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10-week waits for driving tests. A surge in unaccompanied learners. And more deaths on the road. Driving instructor Gene Russell pulls no punches chatting to PJ Hosted on Acast. See acast.com/privacy for more information.
Gene Russell/Go Dawgs Roof Roof Go Dawgs Roof Roof is a roofing company with local experts proudly serving Atlanta, GA and the surrounding areas with a passion for excellence and a commitment to community. The company offers roof repair, rejuvenation, and replacement for both residential and commercial. They are experts in applying Peak 301, the […]
Gene Russell/Go Dawgs Roof Roof Go Dawgs Roof Roof is a roofing company with local experts proudly serving Atlanta, GA and the surrounding areas with a passion for excellence and a commitment to community. The company offers roof repair, rejuvenation, and replacement for both residential and commercial. They are experts in applying Peak 301, the […] The post Gene Russell with Go Dawgs Roof Roof appeared first on Business RadioX ®.
PJ talks to driving instructor Gene Russell about the latest government idea. Hosted on Acast. See acast.com/privacy for more information.
This is the second in a series of music selections inspired by the music from Black Jazz Records. The founders were Gene Russell and Dick Schory who created the record label around 1969 and released albums from 1971 to 1975, promoting the talents of young African American jazz musicians and singers With the turn of the turn-of-the-seventies and the emergence of revolutionary developments from Electric Miles, Pharoah Sanders, Alice Coltrane and John Coltrane, the funky mutations of soul and jazz, Black Jazz Records took full advantage of all the possibilities that lay ahead for jazz. Black Jazz Records was the first black-owned jazz label in 50 years and they achieved the kind of music status that most '70s and '80s indie record labels could barely dream of. Later DJs Gilles Peterson and Theo Parrish, made mixes and a compilation album focusing on the Black Jazz label. Through the music, you will hear in my first mix I hope to give you a flavour of what they brought to the jazz world, and how much the music from Black Jazz Records means to me from their short existence. A further note – in 1971, the first Black Jazz Record album released was Gene Russell's New Direction, which inspired the birth of NuDirections. Although the label only lasted a little over five years Black Jazz Records carved its place in the history of jazz. Info For more information about this rich playlist and an informative blog dedicated to my Black Jazz Records music selection please visit: https://www.jazzmattersuk.com/blogs/jazz-matters-digs-black-jazz-records-selection-2Blogs - https://www.jazzmattersuk.com/blogswebsite - www.raysroom.orgemail - jazzmattersuk@mail.comMusic Player - https://pod.co/nudirectionsJazz Matters Info - https://www.jazzmattersuk.com/about Please enjoy the music I love from different times and different places. Ray Playlist Artist - Track – (Album) The Awakening - Kera's Dance (Hear, Sense and Feel) Gene Russell - Get Down Kellee Patterson - Maiden Voyage Doug Carn – Moon Child Message From the Tribe - Space Odyssey Message From the Tribe - Beneficent Rudolph Johnson - The Highest Pleasure Walter Bishop Jr. - Soul Village Doug Carn – Acknowledgment Chester Thompson - Power House Calvin Kets - Aunt Lovey
Creo que armé la mejor selección de música de Jazz Up! Traje cosas de Black Jazz Records, el sello de Canadá: Cellar Live y conversamos sobre arpas, homenajes a Bill Withers, la gira 2023 de Ron Carter y el Records Store Day.
Shane O' Donoghue Editor Complete Car.ie chats to PJ about how this has happened and is also joined by Gene Russell of Douglas School of Motoring. Hosted on Acast. See acast.com/privacy for more information.
Rules about getting the permit, getting the NCT and then a big long wait. Gene Russell of Douglas School of Motoring tells PJ you'd be lucky to get a licence 1 yr after you first decide to start. Hosted on Acast. See acast.com/privacy for more information.
This is the first in a series of mixes inspired by the music from Black Jazz Records. The founders were Gene Russell and Dick Schory who created the record label around 1969 and released albums from 1971 to 1975, promoting the talents of young African American jazz musicians and singers With the turn of the turn-of-the-seventies and the emergence of revolutionary developments from Electric Miles, Pharoah Sanders, Alice Coltrane and John Coltrane, the funky mutations of soul and jazz, Black Jazz Records took full advantage of all the possibilities that lay ahead for jazz. Black Jazz Records was the first black-owned jazz label in 50 years and they achieved the kind of music status that most '70s and '80s indie record labels could barely dream of. Later DJs Gilles Peterson and Theo Parrish, made mixes and a compilation album focusing on the Black Jazz label. Through the music, you will hear in my first mix I hope to give you a flavour of what they brought to the jazz world, and how much the music from Black Jazz Records means to me from their short existence. A further note – in 1971, the first Black Jazz Record album released was Gene Russell's New Direction, which inspired the birth of NuDirections FM. Although the label only lasted a little over five years Black Jazz Records carved its place in the history of jazz. Essential info Website - https://www.nudirectionsfm.com NDFM Music player - https://pod.co/nudirections email - ndfm@mail.com Please enjoy the music We love. NDFM Playlist Art Ensemble of Chicago - Thème de Yoyo Gene Russell - Black Orchid Rudolph Johnson - The Highest Pleasure Marcus Belgrave - Space Odyssey Walter Bishop - Keeper of My Soul Walter Bishop - Coral Keys Doug Carn – Acknowledgement Cleveland Eaton - All Your Lover, All Day, All Night Chester Thompson - Power House Kellee Patterson - Maiden Voyage Calvin Kets - Aunt Lovey The Awakening - Kera's Dance Walter Bishop Jr. - Soul Village Kellee Patterson - Magic Wand of Love The Awakening - Prologue - Spring Thing Mor Thiam - Ayo Ayo Nene Henry Franklin - Beauty And The Electric Tub Black Jazz Discography & Band Leaders 1 Gene Russell - New Direction - 1971 2 Walter Bishop Jr. - Coral Keys 1971 3 Doug Carn - Infant Eyes 1971 4 Rudolph Johnson - Spring Rain 1971 5 Calvin Keys - Shawn-Neeq 1971 6 Chester Thompson - Powerhouse 1971 7 Henry Franklin - The Skipper 1972 8 Doug Carn - Spirit of the New Land 1972 9 The Awakening - Hear, Sense and Feel 1972 10 Gene Russell - Talk To My Lady 1973 11 Rudolph Johnson - The Second Coming 1973 12 Kellee Patterson - Maiden Voyage 1973 13 Walter Bishop, Jr. - Keeper of My Soul 1973 14 Doug Carn - Revelation 1973 15 The Awakening - Mirage 1973 16 Doug Carn - Adam's Apple 1974 17 Henry Franklin - The Skipper At Home 1974 18 Calvin Keys - Proceed With Caution! 1974 19 Roland Haynes - The Second Wave 1975 20 Cleveland Eaton - Plenty Good Eaton 1975 21 Doug Carn - New Incentive: Firm Roots 2001 Black Jazz Records 12 band leaders Gene Russell Walter Bishop Jr. Doug CarnRudolph JohnsonCalvin Keys Chester ThompsonHenry FranklinThe Awakening Kellee Patterson Roland Haynes Cleveland Eaton
My guest today is an old friend of the show. A spiritual sage of sorts who gave my archival tribute immediate gravitas with his appearance back in early April. At the time he told me "Jake, I am really excited about what's about to unfold." At the time I accepted the compliment but did not take it seriously. Now sitting here on the precipice of a new year, after over 100 interviews, using several of these interviews to help complete a book on Cal Tjader a tribute concert to Gene Russell, and finding a family I never knew existed I now know what he was referring too. My guest hasn't had a bad year himself. A recently published autobiography came out this year about my guest and his storied existence entitled the hear and now. Im quoting one review; "Who but Pat Martino could write a memoir that effortlessly moves from discussions of Zen and expanded consciousness to street descriptions of Harlem in the mid-60's. Welcome back Pat... --- Support this podcast: https://anchor.fm/jake-feinberg/support
Bepi Crespan gets behind the wheels of steel on Nardwuar this Friday…Whoa Dad! It’s a three hour NARDstravaganza featuring Aquakultre (Halifax), Boar God (Montreal), Ribbon Stage (New York), reissued Gene Russell (1971), Don Cherry (1976), and Michael Rother (1977), plus new local music by Dana Gavanski, The Verbrilli Sound, and Western / Creed / Spybey‘s posthumous W ands collaboration.Starting at 2:00 PM Pacific on CITR 101.9 FM, streaming at PLAYER.CITR.CA
Bepi Crespan gets behind the wheels of steel on Nardwuar this Friday…Whoa Dad! It’s a three hour NARDstravaganza featuring Aquakultre (Halifax), Boar God (Montreal), Ribbon Stage (New York), reissued Gene Russell (1971), Don Cherry (1976), and Michael Rother (1977), plus new local music by Dana Gavanski, The Verbrilli Sound, and Western / Creed / Spybey‘s posthumous W ands collaboration.Starting at 2:00 PM Pacific on CITR 101.9 FM, streaming at PLAYER.CITR.CA
Bepi Crespan gets behind the wheels of steel on Nardwuar this Friday…Whoa Dad! It’s a three hour NARDstravaganza featuring Aquakultre (Halifax), Boar God (Montreal), Ribbon Stage (New York), reissued Gene Russell (1971), Don Cherry (1976), and Michael Rother (1977), plus new local music by Dana Gavanski, The Verbrilli Sound, and Western / Creed / Spybey‘s posthumous W ands collaboration.Starting at 2:00 PM Pacific on CITR 101.9 FM, streaming at PLAYER.CITR.CA
Oh the wind and rain sweeping across plains and swamps and bogs of Alabama. Head up north young man cause the Windy City is calling your name, not St. Louis but Chicago. The home of Ovation Records.....the home of Howlin' Wolf and Muddy Waters, Ramsey Lewis Nick Gravenites and Bobby Christian. The blending of music that was occurring in every urban bastion in this country at a certain time in our countries history is astounding. It's astounding because of the plethora of work opportunities that musicians had. TV programs and game shows in the morning with a studio session in the afternoon follow that up with night gigs at beer taverns in the south side boogie down where the good folk would waking up to go to prey and the musicians were heading home for rest as the sun came up. Walk me out in the cold rain and snow and let me introduce you to my guest. A bassist who is from the same generation as Senator Eugene Wright, Bob Cranshaw and Richard Davis and John Heard. A bassist who became so obsessed with music that he was gigging by the time he got his drivers license and had become technically proficient in multiple instruments. But it was the bass, the upright bass that locked the groove in Basie's big band and Ramsey's band and on his own records for Black Jazz. You see for this host, that record label, founded by Dick Schory, with a left coast assist from Gene Russell helped elevate the status of unheralded Players who played Afro-Jazz. The kind of spiritual tribunal that represented links in the chain to Coltrane and Mingus and Monk. My guest is one of the most heavily sampled bassists of all time. He rejects labels, he prefers to woodshed and continue his cosmic conversation in the universal language of jazz. Cleveland Eaton, welcome to the JFS --- Support this podcast: https://anchor.fm/jake-feinberg/support
First episode broadcasting from the new headquarters in downtown Los Angeles! Jazz vibes and more. Tracklist: Sharon Redd-Ula Hedwig-Charlotte Crossley, Soul Surfers, Ahmad Miller-YNQ, The Souljazz Orchestra, Gene Russell, Hampton Hawes
" Mr. Sanifu Al Hall Jr. : The Consummate Musician " AL Hall Jr. is that uncommon individual: the consummate musician or musician's musician. He has literally done it all. From session work on the trombone to touring and recording with some of the best musicians of the previous century - Ray Charles, Stevie Wonder, Marvin Gaye, Freddie Hubbard, Sammy Davis Jr. for starters, Hall has also played a critical role in recording and producing musical projects as much as composing, arranging and performing. Accordingly, Journey Of An Aesthete is happy to talk with him. Extended Look Inside the Episode with Mitch: In a very real sense having Sanifu Al Hall Jr. on my show at this early date is perfection in scheduling because as a man, musician and artist he exemplifies everything this podcast is about. He is consummate musician who has mastered and played in every musical style. He has played trombone with some of the most important artists of the 20th century. Indeed he was in the Ray Charles Orchestra in the years of the early 1970s which was one of the great big bands of that era. He has toured with the great Marvin Gaye in the late 70s and was part of Stevie Wonder's Secret life Of Plants Tour. And that is just for starters. He is a composer and producer, a key member of the Black Jazz label (Gene Russell's label), one of the important jazz labels of the 1970s, contributing arrangements and compositions as much as his own trombone mastery on recording sessions. He is also a true audiophile and was and is an innovator in recording technology and the arts of studio recording more generally. A musician's musician, he is is also one of the few musicians I know of to work in both straight ahead jazz contexts as well as RnB and dance music with equal facility as well as wind ensemble and classical. He has done it all. He also happened to write music for and produce for one of my favorite brass (trumpet and flugelhorn) players Freddie Hubbard. We will talk about his defiance about musical boxes and categories and much more. Moat recently we are lucky to have released some older sessions he conducted of some of his soul infused compositions, in an ensemble called the Cosmos Dwellerz Arkestra I believe in a couple of cases this is the first time the tracks have been released. We are happy to welcome... Sanifu Al Hall Jr. Links to Al's Blogs: https://alhalljr.wordpress.com/author/sanifualhalljr/ https://sanifu.blogspot.com/ Links to Al's works: https://www.discogs.com/artist/480312-Al-Hall-2?page=1 https://www.discogs.com/artist/7222344-Sanifu-Al-Hall-Jr https://www.jamendo.com/artist/360061/sanifu https://cosmosdwellerzarkestra.bandcamp.com/ https://www.reverbnation.com/aljonimusic Link to Journey of an Aesthete Patreon Page: https://www.patreon.com/journeyofanaesthete Please consider a subscription with us and receive bonus materials just for you! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/mitch-hampton/message
9e émission de la 36e session... Cette semaine, pas mal juste du vieux groove en hard-bop, funk, jazz modal, spirituel et free ! En musique: Harold Land sur l'album West Coast Blues! (Jazzland, 1960); Gene Russell sur l'album New Direction (Black Jazz, 1971); Maceo Parker sur l'album Life on Planet Groove (Minor Music, 1992); Dadisi Komolafe sur l'album Hassan's Walk (Nimbus West, 1983); David S. Ware Trio sur l'album Live in New York, 2010 (AUM Fidelity, 2017)...
9e émission de la 36e session... Cette semaine, pas mal juste du vieux groove en hard-bop, funk, jazz modal, spirituel et free ! En musique: Harold Land sur l'album West Coast Blues! (Jazzland, 1960); Gene Russell sur l'album New Direction (Black Jazz, 1971); Maceo Parker sur l'album Life on Planet Groove (Minor Music, 1992); Dadisi Komolafe sur l'album Hassan's Walk (Nimbus West, 1983); David S. Ware Trio sur l'album Live in New York, 2010 (AUM Fidelity, 2017)...
The Enterprise Incident. The cloaking device is one of the most powerful strategic technologies in Star Trek, coveted by the Federation even in 24th century. So when the little space birds started tweeting about the Romulans having one, Kirk and Spock had no choice but to stage an elaborate play in order to get their hands on it. It came to be known as "The Enterprise Incident," and introduced a number of elements that would be revisited time and again throughout Star Trek. In this episode of The Ready Room we're joined by John Mills, Drew Stewart, and Jaime Sanchez to talk about Kirk and Spock's convoluted—and somewhat sensual—mission to steal a cloaking device, William Shatner's take on Romulans, why Joanne Linville should get more credit, and we reveal the true story behind the Romulan use of Klingon ship designs. In our news segment we debate the results of StarTrek.com's Mirror Universe poll, field listener Gene Russell's Question from the Fleet about pilot episodes and title sequences, and remember Arlene Martel, who portrayed T'Pring in one of the most famous Star Trek episode ever "Amok Time." Send us your feedback! Twitter: @trekfm Facebook: http://facebook.com/trekfm Voicemail: http://www.speakpipe.com/trekfm Contact Form: http://www.trek.fm/contact Chapters News Remembering Alene Martel (2:23) And the Favorite Mirror Universe episode is… (9:30) Question from the Fleet: Pilot + Title Sequence Faceoff (18:44) Sponsor: Audible (31:40) Feature: The Enterprise Incident Intro and Synopsis (36:43) Thoughts and Memories (43:19) You Pointy-Eared Bastard (49:09) A Convoluted Mission (55:36) Damn That Ship Looks Familiar! (1:05:23) Spock and [Redacted]: A Love Story (1:13:03) Influencing Later Trek (1:25:56) Final Thoughts (1:32:42) Closing (1:40:00)