Podcasts about Alice Coltrane

In Episode Six, Dave Reis speaks with internationally renowned, award-winning jazz musician and centenarian, Terry Gibbs, via Zoom from Australia! Terry Gibbs, was born Julius Gubenkon in 1924. The renowned American jazz vibraphonist and band leader is 101 years old! According to his Wikipedia page, Gibbs has performed or recorded with many of the greatest names in Jazz, including  Tommy Dorsey, Chubby Jackson, Buddy Rich, Woody Herman, Benny Goodman, Alice Coltrane, Louie Bellson, Charlie Shavers, Mel Tormé, and Buddy DeFranco to name just a few. "I am the oldest bebopper alive!” proclaims 93-year-old Terry Gibbs, according to an article in Jazz Times, "This forefather of the jazz vibraphone may well be right; age-wise he beats out his closest competitors, including Roy Haynes (92), Jimmy Heath (91), Lee Konitz (90) and Sheila Jordan (89). Certainly, few musicians of any age can top his ability to whip up a storm of excitement on his instrument." The Artist Index's jazz documentarian and Jazz Podcast Series host, Dave Reis, spent nearly 26 years as a Jazz radio show host, among his many other accomplishments. He was one of the original longtime DJs who worked at the former WUSM, which became radio station WUMD, 89.3 FM, on the University of Massachusetts Dartmouth campus. Dave Reis, AKA David Domingo Reis, began as our guest on In-Focus Podcast 154 and In-Focus Podcast 181. He returns once again as the host of our first-ever ten-part jazz podcast series underwritten by the Fiber Optic Center. There is no better host for this series than Dave Reis, a walking, talking jazz encyclopedia and local legend himself. Dave grew up surrounded by and hanging around with many of the jazz greats he will be presenting his ten-part Jazz Podcast Series underwritten by the Fiber Optic Center. Podcasts are also available on your favorite media app, including Amazon Music / iHeart Radio / Libsyn / Podcast Page / Spotify / WebPlayer, and APPLE PODCASTS   Please consider donating whatever you can to help and assure us in our mission to continue documenting the legacies of South Coast Artists. If you would like to be a guest on The Artists Index or have a suggestion, please let us know!

Today back on Sense of Soul we have J.J. Hurtak, Ph.D., Ph.D. and Desiree Hurtak, Ph.D., social scientists, composers, authors and futurists. Dr. J.J. Hurtak is the author of the best-seller The Book of Knowledge: The Keys of Enoch®, translated into twenty-five languages. He has Ph.Ds from the University of California and the University of Minnesota.  Together, the Hurtaks are the founders of The Academy For Future Science, an international NGO. They have written numerous books together that include Salvator Mundi, The Seventy-Two Holy Names of The Myriad Names of the Divine Mother, The Overself Awakening, Pistis Sophia: Text and Commentary, a commentary on The Gospel of Mary and more. Drs. Hurtak are co-authors of Mind Dynamics in Space and Time, with the collaboration of world-renowned physicist, Dr. Elizabeth Rauscher, encompassing the rigorous scientific research of remote viewing and consciousness. They are also well known for their inspirational music, including their CD Sacred Name Sacred Codes which is a collaborative music with Steven Halpern, and their latest album with Steven entitled Sacred Cyphers of the Divine Mother. Dr. J.J. Hurtak's work has been performed by the German Symphonic Orchestra of Berlin with the famous singer Jocelyn Smith. Dr. J.J. Hurtak was also cowriter and composer with legendry song writer Alice Coltrane, and their work was presented at the New Jersey Center for Performing Arts where Desiree performed with the chorus. Their music of sacred mantras has been performed and sung throughout Europe and Latin America. Together, Drs. Hurtak continue to introduce music, having over 30 albums to date, to help unify cultures within the larger global society. Drs. Hurtak are also well-known as pioneers in Acoustic Archaeology having done music testing in many of the Mayan Temples, as well as the Great Pyramid of Giza. They were part of the team that discovered the “Tomb of Osiris” on the Giza Plateau in 1997. Their most recent publications to which they have been contributors are, Our Moment of Choice (2020), which includes their insights on consciousness together with those of over forty other internationally respected writers, such as Dr. Deepak Chopra and Dr. Bruce Lipton, and Making Contact (2021) with chapters by Nick Pope and Linda Moulton Howe, and The Holomovement: Embracing Our Collective Purpose To Unite Humanity (2023), which explores various inspirational understandings of the living universe and our integral place in its evolution. J.J. Hurtak was a member of the founding faculty at California Institute of the Arts. Together the Hurtaks have won fifteen awards at national and international film festivals for their numerous animated and graphic arts films regarding the exploration of higher consciousness. Together, they are members of the Evolutionary Leaders group that constitutes a body of speakers and writers from around the world who are shaping the shift in consciousness around the world towards a positive future. keysofenoch.org futurescience.org www.senseofsoulpodcast.com

The spiritual and the sensual find common cause in the music of Brandee Younger. As the world’s leading improvising harpist, she carries a torch for Alice Coltrane, whose astral meditations continue to light a path. But there’s also a place in Younger’s art for playfulness, even mischief — as she reminds us with Gadabout Season, her third album for Impulse! Records. Before a recent show at Solar Myth, part of Ars Nova Workshop’s 25th anniversary season, Younger sat down with The Late Set for this fun and far-ranging conversation. Weeks later, she’d be named a Doris Duke Artist and play Coltrane’s harp in a tribute at Carnegie Hall — making “New Pinnacle,” the title of a song on the new album, feel like a statement of fact.Support WRTI: https://bit.ly/2yAkaJsSee omnystudio.com/listener for privacy information.

This week's episode is a highlight from the archive, originally aired in 2023: I was so honoured to have this opportunity to talk with the inspiring Destiny Muhammad, who is a California-based jazz harpist and composer. You'll get to hear inspiring stories from her life as well as her music. She had a dream to play the harp but didn't have the opportunity until she was 30 years old. She speaks openly about the challenges in the 1980s due to the crack cocaine trade, her success as a barber, her determination and mentors including John Handy, and her unique perspectives in celebrating the legacies of Dorothy Ashby and Alice Coltrane. I'm sure you'll be inspired by Destiny's stories and music! The video and transcript are linked hereDestiny Muhammad websiteNewsletter Buy me a coffee?Podcast merch

Michelle Coltrane and Maggie LePique discuss her Mother, Alice Coltrane and the year-long celebration currently underway that's being called “The Year of Alice.”This celebration spans 2024-2025 and features previously unreleased music and reissues, brand new community programming, a multimedia museum exhibit, specially curated concerts, newly choreographed ballet works and much more.Jazz musician, composer, bandleader and spiritual and devotional leader, Alice Coltrane was born in Detroit, Michigan in 1937 to Solon and Annie McLeod, the fifth of six children. By the age of nine, she played organ during services at Mount Olive Baptist church.In the early 60's she began playing jazz as a professional in Detroit with her own trio and as a duo with vibist Terry Pollard.Alice Coltrane would go on to collaborate and performed with Kenny Clarke, Kenny Burrell, Ornette Coleman, Pharaoh Sanders, Charlie Haden, Roy Haynes, Jack DeJonette, Carlos Santana and more.Mrs Coltrane's interest in gospel, classical, and jazz music led to the creation of her own innovative style. Her proficiency on keyboard, organ, and harp was remarkable and her artistry matured into amazing arrangements and compositions.Her twenty recordings cover a time span from Monastic Trio (1968) to Translinear Light (2004).Michelle discusses at length one of the events here in Southern California that is part of the Year of Alice.Here in L.A. the exhibition Alice Coltrane, Monument Eternal at the Hammer Museum in Westwood is inspired by the life and legacy of jazz musician, composer and bandleader as well a spiritual and devotional leader, Alice Coltrane.This exhibition is part of a larger initiative called “The Year of Alice," and in partnership with the John & Alice Coltrane Home, Impulse Records, The New York Historical Society, the Detroit Jazz Festival and more.The exhibition presents works by contemporary American artists paired with items Coltrane's personal archive and features a range of mediums including video, performance, and sculpture together with Coltrane's archival hand-written correspondence, unreleased audio recordings, and rarely seen video footage.Upcoming event with Michelle Coltrane:Sai Anantam Devotional EnsemblePresented by CAP UCLA and Hammer MuseumSun, Apr 13, 2025 at 6:30pm The NimoyThe Year of Alice events include:Reissues of Alice Coltrane's albums and previously unreleased musicSpecially curated concerts in cities including New York, Brooklyn, Detroit, and CaliforniaA multimedia museum exhibitNewly choreographed dance worksCommunity programming and an Oral History ProjectDiscussions about Coltrane's life and workPartners in the celebration are:Impulse! RecordsDetroit Jazz FestivalHammer MuseumAlonzo King LINES BalletThe New York Historical SocietyShapeshifter LabLyon & Healey HarpsSource: https://thecoltranehome.org/2024/03/16/let-the-year-of-alice-begin/Source: https://www.alicecoltrane.com/Source: https://hammer.ucla.edu/exhibitions/2025/alice-coltrane-monument-eternalHost Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica stSend us a textSupport the show@profileswithmaggielepique@maggielepique

[This episode (aka "That's Entertainment: Napa, Act 4") was recorded live in 2022 at the Blue Note Jazz Festival.]."If you're on the battlefield, you don't look at your opponent and be like 'I am insecure about things.'...You tell them all the dope shit that you can do." —Dave ChappelleDave, Talib, and yasiin are joined by comedian Katt Williams.Featuring: Dave Chappelle, Talib Kweli, yasiin bey, and Katt WilliamsContains music from Ted Hawkins and Alice ColtraneExecutive Produced by Talib Kweli, yasiin bey, Dave Chappelle, Noah Gersh, Jamie Schefman, Nick Panama, Kenzi WilburProduced, Edited, and Composed by Noah Gersh and Jamie Schefman for SALTProduction Manager: Liz LeMayProduction Coordinator: Diana Chammas Live Engineering by: Mike Brown Mixed by: Mario Borgatta & Jordan GalvanPodcast Artwork: Leeann SheelyStill Photography: Mathieu BittonThe Midnight Miracle is a Luminary Original Podcast in partnership with Pilot Boy Productions and SALT.Special thanks to Ted Williams, Paul Adongo, Cipriano Beredo, Elaine Chappelle, Ivy Davy, Rikki Hughes, Sina Sadighi, Deborah Mannis-Gardner, Nicolle Johnson, Donna Dragotta, Carla Sims, Pete Amaro, Clint Balcom, Jennifer Branigan, Taylor Dalton, Miles Hodges, Zainab Khan, Christopher Landry, Coral Lee, Jayme Lynes, Mykola Logvynenko, Rishi Malhotra, Mohan Nerkar, Brian Parsons, Lauren Perkins, Kyle Ranson-Walsh, Matt Sacks, Betsy Santoyo, Lisa Schrader, Akhila Shankar, Leeann Sheely, and Mark Silverstein.Photography made available courtesy of Pilot Boy Productions, Inc. Copyright © 2022 by Pilot Boy Productions, Inc., all rights reserved.

Harpist, soloist, collaborator (Harlem Chamber Players), educator, and arranger Ashley Jackson's brand new album is called Take Me To The Water.  In the American spiritual tradition, water is a powerful metaphor for freedom and for moving from this life to the next. Jackson's record takes listeners on a watery journey through works by Debussy, the jazz harpist Alice Coltrane, blues, and some classic spirituals. As Jackson declares in a statement about the record, ”Water is something that we all need. It sustains us, it gives us life. Take Me to the Water reminds us we have a choice: we can let water be the thing that divides us, or, it can allow us to come together through our shared humanity.” She plays some of her arrangements of spirituals on a sculpted maple harp, in-studio. Set list: 1. River Jordan 2. Deep River II 3. Take Me to the Water I

"With open source AI software (Ultimate Vocal Remover) I separated the voices from the percussion so I was able to treat those separately. Unfortunately due to resolution and complexity of the recording the stems came not out the way I hoped.  "I also had difficulties getting the tracks properly warped/quantized and I needed to harmonize the audio to be able to add additional instruments. The results I got were not what I had in mind and by trying out different solutions I got stuck in one direction. Also my computer started suffering blue screens of death. So I was on the brink of giving up. "I chose this recording because I have a long time fascination with traditional music of the Hue people in Vietnam. I wanted to make this into a epic meditation inspired by the spiritual sounds of Alice Coltrane." Chanting in Hue reimagined by Robert Kroos. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world's most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage

108 is a highly spiritual number.

Award-winning harpist Ashley Jackson, whose expressive work melds traditional classical music with the rich heritage of Black spirituality, has a new album on the horizon — Take Me To The Water (out March 21).  In her masterful dip into transformative and spiritual power of water, Jackson interprets work by Alice Coltrane, Claude Debussy, and — on Today’s Top Tune “Deep River II” — the work of Samuel Coleridge-Taylor. 

durée : 00:59:17 - Ici la Terre - par : Nathalie Piolé - En plein air. En bleu. Au vert. Ce soir, on célèbre la Terre. - réalisé par : Fabien Fleurat

For the Record is a conversation series where we speak with all manner of music heads — DJs, music journos, indie label captains, record shop owners, listening bar kingpins, et al — about their stories + the music that makes them. Join the Crate Coalition: https://discord.gg/sAaG6a7bv4 Ian Chainey has been writing Stereogum's The Black Market since 2014. Former editor and associate editor - respectively - of the Invisible Oranges and Last Rites music blogs, his bylines have also spanned several publications over the years. Moreover, he's produced many a podcast and runs two newsletters: Plague Rages and Wolf's Week. MUSIC MENTIONS - Metal Trenches - R.E.M. - New Kids on The Block - “You Got It (The Right Stuff” by New Kids On The Block - “Revolver” by The Beatles - “Tomorrow Never Knows” by The Beatles - Aerosmith - Steely Dan - “Black Cow” by Steely Dan - WBCN Boston - “Mysterious Ways” by U2 - “Losing My Religion” by R.E.M. - All Music Guide - Epitonic - Pearl Jam - Metal Review - Invisible Oranges - Fenriz - Darkthrone - Petethepiratesquid - Parliament - György Ligeti - Jeromes Dream Living in ‘golden ages' (24:20): - Krallice - Encenathrakh - Colin Marston - Weasel Walter - Mick Barr - Paulo Henri Paguntalan - Effluence - Matt Stephans - Anal Stabwound - Trichomoniasis - Hunter Peterson Q&A - The Metal Archives - Pyrrhon - Scarcity - Starkweather - Machine Music - “Orange Crush” by R.E.M. - “Monster” by R.E.M. - Chloroma - Embryonic Devourment - “Keeper of the Shepherd” by Hannah Frances - Al Stewart - Kraftwerk - The Buzzcocks - Sunrise Patriot Motion - Yellow Eyes - Sonic Youth - The Cramps - “Primitive Thrill” by Weegee - Prince - Richard D. James - John Coltrane - Xeno & Oaklander - “Pierced from Within” by Suffocation Discovering music today (28:10): - Bandcamp - Doug Moore - Wyatt Marshall - Jon Rosenthal - Spotify - Rennie Resmini - Ron Ben-Tovin First album ever purchased (33:30): - “Green” by R.E.M. Most recent album purchased (34:25): - “Prime Specimens” by Embryonic Devourment Artists discovered in the past year (35:41): - Hannah Frances - Cosey Mueller - Weegee Desert island discs (38:45): - “Requiem” by György Ligeti - “Free Hand” by Gentle Giant - “Journey in Satchidananda” by Alice Coltrane

Anno nuovo, dischi vecchi: in questa puntata Emiliano e Daniele parlano di due dischi di musica anni '70, ma anche di David Lynch. Ascolta i due album: The Emitt Rohdes Recording (1969-1973)" di Emitt Rhodes "World Galaxy" di Alice Coltrane

On this episode of Songs of Our Lives, it's Ava Mendoza! She's been one of my favorite guitarists for quite some time, and her latest album, “The Circular Train,” is incredible. We get into the details behind the record plus her time with the Bill Orcutt Guitar Quartet before Ava educates me on different Blues' styles from various regions in Mississippi (and then some!) Then, we talk about conceptual connections between Alice Coltrane and Keiji Haino, the joy of Kid Congo Powers, Chrome's greatness, Skip James, Loren Connors, Roy Buchanan, Earth, and more!Listen to all of Ava's picks HEREThe Circular TrainAva's WebsiteAva on InstagramGary K. Spain on Chrome at Foxy DigitalisSong ListSavia Andina “Danza del Sicuri”Skip James “Devil Got My Woman” or “Hard Time Killing Floor Blues”Kid Congo Powers and the Pink Monkey Birds “Ese Vicio Delicioso”Albert Ayler “Truth is Marching In”Blind Willie Johnson “Dark Was The Night”Virus “The Black Flux”Earth “The Bees Made Honey In The Lions Skull”Nicki Minaj “Stupid Hoe”Roy Buchanan “Sweet Dreams”Keiji Haino / Jim O'Rourke / Oren Ambarchi “Thinking too deeply I skipped over ¯¯ three by three”Geraldine Fibbers “Richard”Can “Father Cannot Yell”Alice Coltrane “Turiya Sings”Chrome “SS Cygni”Cakes da Killa “Keep it Goin”Carla Bozulich “Winds of St. Anne”Jessie Mae Hemphill “Eagle Bird”Songs of Our Lives is a podcast series hosted by Brad Rose of Foxy Digitalis that explores the music that's made us and left a certain mark. Whether it's a song we associate with our most important moments, something that makes us cry, the things we love that nobody else does, or our favorite lyrics, we all have our own personal soundtrack. Join Foxy Digitalis on Patreon for extra questions and conversation in each episode (+ a whole lot more!)Follow Foxy Digitalis:WebsitePatreonInstagramTwitterBlueskyThe Jewel Garden

Show Notes: In this captivating episode of Backstage Bay Area, host Steven Roby sits down with five-time Grammy nominee Lakecia Benjamin, a saxophonist, composer, and trailblazer redefining modern jazz. Lakecia shares insights into her latest album, Phoenix Reimagined (Live), a vibrant celebration of resilience featuring collaborations with legends like John Scofield and Randy Brecker. Recorded live at Brooklyn's The Bunker, this Grammy-nominated album brings her electric stage energy to life, offering listeners a genuinely immersive jazz experience. Dive into Lakecia's journey, from her Washington Heights roots and early work with icons like Stevie Wonder and Prince to her heartfelt tributes to John and Alice Coltrane. She discusses the evolving artistry that has shaped her career, the power of live music as a communal experience, and her upcoming performance at Yoshi's Oakland on February 8. Don't miss this rich exploration of music, creativity, and the human connection. Guest Information: Name: Lakecia Benjamin Bio: Lakecia Benjamin is an internationally acclaimed saxophonist and composer blending jazz with funk, R&B, and hip-hop. A five-time Grammy nominee, she is celebrated for her electrifying live performances and groundbreaking albums. Website: lakeciabenjamin.com Social Media: X: @LakeciaB Facebook: Lakecia Benjamin Instagram: @lakeciab Call-To-Action:Love what you hear? Make sure to: Subscribe to Backstage Bay Area on YouTube and Apple Podcasts. Get your tickets to see Lakecia Benjamin live at Yoshi's Oakland on Saturday, February 8. Doors open at 7:00 PM, and the show starts at 7:30 PM. Buy tickets here. Podcast Playlist: “Mercy” “Trane” “Phoenix Reimagined” Essential Takeaways: Phoenix Reimagined (Live) captures Lakecia's electrifying stage presence and communal energy, emphasizing the importance of live jazz performances. Her musical journey is a testament to creativity, resilience, and collaboration with legends like John Scofield and Randy Brecker. As Lakecia described, live music is a conversation between the artist and the audience, embodying shared human experiences. Hashtags:#BackstageBayArea #LakeciaBenjamin #JazzMusic #PhoenixReimagined #LiveMusic #GrammyNominee #YoshisOakland

durée : 00:59:33 - La dernière fois - par : Nathalie Piolé -

JOEL FRAHM TRIO “LUMINATION” New York, May 9, 2023The nurse is in, Loomie nation, Vesper flightsJoel Frahm (ts) Dan Loomis (b) Ernesto Cervini (d) ALICE COLTRANE “A MONASTIC TRIO” New York, January 29, 1968Gospel trane, I want to see you, Oceanic beloved (1)Alice Coltrane (p,harp) Jimmy Garrison (b) Rashied Ali (d) Pharoah Sanders (bells) BEN WENDEL “UNDERSTORY: LIVE AT THE VILLAGE VANGUARD” New York, November 4-6, 2022Proof, Jean & RenataBen Wendel (saxes,effects) Gerald Clayton (p) Linda May Han Oh (b,vcl) Obed Calvaire (d) Continue reading Puro Jazz 20 de diciembre, 2024 at PuroJazz.

Carlos Santana's career arc has been a journey. From blowing minds at the far edges of psychedelia at Woodstock to incendiary jazz experimentalism with the likes of John McLaughlin and Alice Coltrane to later becoming a chart-topping star with some of the biggest collaborators in pop and rock, his guitar playing has covered a lot of ground.On this episode of 100 Guitarists, we're covering everything about Santana's playing we can fit in one neat package: How did Santana's sound evolve? Has any other rock star mentioned John Coltrane's A Love Supreme on morning network television? Was Supernatural his ultimate gift to the world?In our new current listening segment, we're talking about a Bruce Hornsby live record and a recent release from guitarist Stash Wyslouch.Hear Paul Reed Smith's best Santana story here: https://prsguitars.com/blog/post/paul_reed_smith_tells_the_carlos_santana_storyFollow Nick: https://www.instagram.com/nickmillevoiFollow Jason: https://www.instagram.com/jasonshadrickGet at us: 100guitarists@premierguitar.comCall/Text: 319-423-9734Podcast powered by Sweetwater. Get your podcast set up here! - https://sweetwater.sjv.io/75rE0dSubscribe to the podcast:Spotify: https://open.spotify.com/show/0aXdYIDOmS8KtZaZGNazVb?si=c63d98737a6146afApple: https://podcasts.apple.com/us/podcast/100-guitarists/id1746527331

Tim Day is an online TV produccer. On Saturday, December 14, 2024, @ 6-8 p.m. he is featuring in concert world-renowned harpist Jeff Majors, Ginger on Sax, and spoken word artist Cookie B. Jeff Majors home in Washington, D.C. was filled with music by his mother, Annie P. Fitzgerald, a talented jazz trumpeter with a circle of friends, including Pearl Bailey. He spent several years in Los Angeles, studying under the wings of jazz pianist and harpist Alice Coltrane, wife of jazz legend John Coltrane. Later, he teamed up with legendary jazz harpist Dorothy Ashby. He returned to the Washington D.C. area, where he formed several jazz bands and hosted at Radio One on Sunday Joy, the semi-syndicated inspirational and gospel on-air ministry on Magic 95.9 and 102.3 in DC, Maryland, and Virginia. Jeff was the Vice President of gospel music programming for Radio One. Oprah Winfrey said the music of Jeff Majors, “Energizes my faith and transports my spirit. For me, it is the best way to start my day.” Chosen by the Martin Luther King Family to perform at Coretta Scott King's memorial service, Jeff Majors music consoled a nation. Jeff Majors focuses on humanitarian efforts by advocating for the homeless through his non-profit organization, The Network of Doves with his annual Jeff Majors Blankets for the Homeless and Hiphop for the Homeless, a collaboration with emerging artists and youth in the inner cities to bring awareness and to help homeless communities nationwide. http://lyricalcoffeehouse.com http://wbgrnetwork.com http://wijsf.org

The sonically innovative harpist, Brandee Younger, is revolutionizing harp for the digital era. Over the past fifteen years, she has worked relentlessly to stretch boundaries and limitations for harpists.  In 2022, she made history by becoming the first Black woman to be nominated for a Grammy® Award for Best Instrumental Composition. That same year, she was also nominated for an NAACP Image Award and later, the winner of the 2024 NAACP Image Award in the category of Outstanding Jazz Album for her latest album Brand New Life.  Ever-expanding as an artist, she has worked with cultural icons including Common, Lauryn Hill, John Legend, Pharoah Sanders and Christian McBride.   Her original composition “Hortense” was featured in the Netflix Concert-Documentary, Beyoncé: Homecoming and in 2019, Brandee was selected to perform her original music as a featured performer for Quincy Jones and Steve McQueens' “Soundtrack of America”.  Brandee is often noted for standing on the shoulders of the very women who ushered in the harp as a clear and distinct voice in jazz & popular styles - particularly Detroit natives Dorothy Ashby & Alice Coltrane.  Her new album, Brand New Life, builds on her already rich oeuvre, and cements the harp's place in pop culture.  As the title of the album suggests, Brand New Life is about forging new paths–artistic, personal, political, and spiritual.  Younger's music is imbued with a sense of purpose and respect of legacy, creating a larger platform for the harp to reach newer and wider audiences than ever before.  In addition to teaching at Steinhardt, Younger holds leadership positions as a board member of The Coltrane Home and New Music USA.Maggie speaks with Brandee at the 67 Monterey Jazz Festival about her band and her association with Alice Coltrane and  The Year of Alice.“No harpist thus far has been more capable of combining all of the modern harp traditions — from Salzedo, through Dorothy Ashby, through Alice Coltrane — with such strength, grace and commitment.” -  The New York TimesFollow: @harpistaSource: https://brandeeyounger.com/Source:https://steinhardt.nyu.edu/people/brandee-youngerSource: https://thecoltranehome.org/2024/03/16/let-the-year-of-alice-begin/Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Send us a textSupport the show@profileswithmaggielepique@maggielepique

www.missingwitches.com/ep-242-mw-alice-coltrane-spritual-jazz About Missing WitchesAmy Torok and Risa Dickens produce the Missing Witches Podcast. We do every aspect from research to recording, it is a DIY labour of love and craft. Missing Witches is entirely member-supported, and getting to know the members of our Coven has been the most fun, electrifying, unexpectedly radical part of the project. These days the Missing Witches Coven gathers in our private, online coven circle to offer each other collaborative courses in ritual, weaving, divination, and more; we organize writing groups and witchy book clubs; and we gather on the Full and New Moon from all over the world. Our coven includes solitary practitioners, community leaders, techno pagans, crones, baby witches, neuroqueers, and folks who hug trees and have just been looking for their people. Our coven is trans-inclusive, anti-racist, feminist, pro-science, anti-ableist, and full of love. If that sounds like your people, come find out more. Please know that we've been missing YOU. https://www.missingwitches.com/join-the-coven/

Meet the would-be "artisanal white noise" mogul who is opening up the functional sound market with his app Fuzzzel; musicologist Jeremy Dibble on the Down-born composer and conductor, Hamilton Harty, and pianist, composer and musical right arm to Gil Scott Heron, Brian Jackson on music, justice and the legacy of Alice Coltrane.

durée : 00:58:49 - Toute une vie - par : Guillaume Loiret - De Mlle McLeod à Swamini, voici le destin d'Alice, enfant du gospel et pianiste de bebop, muse de John Coltrane puis harpiste d'avant-garde. Chamane, et gourou. Tout cela successivement, et simultanément. - réalisation : Thomas Dutter

The John & Alice Coltrane Home and the Coltrane Family, in partnership with Impulse! Records, Detroit Jazz Festival, Hammer Museum, Alonzo King LINES Ballet, The New York Historical Society, and many more, have declared 2024-2025 to be THE YEAR OF ALICE, celebrating the extensive life work of spiritual leader, composer, and musician Alice Coltrane.In addition to being an iconic and remarkably prolific musician, Mrs. Coltrane was a beloved and wise spiritual leader, a pragmatic person with a keen eye for business, and a deeply giving human, who emphasized the importance of charitable giving, education, and spiritual guidance.My guest today, Michelle Coltrane, is a jazz vocalist and composer. She was born in Paris, France and was raised primarily in Long Island, New York by her mother, musician Alice Coltrane, and her step-father, saxophonist John Coltrane.Michelle has performed and collaborated with artists such as Scott Hiltzik, Shea Welsh, Kenny Kirkland, Jeff Watts, Ronnie Laws, Billy Childs, Jack DeJohnette, Marvin "Smitty" Smith, Reggie Workman, The Gap Band, McCoy Tyner and her brother Ravi Coltrane.Michelle has performed internationally with the Sai Anantam Ashram Singers presenting the music of Alice Coltrane.Her second album, Awakening, was released in 2017 and featured sung versions of her father, John Coltrane's, songs.Michelle of course co-hosted the “Straight No Chaser” radio program with me here on KPFK in Los Angeles and she is chief creative officer of the John Coltrane Home, a non-profit organization.September Events"A Force For Good Day" - A John & Alice Coltrane Home Service Event at the Half Hollow Hills Community Library in Dix Hills, NY. Mark your calendar for this free event, featuring a young persons concert of Long Island student musicians. Saturday, September 14 | 1pm - 4pm.LINES Ballet premiere  - as part of "The Year of Alice," the LINES Ballet will premiere a new work set to Alice Coltrane's transformative music. Thursday, September 26 | 7:30pm.TicketsAlso in September, please check back for more Year Of Alice events at Shapeshifter Plus in Brooklyn. Source: https://www.alicecoltrane.com/Source: https://thecoltranehome.org/Source: https://store.ververecords.com/pages/artist/alice-coltraneHost Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Support the show

En este episodio os recomendamos la música de Trichotomy; Matthew Stevens; Alice Coltrane; Fergus McCreadie; John Zorn; Modern Vikings; Matthieu Mazué. Seguir leyendo La Montaña Rusa. Episodio 36.2024. en La Montaña Rusa Radio Jazz.

Listen to the Sun. Sept. 1, 2024 special edition of the Pan-African Journal: Worldwide Radio Broadcast hosted by Abayomi Azikiwe, editor of the Pan-African News Wire. This episode honors the 45th Annual Detroit Jazz Festival held over the weekend downtown. We look at one of the central focuses of this year's gathering with a tribute to John and Alice Coltrane. We hear three rare archival audio files of interviews with John Coltrane conducted in 1958, 1965 and 1966.

durée : 01:01:57 - Club Jazzafip - Le Club vous invite à un voyage méditatif dans le spiritual jazz de la pianiste, harpiste et compositrice new-yorkaise célébrée cette année par le label Impulse! qui annonce un enregistrement live inédit de 1971.

Peace. Freedom. Self-discovery. These are the underlying themes of Nafs at Peace. Without a single word spoken on the album, it's remarkably self-assured and self-evident in its truths. Created by Pakistani improvisational jazz outfit Jaubi, Nafs at Peace is one of the year's most revelatory releases. Weaving together the threads of Hindustani classical music, hip-hop beats and spiritual jazz, the group has made a record as funky as it is healing. The connections between the ecstatic jazz of Alice Coltrane or Pharoah Sanders are less evident in the notes played, as Jaubi based these songs around specific melodic, raga structures, but in the intent. These are musicians lost in their instruments or—at its most ascendent, one with the notes themselves. Nafs at Peace is nothing short of a joy, and we chatted with guitarist Ali Baqar about the album.

This episode begins with a set, taken from the news video of VP Kamala Harris showing off her vinyl purchases after visiting a DC record store. Following that, we have a bass player set featuring a couple of San Diego based artists. The show ends with a tribute to Alice Coltrane and a symphonic piece from Tim Garland. Playlist Artist ~ Name ~ Album Ella Fitzgerald & Louis Armstrong ~ It Ain't Necessarily So ~ Porgy and Bess Charles Mingus ~ The Shoes of the Fisherman's Wife Are Some Jive Ass Slippers ~ Let My Children Hear Music Roy Ayers Ubiquity ~ Everybody Loves the Sunshine ~ Everybody Loves the Sunshine Rob Thorsen Quartet ~ Let's Fall In Love ~ Evolution Mackenzie Leighton ~ Summer Strollin' ~ I Remember John Patitucci ~ We See ~ Trio Ravi Coltrane ~ For Turiya ~ Blending Times Tim Garland ~ The Forever Seed Part V - Praise ~ Moment Of Departure

This episode begins with a wonderful harpist Brandee Younger carrying on the legacy of Alice Coltrane and others bringing the sound of harp to modern jazz. This is followed by new music and concludes with three of the greatest saxophone players that have graced this art form. Playlist  Artist ~ Name ~ Album Dezron Douglas & Brandee Younger ~ The Creator Has a Master Plan ~ Force Majeure Brandee Younger ~ Moving Target ~ Brand New Life Brandee Younger ~ Blue Nile ~ Soul Awakening Jonathan Barber ~ The City That Sits On A Hill ~ In Motion Tim Garland ~ Trails ~ Moment Of Departure Kenny Barron ~ We See ~ Beyond This Place Chris Potter ~ Indigo Ildikó ~ Eagle's Point Wayne Shorter ~ Orbits ~ Without a Net Joe Henderson ~ Power to the People ~ Power to the People 

The director Clio Barnard won prizes and critical acclaim for her first feature film The Arbor: it blended fact and fiction to depict the short, troubled life of the brilliant Bradford playwright Andrea Dunbar. Since then she's taken on a wide range of British stories. She directed Claire Danes and Tom Hiddleston in The Essex Serpent, a six part adaptation of the best-selling book by Sarah Perry. She returned to Bradford for Ali and Ava, a love story which won a BAFTA nomination for outstanding British film, and for The Selfish Giant, the tale of two children trying to make money from selling scrap metal. Music often plays an important part in her films, and her choices include Alice Coltrane, Biber and Philip Glass.

Life partner collaborations, Alice Coltrane signature bends, nomadic explorations in tuning. The Los Angeles-based musician discusses three important albums.Tashi's picks: Bley-Peacock Synthesizer Show – Revenge: The Bigger The Love The Greater The HateAlice Coltrane – Live at the Berkeley Community Theater 1972Laurie Spiegel – Obsolete SystemsTashi's new album, What Is Not Strange?, is out now on RVNG Intl. Check it out here. Tashi is also on Instagram and X.Donate to Crucial Listening on Ko-fi: https://ko-fi.com/cruciallistening

Spinning Out (another music podcast) We talk to artists about their favorite albums and go on wild tangents. This week on the pod we're joined by Timothy Showalter of Strand of Oaks and actor from the FX/Hulu show Mayans MC. We talked about the 2017 Alice Coltrane compilation album, "World Spirituality Classics Volume 1: The Ecstatic Music of Alice Coltrane Turiyasangitananda." We also chat about the concept of om, trying to have good energy, learning to speak the language of music. There's a new Strand of Oaks album out right now. It's called Miracle Focus -- Pick it up directly from Tim or from your local record store. https://strandofoaks.bandcamp.com/album/miracle-focus Subscribe to our Patreon here: www.patreon.com/spinningoutpod Follow us on social media -- twitter and instagram (@Spinningoutpod)

This week, I'm joined by JASON P. WOODBURY (of Aquarium Drunkard) and filmmakers BRIAN LINDSTROM & ANDY BROWN to discuss their incredible new film LOST ANGEL: THE GENIUS OF JUDEE SILL. We talked about Judee Sill's gnostic relationship to her music and how she backed it up in her lifestyle, what our introductions to her music were like, Sill's disdain of being lumped in with Christian Rock & opening for rock bands, her influence on Andy Partridge of XTC, how the filmmakers shaped the film over the past ten years, Tooth & Nail Records, the mythologizing of a subject's life in documentary filmmaking, Asylum Records and her ups and downs with David Geffen, Some Kind Of Monster, Sill's vulnerability and ego in her diary writings and drawings, how they chose to animate Sill's artwork and found her voice, Sill's influence on a new generation of musicians, her iconic Old Grey Whistle Test performance of “The Kiss,” how the film addresses childhood trauma, addiction, and resilience, what parts of Sill's life didn't fit into the film, and the power of Alice Coltrane, Sun Ra, Guided By Voices & SST Records, So join us as we talk about one of the greatest songwriters to ever be part of the cosmos, Judee Sill, on this week's Revolutions Per Movie.WATCH LOST ANGEL: THE GENIUS OF JUDEE SILLhttps://greenwichentertainment.com/film/JASON P. WOODBURY:https://jasonpwoodbury.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive goods just for joining.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

Featuring the latest joint from keys wiz Julius Rodriguez AKA Orange Julius; the ethereal sound of songstress Dolly Valentine; master of the Fender Telecaster, Jim Campilongo; a fresh release from NYC trumpeter Kenny Warren and his trio; an epic journey from Alice Coltrane's legendary 1971 Carnegie Hall concert; another cut from Erik's CDMX improv event Scorpio Sessions; and finally, the one and only Thelonious Monk.

MIHO HAZAMA DANCER IN NOWHERE c. 2018Today, not today, Il paradiso del bluesJonathan Powell (tp,flhrn) Adam Unsworth (fhr) Steve Wilson (as,sop,fl) Ryoji Ihara (ts,cl,fl) Jason Rigby (ts-1,cl-1) Andrew Gutauskas (bar,b-cl) James Shipp (vib,guiro,shekere) Billy Test (p) Lionel Loueke (g-2) Tomato Akeboshi, Sita Chay (vln) Atsugi Yoshida (viola) Meaghan Burke (cello) Sam Anning (b) Jake Goldbas (d) Nate Wood (d-3) Kavita Shah (voice) Miho Hazama (cond,comp) JOHN MINNOCK MINNOCK SINGS SHIRE New York, julio del 2023What about today, AutumnJohn Minnock (vcl) David Liebman (sop) Mathis Picard (p) Sean Mason (p) Mark Lewandowski (b) Pablo Eluchans (d) ALICE COLTRANE THE CARNEGIE HALL CONCERT New York, February 21, 1971AfricaPharoah Sanders (ts,sop,fl,perc) Archie Shepp (ts,sop,perc) Alice Coltrane (p,harp) Cecil McBee, Jimmy Garrison (b) Clifford Jarvis, Ed Blackwell (d) Kumar Kramer (harmonium) Tulsi (tambora) Continue reading Puro Jazz 17 Mayo 2024 at PuroJazz.

In this episode of High Theory, Rasheed Tazudeen tells us about the inhuman. The inhuman offers a way of moving beyond the legacies of humanism and across categories and scales of being. Thinking with the inhuman world, from spools of thread to microplastics, helps us try and think otherwise about the complex assemblages that shape our lives. If you want to learn more, check out Rasheed's new book, Modernism's Inhuman Worlds (Cornell UP, 2024). The book explores the centrality of ecological precarity, species indeterminacy, planetary change, and the specter of extinction to modernist and contemporary metamodernist literatures. Modernist ecologies emerge in response to the enigma of how to imagine inhuman being—including soils, forests, oceans, and the earth itself—through languages and epistemologies that have only ever been humanist. Rasheed asks how (meta)modernist aesthetics might help us to imagine (with) inhuman worlds, including the worlds still to be made on the other side of mass extinction. Rasheed Tazudeen is a lecturer in English at Yale University. His work is focused broadly on the intersections between ecology, race, and sound in 19th- and 20th-century literature and music. He is currently at work on a second project tentatively titled The Musicked Earth: Towards a Decolonial Sound Ecology, focused on the resonances between Black/Afro-Caribbean and Indigenous theories of sound, music, festival, and ecology through the work of Sylvia Wynter, Édouard Glissant, Leanne Simpson, and Alice Coltrane. This week's image was made by Saronik Bosu in 2024. It represents a humanoid creature in fetal position, merging with the inhuman world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode of High Theory, Rasheed Tazudeen tells us about the inhuman. The inhuman offers a way of moving beyond the legacies of humanism and across categories and scales of being. Thinking with the inhuman world, from spools of thread to microplastics, helps us try and think otherwise about the complex assemblages that shape our lives. If you want to learn more, check out Rasheed's new book, Modernism's Inhuman Worlds (Cornell UP, 2024). The book explores the centrality of ecological precarity, species indeterminacy, planetary change, and the specter of extinction to modernist and contemporary metamodernist literatures. Modernist ecologies emerge in response to the enigma of how to imagine inhuman being—including soils, forests, oceans, and the earth itself—through languages and epistemologies that have only ever been humanist. Rasheed asks how (meta)modernist aesthetics might help us to imagine (with) inhuman worlds, including the worlds still to be made on the other side of mass extinction. Rasheed Tazudeen is a lecturer in English at Yale University. His work is focused broadly on the intersections between ecology, race, and sound in 19th- and 20th-century literature and music. He is currently at work on a second project tentatively titled The Musicked Earth: Towards a Decolonial Sound Ecology, focused on the resonances between Black/Afro-Caribbean and Indigenous theories of sound, music, festival, and ecology through the work of Sylvia Wynter, Édouard Glissant, Leanne Simpson, and Alice Coltrane. This week's image was made by Saronik Bosu in 2024. It represents a humanoid creature in fetal position, merging with the inhuman world. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Rasheed Tazudeen tells us about the inhuman. The inhuman offers a way of moving beyond the legacies of humanism and across categories and scales of being. Thinking with the inhuman world, from spools of thread to microplastics, helps us try and think otherwise about the complex assemblages that shape our lives. If you want to learn more, check out Rasheed's new book, Modernism's Inhuman Worlds (Cornell UP, 2024). The book explores the centrality of ecological precarity, species indeterminacy, planetary change, and the specter of extinction to modernist and contemporary metamodernist literatures. Modernist ecologies emerge in response to the enigma of how to imagine inhuman being—including soils, forests, oceans, and the earth itself—through languages and epistemologies that have only ever been humanist. Rasheed asks how (meta)modernist aesthetics might help us to imagine (with) inhuman worlds, including the worlds still to be made on the other side of mass extinction. Rasheed Tazudeen is a lecturer in English at Yale University. His work is focused broadly on the intersections between ecology, race, and sound in 19th- and 20th-century literature and music. He is currently at work on a second project tentatively titled The Musicked Earth: Towards a Decolonial Sound Ecology, focused on the resonances between Black/Afro-Caribbean and Indigenous theories of sound, music, festival, and ecology through the work of Sylvia Wynter, Édouard Glissant, Leanne Simpson, and Alice Coltrane. This week's image was made by Saronik Bosu in 2024. It represents a humanoid creature in fetal position, merging with the inhuman world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode of High Theory, Rasheed Tazudeen tells us about the inhuman. The inhuman offers a way of moving beyond the legacies of humanism and across categories and scales of being. Thinking with the inhuman world, from spools of thread to microplastics, helps us try and think otherwise about the complex assemblages that shape our lives. If you want to learn more, check out Rasheed's new book, Modernism's Inhuman Worlds (Cornell UP, 2024). The book explores the centrality of ecological precarity, species indeterminacy, planetary change, and the specter of extinction to modernist and contemporary metamodernist literatures. Modernist ecologies emerge in response to the enigma of how to imagine inhuman being—including soils, forests, oceans, and the earth itself—through languages and epistemologies that have only ever been humanist. Rasheed asks how (meta)modernist aesthetics might help us to imagine (with) inhuman worlds, including the worlds still to be made on the other side of mass extinction. Rasheed Tazudeen is a lecturer in English at Yale University. His work is focused broadly on the intersections between ecology, race, and sound in 19th- and 20th-century literature and music. He is currently at work on a second project tentatively titled The Musicked Earth: Towards a Decolonial Sound Ecology, focused on the resonances between Black/Afro-Caribbean and Indigenous theories of sound, music, festival, and ecology through the work of Sylvia Wynter, Édouard Glissant, Leanne Simpson, and Alice Coltrane. This week's image was made by Saronik Bosu in 2024. It represents a humanoid creature in fetal position, merging with the inhuman world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

In this episode of High Theory, Rasheed Tazudeen tells us about the inhuman. The inhuman offers a way of moving beyond the legacies of humanism and across categories and scales of being. Thinking with the inhuman world, from spools of thread to microplastics, helps us try and think otherwise about the complex assemblages that shape our lives. If you want to learn more, check out Rasheed's new book, Modernism's Inhuman Worlds (Cornell UP, 2024). The book explores the centrality of ecological precarity, species indeterminacy, planetary change, and the specter of extinction to modernist and contemporary metamodernist literatures. Modernist ecologies emerge in response to the enigma of how to imagine inhuman being—including soils, forests, oceans, and the earth itself—through languages and epistemologies that have only ever been humanist. Rasheed asks how (meta)modernist aesthetics might help us to imagine (with) inhuman worlds, including the worlds still to be made on the other side of mass extinction. Rasheed Tazudeen is a lecturer in English at Yale University. His work is focused broadly on the intersections between ecology, race, and sound in 19th- and 20th-century literature and music. He is currently at work on a second project tentatively titled The Musicked Earth: Towards a Decolonial Sound Ecology, focused on the resonances between Black/Afro-Caribbean and Indigenous theories of sound, music, festival, and ecology through the work of Sylvia Wynter, Édouard Glissant, Leanne Simpson, and Alice Coltrane. This week's image was made by Saronik Bosu in 2024. It represents a humanoid creature in fetal position, merging with the inhuman world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

The history of movements is felt deeply in Neil's songs, in "Four Dead in Ohio" and the cracking whip in "Southern Man", the vulnerability of "Comes a Time" and "Searching for a Heart of Gold" and the relentless rock of Crazy Horse when it breaks into "Hey Hey My My (out of the Blue and into the Black). In this Riot we select as an echo to our nightly rock concert - Alice Coltrane, Charlse Lloyd, the Nightjar and the European Robin. The Earth is storming along our tour route, in Texas and New Orleans and Alabama, and the Earth storms in the songs of the struggle for justice.

Featuring brand new music from legendary Parisian/NYC chanteuse Madeleine Peyroux; a brilliant reissue of the great Alice Coltrane's band from Carnegie Hall in 1971; the latest single from international pop diva Mads Jensen; a new release from Erik's Scorpio Session improv collective (straight outta CDMX); a fresh cut on the ECM label from pianist Vijay Iyer and his trio; and finally, an ECM reissue from masters Keith Jarrett and Jan Garbarek.

durée : 00:59:44 - Alice Coltrane - par : Alex Dutilh - En 1971, Alice Coltrane s'est produite au Carnegie Hall, New-York, dans le cadre d'une soirée caritative au profit de l'Integral Yoga Institute. “The Carnegie Hall Concert” était resté inédit et paraît aujourd'hui chez Impulse !.

What better way to usher in the Leap Year than to cover an artist who is arguably even more unique? Alice Coltrane is one of the most dynamic names in jazz history. Cody and Hilary explore her journey to this record, and Ptah's journey from ancient Egypt to 1970.This lineup is absolutely stacked with jazz legends, and they are all locked in and taking their cue from the person at the helm - Alice freakin' Coltrane.Spiritual, ethereal, inquisitive, and intentional, Ptah the El Daoud is a transitional record for Alice Coltrane. We are lucky to have such a brilliant marker of her exploration of spirituality and universality.Thanks for listening! Check out everything we have going on via the info below: Instagram: @earwaxpod TikTok: @earwaxpod Amoeba on Instagram: @amoebahollywood @amoebasf @amoebaberkeley Questions, Suggestions, Corrections (surely we're perfect): earwaxpodcast@amoeba-music.com Credits:Edited by Claudia Rivera-TinsleyAll transition music written and performed by Spencer Belden"EarWax Main Theme" performed by Spencer Belden feat. David Otis

durée : 01:01:57 - Club Jazzafip - Le Club vous invite à un voyage méditatif dans le spiritual jazz de la pianiste, harpiste et compositrice new-yorkaise célébrée cette année par le label Impulse! qui annonce un enregistrement live inédit de 1971.

In our ongoing exploration of who gardeners are, where gardeners are, what they are growing in this world, and why that matters to all of us, I am so excited to be joined this week by Brent Leggs, Senior Vice President of the National Trust for Historic Preservation, and Executive Director of the Trust's African American Cultural Heritage Action Fund, whose mission focuses on telling the full American story. The African American Cultural Heritage Action Fund holds a vision of preservation serving as a potential path for equity. The fund is actively working to preserve the landscapes and buildings of Historically Black Colleges and Universities, Historic Black Churches, the Washington Rosenwald Schools, as well as the homes and gardens of cultural icons such as Madame C.J. Walker, musicians John and Alice Coltrane, singer/songwriter Nina Simone, and Harlem Renaissance poet and gardener Anne Spencer. The Action Fund is also partnering with community members in Akron, Ohio, on re-creating a public plaza space to preserve the historic activism of once-enslaved abolitionist and author Sojourner Truth, who delivered her “Ain't I a Woman” speech in Akron in 1851. This is a very personal conversation but also a universal love story of the heritage and history held in our places and the importance of that fullness to all of us. Listen In! Cultivating Place now has a donate button! We thank you so much for listening over the years, and we hope you'll support Cultivating Place. We can't thank you enough for making it possible for this young program to grow even more of these types of conversations. The show is available as a podcast on SoundCloud, iTunes, and Google Podcasts. To read more and for many more photos please visit www.cultivatingplace.com.

This episode was originally released in summer of 2015. Music * Under the credits is Harlaamstrat 74 off of John Dankworth's Modesty Blaise score. * Then, we have the most obvious crickets/summer night song ever: the fantastic, perpetually delightful Green Arrow from Yo La Tengo's I Can Hear the Heart Beating as One, which has soundtracked many crickety summer nights for me over the years. * The cops roll in to a loop of the very beginning of the epic Ptah, the El Daoud, the title track to Alice Coltrane's album from 1970. * Then we have a mix of two improvisations from Charles Cohen's “Brother I Prove You Wrong”: Cloud Hands and The Boy and the Snake Dance. * There's a brief dip into Dorian, by Fang Island. * The jaunty accordion, typewriter thing is Biking is Better on Wintergatan's eponymous album. Notes I researched this one primarily through old newspapers. The easiest place to find a number of them is to read the excellent site, The Museum of Hoaxes' page on this event. Also: if you're in the Atlanta area and ever want to have yourself a day, you can see the actual monkey. It's preserved in a jar at the Georgia Bureau of Investigations museum in Decatur Georgia. The Memory Palace is a proud member of Radiotopia, a collective of independently owned and operated podcasts.