Podcasts about Jazzland

Happy New Year to Jazzland! Every player is always trying to improve, but what specific resolutions should they make? Mark Russell Pereira (@markrussellpereira.bsky.social) lists a key resolution for every one of Utah's 15 main roster players, diving into specific elements of their games or contract situations to make these resolutions the key to bring their game to the next level.

Tough times in Jazzland. Sarah and Greg react to the devastating news of Walker Kessler's season-ending injury and what it means for the Utah Jazz moving forward. They also check in around the league — including the Mavericks' decision to fire Nico Harrison and the early buzz around rookie sensation Ace Bailey — to see how it all ties back to the Jazz's future.The Unsalvageable crew brings their usual mix of sharp analysis, questionable predictions, and spicy takes on the week in basketball.

On this week's episode of Passive Income Playbook, Pascal Wagner interviews Jon Jasniak. Jon shares how he built a multimillion-dollar land business since 2017, completing over 30 subdivisions and selling more than 10,000 acres, often doubling investor capital in months. He explains why land—though overlooked compared to multifamily and storage—can deliver outsized returns through subdividing and seller financing, while also breaking down misconceptions around cash flow, liquidity, and risk. Jon also talks about his $1M+ experiment of buying a Texas town, lessons from defaults and note sales, and what LPs should look for when investing in land operators. Jon JasniakCurrent role: Founder of Jazzland, Land Investor and DeveloperBased in: Midland, TexasSay hi to them at: Instagram | YouTube | http://jonjasniak.com Try Gusto today at gusto.com/CRE , and get three months free when you run your first payroll. This is a limited time offer, so head over to aspenfunds.us/bestever to download the investor deck—or grab their quick-start guide if you're brand new to oil and gas investing. Get 50% Off Monarch Money, the all-in-one financial tool at www.monarchmoney.com with code BESTEVER Join the Best Ever Community  The Best Ever Community is live and growing - and we want serious commercial real estate investors like you inside. It's free to join, but you must apply and meet the criteria.  Connect with top operators, LPs, GPs, and more, get real insights, and be part of a curated network built to help you grow. Apply now at ⁠www.bestevercommunity.com⁠ Podcast production done by ⁠Outlier Audio⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

6e émission de la 62e session...Cette semaine jazz-funk, spirituel et moderne! En musique: Art Farmer sur l'album Crawl Space  (CTI, 1977); Elvin Jones Jazz Machine, Hideo Shiraki Quintet + 3 Koto Girls, George Gruntz sur l'album compilation Spiritual Jazz Volume 17 - Saba / MPS  (Jazzman, 2025, enr. 1978-1965-1967); Gary Bartz NTU Troop sur l'album Live in Bremen 1975  (Cinedelic, 2024, enr. 1975); Bugge Wesseltof su l'album Am Are  (Jazzland, 2025); Misc sur l'album Beat Bouquet  (Spectacles Bonzaï, 2025); Perplexities on Mars sur l'album Forever Home  (Boomslang, 2025)...

El 16 de agosto de 1958, arropada por la orquesta de Paul Weston, la gran Ella Fitzgerald actuó en el famoso Hollywood Bowl de los Ángeles. Ante 18.000 personas cantó la mayoría de las canciones de su disco en estudio dedicado al compositor Irving Berlin ('The song is ended', 'You´re laughing at me', 'How deep is the ocean', 'Heatwave', 'Cheek to cheek', 'Top hat, white tie and tails', 'I´ve got my love to keep me warm', 'Get thee behind me Satan', 'Let's face the music and dance', 'Always', 'Puttin´on the Ritz'). Dos años antes, en el mismo lugar, había cantado algunas del disco dedicado a Cole Porter ('Love for sale', 'Just one of those things'). También de 1956, en el Zardi´s Jazzland', son las grabaciones de las composiciones de Porter 'My heart belongs to daddy', 'It´s the lovely' y 'C´est magnifique' y, de 1962, en el club Crescendo de Hollywood, las de 'Anything goes' e 'It´s allright with me'. La última, 'Let's do it', se grabó en el verano de 1966 en un Festival de Jazz de la Costa Azul.Escuchar audio

It's been a YEAR since I've released a podcast and that's because my life is SO CRAZY!! So this podcast is a reflection of me finding more balance in my life so I can get back to things like the podcast as well as doing all of the other work that I have to do PLUS manage my personal life.Everything we do in this life comes at a cost both financially, personally and professionally. So, this is what I'm working on to make it all work. The 5 Steps Include:*Setting Priorities*Setting Boundaries*Setting Timelines*Managing Workflow*Setting RECOVERY TimeI hope it helps!!

Episode 107 Crosscurrents in Early Electronic Music of Norway Playlist Arne Nordheim, “Epitaffio” (1963) for orchestra and tape from Nordheim, Alfred Janson, Bjørn Fongaard – Response: Electronic Music From Norway (1970 Limelight). Limelight release with the delightful painting of flying ears on the cover, includes the same tracks as the original Philips release from 1968 on the Prospective 21e Siècle label. The electronic sound material on the tape are taken from the end of the performance, but played during the opening section. It fuses the acoustic instruments and voices with electronics, filtering and speed changes. This recording is 10:15 Alfred Janson, “Canon” (1964) for chamber orchestra and tape from Nordheim, Alfred Janson, Bjørn Fongaard – Response: Electronic Music From Norway (1970 Limelight). Limelight release with the delightful painting of flying ears on the cover, includes the same tracks as the original Philips release from 1968 on the Prospective 21e Siècle label. In this piece, two tape recorders were used in performance. The first records for about four minutes and the, half a minute later, begins to play back what was recorded. The second tape recorder begins to record after the first tape machine ends, and then plays back what was recorded after another half minute, creating, in a sense, the structure of a canon. 12:27 Arne Nordheim, “Response I” (1966) for 2 percussion groups and tape from Nordheim, Alfred Janson, Bjørn Fongaard – Response: Electronic Music From Norway (1970 Limelight). Limelight release with the delightful painting of flying ears on the cover, includes the same tracks as the original Philips release from 1968 on the Prospective 21e Siècle label. Two percussionists respond to electronic sounds such as filtered white noise, sine waves and the filtered sounds of organ and metallic clanging distributed throughout the score. 18:09 Björn Fongaard, “Homo Sapiens” (1966) for magnetic tape from Poul Rovsing Olsen • Thorkell Sigurbjörnsson • Arne Mellnäs • Björn Fongaard – Nordiska Musikdagar 1968 Nordic Music Days Vol.3 (1969 His Master's Voice). Realized at the Norsk Riksringkastings studio, Oslo. 9:20 Bjørn Fongaard, “Galaxy” for 3 electric guitars in quarter-tones from Nordheim, Alfred Janson, Bjørn Fongaard – Response: Electronic Music From Norway (1970 Limelight). Limelight release with the delightful painting of flying ears on the cover, includes the same tracks as the original Philips release from 1968 on the Prospective 21e Siècle label. The electronic part makes use of audio filtering, changing tape speed, and editing to treat some unorthodoxed playing on the guitar. 12:05 Kåre Kolberg, “Keiserens Nye Slips - Electronic Music” from Kåre Kolberg – Contemporary Music From Norway (1980 Philips). A foray in computer composed music synthesis realized in the Electronic Music Studios in Stockholm using a PDP 15/40 computer; it was programmed in the EMS-1 computer language developed in the same studio. 9:54 Jan Bang, “Artificial Reeves” from from Narrative From The Subtropics (2013 Jazzland). Norwegian release of the Norweigian electronic musician and composer Jan Bang. Akai Sampler, MPC 3000 Sequencer, Dictaphone, Synthesizer, Jan Bang. 3:05 Jan Bang, “Funeral Voyage” from Narrative From The Subtropics (2013 Jazzland). Akai Sampler, MPC 3000 Sequencer, Dictaphone, Synthesizer, Jan Bang; Bass, Eivind Aarset; Guitar, Eivind Aarset; Synthesizer, Erik Honoré; Trumpet, Nils Petter Molvær. 5:26 Jan Bang, “Melee of Suitcases” from Narrative From The Subtropics (2013 Jazzland). Akai Sampler, MPC 3000 Sequencer, Dictaphone, Synthesizer, Jan Bang; Piano, Electronics, Dai Fujikura; Vocals, Sidsel Endresen. 4:03 Safariari, “Fetsild” from This Is The Cafe Superstar Beat Vol. 2 (2002 Café 2001 Records). Electronic music project of Jon Furuheim. 2:16 Remington Super 60, “RS60 And Milano In Space (Remix)” from This Is The Cafe Superstar Beat Vol. 2 (2002 Café 2001 Records). Electronic pop rock group, from Fredrikstad, Norway, founded late 1998. 6:07 Opening background music: Arne Nordheim, “Caliban's Warning” (excerpt) from The Tempest (Suite From The Ballet) (1980 Philips). An abrupt moment of electronic sound blended into the instrumentation. The electronic realization was done in the Studio Eksperymentalne, Warsaw, Poland. The Tempest was commissioned by the Schwetzinger Festival and first performed by Ballet Rambert at the Rokokotheater, Schwetzingen on 3. May 1979. 7:35 Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.

The Jazz Session No.318 from RaidersBroadcast.com as aired in Jul 2023, featuring a selection of great nu-Jazz from the last 20 years, including from Jazzland Remixed, Ishmael Ensemble, St.Germain, Llorca and Shabaka Hutchings. TRACK LISTING: Darn the Dream - Gerry Mulligan; There Are Such Things - Sonny Rollins Quartet ; Eve Nin - Bugge Wesseltoft; Newborn Thing - Wibutee; White Rabbit - George Benson; En la Tierra Quo No Olvide - Metheny Mehldau Quartet ; Land of … - Saint Germain; Search for Peace - Ishmael Ensemble; I'm Ready - Muddy Waters; She's Just A Square - Dr. John; If Music be the Food of Love - Cleo Laine & Johnny Dankworth; Blues for Yolande - Coleman Hawkins & Ben Webster; Existence - Bugge Wesseltoft; Pivot - Matt Wilde; Misty - Errol Garner; Water from an Ancient Well - Abdullah Ibrahim; Lights Behind Windows - Llorca; Prints Tie - Shabaka Hutchings; You're Clear Out of this World - Lee Konitz; Trane Whistle - Eddie Lockjaw Davis Big Band.

Exploring Hidden New Orleans Are you an urban exploration enthusiast? Do you want to uncover lesser-known New Orleans treasures while also preserving their historical significance through respectful exploration? Meet Nathan Norsworthy and Kris Norsworthy, a fearless pair of urban explorers who love to uncover the mysteries of New Orleans' forgotten spaces. With Nathan's passion for unearthing the stories behind these hidden spots, and Kris' talent for photography, they've managed to document some of the city's most fascinating and lesser-known locations. From abandoned hospitals to eerie cemeteries, these two have seen it all, and they're here to share their adventures with us. Urban Exploration Urban exploration, also known as urbex, involves visiting and investigating abandoned structures and locations. Enthusiasts of this practice value the unique insights and emotional connections that come from discovering the untold stories of these places. Abandoned sites can serve as powerful reminders of the past, provide glimpses into history, and offer a sense of adventure and mystery.  I think exploring abandoned places is like going to a museum, just to see it, to walk around, to photograph it. It's really just for fun. - Nathan Norsworthy Resources Instagram:  Homes of New Orleans and Abandoned New Orleans Social media platforms enable urban explorers to share their findings and connect with like-minded individuals. Nathan Norsworthy showcases his photography of New Orleans' architecture and homes on his Instagram, Facebook, and TikTok accounts called Homes of New Orleans.  Kris Norsworthy uses his Instagram account, Abandoned New Orleans, to document his explorations of the city's abandoned sites.  Through their social media presence, Nathan and Kris have reached a broader audience and fostered communities that appreciate the history and beauty of both active and abandoned locations in New Orleans. Here's some other accounts worth following: www.instagram.com/noladeej www.instagram.com/sweeterdo www.instagram.com/new_orleans_ghost_hunter www.instagram.com/alexconners_

522. Part 2 of our conversation with Charlotte Bentley about New Orleans French opera. "New Orleans and the Creation of Transatlantic Opera, 1819–1859 explores the thriving operatic life of New Orleans in the first half of the nineteenth century, drawing out the transatlantic connections that animated it. .. This book pieces together what it took to bring opera to New Orleans and the ways in which the city's operatic life shaped contemporary perceptions of global interconnection. The early chapters explore the process of bringing opera to the stage, taking a detailed look at the management of New Orleans's Francophone theater, the Théâtre d'Orléans, as well as the performers who came to the city and the reception they received. But opera's significance was not confined to the theater, and later chapters of the book examine how opera permeated everyday life in New Orleans, through popular sheet music, novels, magazines and visual culture, and dancing in its many ballrooms. Just as New Orleans helped to create transatlantic opera, opera in turn helped to create the city of New Orleans." This week in Louisiana history. May 12, 1898. New constitution includes the "Grandfather Clause" to permit illiterate whites to vote; a poll tax and literacy test included to disqualify black voters. This week in New Orleans history. Jazzland Opens May 20, 2000. The Jazzland Theme Park was an entertainment retail, and amusement complex. The park features a variety of entertainment opportunities designed to convey the elements of New Orleans' rich culture and history. In addition to the economic benefits mentioned Jazzland Theme Park will assist the City in achieving its goal of diversifying the image of New Orleans as an “adult tourist” City into more of a “family tourist” destination. Jazzland had 1 million visitors in the first year of operation".  This week in Louisiana. Louisiana Peach Festival June 3, 2023 Come discover the homegrown flavors, art, music, and culture of Ruston, LA at the 73rd Annual Louisiana Peach Festival featuring 12+ hours of live music, a juried arts market, food vendors, kids' activities, and more peachy fun in the heart of charming Downtown Ruston. Postcards from Louisiana. ET on trumpet with the New Birth Brass Band in Jackson Square playing "When You're Smiling." Listen on Google Play. Listen on Google Podcasts. Listen on Spotify. Listen on Stitcher. Listen on TuneIn. The Louisiana Anthology Home Page. Like us on Facebook. 

Hey all! In this episode, we conclude our recent exploratory adventures in the Big Easy; New Orleans, Louisiana. In this final leg of what was an amazing three day odyssey through the area's most infamous abandoned structures, we take a gander at a certain long-defunct, flood-water sodden, still standing amusement park on the outskirts of town, as well as a look through some of Louisiana's overgrown and mostly-forgotten 19th Century military history. Tales will certainly abound in this final stretch of the trip,, so mix and sip a wee bit of absinthe, dig into some red beans and rice,, listen in and enjoy the show! Have a great weekend and we'll see you in next week's episode! -Mr. P. MR. P. INFO: The majority of my work gets published at the Mr. P. Explores Facebook Community: https://www.facebook.com/MrPExplores/  Stop by for full photo explorations, history and stories told from the road! Mr. P. Explores Instagram (extras that never make the site or videos, and much more!): https://www.instagram.com/mr.p_explores/@mr.p_explores TWITTER: https://twitter.com/ExploresMr @ExploresMr  (come on over and say hello!)  Thanks all, and have a great week! I am also now on VERO, @mrpexplores or directly at: https://vero.co/mrpexplores

Thu, 19 Jan 2023 20:27:00 +0000 https://jungeanleger.podigee.io/578-song-39-foolish-girl-felice-dehouwer fce3f9a503ac0566c1f168fb24411ba9 Felice deHouwer ist Vollblutmusikerin und die Tochter von Brigitte Dudli aus der Gründungsmannschaft des Zertifikate Forum Austria (ZFA). Felice stellt ab Folge 01/23 den Jingle unserer monatlichen Zertifikate-Podcast unter https://audio-cd.at/zertifikate , das passt damit natürlich perfekt und grossen Dank dafür. Hier "Foolish Girl" in der Single-Version. Felice steht zudem seit früher Jugend auf der Bühne: “From performing in many live music venues in Vienna starting at the age of 8, such as Jazzland, Porgy & Bess, Dragon Bar, Tunnel, Frau Mayer, the Heart Club to stages like the Sugar Bar, the Groove, Red Lion and Shrine World in New York City, I have always enjoyed and appreciated every second on stage.” More to come. https://www.felicedehouwer.com Felice auf Insta: https://www.instagram.com/felicedehouwer/ Felice auf YouTube: https://www.youtube.com/@felicedehouwer1889 Felice auf Spotify: https://open.spotify.com/artist/2qWCr3GTel7nBVJc6Hj1If - Mehr Songs: https://www.audio-cd.at/songs - Playlist mit ein paar unserer Songs: https://open.spotify.com/playlist/63tRnVh3aIOlhrdUKvb4P Bewertungen bei Apple (oder auch Spotify) machen mir Freude: https://podcasts.apple.com/at/podcast/audio-cd-at-indie-podcasts-wiener-börse-sport-musik-und-mehr/id1484919130 . 578 full no Christian Drastil Comm.

Jackson Stevenett of the Jazz Beats Podcast joins to talk about the success of the Utah Jazz, their former Cavs players, the Donovan Mitchell trade, and more. Check out Across The Cavs on Social Media: TW: twitter.com/AcrossCavs IG: Instagram.com/AcrossTheCavs If you or someone you know has a gambling problem, crisis counseling and referral services can be accessed by calling 1-800- GAMBLER (1-800-426-2537) (IL/IN/LA/MI/NJ/TN/PA/WV/WY), 1-800- NEXT STEP (AZ), 1-800-522-4700 (CO/KS/NH), 888-789-7777/visit ccpg.org (CT), 1-800-BETS OFF (IA), 877-8-HOPENY/text HOPENY (467369) (NY), visit OPGR.org (OR), or 1-888-532-3500 (VA). 21+ (18+ NH/WY). Physically present in AZ/CO/CT/IL/IN/IA/KS/LA(select parishes)/MI/NH/NJ/ NY/OR/PA/TN/VA/WV/WY only. Void in ONT. $150 in Free bets: New customers only. Min. $5 deposit. Min $5 pregame moneyline bet. $150 issued as six (6) $25 free bets. Bet must win. Ends 12/31/22. Stepped Up SGP: 1 Token issued per eligible game. Opt in req. Min $1 bet. Max bet limits apply. Min. 3-leg. Each leg min. -300 odds, total bet +100 odds or longer. 10+ leg req. for 100% boost. Ends at start of final game of the 2022-2023 NBA Season. See eligibility & terms at sportsbook.draftkings.com/basketballterms.

World traveller and beat writer Andy Larsen joins The Drive to discuss the latest in Jazzland, offseason moves, Danny Ainge/Justin Zanik partnership, Markkanen at EuroBasket, Sarver situation + more

Jazz in-arena announcer Dan Roberts joins The Drive to discuss a wild offseason in Jazzland, takeaways from toady's press conference, 2022/23 expectations, broadcasting voice secrets + more

The Trib's Eric Walden joins The Drive to discuss the latest in Jazzland, the rumor-mill continues around Donovan + more

Des News beat writer Sarah Todd joins The Drive to discuss the latest in Jazzland, rumor-mill around Donovan Mitchell, RJ Barrett extended in NY, pulse on the fanbase + more

Voice of the Jazz Craig Bolerjack joins The Drive to discuss the latest in Jazzland, Arctos buying into ownership, Donovan rumors, broadcasting options for fans, a BIG show reunion + more

The Trib's Andy Larsen with the latest from Jazzland, Donovan/Knicks rumors, which offers have been made(?), other possible trades, state of RSL + more

Des News writer Sarah Todd joins The Drive to discuss offseason NBA storylines, latest in Jazzland, Donovan Mitchell rumors, tank mode in SLC(?), Britney Griner Russian sentence, David Ochoa, Real Salt Lake + more

The Athletic's Tony Jones joins The Drive to discuss the latest rumors in Jazzland, Donovan Mitchell to NY in question(?), what have the Knicks offered(?) + more

Des News beat writer Sarah Todd joins The Drive to discuss the latest in Jazzland, rumors continuing to swirl around Donovan Mitchell, what went wrong after Clippers series collapse, what's the rebuild blueprint(?) + more

The Tribune's Andy Larsen joins The Drive to discuss the latest in Jazzland, rumors swirling around Donovan Mitchell, Knicks potential packages, other potential moves, Summer League + more

ESPN's Tim MacMahon joins The Drive to discuss the latest rumors in Jazzland, Donovan Mitchell trade potential, discussions slowing between Jazz and Knicks, what the roster might look like at tip-off, in-season locker room tension + more 

Des News beat writer Sarah Todd joins The Drive to discuss the latest news in Jazzland, Donovan Mitchell rumors, Will Hardy filling his coaching staff, Summer League action in Las Vegas + more

The Athletic's Tony Jones joins The Drive to discuss the latest in Jazzland, a complete teardown in the works(?), rumors around Donovan Mitchell, potential offers from the Knicks, the media market in the Big Apple, Summer League, Will Hardy putting together a staff, Kyrie/KD drama + more

Stand up comic/Jazz fan/lawyer/former Williams College forward JL Cauvin joins The Drive to discuss the latest from Jazzland, Rudy Gobert trade, Donovan Mitchell rumors, fellow Williams alum Will Hardy, separating art from the artist.... the former president weighs in on the Jazz + more

ESPN's Kevin Pelton joins The Drive to discuss recent events in Jazzland, the Gobert trade, Quin Snyder's departure/future, Will Hardy at the helm, Kevin Durant sweepstakes, Summer League impressions + more

The Trib's Andy Larsen joins The Drive to discuss the latest in Jazzland, Will Hardy officially in SLC, Rudy Gobert officially in MINN, what did the Jazz get in return(?), status of current Jazz assistants, Summer League expectations + more

ESPN's Jordan Schultz joins The Drive to discuss the last month in Jazzland, Quin Syder's resignation, Will Hardy hiring official, Gobert traded, Donovan's next step, Kyrie drama + more

Back together! Gordon Monson joins Spence in-studio to discuss the latest in Jazzland, the rebrand, Danny Ainge, Quin Snyder's departure, offseason roster possibilities, John Stockton's research, Kyle Whittingham still at the helm, a 'pop in' from noted impressionist Craig Bolerjack + more

ESPN's Dave McMenamin joins The Drive to discuss the latest in Jazzland, a wide net cast in the coaching search, noise around Quin Snyder's departure, Gobert rumors, NBA Finals game 6, phony phone calls, margaritas + more

The Trib's Eric Walden joins The Drive to discuss the latest in Jazzland, another interview in the coaching search, Quin's departure and player reactions, trade rumors + more

The Athletic's Zach Harper joins The Drive to discuss a hectic week in Jazzland, Quin Snyder's departure, offseason possibilities, Don and Rudy long-term, NBA Finals back in Boston + more

The Trib's Andy Larsen joins The Drive to discuss a hectic week in Jazzland, Quin Snyder stepping down after 8 years, the next step for the front office, Donovan/Rudy long-term, coaching candidates, CAA ties  + more 

Tom Haberstroh joins The Drive to discuss the NBA Playoffs, drama in Jazzland, Rudy/Don dynamic, a chaotic offseason looming + more

The Athletic's Zach Harper joins The Drive to discuss NBA Playoffs, Jazz vs Mavs, an elimination game in SLC, a chaotic 24 hours in Jazzland, what's to come in the offseason(?) + more

Let's do it for Jazzland....

I was joined once again by author Kristi DeMeester, who was our very first guest back when we were a baby pod! Listen to our conversation about her upcoming novel, Such A Pretty Smile. We get into the science of finding the right candle scent, Jazzland, Dogmen, why being a teenager sucks, and more.    Shownotes: https://booksinthefreezer.com

Vi ventilerer og ser tilbake på en innholdsrik uke med bra kundetrøkk og ikke minst storfint besøk fra Åge og Stian Carstensen. Og så gleder vi oss til helg for da er det plateslippfredag og ikke minst Jazzland-dag i sjappa på lørdag med hele fire liveopptredener.  Mimrespalten Jeg Husker Nazareth er selvskreven sammen med  salgslista Topp Ten og Hvor Blir Det av Plata Mi!?

El valenciano Pau Viguer es un representante fidedigno de lo que podríamos llamar “jazz mediterráneo”. Con su propio trío, ofrece un estilo que conjuga diversos lenguajes musicales, como el jazz, la clásica, el pop, el blues y el flamenco. Con esta fusión, Viguer consigue un mestizaje propio, melodioso y atmosférico, y con un sello muy personal. Todas las composiciones y arreglos del Pau Viguer Trío son del mismo pianista y de sus compañeros de formación: el contrabajista Xuso Barberà y el batería Felipe Cucciardi. En su fecunda trayectoria, Pau Viguer Trío ha publicado varios trabajos discográficos y ha recalado en los principales clubes del país. Ha pertenecido a numerosos grupos de música moderna, ganando diversos premios en la Comunidad Valenciana. Ha actuado en programas de televisión tocando música en directo y realizó giras por España con el grupo “Revólver”. Ha formado grupos como Jazzland, So cubano, Jazzapp, ha participado en muchos otros como Babalú swing jazz, Silla Dixieland Orquestra, Más info en www.lossilenciosdeelan.com (sección radio - 8ª temporada)

Trainer Kristen Buchanan joins Andrew Bensley to chat about her promising galloper Jazzland who is set to resume at the races this Saturday in Sydney.

15e et dernière émission de la 49e session... Cette semaine, hard bop, jazz moderne et électro-jazz! En musique: Sonny Red sur l'album Images  (Jazzland, 1962); The Rocky Boyd Quintet sur l'album Ease It  (Jazztime, 1961); Curtis Amy & Dupree Bolton sur l'album Katanga!  (Pacific Jazz, 1963); Alder Ego sur l'album III  (We Jazz, 2021); Tarun Balani sur l'album The Shape Of Things To Come  (Berthold, 2020); Rob Frye sur l'album Exoplanet  (Astral Spirits, 2021); Gerald Cleaver sur l'album Griots  (Positive Elevation, 2021)...

15e et dernière émission de la 49e session... Cette semaine, hard bop, jazz moderne et électro-jazz! En musique: Sonny Red sur l'album Images  (Jazzland, 1962); The Rocky Boyd Quintet sur l'album Ease It  (Jazztime, 1961); Curtis Amy & Dupree Bolton sur l'album Katanga!  (Pacific Jazz, 1963); Alder Ego sur l'album III  (We Jazz, 2021); Tarun Balani sur l'album The Shape Of Things To Come  (Berthold, 2020); Rob Frye sur l'album Exoplanet  (Astral Spirits, 2021); Gerald Cleaver sur l'album Griots  (Positive Elevation, 2021)...

Steve Starks joins The Drive to discuss the last 365 days in Jazzland, March 11, 2020 in OKC, Rudy + Donovan, Elijah Milsap + Dennis Lindsey, change of ownership, expectations for the second half of the season + more 

McKoye and Emily recap the latest win streak and subsequent loss to the Clippers. They then talk about how a Utah Jazz bet resulted in a creative string of dates. Also, McKoye is getting a Jazz tattoo. Exciting stuff in Jazzland!

In this episode we discuss the short history of Jazzland/Six Flags New Orleans which opened in 2000 and unexpectedly closed in 2005 due to severe damage caused by Hurricane Katrina. We also talk about the current state of the defunct park and what could have been had Hurricane Katrina spared the park. We hope you join along in the conversation by letting us know your thoughts in the comment section below.

10e émission de la 48e session... Cette semaine, jazz moderne, électro-jazz et ambient! En musique: Jaga Jazzist sur l'album Pyramid  (Brainfeeder, 2020); Rymden sur l'album Space Sailors  (Jazzland, 2020); Junk Magik sur l'album Compass Confusion  (Pyroclastic, 2020); Maciej Staniecki & Wojciech Jachna sur l'album Two Souls  (Requiem, 2020); Travis Laplante & Yarn/Wire sur l'album Inner Garden  (New Amsterdam, 2020); Mike Sopko, Bill Laswell & Tyshawn Sorey sur l'album On Common Ground  (M.O.D Reloaded, 2020)...  

10e émission de la 48e session... Cette semaine, jazz moderne, électro-jazz et ambient! En musique: Jaga Jazzist sur l'album Pyramid  (Brainfeeder, 2020); Rymden sur l'album Space Sailors  (Jazzland, 2020); Junk Magik sur l'album Compass Confusion  (Pyroclastic, 2020); Maciej Staniecki & Wojciech Jachna sur l'album Two Souls  (Requiem, 2020); Travis Laplante & Yarn/Wire sur l'album Inner Garden  (New Amsterdam, 2020); Mike Sopko, Bill Laswell & Tyshawn Sorey sur l'album On Common Ground  (M.O.D Reloaded, 2020)...  

A light fog descends on an amusement park lost in time. Out of the corner of your eye you think you see movement. You tell yourself it's just your imagination, but you look over anyway. The hair on the back of your neck starts to stand up and a chill runs down your spine as a shadowed silhouette stares back at you. Suddenly you hear disembodied voice come over the loud speakers that eerily says "Welcome to Jazzland." --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

STANDARD SEMANAL“Old folks” (Mildred Bailey-Don Byas-Ben Webster)Ezequiel Campos nos trae su tema de jazz del Baúl de los Recuerdos (louis amstrong 1)-JAZZ RECUERDO ANIVERSARIO.- Julian Priester - Spiritsville .-JAZZ ACTUALIDAD .- RUBEN REINALDO y KELY GARCIA-ACUAREL PROG.Nº 670.- Dos horas para el análisis y repaso a la historia y actualidad que generan esta música americana . Todo en el tono que acostumbra este programa, en dos secciones JAZZ ANIVERSARIO y JAZZ ACTUALIDAD importantes novedades y diferentes canales de comunicación que se ofrecerán al oyente. STANDARD SEMANAL.- “Old folks” (Mildred Bailey-Don Byas-Ben Webster) Y como final de mes Ezequiel Campos nos trae su tema de jazz del Baúl de los Recuerdos (louis amstrong 1) JAZZ RECUERDO ANIVERSARIO.- Julian Priester - Spiritsville Spiritsville es el segundo álbum dirigido por el trombonista de jazz estadounidense Julian Priester, que se grabó en 1960 para elsello filial Jazzland de Riverside . [1] Listado de pistas [ editar ] Todas las composiciones de Julian Priester, excepto las indicadas. 1. "Chi-Chi" ( Charlie Parker ) - 4:43 2. "Zancada azul" - 6:15 3. " Podría ser la primavera " ( Richard Rodgers , Oscar Hammerstein II ) - 5:47 4. "Excursión" (Walter Benton) - 5:42 5. "Spiritsville" - 7:31 6. " Mi romance " (Rodgers, Lorenz Hart ) - 5:50 7. "El vals de Donna" - 5:32 Personal [ editar ] • Julian Priester - trombón • Walter Benton - saxo tenor (pistas 1, 2 y 4-7) • Charles Davis - saxofón barítono (pistas 1, 2 y 4-7) • McCoy Tyner - piano • Sam Jones - bajo • Art Taylor - batería JAZZ ACTUALIDAD .- RUBEN REINALDO y KELY GARCIA-ACUAREL Free Code Jazz Records, 2020 Músicos: Rubén Reinaldo y Kely García Grabación, mezcla y máster: Jose Luis Gómez (Sito) Remasterización final: Arturo Sabugueiro Fotografía: Óscar García (Sombra Graphics) Diseño Gráfico: Alberto Groba Montaje de textos: Rafael Alonso Grabado en estéreo con microfonía de alta sensibilidad directa a los amplificadores y mediante tomas enteras en vivo sin metrónomo. Grabación realizada en Estudios Musicales Galicia Música en Vigo, durante sesiones sueltas ecualizando y microfoneando individualmente cada pieza aprovechando nuestros pocos ratos libres como profesores de guitarra entre marzo y agosto de 2019.

Lonely Woman.-JAZZANIVERSARIO.-Julian Priester-1960-Keep Swingin'.-JAZZACTUALIDAD.BERTRAND KIENTZ-SUNDUST-FESTIVAL CICUS 2019 PROG.Nº 617.- Dos horas para el análisis y repaso a la historia y actualidad que generan esta música americana . Todo en el tono que acostumbra este programa, en dos secciones JAZZ ANIVERSARIO y JAZZ ACTUALIDAD importantes novedades y diferentes canales de comunicación que se ofrecerán al oyente. STANDARD SEMANAL.- “Lonely Woman” JAZZ RECUERDO ANIVERSARIO.- Julian Priester-1960-Keep Swingin' Sello: Riverside Records ?– RLP 12-316 Formato: Vinyl, LP, Album, Mono País: US Fecha: 1960 Género: Jazz Estilo: Hard Bop PistasOcultar Créditos A1 24-Hour Leave Written-By – Jimmy Heath 7:00 A2 The End Written-By – Julian Priester 3:48 A3 1239A Written-By – Charles Davis (2) 3:03 A4 Just Friends Written-By – John Klenner, Sam M. Lewis* 3:47 B1 Bob T's Blues Written-By – Julian Priester 3:57 B2 Under The Surface Written-By – Julian Priester 4:21 B3 Once In A While Written-By – Bud Green, Michael Edwards (3) 5:18 B4 Julian's Tune Written-By – Julian Priester 4:16 Compañías, etc. • Recorded At – Reeves Sound Studios Créditos • Bass – Sam Jones • Design – Harris Lewine, Ken Braren, Paul Bacon (2) • Drums – Elvin Jones • Engineer – Jack Higgins • Photography By – Lawrence Shustak* • Piano – Tommy Flanagan • Producer, Liner Notes – Orrin Keepnews • Tenor Saxophone – Jimmy Heath (tracks: A1, A2, A4, B2, B3) • Trombone – Julian Priester Julian Priester (nacido el 29 de junio de 1935) es un trombonista de jazzestadounidense. [1] A veces se le atribuye "Julian Priester Pepo Mtoto". Ha jugado con Sun Ra , Max Roach , Duke Ellington , John Coltrane y Herbie Hancock . Priester asistió a la escuela secundaria DuSable de Chicago , donde estudió con Walter Dyett . En su adolescencia jugó con artistas de blues y R&B como Muddy Waters y Bo Diddley , y tuvo la oportunidad de tocar con músicos de jazz como el saxofonista Sonny Stitt . A principios de la década de 1950, Priester era miembro de la gran banda de Sun Ra , grabando varios álbumes con el grupo antes de salir de Chicago en 1956 para hacer una gira con Lionel Hampton y se unió a Dinah Washington en 1958. Al año siguiente se estableció en Nueva York y se unió al grupo dirigido por el baterista Max Roach, quien lo escuchó tocar en el álbum de Philly Joe Jones , " Blues for Dracula " (1958). Mientras jugaba en el grupo de Roach, Priester también grabó dos álbumes como líder, Keep Swingin ' y Spiritsville , ambos grabados y lanzados por Riverside. (este último por su filial Jazzland) en 1960. Priester grabó dos álbumes con el trompetista Booker Little en 1961, en el frente y Booker Little y Amigo (también conocida como Victoria y dolor ), la primera también cuenta con Roach, y Priester participaron en las sesiones de John Coltrane 's Africa / Brass álbum, el cual fue grabado en el mismo año. Abandonó la banda de Roach en 1961, y entre entonces y 1969 apareció como sideman en los álbumes de Freddie Hubbard , Stanley Turrentine , Blue Mitchell , Art Blakey , Joe Henderson , McCoy Tyner , Johnny Griffin ySam Rivers . En 1969, aceptó una oferta para jugar con Duke Ellington 's Big Band, y él se quedó con ese conjunto de seis meses antes de salir en 1970 para unirse a la pianista Herbie Hancock ' s fusión sexteto. Después de dejar el Hancock en 1973, Priester se mudó a San Francisco, donde grabó dos álbumes más como líder: Love, Love en 1974 y la Polarización de 1977 . En 1979 se unió a la facultad de Cornish College of the Arts en Seattle, donde enseñó composición de jazz, performance e historia hasta que se jubiló en 2011. [2] En la década de 1980, se convirtió en miembro del quinteto de Dave Holland y también regresó a la banda de Sun Ra para algunas grabaciones. La década de 1990 vio la adición de Charlie Haden 's Liberation Music Orchestra a su horario. Priester fue co-líder con el baterista Jimmy Bennington en "Portraits and Silhouettes", que recibió una mención de honor en "Best Recordings of 2007" de All About Jazz New York, que culminó con la presencia de los dos músicos en el 30 Festival Anual de Jazz de Chicago. Priester también se presenta en el álbum Monoliths & Dimensions de la banda de drones de metal Sunn 0)), lanzado en mayo de 2009. Sus principales contribuciones fueron a la canción final del álbum, "Alice"Alice Coltrane . Además de enseñar y hacer giras, Priester continúa grabando álbumes bajo su propio nombre. Lanzó Hints on Light and Shadow (con Sam Rivers y Tucker Martine ) en 1997 y lo siguió en 2003 con In Deep End Dance . JAZZ ACTUALIDAD.- Esta semana tendremos a BERTRAND KIENTZ-SUNDUST Sundust Sundust es un conjunto de ocho temas compuestos para crear un ambiente sonoro dando especial importancia a las melodías. Es por ello que la fusión del sonido de la guitarra, el saxofón y en dos ocasiones el trombón, es omnipresente. Es importante recalcar que durante el proceso de composición ya se tenía en cuenta el sonido tan personal de VictorJimenez. Se trata de una propuesta dirigida hacia el público y no un ejercicio técnico e intelectual de música para músicos. Sundust ha sido compuesto en un mes y está pensado como un todo. Aunque los temas sean de estilos diferentes, proponen un viaje en el que se va bailando del jazz a músicas sudamericanas (bolero, samba), africanas e incluso recogiendo influencias de la música clásica y del rock. La armonía y el ritmo realzan el aspecto melódico con una gran fuerza impuesta por intérpretes de la talla de MarianoSteimberg, Alessandro Cesarini y Albert Palau. El nombre Sundust (Polvo de sol) es un mensaje existencialista a la vez que racional para contestar parcialmente a la gran pregunta: ¿Quien soy? Una metáfora que da su nombre también a uno de los temas del disco; un tema alegre y rápido que da ganas de bailar y de disfrutar de la vida. Bertrand Kientz, Guitarra Mariano Steimberg, Drums Alessandro Cesarini, Contrabajo Albert Palau, Piano Victor Jimenez, Saxo Temas Sundust - Petite valse - Barrocosa - Naimi - Rockamatic - Agyemang - Bigramexperience - Crossed Trading Blues Y para terminar lo vamos hacer con lo va acontecer en el 22 FESTIVAL DE JAZZ DE LA UNIVERSIDAD DE SEVILLA./ASSEJAZZ. Este año 2019 el festival ha encontrado un nuevo emplazamiento, tanto espacial como temporal, será el CICUS y el inicio del verano lo que marque este hecho novedoso. El mes de junio marca el inicio del momento con mas calor del año como la música que proponemos. El damero del CICUS como espacio elegido para los conciertos dará además el pistoletazo de salida del programa anual de las noches de verano en la Universidad de Sevilla. La idea fundamental en esta ocasión es hacer que el Jazz Festival Universidad de Sevilla-Assejazz sea un proyecto cercano, un lugar de encuentro entre los músicos y los aficionados y para ello este año queremos contar con la mayor parte de músicos que está y son en la ciudad. Se empezó con la presentación del cartel el pasado día 17 de junio será la Sursonora Big Band creada en los talleres del CICUS gracias a la inestimable sabiduría de Nacho Botonero aunque en esta ocasión fué su director Javier Rodríguez también tuvo lugar el concierto final de taller del taller de voz de Assejazz impartido por Natalia Ruciero. Haremos un impás hasta el martes día 25 donde convocamos a todos los músicos de jazz que quieran participar en una sesión improvisada de combos al azar, lo hemos llamado Assejazz play jazz estamos todos invitados. El día 26 la Assejazz Big Band nos prepara un concierto basado en el trabajo de gran banda que durante el año se ha preparado dentro de la asociación. A Partir del día 27 tienen lugar los conciertos profesionales con músicos de reconocido prestigio. Eva Fernández Trío día 27 Cromatic Vortex día 28 ,Sebastián Chames día 29 y Andalucía Big Band con Abdú Salim el día 30. Jueves 27 de junio EVA FERNÁNDEZ TRÍO Eva Fernández / saxo Josep Munar / guitarra Enric Fuster / batería. La cantante y saxofonista Eva Fernández presenta “Yo pregunto” y lo anuncia como primer proyecto liderado por ella misma, reafirmando su compromiso con la sensibilidad y la creatividad al hacer música. Este nuevo trabajo discográfico deja de ser un conjunto de “standards”, como en los anteriores discos en los que ha participado, para dar paso a la creación y así poder empezar a tejer su propio discurso. “Los poemas que forman este disco resonaron tan fuerte cuando los leí que tuve que empezar a cantarlos“ escribe la artista en la contraportada del disco. Eva Fernández forma tándem compositivo con Josep Munar, guitarrista de la formación, para musicar estos poemas, unidos per la premisa estilística ”menos es más”. Munar a la guitarra y Enric Fuster a la batería, son los compañeros de viaje de Fernández en este espectáculo. yo pregunto “Has vivido como un golpe en la frente que tus ojos tus manos tu sexo tu blando corazo?n habi?a que tirarlos habi?a que llorarlos habi?a que inventarlos otra vez.” Julio Corta?zar (Para leer en forma interrogativa) Julio Corta?zar, Alfonsina Storni, Alejandra Pizarnik y Alfonso Costafreda firman los poemas elegidos y han inspirado muchas respuestas a este “Yo pregunto”. Viernes 28 de junio CROMATIC VORTEX Igor Lumpert / tenor saxophone / compositions Aruán Ortiz / piano / compositions Masa Kamaguchi / contrabajo Chad Taylo / drums / percusión. Sábado 29 de junio SEBASTIÁN CHAMES QUARTET Presentando Willie Jones III and Justin Robinson Justin Robinson / saxo alto Sebastián Chames / piano Rubén Carles / contrabajo Willie Jones III / batería El pianista argentino Sebastián Chames nos trae su cuarteto, que incorpora a dos figuras estelares americanas nivel, el baterista Willie Jones III y el saxofonista alto Justin Robinson. Domingo 30 de junio ANDALUCÍA BIG BAND Dir. Abdú Salim “Los integrantes de la big band han hecho madurar durante los últimos cinco años, a fuerza de vocación y rigor, un proyecto solvente bien capaz de afrontar, no sólo el repertorio clásico, sino los nuevos arreglos y composiciones de directores invitados.” - Alberto Marina (Díario de Sevilla) . JAM SESSIONS días 27, 28 y 29 de junio en CICUS una vez concluido el concierto. La entrada será libre hasta completar aforo. TALLER Música y movimiento para niños: Leslie Ann Jordan Taller de Música y Movimiento para Niños es una acercamiento a las herramientas para desarrollar capacidades musicales tales como el ritmo, la entonación, la coordinación y la improvisación a través del movimiento y los instrumentos de pequeña percusión, y de una forma lúdica y práctica. Las actividades fomentan el trabajo en equipo. Se utiliza formas no tradicionales de notación musical para entender cómo medir el tiempo así como dramatizaciones, músicogramas, y coreografías. Dirigido a niños entre 3 y 9 años. No son necesarios conocimientos previos sobre música para participar en el taller. Horario: de 3 a 5 años de 18:00 a 18:45h de 6 a 9 años de 19:00 a 20:00h EXPOSICIÓN Imágenes de Jazz en Sevilla Antonio Torres Olivera y Gracia Gata Desde el día 17 de junio hasta el 4 de julio en CICUS Antonio Torres Olivera / Gracia Gata CINE Y JAZZ Patio del CICUS. La entrada será libre hasta completar aforo. Día 1 de Julio Ascensor para el cadalso de Louis Malle música de Miles Davis Día 2 de Julio Blow-up de Michelangelo Antonioni música de Herbie Hancock Día 3 de Julio Sonidos en B/N por Gurugú Sax Todos los conciertos darán comienzo a las 22h Los conciertos de los días 27 ,28, 29 y 30 tendrán un precio de 12€ / 6€ (comunidad universitaria y socios de Assejazz) El resto son de entrada libre hasta completar aforo.

My guest today is the man. Tim Warfield. Legend. He's shared the stage with everyone from Donald Byrd, to Marcus Miller, to Christian McBride, to Shirley Scott, to Nicholas Payton, Charles Fambrough, Terell Stafford, Stefon Harris, Orrin Evans, and that is the extremely abridged version. But what is most impressive to me is how he encourages, energizes, and leads the next generation. Our conversation was super inspiring as we jumped around from various topics including fashion, conquering fear, dealing with the business of music, his unique take on ear training, as well as some nuggets of wisdom from a life spent among the masters. If you haven't checked out his work, I highly recommend his albums Gentle Warrior, Jazzland (his most recent release), and my personal favorite Spherical, his deep dive into the work and genius of Thelonious Sphere Monk.

JAZZ CORNER les lundi et jeudi à 13h et 18h. Chronique animée par Serge Mariani ou Louise Hodé sur l'actualité jazz : concert à ne pas manquer, album à écouter au plus vite et des artistes à découvrir. Cette semaine, Serge nous parle de la violoniste de jazz, Harpreet Bansal, qu'il a rencontrée lors de son concert au Sunset-Sunside le 20 décembre 2018 pour la sortie de son album "Samaya" chez Jazzland. Harpreet Bansal est Indo-Norvégienne, violoniste et compositrice reconnue dans le monde entier pour son interprétation de la musique râga (musique classique indienne). C'est son premier concert en France depuis la sortie de son disque Samaya (Jazzland Recordings). Dans son groupe elle a réuni des virtuoses venant tant du jazz que de la musique persane lui permettant de présenter un set mêlant spontanéité et improvisation tout en restant d'une extrême précision.

It's time for a change in Jazzland (EP 29) The Jazz have been inconsistent at best this season and Jason Walker and Trey Sanders talk about potential changes, trades, and adjustments that the coaches and front office can make to turn their mediocre season around.

Jazzland by Wesley & Garrett

Six Flags Jazzland in New Orleans, LA was short lived. However the abandoned remains found a home in what became a watery grave. Learn more about your ad choices. Visit megaphone.fm/adchoices

9e émission de la 36e session... Cette semaine, pas mal juste du vieux groove en hard-bop, funk, jazz modal, spirituel et free ! En musique: Harold Land sur l'album West Coast Blues!  (Jazzland, 1960); Gene Russell sur l'album New Direction  (Black Jazz, 1971); Maceo Parker sur l'album Life on Planet Groove  (Minor Music, 1992); Dadisi Komolafe sur l'album Hassan's Walk  (Nimbus West, 1983); David S. Ware Trio sur l'album Live in New York, 2010  (AUM Fidelity, 2017)...

9e émission de la 36e session... Cette semaine, pas mal juste du vieux groove en hard-bop, funk, jazz modal, spirituel et free ! En musique: Harold Land sur l'album West Coast Blues!  (Jazzland, 1960); Gene Russell sur l'album New Direction  (Black Jazz, 1971); Maceo Parker sur l'album Life on Planet Groove  (Minor Music, 1992); Dadisi Komolafe sur l'album Hassan's Walk  (Nimbus West, 1983); David S. Ware Trio sur l'album Live in New York, 2010  (AUM Fidelity, 2017)...

10e émission de la 35e session... Cette semaine, départ bop, freebop et finale en jazz de chambre... En musique: Charlie Rouse sur l'album Takin' Care of Business ( Jazzland, 1960); Han Bennink Trio sur l'album Adelante  (ICP, 2017); Morten Pedersen 5tet Sammensurium  (Challenge, 2017); Eivind Opsvik sur l'album Overseas V  (Loyal Label, 2017); Harris Eisenstadt sur l'album Recent Developements  (Songlines, 2017); Louis Sclavis sur l'album Asian Field Variations  (ECM, 2017)...

3e émission de la 35e session... Cette semaine, départ en piano trio et transition vers du prog jazz ! En musique: Mateusz Gaweda Trio sur l'album Overnight Tales (Audio Cave, 2016); Colin Vallon Trio sur l'album Danse (ECM, 2017); Bugge Wesseltoft sur l'album Somewhere In Between (Jazzland, 2016); The Necks sur l'abum Unfold (Ideologic Organ, 2017); Horse Lords sur l'album Interventions (Northern Spy, 2016)...

Utah Jazz, Warriors and the Oscars All is not good in Jazzland. The Utah Jazz have dropped four in a row, with meltdowns and stalls late in games. Is it Panic! time yet? Can the Jazz still make the playoffs? Plus, Rodney Hood recently spoke with SLAM Magazine. John and Alan discuss. NBA News and Notes: […]The post Jedi & Jerms Episode 57: Utah Jazz, Warriors and Oscar appeared first on TornBySports.

Feels Like... episode 29 is a great blend between electronica, deep house and tech house, put together by the one and only Jonas Lönnå!Jonas is one of Swedens most acclaimed DJs, known for his tasteful mix of leftfield sounds, broken beats, techno & deep house. He has spinned around the globe in clubs such as: Batofar/Paris, Blaa/Oslo, Roxy Club/Istanbul, Blue Note/Tokyo, Brancaleone/Rome, Tango Club/Beijing & Bohannon/Berlin.He is one of the members the of electronica duo gen;lon/genlon (Jazzland/Koloni Rec). He was one of the founders/residents, together with Mad Mats (Local Talk), of the world famous Fusion Club in Stockholm. Jonas were also a regular member of Bugge Wesseltofts New Conception of Jazz and programmed beats and sounds for the two classic Jazzland albums “Moving” and “Film Ing”. Also, he appeared on Laurent Garnier’s “Retrospective” album.Support Your Local Deep House Dealer!!!Episode 29 Tracklist1. Cosmic Metal Mother - I Think2. Pools - Spread Lurve3. Nhar - In Between Spaces pt 34. Subway - Testing5. Alexander Maier - Socializing6. Romp - Treat (Charles Webster Rmx)7. Munk - Purple Dust8. Roberto Rodriguez - I Know You’re Mine9. Detroit Swindle - Me, Myself & You10. Nacho Marco - That Smile11. Martin Buttrich - Mr Medicine Man12. Schwarzwalder/Mira - Ayun (Jonas Saalbach Remix)13. Damian Lazarus - Vermillion (&Me Rmx)14. Sameed - Getyoself15. Hakimonu & Roi Okev - Changes16. S.A.M. - Nangijala (Maceo Plex Reggae Edit)17. Mihai Popoviciu & David Delago - Tape18. thatmanmonkz - Take U 2 My House (Jimpster Remix)19. Pablo Bolivar - Curve Control20. Synkro - Memories Of Love21. IAMNOBODI - SchillerpromenadeFeels Like... is presented by Mix Media Arts! See acast.com/privacy for privacy and opt-out information.

PROG.Nº 410.-Comenzamos con el estándar de la semana escuchando el tema” Donna Lee -versionado por LEE KONITZ. Jazz en el Recuerdo Aniversario.-Esta semana recordamos el aniversarios HANK MOBLEY, y LEE MORGAN, y su albún "Take Twelve. Tome Doce es un álbum de jazz trompetista Lee Morgan lanzado originalmente en el Jazzland etiqueta. Fue grabado el 24 de enero 1962 1. "Raggedy Ann" - 6:46 2. "A Waltz for Fran" - 4:55 3. "Lee-Sure Time" - 8:27 4. "Little Spain" (Jordan) - 7:45 5. "Take Twelve" - 4:55 6. "Second's Best" - 7:08 7. "Second's Best" [alternate take] - 7:29 Bonus track on CD reissue • Lee Morgan - trumpet • Clifford Jordan - tenor saxophone • Barry Harris - piano • Bob Cranshaw - bass • Louis Hayes - drums JAZZ ACTUALIDAD.- Esta semana tendremos otro álbum que teníamos en el tintero, ARTRIO y su albúm CANCIONES, En 2012, en Reus, Angie Rodríguez (voz) y Joan Casellas (guitarra eléctrica) empiezan a revisar canciones de interés común. Gracias a la buena química que surje entre ellos y a la incorporación de Iván Sáez (saxo barítono) el trío comienza a tener espectativas de futuro. A partir de aquí, la amistad, curiosidad, autoexigencia y la constancia son los compañeros de viaje.Después de dos años de trabajo,en los que se intercalan conversaciones y ensayos con actuaciones que permiten comprobar los resultados, tanto a nivel de propuesta musical como anímico artístico de cada uno de los componentes, se manifiesta en 2014 la necesidad de registrar el primer disco, consolidándose ARTRIO como grupo estable. THE ARTRIO SOUND La combinación inusual de los tres instrumentos; voz, guitarra eléctrica y saxo barítono, más por una cuestión práctica que intelectual, presenta un collage de texturas que el trío modela como artesano en taller. Estaformación, además de proponer por su indiosincrasia una tímbrica única y diferente de lo habitual, influye directamente al grupo a la hora de tratar cada una de las canciones. ARTRIO realiza una deconstrucción de cada una de las versiones en las que se centra, para que desde la esencia, poder aplicar la visión y las herramientas del trío. Aunque ARTRIO es un grupo joven, ha realizado numerosas actuaciones por todo el país. Cabe destacar su participación en en Ciclo musical permanente de jazz de Altafulla ALTAFUJAZZ,el Festival de Invierno de Jazz del BIRIBAY JAZZ CLUB (Logroño) y la plataforma digital de emisión de conciertos en directo (en streaming) NOISE OFF FESTIVAL (Madrid). También el trío a tenido el placer de actuar en Clubs de Jazz míticos como el KEYBOARD JAZZ LOUNGE (Reus), el CAFÉ EL DESPERTAR (Madrid) o el SOBERAO JAZZ (Sevilla). Además, ARTRIO ha visitado Vilallonga del Camp,Poboleda, Mora de Ebre, La Era, Cambrils, El Morell, Montblanc, Salou, La Gornal,El Vendrell, Reus, Burgos y Málaga. El 1 de junio de 2014 , ARTRIO registra en un falso directo diez tracks que corresponden a las versiones que forman el disco. Las canciones son extraidas de muy diferentes estilística as versiones que en e l disco . Las canciones , son extraidas de muy diferentes fuentes estilísticas, época y situación geográfica . El punto que tienen en común entre ellas es la atracción irresistible entre l a parte primitiva y visceral de cada una de las canciones con el pensamiento global del trío.

Joe and Mike are joined by Tonya Pope to talk about the proposal submitted to redevelop Jazzland Park in New Orleans, Louisiana! We discuss the scope of the project, attractions to be featured, and answer some of your questions.

THIS WEEK: New Orleans might see a Theme Park once again! Screamscape has the details on Jazzland! Plus, Jon and Kevin return with Part II of their interview with Kings Island PR Manager Don Helbig.  We also have a Live Trip Report from Silver Dollar City and listeners react to price increases at Walt Disney World. Plus, a whole lot more!

Charlie Rouse Takin' Care of Business CD Charlie Rouse debut como líder (sin contar sus anteriores trabajos de co-líderes de los modos de jazz Les francesa con el gran trompetista Julio Watkins) fue hecho para Jazzland y está disponible como un CD de OJC. El distintivo saxo tenor, que acababa de empezar una temporada larga década como miembro del Cuarteto de Thelonious Monk, los equipos con el trompetista Blue Mitchell, el pianista Walter Bishop, Jr., el bajista Earl May y el batería Art Taylor. Juntos llevan a cabo en línea recta material, incluyendo el propio Rouse uptempo "Upptankt," la norma "Ellos no me creyeron", y canciones de Mitchell, Kenny Drew y Randy Weston Un buen atasco moderna corriente período de sesiones con sabor a juego. ~ Scott Yanow ~ Scott Yanow Personnel: Charlie Rouse (tenor saxophone); Blue Mitchell (trumpet); Walter Bishop, Jr. (piano); Earl May (acoustic bass); Art Taylor (drums). Personal: Charlie Rouse (saxo tenor), Blue Mitchell (trompeta), Walter Bishop, Jr. (piano); Earl May (contrabajo), Art Taylor (batería). En la segunda parte en Jazz en el Actualidad, tendremos el primer trabajo de SBT llamado SIMETRIAS

The name Johnny Lytle may not be a household word but he was a very well respected player of the vibraphone. Like one of his mentors, Lionel Hampton, Lytle began his career as a drummer then switched to vibes. His two greatest influences were Lionel Hampton and Milt Jackson. Hampton called Johnny Lytle "the best vibist in the world today" and Milt Jackson said that Johnny had "the fastest hands in the business". Lytle spurned offers from major labels as he did not wish to be dictated to musically and stuck with the independents. He recorded for Jazzland and Riverside, Solid State and Muse. He also preferred to work in small clubs in ghetto neighborhoods. He was born in Springfield, Ohio on October 13, 1932 and died there in on December 15, 1995. He was so well respected and loved in his hometown that there is a street named for him "Johnny Lytle Avenue". Tonight's Feature is a rare recording for the Jazzland label called "Nice and Easy-The Soulful Vibes of Johnny Lytle" He appears here with an all-star group with "The Little Giant", tenor saxophonist Johnny Griffin on all but one of the seven tunes, a mix of standards and original compositions by the members of the group. The rhythm section is stellar with Bobby Timmons on piano, Sam Jones on bass and Louis Hayes on drums. Those of you who are familiar with Cannonball Adderley's great band will remember this rhythm section. All in all this is one of Johnny Lytle's finest recorded moments so sit back, relax and enjoy "Nice and Easy".

Ahead of the launch of his Later Works at this year's Gateshead International Jazz Festival at the Sage, Stan Tracey joined Alyn Shipton to look back at his recording career. As well as work with visiting Americans such as Zoot Sims, Ben Webster and Sonny Rollins, Stan discusses his fascination with Duke Ellington, his own big bands and quartets, his suite Alice in Jazzland, and the story behind his most recent recordings.

"The Hum in the Room" the final part of the three-part mix dedicated to ... the hum in your room! The buzz that you suddenly notice, that appears to have been there forever but unnoticed - until this moment. The sound that will be there forever from now. The hum that appears to come from the inside of your head, and that keeps changing when you turn your head or walk through the room. The noise that can irritate as well as fascinate. Or, to quote John Cage from a 1937 lecture: "Wherever we are, what we hear is mostly noise. When we ignore it, it disturbs us. When we listen to it, we find it fascinating. The sound of a truck at 50 m.p.h. Static between the stations. Rain. We want to capture and control these sounds, to use them, not as sound effects, but as musical instruments. " --- originally published on Ambientblog --- PLAYLIST: Ryoji Ikeda - Matrix (for Rooms) Matrix , 2001, Touch TO:44 Ryoji Ikeda - 1011111111 Matrix , 2001, Touch TO:44Akira Rabelais - Notturno (2) Eisotrophobia, 2001, RitornellBrannan Lane - Zone One Hypnotic Drift, 2003, Sampler CDDisinformation - National Grid New Forms, Contemporary Electronic Music in the Context of Art, 2000, Galerie Fuer Zeitgenoessische Kunst LeipzigRobert Henke - Signal to Noise 1 Signal to noise, 2004, Kompakt ICM 05Alp - Fax Machine – Toilet Plumbing At home with Alp, 1999, Soleilmoon 01863Tamia / Pierre Favre - Solitude Solitudes, 1992, ECM 1442Brannan Lane - Mesosphere (part 1) Troposphere, soundtrack for your head, 2000, World Circle Records, WCD804CDOöphoi - Cydron The dreaming of Shells, 2003, Mystery SeaAlbrecht Kunze - Motion Control Maschinelle Strategeme, 2000, Ritornell, RIT010Biosphere - Modifié Autour de La Lune, 2004, Touch TO:62Edgar Varese - Poem Electronique Ohm, the Electric Gurus of Electronic Music 2000, Ellipsis CD3270Joyi Yuasa - Projection Esemplastic for White Noise Ohm, the Electric Gurus of Electronic Music 2000, Ellipsis CD3270Alp - Disk Drive Kettle Washing Machine At home with Alp, 1999, Soleilmoon 01863Matthew Florianz - Erik + Matthew -1 unreleasedMichel Redolfi - Desert Tracks – Mojave Desert Desert tracks, 1988, Ina GRM, INA_C 1005E-Hum 1 - private collectionArvo Pärt - Solfeggio De Profundis, 1997, Harmonia Mundi, HMU 907182David Shea - Elegy The Tower of Mirrors, 1996 Sub Rosa SR94Food Mixer - private collectionAlan Howarth - Sailing Ships Creaks Real Hollywood Sound Effects, 1997, Gnp crescendo 8054Thomas Köner - Tu, Sempre Zyklop, 2003, Mille Plateaux MP118Thomas Köner - Les Soeurs Lumiere Unerforschtes Gebiet, 2003, Die Stadt, DS56Alan Howarth - Ships Interior Real Hollywood Sound Effects, 1997, Gnp crescendo 8054Thomas Köner - Nuuk (Night) Nuuk, 1997-2004 Mille Plateaux Media MPM 03Sidsel Endresen & Bugge Wesseltoft - Voices Out Here in there, 2002 Jazzland 017 368-2 Cas de Marez - Sens (fragment) PEMCD, unreleasedMatthew Florianz - Elementen unreleased, 2003Biosphere - Thermal Motion Shenzhou, 2002, Touch TO:55Pauline Oliveros, Panaiotis, Dempster - Ione Deep Listening, 1989, New Albion, NA 022Tetsu Inoue - Magnetic Field Ambiant Otaku, 1994, Fax, PS08/43David Kwan - +/- IV Storm of Drones, 1996, Asphodel 966Tibor Szemzo - Tractatus Tractatus, 1991 – 1995, 1995, LeoRecords LR 227Moljebka Pvlse - Jiken Evolved as One, a collection of Emotional Ambient-Drones, 2003, Evolved as One, EVOL 01Sleep Research Facility - Back to the Egg Dead Weather Machine – re:Heat, 2004, manifold MANCD043Kettel - Electrician and Adventurer Volleyed Iron, 2004, U Cover, 018Thomas Gerwin - Air Wattenmeer Suite, 1996, IAP 011Quiet American - Night web download

"Acoustical Illusions", a part of the "Hum in the Room-trilogy" (2005), is dedicated to the environmental sounds that sound like distant choirs or orchestras. Sometimes when you listen to sounds in your environmental background, they may vaguely sound like a full string orchestra, or like soft whispering voices. An orchestra tuning? Cars passing on the highway?Sound that sound different from what they really are - Acoustical Illusions. Like the other wo mixes in this set ("Mantra of Walls and Wiring" and "The Hum in the Room") this is a very minimal, drone-oriented mix. And probably, you'll also hear some sounds that aren't even in it! --- originally published on Ambientblog --- PLAYLIST: Matthias Grassow - Hidden Deep- Hidden deep, 1999, 2001, Sistema Operativo Paul Schutze - The Head, the Soles of the Feet, an Arm- Third Site, 1999, Rykodisc RCD 10464Matthew Florianz - Heden- Sprook, 1999, unreleased Anders Blomqvist - Sparar (Tracking)- Media Artes II, 2002, Chamber Sound 27 Banabila - Still Waiting- Hilarious Expedition, 2005, TAPU RECORDS, TRBOP01 Banabila - SMS-ing- Hilarious Expedition, 2005, TAPU RECORDS, TRBOP01 Astrogenic Hallucinauting - Non Angular Chamber- Drone Download Project 2003 Biosphere - The Silent Orchestra- Man with a Movie Camera, 2001, Touch TO:50 Matthew Florianz - Hidden- Electronic Forest, 2002. H/S Recordings HSCD6 Michael Prime - Armillaria- Solar, A Musical travelogue, vol II, 2002 Soleilmoon 04140 Arve Henriksen - Ending Image- Chiaroscuro, 2004, Rune Grammofon RCD2037 Leif Inge - Beetstretch B912 (2x)- Beetstretch, (Beethoven's 9th stretched to 24 hours)Robert Henke - Studies of Thunder- Signal to noise, 2004, Kompakt ICM 05 Frank Perry - Treasure of the Mountain - Solar, A Musical travelogue, vol II, 2002 Soleilmoon 04140 Brian Eno - Deep Glass Bells (with Harmonic Clouds)- Bell Studies for the Clock of the Long Now, 2003, Opal, Opal CD02 Scanner - Throat Paint Fortune- Solar, A Musical travelogue, vol II, 2002 Soleilmoon 04140 Michel Redolfi - Crysallis – Deep Sleep- Crysallis, Underwater Opera, 1999, unknown Sidsel Endresen & Bugge Wesseltoft - Voices- Out Here in there, 2002 Jazzland 017 368-2 Claude Schryer - Musique de l'Odyssee Sonore – Eau- Excitations, 1997, Empreintes Digitales IMED 0050 Higher Intelligence Agency & Biosphere - Meltwater- Polar Sequences, 1995, Beyond RBACD17 Voice of Eye - Sirens at Propolis- Storm of Drones, 1996, Asphodel 966 Jocelyn Montgomery/David Lynch - Flame and Vision- Lux Vivens, 1999, Mammoth 98013 Thomas Köner - Nival- Permafrost, 1994 Barooni BAR 009 Dino Pacifici - The Currents of Space- The Float Zone, 2004, Scorpio Rising Music Oöphoi - Cydron- The dreaming of Shells, 2003, Mystery Sea Christophe Charles - Verena- Maschinelle Strategeme, 2000, Ritornell, RIT010 Banabila - Phonema (1)- Hilarious Expedition, 2005, TAPU RECORDS, TRBOP01 Brian Eno - Night Thoughts- Textures, 1996, Standard Music Library, ESL003