Podcasts about Chorale

durée : 00:02:46 Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:06:20 - Porté par l'association « Les 3 Saisons de la Plaine », ce chœur rassemble les enfants de la ville de la sépulture des rois et des reines de France et celle de la résidence du Roi Soleil. Reportage lors de la répétition du concert organisé le 20 mai dernier, à l'Hôtel de Ville de Saint-Denis. - réalisation : Sofia Anastasio Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Chorale Prelude, Nun bitten wir den heilgen Geist (We Pray Now to the Holy Spirit) Dietrich Buxtehude (1637-1707) - Robert Griffith by First Community Church

Record LIVE at our Special Festival of Songs unto God service

“There's three things we have in music: the choir, the rehearsals, and the concerts. We put the people first, not the product. There's a lot of coaches who have this collateral damage thing about winning, and we choral directors have this collateral damage thing about getting a superior rating. It just doesn't work that way. I put the kids first, and it's amazing how my rehearsals changed.”Dr. J. Edmund Hughes [b.1947] retired from the Music Faculty of Chandler-Gilbert Community College in August, 2011 after a teaching career which began in 1971.  While at CGCC, he taught choir, music theory, conducting, and organized two on-campus choral festivals per year. From 1990 - 2011, he was the Director of Music at Velda Rose United Methodist Church in Mesa. Prior to his appointment at CGCC, he taught at Tucson High School, California State University-Fresno and Phoenix College. Most recently he was an Adjunct Professor at the University of Puget Sound (Tacoma, WA), where he directed the Chorale. His choirs have had the distinction of performing at ACDA, NAfME, and Arizona MEA conventions. In April, 2017 he directed “Requiem” by John Rutter, in his Carnegie Hall debut. He has also presented lectures and demonstrations on special interest sessions at ACDA and AMEA conventions. In 2002 he received the Arizona Outstanding Choral Educator Award by ACDA, and in 2005 he was honored as the Arizona Music Educator of the Year by AMEA.  He received the first Lifetime Achievement Award granted by the University of Arizona Choral Music Department (December, 2011) and the Lifetime Achievement Award from AMEA (February 2012). Most recently (2024) he received the Distinguished Alumni Award from the University of Arizona School of Music, and in 2026 the Lifetime Achievement Award from the Arizona Choral Educators.Dr. Hughes is a past President of Arizona ACDA, has served AMEA in numerous capacities. Dr. Hughes has over 40 choral compositions in print, which are published with Santa Barbara Music Publishing Co., Walton Music, Pavane Publishing, and Colla Voce Music, Inc. He received his Bachelors, Masters and Doctorate Degrees from the University of Arizona with doctoral studies at the University of Southern California.Dr. Hughes now lives in Eugene, OR with his wife, Carole, and their rescue dog, Bailey.  He has 3 children.  His hobbies are weight lifting, biking and jogging. He remains quite active in the choral field by adjudicating, directing honor choirs, presenting workshops, clinics and composing.  To get in touch with Ed, you can email him at jedmundhughes@gmail.com or find him on Facebook (@jedmund.hughes5).Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

Fabien Zaghini revient sur la 38e journée d'Elite 2 Roanne - Pau-Lacq-Orthez (108-82) avec les réactions de TJ Parker et Adrien Moerman. Et il dresse le bilan de la saison avec Nicolas Brillat et François Pertile.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

It's a field trip day down to Dover. On Wednesday, Rob and the crew went to the Delaware Supreme Court to hear oral arguments around a FOIA case where Rob and the Delaware Call are going up against the Delaware State Police. We then travel to legislative hall to hear updates on ex-prisoners lobby day and other legislation being heard this week. Apologies for any weird audio, this was our first time using this set-up.Show Notes:Invisible InstituteFee dispute puts Delaware government transparency law to Supreme Court

Fabien Zaghini revient sur la 37e journée d'Elite 2 Saint-Chamond-Andrézieux - Roanne (79-93) avec les réactions de TJ Parker, Mathieu Wojciewchowski ainsi que Julien Cortey et Hugo Boumpoutou.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Fabien Zaghini revient sur la 36e journée d'Elite 2 Roanne - Caen (75-71) avec les réactions de Juwan Ekanga-Ehawa et Clément Cavallo. Et retrouvez l'interview long format de Zoran Cvjetkovic, directeur sportif de la Chorale au côté d'Alexandre Lamoine.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

This chorale prelude comes from "A Little Organ Book" ("Orgelbüchlein") which Bach wrote for use in the church year. This particular piece comes from the "Miscellaneous" section not necessarily tied to the church year.

Une histoire de bifurcation, émission du 29 avril 2026Une fiction écrite par Luigi et le Frigo (avec la participation de Marguerite)La dame aux chats, rencontre par LuigiLes grands cerfs-volants, rencontre par LuigiLes souvenirs d'Anne Marie, rencontre par le FrigoLa cathédrale de la mer, immersion en Sardaigne par LuigiUne chorale à Toulouse, rencontre par LuigiUne boite de nuit en Lozère, rencontre par LuigiLe bilan de la boum, par le FrigoJohan Papaconstantino - Les mots bleus (Reprise de Christophe)Fugazi - Long divisiondisiz, Theodora - melodrama et le chant de MargueriteIrène Dresel - Veil

Fabien Zaghini revient sur la 35e journée d'Elite 2 Quimper - Roanne (67-81) avec les réaction d'Antoine Diot, Maxime Roos et TJ Parker après le titre de champion et la montée en Betclic Elite.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Noé Gillerot a longtemps cru qu'il deviendrait médecin, comme ses parents. Mais la musique s'impose peu à peu dans sa vie : d'abord, enfant, dans une chorale religieuse, puis lors des spectacles de l'école, où il trouve sa place. À la fin du secondaire, il mène les deux voies de front et se prépare aux examens d'entrée en médecine et au conservatoire. Il finit par choisir l'inconnu et tente une carrière de musicien. À 25 ans, devenu compositeur et chef d'orchestre, il ne regrette rien.Chaque semaine, Le Soir donne la parole aux 18-30 ans avec le podcast En vrai. Ils vous racontent une expérience ou une tranche de vie qui les a changés. Épisode après épisode, ils brossent un portrait de leur génération et de la société.Vous aussi, vous voulez témoigner ? Contactez-nous par ici (ou au 0477 78 41 58 sur WhatsApp) et laissez-nous quelques mots sur votre histoire. Le respect de votre vie privée sera pleinement pris en compte. Vos propos seront recueillis dans un cadre bienveillant.

Variations on the Chorale Was Gott tut, das ist wohlgetan, (What God does, that is done well) Johann Pachelbel (1653-1706) by First Community Church

Fabien Zaghini revient sur la 34e journée d'Elite 2 Antibes - Roanne (68-92) avec la réaction d'après match de TJ Parker.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Alan and Steve talk with Athens, Georgia–based music educator and Tones Collective co‑founder Cortez Daniel about what he's learning from teaching “today's kids” in K–12 and community settings. Cortez shares how his work in public schools and with organizations like Evergreen Children's Chorale and Tones Collective informs his approach to accommodations that maintain rigor, preventing learned helplessness, and meeting students with diverse needs—non‑verbal learners, English language learners, and blind students—where they are. They explore how he uses AI as an inclusion tool, why “relentless positivity” matters, what's changed in students' attention and motivation since pre‑pandemic days, and how inviting families' skills and goals into the program can transform a music community.

Fabien Zaghini revient sur la 33e journée d'Elite 2 Roanne - Alliance Sport Alsace (87-69) avec la réaction d'après match de TJ Parker.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

durée : 00:04:19 - Le Grand reportage de France Inter - Queen, les Beatles ou encore les Rolling Stone : depuis l'automne dernier, 15.000 choristes amateurs rassemblés dans des dizaines de chorales partout en France reprennent les grands classiques du rock et se produisent les plus grandes salles. Nous avons assisté à une répétition en Normandie. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Guest Kennedy Niska, Executive Director, Legacy Chorale of Greater MN, joins to preview the April 27th presentation of Alzheimer's Stories from Legacy Chorale of Greater Minnesota. Ahead of the concert, attendees can take part in a resource fair offering information and support for those impacted by Alzheimer's. Kennedy also shares an update on the new choir, Still We Sing, and highlights their upcoming debut performance on April 12th.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Fabien Zaghini revient sur la 32e journée d'Elite 2 Hyères-Toulon - Roanne (80-86) avec les réactions d'après match de TJ Parker et Adrien Moerman.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Hometown Radio 04/08/26 4p: SLO Master Chorale talks about their upcoming show

Débrief du match de la 31e journée d'Elite 2 Roanne - Châlons-Reims (79-88) avec François Pertile, Alexandre Lamoine et Nicolas Brillat autour de Fabien Zaghini ainsi que les réactions de T.J. Parker et Adrien Moerman.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Fabien Zaghini revient sur la 30e journée d'Elite 2 Roanne - Evreux (103-75) avec les réactions d'après match de TJ Parker et Matteo Legat.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

03.22.26 10am Prelude - Chorale Prelude Herzlich tut mich verlangen,(My Heart is Filled with Longing), BWV 727, Johann Sebastian Bach (1685-1750) by First Community Church

“It's not until you're leading an ensemble that you really figure out how to make the music happen and how to motivate the people around you. It's humbling in a lot of ways, and it's so gratifying. As a conductor, you're providing the framework for musicians to do their best work. Both in the way that you structure rehearsal and the gestures that you are showing the music through, you're creating a scaffolding, inviting people in, and collaborating together. Ideally, you're creating a situation where everybody has ownership of the musical process and the musical result as well.”Grant Gershon currently celebrates his 25th season as the Kiki and David Gindler Artistic Director of the Los Angeles Master Chorale, which he has turned into the "best-by-far major chorus in America” (Los Angeles Times). Earlier in 2026, Grant and the Chorale were honored to receive their second Grammy™ Award for Best Choral Performance, and they have been nominated 3 times in the last 5 years in this category. In 2025 the Chorale was featured on the Academy Awards ceremony, broadcast to over 19 million viewers around the world.A champion of new music, Grant led the world premiere of John Adams' Girls of the Golden West at the San Francisco Opera. He also conducted its European premier at the Dutch National Opera. As Resident Conductor of LA Opera, Grant conducted the West Coast premiere of Philip Glass's Satyagraha, and he led the world premiere of Daniel Catán's Il Postino, subsequently released on Sony Classical Records.Among the highpoints of his tenure with the LA Master Chorale, he twice opened the famed Salzburg Festival—with Orlando di Lasso's Lagrime di San Pietro in 2019 and Heinrich Schütz' Music to Accompany a Departure in 2023. He and the Chorale also performed these works to enormous acclaim in London, Paris, Montreal, Toronto, Chicago and New Zealand.Grant's discography with the Chorale includes recordings of music by Billy Childs, Nico Muhly, Henrik Gorecki, David Lang, and Steve Reich. He has also led the Chorale in performances for motion picture soundtracks, including, at the request of John Williams, Star Wars: The Last Jedi and The Rise of Skywalker.In New York, Grant has appeared at Carnegie Hall, Alice Tully Hall and Trinity Wall Street. Other major appearances include performances at the Ravinia, Aspen, Edinburgh, Helsinki, Salzburg, and Vienna festivals; Teatro Colon in Buenos Aries, the Barbican in London and the Paris Philharmonie. He has worked closely with numerous legendary conductors, including Claudio Abbado, Pierre Boulez, Gustavo Dudamel, Zubin Mehta, Simon Rattle, and his mentor, Esa-Pekka Salonen.To get in touch with Grant, you can email him at ggershon@lamasterchorale.org or find him on Instagram (@the_gershmeister).Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

03.08.26 10am Prelude - Chorale Prelude Erbarm dich mein, o Herre Gott (Be Merciful to Me, O Lord God), BWV 721 Johann Sebastian Bach (1685-1750) by First Community Church

Two evenings of choral music are coming to Vancouver as Clark College presents its winter choir concerts featuring student ensembles and accomplished faculty musicians. The Treble Ensemble and Chorale perform March 12, followed by the Concert Choir on March 14 at First United Methodist Church. Directed by Dr. Jacob Funk with accompanist Dr. Jeongmi Yoon, the performances showcase the work of Clark College's music students and are free and open to the public with donations supporting the Clark College Choral Fund. Learn more about the upcoming Clark College choral concerts at https://www.clarkcountytoday.com/people/entertainment/clark-college-to-present-choral-concerts/ #ClarkCollege #VancouverWA #ChoralMusic #ClarkCountyArts #LiveMusic #CommunityConcert

Sunday Worship for March 1, 2026, from Queen Anne Lutheran Church in Seattle, our 10:30 service— Guest Pastor Terry Kyllo; Cantor Kyle Haugen. Prelude —from an English voluntary for organ, Anonymous (18th century); Chorale prelude on Durch Adams Fall “Through Adam's Fall”),  Dietrich Buxtehude (1637–1707) • Introit—Psalm 27:8, 9, 1a • Gathering Hymn— Restore in Us, O God, (ELW 328) • First Reading— Genesis 12:1-4a • Psalm 121 • Second Reading— Romans 4:1-5, 13-17 • Gospel—John 3:1-17 • Sermon—Rev. Terry Kyllo • Hymn of the Day—What Wondrous Love Is This (ELW 666) • Distribution Hymn—I Come with Joy (ELW 482) • Sending Hymn —When I Survey the Wondrous Cross (ELW 803) • Postlude—Fugue in G minor (“Little”),  J. S. Bach (1685–1750)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Link here to view the bulletin⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Enjoying our worship recordings? Consider giving. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit this link⁠⁠⁠⁠⁠⁠.

John Choi, director of choirs at Indian Trail High School in Kenosha, talks about his Chorale's appeartance at the Midwestern American Choral Directors Association Conference in Milwaukee.

Host: Candace O'Donnell Guest: Jim Casler Description: In this podcast episode from Life Under the Willow Tree, host Candace O'Donnell interviews Jim Casler, the experienced director of the community's chorale. Casler discusses his lifelong musical journey, which began in a boys' choir and led to a long career as a music educator before he transitioned to leading his fellow residents. The conversation highlights the inclusive nature of the ensemble, noting that auditions are not required for general membership and singers are encouraged to choose voice parts that feel comfortable. Looking ahead, the group is preparing an American musical theater extravaganza for their spring concert, featuring beloved medleys from classics like Oklahoma! and The Sound of Music. Because of the high demand for their previous sold-out performances, residents are urged to reserve their free tickets early. Ultimately, Casler emphasizes that the program provides a joyful and professional outlet for retirees to continue sharing their artistic talents.

Kennedy Niska, Executive Director of the Legacy Chorale of Greater Minnesota, joins to preview this weekend's highly anticipated Disney Spectacular performances. He shares what audiences can expect from this family-friendly celebration filled with iconic Disney favorites, vibrant staging, and talented local voices bringing the magic to life. Kennedy also highlights the upcoming Youth Choral Festival in March, an inspiring opportunity for young singers from across the region to come together, learn, and perform in a collaborative setting designed to foster both musical growth and community connection. Plus, the adult ensemble is hard at work preparing for an exciting collaboration with the National Lutheran Choir, a special partnership that promises a powerful and memorable choral experience for performers and audiences alike.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

SONGS in this podcast episode: M1 NUN KOMM DER HEIDEN HEILAND, JS BACH, 1714, BWV 61 (5:21) M2 TOCCATA & FUGUE in C MAJOR M.2 ADAGIO, 1710-1717, BWV 564 (4:20). M3 TWO-PART INVENTION in F MAJOR, JS BACH, 1720-1723 (0:40). M4 TWO-PART INVENTION in B-FLAT MAJOR, JS BACH, 1720-1723 (1:30) M5 TWO-PART INVENTION in D MINOR, JS BACH, 1720-1723, (0:55). M6 PRELUDE & FUGUE No. 5 “Le Clavier Bien Tempere” D-Major, JS BACH, 1722, BWV 850 (3:06). M7 JESU, JOY OF MAN'S DESIRING, JS BACH, 1723, BWV 147 (2:56) M8 CHORALE PRELUDE “WACHET AUF”, JS BACH, 1731, BWV 140 (3:37) PROGRAM NOTES Johann Sebastian Bach was a German composer and organist from the late Baroque period. He was born in Eisenach, in what is now central Germany. Bach lived from 1685 to 1750, The Baroque period was a 150-year period in music, dating from 1600 to 1750. Baroque music is Western Classical Music that followed the Renaissance period. Baroque music features drama, ornamentation, major and minor tones, and was presented in new ways – – like the Opera, Concerto, and Sonata, Baroque composers included BACH, HANDEL, VIVALDI. M9 AIR ON A G-STRING, JS BACH, 1730, BWV 1068 (2:27). Bach probably used the CLAVICHORD to compose most of his music. The Clavichord is small, lightweight and would not disturb people. The clavichord was very temperamental, because it required tuning before each play, just like a violin or guitar.  The keyboard instruments of the day were referred to as a general category: the “KLAVIER”….these included HARPSICHORD, CLAVICHORD, ORGAN and PIANOFORTE. Bach's favorite KLAVIER instrument was the LAUTENWERK or LUTE HARPSICHORD with animal gut strings.  The writing of music was in support of GOD and KINGS. Over time, Baroque Music evolved into what is today known as the modern Orchestra. Bach was a prolific composer, writing hundreds of pieces for solo instruments, particularly the organ. He also wrote pieces for orchestra and choir. Bach is MOST known for writing two or more  melodies or voices against each other. Also called point against point, or, Counterpoint. Bit Bucket A BWV catalog number is a unique identifier for musical works composed by Johann Sebastian Bach, standing for Bach-Werke-Verzeichnis (Bach Works Catalogue).  Today I will present 9 compositions, dating from 1710 to 1731, during the time Bach was about age 25 to 45. M1 TOCCATA & FUGUE in C MAJOR M.2 ADAGIO, 1710-1717, BWV 564 (4:20) Our first piece — TOCATA & FUGUE in C MAJOR , the 2nd movement (ADAGIO). an ORGAN COMPOSITION.     It is taken from a 1959 album of BACH ORGAN WORKS   . The movement is called ADAGIO ….which indicates “At Ease”, or “Slow and Stately”. Tempo is only 66-76 BPM. like the resting heart rate for many people. Great liner notes. HERE IS AN  excerpt from the liner notes on that album – – QUOTE “OUR BACH” said the obituary notice, “was the greatest organ and clavier player that ever lived”. Though it may seem strange to us now, Bach's genius during his life was recognized only as a master of the organ—not as a composer. It was actually over a hundred years after his death that his works revealed him as a unique and mighty composer. His reputation as an organist brought many invitations to test new organs and advise on the construction of them.  UNQUOTE As with most of his organ works , there is no autograph or manuscript score from Bach, his organ work manuscript copies are lost.  This song has a CONCERTO style and rhythm.  We will hear the 2nd or ADAGIO movement. . It is all very calm and beautiful and pastoral and serene…until Bach pulls out all the stops in the last minute of this ADAGIO movement. He is really rocking the walls and windows of that church. Without any further adieu, here is TOCATA & FUGUE in C MAJOR , the 2nd movement (ADAGIO). PLAY M2 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M2 MUSICAL CREDIT: This Bach organ work  was recorded on the Luneburg Organ at St. Johanniskirche, in the town of Luneburg, in northern Germany, the organist is Professor Michael Schneider. This LP was produced and released on the SOMERSET label here in the US in 1959 The album title is BACH The Majesty of the Luneburger Organ. M2 NUN KOMM DER HEIDEN HEILAND, JS BACH, 1714, BWV 61 (5:21) Our next piece is the most famous church cantata written in 1714 for THE FIRST SUNDAY IN ADVENT. NUN KOMM DER HEIDEN HEILAND or in English “NOW COME, SAVIOR OF THE HEATHANS” A HEATHAN is a person with no religion, i.e., a PAGAN. In this chorale, Jesus is asked to …  come and save the pagans.  In 1714, Bach would have been 29 years of age. It turns out that this song goes back almost two centuries before BACH's time.  It's based on a LUTERAN CHORALE with words written by Martin Luther for the 1523 first Advent Sunday.  For centuries, this was the first hymn for the first Sunday of ADVENT.  What I will play next is an arrangement for as modern symphony orchestra (the Philadelphia Orchestra) and it is definitely JS BACH heard in those phrases. But it is a large orchestra – – Conducted by Leopold Stokowski.  This is an extremely restrained, demure, and understated interpretation of a Bach piece the most restrained I have ever heard. The recording you will hear next is performed by the Philadelphia Orchestra, with conductor   Leopold Stokowski. This recording is on a Vinyl LP titled THE SOUND OF GENIUS, produced by COLUMBIA MASTERWORKS, in 1960. It was one of many records that were shipped by mail to members of the Columbia Record Club. My parents were enthusiastic members. A new disc would arrive in the mail every month, such as this LP of classical music. Without further delay here is NOW COME, SAVIOR OF THE HEATHANS PLAY M1 SHOW PLUG – SHOW PLUG – DON'T TOUCH THAT DIAL ! ! That was…M1 NOW COME, SAVIOR OF THE HEATHANS” MUSICAL CREDIT: Arranger and Composer JS Bach, sometime between the years 1708-1717 Performance: Philadelphia Orchestra, conducted by Leopold Stokowski. Album: The Sound of Genius Limited Edition LP (1960) Members Only ! Label: Columbia Master Works BIT BUCKET This piece also is based on a song listed in the ZAHN Lutheran chorales catalog. ZAHN 1174 M3 TWO-PART INVENTION in F MAJOR, JS BACH, 1720-1723 (0:40) The next three pieces are called TWO PART INVENTIONS, composed by JS Bach around 1720   The inventions were composed for use in instruction of Bach's oldest son WILHELM FRIEDEMANN BACH who was 12 years old. Today, these inventions are introduced to music students in school grades 4-7. Learning the Two-Part Invention requires ROTE learning, practicing over and over until the two hands work completely independently of one another. The inventions teach, among other things, the use of COUNTERPOINT. Bach is MOST known for writing two melodies against each other. Also called point against point, or, Counterpoint. That is the feature of these inventions, in each one there are TWO PARTS, left and right hand parts. COUNTERPOINT is found mostly in Bach's FUGUES and in his INVENTIONS. Perhaps a brief demonstration is in order. Here is an excerpt from one of Bach's inventions. FIRST the right-hand part or first point – the melody SECOND the left-hand part or second point – the bass line LAST both parts played in counterpoint. In some of Bach works, the roles reverse, The left hand plays the first point – the melody And the right hand plays the second point – the bass line Could you do this by crossing hands on the keyboard – yes, but, the roles are reversed, so no cross-hand playing. I will now play  WENDY CARLOS's rendition of three BACH TWO-PART INVENTIONS from her 1969 recording titled “SWITCHED ON BACH” .. I will play all three, back-to-back. Each one is short – – average length ONE MINUTE EACH! PLAY M3 PLAY M4 PLAY M5 Credits: HOLD ON READING THE CREDITS UNTIL ALL THREE INVENTIONS ARE PLAYED M4 TWO-PART INVENTION in B-FLAT MAJOR, JS BACH, 1720-1723 (1:30) And now….. PLAY M4 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M4 MUSICAL CREDIT: HOLD ON READING THE CREDITS UNTIL ALL THREE INVENTIONS ARE PLAYED M5 TWO-PART INVENTION in D MINOR, JS BACH, 1720-1723, (0:55) PLAY M5 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M5 We heard three inventions – – Bach's 2-PART INVENTION in F MAJOR And the 2-PART INVENTION in B-FLAT MAJOR And the 2-PART INVENTION IN D MINOR Each invention is very different than the other. Not just a key change like the work title would suggest ! Bach stated that he wrote his inventions “to be models of composition” in other words, to enable the student to form ways of developing musical ideas and “acquire a strong taste of composition” Bach wrote the inventions, one for of the notes A to G and one for each minor and major key. Today these inventions are over 300 years old ! MUSICAL CREDIT: Composer JS Bach Estimated dates between 1720-1723 Performer – Wendy Carlos – early prototype Moog Synthesizer Arranger and Recording Engineer – Wendy Carlos on MOOG SYNTHESIZER in 1968. Record and label:  Switched-On Bach, Columbia/CBS BIT BUCKET M6 PRELUDE & FUGUE No. 5 “Le Clavier Bien Tempere” D-Major, JS BACH, 1722, BWV 850 (3:06) Next is Bach's “The Well-Tempered Clavier” written in 1722. He was 37. The title page to the Well-tempered Clavier song book reads : “The well-tempered Clavier, or Preludes and Fugues, through all the tones and semitones, both the [major] and [minor]. For the profit and use of the studious musical young…” Bach wrote these preludes and fugues in all keys in the chromatic scale … 12 major and 12 minor keys I have the version in D MAJOR. It's two sections – the prelude, and the fugue The Prelude is the introduction. LISTEN FOR the Stride Piano on the left hand !! It's a short 1:10. The Fugue is the second section. It's slower but with a more Bold left hand. Also short at 1:54. And now….PRELUDE & FUGUE No. 5 D-Major fromThe Well-Tempered Clavier PLAY M6 SHOW PLUG – DON'T TOUCH THAT DIAL !  That was…M6  PRELUDE & FUGUE No. 5 D-Major from The Well-Tempered Clavier MUSICAL CREDIT: Composer JS Bach and the autograph date is 1722 Pianist: Vasso Devetzi Label Festival Classique (1978) M7 JESU, JOY OF MAN'S DESIRING, JS BACH, 1723, BWV 147 (3:22) Our next song is Jesu, Joy of Man's Desiring This song was also composed by JS Bach in that same year of 1723 – – prolific at age 38. This was written for the Christian Feast of the Visitation- celebrated at the end of May in Western Christianity. The song is a Lutheran hymn. … a CANTATA and it has a CHORALE or chorus piece repeated twice within this cantata. There are many arrangements and versions because this song is one of Bach's most beautiful, well-known, and popular. The version we will hear next is arranged for SOLO PIANO. the pianist is Leon Fleisher. And Now, Here is Jesu, Joy of Man's Desiring – Bach       1723 PLAY M7 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M7  Jesu, Joy of Man's Desiring MUSICAL CREDIT: JS Bach composer 1723 Performance: Leon Fleisher – Pianist    (courtesy of EPIC records) Album  THE SOUND OF GENIUS VOLUME 3   Label Columbia, 1962   (3:22) M8 CHORALE PRELUDE “WACHET AUF”, JS BACH, 1731, BWV 140 (3:37) Here is another Chorale recording titled Chorale Prelude VACKET OFF “Wachet Auf”, which translates to SLEEPERS, WAKE! This hymn was transcribed from a Lutheran hymn written in 1599 by written by Phillippe Nicolai. This Cantata is truly a work from the middle ages. In 1731, Bach took this hymn and created a 7-movement cantata, we will hear the first movement or PRELUDE”.  This cantata is sung in church on the Trinity Sunday. Today this piece is very popular piece in general…it is POPULAR CLASSICAL MUSIC.    J.S. Bach wrote 46 of these cantatas for church, in all. ODD FACT  about this song… it was performed only once by Bach, in Leipzig that year. And now the FIRST MOVEMENT  from  VACKET OFF …the Prelude PLAY M8 SHOW PLUG – DON'T TOUCH THAT DIAL ! that was M4    The Chorale Prelude “Wachet Auf”, also known as SLEEPERS, WAKE! Song credits M4 Credits: Hymn by Phillippe Nicolai in 1599 Transcribed by JS Bach in 1731 Performance: Wendy Carlos – on an early prototype Moog Synthesizer Wendy Carlos arranger and recording engineer Album:  Switched-On Bach Label: Columbia/CBS, 1968 M9 AIR ON A G-STRING, JS BACH, 1730, BWV 1068 (2:27) Our next AND LAST piece is from the Switched-On Bach album and s titled AIR ON A G-STRING. This title comes from Johann Sebastian Bach's Orchestral Suite No. 3 in D major,  written almost 300 years ago.   So what is the meaning of the song title Air on a G-String? Well, Bach composed this as an orchestral suite in 1730. 141 years later, August Wilhelm arranged the second movement for SOLO VIOLIN and he did something unique. He transposed the song down from D so that the entire piece could be played on one string of the violin, the G-String, which is the lowest register on that instrument. Here is an example of what this sounds like on the Violin G-String, thjs example with piano accompaniment—pardon the scratchy sound, is from an old 78 RPM disc in 1935. Play example  – Jacques Dumont (Violin) Bach Air On The G String with Andre Collard (piano) We went from Bach's orchestral piece, to Wilhelm's transcription for solo violin, to Wendy Carlos modern interpretation with her MOOG Synthesizer. Now here is Wendy Carlos' arrangement of Air on a G String, from her debut album, SWITCHED-ON BACH, in 1968. PLAY M9 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M9  MUSICAL CREDIT: Composer JS Bach 1730 Performance Wendy Carlos on early prototype MOOG SYNTHESIZER Arranger and Recording Engineer: Wendy Carlos  Album:  Switched-On Bach Label: Columbia/CBS, 1968 END OF PROGRAM VV-031

The Phoenix Chorale presents "Transcendence" January 24 & 25 at the Scottsdale Center for the Performing Arts. KBACH's Greg Kostraba talked with the chorale's Artistic Director Christopher Gabbitas about the program, which includes a full orchestra and an expanded chorus augmented by student singers from across the state. Tickets for the performance are available here.

The Phoenix Chorale presents "Transcendence" January 24 & 25 at the Scottsdale Center for the Performing Arts. KBACH's Greg Kostraba talked with the chorale's Artistic Director Christopher Gabbitas about the program, which includes a full orchestra and an expanded chorus augmented by student singers from across the state. Tickets for the performance are available here.

En début d'émission, hommage à Dieudonné Larose, voix emblématique de la musique haïtienne. L'artiste est décédé le 9 janvier 2026 à l'âge de 80 ans. La chorale des Chérubins Gospel a été élue meilleure chorale de France, le 26 décembre 2025, dans une émission diffusée sur France 3. Ils répondent aux questions de Claudy Siar, Warra Charlotte Gomis et Queen Stelyna. Playlist du 12 janvier : Hommage à Dieudonné Larose, figure incontournable de la musique haïtienne. Décédé le 9 janvier au Canada, Dieudonné Larose occupe une place importante dans le konpa qui était pour lui une musique de revendications. Dieudonné Larose - Haïti (2003) Dieudonné Larose et Missile 727 - Mandela (1992) Dieudonné Larose - Hommage à Nemours (1999). Depuis 40 ans, la Chorale des Chérubins Gospel, composée de 100 artistes, transmet un message universel d'amour au rythme de sonorités venues d'Afrique, des Caraïbes et États-Unis. Ils se sont produits aux côtés de Céline Dion, Catherine Lara, Maurane, Jeane Manson, Francis Cabrel ou encore Alain Souchon.  Les Chérubins Gospel - Medley explosif Les Chérubins Gospel - Happy day Les Chérubins Gospel - When I think Les Chérubins Gospel - Marche près de moi. Plus d'informations sur Les Chérubins Gospel Retrouvez la playlist officielle de RFI Musique.

En début d'émission, hommage à Dieudonné Larose, voix emblématique de la musique haïtienne. L'artiste est décédé le 9 janvier 2026 à l'âge de 80 ans. La chorale des Chérubins Gospel a été élue meilleure chorale de France, le 26 décembre 2025, dans une émission diffusée sur France 3. Ils répondent aux questions de Claudy Siar, Warra Charlotte Gomis et Queen Stelyna. Playlist du 12 janvier : Hommage à Dieudonné Larose, figure incontournable de la musique haïtienne. Décédé le 9 janvier au Canada, Dieudonné Larose occupe une place importante dans le konpa qui était pour lui une musique de revendications. Dieudonné Larose - Haïti (2003) Dieudonné Larose et Missile 727 - Mandela (1992) Dieudonné Larose - Hommage à Nemours (1999). Depuis 40 ans, la Chorale des Chérubins Gospel, composée de 100 artistes, transmet un message universel d'amour au rythme de sonorités venues d'Afrique, des Caraïbes et États-Unis. Ils se sont produits aux côtés de Céline Dion, Catherine Lara, Maurane, Jeane Manson, Francis Cabrel ou encore Alain Souchon.  Les Chérubins Gospel - Medley explosif Les Chérubins Gospel - Happy day Les Chérubins Gospel - When I think Les Chérubins Gospel - Marche près de moi. Plus d'informations sur Les Chérubins Gospel Retrouvez la playlist officielle de RFI Musique.

The Mystic River Chorale is the subject of this week's program with Frank Zilinyi, Artistic Director, and Alice Despar, a member of the Chorale. We talk about what the Chorale has done in the last season and their upcoming concert on Sunday, January 18th at 4 PM at Harkness Chapel at Connecticut College. For more information, you can go to www.mysticriverchorale.org

durée : 00:28:58 - Les Pieds sur terre - par : Sonia Kronlund, Jérôme Sandlarz - Reportage à Aubervilliers, auprès des membres de la chorale des séniors "La clef des champs" d'Aubervilliers. Ils sont réunis aujourd'hui pour un goûter de Noël. Par Jérôme Sandlarz. - réalisation : Laurent Paulré, Doria Zénine

Christmas is just a week away. Members of the West Village Chorale return once again this year to ring in the holiday spirit and perform some classic carols live. And on Saturday, December 20, you can join the Chorale for their longtime annual free caroling walk around the Village.

Пані Олена Крута - киянка, випускниця Київської консерваторії. Деякий час працювала у музичній школі-студії, в лабораторії фольклору. З початком повномасштабної війни і трагедії у Києві вимушено стала переселенкою і, довго вагаючись, таки приїхала в Австралію, поселилася у Noosa, що у реґіоні Sunshine Coast (QLD). У розмові з SBS Ukrainian - про адаптацію в новій країні, про пошуки роботи, навчання задля удосконалення англійської, долучення до місцевого муніципального хору Noosa Chorale...

À Melbourne, une chorale française transforme la musique en lien vivant pour toute une communauté.

If you are looking to get into the holiday spirit, how about some great choral music with Master Chorale of FM. Find tickets here: https://masterchoralefm.com/tickets/ See omnystudio.com/listener for privacy information.

Sometimes on this podcast it's just a pleasure to listen to a great artist talk about the art! An “expert in 18th-century style” (The New Yorker), Nicholas McGegan is in his sixth decade on the podium. Following a 34-year tenure as Music Director of Philharmonia Baroque Orchestra & Chorale, he is now Music Director Emeritus. He is also Principal Guest Conductor of Hungary's Capella Savaria. McGegan's approach — intelligent, infused with joy, and never dogmatic — has led to engagements with many of the world's major orchestras, including those of Cleveland, Chicago, Los Angeles, New York, Philadelphia, San Francisco, Hong Kong, Sydney, London's Royal Opera House, and the Royal Concertgebouw; regular collaborations with choreographer Mark Morris; and appearances at the BBC Proms and the Edinburgh International Festival.His extensive discography includes more than 100 releases spanning five decades, including more than 40 with Philharmonia Baroque Orchestra and Chorale, and more than 20 with Capella Savaria. McGegan's recordings have garnered two Gramophone Awards and two GRAMMY nominations.He was made an Officer of the Most Excellent Order of the British Empire (OBE) “for services to music overseas.” McGegan is committed to the next generation of musicians, frequently conducting and coaching students in regular engagements at Yale, Juilliard, Harvard, the Colburn School, Aspen Music Festival, and more.https://www.nicholasmcgegan.com/https://www.instagram.com/nicholasmcgegan/https://www.facebook.com/nicholasmcgegan/Make sure you SUBSCRIBE to Crushing Classical, and maybe even leave a nice review! Thanks for joining me on Crushing Classical! Theme music by DreamVance.I help people to lean into their creative careers and start or grow their income streams. You can read more or hop onto a discovery call from my website.  https://jennetingle.com/work-with-meI'm your host, Jennet Ingle. I love you all. Stay safe out there! Your portfolio career is YOURS to design. If you are seeking inspiration, grab the first chapter of my book for FREE at the link below! You are allowed to thrive, and your artistry MATTERS.https://jennetingle.kit.com/c6e4009529

Joining the Exchange is Dr. Jerron Jorgensen, Director of Choral Studies at SOU and Music Director of the Rogue Valley Chorale.

On this week's episode of Out and About, Dr. Mae Gilliland of ArtsPartners of Central Illinois talks with Dr. Joshua Russell, the new Artistic Director of the Peoria Area Civic Chorale.

Donald Macleod explores the life and work of Elfrida Andrée, a Swedish composer and organist who fought for women's rights in classical music. Featuring guests Anastasia Belina and Jonas Lundblad. Music Featured: Fritiof Suite Summer memories from Bjurslätt Piano Sonata in A, Op 3 An angel walks through the room Symphony No 1 Romance No 2 Serenade String Quartet in A major Chorale with variations in D minor Piano Quintet in E minor Andante quasi recitativo Swedish Mass No 1 Symphony No 2 Four Piano Pieces Symphony No 2 Piano Trio in G minor Organ Symphony No 1 in B minor Presented by Donald Macleod Produced by Luke Whitlock for BBC Audio Wales & West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Elfrida Andrée (1841-1929): https://www.bbc.co.uk/programmes/m002lnpf And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Joining the Exchange is Dr. Jerron Jorgensen, Director of Choral Studies at SOU and Music Director of the Rogue Valley Chorale.