Podcast appearances and mentions of Johannes Brahms

Avui hem sentit: "Triumphlied", cantata simf

Avui hem sentit: "Liebeslieder walzer", per a cor i piano, op.52; "N

Gepresenteerd door: Saskia Voorbach Thomas Beijer, piano * Leoš Janácek - Sonate 1.X.1905 * Gustav Mahler - Ruhevoll, poco adagio (uit Symfonie nr. 4) (arr. T. Beijer) * Alexander Zemlinsky - 4 Fantasien über Gedichte von Richard Dehmel, op. 9 * Johannes Brahms - 4 Klavierstücke op. 119

HT2260 - Creativity Rejoices in Routine Two creative individuals who I particularly admire are Anthony Trollope and Johannes Brahms. What these two have in common and have provided as examples for the creative life is the consistency of their creative output by the routines they religiously kept. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

It's entirely possible that we would not know the name of Johannes Brahms very well if Brahms hadn't met Joseph Joachim as a very young man. Joachim, who was one of the greatest violinists of all time, had already established himself as touring soloist and recitalist, and he happened to know the musical power couple of Robert and Clara Schumann quite well. Joachim encouraged Brahms to go to Dusseldorf to meet the Schumann's, and the rest is history. I've talked about the Brahms-Schumann relationship dozens of times on the show before, but to keep it very brief, Robert Schumann's rhapsodic article Neue Bahnen(new paths) launched Brahms' career, and until Schumann's deterioration from mental illness he acted as a valued friend and mentor for Brahms. Clara Schumann, as a performer, was a powerful advocate for Brahms' music as well as a devoted and loving friend throughout the rest of their lives. Almost constantly present in this relationship was the sound of Joseph Joachim's violin. Brahms did not have a huge circle of friends, but for the often difficult to get along with composer, Joachim was a musical and spiritual companion. Brahms' legendary violin concerto was written for him, and the two collaborated closely for the entire course of their musical lives, except for one significant break. Brahms and Joachim were estranged for 7 years, until Brahms reached out with a remarkable conciliatory gesture: a concerto for Violin and Cello and that would be dedicated to Joachim. Brahms and Joachim(as well as Brahms and Clara Schumann) had often resolved disputes through music, and this was no exception. Clara Schumann gleefully wrote in her diary after Joachim had read through the piece with cellist Robert Hausmann: "This concerto is a work of reconciliation - Joachim and Brahms have spoken to each other again for the first time in years.” One would expect that a work like this would be beloved, but the Double Concerto has had a checkered history, which we'll also get into later. Clara herself wrote that it lacked "the warmth and freshness which are so often found to be in his works,” It would turn out to be Brahms' last work for orchestra, and one of the few in his later style, which makes It fascinating to look at from a compositional perspective. Partly because of the cool reception it got in its first few performances, and the practical challenges of finding two spectacular soloists who can meet its challenges, the piece is not performed all that often, though I have always adored this piece and am very grateful to Avi who sponsored this week's show from my fundraiser last year before the US election. So let's dive into this gorgeous concerto, discussing the reasons for Joachim and Brahms' break, their reconciliation, the reception this piece got, and then of course, the music itself! Join us!

Johannes Brahms (1833-1897) - Quintetto in fa minore per pianoforte e archi, op. 341.       Allegro non troppo - Poco sostenuto - Tempo I 2.       Andante, un poco Adagio [15:58]3.       Scherzo. Allegro – Trio [25:08]4.       Finale. Poco sostenuto - Allegro non troppo - Tempo I - Presto non troppo [32:51]Quartetto ItalianoPaolo Borciani, Elisa Pegreffi (Violini)Dino Asciolla (Viola)Franco Rossi (Violoncello)Maurizio Pollini (Piano)

Jeff can't thank you all enough for your prayers and wishes for him and his family with the passing of his mother. He would like to thank you with his sincerest apprecitation and gratitude.(2024) National Teacher apprciation day.  Entertainment from 1985.  Lusitania sank from German sub, Largest Pearl found, Largest Swordfish caught,New Orleans founded.  Todays birthdays - Johannes Brahms, Pytor Tchaikovsky, Gary Cooper, Darren McGavin, Robert Hegyes, Eagle Eye Cherry, Breckin Meyer.  Eddie Rabbitt died.Intro - Pour some sugar on me - Def Leppard   http://defleppard.com/Teacher teacher - 38 SpecialWe are the world - USA for AfricaSomebody should leave - Reba McEntireBirthdays - In da club - 50 Cent   http://50cent.com/The cradle song - Brahms1812 overture - TchaikovskyWelcome back Kotter TV themeSave tonight - Eagle Eye CherryI love a rainy night - Eddie Rabbitt

en este episodio de Dirección Coral Online exploro el vínculo artístico entre Clara y Robert Schumann con Johannes Brahms, y cómo esa compleja relación influenció la música del siglo XIX. Analizo fragmentos musicales que revelan un amor contenido, una colaboración profunda y un legado compartido, marcado por la admiración mutua y los límites impuestos por las convenciones de la época. Una historia donde el afecto y la música se entrelazan con intensidad y sutileza.si te interesa te podés anotar en mi newsletter gratuita: https://www.dopplerpages.com/gusespada-D9EA4/Form6-62234

Johannes Brahms spielte gerne Walzer am Klavier und ließ sich dazu immer wieder neu inspirieren - vor allem, wenn er wieder einmal in Wien war, in der großen Walzermetropole. BR-KLASSIK stellt seine Liebesliederwalzer mit Brigitte Fassbaender vor.

Postkarten aus dem Urlaub verschicken, diese Sitte stammt aus dem 19. Jahrhundert. Auch Johannes Brahms pflegte sie. Seine berühmteste Postkarte ist allerdings akustischer Natur - und hat ihren Platz in der Musikgeschichte gefunden.

Looking for transcripts? Click here!Where did the old episodes go?Follow us on Blue Sky! @hoteldayradioCredits and Attributions:Hotel Daydream is licensed under a ⁠Creative Commons Attribution-ShareAlike 4.0⁠ International License.Music and respective CC licenses:CC-BY-SA-3.021 Hungarian Dances (Orchestra), WoO 1 by Johannes Brahms, perf. by Fulda Symphonic Orchestra (edited)CC-BY-4.0Choro das Terras Baixas, written & performed by Bert Alink Requiem a voce sola, written & performed by Carlotta Ferrari (edited)CC-BY-3.0Impromptu in G♭ major by Schubert, per. Chiara Bertoglio (edited)Serenade for String Orchestra, Op. 16 ny Emanuel Moór, perf. Steve's Bedroom Band  (edited)De buen humor, written and performed by Bert Alink (edited)EFF Open Audio License 1.0.1 which is compatible with CC-BY-SA-2.0(O) Concerto grosso in D major, Op.6 No.4, by Arcangelo Corelli, perf. by Advent Chamber Orchestra (edited)

Send us a text and chime in!Prescott's premier vocal ensemble, the Prescott Chorale, invites music lovers to an unforgettable afternoon of choral excellence with their upcoming concert, Choral Music - A Magnificent Obsession, on Saturday, May 3, 2025, at 3:00 pm. The concert will feature three distinct musical themes: Things Eternal: A journey from the sacred Renaissance works of Schütz to the lyrical beauty of Bach. The Music in Poetry: Exploring the lyrical writings of Lord Byron set to music, including compositions by Johannes Brahms and Morten Lauridsen. Loyalty and Honor: Performance of Ralph Vaughan Williams' rousing O Clap Your Hands with full choir, organ, and brass will... For the written story, read here >> https://www.signalsaz.com/articles/prescott-chorale-presents-chorale-music-a-magnificent-obsession-on-may-3/Check out the CAST11.com Website at: https://CAST11.com Follow the CAST11 Podcast Network on Facebook at: https://Facebook.com/CAST11AZFollow Cast11 Instagram at: https://www.instagram.com/cast11_podcast_network

In this episode, JF and Phil are joined by Jacob G. Foster—sociologist, physicist, and researcher at Indiana University Bloomington and the Santa Fe Institute—for a conversation about their recent collaboration in Daedalus, the journal of the American Academy of Arts and Sciences. Their co-authored essay, “Care of the Dead,” explores how the dead continue to shape our cultures, languages, and ways of being. Together, they discuss the process of writing the piece and what it means to say that the dead are not gone—that they persist, and that they make claims on the living. The article is available here: https://direct.mit.edu/daed/article/154/1/166/127931/Care-of-the-Dead-Ancestors-Traditions-amp-the-Life **References** [Peter Kingsley,](https://en.wikipedia.org/wiki/Peter_Kingsley) English writer  Weird Studies, [Episode 98 on “Taboo”]) https://www.weirdstudies.com/98)  John Berger, “12 Theses on the Economy of the Dead” in _[Hold Everything Dear](12 Theses on the Economy of the Dead)_  Bernard Koch, Daniele Silvestro, and Jacob Foster, ["The Evolutionary Dynamics of Cultural Change”](https://osf.io/preprints/socarxiv/659bt_v1)  Gilbert Simondon, _[Imagination and Invention](https://bookshop.org/a/18799/9781517914455)_  William Gibson, _[Neuromancer](https://bookshop.org/a/18799/9780441007462)_  [Phlogiston theory](https://en.wikipedia.org/wiki/Phlogiston_theory)  George Orwell, _[1984](https://bookshop.org/a/18799/9780451524935)_  HP Lovecraft, [“The Case of Charles Dexter Ward”](https://www.hplovecraft.com/writings/texts/fiction/cdw.aspx)  Weird Studies, [Episode 187 on “Little, Big”](https://www.weirdstudies.com/187)  [John Dee,](https://en.wikipedia.org/wiki/John_Dee) English occultist  Nicholas Goodrick-Clarke, _[The Western Esoteric Traditions: A Historical Introduction](https://bookshop.org/a/18799/9780195320992)_  Robert Harrison, _[The Dominion of the Dead](https://bookshop.org/a/18799/9780226317939)_  Gilles Deleuze, _[Bergsonism](https://bookshop.org/a/18799/9780942299076)_  Elizabeth LeGuin, _[Boccherini's Body](https://bookshop.org/a/18799/9780520240179)_  Elizabeth LeGuin, [“Cello and Bow thinking”](http://www.echo.ucla.edu/cello-and-bow-thinking-baccherinis-cello-sonata-in-eb-minor-faouri-catalogo/)  Johannes Brahms, _Handel Variations_  Learn more about your ad choices. Visit podcastchoices.com/adchoices

"Featured Artists" der Jeunesse sind diesmal die oberösterreichische Sopranistin Martha Matscheko und das junge Javus Quartett aus Salzburg (Marie-Therese Schwöllinger, Alexandra Moser, Marvin Stark und Oscar Hagen). Das "Spotlight" ist auf den Wiener Geiger Leonhard Baumgartner gerichtet. Der Sieger beim Eurovision Young Musicians Contest 2024 wird mit Johannes Brahms' Violinkonzert sein Debüt im Musikverein geben. Ebenfalls ihr Debüt im goldenen Saal des Wiener Musikvereins gibt Martha Matscheko am selben Abend, am 9. Oktober diese Jahres. Im Finale von Mahlers Symphonie Nr. 4 singt sie »Das himmlische Leben« aus »Des Knaben Wunderhorn«. Foto: Jeunesse

durée : 00:28:56 - Claire Désert, pianiste - Découvreuse de futurs talents, Claire Désert ne manque pas d'intuition. C'est d'ailleurs le thème qu'elle explore dans son nouvel album "Pressentiment", où la pianiste rassemble des œuvres nébuleuses de Leoš Janáček, Robert Schumann, Arnold Schoenberg et Johannes Brahms.

durée : 02:05:11 - Musique matin du lundi 21 avril 2025 - par : Jean-Baptiste Urbain - Découvreuse de futurs talents, Claire Désert ne manque pas d'intuition. C'est d'ailleurs le thème qu'elle explore dans son nouvel album "Pressentiment", où la pianiste rassemble des œuvres nébuleuses de Leoš Janáček, Robert Schumann, Arnold Schoenberg et Johannes Brahms. - réalisé par : Delphine Keravec

Franz Liszt, Johannes Brahms, Béla Bartók, Zoltan Kódaly oder Johann Strauss Junior, sie alle wären ohne sie deutlich ärmer: Ohne Sinti und Roma gäbe es keinen Gypsy-Swing und keinen Flamenco, keine Balkan-Brassbands und weitaus weniger slawische Balladen, keine cubanische Rumba, keine Saz und keine Marianne Rosenberg. Henry Altmann über die Aorta des musikalischen Transports, die Musik der Roma und Sinti.

Auf dem Weg zu seinem letzten großen Orchesterwerk, dem „Doppelkonzert“, schrieb Johannes Brahms auf Sommerfrische im schweizerischen Thun 1886 und 1887 ungewöhnlich frohgemute Kammermusik und Lieder für eine junge Sängerin. Wie das klingt, wenn ein Griesgram sein Herz öffnet, demonstrieren Solisten wie Henryk Szeryng und Artur Rubinstein (RCA), Pierre Fournier und Wilhelm Backhaus (Decca), das Beaux Arts Trio (Philips), Juliane Banse und Bernarda Fink (harmonia Mund), sowie David Oistrach und Mstislav Rostropowitsch mit dem Cleveland Orchestra unter George Szell (EMI).

Join Sameer Patel for To the Stars, featuring Anton Webern's Passacaglia for Orchestra, and Johannes Brahms's Symphony No. 3. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 39116]

Join Sameer Patel for To the Stars, featuring Anton Webern's Passacaglia for Orchestra, and Johannes Brahms's Symphony No. 3. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 39116]

Das eine Stück gehört zu den bekanntesten der klassischen Musik, das andere wird, jedenfalls in Deutschland, so gut wie nie gespielt. Auf ihrem neuen Album kombiniert die Geigerin Liza Ferschtman das berühmte Violinkonzert von Johannes Brahms mit der völlig unbekannten "Fantasie" des tschechischen Komponisten Josef Suk.

She prevented war and death on an immense scale, in acts that could earn the Nobel Peace Prize today. But History enshrined Sisi, Empress of Austria, as a vain beauty queen. The smear campaign was personal, not political: it started with her own tyrannical mother-in-law. Can Sisi conquer her own self-doubt, and drag draconian Austria into the modern world? Our guest is Nancy Goldstone, author of The Rebel Empresses: Elisabeth of Austria and Eugenie of France, Power and Glamor in the Struggle for Europe. _________________ Music in the episode includes works by Johann Strauss, Joseph Suk, Giuseppe Verdi, Bedrich Smetana, Johannes Brahms, Franz Schubert, Franz Liszt, and Kevin MacLeod. Join us on our women's history tours! What'sHerName listeners make the best travel buddies. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Musik und Klänge, die den Herzschlag in sich tragen. Ein steter Puls, der Dich daran erinnert, dass Du bist. Mit jedem Schlag findest Du mehr zu Dir selbst. Diese Woche mit Johannes Brahms und Phoebe Bridgers. Diese Musikstücke hörst Du in dieser Folge: Forest Blakk – "If you love her" // Johannes Brahms – "Romanze F-Dur" // Phoebe Bridgers – "Scott Street" // Cécile Chaminade – "Meditation – Romanze" // Bodies – "Holding On" // José González – "Heartbeats" // Den Podcast "Open World" von WDR 3 findest Du hier: https://www.ardaudiothek.de/sendung/open-world-wdr-3/95588258/ Wenn Du eine Idee oder einen Wunsch zu einem musikalischen Thema hast, dann schreib mir eine Mail: playlist@ndr.de

Gäste von Eva Oertle sind die Klarinettistin Karin Dornbusch und der Pianist Tomas Dratva.

These days I find myself in a pensive, troubled state, very much in need of the kind of consolation that only music can provide. A number of years ago, I published a pair of episodes featuring the sublime Margaret Price performing music of mourning and consolation. Today's episode presents an expanded and refurbished version of the second of those episodes, in a program composed entirely of art song, moving through a sequence of emotions surrounding loss. Composers include Johannes Brahms, Giuseppe Verdi, Robert Schumann, Enrique Granados, Franz Schubert, Grace Williams, Sergei Rachmaninov, Felix Mendelssohn, Philip Cannon, Hugo Wolf, Alban Berg, Maurice Ravel, Franz Liszt, Peter Cornelius, and Richard Strauss, and collaborating pianists and conductors include Claudio Abbado, Wolfgang Sawallisch, Cyprien Katsaris, Geoffrey Parsons, and Neville Marriner, as well as frequent collaborators James Lockhart and Thomas Dewey. A thorough traversal of the song repertoire by one of the supreme recitalists of the late 20th Century. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Christmas Eve Worship December 24, 2024, from Queen Anne Lutheran Church in Seattle, our 11 PM service—Pastor Dan Peterson; Cantor Kyle Haugen; Choir and String Quartet Pre-service Music: Organ—Lo, How a Rose, Johannes Brahms (1833-1897);Congregational Carol—The First Noel, ELW 300; Choir—Come, Thou Long-Expected Jesus, Kyle S. Haugen (b. 1973); String Quartet—Selections from Christmas Concerto, Arcangelo Corelli (1653–1713), arr. Lynn Latham; Congregational Carol—O Little Town of Bethlehem, ELW 279; Congregational Carol—What Child Is This, ELW 300; String Quartet—Sinfonia from Christmas Oratorio, Johann Sebastian Bach (1685–1750), arr. Dave Prudon • Processional Carol—O Come, All Ye Faithful, ELW 283 • Hymn of Praise—Angels We Have Heard on High , ELW  289 • First Reading—Isaiah 9:2-7 • Second Reading—Titus 2:11-14 • Gospel—Luke 2:1-20  • Sermon "The Gift of Grace"—Pastor Dan Peterson • Hymn—Love Is Come, ELW 292 • Carols at the Distribution—Go, Tell It on the Mountain , ELW 290; It Came Upon the Midnight Clear, ELW 282; Infant Holy, Infant Lowly, ELW 276 • Hymn (candlelight)—Silent Night, Holy Night, ELW 281 • Recessional Hymn—Hark! The Herald Angels Sing, ELW 270 • Postlude—Chorale prelude on IN DULCI JUBILO, BWV 729, J.S. Bach (1685–1750) ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Link here to view the bulletin.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoying our worship recordings? Consider giving a gift to our church; ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠go to this link.⁠⁠

La combinación de 2 instrumentos tan importantes como son el violín y el piano ha dado lugar a grandes obras en la historia de la música clásica. En esta nueva entrega de Hoy Toca queremos disfrutar con 4 sonatas para violín que han dejado huella en el repertorio de la música de cámara: Richard Strauss, Edvard Grieg y Johannes Brahms son autores muy destacados pero queremos que prestéis una atención especial al 4º autor: el alemán Hans Pfitzner, quien compuso y estrenó su sonata a comienzos del siglo XX y cuyo tercer y último movimiento es capaz de conmover al corazón más frío que haya sobre la Tierra. Para disfrutar aún más de la maravillosa música de este episodio, hemos invitado a la violinista de la OCNE Elsa Sánchez, quien se ha convertido en una habitual de nuestros programas dedicados al violín y resuelve todas las situaciones con su habitual solvencia y simpatía. Así de melodioso e interesante es nuestro episodio 249, repleto de piezas deslumbrantes y que incluye ejemplos de la mejor música del mundo, la que suena siempre en Hoy Toca, el programa de Clásica FM que te quiere sorprender.

Johannes Brahms - Ave MariaWarsaw Philharmonic Choir Warsaw Philharmonic Orchestra Antoni Wit, conductorMore info about today's track: Naxos 8.572694Courtesy of Naxos of America Inc. SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Next stop on our World Tour November is also a stop back to the 19th century. Back to one of the music centers of the world at the time. Budapest. Home of the Danube River and a beautiful opera house. All of that and more made it a popular tourist stop for that era. And the two composers you will hear from were partly responsible for that popularity as well. So, get ready to hear an important orchestra in its own right perform music from this landlocked central European country in Volume 203: Classic Hungary. More information about this album, see the Discogs webpage for it.  Credits and copyrights Franz Liszt, Johannes Brahms, RIAS Symphony Orchestra under the direction of Karl Rucht – Hungarian Rhapsodies No. 2 And No. 14 / Hungarian Dances No. 1 Through No. 6 Label: Paris  – Album 12 Format: Vinyl, LP Released: 1956 Genre and Style: Classical We will hear 5 of the 8 tunes on this record. Franz Liszt: Hungarian Dance 1 Hungarian Dance 3 Hungarian Dance 4 Hungarian Dance 5 Johannes Brahms: Hungarian Rhapsody No. 2 I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #hungariandances #hungarianrhapsody #classicalmusic

Johannes Brahms - Symphony No. 2: 4th movementChamber Orchestra of Europe Paavo Berglund, conductorMore info about today's track: Ondine ODE1229Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Alexandre Kantorow was winner of the piano category at the 2019 International Tchaikovsky Competition as well as the recipient of that year's Grand Prix. One of the world's finest young musicians, he has recorded a series of much-praised albums for BIS. And the latest release – a Gramophone Editor's Choice in the November 2024 issue – completes the trio of recordings of the three youthful piano sonatas by Johannes Brahms. It's joined by Schubert's Wanderer Fantasy and a selection of Schubert songs in Liszt's transcriptions. James Jolly caught up with Alexandre in Paris recently to talk about the new release, and also to find out about his plans for the future.  

Dans un village d'Albanie, un pauvre pêcheur peine à nourrir sa famille. Un jour, le roi qui passe par là le prend en pitié. Il l'invite à venir au palais et lui jure qu'il lui fera don du poids de sa prochaine pêche en or. Mais le pêcheur, malgré tous ses efforts, ne parvient à ramener dans son filet qu'une feuille de chêne détrempée. Un conte sur la prodigalité de la nature, raconté sur les ballades de Johannes Brahms.Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

durée : 01:58:14 - Brahms et l'orchestre - par : Christian Merlin - Il a pris son temps pour se mettre à la symphonie, paralysé qu'il était par l'écrasant modèle beethovénien ! Pourtant, Johannes Brahms écrit aussi bien pour l'orchestre que pour le piano ou la musique de chambre. Une orchestration dense mais pas épaisse, d'une texture immédiatement reconnaissable. - réalisé par : Marie Grout

Johannes Brahms - Hungarian Dance No. 3London Symphony Orchestra Marin Alsop, conductorMore info about today's track: Naxos 8.557429Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

durée : 00:28:18 - Brahms et l'orchestre (4/4) : Tradition et modernité - par : Christian Merlin - Il a pris son temps pour se mettre à la symphonie, paralysé qu'il était par l'écrasant modèle beethovénien ! Pourtant, Johannes Brahms écrit aussi bien pour l'orchestre que pour le piano ou la musique de chambre. Une orchestration dense mais pas épaisse, d'une texture immédiatement reconnaissable. - réalisé par : Marie Grout

Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.