Podcast appearances and mentions of Johannes Brahms

Diese ungemein detail- und farbenreiche Aufnahme führt uns die Kammermusik von Johannes Brahms eindringlich vor Ohren.

La Orquesta Sinfónica de Galicia (OSG) ofrece esta tarde un concierto en el Auditorio de Ferrol, primera cita de la temporada organizada por la Sociedad Filarmónica Ferrolana. Bajo la batuta de la directora colombiana Ana María Patiño-Osorio, una de las figuras emergentes más destacadas del panorama internacional, el programa propone un recorrido por tres joyas del romanticismo centroeuropeo. El concierto se inicia con la obertura de Genoveva, la única ópera de Robert Schumann, inspirada en una leyenda medieval. A continuación, sonará la Serenata para cuerdas en Mi mayor, Op. 22, de Antonín Dvořák, obra que refleja el espíritu optimista y melódico del compositor checo. La velada culminará con la monumental Sinfonía nº 1 en do menor, Op. 68, de Johannes Brahms, considerada heredera del legado beethoveniano. Con esta actuación, la Sociedad Filarmónica Ferrolana, fundada en 1949, reafirma su compromiso con la excelencia y la difusión del repertorio sinfónico.

Johannes Brahms: Warum ist das Licht GegebenMatthew Morley, organSt. Bride's Church Choir, Fleet Street Robert Jones, conductorMore info about today's track: Naxos 8.553877Courtesy of Naxos of America Inc. SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Hoover Institution research fellow Dr. Alice Miller talks about how, as a CIA analyst, she could figure out political changes in China were afoot based on state media articles.About Peking HotelThe Peking Hotel podcast and newsletter are digital publications in which Liu He interviews China specialists about their first-hand experiences and observations from decades past. The project grew out of Liu's research at Hoover Institution collecting oral history of China experts living in the U.S. Their stories are a reminder of what China used to be and what it is capable of becoming.Podcast music Hungarian Dance no. 5 Re-imagined, Guy Mintus, Johannes Brahms, Artlist Classics, Artlist Original Music Get full access to Peking Hotel at pekinghotel.substack.com/subscribe

Thomas Steiger, Tübingen, Katholische Kirche: O Tod, wie bitter bist du, Wenn an dich gedenket ein Mensch, Der gute Tage und genug hat Und ohne Sorge lebet; Und dem es wohl geht in allen Dingen Und...

Open forum today. Let's see what we could do.Set 1:Six13 5785 01:21Six13 West Side Chanukah Story 03:39Sean Johnson & The Wild Lotus Band & Starita Dark Night (New Dawn Remix) 07:12Sheila Chandra Speaking in Tongues III 02:11Set 2:deadmau5 FML 06:36deadmau5 Word Problems 07:49deadmau5 Lack of a Better Name 06:58deadmau5 Strobe 10:23Deva Premal Guru Rinpoche Mantra (EarthRise SoundSystem Remix) 07:14Deva Premal Hari Om Shiva Om (Cheb i Sabbah's Desi Remix) 06:10Deva Premal Jai Radha Madhav (Desert Dwellers Remix) 07:14Scott Lawlor The geometry of the Moon's Orbit in Motion 33:08HarpistKT March from The Nutcracker 02:51HarpistKT O Christmas Tree 02:50HarpistKT Silent Night 03:24Healing Sound Project Circulo 05:06Deva Premal Aad Guray 05:56Deva Premal Om Hraum Mitraya 04:08Deva Premal Om Asatoma 02:16Deva Premal Guru Rinpoche Mantra 08:45Jennifer Truesdale I Need You Tonight 04:51Jennifer Truesdale Have You Ever Seen the Rain 05:37Jennifer Truesdale River to Nowhere 03:47Jennifer Truesdale My Life 04:13Set 3:Johnny House In The Light 04:45Johnny House Kristalina (A Brighter Day) 05:49Johnny House Bleeding Shadow 06:38Johnny House Old Times 04:16Jeff Wahl Mockingbird 01:32Jeff Wahl Reality check 02:44Jeff Wahl Spanish ballad 02:11Jeff Wahl Discovery 02:35Jeff Wahl Butterfly 01:23Jeff Wahl It is Well with my Soul 02:35Jeff Wahl Amazing Grace 02:53Jeff Wahl Blessed Assurance 02:19Jeff Wahl Jesus Christ is Risen Today 01:29Jeff Wahl Swing Low Sweet Chariot/Nichael Row the Boat Ashore 02:51Jeff Wahl Brahm's Lullaby, Op. 49 no. 4 (Johannes Brahms) 03:03Jeff Wahl Ghost Story (Jeff Wahl) 03:20Jeff Wahl Pachelbel's Canon (Canon in D major, P. 37) (Johann Pachelbel) 05:44Jeff Wahl Pathetique (Sonata no. 8 in C minor, Op. 13. Adagio cantabile) (Ludwig Van Beethoven) 05:07Jeff Wahl Adelita (Francisco Tarrega) 01:29This ill complete today's program. Hope you all enjoy the program!

Vandaag een aflevering in de serie "In Stukken". Ein deutsches Requiem van Johannes Brahms wordt in stukken geknipt. Aan de hand van de fragmenten in de mooiste opnames wordt het stuk onder de loep genomen. Panelleden: muziekjournalist Peter van der Lint en mezzosopraan Xenia Meijer. 

Am 25. Oktober sind es 200 Jahre her, dass in Wien der «Walzerkönig» Johann Strauss Sohn geboren wurde. Zusammen mit seinem Vater Johann Strauss Vater gehört er zu den herausragendsten Persönlichkeiten der Straussdynastie. In dieser «Fiirabigmusig» sind Chormusikstücke von beiden zu hören. Johann Strauss Sohn ist bekannt für seine süffigen Melodien, eigentliche Schlager. Daher wird er oft auch etwas abschätzig als «Walzerkönig» bezeichnet, wobei darin oft auch etwas Neid mitschwingt. Zu seinen grössten Hits gehören der Walzer «An der schönen blauen Donau», die «Tritsch-Tratsch-Polka» oder der Walzer «G'schichten aus dem Wienerwald». Davon gibt es nicht nur die Instrumentalversionen, sondern auch Chorfassungen. Eine ganze Stunde mit viel «Wiener Schmäh» gibt es in dieser «Fiirabigmusig», mit Kompositionen, deren Schöpfer einen Bezug zu Wien hatten. Darunter sind Stücke von Johann Strauss Vater und Sohn, aber auch von Johannes Brahms, Wolfgang Amadeus Mozart, Franz Schubert und anderen.

Simon Bode gastiert am 25. Oktober bei der 30. Ausgabe der Brahmstage in Baden-Baden und singt gemeinsam mit der Sopranistin Marie Seidler Lieder und Duette von Johannes Brahms und Benjamin Britten. In SWR Kultur spricht er über seine frühe Lied-Faszination, über die Volkslieder von Johannes Brahms und den Brückenschlag zu den Liedern von Benjamin Britten.

Diese «Fiirabigmusig» zeigt, wie vielfältig das Chorrepertoire ist. Aus dem Bereich der Klassik erklingt das Lied «Vineta» von Johannes Brahms. Weiter sind aber auch Melodien aus der Populärmusik dabei wie «Das ist die Liebe der Matrosen» oder der Popsong «Lollipop».

durée : 00:04:10 - Le plus grand tube de Johannes Brahms - par : Max Dozolme - Ce matin, Max Dozolme nous invite à prolonger un peu la nuit, à nous recoucher avec une berceuse, l'une si ce n'est la mélodie la plus célèbre du grand compositeur classique ! Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

On October 24, we observe the 104th birthday of the nonpareil Croatian soprano Sena Jurinac. Like Hildegard Behrens, whose prowess as a purveyor of art song we explored a few weeks ago, Jurinac was best known as an opera singer, specializing (in her case) in Mozart and Strauss heroines, though she was also beautifully suited to the Lieder repertoire. Jurinac was a singer of enormous warmth, poise, and humanity gifted with a voice that combined warmth and ease. It was her directness and spontaneity which, alongside her peerless musicianship and rock-solid vocal technique, has made her a favorite of many generations of lovers of great singing. Central to this episode is a rare 1976 album of Lieder by Johannes Brahms, which displays, even more than thirty years after her operatic debut, all her most treasurable qualities. The Brahms is supplemented by her 1953 studio recording of Ottorino Respighi's extended vocal chamber work Il tramonto, a setting in Italian of Percy Bysshe Shelley's poem “The Sunset”; as well as a rare live 1961 recording of Richard Strauss's “Im Abendrot” from his Vier letzte Lieder, like the Respighi a meditation on two souls at the setting of the sun. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

durée : 00:14:55 - Le Disque classique du jour du jeudi 02 octobre 2025 - Le premier album de l'altiste Paul Zientara, sur lequel le rejoint son ami et pianiste Arthur Hinnewinkel, s'immerge dans les deux sonates op.120 de Johannes Brahms écrites en 1894. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:14:55 - Le Disque classique du jour du jeudi 02 octobre 2025 - Le premier album de l'altiste Paul Zientara, sur lequel le rejoint son ami et pianiste Arthur Hinnewinkel, s'immerge dans les deux sonates op.120 de Johannes Brahms écrites en 1894. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Luister en leer hoe grote klassieke componisten hun belangrijke werken hebben gemaakt en hoe hun levenspad daarop van invloed was, zoals bij Johannes Brahms. Uitgegeven door Ontmoeting met... Sprekers: Sigrid Koetse, Jan Retèl

In deze aflevering van Kalm met Klassiek in de week vol koperblaasmuziek is het na trombone en de trompet tijd voor de hoorn. Je hoort er zelfs twee! Ze zijn te horen in een bezetting die je niet vaak tegenkomt: harp, vrouwenkoor, en die twee natuurhoorns dus. Johannes Brahms bracht dit alles samen in het werk 'Es tönt ein voller Harfenklang'. Een volle harpklank, een bedje van vrouwenstemmen en het rijke geluid van hoorngeschal: wat wil een mens nog meer? Nou, wil je bijvoorbeeld meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/thema/kalm-met-klassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=be36463468d84e37). 

Kovács Gergely zongoraművész szeptember 28-án a Müpa Bartók Béla Nemzeti Hangversenytermében lép színpadra a Szent István Filharmonikusok évadnyitó hangversenyén. A koncert első felében Johannes Brahms d-moll zongoraversenyének szólistájaként hallhatjuk, míg a második részben Johann Strauss művei szólalnak meg énekes szólisták közreműködésével. Gergely számára minden fellépés egyszerre lelki átlényegülés és felelősségteljes közvetítés, hiszen egy előadó mindig hidat épít a zeneszerző szándékai és a közönség élménye között. Vallja, hogy a zene akkor tud hatni, ha először az előadót tölti fel, majd ezen a szűrőn keresztül jut el a közönséghez. A zongora minden megszólaló hangja így válik személyes vallomássá és maradandó élménnyé. Budapest szeptember 28-án ismét ünnepi hangulatba öltözik, hiszen este hat órakor a Müpa Bartók Béla Nemzeti Hangversenytermében elindul a Szent István Filharmonikusok új évada. A Stephanus hangversenysorozat nyitó koncertje különleges élményt ígér, ifjabb Johann Strauss születésének kétszázadik évfordulóját idézi meg, és a bécsi tánczene aranykorát varázsolja a főváros színpadára.A Sláger FM-en minden este 22 órakor a kultúráé a főszerep S. Miller András az egyik oldalon, a másikon pedig a térség kiemelkedő színházi kulturális, zenei szcena résztvevői Egy óra Budapest és Pest megye aktuális kult történeteivel. Sláger KULT – A természetes emberi hangok műsora.

Schlaf und Musik gehören zusammen – beweisen Komponisten wie Johannes Brahms und Frédéric Chopin. Welche Musik verbessert tatsächlich den Schlaf?

Johannes Brahms was pas 43 toen hij het aandurfde om een symfonie te schrijven. Het werd een meesterwerk! Botte Jellema duikt met musicoloog Kees Wisse in deze Symfonie nr. 1. Ze bespreken de briljante muzikale verbanden tussen de delen van dit werk vol contrasten. Zacht en hard. Verdrietig en hoopvol. Wild en verstild. Beluister de aflevering: orkest.nl/brahms-symfonie

This Day in Legal History: SCOTUS Rejects Challenge to BrownOn September 12, 1958, the U.S. Supreme Court issued a unanimous decision in Cooper v. Aaron, firmly rejecting a challenge by the State of Arkansas to the enforcement of Brown v. Board of Education. In the wake of Brown, which declared racial segregation in public schools unconstitutional, Arkansas officials sought to delay desegregation efforts in Little Rock, citing violent resistance and the need to preserve public order. The state's governor and legislature argued they were not bound by the Court's ruling.The Supreme Court rejected that claim unequivocally. In a rare decision signed by all nine justices, the Court reaffirmed the supremacy of the Constitution and the binding nature of its interpretations. It stated that the Constitution is the "supreme law of the land," and that the Court's rulings are final and must be followed by all states, regardless of political disagreement or local unrest.The ruling was a direct rebuke to Governor Orval Faubus, who had used the Arkansas National Guard to block the entry of nine Black students into Little Rock Central High School in 1957. President Eisenhower had responded by sending federal troops to enforce the desegregation order. Cooper v. Aaron underscored the federal judiciary's power to enforce constitutional rights, even in the face of open defiance by state authorities.The Court's opinion in Cooper was a pivotal moment in the civil rights movement, signaling that federal law could not be nullified by state action. It also clarified that resistance to judicial decisions, especially on constitutional matters, was itself unconstitutional. By reasserting its own authority and that of the federal government, the Court helped ensure that desegregation would proceed, however slowly, across the South.Senate Republicans pushed through a rule change aimed at speeding up the confirmation of President Donald Trump's executive-branch nominees. In a 53-45 vote, the GOP majority limited the ability of Senate Democrats to slow the process, allowing groups of nominees to be confirmed together rather than individually. The change does not apply to Cabinet heads or federal judges.Senate Majority Leader John Thune defended the move, saying the chamber was being bogged down by procedural delays. In contrast, Democratic Senator Adam Schiff warned the rule change weakens institutional checks on presidential power, calling it a further erosion of Senate independence. Senate Democratic Leader Chuck Schumer criticized it as enabling a “conveyor belt of unqualified nominees.”This is the third significant alteration in 12 years to Senate rules that weaken the minority party's influence, a trend that began with Democrats in 2013 and continued under Republicans in 2017. Critics argue the Senate is drifting away from its traditional role as a stabilizing body in the legislative process. The first group of Trump nominees could see expedited confirmation as early as next week. Stephen Miran's Federal Reserve nomination will proceed under the prior rules.US Senate loosens rule to speed confirmation of some Trump nominees | ReutersA federal judge in Seattle issued a nationwide injunction blocking the Trump administration from enforcing a policy that would have barred undocumented children from enrolling in Head Start, a federal preschool program for low-income families. Judge Ricardo Martinez ruled that the U.S. Department of Health and Human Services (HHS) lacked the authority to impose immigration-based restrictions on access to Head Start, criticizing the agency for failing to follow proper rulemaking procedures.The decision followed a similar ruling one day earlier from a federal judge in Rhode Island, which halted the policy in 21 Democratic-led states and the District of Columbia. The Seattle lawsuit was brought by Head Start associations from Illinois, Pennsylvania, Washington, and Wisconsin, along with two parent advocacy groups. They challenged a July directive that expanded the interpretation of the 1996 Personal Responsibility and Work Opportunity Reconciliation Act (PRWORA) to include Head Start among programs limited to legal residents.Since 1998, HHS had interpreted the law as not applying to non-postsecondary education programs like Head Start. Judge Martinez stated that Congress had effectively endorsed that interpretation by not altering the law and had even broadened access to Head Start over time. Despite recent limits by the U.S. Supreme Court on nationwide injunctions, Martinez justified his decision as necessary to provide uniform relief.Trump policy barring migrants from Head Start blocked nationwide | ReutersThe U.S. Department of Justice filed a lawsuit against Uber Technologies, accusing the company of violating the Americans with Disabilities Act (ADA) by discriminating against riders with disabilities. Filed in federal court in San Francisco, the complaint alleges that Uber drivers have routinely denied rides to passengers who use service animals or wheelchairs, and sometimes insulted or mistreated them.The DOJ claims that Uber also imposed illegal fees on disabled riders, including cleaning charges for service animals and cancellation fees for rides that drivers refused to complete. The lawsuit details incidents involving 17 individuals, such as a 7-year-old amputee denied a ride due to his wheelchair, a veteran with a service dog who missed a flight after being refused service, and a blind man in New Jersey whose ride requests were repeatedly canceled.The government is seeking an injunction to stop further violations, mandatory improvements to Uber's policies and training, monetary damages for those affected, and a civil penalty. In response, Uber denied the allegations, stating it has a zero-tolerance policy for discrimination and is committed to accessibility and inclusion for riders with disabilities.US sues Uber, alleges discrimination against disabled riders | ReutersWe'll see you back here on Monday and, until then, note. We like to close out the week of shows with a featured musical piece. That will make these Friday episodes seem especially long. We hope you'll stick it out and enjoy the featured piece but, if music – specifically classical music – isn't your bag, we get it. Our mouth sounds unrelated to the week's closing music ends here.This week's closing theme is by Clara Schumann.This week's closing music features a brilliant piece by Clara Schumann, a composer, pianist, and musical force whose work was often overshadowed by the men around her—most notably her husband Robert Schumann and close friend Johannes Brahms. Yet Clara was a prodigy in her own right, performing across Europe and composing with a clarity and emotional depth that demanded attention in a male-dominated 19th-century musical world.Her Scherzo No. 2 in C Minor, Op. 14, written in 1845, is a striking example of her compositional voice—bold, technically challenging, and emotionally complex. The piece opens with stormy, rapid-fire passages that give way to more lyrical interludes, showcasing Clara's mastery of contrast and dramatic pacing. It's music that demands virtuosity but also rewards listeners with its structural elegance and passionate energy.As you listen, consider how Clara's work stood alongside—and at times surpassed—that of her more famous peers. Her Scherzo No. 2 is not just a curiosity from a historical figure, but a work of enduring artistic merit that more than earns its place in the canon.Without further ado, Clara Schumann's Scherzo No. 2 in C Minor, Op. 14, enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Johannes Brahms: Fest und Gedenkspruche: Wo ist ein so Herrlich VolkSt. Bride's Church Choir, Fleet Street Robert Jones, conductorMore info about today's track: Naxos 8.553877Courtesy of Naxos of America Inc. SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Con Mario Mora y 'IA Alex' | Segundo episodio de 'Solo puede quedar una', con el compositor que es una debilidad para Mario Mora. ¿Quedará satisfecho con las elecciones de Alex? ¿Qué obra será la que se salve de la destrucción de todo su repertorio? ¡Se admiten apuestas! - - - - > Hazte mecenas de Clásica FM antes del 31 de agosto de 2025 y te regalamos una camiseta o una totebag: https://clasicafmradio.es/hazte-mecenas/

No terceiro e último episódio da Série especial sobre a Amizade, promovida pelo Podcast filosófico da Nova Acrópole do Brasil, os professores Marcelo Silveira e Danilo Gomes fazem uma síntese e encerram o tema com uma reflexão acerca da amizade na prática do cotidiano. Cada indivíduo possui valores que lhe são naturais e, por outro lado, necessita desenvolver outros que lhe faltam. Os amigos inspiram-se mutuamente e oferecem suporte para o cultivo das virtudes. A verdadeira amizade ultrapassa o âmbito do coleguismo e da camaradagem e tem como ponto de afinidade a busca da virtude. É a ante sala dos mais profundos sentimentos. Sua conquista passa por provas que exigem esforço, aceitação, fortaleza e sensibilidade, sem bajulação nem o peso do mundo emocional. O melhor amigo é aquele que sabe viver e deixar viver. Precisamos de bons modelos mentais dessa relação e podemos contar com inúmeros exemplos no cinema e na literatura, com histórias que retratam laços de verdadeiro amor e interesse na felicidade do outro e que se traduz em uma via para que cada um chegue acompanhado ao melhor de si mesmo. Participantes: Marcelo Silveira e Danilo Gomes  Trilha Sonora: Concerto para piano e orquestra - opus 83 - Johannes Brahms

Der gebürtige Wiener Stephan Koncz ist ein Multitalent: Hauptberuflich Cellist bei den Berliner Philharmonikern, dirigiert und komponiert er auch. Jetzt hat Koncz für Daniel Ottensamer die beiden Klarinettensonaten von Johannes Brahms orchestriert und als Dirigent mit dem Deutschen Symphonie-Orchester Berlin eingespielt. Brahms neu gehört - das Album macht's möglich.

Interpreten: Anna ReichertLabel: Prospero ClassicalEAN: 4262353970638Johann Carl Eschmann – ein Name, der selbst eingefleischten Klassikliebhabern kaum geläufig sein dürfte. Und doch war der Schweizer Komponist ein hochgeschätzter Zeitgenosse von Mendelssohn und Brahms, letzterer empfahl ihn sogar persönlich seinem Verleger. Klaviermusik aus seiner Feder gibt es auf der jüngsten CD der Pianistin Anna Reichert kennenzulernen, die auch heute wieder Michael Gmasz näher vorstellt.Geboren in Winterthur, stammte Johann Carl Eschmann aus einer musikalischen Familie. Studiert hat er am renommierten Leipziger Konservatorium, unter anderem bei Felix Mendelssohn-Bartholdy und Ignaz Moscheles. Darüber hinaus pflegte Eschmann enge Kontakte zu bedeutenden Musikern seiner Zeit – darunter Richard Wagner, der ihm eine Serenade widmete, und Johannes Brahms, der ihn geschätzt und sogar seinem Verleger Simrock empfohlen hat. Und doch ist es ihm ähnlich ergangen, wie so vielen anderen auch. Er ist mehr oder weniger in Vergessenheit geraten. Seine Musik? Fein ziseliert, lyrisch, zurückhaltend – beeinflusst von Robert Schumann und seinem Lehrer Mendelssohn-Bartholdy. Seiner Wiederentdeckung hat sich nun die junge Schweizer Pianistin Anna Reichert verschrieben.Auf ihrem neuen Album „Licht und Schatten“ präsentiert Reichert eine Auswahl von Eschmanns Klavierwerken. Und das tut sie mit einer Hingabe, die berührt: charmant, nuancenreich, mit spürbarer Vertrautheit zur Musik. Jeder Ton wirkt durchdacht, jeder Phrasierungsbogen liebevoll gestaltet. Besonders hervorzuheben ist die Suite Licht und Schatten op. 62, die mit poetischen Titeln wie Sommernacht in der Veranda (am Zürichersee), Durch Wald und Flur oder Phantome eine fast bildhafte Klangwelt eröffnet. Auch die Werke aus den Zyklen Grillenfang, Trösteinsamkeit und Frühlingsblüten zeigen Eschmanns Gespür für Stimmungen und musikalische Miniaturen. Ihre intensive Beschäftigung mit ihrem Landsmann Eschmann drückt Anna Reichert auch im selbstverfassten Beihefttext aus, in dem sie uns den Komponisten auch persönlich ein wenig näherbringt. Wer also Lust hat, einen Komponisten neu zu entdecken, der einst von den Großen geschätzt wurde, sollte unbedingt reinhören. (mg)

As part of the Earth Serenade series, enjoy Johannes Brahms' Ein deutsches Requiem (Opus 45). This powerful music is performed by the Orchester & Chor of J. S. Bach-Stiftung in Switzerland. The music is set to images of Earth taken from the International Space Station, sending messages of mortality, hope and redemption. Series: "Arts Channel " [Arts and Music] [Show ID: 40881]

As part of the Earth Serenade series, enjoy Johannes Brahms' Ein deutsches Requiem (Opus 45). This powerful music is performed by the Orchester & Chor of J. S. Bach-Stiftung in Switzerland. The music is set to images of Earth taken from the International Space Station, sending messages of mortality, hope and redemption. Series: "Arts Channel " [Arts and Music] [Show ID: 40881]

Andrés Amorós dedica un cuarto programa a este pianista ruso muy respetuoso con la labor de los compositores. Andrés Amorós dedica este programa a las interpretaciones que Sviatoslav Richter realizó de Brahms y Debussy. Se subraya la filosofía del pianista ruso, que se consideraba a sí mismo un mero ejecutor al servicio de la obra, mostrando un respeto absoluto por la partitura y el compositor, por encima de cualquier lucimiento personal. Esta actitud le diferencia de otros virtuosos y define su enfoque artístico. En su acercamiento a Johannes Brahms, Richter exhibía una afinidad particular, prefiriéndolo incluso a Schumann. Su interpretación del Scherzo del Concierto para piano nº 2 es un ejemplo de su fuerza controlada y su renuncia al sentimentalismo. Richter aborda a Brahms con la potencia y la hondura requeridas, pero siempre manteniendo una sobriedad y una fidelidad extremas al texto musical. La selección de Claude Debussy demuestra la enorme versatilidad del pianista. Richter era capaz de adaptarse a estilos muy diferentes, recreando las atmósferas y el color del impresionismo francés. Se escuchan fragmentos de Cloches à travers les feuilles y L'Isle Joyeuse, piezas en las que el pianista logra evocar el misterio y la alegría jubilosa con una claridad y una técnica prodigiosas, sin perder la esencia etérea de la música. Finalmente, se destaca la figura de Richter como un artista único y enigmático, alejado de los circuitos comerciales y de la autopromoción. Su dedicación a la música por encima de todo queda reflejada en anécdotas como la creación de su propio festival en un granero en Francia, buscando la acústica y el ambiente perfectos. Se le recuerda como un intérprete puro más que como una estrella del piano.

Carlos Iribarren | En esta nueva entrega de Hoy Toca, Carlos ha preparado un plato combinado con 7 platos que cree que pueden sorprender a Mario y a los oyentes del programa. Los motivos son diversos pero las piezas escogidas tienen algo en común y es que no van a dejarte indiferente. Algunas fueron compuestas por autores españoles como Tárrega, Gómez y Rodrigo y antes disfrutaremos de arreglos realmente especiales de música creada por genios de la talla de Johannes Brahms y Astor Piazzolla. Te invitamos a que disfrutes con nosotros de este último episodio de la temporada (especial veraniego aparte) de Hoy Toca, el programa de Clásica FM que te quiere sorprender.

Johannes Brahms, arr. Joseph Joachim - Hungarian DanceMarat Bisengaliev, violinJohn Lenehan, pianoarr. Joseph JoachimMore info about today's track: Naxos 8.553026Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Johannes Brahms lässt sich Zeit mit seinem Violinkonzert. Vielleicht, weil er sich mit der Geige als Soloinstrument nur bedingt auskennt. 1878 macht er sich endlich an die Arbeit – und das Ergebnis gefällt nicht jedem Geiger ... Von Christoph Vratz.

HT2260 - Creativity Rejoices in Routine Two creative individuals who I particularly admire are Anthony Trollope and Johannes Brahms. What these two have in common and have provided as examples for the creative life is the consistency of their creative output by the routines they religiously kept. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

It's entirely possible that we would not know the name of Johannes Brahms very well if Brahms hadn't met Joseph Joachim as a very young man. Joachim, who was one of the greatest violinists of all time, had already established himself as touring soloist and recitalist, and he happened to know the musical power couple of Robert and Clara Schumann quite well. Joachim encouraged Brahms to go to Dusseldorf to meet the Schumann's, and the rest is history. I've talked about the Brahms-Schumann relationship dozens of times on the show before, but to keep it very brief, Robert Schumann's rhapsodic article Neue Bahnen(new paths) launched Brahms' career, and until Schumann's deterioration from mental illness he acted as a valued friend and mentor for Brahms. Clara Schumann, as a performer, was a powerful advocate for Brahms' music as well as a devoted and loving friend throughout the rest of their lives. Almost constantly present in this relationship was the sound of Joseph Joachim's violin. Brahms did not have a huge circle of friends, but for the often difficult to get along with composer, Joachim was a musical and spiritual companion. Brahms' legendary violin concerto was written for him, and the two collaborated closely for the entire course of their musical lives, except for one significant break. Brahms and Joachim were estranged for 7 years, until Brahms reached out with a remarkable conciliatory gesture: a concerto for Violin and Cello and that would be dedicated to Joachim. Brahms and Joachim(as well as Brahms and Clara Schumann) had often resolved disputes through music, and this was no exception. Clara Schumann gleefully wrote in her diary after Joachim had read through the piece with cellist Robert Hausmann: "This concerto is a work of reconciliation - Joachim and Brahms have spoken to each other again for the first time in years.” One would expect that a work like this would be beloved, but the Double Concerto has had a checkered history, which we'll also get into later. Clara herself wrote that it lacked "the warmth and freshness which are so often found to be in his works,” It would turn out to be Brahms' last work for orchestra, and one of the few in his later style, which makes It fascinating to look at from a compositional perspective. Partly because of the cool reception it got in its first few performances, and the practical challenges of finding two spectacular soloists who can meet its challenges, the piece is not performed all that often, though I have always adored this piece and am very grateful to Avi who sponsored this week's show from my fundraiser last year before the US election. So let's dive into this gorgeous concerto, discussing the reasons for Joachim and Brahms' break, their reconciliation, the reception this piece got, and then of course, the music itself! Join us!

Looking for transcripts? Click here!Where did the old episodes go?Follow us on Blue Sky! @hoteldayradioCredits and Attributions:Hotel Daydream is licensed under a ⁠Creative Commons Attribution-ShareAlike 4.0⁠ International License.Music and respective CC licenses:CC-BY-SA-3.021 Hungarian Dances (Orchestra), WoO 1 by Johannes Brahms, perf. by Fulda Symphonic Orchestra (edited)CC-BY-4.0Choro das Terras Baixas, written & performed by Bert Alink Requiem a voce sola, written & performed by Carlotta Ferrari (edited)CC-BY-3.0Impromptu in G♭ major by Schubert, per. Chiara Bertoglio (edited)Serenade for String Orchestra, Op. 16 ny Emanuel Moór, perf. Steve's Bedroom Band  (edited)De buen humor, written and performed by Bert Alink (edited)EFF Open Audio License 1.0.1 which is compatible with CC-BY-SA-2.0(O) Concerto grosso in D major, Op.6 No.4, by Arcangelo Corelli, perf. by Advent Chamber Orchestra (edited)

In this episode, JF and Phil are joined by Jacob G. Foster—sociologist, physicist, and researcher at Indiana University Bloomington and the Santa Fe Institute—for a conversation about their recent collaboration in Daedalus, the journal of the American Academy of Arts and Sciences. Their co-authored essay, “Care of the Dead,” explores how the dead continue to shape our cultures, languages, and ways of being. Together, they discuss the process of writing the piece and what it means to say that the dead are not gone—that they persist, and that they make claims on the living. The article is available here: https://direct.mit.edu/daed/article/154/1/166/127931/Care-of-the-Dead-Ancestors-Traditions-amp-the-Life **References** [Peter Kingsley,](https://en.wikipedia.org/wiki/Peter_Kingsley) English writer  Weird Studies, [Episode 98 on “Taboo”]) https://www.weirdstudies.com/98)  John Berger, “12 Theses on the Economy of the Dead” in _[Hold Everything Dear](12 Theses on the Economy of the Dead)_  Bernard Koch, Daniele Silvestro, and Jacob Foster, ["The Evolutionary Dynamics of Cultural Change”](https://osf.io/preprints/socarxiv/659bt_v1)  Gilbert Simondon, _[Imagination and Invention](https://bookshop.org/a/18799/9781517914455)_  William Gibson, _[Neuromancer](https://bookshop.org/a/18799/9780441007462)_  [Phlogiston theory](https://en.wikipedia.org/wiki/Phlogiston_theory)  George Orwell, _[1984](https://bookshop.org/a/18799/9780451524935)_  HP Lovecraft, [“The Case of Charles Dexter Ward”](https://www.hplovecraft.com/writings/texts/fiction/cdw.aspx)  Weird Studies, [Episode 187 on “Little, Big”](https://www.weirdstudies.com/187)  [John Dee,](https://en.wikipedia.org/wiki/John_Dee) English occultist  Nicholas Goodrick-Clarke, _[The Western Esoteric Traditions: A Historical Introduction](https://bookshop.org/a/18799/9780195320992)_  Robert Harrison, _[The Dominion of the Dead](https://bookshop.org/a/18799/9780226317939)_  Gilles Deleuze, _[Bergsonism](https://bookshop.org/a/18799/9780942299076)_  Elizabeth LeGuin, _[Boccherini's Body](https://bookshop.org/a/18799/9780520240179)_  Elizabeth LeGuin, [“Cello and Bow thinking”](http://www.echo.ucla.edu/cello-and-bow-thinking-baccherinis-cello-sonata-in-eb-minor-faouri-catalogo/)  Johannes Brahms, _Handel Variations_  Learn more about your ad choices. Visit podcastchoices.com/adchoices

She prevented war and death on an immense scale, in acts that could earn the Nobel Peace Prize today. But History enshrined Sisi, Empress of Austria, as a vain beauty queen. The smear campaign was personal, not political: it started with her own tyrannical mother-in-law. Can Sisi conquer her own self-doubt, and drag draconian Austria into the modern world? Our guest is Nancy Goldstone, author of The Rebel Empresses: Elisabeth of Austria and Eugenie of France, Power and Glamor in the Struggle for Europe. _________________ Music in the episode includes works by Johann Strauss, Joseph Suk, Giuseppe Verdi, Bedrich Smetana, Johannes Brahms, Franz Schubert, Franz Liszt, and Kevin MacLeod. Join us on our women's history tours! What'sHerName listeners make the best travel buddies. Learn more about your ad choices. Visit podcastchoices.com/adchoices