Podcasts about Freddie Hubbard

Welcome along, my Forgotten Treasures" unearths soulful jazz, fusion classics, and spiritual grooves from deep in my collection, a rediscovery of music I'd almost lost. Forgotten Treasures series of mixes came about when I had some friends stay with me and they were going through my music collection of and looking at my collection of soulful jazz, fusion classics, global grooves, spiritual jazz, jazz nostalgia, deep cuts, and rare finds in my stored music. Someone said the words we are finding some Forgotten Treasures here and   Forgotten Treasures was born. Featuring T. Kolai - Andalu Charles Earland, Freddie Hubbard, Joe Henderson – Leaving this planet Steve Winwood & Carlos Santana “Why Can't We Live Together” Live @ Montreux 2004. Nucleus with Leon Thomas - Echoes Curtis Lundy - Where Did it Go Pharoh Sanders - love is everywhere 'live' Al Di Meola, John McLaughlin, Paco de Lucía - Mediterranean Sundance & Rio Ancho. Citrus Sun, Valerie Etienne – Expansions Mathew Garrison – Family Herbie Hancock - St Louis Blues Website - www.jazzmattersuk.com Supporting Blog - being constructed Social media and more visit my Linkhub -  https://www.jazzmattersuk.com/linkhub Jazz Matters Info - https://www.jazzmattersuk.com/about Email - jazzmattersuk@mail.com Info about me - https://www.jazzmattersuk.com/introducing-jazz-matters/introducing-ray #OnDemand #FreeToStream https://pod.co/nudirections   Please Stream in and Enjoy the Music I Love

En este episodio de La Montaña Rusa, hemos escuchado y comentado los discos:ÁLBUM DESTACADO. Frank London and The Elders. Spirit Stronger Than Blood (2024),Thumbscrew. Multicoloured Midnight (2022).CLÁSICO DE LA SEMANA. Freddie Hubbard. On Fire: Live from the Blue Morocco (2025).John Zorn. Homenaje a Remedios Varo (2023).JAZZ EN ESPAÑOL. Yei Yi & Co. Live at Isosteles Studi (2025).Mamiko Watanabe. Being Guide by the Light (2024).Ambrose Akinmusire. Honey From a Winter Stone (2025).

Zev Feldman, a.k.a. the “Jazz Detective,” has turned his crate-digging passion into a career: He tracks down previously unreleased recordings and jumps through the necessary hoops to get them released, often in lavish packages for his label, Resonance Records. This past Record Store Day featured such Feldman finds as live albums from Bill Evans, Freddie Hubbard, Kenny Dorham and Charles Mingus plus a limited-edition double album of previously unreleased Patsy Cline performances, Imagine That: The Lost Recordings (1954-1963). Feldman also co-produced last year's incendiary Blue Note release from McToy Tyner and Joe Henderson, Forces of Nature: Live at Slugs. In this expansive conversation, Feldman tells his Jazz Detective origin story and describes how he finds these recordings (or vice versa), he gets specific about the importance of Record Store Day and these projects' tight margins, and he reveals his white whales. (Photo by Jean-Louis Atlan.)

Enjoy the final episode in our three-part series exploring the music of Phil Ranelin, a legendary Indianapolis jazz trombonist. Listen to classic music from Ranelin, along with a recent interview he recorded with WFYI's Kyle Long. On this edition, Ranelin will discuss his lifelong friendship with jazz star Freddie Hubbard. Ranelin and Hubbard both attended Indianapolis' Arsenal Tech High School during the 1950s. Two decades later, they recorded three albums together. Ranelin will also reflect on his time in Detroit, where he co-founded the Tribe Records label, and performed with Motown musicians like Stevie Wonder and The Temptations.

Playlist in no particular order.Cosmoz - WATUSAThe Ercons - 03. Mystic Brew Angel (feat. Steven Bamidele).Reservoir & Matt Gold - Canopy.Antares_Flare_Gita_Buhari_-_I'll_Be_Your_FriendThundercat_feat_BADBADNOTGOOD_Flying_Lotus_-_King_Of_The_HillDee C'rell -Near Detroit.Carwyn Ellis & Rio 18 - Lovesick.Yaya Beya -  wake up b_tch (Clean).Kaidi - Organic Juggernaut.Feeling So Bright feat. MXXWLLArjuna Oakes - The Love That I Feel.Freddie Hubbard & Al Jarreau-- Little SunflowerJorge Dalto - Samba all day longKokoroko - Closer To Me [Brownswood Recordings]Abigoba & Claire Simone - My IntentionOrganic Pulse Ensemble - AttitudePerri - The Caves Of Altamira Tamtam - Ramble In The RainbowTed Olsen - Split Rock PostcardThe Piano Choir - Barbara AnnKevin G Davy - Epping Walk

RSD - or Record Store Day for you vinyl virgins- comes but once, er, or twice a year, and while the main focus is who will win the privilege to buy a color-vinyl edition of the Wicked soundtrack, there's a little bit of jazz sprinkled in there, too.  The boys talk about four selections, three recently uncovered live dates on the prolific Resonance Records, and a studio date from German stalwart MPS.  Kenny Dorham  - BLUE BOSSA IN THE BRONX; Charles Mingus – IN ARGENTINA – THE BUENOS AIRES CONCERTS; Freddie Hubbard – ON FIRE: LIVE FROM THE BLUE MOROCCO; Nathan Davis – HAPPY GIRL.

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On May 25th, the legendary Indianapolis jazz trombonist Phil Ranelin will turn 86 years old. For the next three weeks on Echoes of Indiana, we'll celebrate the anniversary of Ranelin's birthday by exploring his work in music. Listen to a recent interview Ranelin recorded with WFYI's Kyle Long, along with classic recordings from his discography.  Phil Ranelin was born in Indianapolis in 1939. He grew up on the city's east side in the Martindale Brightwood neighborhood and attended Arsenal Tech High School, where jazz icon Freddie Hubbard was also a student. Nearly two decades later they would record three albums together. During the 1960s, Ranelin was active on the local jazz scene, performing with Indianapolis jazz greats like Wes Montgomery, Pookie Johnson, David Young, and Freddie Hubbard.  Around 1968, Ranelin left Indianapolis for Detroit, becoming deeply involved in the city's dynamic music scene. While in Detroit he worked as a session musician and touring performer for Motown Records, appearing with artists including Stevie Wonder and The Temptations. But it was his work with Tribe jazz collective that elevated his legacy in music.  Ranelin co-founded Tribe in the early 1970s with saxophonist Wendell Harrison. Tribe started as a musical ensemble, but soon expanded into a record label, magazine and artist collective. Their work was explicitly political, advocating for Black empowerment and self-determination. Ranelin's tenure with Tribe Records produced a number of seminal albums including “The Time Is Now” and “Vibes from the Tribe.” These recordings blended traditional jazz with funk, and avant-garde techniques, helping to redefine the boundaries of the genre. Ranelin spent much of the last 40 years, living in Los Angeles, California.  But he recently returned to his hometown Indianapolis after suffering a severe stroke in 2021.  On this week's episode, hear music from Ranelin's most recent releases, including "The Found Tapes: Live in Los Angeles,” and “Tribe 2000.”

13e émission de la 61e session...Cette semaine, que du post-bop! En musique: Freddie Hubbard sur l'album On Fire: Live from the Blue Morocco (Resonance, 2025, enr. 1967); D.B. Shrier Quartet sur l'album D.B. Shrier Emerges  (Alfa, 1967); Mu Quintet sur l'album Enos  (Jazzaggression, 2025); Branford Marsalis Quartet sur l'album Belonging  (Blue Note, 2025); John Patitucci sur l'album Spirit Fall (Edition, 2025); Billy Hart Quartet sur l'album Just  (ECM, 2025)...

Tonight's Jazz Feature is a true classic and an essential recording for anyone interested in Jazz music. Tenor and alto saxophonist/composer/arranger Oliver Nelson is the leader and his hand picked sideman include the innovative Eric Dolphy on alto saxophone and flute and a young Freddie Hubbard on trumpet, baritone saxophonist George Barrow anchors the horn section in a non-soloing role. The great Bill Evans is on piano with Paul Chambers on bass and "Mr. Snap Crackle", Roy Haynes on drums. The six compositions are by Oliver Nelson and arranged by him. "The Blues and The Abstract Truth" is a true classic and always worth rehearing anytime!

Renowned archivist & record producer Zev Feldman, "The Jazz Detective", returns to discusses the Record Store Day 2025 releases of lost jazz recordings from Freddie Hubbard, Charlie Mingus, Bill Evans, Patsy Cline & more!  Topics Include: Introduction of Zev Feldman, nicknamed "the jazz detective" Status of finding lost jazz recordings - feeling optimistic Live recordings create a "renaissance" for jazz enthusiasts Concern about aging jazz colleagues with undiscovered tapes Feldman works with multiple record labels simultaneously Record companies are selective about which projects to release Concerns about tariffs affecting vinyl manufacturing costs Vinyl jazz releases often operate on slim profit margins Resonance Records uses Canadian pressing plant Le Vinylist Six Record Store Day releases coming from Feldman Patsy Cline "Imagine That" was most difficult release to assemble Patsy Cline release required coordinating multiple rights holders Country Music Hall of Fame involved in Patsy Cline project Feldman's personal connection to record stores and vinyl collecting Freddie Hubbard "On Fire" recorded at Blue Morocco (1967) Bernard Drayton engineered the Blue Morocco recordings Blue Morocco club owned by Sugar Hill Records founders Kenny Dorham recordings from same Blue Morocco venue Dorham's recordings especially rare and significant to Feldman Dorham was also a writer who contributed to DownBeat magazine Charles Mingus in Argentina - recordings from 1977 concerts Second Argentina concert added due to popular demand Mingus recordings made less than year before his ALS diagnosis Wes Montgomery with Wynton Kelly Trio reissue with new mastering Original Montgomery release now selling for $100+ in stores Time machine question - which historic jazz gig to attend Discussion of legendary venue Slugs and its important shows Feldman's collection of music memorabilia and venue posters Bill Evans live in Finland recordings (1964-1969) Feldman's 13th Bill Evans production with the Evans Estate Finland recordings feature three different Evans trio lineups Record Store Day helping introduce Evans to younger audiences Plans for Record Store Day Black Friday releases Value of releasing previously unheard music versus reissues EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Photo by Jean-Louis Atlan Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

The iconic jazz trumpet player Freddie Hubbard was born in Indianapolis on April 7th of 1938. During his extraordinary career, Hubbard made enormous contributions to hard bop and fusion music, performing on landmark albums by John Coltrane, Herbie Hancock, Quincy Jones, Sonny Rollins, Wayne Shorter and many others. Hubbard also issued many classic recordings as a bandleader. Nine of those albums appeared on the Billboard charts and his 1972 LP First Light earned a Grammy award for "Best Jazz Performance by a Group". Hubbard's technical mastery of the trumpet earned widespread critical acclaim and drew comparisons to legendary musicians like Miles Davis. Freddie  Hubbard passed away in 2008 at the age of 70, but his impact on music endures. His influence extends beyond jazz, shaping hip-hop as well. His recordings have been sampled by some of rap's most respected artists, including A Tribe Called Quest, Raekwon, Common, J Dilla, and MF DOOM. In this episode, we'll celebrate Hubbard's birthday by exploring the use of his music in hip-hop.

April is Jazz Appreciation Month, and we’re celebrating just as we always do, by chasing down live music and supporting the scene. But we’re also looking ahead to Record Store Day, which falls on April 12. It will bring a fresh bounty of new releases —including a customary haul of archival discoveries in deluxe editions. So for this episode, we’re talking all about RSD: the ins and outs, the ups and downs. We’ll get into this year’s bonanza, with a particular focus on two amazing albums recorded by leading trumpeters at the Blue Morocco in 1967: Kenny Dorham’s Blue Bossa in the Bronx and Freddie Hubbard’s On Fire. This episode might just put a dent in your record budget. Don’t say we didn’t warn you! The Late Set is made possible by the members of WRTI. The best way to support us is to become a WRTI member. Support WRTI: https://bit.ly/2yAkaJsSee omnystudio.com/listener for privacy information.

Tonight's Jazz Feature had one of the most widely recorded trumpeters from the 50's and 60's who eventually went into other fields after being a big part of Jazz for so many years. Donald Byrd was one of the many young trumpeters who reflected in their own way the influence of the late Clifford Brown, who died at age 25 in a car crash. Byrd along with Lee Morgan were the young heralds of the trumpet in the 50's and in the 60's Freddie Hubbard was added to that list. Byrd recorded a lot and this is from his period just before he left Jazz for other musical pursuits. This band was one he worked with frequently during the mid-60's. The Jazz Feature album is called "Blackjack" . It spotlights a sextet with Byrd leading alto saxophonist Sonny Red (aka Sylvester Kyner), tenor saxophonist Hank Mobley, pianist Cedar Walton, Walter Booker on bass and the always smiling Billy Higgins on drums. The tunes are mostly original creations by Sonny Red and Donald Byrd. Byrd wrote the title track "Blackjack", a hip funky tune. Enjoy this fine date from Blue Note Records.

 Producing a historical recording requires enormous patience, investigative powers like an investigative journalist. The journey is long, emotional, and exciting when the recordings are discovered, and the final package completed. This is what Zev Feldman does. He is the producer for and co-president of Resonance Records, a record label that releases archival recordings that are previously unissued. The Resonance catalogue includes John Coltrane, Bill Evans, Wes Montgomery, Freddie Hubbard, among many other legendary musicians. In this episode, Zev Feldman and I discuss his insights into his multifaceted career, how he got started in the music industry and his subsequent journey through various roles in sales, marketing, and ultimately producing rare jazz recordings. Feldman works with numerous other labels including Blue Note, Verve Label Group, Elemental Music as well as own his own labels, Jazz Detective and Deep Digs. Feldman spins many stories about his adventures in discovering music long forgotten. It's music that is not just good; it must be GREAT! Curating legacy music requires a sense of understanding about the elements of a dynamic recording, one that exceeds others in the quality of the performance, the importance of a certain date, and the historical aspect of the show or studio recording. Then there is the emotional involvement with the families of these jazz legends, many of whom become close friends, such as it has with the families of jazz guitar legend Wes Montgomery (Zev produced the first archival recording of Wes Montgomery for Resonance) and piano virtuoso Bill Evans as Feldman is just releasing his 13th archival recordings of Bill Evans. Then there is the importance of Record Store Day on April 12. Feldman highlights the significance of this little-known observed day in bringing these projects to life. This episode is rich with music, thanks to Zev Feldman and Resonance Records. There is more than 36 minutes of full tracks of music along with clips of recordings discussed. The playlist includes: Freddie Hubbard-On Fire, “True Colors-Breaking Point Closer” (13:32); Freddie Hubbard-trumpet, Bennie Maupin-tenor saxophone, Kenny Barron-piano, Herbie Lewis-bass, Freddie Waits-drums. Charles Mingus-Mingus in Argentina-The Buenos Aires Concerts, “Duke Ellington's Sound of Love” (9:32), Charles Mingus-bass, Ricky Ford tenor saxophone, Jack Walrath-trumpet, Robert Neloms -piano, and Dannie Richmond-drums. Kenny Dorham-Blue Bossa in the Bronx: Live from the Blue Morocco, “Blue Bossa”, (13:31), Kenny Dorham-trumpet, Sonny Red-alto sax, Cedar Walton-piano, Paul Chambers-bass and Denis Charles-drums. Short music clips: Charles Mingus-"Pork Pie Hat", Freddie Hubbard-"Crisis", Kenny Dorham-Blue Friday, Bill Evans-"Ro(u)nd Midnight". Thank you for listening to this podcast. I know you have many others to listen to, but you chose Strictly Jazz Sounds. When you subscribe you become one of the first to hear new episodes, read articles, see new photos, and learn of my annual “Best of” list. Soon, I will introduce a Patreon opportunity, your way of saying thanks to me for spending the more than 25 hours per episode to bring it to you. Photo by Zak Shelby-Szyszko

Listen to the final episode in a three-part series exploring the complete works of Alonzo "Pookie" Johnson, a legendary Indianapolis jazz saxophonist. Johnson was a veteran of the Avenue music scene and performed with many legendary Naptown jazz musicians, including Wes Montgomery and Freddie Hubbard. On this edition, we'll share music from Johnson's 1996 album “Legacy” and his 2003 recording with The Hampton Sisters.

Enjoy the first in our three-part series on the complete recordings of the late Alonzo “Pookie” Johnson, a legendary Indiana Avenue jazz saxophonist. This episode explores his early recordings.  Many local jazz fans consider Johnson to be one of the greatest saxophonists in Indianapolis history. During his six-decade career, Johnson performed with the greatest jazz players in Naptown, including Wes Montgomery, Slide Hampton, Jimmy Coe, Carl Perkins, Virgil Jones, David Baker, Errol Grandy, Freddie Hubbard, and many more.  Johnson was born in Indianapolis in October 1927. He studied music at Crispus Attucks High School, and the Jordan Conservatory. Johnson was a veteran of the Avenue club scene, performing at legendary venues such as the Sky Club, George's Bar, The P&P Club, Henri's, the Golden West, Sunset Terrace, and the British Lounge.

Tonight's Jazz Feature is a brand new recording by seasoned musicians that are an important part of today's Jazz scene. This date newly issued on the Cellar/Live label is by drummer Carl Allen leading a bare bones trio with the incredible tenor and soprano saxophonist Chris Potter, who also is heard on bass clarinet. The equally accomplished Christian McBride on bass plus a cameo appearance on piano by Vancouver's John Lee. The repertoire is varied with compositions by Carl Allen, drummer Lenny White, Freddie Hubbard, ,pianist James Williams and Charlie Parker. This recording demonstrates that great solid, uncompromising Jazz is still alive and well and is like a breath of fresh air. The albums is entitled "Tippin'".

Under Section 107 of the Copyright Act, allows the unlicensed use of copyrighted materials for purposes such as: Commentary: Using parts of a news article, scientific paper, or medical journal for educational purposes. In this stream I will share my love for Freddie Hubbard and one of his albums in particular: "Keep Your Soul Together from 1973." More on this special livestream event, here:Keep Your Soul Together! Special Aesthetics Livestream event! If you asked most musical mavens to name the most listened to and celebrated album from Freddie Hubbard - one of the great trumpeters of the 20th century - they would most likely name Red Clay. For me Keep Your Soul Together, from the same era and recording company, is a favorite. What makes this album so special and what were the musical influences that went into Hubbard's unique style of jazz improvisation? This special episode of “All About Aesthetics” will investigate. #jazz #trumpet #1970s Freddiehubbard #brass #georgecables #creedtaylor #cti #kentbrinkley #carlburnett #soul #gospel #spiritual #soulmusic #bebop #postbop Important links related to this stream:https://www.amazon.com/Keep-Your-Together-Freddie Hubbard/dp/B000O8QV0Qhttps://www.ctproduced.com/on-this-day-cti-chart-takeover/

Episode 12: A conversation with renowned jazz artist and educator, Bob Sheppard►Bob Sheppard website: https://www.bobsheppard.net►Key Moments:0:00 - Introductions1:33 – Playing with the JD Big Band2:15 – Bob's studio and cultivating a creative community in Los Angeles14:15 –Being on the scene, practicing, merit, and the social scene…27:50 – Thoughts and observations about practicing37:15 – Recording work in L.A.40:10 – Teaching, curiosity, sound, trying different equipment, and practicing the ends of notes56:43 – Truth telling and caring for students.59:15 – Playing with Freddie Hubbard 1:18:26– Bob and John play a little free duo.►Follow John Daversa Online:Instagram: https://www.instagram.com/johndaversa/Facebook: https://www.facebook.com/JohnDaversaMusic/YouTube:  https://www.youtube.com/johndaversamusicWebsite: http://www.johndaversa.com  ►CreditsHost and Producer: John DaversaVideo Capture: Max NierlichAudio Capture: Jake SondermanVideo and Audio Editing: Yang YangGraphic Design: Izzi GuzmanRecorded in Coral Gables, FL, February 28, 2024►Music"The John Daversa Podcast""Moonlight Muse""Junk Wagon"All compositions composed and arranged by John DaversaDaversafications Publications (ASCAP)#bobsheppard #jazzsaxophone #johndaversa #johndaversapodcast #jazzpodcast #jazzeducatorSupport the show►CreditsHost and Producer: John DaversaVideo: Max Nierlich Audio: Dudley MerriamAdditional Audio: Jake SondermanVideo and Audio Editing: Yang YangIzzi Guzman: Graphic DesignRecorded in Miami, FL►Music"The John Daversa Podcast""Moonlight Muse""Junk Wagon" All compositions composed and arranged by John DaversaDaversafications Publications (ASCAP)

This is my 2024 HIGHLIGHTS SHOW featuring 10 incredible artists who appeared on the podcast this past year. I chose these artists more or less randomly out of the 116 episodes I aired in 2024. I could have chosen many others as well. But this episode will give you a good idea of the depth and scope of the podcast and my wonderful guests.The featured artists in this Highlights Show are as follows:AL KOOPER - Rock LegendBlood Sweat & Tears, Supersession, Dylan's “Like A Rolling Stone”PETER ERSKINE - Acclaimed Jazz DrummerWeather Report. Stan Kenton and Maynard Ferguson Big BandsJUDY COLLINS - Celebrated Singer/Songwriter“Both Sides Now”; “Send In The Clowns”; Subject of “Suite: Judy Blue Eyes” DAVID AMRAM - National TreasureFirst Composer in Residence for the NY Philharmonic; Shakespeare In The ParkAUGUSTIN HADELICH - Acclaimed ViolinistClassical and Bluegrass; “Orange Blossom Special”CORY WONG - Extraordinary Funk GuitaristCory Wong and the Wongnotes; The Fearless Flyers; VulfpeckAMANDA WARNER aka MNDR - Grammy Winning Electro-Pop ArtistFeatured on “Bang Bang Bang”. Kylie Minogue, Rita OraLACY J. DALTON - Country and Americana Music StarCountry's Bonnie Raitt; “Hot Coffee”, “16th Avenue”CHRISTIAN MCBRIDE - Superstar Musician/BassistMusic Director, Newport Jazz Festival; Paul McCartney, Freddie Hubbard, StingOSCAR HAMMERSTEIN II - Broadway's Greatest Lyricist“The Sound Of Music”, “Oklahoma”, “The King And I”---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------ROBERT'S SINGLES:“THE RICH ONES ALL STARS” is Robert's latest single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's sublime, atmospheric Jazz Fusion tune. Featuring guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

Marc Jordan – Both Sides Now – 7:19 Jimmy Cobb, Javon Jackson, Roy Hargrove – Eleanor – 6:06 Miles Davis – Cobra – 5:16 Wallace Roney – Why Should There Be Stars – 5:28 Freddie Hubbard – God Bless the Child – 12:53 Alphonso Johnson – Earthtales Suite – 8:50 Poogie Bell Band – Change […]

ORNETTE COLEMAN “THE SHAPE OF JAZZ TO COME” Hollywood, CA, May 22, 1959Lonely womanDon Cherry (cnt) Ornette Coleman (as) Charlie Haden (b) Billy Higgins (d) JOHN COLTRANE “ASCENSION” Englewood Cliffs, N.J., June 28, 1965Ascension (Edition I – Part 1)Freddie Hubbard, Dewey Johnson (tp) John Tchicai, Marion Brown (as) John Coltrane, Pharoah Sanders, Archie Shepp (ts) McCoy Tyner (p) Jimmy Garrison, Art Davis (b) Elvin Jones (d) CECIL TAYLOR “UNIT STRUCTURE” Englewood Cliffs, N.J., May 19, 1966StepsEddie Gale (tp-1) Jimmy Lyons (as-2) Makanda Ken McIntyre (as-3,oboe-4,b-cl-5) Cecil Taylor (p,bells-4) Henry Grimes, Alan Silva (b) Andrew Cyrille (d) ALBERT AYLER TRIO “SPIRITUAL UNITY” New York, July 10, 1964Ghosts (first variation)Albert Ayler (ts) Gary Peacock (b) Sunny Murray (d) PETER BROTZMANN OCTET “MACHINE GUN” Bremen, May, 1968Music for Han Bennink IPeter Brotzmann (ts,bar) Willem Breuker (ts,b-cl) Evan Parker (ts) Fred Van Hove (p) Peter Kowald, Buschi Niebergall (b) Han Bennink (d) Sven-Ake Johansson (d,perc) Continue reading Puro Jazz 16 de diciembre, 2024 at PuroJazz.

Henry Johnson quite simply is a guitarist's, guitarist.  I can amplify that by saying that he is the guitarist that I have had the most requests to interview - “Hey, have you ever thought about Henry Johnson, he's amazing”! I heard it a hundred times...  I have known of Henry for a long time and admired his playing and wanted to get him in Jazz Guitar Today - but our roads kept missing each other.  I was so happy that we finally put it together.  Henry has a fantastic resume playing with the likes of Freddie Hubbard, Ramsey Lewis, Jimmy Smith, Sonny Stitt, Stanley Turrentine, and Joe Williams, WOW! He is an educator, an artist, and a gentleman! He is from my era and influenced by lots of the same people and likes a lot of the same music.  It is with great pride that we bring to you this conversation with the great Henry Johnson.Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

Christian McBride is a Musical Superstar. He's a renowned Bassist, Composer, Arranger and 8x Grammy Winner. His playing covers Jazz, R&B, Pop, Hip Hop and Classical. He's performed or recorded with just about everyone including Freddie Hubbard, McCoy Tyner, Herbie Hancock, Pat Metheny, Chick Corea, Paul McCartney and James Brown. He leads several bands and he's the Artistic Director of the Newport Jazz Festival.My featured song is my single “The Rich Ones”. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here .To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------ROBERT'S SINGLES:“SOSTICE” is Robert's newest single, with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's sublime, atmospheric Jazz Fusion tune. Featuring guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with Christian at:www.christianmcbride.com Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Listen to a tribute to the legendary jazz drummer Roy Haynes. He passed away last November at the age of 99. Hear classic jazz music from Haynes, featuring his work with the jazz masters of Indiana Avenue.  Roy Haynes was among the greatest and most influential drummers in the history of jazz music. Though Haynes spent the majority of his life in New York, he performed with many legends of the Indiana Avenue jazz scene, including Freddie Hubbard, J.J. Johnson, Larry Ridley, Bill Jennings, James Spaulding and more. Haynes was born in Boston, Massachusetts in 1925. He began playing drums professionally, as a teenager during the early 1940s. His crisp and distinctive sound on the drums earned him the nickname “Snap Crackle”. By the end of the 1940s, Roy was playing with the greatest stars in jazz, including Lester Young, and Charlie Parker. In the following decades, Roy continued to be a dominating force in jazz, performing with Sarah Vaughan, John Coltrane, Thelonius Monk, Chick Correa, and dozens of other iconic jazz artists.

Just in time for the holiday weekend

This album called "The Griffith Park Collection" is an all-star date nominally led by drum master Lenny White. The others involved are Freddie Hubbard on trumpet and flugelhorn, Joe Henderson on tenor saxophone, Chick Corea on piano, Stanley Clarke on acoustic bass. They had completed an album in Los Angeles with the great singer Chaka Kahn and producer Bruce Lundvall got the bright idea to record an instrumental album with this stellar band. Lenny White was the nominal leader and this great album was finished in two sessions. The tunes usually were done with a few exceptions in one or two takes. Everything gelled and we have a latter day classic done in 1980.It is overlooked by some fans and shouldn't be so listen up tonight and hear this fine document by these masters. Enjoy!

Listen to the music of Quincy Jones and the masters of Indiana Avenue jazz. Quincy Jones was a legendary producer, musician, composer, and arranger. He died earlier this month at the age of 91.  Jones worked with many of the biggest stars in popular music, producing and arranging music for iconic performers, including Michael Jackson and Frank Sinatra. As a composer, Jones broke racial barriers in Hollywood, becoming one of the first Black musicians to score soundtracks for major films and television programs. During his historic career, Jones received many accolades, including 28 Grammys, an Emmy, a Tony, and seven Academy Award nominations. During his early years in music, Jones worked extensively, with musician from Indiana Avenue, including the Montgomery Brothers, Freddie Hubbard, David Baker, Pookie Johnson, Virgil Jones, J.J. Johnson, Carl Perkins, Leroy Vinnegar, and more. It's possible Jones himself played on the Avenue. From 1951 to 1953, Jones toured with the Lionel Hampton band as a trumpet player and arranger. During that time, the band played at Indiana Avenue's Sunset Terrace, on Thanksgiving Day of 1952. In the liner notes for the Wes Montgomery anthology “In the Beginning,” Jones recalled sleeping on Montgomery's floor when the Hampton band toured through Indianapolis.

Rick and Ron host Internationally renowned jazz drummer, percussionist, clinician, author, and educator, Steve Houghton to the podcast. Steve initially received acclaim at age twenty as the drummer with Woody Herman's Young Thundering Herd. Since then he has shared stage and studio with luminaries Freddie Hubbard, Rufus Reid, Gary Burton, Dave Stryker, Clay Jenkins, Shelly Berg, Jared Gold, Lyle Mays, Bob Sheppard, Billy Childs, Bobby Hutcherson, Pat LaBarbara, Bobby Shew, Geoff Keezer, Bob Bowman, Walter Smith III , Wayne Bergeron, Bill Cunliffe, Arturo Sandoval, Steve Allee, Joe Henderson, Ray Brown, Eddie Henderson, among others. Steve retired in 2022 as Professor of Percussion and Jazz at Indiana University's Jacobs School of Music. He continues to presents clinics and master classes to students around the world, most recently in Germany, England, China, New Zealand, Australia and Taiwan. Houghton is a Past- President of the Percussive Arts Society (PAS) a founding member of the Jazz Education Network (JEN) and endorses, Yamaha drums and percussion, Zildjian cymbals, Vic Firth sticks and mallets, and Remo world percussion products and drumheads.

Internationally renowned jazz drummer, percussionist, clinician, author, and educator, Steve Houghton initially received acclaim at age twenty as the drummer with Woody Herman's Young Thundering Herd. Since then he has shared stage and studio with luminaries Freddie Hubbard, Rufus Reid, Gary Burton, Dave Stryker, Clay Jenkins, Shelly Berg, Jared Gold, Lyle Mays, Bob Sheppard, Billy Childs, Bobby Hutcherson, Pat LaBarbara, Bobby Shew, Geoff Keezer, Bob Bowman, Walter Smith III , Wayne Bergeron, Bill Cunliffe, Arturo Sandoval, Steve Allee, Joe Henderson, Ray Brown, Eddie Henderson, among others. Steve retired in 202 as Professor of Percussion and Jazz at Indiana University's Jacobs School of Music. He continues to presents clinics and master classes to students around the world, most recently in Germany, England, China, New Zealand, Australia and Taiwan. Houghton is a Past- President of the Percussive Arts Society (PAS) a founding member of the Jazz Education Network (JEN) and endorses, Yamaha drums and percussion, Zildjian cymbals, Vic Firth sticks and mallets, and Remo world percussion products and drumheads.

More than 25 years ago, I met tenor saxophonist Javon Jackson who was raised in Denver Colorado and that meeting made a wonderful memory and a deep impact that still resonates with me today.  It impressed me that he took the time out of his very busy and impressive career to offer his time in a very giving manner to help a small-town, non-profit radio station.  But that is just the kind of person he is, one who gives back and makes a difference.  He is still doing that today as the Chair of the Jackie McLean Institute of Jazz at the University of Hartford since 2013.   Besides being a dedicated educator, Javon has also been a member of Art Blakey's Jazz Messengers; he has recorded over two dozen albums as a leader and has also recorded with such jazz legends including Ron Carter, Elvin Jones, Freddie Hubbard, Louis Hayes and of course, Art Blakey and others.  It was serendipity that led to Javon forming a friendship and collaboration with the influential poet and activist Nikki Giovanni.  Giovanni was invited by Javon to lecture at the University. Discovering they had a shared love of jazz music which resulted in this duo recording an album together called ‘The Gospel According to Nikki Giovanni.' The relationship between the two has only deepened through the years, and from that, other shared passions have emerged. One of them, American cinema, is referenced in the title of their recent and much-anticipated follow-up album called ‘Javon and Nikki Go to the Movies.”  This is the subject of my conversation with Javon Jackson which begins with a reference to another one of Jackson's musical influences...Sonny Rollins.

This week we explore the music of the Naptown trumpet player Michael Ridley. Michael played with some of the biggest stars in American music, including Stevie Wonder, James Brown, Wilson Pickett, and Otis Redding. But he's best known for his work in jazz. Michael performed with many jazz greats, from Archie Shepp to Jimmy McGriff.  Michael Ridley was born in Indianapolis in 1939. At that time, his family lived in Lockefield Gardens — a federal housing project located on the Avenue. Ridley attended Shortridge High School. He performed with the school band and studied music at the MacArthur Conservatory on Indiana Avenue. There was music in Ridley's home too. His older brother, Larry Ridley, is a legendary jazz bassist known for his work with Thelonius Monk, Freddie Hubbard, Chet Baker, and others.

Listen to a tribute to the Philadelphia saxophonist and composer Benny Golson. He passed away on September 21st at the age of 95.  Throughout his career, Golson performed with legends of the Indiana Avenue jazz scene, including Freddie Hubbard and J.J. Johnson.  Hear music featuring Golson's collaborations with Indianapolis jazz musicians, along with recordings of Golson's music from notable Avenue jazz stars, like Wes Montgomery and Slide Hampton.

Tonight's Jazz Feature is again a double header. First off is a regular feature for this time of year that is both educational and very entertaining and brings us into the "back to school" idea that is celebrated in the month of September. It is Maestro Leonard Bernstein's "What is Jazz". Bernstein through a whole variety of musical examples explains what Jazz is and what it isn't in a clear non technical way. Later on he analyses a standard pop song interpreted by a variety of Jazz players from various eras and breaks it down into simple parts that the lay person can understand. The recording was made in the mid-50's but is still valid and fun to listen to. Enjoy. Our second Jazz Feature is a lesser known album by tenor and soprano saxophone master John Coltrane who today, September 23 celebrates a Birthday Anniversary. The Jazz feature album is called "Ole Coltrane" and it was his final recording for Atlantic records before he switched to Impulse Records. Coltrane had already recorded his first session for Impulse and he was reminded that he owed Atlantic one more album. He assembled a group of musicians some who would become regular members of his working band. Coltrane assembled young trumpeter Freddie Hubbard and alto saxophonist/flutist Eric Dolphy who did become a regular for several months in Coltrane's band. Pianist McCoy Tyner is heard of course and two fine bassists, Art Davis and Reginald Workman who both were part of Coltrane's regular band and of course the dynamic Elvin Jones on drums. The longest and most iconic tune on this set recorded on May 25, 1961 is "Ole" a Spanish flavoured excursion. "Dahomey Dance is the second Coltrane original and is an altered blues. McCoy Tyner's tribute to his wife is the set's ballad and titled "Aisha". A final tune added to the CD issue was Billy Frasier's "To Her Ladyship", a tribute to Billie Holiday. All in all a very fine and sometimes overlooked album by the great master John Coltrane.

Listen to music from Paul Parker, an important Indianapolis jazz drummer. Parker was among the most respected drummers on the Avenue jazz scene. He was best known for his work with Wes Montgomery, but also performed with Freddie Hubbard, Larry Ridley, James Spaulding, Melvin Rhyne and many others.

durée : 00:59:09 - Regarde ailleurs - par : Nathalie Piolé -

This episode of The Other Side of the Bell, featuring trumpeter, Sal Cracchiolo, is brought to you by Bob Reeves Brass. Tickets for the Youth Trumpet Scholars Trumpet Trilogy can be purchased here. About Sal Cracchiolo: Salvator William Cracchiolo II was born in Long Beach, California as the son of two talented music teachers.  His father, Sal Cracchiolo I, owned a music studio where he taught piano and played professional accordion.  His mother, Edith, was his first trumpet teacher and started Sal on trumpet at the age of 12.  He played in concert, marching and jazz band in high school.  By his Junior and Senior year of High School, he was attending Cerritos College playing in their jazz and concert bands. He started working as a professional musician at 15 in nightclubs with various R & B and Latin bands.   In 1975 he started a long musical friendship with Poncho Sanchez, which ultimately let to 18 albums.  Between working with Poncho, in the 1980s, he was a member of the Pasadena City College Big Band under the direction of saxophonist, Gary Foster.  While in this band, Sal played with such jazz greats as Warren Marsh, Lee Konitz, and Peter Erskine. In the late-80s, Poncho traveled internationally.  Since then, with Poncho and other acts, Sal has traveled to 45 countries globally.  With Poncho, he has played and recorded with Dizzy Gillespie, Freddie Hubbard, Cal Tjader, Chick Corea, Stanley Turentine, Tito Puente, Mongo Santamaria, Clare Fischer, Gary Foster, Arturo Sandoval, Eddie Harris, Joey DeFrancesco, Dianne Reeves, Justo Almario, Andy Martin, Celia Cruz and Pete Escovedo.  He performed for and with these artists at the Monterey, Playboy, Concord, and Nice Jazz Festivals plus many others throughout the U.S., Europe, Canada, Mexico, South America, Thailand and Japan. He has also done worldwide tours with such artists as Tom Jones, Vicki Carr, Harry Connick and Brian Setzer. He was with the Clayton/ Hamilton Jazz Orchestra and has played with them since 2003. The CHJO has been rated as the #1 Big Band in the USA by Downbeat Magazine from 2007 to 2010.  He also performing with his own sextet featuring his wife, Melanie Jackson, on vocals  In 2001 “Fly” was nominated for a Latin Grammy. He has performed on the latest albums of Michael Buble, Gladys Knight, Joss Stone, Jamiroquoi, and Dr. Dre and on various sountracks for HBO. In 2001,  their CD, “Fly”, was nominated for a Latin Grammy.  In 2002 they performed at the Du Maurier Vancouver International Jazz Festival.  In 2003 they will be performing for the warm-up for the Playboy Jazz Festival. In 2004 through 2006  Sal and Melanie's sextet was sponsored by the California Arts Council.

Listen to the final episode in a three-part series celebrating the July birthday of the flutist and saxophonist James Spaulding, one of the greatest living legends of the Avenue jazz scene.  Spaulding is best known for his work as a sideman. He cut over 65 albums as a session player, including recordings with Louis Armstrong, Herbie Hancock, Freddie Hubbard, Max Roach, and others. But Spaulding has also worked extensively as a bandleader. On this week's episode, hear music from Spaulding's work as a session leader.

Tonight's Jazz Feature is by one of the most well known musicians in the world: pianist/composer/leader: Herbie Hancock. This wonderful album was done in the mid-60's when Herbie was a member of Miles Davis' Quintet. Hancock had signed with Blue Note Records and made many appearances as a sideman and had already recorded 3 albums under his name. He is perhaps best known for his 5th album "Maiden Voyage" but this date, his 4th is a gem. It's called "Empyrean Isles " and features a stellar quartet with the incomparable Freddie Hubbard on cornet (a smaller, sharper sounding trumpet), Ron Carter on bass and the unique Tony Williams on drums. There are only four compositions on the album but they reflect Hancock's range of moods from the sexy, funky opener ("Cantaloupe Island") to the more outer reaching ("The Egg"). Two other tunes reflect Hancock's creativity, "One Finger Snap" and "Oliloqui Valley". Enjoy the musical adventure with "Empyrean Isles"...tonight's Jazz Feature.

With inspiration from his stylistic ancestors Nat King Cole and Joe Williams, John Dokes brings new life to the deep-souled world of baritone jazz vocals on his elegant new album, Our Day on his Swing Theory Entertainment imprint. In delivering a distinctive post-pandemic outing of classic songs embodied with hopeful passion, Dokes—also promises that his new endeavor is “an album that will make you move.” Our Day features songs associated with Cole (such as the smooth low-toned “Almost Like Being in Love,” the delightful Rodgers and Hart gem, “This Can't Be Love,” the Latin-vibed “L.O.V.E.” that elicits dancing), two vocalese numbers (Jon Hendricks' take on one-time Jazz Messenger composer Bobby Timmons' “Moanin',” Mark Murphy's swinging run through Freddie Hubbard's “Red Clay”), the full-energy pop vibe on Billy Ocean's hit “Suddenly,” the calming Michel Legrand tune “I Will Wait for You” made famous from the Frank Sinatra songbook. “I grew up dancing hip-hop, I made a transition to something that I could do for a longer time in my life,” says Dokes. “I switched to Lindy Hop also known as swing dancing. I came to singing later in my life, but I gravitated to the music I was most passionate about—the eras of the ‘40s, ‘50s, early ‘60s. I started picking songs that really moved me. Dokes' last two albums were quintet affairs. For Our Day, he convened a nonet that includes members of the New York-based George Gee Swing Orchestra where he launched his career as a vocalist. (He documented that with his debut album, John Dokes Sings, George Gee Swings.) Key to the album's success is the arranging of Gee's musical director trombonist David Gibson. “Dave is a great arranger,” Dokes says. “He provides layers for the nonet where everyone has a chance to shine on solos as he fills up the space with his lines.” Now, with his fourth album, Dokes has fully arrived. There's not a dull moment on Our Day. He opens with “Our Day Will Come.” “It's a love song,” Dokes says. but it's also an opening from the past. Now is our time. Now is our day. It's really a song about us as a band coming back together.” Originally, Dokes was in the midst of fashioning a trilogy of quintet recordings (2017's Forever Reasons and 2019's True Love on Ian Hendrickson-Smith's Rondette Jazz label). While the third album is still in the works, a couple of events intervened. “I got derailed,” says Dokes. “First, my drummer Lawrence Leathers died after True Love came out. I moved to Chicago with my wife and two children. Then there was the pandemic that changed how I was looking at the future. I had to restart my brain. I decided to work on some of my material that had never been recorded. I contacted George Gee and he was working on his nonet's Christmas album in May 2023, so we combined that with David arranging my album. It was a back-to-back operation of small big bands.” The nonet comprises saxophonists Anthony Nelson Jr. and Michael Hashim, multi-reeds player Patience Higgins, trumpeters Freddie Hendrix and Andy Gravish, Gibson on trombone. pianist Steve Einerson, bassist Malik McLaurine and drummer Chris Latona. A native of Little Rock, Arkansas who grew up living in Oakland, California, Dokes never dreamed of becoming a professional singer even though he was fascinated by black-and-white reruns of Nat Coles' short-lived 15-minute network television show that ran on NBC in 1956. “I watched them nonstop before I ever thought about singing,“ Dokes says. “But there was his elegance, his smoothness, his ease. That resonated with me. And it informed how I approach my singing today. I don't dive into a lot of vocal acrobatics - but like some of my favorite acrobatic and non-acrobatic singers I like to lean in and tell the story to connect with my audience.” His father was steeped in music while Dokes was growing up. He played Nat King Cole albums in the house, and he was in an r&b band in the Bay Area in the ‘70s that often opened for soul/r&b stars of the day like The Whispers and The Stylistics. He moved to New York and became a regular at swing dance shows including dates by the George Gee Swing Orchestra. One of his dance partners was the legendary Lindy Hopper, cabaret star, alto sax player Dawn Hampton, the cousin of jazz hero Lionel Hampton and sister of legendary trombonist and composer Slide Hampton. She told him that she really liked his voice when he was dancing. “If Dawn likes my voice, I'm going to surprise her one night and sing a couple of songs with George's band. George only knew me as a dancer. He saw my potential and asked me to join the band. That built my confidence and gave me the path to get better.”

For the next three weeks on Echoes of Indiana Avenue, we'll celebrate the July birthday of the saxophonist and flutist James Spaulding, one of the greatest living legends of the Avenue jazz scene. Spaulding has performed with the greatest legends in jazz music, from Herbie Hancock to Louis Armstrong.  On this week's edition, we'll focus on Spaulding's work for the famous Blue Note label. Spaulding was featured on over 20 classic Blue Note albums, working with star bandleaders like Freddie Hubbard, Wayne Shorter, Stanley Turrentine, Lee Morgan, Horace Silver, Grant Green, and many others.

Listen to the second episode in a two-part series exploring the complete recordings of Sonny Johnson, a legendary Indianapolis jazz drummer best known for his work with Wes Montgomery. Johnson played with many legends of Indiana Avenue, including the Hampton family, Jimmy Coe, Mel Rhyne, David Baker, Freddie Hubbard, and many more. Johnson also toured across the country as a drummer for the Lionel Hampton Orchestra, and recorded in New York City with Quincy Jones. On this week's episode, hear live recordings of Johnson performing in Indianapolis with Wes Montgomery.

Get ready for it! This week on "News with Nick" we have a special report from returning guest, Ciri Kline, on the music game app Soundmap. He joins us on his 14th birthday and reveals his picks from the local vinyl store. In other news, Scooter Braun quits music management and George Strait breaks the concert attendance world record.Song: MF Doom - “Doomsday”Greg is up next with a Three for Thursday. We start with a clip from MF Doom's 2005 “Live at Planet X,” continue on to “Inner Glimpse” by Freddie Hubbard and McCoy Tyner, and finish up with the latest single, “Flea” by St. Vincent.Songs:MF Doom - “Live from Planet X”Freddie Hubbard and McCoy Tyner - “Inner Glimpse”St Vincent - “Flea”Jay closes us out with an update to the story, first discussed a few years back, about the unreleased Wu-Tang Clan album Once Upon a Time in Shaolin. Purchased for $2 million in 2015 by Pharma-Bro Martin Shkreli, the album was seized by the government in 2018 when Shkreli was convicted of securities fraud. The album was auctioned yet again in 2021 by the U.S. Justice Department to the NFT collectors PleasrDAO (Crypto-Bros). The binding original purchasing agreement stipulated that the album could not be commercially exploited until 2103. PleasrDAO, whose stated purpose is to honor "anti-establishment rebels" and wishing to return the music to the people, has been selling shares of the album as NFTs. PleasrDAO has stated that each share of the album sold would reduce the album's release by 88 seconds. Jay had to get in on this…and he brings us a clip of the album to play.Songs:Hermanos Gutiérrez - “Barrio Hustle”Wu-Tang Clan - clip from Once Upon a Time in Shaolin

Peter Tiehuis is one of the best guitarists in Holland. He's played and recorded with every big star in the Netherlands and many international stars including Benny Goodman, Dizzy Gillespie, Freddie Hubbard, Stan Getz, Tina Turner, Elvis Costello and Herbie Hancock.My featured song is “The Rich Ones”. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“LOU'S BLUES” is Robert's new single. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's recent single. With guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------“MILES BEHIND”, Robert's debut album, recorded in 1994, was “lost” for the last 30 years. It's now been released for streaming. Featuring Randy Brecker (Blood Sweat & Tears), Anton Fig (The David Letterman Show), Al Foster (Miles Davis), Tim Ries (The Rolling Stones), Jon Lucien and many more. Called “Hip, Tight and Edgy!” Click here for all links.—--------------------------------------“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Intro/Outro Voiceovers courtesy of:Jodi Krangle - Professional Voiceover Artisthttps://voiceoversandvocals.com Audio production:Jimmy RavenscroftKymera Films Connect with Peter at:Peter Tiehuis Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

This week on Cultural Manifesto listen to an interview with the legendary jazz pianist Bob James, he'll be performing at the Jazz Kitchen later this month.  Some music fans know James for writing the theme song to the hit television show Taxi. Others know James' work through its extensive use in hip-hop sampling — he's one of the most sampled artists in the history of rap music. But few know that James' first career breakthrough happened in Indiana.  In 1962, the Bob James Trio competed at Notre Dame's Collegiate Jazz Festival in South Bend. The judges at that year's festival included Henry Mancini and Quincy Jones. James carried away the festival's top prizes and formed a lasting relationship with Quincy Jones — who signed James to Mercury Records and produced his debut album the following year. James will share his memories of the festival, and Cultural Manifesto host Kyle Long will share a rare lost recording of James' 1962 performance.  James will also discuss his collaboration with Indianapolis jazz legend Freddie Hubbard, and offer his thoughts on the use of his music in sampling.

This week on Cultural Manifesto listen to an interview with the legendary jazz pianist Bob James, he'll be performing at the Jazz Kitchen later this month.  Some music fans know James for writing the theme song to the hit television show Taxi. Others know James' work through its extensive use in hip-hop sampling — he's one of the most sampled artists in the history of rap music. But few know that James' first career breakthrough happened in Indiana.  In 1962, the Bob James Trio competed at Notre Dame's Collegiate Jazz Festival in South Bend. The judges at that year's festival included Henry Mancini and Quincy Jones. James carried away the festival's top prizes and formed a lasting relationship with Quincy Jones — who signed James to Mercury Records and produced his debut album the following year. James will share his memories of the festival, and Cultural Manifesto host Kyle Long will share a rare lost recording of James' 1962 performance.  James will also discuss his collaboration with Indianapolis jazz legend Freddie Hubbard, and offer his thoughts on the use of his music in sampling.

It was November 30, 2021, when Nicole Avant got a call in the middle of the night from her husband. The unthinkable had happened. Her otherwise healthy mom, Jacqueline Avant, was in critical condition at the hospital. She had been shot. Nicole would soon find out that her mother had been having an ordinary evening at her home in Beverly Hills when a man broke into her home in an attempted robbery. He shot Jacqueline, and then fled the scene. She died later that night in the hospital. Jacqueline was 81. It was an unspeakable tragedy that would leave most people paralyzed, enraged and probably seeking revenge. But Nicole's response surprised a lot of people. She decided that she's not a victim, and she would forgive her mother's murderer.  She shares this radical sentiment in her new book: “Think You'll be Happy: Moving Through Grief with Grit, Grace, and Gratitude.” For those unfamiliar with Nicole, she is someone who wears many hats. She served as U.S. ambassador to the Bahamas under President Obama—and she was the first black woman to hold this seat. She's been a force in political fundraising. She raised more than half a million for President Obama in one night in 2012, and she was part of a fundraising team that raised $21 million for him in 2008. She's also a movie producer, which isn't exactly surprising considering she was born into black Hollywood royalty—her father was Clarence Avant, the legendary music mogul who managed artists like Bill Withers, Sarah Vaughan, and Freddie Hubbard. Today, she finds herself again a part of Hollywood royalty, just of more recent vintage. Her husband is Netflix Co-Ceo Ted Sarandos. But unlike the British royals, Nicole Avant doesn't put her views through a PR machine. She says what she thinks, and she doesn't have time for bullshit. All of which is why we were so eager to have her on Honestly today.  Learn more about your ad choices. Visit megaphone.fm/adchoices

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