Podcasts about Alice Coltrane

Welcome to this ENCORE PRESENTATION of classic REVOLUTIONS PER MOVIE episodes from the vaults.Today, we pay tribute to filmmaker Brian Lindstrom, who sadly passed away recently, with this incredible discussion about the film he co-directed, LOST ANGEL: THE GENIUS OF JUDEE SILL, with his co-director Andy Brown & Aquarium Drunkard's Jason P. Woodbury. Anyone who had the pleasure of knowing or working with Brian will tell you he was one of the kindest, wisest, and big-hearted people ever, and his filmmaking absolutely reflected that. If you haven't seen his films Lost Angel, Mothering Inside, or Alien Boy yet, please take the time to spend with these incredibly powerful films. He will be missed.(Episode 39 originally aired on June 6th, 2024).This week, I'm joined by JASON P. WOODBURY (of Aquarium Drunkard) and filmmakers BRIAN LINDSTROM & ANDY BROWN to discuss their incredible new film LOST ANGEL: THE GENIUS OF JUDEE SILL. We talked about Judee Sill's gnostic relationship to her music and how she backed it up in her lifestyle, what our introductions to her music were like, Sill's disdain of being lumped in with Christian Rock & opening for rock bands, her influence on Andy Partridge of XTC, how the filmmakers shaped the film over the past ten years, Tooth & Nail Records, the mythologizing of a subject's life in documentary filmmaking, Asylum Records and her ups and downs with David Geffen, Some Kind Of Monster, Sill's vulnerability and ego in her diary writings and drawings, how they chose to animate Sill's artwork and found her voice, Sill's influence on a new generation of musicians, her iconic Old Grey Whistle Test performance of “The Kiss,” how the film addresses childhood trauma, addiction, and resilience, what parts of Sill's life didn't fit into the film, and the power of Alice Coltrane, Sun Ra, Guided By Voices & SST Records.So join us as we talk about one of the greatest songwriters to ever be part of the cosmos, Judee Sill, on this week's Revolutions Per Movie.WATCH LOST ANGEL: THE GENIUS OF JUDEE SILLhttps://greenwichentertainment.com/film/JASON P. WOODBURY:https://jasonpwoodbury.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon (over 125 bonus episodes are available and counting). If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, A Devotees Look At New Wave Theater, Exploring The Axis: The Oral History Of Frontier Records With Lisa Fancher, Dips On Chips w/ Jeff McDonald of Redd Kross, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Photo by Natalie Keyssar Andy Beta is an award-winning arts and music writer. His newest book, Cosmic Music: The Life, Art, and Transcendence of Alice Coltrane, was published in March by Da Capo. His writing on rock, jazz, experimental, and electronic music has appeared in The New York Times, The Wall Street Journal, Pitchfork, Rolling Stone, The Washington Post, Los Angeles Times, Texas Monthly, NPR, We Jazz magazine, and many more. Andy Beta was interviewed by BIO member and podcast producer Karolyn van Putten.

Bassoonist Joy Guidry is a versatile improviser, performance artist, and composer of experimental ambient electronic music, who has founded her own record label, Jaid Records. While she is classically-trained, she has also listened deeply to some of the spiritual jazz of Pharoah Sanders, Alice Coltrane, Shabaka, and Nala Sinephro, and collaborates widely, most recently at the Park Avenue Armory in New York with Jessie Cox, Tcheser Holmes, and Scott Li. Her latest album Five Prayers, is a collection of works for bassoon with electronics, in which the Houston-born musician and sound architect takes inspiration from the spirit of the Black church and atmospheric sounds of ambient music. Joy Guidry performs in-studio.  Set list: 1. Georges 2. Dear June 3. You've Done What You Can Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

“Everything I do is an offering to God - that's the truth.” - Alice ColtranePart of the Dolls Pod mission statement is to spotlight a remarkable woman each episode. That description certainly applies to this week's subject. First she was Alice McLeod, a single Black woman working on the jazz circuit in New York, Paris, and her home city of Detroit. Then she was Alice Coltrane, John's muse and partner in free jazz exploration. After John passed at the height of the Summer of Love, Alice was called first to India, then California on a spiritual journey; establishing her own ashram as Swamini Turiyasangitananda. Pursuing just one of these life paths would be remarkable. In just 69 years, Alice somehow pursued all three; transcending all limitations placed on her, internal and external. (Episode starts at 5:42)Sources:Andy Beta, “Cosmic Music: The Life, Art, and Transcendence of Alice Coltrane” (2026)Alice Coltrane, “Monument Eternal” (2025 ed.)Franya J. Berkman, “Monument Eternal: The Music of Alice Coltrane” (2010)Chris Devito, “Coltrane on Coltrane: The John Coltrane Interviews” (2010) https://archive.org/details/coltraneoncoltra0000unseLewis Porter, “John Coltrane: His Life and Music” (1998) https://archive.org/details/johncoltranehisl0000port“Alice Coltrane” Black Journal, 1970, via The John & Alice Coltrane Home https://thecoltranehome.org/alice-coltrane-documentary/NPR: Jazz Night in America, “Saint Coltrane: The Church Built on ‘A Love Supreme'” (dir. Lauren Onkey, 2/2/2021) https://www.youtube.com/watch?v=MAgJ-igwuSQ“Eternity's Pillar - Hosted by Alice Coltrane Swamini Turiyasangitananda” via dublab on YouTube https://www.youtube.com/watch?v=E3MkhsePVJEAndy Beta, “Transfiguration and Transcendence: The Music of Alice Coltrane” Pitchfork, 1/12/2017 https://pitchfork.com/features/from-the-pitchfork-review/10009-transfiguration-and-transcendence-the-music-of-alice-coltraneSongs used in this episode:Dizzy Gillespie - “A Night in Tunisia” (1954)Bud Powell - “Groovin' High” (1961)The Premiers - “When You Are In Love” (1957)The Terry Gibbs Quartet featuring Alice McLeod - “Sol Right With Me” (1963)John Coltrane - “Giant Steps” (1960)John Coltrane - “Africa” (1961)Irving Berlin - “Always” (sang by Lewis James) [1925]John Coltrane - “Your Lady” (Live at Birdland) [1964]John Coltrane - “A Love Supreme, Part I: Acknowledgement” (1965)John Coltrane - “My Favorite Things” (Live from the Village Vanguard) [1966]Alice Coltrane - “Ohnedaruth” (1968)Alice Coltrane - “Journey in Satchidananda” (1971)John Coltrane - “Om” (1968)Alice Coltrane - “Ptah, the El-Daoud” (1970)Alice Coltrane - “Shiva Loka” (1971)John Coltrane - “A Love Supreme, Part III: Pursuance” (1965)Alice Coltrane - “Jagadishwar” (1982)Flying Lotus - “Auntie's Harp” (2008)Alice Coltrane - “A Love Supreme” (Live at Jazz Jamboree with Roy Hanes, Reggie Workman, and Ravi Coltrane) [1987]Follow @thedollspod on Instagram to see clips and videos from this episode!

There is an entire chapter of Indian music history that has shaped global music in unknown ways remains preserved only in the human memory of a select few.  Sandhya Sanjana is one of those humans. Long before "world music" became a marketing category, she was part of a generation of home-grown South-Asian artists blurring the edges of jazz, global and Indian classical music by a trial and error met with genuine curiosity, rather than novelty.  Co-founder one of India's earliest internationally touring world-fusion ensembles, Sanjana has been more than thirty albums, and spent decades moving between radically different musical worlds without reducing either of them into aesthetic decoration. In this conversation, we try to trace that arc. From an upbringing between Bombay and Delhi, to the nightclub circuits of Calcutta, with first-generation Indian Jazz musicians. From backstage blessings from Alice Coltrane after the exchange of a cassette tape, to the origins of India's first international festival ‘Jazz Yatra' where the appearances from the likes of icons such Art Blakey, Max Roach, Stan Getz, Freddie Hubbard and John Handy and their days in India in open exchange with local musicians threaten to fade away amidst undocumented history. What emerges is not nostalgia, but a portrait of a generation of artists that worked without the visibility, institutional support, or mythology later scenes would inherit.  Artists building language in real time. Documenting culture through performance while remaining largely undocumented themselves. In the words of Sandhya herself, much of that era was "not presented to the world."  This conversation tries to remember.    Listen to the second half of the episode.   Connect with Sandhya: https://instagram.com/achhamusica https://facebook.com/sandhyasanjana https://youtube.com/@achha_musica   Connect with T.L. Mazumdar: https://findtl.com/ Free Artist Training. Brought to you by the Holistic Musician Academy.    

**Still on an unexpected hiatus but new episodes will be back very soon! This week, let's revisit one of my favorite episodes w/ one of the most underrated musicians out there!**On this episode of Songs of Our Lives, it's Tomin! This one feels full circle. Ever since learning about Tomin's music nearly four years ago, I've felt a special connection to it. It's been hard to explain, but after seeing his picks for this episode and talking to him about them, it makes a lot more sense. His latest record, “A Willed and Conscious Balance,” is out now International Anthem and is such a special listen. We talk about that, his cheat code of a band, and plenty more before diving into TLC's eye-opening impact, the all-time greatness of jaimie branch, the absurdly underappreciated Marvin Hannibal Peterson, living in the same timeline as Alice Coltrane, transcending with Ballake Sissiko, Charles Mingus, James Brandon Lewis, John Coltrane, and loads more!Listen to all of Tomin's picks HERE“A Willed and Conscious Balance”“Flores para Verene / Cantos para Caramina”Songs of Our Lives is a podcast series hosted by Brad Rose of Foxy Digitalis that explores the music that's made us and left a certain mark. Whether it's a song we associate with our most important moments, something that makes us cry, the things we love that nobody else does, or our favorite lyrics, we all have our own personal soundtrack. Join Foxy Digitalis on Patreon for extra questions and conversation in each episode (+ a whole lot more!)Follow Foxy Digitalis:WebsitePatreonInstagramBlueskyThe Jewel Garden

In the fifteen years since Emma Louise wowed us with her debut single 'Jungle', she's shown all sides of herself, singing her story with vulnerability and reflection.Last year, Emma released the collaborative album Dumb with producer Flume. But it's been 8 years since her last solo album, the daring and romantic Lilac Everything. This week, she returns with Sunshine for Happiness, an album that was actually recorded in 2019. Emma Louise joined Zan to talk more about the changes in her life between recording and release and to share her song selections in the theme of 'Before and After'.Emma Louise's song choices:Paul Simon – Still Crazy After All These YearsNick Drake – Pink MoonBruno Mars – Versace on the FloorDijon – The DressAlice Coltrane – Govinda Jai Jai00:51 Introduction to Emma Louise05:27 The theme of Before and After10:15 Paul Simon - 'Still Crazy After All These Years'11:30 Mexico holiday and Nick Drake14:35 Nick Drake - 'Pink Moon'15:45 New album and longlining for things21:55 How a pricey ride home led to discovering Bruno Mars25:26 Bruno Mars - 'Versace on the Floor'27:02 Sneak peak of Djion29:33 Djion - 'The Dress'30:45 Suffering, redemption and recognising the good times37:15 Alice Coltrane – 'Govinda Jai Jai'38:20 Wrap-up and next weeks guestShow notes:If you need someone to talk to, call Lifeline on 13 11 14.Edited by Craig Schuftan.

Aprofitant la propera visita de Kamasi Washington a casa nostra fem un viatge sonor per connectar l'antiguitat amb el futur, la Terra amb el cosmos. A trav

Pasitidami Šv. Velykų dienas klausysimės išskirtinių roko dainų, taip pat pakilios instrumentinės muzikos, o kai kuomet atspindinčios nerimą, susirūpinimą, nes tai ir nepaliaujami dvasiniai ieškojimai, kas sujungia skirtingiausių scenų muzikantus. Grojaraštyje – Mark Banning, Jan Hammer, Alice Coltrane, Carlos Santana, Simple Minds, Don Slepian, Patti Smith, Cat Stevens, Narada Michael Walden.Ved. Lukas Devita.

In this episode of Reading Is Funktamental, we discuss the life and music of Alice Coltrane with Andy Beta, author of Cosmic Music: The Life, Art and Transcendence of Alice Coltrane. Beta's book is the first full biography of this remarkable, groundbreaking artist, and is an elegant, deeply researched corrective to the historical—and critical—record. It elevates Alice Coltrane to her proper place, both alongside her husband as one of the greatest musical visionaries of the 20th century, and also as a singular artist in Western music, one who became a spiritual leader in her lifetime.Alice Coltrane (1937-2007) was one of the most misunderstood artists of the last sixty years. For most of her life—and even in the decades since her passing—she was primarily known as the widow of the late John Coltrane. John Coltrane is widely seen as being one of the greatest tenor saxophonists and composers of the 20th century, with a fervor and devotion approaching sainthood. Yet ever so slowly, that level of love and appreciation is also being bestowed upon pianist, organist, harpist, and composer Alice Coltrane. In the years since her passing, she has become a great influence on a new generation of musicians, especially women, people of color, and artists who seek to combine jazz with other musical forms, be it modern classical, electronic, Indian music, and more. Cosmic Music also unearths previously unknown connections between Alice Coltrane and other generational icons, from Stevie Wonder, Carlos Santana, and Nina Simone to Mother Teresa and Doja Cat. For more, read my review of the book at https://www.popmatters.com/alice-coltrane-cosmic-music-beta "Reading is Funktamental" is a monthly one-hour podcast and radio show about great books written about music and music-makers. In each episode, host Sal Cataldi speaks to the authors of some of the best reads about rock, jazz, punk, world, experimental music, and much more. From time to time, the host and authors will be joined by notable musicians, writers, and artists who are die-hard fans of the subject matter covered. Expect lively conversation and a playlist of great music to go with it. "Reading Is Fundamental" can be heard on the second Wednesday of every month from 10 – 11 AM on Wave Farm: WGXC 90.7 FM and online at wavefarm.org. It is also available as a podcast on Apple Podcasts, Spotify, and other platforms. Sal Cataldi is a musician and writer based in Saugerties. He is best known for his work with his genre-leaping solo project, Spaghetti Eastern Music, and is also a member of the ambient guitar duo Guitars A Go Go, the poetry-and-music duo Vapor Vespers, and the quartet Spaceheater. His writing on music, books, and film has been featured in The New York Times, Rolling Stone, PopMatters, Seattle Times, Huffington Post, Inside+Out Upstate NY, and NYSMusic.com, where he is the book reviewer.

Based in Washington, DC, Born I creates at the intersection of hip-hop and mindfulness, blending lyricism, spirituality, and cultural storytelling into a body of work that's both innovative and deeply human. His influences span Wu-Tang Clan, Ka, André 3000, Alice Coltrane, and Buddhist teachers like Thích Nhất Hạnh, and his music has garnered over 20 million streams worldwide. Born I's most recent album, Komorebi (2025), has been hailed by listeners as “a missing piece in hip-hop,” praised for its meditative flow and spiritual depth. The companion book, Lyrical Dharma: Hip-Hop as Mindfulness (Parallax Press), arrives with a foreword by Pulitzer Prize winner Alice Walker, further cementing Born I as a unique voice at the intersection of art and contemplative practice. A certified meditation teacher, Born I is also the male voice on the Balance app, where his teachings reach millions of listeners daily. He regularly leads retreats, concerts, and hybrid events that weave live hip-hop with meditation and sound baths – including performances at the Kennedy Center, Buddhist Arts & Film Festival, and alongside the monks of Plum Village Monastery. Through his label YAE (You Are Enough), Born I has released a wide range of projects, from the autobiographical hip-hop album In This Moment (2021), to the spiritual lo-fi project AMIDA (2023), to his latest genre-defying live shows and immersive short films. His children's books, You Are Enough and Love Your Amazing Self, encourage young people to practice self-compassion and have been featured at the Grammy Museum in Los Angeles. Whether performing for a packed festival crowd or guiding intimate circles in meditation, Born I carries one message across every medium: You are enough. Right now, exactly as you are. https://bornimusic.com/ Natalie Brown, host of Sounds Heal Podcast: http://www.soundshealstudio.com http://www.facebook.com/soundshealstudio http://www.instagram.com/nataliebrownsoundsheal http://www.youtube.com/soundshealstudio Music by Natalie Brown, Hope & Heart http://www.youtu.be/hZPx6zJX6yA Email: soundshealstudio@gmail.com

On this episode of Songs of Our Lives, it's Brett Naucke! Old heads unite! We get into his most recent album, “Ground Fault Matinee” (his punk record?!) before going down all kinds of rabbit holes with Joanna Newsom, Sade, The Misfits, “Blue” Bene Tyranny, Madonna, Alice Coltrane, Dire Straits, DJ Rashad, Lee ‘Scratch' Perry, and plenty more!Listen to all of Brett's picks HEREGround Fault MatineeBrett's IGSongs of Our Lives is a podcast series hosted by Brad Rose of Foxy Digitalis that explores the music that's made us and left a certain mark. Whether it's a song we associate with our most important moments, something that makes us cry, the things we love that nobody else does, or our favorite lyrics, we all have our own personal soundtrack. Join Foxy Digitalis on Patreon for extra questions and conversation in each episode (+ a whole lot more!)Follow Foxy Digitalis:WebsitePatreonInstagramBlueskyThe Jewel GardenSong ListMadonna “Borderline”Joanna Newsom “Clam, Crab, Cockle, Cowrie”Alice Coltrane “Journey In Satchidananda”Talk Talk “Eden”Pavement “Gold Soundz”Dire Straits “Money For Nothing”Arthur Russell “That's Us/Wild Combination”Triple 6 Mafia “Ridin' In The Chevy”“Blue” Gene Tyranny “Next Time Might Be Your Time”Lee ‘Scratch' Perry “Zion's Blood”DJ Rashad “Pass That Shit”Sade “Paradise”The Misfits “Cough Cool”Stereolab “Super Electric”

Perhaps the heart and soul of this episode is the collaboration of Joe Henderson and Alice Coltrane from the album The Elements. The other recording that deserves attention is the release of guitarist Pat Metheny' Side-Eye III+. Not only did Pat's album drop this week, but he has begun a tour of the US and Europe. I'm looking forward to seeing Metheny in May as I already have my tickets. Playlist Artist ~ Name ~ Album Clarke, Rushen & Chancler ~ Take Five ~ Standards Joe Henderson & Alice Coltrane ~ Fire ~ The Elements Joe Henderson ~ Black Narcissus ~ Power To The People Pat Metheny ~ SE-O ~ Side-Eye III+ Nicole McCabe ~ Twister ~ Color Theory Dave Holland, Norma Winstone ~ Not Waving But Drowning ~ Vital Spark McCoy Tyner ~ Fly With The Wind ~ Fly With The Wind

On this episode, Marc talks to Andy Beta, author of "Cosmic Music: The Life, Art, and Transcendence of Alice Coltrane," published in March of 2026. It's a thorough and insightful biography of the musician and her various lives as a prodigious young student, a seasoned jazz player, a wife and mother tightly bonded to her husband John Coltrane, and a swami who reached spiritual heights as a teacher and leader. Andy charts all of these versions of Coltrane while also providing close readings of her many amazing recordings.As he writes, "Even five years ago, it seemed unlikely that Journey in Satchidananda and the music of Alice Coltrane could ever be acknowledged or accepted by a wider audience...Yet I'm reluctant to classify Alice Coltrane as an example of a beloved artist going from obscurity to belated discovery. The stars are always above us, but the conditions on Earth must be right in order to fully glimpse their splendor. In that sense, Alice's "Cosmic Music" was always there, waiting for that moment when a new generation would be ready to hear its message."You can buy "Cosmic Music" here.We hope you enjoy Marc's conversation with Andy Beta!

Ryan Estes sits down with Don Lucoff, founder of DL Media and Artistic Director of the Denver Jazz Fest. Don has spent nearly four decades in jazz as a publicist, producer, and festival programmer, working with legendary artists and labels like Impulse and Blue Note. Now he is helping build a national caliber jazz festival right here in Denver. The State of Jazz Don reflects on how dramatically jazz media coverage has changed. There was a time when major outlets regularly reviewed jazz records and featured artists on national television. Today, most of that coverage has vanished. Yet jazz itself has not disappeared. It continues to shape modern music. Artists like Kendrick Lamar have collaborated with jazz musicians such as Kamasi Washington and Robert Glasper. The influence is everywhere. As Don puts it, jazz can sell everything but itself. It is deeply embedded in popular culture, even if it is no longer center stage in mainstream media. Why Denver Is a Jazz City Denver has a stronger jazz pedigree than many people realize. The Front Range is home to major jazz education programs at the University of Northern Colorado, University of Denver, University of Colorado Boulder, Metropolitan State University of Denver, and Colorado State University. These institutions consistently produce world class players. Historically, Five Points was known as the Harlem of the West, a vital stop for touring jazz musicians crossing the country. Add the Beat Generation passing through town and you have a city that has long been part of America's cultural and musical story. Inside Denver Jazz Fest The Denver Jazz Fest spans 15 venues across Denver and includes performances in Boulder County. It blends national headliners with respected local artists, creating a citywide celebration. This year's lineup includes Pat Metheny, Branford Marsalis, Bob James, and John Beasley. The festival also honors the centenary of Miles Davis and John Coltrane with special tribute performances, including a presentation of A Love Supreme by Denver saxophonist Keith Oxman. The goal is inclusivity and accessibility. Whether you are a lifelong jazz fan or just jazz curious, there is a show for you. Where to Start Listening For new listeners, Don recommends classics from the Blue Note catalog such as Lee Morgan's Search for the New Land, Herbie Hancock's Maiden Voyage, Wayne Shorter's Speak No Evil, and Grant Green's Idle Moments. From Impulse, he points to John Coltrane's Crescent and A Love Supreme, Alice Coltrane's Journey in Satchidananda, and Pharoah Sanders' Thembi. These records are not homework. They are entry points into a vast and vibrant tradition. Final Takeaway Don's career proves one thing. You may not get rich in jazz, but you can build a life around passion, community, and great music. Denver Jazz Fest is more than a series of concerts. It is a statement that this city values artistry, education, and cultural history. Learn more and get tickets at denverjazz.org. See you there.

Rotating group performs monthly at Savage Wonder Scroll down the page of gig posters at the Jazzwomen! website and you'll notice Kim Peralta appears in each one. As the ensemble's founder and drummer, she's guaranteed a gig. "I formed the group so I could play with high-caliber musicians, which helps improve my playing," she says. "I book the dates and provide enough rhythmic reinforcement that they show up." Peralta has established a third Thursday residency at Savage Wonder in Beacon (the next one is Feb. 19) and will perform at Estilo Y Vino in May. The members are booked up for Women's History Month, so they're skipping the March date at Savage Wonder and will return on April 16. Peralta assembled a roster of 14 musicians, some of whom have played with Lionel Hampton, Dizzy Gillespie and Wynton Marsalis. Saxophonist Kate Anderson toured with The Temptations and The Four Tops and bass player Jennifer Vincent has performed with k.d. lang and Patti LaBelle. In addition to playing jazz piano, Heather Bennett is the organist and music director at a New Jersey church. Ellie Lee describes herself as a "bold, fiery artist" who "composes in a variety of styles, including jazz, classical, pop and gospel." Peralta began recruiting pianists, saxophonists and bass players in 2023. Sax whiz Jenny Hill adds flute to her arsenal, and Rachel Therrien, who has worked with Arturo O'Farrill, is the sole trumpeter. Peralta selects the lineups for each gig like a baseball manager. The basic combo is a piano trio (with bass and drums), though adding a saxophone expands the sonic palette; Therrien once rounded out a quintet. The players are so accomplished that Peralta needs only to compile a set list and, if necessary, provide lead sheets. As the exclamation point indicates, Jazzwomen! wants to make a statement. In addition to originals, the group performs compositions by Alice Coltrane and Dorothy Ashby. "Melba Liston played trombone with the best of them, and Mary Lou Williams wrote 500 songs," says Peralta, who referenced as inspiration the National Public Radio show, "Marian McPartland's Piano Jazz," which the English-born musician and educator hosted from 1978 to 2011. Now known as "Piano Jazz" (McPartland died in 2013), it is NPR's longest-running cultural program. The gig posters online also include likenesses of Mike Aiese, who does not match the profile. But Peralta notes that there is a general shortage of bass players, so he sat in at Savage Wonder last month and will do so again next week. At the January show, sax player Maria Lazzaro emitted a furious flurry of notes during "In a Mellow Tone," before displaying her tonal command with bluesy slurs that lifted the classic "On Green Dolphin Street." Pianist Janice Friedman played trills like a heavy metal guitarist. Performing together for the first time, the two musicians engaged in a gentle cutting contest. Often at jazz concerts, the bass player gets a break or two, but Aiese took flight on all but one tune. Peralta kept it simple on her compact kit. Even though Aiese walked, vamped and played solid solos, Peralto says she is always on the lookout to replace him, which he understands. "It's magical to perform with all women," she says. "It's hard to describe, but it's special." Savage Wonder is located at 139 Main St. in Beacon. The Feb. 19 performance, which begins at 8 p.m., is free, but tickets are required. See dub.sh/jazzwomen-2-19.

For Episode 81 of STARK REALITY, Host James Dier aka DJ $mall ¢hange rolls the tattered red carpet out to New Orleans to check back in with GEOFFREY WILSON aka DJ REVEREND ROBERT SINEWAVE, Part 2. Since our last conversation several years ago (hard to believe, time flies), Geoffrey has escaped from White Wakanda (aka Portland) and moved to NOLA. We bounce around talking about a number of things happening politically plus music and cocktail sidebars as to be expected. Interview recorded November 3rd, 2025. If you know Geoffrey, you’d know that he’s a good friend, a good ally, and a staunch believer in equality, visibility, and diversity in the hospitality industry. He’s also a talented and creative bartender. Having spent close to a decade working in the International House Hotel in New Orleans, Ocotillo in Phoenix, and Multnomah Whiskey Library in Portland, OR, Geoffrey has honed his skill and earned the honor of Best Bartender in Chicago in 2008 and Phoenix in 2014. In addition to this, he's made fancy cocktail ice in Portland, has an extensive record collection (duh) and now semi-retired in New Orleans, although he does keep busy consulting and working on various projects for folks. If you find yourself in the area, be sure to follow his Instagram @rev_robertsinewave and join in the fun. Ask him about his purple Chucks. This time around he's going deep into spirit jazz / avant vibes with some classics and deep cuts from folks like Alice Coltrane, Pharoah Sanders, Albert Ayler, Horace Tapscott, Art Ensemble of Chicago, Joe Henderson, Marion Brown, etc etc. of proper head sounds. Go to Episode 82 of STARK REALITY to hear this sensational 2 1/2 + hour master mix - Enjoy! To hear Reverend Robert's first Stark Reality Interview with Host James Dier aka DJ $mall ¢hange, recorded in 2020, go to Episode 11 of STARK REALITY. And since last time our conversation fell around 4/20, that inspired EPISODE 12 of STARK REALITY, a weed-themed exclusive rare groove, funk and soul playlist. For all of Host James Dier aka DJ $mall ¢hange's in-depth interviews and exclusive guest playlists, Subscribe to both STARK REALITY and STARK REALITY PLAYLISTS on Apple Podcasts, Mixcloud or live & direct on uptownradio.net / jasoncharles.net Podcast Network Music Channel's STARK REALITY Series Page See omnystudio.com/listener for privacy information.

Listen to music from American musicians, the harpist Ashley Jackson and the Oklahoma-based Cherokee singer and songwriter Ken Pomeroy. Both sets come from our Soundcheck series of live performances and interviews, available as a twice-weekly podcast, wherever you get podcasts. With her clever guitar playing and powerful stories, Oklahoma-based Cherokee singer and songwriter Ken Pomeroy draws on brutal honesty and the songwriting skills she has honed since she was 11 years old. She's already found herself on the big screen and small when her song “Wall of Death” made its way onto the Twisters soundtrack, while Hulu's Reservation Dogs featured her soul-mining gem, “Cicadas.” Pomeroy touches on her Native American heritage (mentioning coyotes – a troubling omen) and somewhat painful, personal past, as she plays songs from her 2025 album Cruel Joke (Rounder Records), in-studio.Ken Pomeroy Set list: 1. Stranger 2. Days Getting Darker 3. Flannel CowboyThen, listen to harpist, soloist, collaborator (Harlem Chamber Players), educator, and arranger Ashley Jackson as she presents music from her 2025 album called Take Me To The Water (Decca Records). In the American spiritual tradition, water is a powerful metaphor for freedom and for moving from this life to the next. Jackson's record takes listeners on a watery journey through works by Debussy, the jazz harpist Alice Coltrane, blues, and some classic spirituals. As Jackson declares in a statement about the record, ”Water is something that we all need. It sustains us, it gives us life. Take Me to the Water reminds us we have a choice: we can let water be the thing that divides us, or, it can allow us to come together through our shared humanity.” She plays some of her arrangements of spirituals on a sculpted maple harp, in-studio.Ashley Jackson's Set list: 1. River Jordan 2. Deep River II 3. Take Me to the Water I

Ravi Coltrane with Marcus MillerMarcus Miller interviews Ravi Coltrane about his musical evolution and the dual legacy of his parents, Alice and John Coltrane. This insightful and candid talk, recorded live on the Journey of Jazz cruise, covers the challenges of growing up under the shadow of a jazz icon and finding one's own voice through the music.Key TakeawaysThe episode is a conversation between host Marcus Miller and guest Ravi Coltrane, focusing on Ravi's development as a jazz saxophonist.Ravi's father, John Coltrane, passed away in 1967 when Ravi was 2 years old, leaving Ravi to be raised by his mother, Alice Coltrane. Ravi notes that his father's instruments are currently in his stateroom.Ravi began his musical journey playing the clarinet throughout junior high and high school. He switched to the soprano saxophone at age 16 after his mother gave it to him for his birthday as a hint, later moving to the tenor saxophone.Ravi did not initially feel pressure from his famous last name because, during the 1970s in the San Fernando Valley where he grew up, John Coltrane was still considered "underground" or "counter culture".The death of Ravi's older brother, John Jr., in an automobile accident when Ravi was 17, caused a "void" that Ravi later filled by studying his father's music. Ravi began listening to his father's records to gain answers for questions asked at parties, and through this, the music "hit" him.Ravi worked with key members of the John Coltrane Quartet, including joining drummer Elvin Jones's band in 1991 (though he felt he was "prematurely" ready) and later working with pianist McCoy Tyner in the 2000s.Ravi and Marcus discuss the meaning of being "ready" to perform at a high level, noting that it means being "prepared to do the job properly" and recognizing that evolution and learning are continuous processes.Host and Guest InfoHost: Lee Mergner (introduction), Marcus Miller (interview).Guest: Ravi Coltrane.This talk was recorded during the Journey of Jazz cruise. Marcus Miller provided the theme music, which is a clip from his song "High Life" on his album Aphrodesia on Blue Note.The talk was captured by Brian Ratchkco and his production team.Send us a text

Eco-systems are running and flying for thousands of miles, all life is a foreign stranger to all other life…. what's happening? The sorrowing in Jamaica, Alice Coltrane's saving grace, First Nations singing to the Earth, Phoenix Fuller Ford's voice and wisdom, Savitri D's News from the Natural World, communities of life climbing up mountains to cool down, families of lizards, sharks, wolves, bacteria, mushrooms, escaping from hot homes, looking for higher ground that is too hot too... Still we sing Earthalujah!

durée : 01:00:01 - Au pied de la cathédrale - par : Nathalie Piolé -

Frank Swart was born and raised in Boston. He grew up hearing the big band swing records and classic Broadway show albums that were in his parent's record collection, along with the music that his sister (who was ten years older) listened to including the Beatles, Jimi Hendrix, Sly and the Family Stone, and Led Zeppelin. He also developed a love for Miles Davis' 1970s recordings, the spiritual Jazz of John and Alice Coltrane, and the deep soul and blues of Chess and Stax records. After some ungratifying drum lessons, when he was 13, his sister bought him a bass. “I was able to play it immediately, learned some riffs from a guitarist, and was soon practicing eight hours a day.” As a teenager, he worked with rock, blues, and acid funk bands. Very interested in making recordings, Swart rented a recording studio in the basement of a hair salon on the graveyard shift and taught himself how to engineer and produce records.      After meeting his future wife and deciding to leave Boston, he spent periods living and working in Los Angeles, San Francisco, and Nashville where he led the experimental jam band Funkwrench (which is a nickname for a bass). He engineered the first Pixies demos, worked with Patty Griffin off and on for 17 years, recorded with Morphine, produced and performed with cult underground art-rock band Billy Nayer Show, was part of the acid jazz group Junk/Post Junk Trio, was a founding member of the psychedelic electric blues trio SIMO, and recorded and toured with such artists as Norah Jones, The Indigo Girls, John Hiatt, and Buddy Miller. After settling back in San Francisco in 2017, Swart and publisher-producer Brian Brinkerhoff founded the Need To Know label, Skunkworks Studios, and Funkwrench Blues. Utilizing Swart's instrumental blues-oriented compositions and such talents as guitarist Rick Kirch (who worked with John Lee Hooker) and a variety of drummers, they have made recordings with over 200 notable artists. A partial list includes Guitar Shorty, Cash McCall, Fareed Haque, Jim Campilongo, John Hammond, Sonny Landreth, John Primer, Albert Lee, Vieux Farke Toure, Mr. Sipp, Tommy Castro, and Duke Robillard but that only hints at the wide variety of performers. Swart will release his newest endeavor, Funkwrench Blues—Mischief In The Musitorium, in the summer of 2025. The album features collaborations with Lenny White, Vernon Reid, Donald Harrison, Nduduzo Makhatini, Jason Marsalis, Joseph Bowie, and more.

This week on the show, the Portland-based group of Roman Norfleet, Harlan Silverman, and Kennedy Verrett, aka The Cosmic Tones Research Trio.  “Cosmic” is a term that has, thanks to critics and writers, become a little overused. Practically every indie rock band or country-based singer/songwriter with an effects pedal employs “cosmic” touches these days. But in the case of the Trio? Well, it's actually earned. Inspired by the spiritual jazz of Alice Coltrane and Pharoah Sanders, the experimental outer space jams of the Sun Ra Arkestra, and the spacious, meditative soundscapes of Laraaji, the Trio's sound is one based in deep harmonic resonance and the idea that music can, in a very real sense, heal listeners. Your mileage may vary, of course, but listening to the deep and searching sounds of the group's new self-titled album, out October 24 via Mississippi Records, we find ourselves contemplating notions of inner sound, of a kind of music that plays deep down, at the core of all there is.  In this conversation, we speak with the Tones about a variety of topics, including the influence of Sun Ra, the musings of Sufi mystic Hazrat Inayat Khan, whose book, The Mysticism of Sound and Music is a foundational text for the Trio, the group's ecumenical approach to musical spirituality. “Cosmic” may be a loaded term these days, but as the Trio explains in this interview, we are each our own little cosmos; we hope the following conversation brings you into deeper engagement with the universal within you. It certainly did so for us. We're brought to you by ⁠⁠Aquarium Drunkard⁠⁠, an independent music media crew headed by Justin Gage. Over at Aquarium Drunkard, you'll gain access to 20 years of music writing, playlist, essays, mixtapes, radio special, podcasts, videos and more.

"Dreams Not Realized | 17,000. 17,000 children have died in Gaza since the beginning of the war. Their voices have been silenced. Their dreams will never become realized. Why children? Did they even know why any of this is happening? Why they died?  Who will speak for the children? Who will mourn their loss? “The morning birds that sing so sweetly are 'out of a job' when there are no children to wake up.” - Alice Coltrane from Monument Eternal" Bethelem recording by Rafael Diogo, reimagined by Bill Stevens.

Listen to an interview with Brandee Younger, a groundbreaking harpist who has redefined the instrument's place in contemporary music.

Brandee Younger is a groundbreaking harpist who has redefined the instrument's place in contemporary music. Younger will perform at Indy Jazz Fest on September 17.  A classically trained musician, Younger has cultivated a unique sound that fuses her classical training with elements of jazz, R&B, and hip-hop. Younger has collaborated with a wide range of artists including Pharoah Sanders, Ravi Coltrane, Common, John Legend, Kanye West, Meshell Ndegeocello and many others. In 2021, Younger released “Somewhere Different” on the historic Impulse! label, earning a Grammy nomination for Best Instrumental Composition — the first Black woman ever recognized in that category. Her 2023 album “Brand New Life” celebrated the legacy of harp pioneer Dorothy Ashby and won the 2024 NAACP Image Award for Outstanding Jazz Album. Throughout her career, Younger has worked to promote and celebrate the work of jazz musician Alice Coltrane and on her new album “Gadabout Season” Younger is performing on Coltrane's harp. Listen to Younger's interview with WFYI's Kyle Long this week on Cultural Manifesto.

durée : 00:59:39 - Croquer la pomme - par : Nathalie Piolé -

durée : 00:59:22 - Jeux de Lumières - par : Nathalie Piolé -

Ofosu Jones-Quartey—performing as Born I—is a conscious hip-hop artist and meditation teacher. A native of Washington D.C., his early life was impacted by the crack epidemic of the 1980s and 90s. His strong, educated, cultured Ghanaian parents helped him navigate tough times. Born I talks about being exposed to Buddhism at an early age, by his mother. His interest in conscious hip-hop led him to black history and spiritual studies. He discusses the appeal of the Dharma path and how he once considered living a monastic life. We dive into how he now balances his spiritual practice with being a husband and father; his connection with jazz music and the great John and Alice Coltrane; his great sense of fashion and why his attire is important to him; and—lastly—the release of his latest book, Lyrical Dharma: Hip Hop as Mindfulness, and his new CD, Komorebi.https://bornimusic.com

[REBROADCAST FROM July 15, 2025] Harpist Brandee Younger returns to the show to perform live and discuss her third album, Gadabout Season, featuring original compositions and Younger's playing with Alice Coltrane's restored harp.

It's that time of year again! Get ready for daily drops from Conversations on Dance all throughout the 2025 Vail Dance Festival through August 3rd. Be sure to subscribe to the podcast so you don't miss a moment.Today we are joined by four dancers from LINES Ballert: Adji Cissoko, Lorris Eichinger, Ilaria Guerra, and Shuaib Elhassan. In this morning's conversation, explore the company's return to the Vail Dance Festival with a program that includes Ode to Alice Coltrane—a tribute to the legendary spiritual jazz icon—and Mother Goose, a mesmerizing reimagining of Ravel's beloved 1912 suite, Ma mère l'Oye. Hear behind-the-scenes insights into the creative process behind these visionary works and get to know the artists shaping them. The conversation will be followed by an open audience Q&A. This episode was recorded live from the Vail Dance Festival on July 26, 2025. Hosted on Acast. See acast.com/privacy for more information.

Bandleader, educator, and improviser Brandee Younger plays the harp. But while she has classical training and knows her way around Ravel and Debussy, she has long been fascinated by harpists like Dorothy Ashby and Alice Coltrane, Black women who created new spaces for the harp in the worlds of jazz and pop.  Brandee Younger's new album is called Gadabout Season, and on it, she plays her own compositions, and plays them on Alice Coltrane's own harp. She and her trio play in-studio.Set list: 1. Gadabout Season 2. New Pinnacle 3. BBL

durée : 01:59:28 - par : Thierry Jousse - "Au programme, jazz vocal et instrumental à tous les étages, avec quelques stars : Miles Davis, Alice Coltrane, Roberta Flack… quelques héros méconnus, tel le guitariste Oscar Moore… " Thierry Jousse - réalisation : Annick Haumier Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:59:28 - Jazz & Compagnie - par : Thierry Jousse - "Au programme, jazz vocal et instrumental à tous les étages, avec quelques stars : Miles Davis, Alice Coltrane, Roberta Flack… quelques héros méconnus, tel le guitariste Oscar Moore… " Thierry Jousse Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Harpist Brandee Younger returns to All Of It to perform live, and discuss her third album, Gadabout Season, featuring original compositions and Younger's playing with Alice Coltrane's restored harp.

In Episode Six, Dave Reis speaks with internationally renowned, award-winning jazz musician and centenarian, Terry Gibbs, via Zoom from Australia! Terry Gibbs, was born Julius Gubenkon in 1924. The renowned American jazz vibraphonist and band leader is 101 years old! According to his Wikipedia page, Gibbs has performed or recorded with many of the greatest names in Jazz, including  Tommy Dorsey, Chubby Jackson, Buddy Rich, Woody Herman, Benny Goodman, Alice Coltrane, Louie Bellson, Charlie Shavers, Mel Tormé, and Buddy DeFranco to name just a few. "I am the oldest bebopper alive!” proclaims 93-year-old Terry Gibbs, according to an article in Jazz Times, "This forefather of the jazz vibraphone may well be right; age-wise he beats out his closest competitors, including Roy Haynes (92), Jimmy Heath (91), Lee Konitz (90) and Sheila Jordan (89). Certainly, few musicians of any age can top his ability to whip up a storm of excitement on his instrument." The Artist Index's jazz documentarian and Jazz Podcast Series host, Dave Reis, spent nearly 26 years as a Jazz radio show host, among his many other accomplishments. He was one of the original longtime DJs who worked at the former WUSM, which became radio station WUMD, 89.3 FM, on the University of Massachusetts Dartmouth campus. Dave Reis, AKA David Domingo Reis, began as our guest on In-Focus Podcast 154 and In-Focus Podcast 181. He returns once again as the host of our first-ever ten-part jazz podcast series underwritten by the Fiber Optic Center. There is no better host for this series than Dave Reis, a walking, talking jazz encyclopedia and local legend himself. Dave grew up surrounded by and hanging around with many of the jazz greats he will be presenting his ten-part Jazz Podcast Series underwritten by the Fiber Optic Center. Podcasts are also available on your favorite media app, including Amazon Music / iHeart Radio / Libsyn / Podcast Page / Spotify / WebPlayer, and APPLE PODCASTS   Please consider donating whatever you can to help and assure us in our mission to continue documenting the legacies of South Coast Artists. If you would like to be a guest on The Artists Index or have a suggestion, please let us know!

Today back on Sense of Soul we have J.J. Hurtak, Ph.D., Ph.D. and Desiree Hurtak, Ph.D., social scientists, composers, authors and futurists. Dr. J.J. Hurtak is the author of the best-seller The Book of Knowledge: The Keys of Enoch®, translated into twenty-five languages. He has Ph.Ds from the University of California and the University of Minnesota.  Together, the Hurtaks are the founders of The Academy For Future Science, an international NGO. They have written numerous books together that include Salvator Mundi, The Seventy-Two Holy Names of The Myriad Names of the Divine Mother, The Overself Awakening, Pistis Sophia: Text and Commentary, a commentary on The Gospel of Mary and more. Drs. Hurtak are co-authors of Mind Dynamics in Space and Time, with the collaboration of world-renowned physicist, Dr. Elizabeth Rauscher, encompassing the rigorous scientific research of remote viewing and consciousness. They are also well known for their inspirational music, including their CD Sacred Name Sacred Codes which is a collaborative music with Steven Halpern, and their latest album with Steven entitled Sacred Cyphers of the Divine Mother. Dr. J.J. Hurtak's work has been performed by the German Symphonic Orchestra of Berlin with the famous singer Jocelyn Smith. Dr. J.J. Hurtak was also cowriter and composer with legendry song writer Alice Coltrane, and their work was presented at the New Jersey Center for Performing Arts where Desiree performed with the chorus. Their music of sacred mantras has been performed and sung throughout Europe and Latin America. Together, Drs. Hurtak continue to introduce music, having over 30 albums to date, to help unify cultures within the larger global society. Drs. Hurtak are also well-known as pioneers in Acoustic Archaeology having done music testing in many of the Mayan Temples, as well as the Great Pyramid of Giza. They were part of the team that discovered the “Tomb of Osiris” on the Giza Plateau in 1997. Their most recent publications to which they have been contributors are, Our Moment of Choice (2020), which includes their insights on consciousness together with those of over forty other internationally respected writers, such as Dr. Deepak Chopra and Dr. Bruce Lipton, and Making Contact (2021) with chapters by Nick Pope and Linda Moulton Howe, and The Holomovement: Embracing Our Collective Purpose To Unite Humanity (2023), which explores various inspirational understandings of the living universe and our integral place in its evolution. J.J. Hurtak was a member of the founding faculty at California Institute of the Arts. Together the Hurtaks have won fifteen awards at national and international film festivals for their numerous animated and graphic arts films regarding the exploration of higher consciousness. Together, they are members of the Evolutionary Leaders group that constitutes a body of speakers and writers from around the world who are shaping the shift in consciousness around the world towards a positive future. keysofenoch.org futurescience.org www.senseofsoulpodcast.com

The spiritual and the sensual find common cause in the music of Brandee Younger. As the world’s leading improvising harpist, she carries a torch for Alice Coltrane, whose astral meditations continue to light a path. But there’s also a place in Younger’s art for playfulness, even mischief — as she reminds us with Gadabout Season, her third album for Impulse! Records. Before a recent show at Solar Myth, part of Ars Nova Workshop’s 25th anniversary season, Younger sat down with The Late Set for this fun and far-ranging conversation. Weeks later, she’d be named a Doris Duke Artist and play Coltrane’s harp in a tribute at Carnegie Hall — making “New Pinnacle,” the title of a song on the new album, feel like a statement of fact.Support WRTI: https://bit.ly/2yAkaJsSee omnystudio.com/listener for privacy information.

This week's episode is a highlight from the archive, originally aired in 2023: I was so honoured to have this opportunity to talk with the inspiring Destiny Muhammad, who is a California-based jazz harpist and composer. You'll get to hear inspiring stories from her life as well as her music. She had a dream to play the harp but didn't have the opportunity until she was 30 years old. She speaks openly about the challenges in the 1980s due to the crack cocaine trade, her success as a barber, her determination and mentors including John Handy, and her unique perspectives in celebrating the legacies of Dorothy Ashby and Alice Coltrane. I'm sure you'll be inspired by Destiny's stories and music! The video and transcript are linked hereDestiny Muhammad websiteNewsletter Buy me a coffee?Podcast merch

Michelle Coltrane and Maggie LePique discuss her Mother, Alice Coltrane and the year-long celebration currently underway that's being called “The Year of Alice.”This celebration spans 2024-2025 and features previously unreleased music and reissues, brand new community programming, a multimedia museum exhibit, specially curated concerts, newly choreographed ballet works and much more.Jazz musician, composer, bandleader and spiritual and devotional leader, Alice Coltrane was born in Detroit, Michigan in 1937 to Solon and Annie McLeod, the fifth of six children. By the age of nine, she played organ during services at Mount Olive Baptist church.In the early 60's she began playing jazz as a professional in Detroit with her own trio and as a duo with vibist Terry Pollard.Alice Coltrane would go on to collaborate and performed with Kenny Clarke, Kenny Burrell, Ornette Coleman, Pharaoh Sanders, Charlie Haden, Roy Haynes, Jack DeJonette, Carlos Santana and more.Mrs Coltrane's interest in gospel, classical, and jazz music led to the creation of her own innovative style. Her proficiency on keyboard, organ, and harp was remarkable and her artistry matured into amazing arrangements and compositions.Her twenty recordings cover a time span from Monastic Trio (1968) to Translinear Light (2004).Michelle discusses at length one of the events here in Southern California that is part of the Year of Alice.Here in L.A. the exhibition Alice Coltrane, Monument Eternal at the Hammer Museum in Westwood is inspired by the life and legacy of jazz musician, composer and bandleader as well a spiritual and devotional leader, Alice Coltrane.This exhibition is part of a larger initiative called “The Year of Alice," and in partnership with the John & Alice Coltrane Home, Impulse Records, The New York Historical Society, the Detroit Jazz Festival and more.The exhibition presents works by contemporary American artists paired with items Coltrane's personal archive and features a range of mediums including video, performance, and sculpture together with Coltrane's archival hand-written correspondence, unreleased audio recordings, and rarely seen video footage.Upcoming event with Michelle Coltrane:Sai Anantam Devotional EnsemblePresented by CAP UCLA and Hammer MuseumSun, Apr 13, 2025 at 6:30pm The NimoyThe Year of Alice events include:Reissues of Alice Coltrane's albums and previously unreleased musicSpecially curated concerts in cities including New York, Brooklyn, Detroit, and CaliforniaA multimedia museum exhibitNewly choreographed dance worksCommunity programming and an Oral History ProjectDiscussions about Coltrane's life and workPartners in the celebration are:Impulse! RecordsDetroit Jazz FestivalHammer MuseumAlonzo King LINES BalletThe New York Historical SocietyShapeshifter LabLyon & Healey HarpsSource: https://thecoltranehome.org/2024/03/16/let-the-year-of-alice-begin/Source: https://www.alicecoltrane.com/Source: https://hammer.ucla.edu/exhibitions/2025/alice-coltrane-monument-eternalHost Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica stSend us a textSupport the show@profileswithmaggielepique@maggielepique

[This episode (aka "That's Entertainment: Napa, Act 4") was recorded live in 2022 at the Blue Note Jazz Festival.]."If you're on the battlefield, you don't look at your opponent and be like 'I am insecure about things.'...You tell them all the dope shit that you can do." —Dave ChappelleDave, Talib, and yasiin are joined by comedian Katt Williams.Featuring: Dave Chappelle, Talib Kweli, yasiin bey, and Katt WilliamsContains music from Ted Hawkins and Alice ColtraneExecutive Produced by Talib Kweli, yasiin bey, Dave Chappelle, Noah Gersh, Jamie Schefman, Nick Panama, Kenzi WilburProduced, Edited, and Composed by Noah Gersh and Jamie Schefman for SALTProduction Manager: Liz LeMayProduction Coordinator: Diana Chammas Live Engineering by: Mike Brown Mixed by: Mario Borgatta & Jordan GalvanPodcast Artwork: Leeann SheelyStill Photography: Mathieu BittonThe Midnight Miracle is a Luminary Original Podcast in partnership with Pilot Boy Productions and SALT.Special thanks to Ted Williams, Paul Adongo, Cipriano Beredo, Elaine Chappelle, Ivy Davy, Rikki Hughes, Sina Sadighi, Deborah Mannis-Gardner, Nicolle Johnson, Donna Dragotta, Carla Sims, Pete Amaro, Clint Balcom, Jennifer Branigan, Taylor Dalton, Miles Hodges, Zainab Khan, Christopher Landry, Coral Lee, Jayme Lynes, Mykola Logvynenko, Rishi Malhotra, Mohan Nerkar, Brian Parsons, Lauren Perkins, Kyle Ranson-Walsh, Matt Sacks, Betsy Santoyo, Lisa Schrader, Akhila Shankar, Leeann Sheely, and Mark Silverstein.Photography made available courtesy of Pilot Boy Productions, Inc. Copyright © 2022 by Pilot Boy Productions, Inc., all rights reserved.

Harpist, soloist, collaborator (Harlem Chamber Players), educator, and arranger Ashley Jackson's brand new album is called Take Me To The Water.  In the American spiritual tradition, water is a powerful metaphor for freedom and for moving from this life to the next. Jackson's record takes listeners on a watery journey through works by Debussy, the jazz harpist Alice Coltrane, blues, and some classic spirituals. As Jackson declares in a statement about the record, ”Water is something that we all need. It sustains us, it gives us life. Take Me to the Water reminds us we have a choice: we can let water be the thing that divides us, or, it can allow us to come together through our shared humanity.” She plays some of her arrangements of spirituals on a sculpted maple harp, in-studio. Set list: 1. River Jordan 2. Deep River II 3. Take Me to the Water I

108 is a highly spiritual number.

Award-winning harpist Ashley Jackson, whose expressive work melds traditional classical music with the rich heritage of Black spirituality, has a new album on the horizon — Take Me To The Water (out March 21).  In her masterful dip into transformative and spiritual power of water, Jackson interprets work by Alice Coltrane, Claude Debussy, and — on Today’s Top Tune “Deep River II” — the work of Samuel Coleridge-Taylor. 

Show Notes: In this captivating episode of Backstage Bay Area, host Steven Roby sits down with five-time Grammy nominee Lakecia Benjamin, a saxophonist, composer, and trailblazer redefining modern jazz. Lakecia shares insights into her latest album, Phoenix Reimagined (Live), a vibrant celebration of resilience featuring collaborations with legends like John Scofield and Randy Brecker. Recorded live at Brooklyn's The Bunker, this Grammy-nominated album brings her electric stage energy to life, offering listeners a genuinely immersive jazz experience. Dive into Lakecia's journey, from her Washington Heights roots and early work with icons like Stevie Wonder and Prince to her heartfelt tributes to John and Alice Coltrane. She discusses the evolving artistry that has shaped her career, the power of live music as a communal experience, and her upcoming performance at Yoshi's Oakland on February 8. Don't miss this rich exploration of music, creativity, and the human connection. Guest Information: Name: Lakecia Benjamin Bio: Lakecia Benjamin is an internationally acclaimed saxophonist and composer blending jazz with funk, R&B, and hip-hop. A five-time Grammy nominee, she is celebrated for her electrifying live performances and groundbreaking albums. Website: lakeciabenjamin.com Social Media: X: @LakeciaB Facebook: Lakecia Benjamin Instagram: @lakeciab Call-To-Action:Love what you hear? Make sure to: Subscribe to Backstage Bay Area on YouTube and Apple Podcasts. Get your tickets to see Lakecia Benjamin live at Yoshi's Oakland on Saturday, February 8. Doors open at 7:00 PM, and the show starts at 7:30 PM. Buy tickets here. Podcast Playlist: “Mercy” “Trane” “Phoenix Reimagined” Essential Takeaways: Phoenix Reimagined (Live) captures Lakecia's electrifying stage presence and communal energy, emphasizing the importance of live jazz performances. Her musical journey is a testament to creativity, resilience, and collaboration with legends like John Scofield and Randy Brecker. As Lakecia described, live music is a conversation between the artist and the audience, embodying shared human experiences. Hashtags:#BackstageBayArea #LakeciaBenjamin #JazzMusic #PhoenixReimagined #LiveMusic #GrammyNominee #YoshisOakland

www.missingwitches.com/ep-242-mw-alice-coltrane-spritual-jazz About Missing WitchesAmy Torok and Risa Dickens produce the Missing Witches Podcast. We do every aspect from research to recording, it is a DIY labour of love and craft. Missing Witches is entirely member-supported, and getting to know the members of our Coven has been the most fun, electrifying, unexpectedly radical part of the project. These days the Missing Witches Coven gathers in our private, online coven circle to offer each other collaborative courses in ritual, weaving, divination, and more; we organize writing groups and witchy book clubs; and we gather on the Full and New Moon from all over the world. Our coven includes solitary practitioners, community leaders, techno pagans, crones, baby witches, neuroqueers, and folks who hug trees and have just been looking for their people. Our coven is trans-inclusive, anti-racist, feminist, pro-science, anti-ableist, and full of love. If that sounds like your people, come find out more. Please know that we've been missing YOU. https://www.missingwitches.com/join-the-coven/

This episode begins with a set, taken from the news video of VP Kamala Harris showing off her vinyl purchases after visiting a DC record store. Following that, we have a bass player set featuring a couple of San Diego based artists. The show ends with a tribute to Alice Coltrane and a symphonic piece from Tim Garland. Playlist Artist ~ Name ~ Album Ella Fitzgerald & Louis Armstrong ~ It Ain't Necessarily So ~ Porgy and Bess Charles Mingus ~ The Shoes of the Fisherman's Wife Are Some Jive Ass Slippers ~ Let My Children Hear Music Roy Ayers Ubiquity ~ Everybody Loves the Sunshine ~ Everybody Loves the Sunshine Rob Thorsen Quartet ~ Let's Fall In Love ~ Evolution Mackenzie Leighton ~ Summer Strollin' ~ I Remember John Patitucci ~ We See ~ Trio Ravi Coltrane ~ For Turiya ~ Blending Times Tim Garland ~ The Forever Seed Part V - Praise ~ Moment Of Departure

This episode begins with a wonderful harpist Brandee Younger carrying on the legacy of Alice Coltrane and others bringing the sound of harp to modern jazz. This is followed by new music and concludes with three of the greatest saxophone players that have graced this art form. Playlist  Artist ~ Name ~ Album Dezron Douglas & Brandee Younger ~ The Creator Has a Master Plan ~ Force Majeure Brandee Younger ~ Moving Target ~ Brand New Life Brandee Younger ~ Blue Nile ~ Soul Awakening Jonathan Barber ~ The City That Sits On A Hill ~ In Motion Tim Garland ~ Trails ~ Moment Of Departure Kenny Barron ~ We See ~ Beyond This Place Chris Potter ~ Indigo Ildikó ~ Eagle's Point Wayne Shorter ~ Orbits ~ Without a Net Joe Henderson ~ Power to the People ~ Power to the People