 Wer Becher, T-Shirts oder Hoodies erwerben will: Die gibt's unter https://geschichte.shop Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt!

durée : 00:05:51 - L'ami.e du vendredi - par : Guillemette Odicino - Mon ami Salieri

“Büyüklük sanrıları”, genellikle çeşitli psikolojik rahatsızlıkların semptomu olarak görülebilen, gerçeklikle bağın tamamen koptuğu patolojik bir durum. Peki ya gerçekliğin ne olduğunu nasıl biliyoruz? Karamsar görünen durumlarda sanrılara sığınmak sağlıklı bir baş etme yöntemi mi, yoksa bir kaçış mı? 111 Hz'in bu bölümünde toz pembe gözlüklerimizi takıp bulutlara doğru uçuyor ve anlam arayışımıza farklı bir perspektiften bakıyoruz.Sunan: Barış ÖzcanHazırlayan: Gülşah DimSes Tasarım ve Kurgu: Metin BozkurtYapımcı: Podbee Media------- Podbee Sunar -------Bu podcast, Frink hakkında reklam içerir.Frink uygulaması sol menüde bulunan ''Kupon Kodu Kullan'' alanına FRNKPOD kodunu tanımlayıp üyeliğini 200 TL indirimli başlatabilirsin. Hemen indir, üyeliğini başlat!: tıklayınız.Bu podcast, Hiwell hakkında reklam içerir.Hiwell'i indirmek ve podbee10 koduyla size özel indirimden faydalanmak için tıklayınız.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Kit and Steve revisit the 1984 masterpiece 'Amadeus.' This Oscar-winning film portrays the life of Wolfgang Amadeus Mozart through the envious eyes of his rival, Antonio Salieri. Witness the riveting drama unfold as Salieri's admiration turns to obsession, leading him down a dark path against the backdrop of Mozart's sublime music. Explore with us the intricate dynamics of genius and jealousy, set against the opulence of 18th-century Vienna. Tune in for a deep dive into this cinematic classic.00:00:00 - Introduction:Welcome to a new episode of Streaming Things, where we dive deep into the world of streaming content!00:01:56 - Overall Thoughts:Our hosts share their initial impressions and overarching thoughts on today's movie/TV episode.00:22:07 - Scene by Scene Recap:Join us as we break down the episode or movie scene by scene, offering insights and commentary.Support Streaming Things:Subscribe to our Patreon!Engage with Streaming Things:Merchandise: Check out our BRAND NEW Merch Store for the latest Streaming Things apparel and accessories.YouTube: Don't miss our visual content on Streaming Things YouTube channel.Website: Visit our official website for more updates and content.Connect with Us:Email: Send your feedback and questions to streamingthingspod@gmail.com.Instagram: Follow us @streamingthingspodofficial for behind-the-scenes content.Twitter: Stay updated with our latest tweets @StreamThingPod or follow Chris @moviesRtherapy.Fan Mail:Address: Send your letters and fan mail to:Streaming Things6809 Main St. #172Cincinnati, OH 45244Episode Sponsors:This episode is sponsored by BetterHelp. Get the support you need at betterhelp.com/streamingthings. Hosted on Acast. See acast.com/privacy for more information.

Amy & Paul hum along to 1984's classical fantasia Amadeus! They learn how closely this unusual biopic matches the true history of Mozart, discover a Marvel reference to Salieri, and praise director Milos Forman for highlighting what made Mozart's compositions endure. Plus: The phenomenon that inspired a smash novelty single. Next week, Paul & Amy are talking about American Beauty! You can join the conversation on Paul's Discord at https://discord.gg/ZwtygZGTa6. Check out this week's spotlight episode from the Unspooled archives, One Flew Over The Cuckoo's Nest: https://www.earwolf.com/episode/one-flew-over-the-cuckoos-nest/ Paul's book Joyful Recollections of Trauma is on presale now! Find it at https://www.harpercollins.com/products/joyful-recollections-of-trauma-paul-scheer Learn more about the show at unspooledpod.com, follow us on Twitter @unspooled and Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Spotify or where you listen to podcasts.