Podcasts about John Coltrane

From the Music History Today Podcast Network, This is the Music History Today Podcast for July 17. On today's show, the world loses Billy Holiday and John Coltrane, John Lennon gets told to leave, and Handel gives us Water Music.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters: 00:00 Intro 00:34 What happened on this date in music history15:17 Music award ceremonies that were held on this date in music history17:39 Albums released on this date in music history 22:36 Singles released on this date in music history 26:47 Birthdays of music artists on this date in music history 36:11 Passings of music artists on this date in music history 43:37 What's on tomorrow's episode

Playlist: Gunter Hampel - HeartplantsGunter Hampel - AssemblageJeanne Lee - Scheisse '71

Playlist: Tony Wilson - Lachrymae

Playlist: Mike Westbrook - Revenge Suite to Bordeaux Lady

This episode of Deep Focus does not have a spoken introduction. It starts immediately after the previous episode ends.     The moment you invoke the name of Alice Coltrane Turiyasangitananda, the widow of John Coltrane, you open a door into other ways of understanding.  She was part of her husband's last working band, but after his death, and for the next 40 years, her music became suffused with her spiritual practice and mystical experiences.  Her conviction was so thorough that some listeners found it alienating, but others were compelled by it.  Although she is no longer with us, her music remains a deep well of discovery.   Pianist Vijay Iyer has explored her music richly.  What has he found in it? What influence has it had on him?  On his music and his life?  Let's listen with him to rare, live recordings of her and find out how and why her work is so fascinating.     Tune in this Monday (6/8) from 6pm to 9pm NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  It will join over 450 promo-free episodes.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, sponsor-free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.   Photo credit: Alice Coltrane Turiyasangitananda, 1972.  No publishing information available.   #WKCR #DeepFocus #VijayIyer #AliceColtrane  # AliceColtraneTuriyasangitananda #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman 

The best artists, like the best leaders, never treat their work as finished. They master their craft, then break it, reworking, searching, risking public failure rather than coasting on what already worked. Let's call that restlessness unsettlement. It's a value leaders and artists share more deeply than any other.This episode makes the case for it: not repetition, not persistence for its own sake, but the discipline to keep moving toward something not just different but better and the nerve to smash your own best work when there's somewhere else to go.Bob Dylan, John Coltrane, and Henry Threadgill supply the evidence. The lesson isn't "lead like an artist. The stakes and the processes are worlds apart. It's narrower and harder: be self-aware but not self-satisfied, disciplined in a way that's true to yourself, and willing to build, break, and build anew. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit jimsalvucci.substack.com

Saxophonist Isaiah Collier spent most of his lifetime playing his instrument religiously. He looked up to his idol John Coltrane so much that he performed several tribute concerts in his name. But the young jazz composer is ready to take on new creative challenges with his upcoming EP, JOY. What kind of new challenges? Well, he showed up at our studio without his saxophone, for one.  On this episode of Soundcheck, Collier plays our piano and sings his soulful new songs with his band: with Davis Whitfield on keys, Conway Campbell on bass, and Tim Regis on drums. Collier's compositions are deeply personal, but they carry the spirit of communal celebration, which becomes most apparent in these exuberant, dynamic, and spontaneous performances. (- Sırma Munyar) 1. Where I'm Loved 2. When the Dust Settles 3. Joy Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Jeune saxophoniste issue du collectif Tomorrow's Warriors, Maddy Coombs s'impose comme l'une des figures montantes du jazz britannique. Encadrée par Binker Golding, Gary Crosby ou Denys Baptiste, elle développe un jeu inspiré de Stan Getz et John Coltrane. À la tête de son propre groupe, elle fait résonner une musique à la fois ancrée dans la tradition et ouverte à toutes les audaces de la scène jazz londonienne contemporaine.Maddy Coombs, saxophone Emily Tran, pianoMenelik, contrebasseJordan Hadfield, batterieinfos :https://www.instagram.com/maddyy.coombshttps://petitfaucheux.fr/maddy-coombs-quartetProduction : Le Petit Faucheux, Radio Campus Tours, 2026----------------------------------L!VE CAMPUS, l'émission dédiée à la musique live !La musique live, toutes les musiques lives ! " L!VE CAMPUS " , un nouveau programme musical live qui place en son centre la découverte de nouveaux talents.Partout sur le territoire, dans les studios radios, dans les salles, festivals et cafés concerts, les radios Campus captent les instants où les artistes musicien.ne.s présentent sur scène, parfois pour la première fois, le fruit de leur travail. Des performances et des moments enregistrés parfois fragiles mais toujours uniques et sensibles.Enregistrés, produits et diffusés sur les ondes de près de 30 radios Campus en France, ce programme offre à des projets musicaux émergents un changement d'échelle, permettant à des projet locaux de se faire connaitre en dehors de leur territoire d'origine.Enfin en arrière scène, ce sont des équipes radios, personnes bénévoles ou en formation, qui, avec la complicité de nos partenaires, s'essayent et manipulent les enregistreurs, consoles sons, câbles, micros et logiciels pour rendre possible ces captations sonores qui vous seront ensuite retransmises. Des défis techniques formateurs pour celles et ceux qui souhaitent se confirmer aux métiers du son.L!VE Campus, les jeunes talents à découvrir et a ré-écouter en podcast c'est ici et en FM/DAB+ sur vos radios Campus préférées.Avec le soutien du Centre National de la Musique.crédits visuels : Alice Marmond | IG @aliicetakespicsHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

The moment you invoke the name of Alice Coltrane Turiyasangitananda, the widow of John Coltrane, you open a door into other ways of understanding.  She was part of her husband's last working band, but after his death, and for the next 40 years, her music became suffused with her spiritual practice and mystical experiences.  Her conviction was so thorough that some listeners found it alienating, but others were compelled by it.  Although she is no longer with us, her music remains a deep well of discovery.   Pianist Vijay Iyer has explored her music richly.  What has he found in it? What influence has it had on him?  On his music and his life?  Let's listen with him to rare, live recordings of her and find out how and why her work is so fascinating.     Tune in this Monday (6/8) from 6pm to 9pm NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  It will join over 450 promo-free episodes.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, sponsor-free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.   Photo credit: Alice Coltrane Turiyasangitananda, 1972.  No publishing information available.   #WKCR #DeepFocus #VijayIyer #AliceColtrane  # AliceColtraneTuriyasangitananda #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman 

Have you ever wondered whether that quiet inner voice is genuine guidance... or simply your own hopes and fears talking?In this fascinating conversation, CJ sits down with spiritual teacher and author Gary Temple Bodley and spiritual medium Christy Levy to explore one of life's biggest questions: How do we recognize authentic guidance?Gary shares the remarkable story of how meditation led him into direct communication with a collective consciousness known as Joshua, eventually inspiring him to write four channeled books and launch the Joshua Live podcast. Christy describes her own journey into mediumship, automatic writing, and connecting with spirit guides and historical figures to help others discover greater clarity and purpose.Together they explore a radically different way of viewing reality: that your perspective creates your experience, and that shifting your perspective naturally changes your emotional state, your vibration, and ultimately your life. Along the way, they discuss limiting beliefs, why emotions can serve as guides rather than obstacles, and how curiosity can transform even life's most difficult experiences.The conversation takes a deeply personal turn when CJ asks about living with chronic pain. Rather than asking, "Why is this happening to me?" Gary offers a different perspective, suggesting that pain can become a messenger rather than an enemy when we approach it with openness instead of resistance.Near the end of the interview, Christy offers CJ a spontaneous reading that brings forward the symbolic presence of Beethoven and John Coltrane. Their message moves beyond music into the creative process itself, exploring the relationship between listening, surrender, and following what is quietly calling us forward. In one particularly moving moment, CJ is invited to exchange the question, "Why is this happening?" for a far more empowering one:"Who am I becoming through this experience?"Whether you're curious about channeling, fascinated by consciousness, searching for deeper meaning in difficult experiences, or simply trying to trust your own inner wisdom, this conversation offers thoughtful insights into creativity, healing, perspective, and the possibility that guidance is always available to those willing to listen.Sometimes the answers we're searching for aren't found by thinking harder.Sometimes they arrive when we become quiet enough to hear them.Want to learn more about CJ Miller? Check out his Spiritual Artist Retreats, 1:1 Personal Coaching, and Speaking Engagements at www.spiritualartisttoday.com. His retreats are designed to help you reconnect with your Creative Intelligence and express your true artistic voice. You can also find his upcoming schedule there, and his book, The Spiritual Artist, is available on Amazon.

Geschichte lebt von Dokumenten. Aber nicht nur von Verträgen, Briefen oder Protokollen. Sondern auch von Tonaufnahmen. Das gilt insbesondere für die USA mit ihren zahlreichen Medien, die immer und überall ein Mikrofon hinhalten. Zum 250. Geburtstag der USA haben wir ein Dutzend historischer Töne ausgewählt. Unsystematisch, aber vielleicht zeigen diese Zeitdokumente gerade deshalb ein Bild der vielseitigen Vereinigten Staaten. Das Line-up: Amanda Gorman, Neil Armstrong, John Coltrane, Sally Hemings, Thomas Jefferson, Steve Jobs, John F. Kennedy, Martin Luther King, Abraham Lincoln, Barack Obama, Thomas Paine, Ronald Reagan, Eleanor Roosevelt, Franklin Roosevelt und Bruce Springsteen. Sie alle haben die USA auf die eine oder andere Weise geprägt. Was sagen sie zu ihrem Land? Was sind ihre Hoffnungen, Träume und Ideen? Was haben diese Amerikanerinnen und Amerikaner bewirkt? Was bleibt von ihnen? Und: Wie sind die USA gealtert? Darüber unterhält sich Christof Münger, Leiter des Ressorts International, mit Korrespondentin Charlotte Walser in Washington D. C., mit Professorin Tina Kempin Reuter in Birmingham, Alabama, und mit dem langjährigen USA-Korrespondenten Martin Kilian in Charlottesville, Virginia - in einer Spezialfolge des USA-Podcasts «Alles klar, Amerika?». Produzent: Noah Fend Mehr zum 250. Jubiläum der USA: So feiern die USA ihren runden Geburtstag Leere Pavillons, eine Konföderiertenflagge und lauwarme Getränke Älteste Demokratie der Welt? «Das sind eindeutig wir. Sie haben das von uns abgeschaut» «Seine Kugeln sind nahezu perfekt»: Was ein Basler mit der Amerikanischen Revolution zu tun hatte Elisabeth Bronfen zu 250 Jahre USA: «Die meisten Schweizer wissen gar nicht, wie amerikanisiert sie sind» Jill Lepore über 250 Jahre USA, Trump und die Demokratie: «Es gibt vieles, das man feiern könnte, wenn Trump nicht alles an sich reissen würde» 25 grossartige Dinge, die wir den USA verdanken Mehr USA-Berichterstattung finden Sie auf unserer Webseite und in den Apps.  Unser Tagi-Spezialangebot für Podcast-Hörer:innen: tagiabo.chHabt ihr Feedback, Ideen oder Kritik zu «Apropos»? Schreibt uns an podcasts@tamedia.ch Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

George Washington could have stayed president for a third term, yet in his famous Farewell Address, he wrote that he would “decline being considered." He penned that address by candlelight in 1796, and curator Lisa Kathleen Graddy explains why the brass stand that held those candles is a significant part of American history.Then, Ethel Payne was the first Black American woman to become an international news correspondent. A flowered, wide brim hat made her stand out in a room full of male reporters, and Smithsonian curator Jennifer Sieck shares how this hat represents Payne's legacy.And, few musicians have changed American music quite like John Coltrane did. He pushed jazz in new directions over his short career. Smithsonian curator Krystal Klingenberg talks about a tenor saxophone that Coltrane played in his final years.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

The great Sonny Rollins left this dimension on May 25, 2026, and the boys find it only fitting to devote two episodes to the jazz colossus. This first installment looks at four albums from the magical 1950s, when every album Sonny released was an event and even John Coltrane was just an up and coming challenger. Sonny Rollins: TENOR MADNESS!, VOLUME 2, NEWK'S TIME, SAXOPHONE COLOSSUS. 

Geschichte lebt von Dokumenten. Aber nicht nur von Verträgen, Briefen oder Protokollen. Sondern auch von Tonaufnahmen. Das gilt insbesondere für die USA mit ihren zahlreichen Medien, die immer und überall ein Mikrofon hinhalten. Zum 250. Geburtstag der USA haben wir ein Dutzend historischer Töne ausgewählt. Unsystematisch, aber vielleicht zeigen diese Zeitdokumente gerade deshalb ein Bild der vielseitigen Vereinigten Staaten. Das Line-up: Amanda Gorman, Neil Armstrong, John Coltrane, Sally Hemings, Thomas Jefferson, Steve Jobs, John F. Kennedy, Martin Luther King, Abraham Lincoln, Barack Obama, Thomas Paine, Ronald Reagan, Eleanor Roosevelt, Franklin Roosevelt und Bruce Springsteen. Sie alle haben die USA auf die eine oder andere Weise geprägt. Was sagen sie zu ihrem Land? Was sind ihre Hoffnungen, Träume und Ideen? Was haben diese Amerikanerinnen und Amerikaner bewirkt? Was bleibt von ihnen? Und: Wie sind die USA gealtert? Darüber unterhält sich Christof Münger, Leiter des Ressorts International, mit Korrespondentin Charlotte Walser in Washington D. C., mit Professorin Tina Kempin Reuter in Birmingham, Alabama, und mit dem langjährigen USA-Korrespondenten Martin Kilian in Charlottesville, Virginia - in einer Spezialfolge des USA-Podcasts «Alles klar, Amerika?». Produzent: Noah Fend Mehr zum 250. Jubiläum der USA: So feiern die USA ihren runden Geburtstag Leere Pavillons, eine Konföderiertenflagge und lauwarme Getränke Älteste Demokratie der Welt? «Das sind eindeutig wir. Sie haben das von uns abgeschaut» «Seine Kugeln sind nahezu perfekt»: Was ein Basler mit der Amerikanischen Revolution zu tun hatte Elisabeth Bronfen zu 250 Jahre USA: «Die meisten Schweizer wissen gar nicht, wie amerikanisiert sie sind» Jill Lepore über 250 Jahre USA, Trump und die Demokratie: «Es gibt vieles, das man feiern könnte, wenn Trump nicht alles an sich reissen würde» 25 grossartige Dinge, die wir den USA verdanken Mehr USA-Berichterstattung finden Sie auf unserer Webseite und in den Apps. Den «Tages-Anzeiger» können Sie 3 Monate zum Preis von 1 Monat testen: tagiabo.ch.Feedback, Kritik und Fragen an: podcasts@tamedia.ch Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

#music #milesdavis #mitchhampton #booklunch #booktube #jazztube #musiceducationMay 26 of this year of 2026 marked the Centennial of Miles Davis' birth. For this book lunch I will review and examine two books on jazz, making this the second time I have covered a nonfiction book on musical subject (Laurie Verchomin's The Big Love on Bill Evans being the other one). I purposely chose two rather different books as a meditation on the many different styles of covering real life subjects; Marc Meyers' Why Jazz Happened and James Kaplan's 3 Shades Of Blue: Miles Davis, John Coltrane, Bill Evans, and the Lost Empire of Cool. This Book Lunch topic will be the first of two parts on the two books.More on this ongoing series, here:June Book Lunch:” 3 Shades Of Blue and Why Jazz Happened” Part 1May 26 of this year of 2026 marked the Centennial of Miles Davis' birth. For this book lunch I will review and examine two books on jazz, making this the second time I have covered a nonfiction book on musical subject (Laurie Verchomin's The Big Love on Bill Evans being the other one.)I purposely chose two rather different books as a meditation on the many different styles of covering real life subjects; Marc Meyers' Why Jazz Happened and James Kaplan's 3 Shades Of Blue: Miles Davis, John Coltrane, Bill Evans, and the Lost Empire of Cool. While the Myer's book is a utilitarian history suffused with all sorts of important facts about jazz its own genre with its own story, Kaplan's book is an artful, poetic account of the same era. I will feature excerpts from both and reflect not only on the state of Jazz music but upon the state of prose in social and music hostly in general.Direct Link to our episode with the magnificent Laurie Verchomin and her book on Bill Evans:Please enjoy these supplemental, educational videos for this stream:   • Fine And Mellow   Billie Holiday With Cole...     • Original Dixieland Jass Band - Livery Stab...     • Bennie Moten's Kansas City Orchestra - Mot...  

The moment you invoke the name of Alice Coltrane Turiyasangitananda, the widow of John Coltrane, you open a door into other ways of understanding.  She was part of her husband's last working band, but after his death, and for the next 40 years, her music became suffused with her spiritual practice and mystical experiences.  Her conviction was so thorough that some listeners found it alienating, but others were compelled by it.  Although she is no longer with us, her music remains a deep well of discovery.   Pianist Vijay Iyer has explored her music richly.  What has he found in it? What influence has it had on him?  On his music and his life?  Let's listen with him to rare, live recordings of her and find out how and why her work is so fascinating.     Tune in this Monday (6/8) from 6pm to 9pm NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  It will join over 450 promo-free episodes.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, sponsor-free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.   Photo credit: Alice Coltrane Turiyasangitananda, 1972.  No publishing information available.   #WKCR #DeepFocus #VijayIyer #AliceColtrane  # AliceColtraneTuriyasangitananda #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman   

John Kapusta's Self-Realization Nation: How Artists of the Creative Counterculture Made a New America (U California Press, 2026) is the story of an unexpected group of performing artists who led one of the most influential artistic movements in contemporary American history. After World War II, personal fulfillment emerged as a defining American cultural ideal. Self-realization--the quest to become our authentic selves--remains a powerful part of American culture and arts today. In Self-Realization Nation, John Kapusta provides a lively cultural history of how an overlooked movement of musicians, dancers, and actors championed the ideal of self-realization. These performers, who spanned many backgrounds, identities, genres, and artistic styles, became what he calls the creative counterculture. Artists as varied as Sonny Rollins, John Cage, Anna Halprin, Alice and John Coltrane, and Pauline Oliveros shared an approach to creativity focused on letting go of limiting beliefs and subverting oppressive social norms. Through colorful vignettes, Kapusta reveals how these artists made their art and how their approach spread beyond the performing arts to influence such fields as psychology, education, and wellness. Ultimately, these creative counterculturists came to define a new vision of an America where everyone was free to be themselves, together. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The weekly message from Community Church Edinburgh. This talk is from Sunday, 28th Jun 2026.In the first talk of this new series ‘Open Eyes, Open Hearts’, Andrew explores Jazz music with a sermon titled, “What does John Coltrane have to do with Julian of Norwich?” In it, he uncovers a mutual obsession shared between the 14th century English Anchorite Saint, and the 20th Century Saxophone virtuoso.

John Kapusta's Self-Realization Nation: How Artists of the Creative Counterculture Made a New America (U California Press, 2026) is the story of an unexpected group of performing artists who led one of the most influential artistic movements in contemporary American history. After World War II, personal fulfillment emerged as a defining American cultural ideal. Self-realization--the quest to become our authentic selves--remains a powerful part of American culture and arts today. In Self-Realization Nation, John Kapusta provides a lively cultural history of how an overlooked movement of musicians, dancers, and actors championed the ideal of self-realization. These performers, who spanned many backgrounds, identities, genres, and artistic styles, became what he calls the creative counterculture. Artists as varied as Sonny Rollins, John Cage, Anna Halprin, Alice and John Coltrane, and Pauline Oliveros shared an approach to creativity focused on letting go of limiting beliefs and subverting oppressive social norms. Through colorful vignettes, Kapusta reveals how these artists made their art and how their approach spread beyond the performing arts to influence such fields as psychology, education, and wellness. Ultimately, these creative counterculturists came to define a new vision of an America where everyone was free to be themselves, together. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

John Kapusta's Self-Realization Nation: How Artists of the Creative Counterculture Made a New America (U California Press, 2026) is the story of an unexpected group of performing artists who led one of the most influential artistic movements in contemporary American history. After World War II, personal fulfillment emerged as a defining American cultural ideal. Self-realization--the quest to become our authentic selves--remains a powerful part of American culture and arts today. In Self-Realization Nation, John Kapusta provides a lively cultural history of how an overlooked movement of musicians, dancers, and actors championed the ideal of self-realization. These performers, who spanned many backgrounds, identities, genres, and artistic styles, became what he calls the creative counterculture. Artists as varied as Sonny Rollins, John Cage, Anna Halprin, Alice and John Coltrane, and Pauline Oliveros shared an approach to creativity focused on letting go of limiting beliefs and subverting oppressive social norms. Through colorful vignettes, Kapusta reveals how these artists made their art and how their approach spread beyond the performing arts to influence such fields as psychology, education, and wellness. Ultimately, these creative counterculturists came to define a new vision of an America where everyone was free to be themselves, together. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

John Kapusta's Self-Realization Nation: How Artists of the Creative Counterculture Made a New America (U California Press, 2026) is the story of an unexpected group of performing artists who led one of the most influential artistic movements in contemporary American history. After World War II, personal fulfillment emerged as a defining American cultural ideal. Self-realization--the quest to become our authentic selves--remains a powerful part of American culture and arts today. In Self-Realization Nation, John Kapusta provides a lively cultural history of how an overlooked movement of musicians, dancers, and actors championed the ideal of self-realization. These performers, who spanned many backgrounds, identities, genres, and artistic styles, became what he calls the creative counterculture. Artists as varied as Sonny Rollins, John Cage, Anna Halprin, Alice and John Coltrane, and Pauline Oliveros shared an approach to creativity focused on letting go of limiting beliefs and subverting oppressive social norms. Through colorful vignettes, Kapusta reveals how these artists made their art and how their approach spread beyond the performing arts to influence such fields as psychology, education, and wellness. Ultimately, these creative counterculturists came to define a new vision of an America where everyone was free to be themselves, together. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

John Kapusta's Self-Realization Nation: How Artists of the Creative Counterculture Made a New America (U California Press, 2026) is the story of an unexpected group of performing artists who led one of the most influential artistic movements in contemporary American history. After World War II, personal fulfillment emerged as a defining American cultural ideal. Self-realization--the quest to become our authentic selves--remains a powerful part of American culture and arts today. In Self-Realization Nation, John Kapusta provides a lively cultural history of how an overlooked movement of musicians, dancers, and actors championed the ideal of self-realization. These performers, who spanned many backgrounds, identities, genres, and artistic styles, became what he calls the creative counterculture. Artists as varied as Sonny Rollins, John Cage, Anna Halprin, Alice and John Coltrane, and Pauline Oliveros shared an approach to creativity focused on letting go of limiting beliefs and subverting oppressive social norms. Through colorful vignettes, Kapusta reveals how these artists made their art and how their approach spread beyond the performing arts to influence such fields as psychology, education, and wellness. Ultimately, these creative counterculturists came to define a new vision of an America where everyone was free to be themselves, together. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

John Kapusta's Self-Realization Nation: How Artists of the Creative Counterculture Made a New America (U California Press, 2026) is the story of an unexpected group of performing artists who led one of the most influential artistic movements in contemporary American history. After World War II, personal fulfillment emerged as a defining American cultural ideal. Self-realization--the quest to become our authentic selves--remains a powerful part of American culture and arts today. In Self-Realization Nation, John Kapusta provides a lively cultural history of how an overlooked movement of musicians, dancers, and actors championed the ideal of self-realization. These performers, who spanned many backgrounds, identities, genres, and artistic styles, became what he calls the creative counterculture. Artists as varied as Sonny Rollins, John Cage, Anna Halprin, Alice and John Coltrane, and Pauline Oliveros shared an approach to creativity focused on letting go of limiting beliefs and subverting oppressive social norms. Through colorful vignettes, Kapusta reveals how these artists made their art and how their approach spread beyond the performing arts to influence such fields as psychology, education, and wellness. Ultimately, these creative counterculturists came to define a new vision of an America where everyone was free to be themselves, together. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Direction à présent le Maroc, pour parler d'un collectif d'artistes issus de différentes disciplines : le Syndicat national marocain du fun (MNSF) s'est donné pour objectif d'ouvrir de nouveaux espaces de fête à Casablanca. Pour répondre à un besoin de désintoxication numérique, de vraies rencontres et de partage, dans un cadre sûr et confortable, le collectif organise tout au long de l'année des sessions d'écoute musicale dans différents lieux de la capitale économique marocaine. Mais pour y participer, il faut adhérer au Syndicat du fun ! De notre correspondant à Casablanca, Malgré trois tampons du bureau de la division technique, dont un horodaté, la carte d'adhérent n'est pas encore tout à fait prête. Il faut encore passer le bureau des signatures, et obtenir l'équivalent du « laissez-passer A-38 » pour s'installer confortablement dans le jardin verdoyant du cinéma Ritz où se tient la session d'écoute du jour. Une lourdeur bureaucratique qui devient source d'amusement et de création, mais aussi une étape vers un monde où le téléphone portable est honni. Nabil Qerjij, l'un des fondateurs du Syndicat marocain national du fun. « Ces sessions, ça nous permet de revenir un peu à l'humain, à celui qui adore la musique. Par exemple, la prochaine session, on va la faire avec un éboueur qui collectionne les disques de Bollywood, parce que chacun de nous a une histoire avec un disque, soit un vinyle, soit quoi que ce soit. » Ce jour-là, c'est Adil Hanine, le batteur du mythique groupe de rock casaoui Hoba Hoba Spirit, qui est invité à faire écouter au public ses inspirations musicales. Un thé ou un café, et c'est parti pour une session qui offre un voyage éclectique entre John Coltrane et Jimi Hendrix en passant par les Beatles. Le tout, agrémenté d'anecdotes personnelles ou historiques. « Aujourd'hui ce qui est un peu dommage dans la scène mondiale, et aussi ici au Maroc, c'est qu'on est dans une monotonie d'événements, c'est-à-dire qu'un événement, c'est un DJ et des enceintes et du boom boom boom, il y a pas de musiques expérimentales, il y a pas des choses qui se passent la journée aussi… Il n'y a pas de lien social. Ici, les gens, ils discutent entre eux, ils se rencontrent. Nous, on prône l'idée de revenir à la base. La musique, c'est social », explique Nabil Qerjij. Objectif du syndicat : offrir la plus grande diversité de profils, d'âge et de goûts musicaux À la base de cette initiative, un collectif d'une dizaine d'artistes qui s'évertuent à proposer des évènements gratuits, organisés bénévolement. Sophia Alami, architecte, reçoit dans les ateliers de la médina, où se discutent et se préparent les évènements. Les changements urbanistiques rapides de la ville les ont poussés à agir. « Quand les espaces publics deviennent de moins en moins accessibles, quand les endroits mythiques de Casa commencent à fermer et qu'il n'y a rien pour les remplacer, et quand les lieux de sorties deviennent de plus en plus inaccessibles, de plus en plus chers, nous on a cherché à faire des événements qui ne nous coûtent pas trop chers pour qu'on puisse avoir un public qui vient gratuitement », développe Sophia Alami. Les sessions précédentes ont aussi bien mis à l'honneur le métal que la House de Détroit. Filmées avec des petites caméras numériques du début des années 2000, elles sont disponibles en ligne sur YouTube. L'objectif du syndicat est de continuer à offrir la plus grande diversité de profils, d'âge et de goûts musicaux possible.

Playlist: François Bourassa - Nuit / Vequechieun / I Dropped The RadioFrançois Bourassa - Suite AllemandeCharley Rose Trio - I Might Never See You Again / Mister TPodium Trio - 5/4 Wals

On his latest album, Universal Truth, pianist Emmet Cohen celebrates the anniversaries of two jazz greats: Miles Davis and John Coltrane. Cohen plays live in our studio. Photo by Kevin Alexander Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

El pasado 25 de mayo de este año de 2026, con 95 años de edad nos dejaba el saxofonista Sonny Rollins. Su increíble longevidad nos hizo creer que nunca se iría, que permanecería por siempre entre nosotros como testigo de excepción y protagonista estelar de lo que fue la gran era del jazz. Hoy rendimos en Radio Jazznoend un humilde pero sentido homenaje al que fue llamado con justicia el coloso del saxofón. Nuestro programa recorrerá las anécdotas de su carrera, sus conflictos vitales y sobre todo, su música. La música con la que se erigió como una leyenda de la historia del jazz, con la que exhibió una autoridad inapelable, un sonido contundente y rocoso, un virtuosismo al límite y un estilo original e irrepetible, aderezado con una imaginación improvisativa inagotable y un sentido del humor irónico y burlón. Y más allá de todo ello, hablaremos también de sus inseguridades, de sus exilios creativos, de su denodado esfuerzo para encontrar su propio camino entre las inspiraciones místicas de John Coltrane y las vanguardias libertarias de los sesenta. Un tormentoso proceso del que finalmente se alzó triunfante, porque conforme aquel jazz iconoclasta se consumía en su propio fuego hasta extinguirse, Rollins, siempre con un pie firmemente anclado en el jazz tradicional, consiguió sobrevivir a los temporales que barrieron aquella vanguardia, hasta ser reconocido como una figura totémica de la historia del jazz cuyo legado subsistirá para siempre.

In celebration of the 100th anniversary of his birth, we're excited to share Episode 1 from The Miles Davis Story, the latest series of the Legend podcast.Presented by acclaimed actor and longtime fan Clarke Peters (The Wire, Treme, Da 5 Bloods), the 5-part series explores the life and legacy of a visionary artist whose relentless pursuit of the "new" often scorched his own life and the lives of those around him.Across the series, Clarke charts Miles's ever-evolving artform, starting with this first great transformation of a legend - when the young Miles chose to step into the unknown, seize control of his own creative destiny, and begin his journey as a leader.This is episode one of the series, exploring how New York helped Davis discover a radical new sound. If you like what you hear, you can listen to every episode on BBC Sounds. Just search for ‘Legend'.Miles Davis Interview: From Jazz Talking by Ben Sidran, 1986. The Arsenio Hall Show, Paramount, originally broadcast in 1989. 60 Minutes, CBS News. Originally broadcast in 1989Featured tracks (in order of appearance) “So What” – Miles Davis “Blue in Green” – Miles Davis (feat. John Coltrane & Bill Evans) “Bitches Brew” – Miles Davis "Miles Runs the Voodoo Down" - MIles Davis “Agitation” – Miles Davis “Flamenco Sketches” – Miles Davis & Bill Evans “Ko Ko” – Charlie Parker “Salt Peanuts” – Dizzy Gillespie "Jivin with Jack the Bellboy" - Miles Davis "Move" - Miles Davis "Moon Dreams" - Miles Davis "Boplicity" - Miles DavisPresenter: Clarke Peters Series Producer: Clem Hitchcock Executive Producer: Rami Tzabar Editor: Kirsten Lass Production Manager: Emily Duffy Music Consultant: Guy Barker Additional Music: Guy Barker Archivist: Simon Rooks Script Consultant: Anne Harbin Technical Production and Sound Design: Melvin Rickarby Commissioning Editors for the BBC: Dan Clarke and Matthew Dodd A Loftus Media production for BBC Radio 4

Trying to Talk Soccer, our favorite attorney Chris Dahlberg, birthright citizenship, Iranian soccer ref, metro surge talk with Bob from Duluth, OMC, Iran negotiations, John Coltrane, and more Iran talk...See omnystudio.com/listener for privacy information.

Playlist: Charley Rose - Cow's Blues / Karnatik RavelDollar Brand - Resolution / Mood IndigoDollar Brand - Anatomy Of A South African VillageDollar Brand - Bra Joe From Kilimanjaro

***This show is brought to you by DistroKid. Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://distrokid.com/vip/the500⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for 30% off your first year!*** Complete our⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ listener survey⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for a chance to win a $50 gift card! Comedian James Mattern to explore the brilliance and lasting influence of John Coltrane's groundbreaking 1960 masterpiece, Giant Steps, discussing its revolutionary musicianship, enduring legacy, and why it remains one of the most important jazz albums ever recorded Follow James on Instagram: https://www.instagram.com/thejamesmattern/ Distrokid Artist of the Week: Hilary Woods https://www.youtube.com/watch?v=Z-W_Of7zx48 Follow Josh on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/joshadammeyers/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Josh on TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@joshadammeyers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Josh on Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JoshAdamMeyers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Josh on Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/joshameyers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Josh's Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.joshadammeyers.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow DJ Morty Coyle on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/djmortycoyle/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.instagram.com/alldaysucker/ Follow The 500 on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/the500podcast/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow The 500 on Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/the500podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow The 500 on Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/The500PodcastWithJAM/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email the show: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠500podcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Check the show's website:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://the500podcast.com Learn more about your ad choices. Visit megaphone.fm/adchoices

After WWE made the rather bold decision to split all their good and bad matches from WrestleMania onto separate nights, it felt like there was a bit of course correction happening with Backlash – an event that we both thought was better than expected. Since then, it's been mostly, to quote the great Jim Cornette, the drizzling shits. So rather than spend another episode just complaining about it, we decided to become an active participant and tell you how we would being doing things. So we're fantasy booking the wrestling season following Mania through SummerSlam in this, episode 250, Fantastical Booking!   FULL VIDEO EPISODES! That's right folks, you can see our bright smiling idiotic faces in full color on our YouTube channel. Full episodes available as well as clips.   ...AND ANOTHER THING: The Man They Call Tim suggests listening to Men At Work's 1981 album "Business As Usual" Uncle Todd suggests listening to John Coltrane's 1964 album "Coltrane's Sound"   FOLLOW US ON THE SOCIAL MEDIAS: Facebook - http://facebook.com/freerangeidiocy Instagram - http://instagram.com/freerangeidiocy YouTube - http://youtube.com/@freerangeidiocy

durée : 00:58:51 - par : Nicolas Pommaret - Le pianiste et compositeur Emmet Cohen sort “Universal Truth”, son 4e album chez Mack Avenue. Enregistré pour célébrer le centenaire de Miles Davis et John Coltrane, il rend hommage à ses prédécesseurs en perpétuant leur esprit de quête personnelle et spirituelle à travers son style unique. - réalisation : Emmanuelle Lacaze, Gaspard Laloum Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Miles Davis and John Coltrane made some of the most beloved jazz recordings during a collaboration that began in the mid-1950's. Both artists would have celebrated their 100th birthdays this year. STLPR's Jeremy Goodwin has the story of a tribute concert in St. Louis this weekend.

Welcome to faustforward ep. 26   Playlist YOSHIZAWA – For Tomomi Super Jet Kinoko – Theme from Kinoko Deuter – Der Turm/Fuchtpunkt SCAM - Mentally Gone Underworld – Beautiful Burnout Ed O'Brien – Teachers Les Rallizes Denudes – The Night, Assassin's Night Super Jet Kinoko – Ikkozutsu (Sjk Remix) SYOT – Moments Arooj Aftab – Mohabbat Sunn O))) – Everett Moses Cerys Hafana – Angel Wolfgang Dauner – Ich wolte sein eine Landschaft Robert Fripp & Brian Eno – The Heavenly Music Corporation I Keith Jarrett – Koeln Jan 24 1975 Pt. II (Live) David Shea – The Morning I Awoke Miles Davis – All Blues (feat: John Coltrane, Cannonball Adderley & Bill Evans)  

Playlist: Duke of Iron: Sonny Rollins – tenorsaxofoon, Clifton Anderson – trombone, Mark Soskin – piano, Jerome Harris – basgitaar, Marvin Smith – drums St. Thomas: Sonny Rollins – tenorsaxofoon, Tommy Flanagan – piano, Doug Watkins – bas, Max Roach – drums You Don’t Know What Love Is: Sonny Rollins – tenorsaxofoon, Tommy Flanagan – piano, Doug Watkins – bas, Max Roach – drums Tenor Madness: Sonny Rollins – tenorsaxofoon, John Coltrane – tenorsaxofoon, Red Garland – piano, Paul Chambers – bas, Philly Joe Jones – drums Valse Hot: Sonny Rollins – tenorsaxofoon, Clifford Brown – trompet, Richie Powell – piano, George Morrow – bas, Max Roach – drums God Bless The Child: Sonny Rollins – tenorsaxofoon, Jim Hall – gitaar, Bob Cranshaw – bas, Ben Riley – drums Blue Room (opgenomen in VARA Studio 5 in Hilversum): Sonny Rollins – tenorsaxofoon, Han Bennink – drums, Ruud Jacobs – bas Sonny Rollins: een leven gewijd aan groei, vrijheid en klank Sonny Rollins, geboren als Theodore Walter Rollins op 7 september 1930 in New York, behoort tot de grootste saxofonisten uit de jazzgeschiedenis. Zijn leven en werk getuigen van een uitzonderlijke artistieke nieuwsgierigheid, discipline en een onuitputtelijke drang tot vernieuwing. Met zijn krachtige tenor-sound en improvisatietalent heeft hij generaties muzikanten geïnspireerd. Rollins groeide op in Harlem, een broedplaats van jazz en cultuur. Al op jonge leeftijd raakte hij gefascineerd door muziek, onder invloed van grootheden als Coleman Hawkins en Lester Young. In de jaren vijftig brak hij door met opnames als Saxophone Colossus (1956), waarop zijn virtuositeit en speelse improvisaties duidelijk hoorbaar zijn. Zijn composities, zoals “St. Thomas”, combineren Caribische invloeden met swing en laten zien hoe veelzijdig hij was. Wat Rollins bijzonder maakt, is niet alleen zijn technische beheersing, maar ook zijn filosofische benadering van muziek. Hij beschouwde jazz als een vorm van persoonlijke expressie en spirituele ontwikkeling. Dit blijkt onder meer uit zijn beroemde “bridge sabbatical” eind jaren vijftig, waarin hij zich tijdelijk terugtrok van het podium om intensief te oefenen op de Williamsburg Bridge in New York. Deze periode van zelfreflectie versterkte zijn geluid en zijn vertrouwen als artiest. In de jaren zestig en zeventig experimenteerde Rollins met nieuwe stijlen en invloeden, waaronder free jazz en wereldmuziek. Zijn open houding tegenover verandering hield zijn muziek fris en relevant. Albums als The Bridge (1962) markeren zijn terugkeer na stilte en tonen een rijpere, diepgaandere muzikale stem. Naast zijn muzikale prestaties staat Rollins bekend om zijn integriteit en toewijding. Hij sprak zich uit voor burgerrechten en bleef trouw aan zijn eigen artistieke visie, ongeacht commerciële druk. Deze onafhankelijkheid maakt hem tot een voorbeeld van creatieve vrijheid. Zijn carrière, die meer dan zes decennia omspant, leverde hem talloze onderscheidingen op, waaronder een Grammy Lifetime Achievement Award. Toch bleef hij bescheiden en gericht op groei. Zelfs op latere leeftijd benadrukte hij dat hij zichzelf nog steeds als leerling zag. Sonny Rollins' nalatenschap is er een van moed, discipline en liefde voor muziek. Zijn levensverhaal laat zien dat ware grootheid ligt in voortdurende ontwikkeling en het durven volgen van je eigen pad. Met zijn warme, expressieve klank en positieve energie blijft hij een bron van inspiratie voor muziekliefhebbers wereldwijd.

Sonny Rollins passed away this week at 95. Jazz pianists Peter and Adam are listening through the recordings that defined his career and made him one of the most influential musicians in jazz history. From his earliest bebop tunes to Saxophone Colossus to A Night at the Village Vanguard, they trace the arc of a player who kept raising the bar on himself even when the rest of the world thought he'd already cleared it. Plus - they talk through the legendary Williamsburg Bridge sabbatical: two years of practicing up to 16 hours a day.------------------------------About You'll Hear It:In this popular music series, Adam and Peter break down the greatest albums of all time. Stevie Wonder, Michael Jackson, Joni Mitchell, D'Angelo: Jazz is the foundation of the most GENIUS music in recent history. These seasoned jazz pianists bring their deep musical knowledge to every joyful episode to help you hear the hidden qualities that make music AMAZING. You'll never hear music the same way again.00:00 Sonny Rollins (1930-2026)00:37 Celebrating Sonny Rollins: Opening Tribute04:54 Sonny as the Bridge Between Bebop Generations05:57 "Autobahn" 09:47 "Pent-Up House" 12:56 "I'll Remember April" 16:10 "Oleo" 17:32 "Tenor Madness" 19:32 "More Than You Know" 21:19 "The Way You Look Tonight" 22:51 "Bemsha Swing" with Clark Terry24:00 Is Sonny Rollins the Most Influential Tenor Saxophone Player of All Time?28:01 "St. Thomas" from Saxophone Colossus34:40 "I'm an Old Cowhand" from Way Out West36:14 "A Night at the Village Vanguard" (Afternoon Set)39:00 "Wonderful! Wonderful!" 40:50 The Williamsburg Bridge Sabbatical44:04 "Without a Song" 46:29 Later Career: 1970s - 201249:13 "Blue Seven"

Miles Davis's Kind of Blue is one of the greatest albums of all time - possibly THE greatest. But it's not perfect. In this special episode of You'll Hear It, jazz pianists Peter Martin and Adam Maness break down this classic record, track-by-track, to uncover why it has become so legendary. They dig into what's really going on in the music during this album's best moments: Miles's trumpet solo on "So What", Wynton Kelly's piano solo on "Freddie Freeloader", John Coltrane's entrance on "Blue in Green".Plus - we learn more about what Miles was doing in his early years, his break from bebop, what he thought of Bill Evans's approach, and the production and engineering techniques that give Kind of Blue its unique sound.Miles Davis was born just outside of St. Louis 100 years ago this week. To celebrate his centennial birthday, Adam and Peter filmed this episode in front of a live audience at The Sheldon Concert Hall in St. Louis, MO.Chapters Legend: 

Een TORcast geheel gewijd aan de muziek van Miles Davis. Miles werd honderd jaar geleden (op 26 mei 1926) geboren en ontwikkelde zich tot één van de belangrijkste musici, niet alleen in de geschiedenis van de jazz maar in die van hele hedendaagse muziek.  In deze TORcast laat Willem Habers een selectie van zijn favoriete Davis-opnames horen. Geen uitputtende opsomming, geen verantwoord chronologisch overzicht, geen doorwrocht spectrum van ’s mans invloeden en werk maar een heel persoonlijke keuze uit het gigantische oeuvre van deze jazzgigant. Playlist: So What Miles Davis (trompet), Bill Evans (piano), Cannonball Adderly (altsax), John Coltrane (tenorsax), Paul Chambers (bas), Jimmy Cobb (drums) Move met Gerry Mulligan, Max Roach, Lee Konitz, Karl Winding en John Barber (tuba) If I Were A Bell Miles Davis (tp), Red Garland (piano), John Coltrane (tenorsax), Paul Chambers (bas), Philly Jo Jones (drums) Someday My Prince Will Come Miles Davis (tp), John Coltrane (sax), Hank Mobley (sax), Wynton Kelly (piano), Psul Chambers (bas), Jimmy Cobb (drums) My Funny Valentine Miles Davis (trompet), Herbie Hancock (piano), Wayne Shorter (tenorsax), Ron Carter (bas), Tony Williams (drums) Générique – Ascenseur pour l’echafaud Miles Davis (trompet), Barney Wilen (sax), René Urtreger (piano), Pierre Michelot (bas) en Kenny Clarke (drums) Concierto de Aranjuez: Adagio Miles Davis (trompet), orkest onder leiding van Gil Evans Een paar bespiegelingen… De muziek van Miles Davis is niet slechts een hoofdstuk in de geschiedenis van de jazz; zij is een voortdurend herlezing van wat muziek kan zijn. Wie naar Davis luistert, hoort niet alleen noten, maar ook een bepaalde houding ten opzichte van tijd, stilte en vernieuwing. Zijn oeuvre lijkt zich steeds te onttrekken aan elke definitie die men erop loslaat. Dat maakt zijn betekenis filosofisch relevant: Davis laat zien dat identiteit niet iets statisch is, maar een proces van voortdurende transformatie. Een van de opvallendste kenmerken van zijn muziek is het gebruik van ruimte. In albums als *Kind of Blue* wordt stilte niet als leegte ervaren, maar als een actief element. Deze benadering roept vragen op over de aard van expressie zelf. Moet muziek altijd gevuld zijn, of kan juist het weglaten een diepere vorm van communicatie zijn? Davis' antwoord lijkt te zijn dat betekenis ontstaat in de spanning tussen klank en stilte. Daarmee sluit hij aan bij een bredere existentiële intuïtie: dat wat niet gezegd wordt, vaak even belangrijk is als wat wel wordt uitgesproken. Daarnaast belichaamt Davis het idee van artistieke vrijheid als morele houding. Hij weigerde zich te conformeren aan de verwachtingen van zijn publiek of de industrie. Telkens wanneer hij succes bereikte—of het nu ging om bebop, modal jazz of fusion—koos hij ervoor om een nieuwe richting in te slaan. In die zin is zijn carrière een praktijk van wat de filosoof Nietzsche “zelfoverwinning” noemde: het voortdurend achterlaten van het oude zelf om ruimte te maken voor het nieuwe. Deze radicale trouw aan vernieuwing maakt hem tot een bron van inspiratie voor hedendaagse musici. De invloed van Miles Davis op huidige jazzmuzikanten ligt dan ook niet alleen in specifieke harmonieën of technieken, maar in een manier van denken. Moderne jazz kenmerkt zich door hybriditeit: invloeden van hiphop, elektronische muziek en wereldmuziek vloeien samen tot nieuwe vormen. Deze openheid is rechtstreeks schatplichtig aan Davis' grensverleggende experimenten, vooral in zijn latere werk zoals *Bitches Brew*. Hij legitimeerde het idee dat jazz geen afgesloten traditie is, maar een permeabel veld waarin alles kan worden opgenomen. Ten slotte blijft Davis relevant omdat hij de luisteraar actief betrekt. Zijn muziek vraagt om aandacht, om interpretatie, om een zekere existentiële inzet. Zij is nooit volledig transparant; er blijft altijd iets ongrijpbaars. In een tijd waarin muziek vaak als achtergrondconsumptie fungeert, herinnert Davis ons eraan dat luisteren een vorm van denken is. Zo bezien is Miles Davis niet alleen een muzikant, maar een filosoof in klank. Zijn erfenis leeft voort in elke muzikant die durft te experimenteren, te twijfelen en opnieuw te beginnen—en in elke luisteraar die bereid is om in die zoektocht mee te gaan.

Een TORcast geheel gewijd aan de muziek van Miles Davis. Miles werd honderd jaar geleden (op 26 mei 1926) geboren en ontwikkelde zich tot één van de belangrijkste musici, niet alleen in de geschiedenis van de jazz maar in die van hele hedendaagse muziek.  In deze TORcast laat Willem Habers een selectie van zijn favoriete Davis-opnames horen. Geen uitputtende opsomming, geen verantwoord chronologisch overzicht, geen doorwrocht spectrum van ’s mans invloeden en werk maar een heel persoonlijke keuze uit het gigantische oeuvre van deze jazzgigant. Playlist: Seven Steps to Heaven Miles Davis (trompet), Ron Carter (bas), Anthony Williams, Frank Butler (drums), Herbie Hancock, Victor Feldman (piano), George Coleman (tenorsax), Nefertiti Miles Davis (trompet), Wayne Shorter (tenorsax), Tony Williams (drums), Ron Carter (bas), Herbie Hancock (piano) Boplicity Miles Davi (trompet), Lee Konitz (altsax), Gerry Mulligan (baritonsax), John Lewis (piano), Kenny Clark (drums), Nelson Boyd (bas)J.J. Johnson (trombone), Bill Barber (tuba) Milestones Miles Davis (trompet), John Coltrane (tenorsax), Cannonball Adderly (altsax), Red Garland (piano), Paul Chambers (bas), Philly Jo Jones (drums) Tutu Miles Davis (trompet), Marcus Miller (producer, instruments), George Duke (keyboards), Paulhinho da Costa (percussie) Amandla Miles Davis (trompet), Kenny Garrett (altsax), Marcus Miller (bas), Omar Hakim (drums), Joe Sample (keyboards) Human Nature Miles Davis (trompet), Darryll Jones (bas), Vince Wilburn jr. (drums), John Scofield (gitaar), Robert Irving III (keyboards), Round Midnight Miles Davis (trompet), John Coltrane (tenorsax), Cannonball Adderly (altsax), Red Garland (piano), Paul Chambers (bas), Philly Jo Jones (drums) Jam Session Miles Davis (trompet), Michel Legrand (piano), Jimmy Cleveland (trombone), Kenny Garrett (sax), Mark Rivett (gitaar), Alphonse Mouzon, Harvey Mason (drums), Benny Reitveld (bas) Een paar bespiegelingen… De muziek van Miles Davis is niet slechts een hoofdstuk in de geschiedenis van de jazz; zij is een voortdurend herlezing van wat muziek kan zijn. Wie naar Davis luistert, hoort niet alleen noten, maar ook een bepaalde houding ten opzichte van tijd, stilte en vernieuwing. Zijn oeuvre lijkt zich steeds te onttrekken aan elke definitie die men erop loslaat. Dat maakt zijn betekenis filosofisch relevant: Davis laat zien dat identiteit niet iets statisch is, maar een proces van voortdurende transformatie. Een van de opvallendste kenmerken van zijn muziek is het gebruik van ruimte. In albums als *Kind of Blue* wordt stilte niet als leegte ervaren, maar als een actief element. Deze benadering roept vragen op over de aard van expressie zelf. Moet muziek altijd gevuld zijn, of kan juist het weglaten een diepere vorm van communicatie zijn? Davis' antwoord lijkt te zijn dat betekenis ontstaat in de spanning tussen klank en stilte. Daarmee sluit hij aan bij een bredere existentiële intuïtie: dat wat niet gezegd wordt, vaak even belangrijk is als wat wel wordt uitgesproken. Daarnaast belichaamt Davis het idee van artistieke vrijheid als morele houding. Hij weigerde zich te conformeren aan de verwachtingen van zijn publiek of de industrie. Telkens wanneer hij succes bereikte—of het nu ging om bebop, modal jazz of fusion—koos hij ervoor om een nieuwe richting in te slaan. In die zin is zijn carrière een praktijk van wat de filosoof Nietzsche “zelfoverwinning” noemde: het voortdurend achterlaten van het oude zelf om ruimte te maken voor het nieuwe. Deze radicale trouw aan vernieuwing maakt hem tot een bron van inspiratie voor hedendaagse musici. De invloed van Miles Davis op huidige jazzmuzikanten ligt dan ook niet alleen in specifieke harmonieën of technieken, maar in een manier van denken. Moderne jazz kenmerkt zich door hybriditeit: invloeden van hiphop, elektronische muziek en wereldmuziek vloeien samen tot nieuwe vormen. Deze openheid is rechtstreeks schatplichtig aan Davis' grensverleggende experimenten, vooral in zijn latere werk zoals *Bitches Brew*. Hij legitimeerde het idee dat jazz geen afgesloten traditie is, maar een permeabel veld waarin alles kan worden opgenomen. Ten slotte blijft Davis relevant omdat hij de luisteraar actief betrekt. Zijn muziek vraagt om aandacht, om interpretatie, om een zekere existentiële inzet. Zij is nooit volledig transparant; er blijft altijd iets ongrijpbaars. In een tijd waarin muziek vaak als achtergrondconsumptie fungeert, herinnert Davis ons eraan dat luisteren een vorm van denken is. Zo bezien is Miles Davis niet alleen een muzikant, maar een filosoof in klank. Zijn erfenis leeft voort in elke muzikant die durft te experimenteren, te twijfelen en opnieuw te beginnen—en in elke luisteraar die bereid is om in die zoektocht mee te gaan.

Kirk returns to Kind of Blue, taking a closer look at two more tunes off of the 1959 jazz classic. First, he digs into the modified 12-bar blues "Freddie Freeloader," with a focus on Wynton Kelly's much-emulated opening piano solo. He then compares and contrasts how John Coltrane and Cannonball Adderley approached the closing track, "Flamenco Sketches" on tenor and alto sax, respectively. Music by: Miles Davis and Bill Evans The Musicians: Miles Davis, Trumpet Julian "Cannonball" Adderley, Alto Sax John Coltrane, Tenor Sax Wynton Kelly & Bill Evans, Piano Paul Chambers, Bass Jimmy Cobb, Drums Produced by Irving Townsend; Engineered by Fred Plaud Album: Kind of Blue, 1959 Listen/Buy via Album.Link ALSO REFERENCED/DISCUSSED: The 2021 episode of Strong Songs about the album's opening track, "So What" Adam Maness and Peter Martin's excellent music podcast “You'll Hear It”  Kirk's 2025 “You'll Hear It” guest appearance discussing Tower of Power's 1973 self-titled album Kind of Blue: The Making of the Miles Davis Masterpiece by Ashley Kahn, 2000 “Cold Sweat” by James Brown, 1967 “Everybody Wants to Rule The World” by Tears For Fears from Songs From The Big Chair, 1985 “Some Other Time” by Leonard Bernstein by Bill Evans and Tony Bennett from The Tony Bennett Bill Evans Album, 1975 “A Love Supreme, Pt. 2: Resolution” - by John Coltrane from A Love Supreme, 1965 --------------------MAY 2026 WHOLE NOTE PATRONS Dave Florey - AccessViolation - Jeremy Dawson - Sami Samhuri - Paul Delaney - Jenness Gardner - Melanie Andrich - Ken Hirsh - Joe Laska - David Mascetti - Christopher McConnell - Jamie White - Christopher Miller - Daniel Hannon-Barry - Jay Swartz - Damon White - Catherine Warner - Ben Barron - Corpus Frisky - Cesar - Robyn Metcalfe - Scott Lystig Fritchie - Lisa Crotty - Andy - Melissa Lucas - Greg - Julie Rowe - Rich Fish - Butch Vig - Greg - Matt R MAY 2026 HALF NOTE PATRONS Colin Hodo - Paul De Surra - James Johnson - Arjun Sharma - Justin McElroy - Alexander Polson - Richard Toller - Melanie Stivers - Matt Betzel - Jeffrey Olson - Brett Douville - Brian Amoebas - Bill Thornton - Andrew Fair - Andrew Baker - Amanda Furlotti - Brad Callahan - Jennifer Bush - AJ Schuster - Tanner Morton - Gavin Doig - Chris K - Alexander - David - Naomi - Dave Sharpe - Caro Field - Jonathan Daniels - Eric Helm - Melmaniac - Dhu Wik - Tom Coleman - Diane Turner - Clare Holberton - Randy Souza - Pascal Rueger - Joshua Hill - Stephen Tsoneff - Michael Casner - Diane Hughes - Angela Livingstone - cbalmain - Eric Prestemon - Lauren Reay - Nathan Gouwens - Nell Morse - Karma Jay - Dallas Hockley - M Shane Borders - Kevin Potter - Eoin de Burca - Bonnie Prinsen - Linda Duffy - Ryan Rairigh - Achint Srivastava - Doug Belew - Abbie Berg - Jason Pratt - Geraldine Butler - Bernard Khoo - David Joske - Donald Mackie - Steve Paquin - Mino Capossela - Kelli Brockington - Adam W - Josh Singer - Rob Tsuk - Ailie Fraser - JRRJ - Jeffrey Bean - Rishi Sahay - Zak Remer - Adam Stofsky - Kenneth Jung - Bruno Gaeta - Paul Wayper - Lisa Turner - Wendy Gilchrist - Doreen Carlson - Janice Berry - Christian Hessmann - Richard Sneddon - Portland Eye Care - Deebs - Michael Shain - Jamie - David Futter - Jeff Ulm - Aaron Wade - Greg Henion - KenIsWearingAHat - Ethan Bauman - Catherine Clause - Charles McGee - Tim Sheehan - E Margaret Warton - Matt Baxter - Dr Arthur A Gray - Steve Martino - Stu Baker - Martín Salías - Peter Harding - John Halpin - Douglas H Frazer - Heather J - Alan Maass - Dave Malloy - Robert Granat - Kaya Woodall - Kellen Steffen - Sean Murphy - Jim Sellers - Ben Stein - Bla Blupp - Dick Morgan - Lee R. - Misty Haisfield - Carlos Lerner - Dent Earl - Aaron Wilson - Chris Remo - Brian Johan Peter - Ethan Laser - James McMurry - Anthony Mentz - Thomas - Matthew Jones - Eric Sp - Max - Rand LeShay - Stephen Wolkwitz - Paul Bigelman - Monica St. Angelo - Henry Mindlin - Dave Kolas - Lauren Knotts - Joe Gallo - Merv Adrian - Michael Singer - Inmar Givoni - Mordok's Vape Pen - Clint McElroy - Ol Parker - Dan Cutter - Jeff - Michael - James - Kevin Marcelo - Seattle Trans And Nonbinary Choral Ensemble - Ashley - Melissa Kuhns - Jordan Gatenby - Andrew Hofer - Ian Pidd - Irritable - Meryl Allison - Sy Jacobs - Lawrence - Praline - Kevin Stafford - Daniel Nervo - Philip Kelly - Bea - Julie Kellman - Daniel Kaberon - TB - Aruni Jayatilleke - Rachel - Kym Griffith - PhantomMare - Alison Dugan - Margaret McReynolds - HiddenJester - Brian Rinckenberger - RsP - Lottie Aron - Alex Miller - Steve B - Ian Karmel - Zach Putnam - Stephen - Adam Clark - Freddy Freeman - Erik - Mathias Schmidt - Cheryl Wilke - Tucker Ped - Sarah Vetters - Aaron Cain - Daniel Markoff - Alexis - Alex - Eric Stone - Alan Kress - R J Helow - Max Barnes - Michael Martin - John Domina - James - Andrew Knutson - Doug - Sam Grogan - EwokEater42 - MT - Linda Lange - James Hicks - Michael Adamski - Mark MacIntosh - Jeff Stormer - Michael Sumner - Edward Reisert - Klodrik - Aron - Kevin Davis - Matt - Louise Clarke - Richard Randall - AlanB - Will King - PJ and Ethan - TheShirtRipper - Rebecca Kline - Ned Rosen - Simon Hellman - Jim M - Ben Buddy Slack - Néa --------------------

Con Carlos López I Grabado en 1956, Tenor Madness es uno de esos discos esenciales que no pueden faltar en ninguna colección de jazz. Sí, otra vez nos detenemos en un trabajo liderado por el enorme Sonny Rollins, pero es que, a día de hoy, sigue marcando pautas sobre cómo abordar el saxo tenor. Además, el álbum captura un encuentro histórico con John Coltrane, convirtiéndose en una referencia imprescindible tanto por su energía como por la altura de sus improvisaciones. Si te interesa por vez primera el jazz, o quieres redescubrir uno de esos discos que nunca se olvidan, este episodio es para ti. Te invito a escucharlo y a dejarte llevar por esta locura sonora.

Beckler & Seanna talk about John Coltrane, gendered vehicles, and sausage theft. **

Natasha Powell joins the Tap Love Tour Podcast to talk about The Room Upstairs, a work shaped by jazz, time, and deep listening in honour of John Coltrane. This conversation moves through process, improvisation, solitude, collaboration, and the challenge of making something honest. A beautiful episode on what it means to keep searching through art. Follow and support Holla Jazz here: https://www.hollajazz.com Support Tap Love Tour here: https://www.patreon.com/travisknights Edited by MacKenzie Greenwell

New releases dominated today's show, with the latest from Kiiōtō, Black Sumo, Black Nile, Lay-Far Dance Orchestra, Eivind Aarset, Alsogood, and the collaboration from Massive Attack & Tom Waits, plus a set to commemorate John Coltrane's 100th birthday, and from our 50-year rewind, Bobby Hutcherson, Noel Pointer, and The Doobie Brothers! Your link awaits below! Playlist: https://kxsf.fm/schedule/ Click on Tuesday's 10-noon slot > FreeFall w/David Bassin This program has been edited from the original broadcast.

Cookin', Relaxin', Workin', and Steamin' capture Miles Davis on one of music history's most remarkable upswings. He had recently become clean after a years-long heroin addiction that led to his exclusion from major record labels and clubs. And now, in 1956, he had a deal with Columbia - the Cadillac of record labels - and a band he loved: Red Garland on piano, Philly Joe Jones on drums, Paul Chambers on bass and John Coltrane playing the sax. In this episode of You'll Hear It, jazz pianists Peter Martin and Adam Maness go through each album. They discuss the outsized influence of Ahmad Jamal, Red Garland's Red spread technique, the power of Miles's chatter on Relaxin' and whether this is the greatest rhythm section in the history of recorded music. Whether this is your first introduction to Miles Davis, or you've been listening to these albums for years, you'll walk away from this episode with a new understanding of, and appreciation for, Miles and his first great quintet. ------------------------------Start your free Open Studio trial for ALLLLL your jazz lesson needs: https://openstudiojazz.com/yhi------------------------------Some Day My Prince Will Come: https://youtu.be/a_Ygq74SjvQBirth of the Cool: https://youtu.be/eEl9-z6G2tU My Funny Valentine: https://youtu.be/-9mMbZMtyGs -------------------------------About You'll Hear It:In this popular music series, Adam and Peter break down the greatest albums of all time. Stevie Wonder, Michael Jackson, Joni Mitchell, D'Angelo: Jazz is the foundation of the most GENIUS music in recent history. These seasoned jazz pianists bring their deep musical knowledge to every joyful episode to help you hear the hidden qualities that make music AMAZING. You'll never hear music the same way again.-------------------------------Sign up for the You'll Read It newsletter for little known stories about the artists you love: https://youllhearit.com/newsletter -------------------------------0:00 Miles Davis - Cookin', Relaxin', Workin' & Steamin'0:47 The Comeback Story5:17 Miles & Monk at Newport '558:54 "My Funny Valentine"11:09 Miles to Red: 'Play Like Ahmad Jamal'13:51 "Blues by Five"17:39 BTS: Trane Comes Into His Own21:06 Relaxin' with the Miles Davis Quintet22:40 "If I Were a Bell"29:59 "You're My Everything"32:54 The POWER of Miles's Intro Chatter36:40 "Oleo"38:15 "It Never Entered My Mind"41:58 "Four"46:44 Steamin' with the Miles Davis Quintet48:25 "Surrey with the Fringe on Top"53:22 "Salt Peanuts"55:08 "Well You Needn't"55:30 "When I Fall in Love"56:27 "If I Were a Bell" Over the Years58:03 Desert Island Tracks58:36 Apex Moments

durée : 01:02:46 - L'histoire de la comédie musicale à travers le prisme du jazz. Entre légèreté et grands standards, retour sur les morceaux qui ont défini le genre, portés par les interprétations d'artistes tels que John Coltrane ou Eartha Kitt. - réalisation : Marjolaine Portier-Kaltenbach, Mathieu Durand, Denis Soula Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

APRIL IS JAZZ APPRECIATION MONTH! This April, we not only celebrate all things Jazz... but we celebrate specifically the centennial of not one but two Icons of Jazz Culture, Miles Davis and John Coltrane. Miles and Coltrane was a combination that just couldn't miss.. I mean they went together like peanut butter and jelly or tickle on a belly, like cheese on grits and like The Beatles had hits. All Young Jazz Lovers know their collective story and history and of course the music, the music, the music... yet never tire of indulging in the magic of their artistry one more once!  This episode of Jazzism (a katzpheno mix) is ALL TRANE... with a bit of Miles on the side. Face it, you cannot have one without the other. I also give a few worthy artists their due as they present the music of John Coltrane in their own unique way. So for you die hard Coltrane fans...this one's for you. Enjoy, Brian "Katzpheno" Phoenix featuring: John Coltrane - Giant Steps (1960) Kurt Elling - Resolution - A Love Supreme pt. 2 (2003) Gary Bartz - Your Lady (2012) Conrad Hervig & Brian Lynch - Lonnie's Lament (2003) John Coltrane - Equinox (1964) Art Farmer - Naima (1983) Giant Step NYC - Impressions (1994) Jack DeJohnette featuring Ravi Coltrane & Matthew Garrison - Alabama (2016) John Coltrane & Johnny Hartman - Autumn Serenade (1963) John Blake & Grover Washington, Jr. - Moments Notice (1992) John Coltrane - Blue Train (1957) Pharoah Sanders - Central Park West (1981)  

Join Scott Kummer, Josh Hohbein, Andrew Robot-Dinosaur, Steve Banyai and Christopher Morens to discuss: I've Got That On Vinyl 53 - John Coltrane - Giant Steps and The Ramones - The Ramones. Check out Rare Bird Records here: https://www.facebook.com/rarebirdrecordsnd Our New Website is Live!! www.igtov.com Fill out the Poll for this show.  Remember....its never too late: https://igtov.com/poll/22db475b-bf07-4c15-b4b8-ac687bd7302e/vote All the other shows and forms can also be filled out on our website: https://igtov.com/polls Or just view the chart:  https://igtov.com/chart Get on the mailing list my emailing: igtovpod@gmail.com JoIn the "I've Got That On Vinyl" Facebook Group: https://www.facebook.com/groups/684186180585840 On Twitter: @IGTOVPodcast On Instagram: https://www.instagram.com/igtovpodcast/ Or email us anytime at IGTOVpod@gmail.com Intro and Outtro music by The Feat: https://thefeatchicago.bandcamp.com/album/schemes-for-decades

Ornette Coleman's The Shape of Jazz to Come (1959) may be the most controversial album in jazz history, and one of the most important.In 1959, a broke musician from Fort Worth, Texas arrived in New York City with a plastic saxophone and a band that didn't play by the rules. And EVERYONE had an opinion about it.Jazz legends hated it. Miles Davis said Ornette was "all screwed up inside." Max Roach punched him in the mouth. Dizzy Gillespie said Ornette's music wasn't even jazz. Meanwhile, Leonard Berstein and John Coltrane celebrated him.So what exactly is The Shape of Jazz to Come, and why was it so radical? Jazz pianists Peter Martin and Adam Maness break down every track, from "Lonely Woman" to "Chronology". They dig into harmolodics, free jazz, and how Ornette shaped everyone from Miles Davis (who eventually came around) to the '80s burnout crew, including Wynton Marsalis, who personally recommended this record to Peter.Dig into The Shape of Jazz to Come with us, and learn why this soft spoken saxophonist inspired both criticism and awe.-------------------------------Start your free Open Studio trial for ALLLLL your jazz lesson needs:https://openstudiojazz.com/yhi-------------------------------Related You'll Hear It episodes:Mingus Ah Um: https://youtu.be/XYeRZ0Awui4Giant Steps: https://youtu.be/8umC2yZlPHcKind of Blue: https://youtu.be/ShzSnjP8bSgTime Out: https://youtu.be/-_qPhFSJeQUNina Simone at Town Hall: https://youtu.be/2PDjN5_2y5Q-------------------------------About You'll Hear It:In this popular music series Adam and Peter break down the greatest albums of all time. Stevie Wonder, Michael Jackson, Joni Mitchell, D'Angelo: Jazz is the foundation of the most GENIUS music in recent history. These seasoned jazz pianists bring their deep musical knowledge to every joyful episode to help you hear the hidden qualities that make music AMAZING. You'll never hear music the same way again.-------------------------------Sign up for the You'll Read It newsletter for little known stories about the artists you love:https://youllhearit.com/newsletter-------------------------------0:00:00 - Ornette Coleman's The Shape of Jazz to Come0:01:42 - 1959: A Pivotal Year0:03:06 - Ornette Coleman: The Backstory0:04:44 - Ornette's Earlier Sound0:06:18 - Lore of the Five Spot0:07:00 - "Lonely Woman"0:12:27 - Harmolodics Explained (Charlie Haden + Don Cherry)0:13:27 - "Eventually"0:14:42 - The '80s Jazz Connection (Wynton, Branford, Kirkland)0:17:21 - "Peace"0:23:50 - Ad: Open Studio0:24:57 - Mingus Said THIS About Coleman0:27:47 - "Focus on Sanity"0:29:40 - When Peter Played with Charlie Haden0:32:43 - Don Cherry's Kids: Neneh Cherry + Eagle-Eye Cherry0:34:22 - "Congeniality"0:36:28 - "Chronology"0:37:23 - Technical Technique vs. Artistic Vision0:42:13 - Categories: Desert Island Tracks, Apex Moments0:48:55 - You'll Read It Newsletter + Ambies