Podcasts about John Coltrane

This week marks the 100th birthdate of John Coltrane, September 23, 1926. I have played so much Trane and Miles over the past several months, that I didn't dedicate the entire show to JC's birthday, but played a set near the end that celebrates Trane's free soloing as well as lush ballads. Prior to that set we feature drummer Jeff Hamilton and Mike Clark, as well as pianists Hampton Hawes and Christian Sands. Finally, the gorgeous arrangements for large ensembles from John Hollenbeck. Playlist Artist ~ Name ~ Album Jeff Hamilton Trio ~ In Walked Bud (Live) ~ Live from San Pedro The Jeff Hamilton Trio ~ The Magic of Mr. Wess ~ A New Chapte Hampton Hawes Trio ~ Yesterdays ~ This Is Hampton Hawes, Vol. 2: The Trio Mike Clark ~ Toys ~ Kuon Ganjo Christian Sands ~ Manhã de Carnaval ~ Between Then and Now John Coltrane Quartet ~ Impressions ~ The Complete 1961 Village Vanguard Recordings John Coltrane ~ After The Rain ~ Impressions John Hollenbeck & Hot Club Jazz Orchestra ~ Red Shades ~ Peace and Justice

Canada and the European Union want to strengthen their alliance and broader trade ties. This week, the president of the European Parliament proposed making Canada an "associate member" of the bloc. Also, Mexican authorities are investigating a string of clandestine cryptocurrency mines after discovering more than 1,000 mining machines in a remote part of Puebla, apparently powered with stolen electricity. And, fuel prices are skyrocketing again, prompting protests, rationing and blackouts in several countries. Plus, ahead of the centennial of tenor saxophonist John Coltrane's birth on Sunday, we listen to a modern exponent of his sound. Learn about your ad choices: dovetail.prx.org/ad-choices

I sit down with Derek Trucks and basically nerd out about music for two hours. We talk about him finding his thing before he was old enough to understand it, playing with the Allman Brothers, Eric Clapton, and falling in love with Susan Tedeschi over a shared obsession with music. Derek also breaks out his Ass Pocket Whiskey, breaks down John Coltrane, tells me about getting his first Allman Brothers money stolen, touring with a 12-piece band, cutting your teeth before the whole world is watching, and why the music still has to feel dangerous. Follow Derek: https://www.instagram.com/tedeschitrucksband Sponsors: Everything420 - Go to https://Everything420.com or download the e420 app now and use code BERT for an extra 15% off your order. DraftKings - New DraftKings customers, sign up with code BERTCAST spend five bucks to get $200 in rewards within 21 days - includes all markets. BlueChew - Right now, when you buy two months of BlueChew Gold, you get the third for FREE with promo code BERTCAST. Square - Get up to $200 off Square hardware when you sign up at https://square.com/go/bert! #squarepod Zippix - Get 10% off your first order by using code BERTCAST at checkout, only at https://zpixtoothpicks.com. MUST be 21 or older to order. Warning: Nicotine is an addictive chemical. Magic Spoon - You can get $5 off your next order at https://MagicSpoon.com/BERT. SUBSCRIBE so you never miss a video https://bit.ly/3DC1ICg Stream FREE BERT on Netflix: https://www.netflix.com/title/81696123 PERMISSION TO PARTY WORLD TOUR is on sale now: http://www.bertbertbert.com/tour Subscribe to Berty Boy Clips: https://www.youtube.com/@BertyBoyClips For all things BERTY BOY PRODUCTIONS: https://bertyboyproductions.com For MERCH: https://store.bertbertbert.com/ Follow Me! Facebook: http://www.Facebook.com/BertKreischer Instagram: http://www.Instagram.com/bertkreischer YouTube: http://www.YouTube.com/user/Akreischer TikTok: http://www.TikTok.com/@bertkreischer Threads: https://www.threads.net/@bertkreischer X: http://www.Twitter.com/bertkreischer Text Me: https://my.community.com/bertkreischer Gambling Problem? Call one eight hundred GAMBLER, one eight hundred MY RESET. Connecticut: call eight eight eight seven eight nine seven seven seven seven, visit CCPG dot org. On behalf of Boot Hill Casino in Kansas. Bet tax pass-through may apply in Illinois. Twenty one plus. Void in Canada. Bet with DraftKings Sportsbook to get Bonus bets that expire in seven days OR Trade with DraftKings Predictions to get Predictions Dollars that expire in one year. Event contract trading involves risk of loss. Predictions offer void in New York. Non-withdrawable Rewards issued as Fifty dollar click-to-claims every seven days for twenty-one days. Terms at d k n g dot c o slash offer. Limited time offer. Nationwide based on Sportsbook, Predictions, and Free-to-Play Sports Contest availability. Varies by State. Learn more about your ad choices. Visit megaphone.fm/adchoices

Alex from Tokyo presente “world famous” 012Tracklist:1. Musclecars - Black Planet (Cosmic Mix) (Neroli)2. Brian Jackson - Lady Day & John Coltrane feat. Rahsaan Patterson (12” Version) (BBE)3. Dr Dunks ft. Zopelar - 88 Lights (The Quiet Village)4. Didiér Styn - The Blessing feat. Lex Empress (Rainer Trüby Marlow Remix) (Compost Records)5. Joshua Idehen - Everything Everywhere All At Once (Cosmodelica Radio Edit) (Heavenly Recordings)6. Pax Nicholas - Mind Your Business (Gabriel Belabbas Remix)(Comet Records) 7. DJ Deep - Childhood8. Maison Blanche - Gospel Madness (Extended) (Pont Neuf)9. Kerri Kaoz Chandler presents Arnold Jarvis - Inspiration (Freetown Inc)10. K Alexi Shelby - House Music de Chicago (Cod3QR) Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Getting closer to John Coltrane's centenial of his birth, so we will begin with a set dedicated to the master. We will play some Miles as well, as we have been doing frequently these last few months. The show ends with a couple tracks from the late great guitarist Mick Goodrick. Artist ~ Name ~ Album John Coltrane ~ Equinox ~ Coltrane's Sound John Coltrane ~ Dear Lord ~ Transition Miles Davis Quintet ~ If I Were a Bell ~ Relaxin' With the Miles Davis Quintet Miles Davis ~ Nature Boy ~ Blue Moods Mauricio Morales & Adam Hersh ~ Sand From A Broken Hourglass ~ Between Dreams & Twilight Sullivan Fortner ~ Aria II ~ Leave That In There Mick Goodrick ~ Feebles, Fables and Ferns ~ In Pas(s)ing Mick Goodrick & Fred Hersch ~ Soul Eyes ~ Feebles, Fables & Ferns

Inside the San Francisco Church Where John Coltrane is a Saint If Coltrane were still alive, he'd be celebrating his 100th birthday this month. In a story from our friends at KQED's Bay Curious podcast, Asal Ehsanipour visits the Saint John Coltrane African Orthodox Church in San Francisco, where Reverend Franzo King and Mother Marina have spent 60 years turning the jazz legend's music into a spiritual practice. What began as a living room listening clinic in the 1960s grew into a congregation that has weathered evictions and a copyright lawsuit. Still, they persist in the belief that Coltrane's saxophone carries a divine message. Old Timers and Newbies Look to Cash in by Panning in Gold Country With gold prices hovering near record highs, a new wave of prospectors is showing up along California's Yuba and American rivers, joining old-timers who've been panning for generations. KQED's Katherine Monahan talks to sixth-generation miners, gold-shop owners and newcomers about whether the modern gold rush is worth the effort or mostly hype. Learn more about your ad choices. Visit megaphone.fm/adchoices

Saxophonist and composer Emma Rawicz and pianist and composer Arsha Kaviani are the studio guests of Jeffrey and Anna as they add five more tracks, taking them from a politically satirical song by George Michael to a classic pop track from the American girl group TLC via two mysterious buildings conjured up by The Animals and Modest Mussorgsky.Producer Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:Shoot the Dog by George Michael Lush Life by John Coltrane & Johnny Hartman, written by Billy Strayhorn House of the Rising Sun by The Animals The Old Castle by Modest Mussorgsky No Scrubs by TLCOther music in this episode:Disco Inferno by The Trammps La Cucaracha by Mariachi Vargas de Tecalitlán Cowboys & Aliens by Emma Rawicz The Rising Sun Blues by Clarence 'Tom' Ashley and Gwen Foster Poker Face by Lady Gaga What's Love Got To Do With It by Tina Turner

OPB’s sister station KMHD has organized a month of events and programming this September celebrating the centennial birthday of of legendary jazz saxophonist John Coltrane. The community events include a concert performance next Wednesday of Coltrane’s seminal album “Blue Train” at the Aladdin Theater in Portland.    Hailey Niswanger, who grew up in West Linn and performs as the jazz-expansive saxophonist and flutist MAE.SUN, will lead the sextet of musicians. They include Charlie Brown III on piano and Garrett Baxter on upright bass.     MAE.SUN, Baxter and Brown III join us for a preview of next week’s concert. We’ll also talk with MAE.SUN about the influence Coltrane’s spiritual, boundary-breaking music has had on her, and her return to Portland after her home in Altadena near LA burned in January 2025.   

On tonight's show: Miles Davis with Bud Powell, Fats Navarro, and Thelonious Monk; then Gerry Mulligan, Coleman Hawkins, and John Coltrane with Johnny Hartman. Bossa nova from Stan Getz, Astrud Gilberto with João Gilberto & Stan Getz, Nara Leao, Frank Sinatra with Antonio Carlos Jobim, Brazilian musician Jorge Ben, Charlie Byrd, and the George Shearing Quintet.

For John Coltrane's hundredth birthday, this episode of The Buzz has host Lawrence Peryer delivering a solo monologue tracing how critics heard Coltrane while he was alive, and how that judgment has shifted, or hasn't, in the sixty-five years since.The piece opens with discussion of John Tynan's 1961 Down Beat review calling Coltrane and Eric Dolphy's playing "anti-jazz," then turns to LeRoi Jones (later Amiri Baraka), who used the same root word, "anarchy," that Tynan had used derisively, but as praise, in his essay "Jazz and the White Critic." From there it follows Ira Gitler's "sheets of sound," coined to give critics language for what Coltrane was doing instead of dismissing it as noise, and Miles Davis's On the Corner, hated at release and reclaimed twenty years later.The heart of the episode is Coltrane's relationship with Albert Ayler: the phone calls, the shared bills at the Village Vanguard, Coltrane pushing producer Bob Thiele to sign Ayler to Impulse, and Ayler's quartet opening Coltrane's 1967 funeral with a set built from their own compositions. Coltrane is close to a saint today. Ayler is still a name that has to be explained.The episode closes on a live critical fight: Phil Freeman's recent Brooklyn Rail case that Coltrane's real peak ended in 1965, against guitarist Nels Cline, drummer Jack DeJohnette, and saxophonist Peter Brötzmann's defense of the late recordings Freeman dismisses. The same argument that split critics in 1961 is still unresolved in 2026.Musical excerpts heard in this episode: John Coltrane, "Chasin' the Trane" (Live at the Village Vanguard, 1961); Miles Davis, "Black Satin" (On the Corner, 1972); Albert Ayler Quartet, "Truth Is Marching In," from the album, In Greenwich Village.Buzzworthy NotesGuest & Host Lawrence Peryer — host and managing editor of The BuzzDiscussed John Coltrane · Eric Dolphy · John Tynan (Down Beat critic who wrote the 1961 "anti-jazz" review) · LeRoi Jones / Amiri Baraka ("Jazz and the White Critic," collected in Black Music) · Ira Gitler (coined "sheets of sound") · Miles Davis, On the Corner (1972) · Albert Ayler · Ornette Coleman · Phil Freeman (critic, Brooklyn Rail / Burning Ambulance) · Nels Cline · Jack DeJohnette · Peter Brötzmann · Meditations (1966) · Interstellar Space (recorded 1967) · Saint John Coltrane African Orthodox Church, San FranciscoSupport for The JJA comes in part from the Jazz Foundation of America, providing emergency assistance, healthcare, and performance opportunities to performers, composers and others in need. Visit jazzfoundation.org.This podcast is made possible with the support of Jazz Road, a national initiative of South Arts, which is funded by the Doris Duke Charitable Foundation with additional support from The Andrew W. Mellon Foundation.Don't miss new episodes of The Buzz. Make sure you follow us wherever you listen to podcasts. For more from the Jazz Journalists Association, go to JJANews.org.

This episode begins with another centenial tribute to John Coltrane with an extended composition for a large brass ensemble, Africa. From there we review new releases from some of jazz's contemporary masters. Playist Artist ~ Name ~ Album John Coltrane Quartet ~ Africa ~ Africa/Brass Sessions Dave Holland ~ Quintet: Easy Did It ~ Quintet: Easy Did It - EP Mauricio Morales & Adam Hersh ~ Where The Olive Trees Wither ~ Between Dreams & Twilight  Jeremy Pelt ~ Sandman ~ Our Community Will Not Be Erased Sullivan Fortner ~ Aerobatics Pt. 1 ~ Leave That In There Sullivan Fortner ~ Aerobatics Pt. 2 ~ Leave That In There Stefon Harris & Blackout ~ Echoes of the Lion ~ Legacy Dances Stefon Harris & Blackout ~ What a Wonderful World ~ Legacy Dances

Programa #25 y tenemos varieté. Un youtuber apuntado por comprar acciones de GoPro, Trump quiere su nombre en el estrecho de Ormuz, decretan la ley Taylor Swfit en Brasil y Milei cita a Los Simpson. Luego de años de espera se estrenó Coyote vs ACME y te contamos todo sobre el estreno del mes. Nacho indagó sobre cómo el famoso jazzista John Coltrane fue convertido en Santo y nos cuenta su historia. Encontra este y mucho más contenido todos los sábados a las 13hs por www.fm913.com.ar o en Spotify

Del abuso de drogas y tocar con Miles Davis al redescubrimiento espiritual y una iglesia dedicada a adorarle. Nacho nos trae la historia de como un disco hizo Santo a John Coltrane. Encontra este y mucho más contenido todos los sábados a las 13hs por www.fm913.com.ar o en Spotify

Yahya Abdul-Mateen II is nominated for an Emmy for his performance in the Marvel series ‘Wonder Man,' but two weeks after his nomination, Disney announced the series would not return for a second season. But getting laid off is how he found acting in the first place. “I keep on getting laid off and losing jobs. What up that? But you know, every time I do it, it turns into something better,” he tells Tonya Mosley. Also, we'll hear from saxophonist Ravi Coltrane, son of jazz great John Coltrane. This month marks the centennial of his father's birth. He spoke with Terry Gross about this father's legacy. Plus, Ken Tucker reviews a new album by the trio The Womack Sisters, granddaughters of Sam Cooke and nieces of Bobby Womack, and an album from Margaret Glaspy. See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

The news broke late in the week, and it was big: President Trump, after earlier in the year denying convicted union leader John Dougherty an early release from federal prison, reversed course. City Hall Bureau Chief Pat Loeb, who has covered the case against Dougherty from the start, explains what happens from the prison where Dougherty was released on Friday. We also take a look at how community members can get involved in the transition process for 17 Philadelphia public school buildings set to close later this year. Plus, we hear how a local Nepali restauranteur is raising relief funds for his home country in the wake of catastrophic flooding. Check out these stories and more, as Matt Leon touches base with KYW Newsradio's team of reporters. 00:00 Rundown 02:00 Trump commutes Johnny Doc's prison sentence 07:30 How to apply to school transition committees 13:45 Restaurant owner raises funds for native Nepal after flooding disaster 18:05 Teaching 9/11 to younger generations born after the attacks 24:12 Are you ready for the 2026 Eagles season? 30:00 Philly's plans to celebrate John Coltrane's 100th birthday Listen to The Week in Philly, hosted by KYW Newsradio's Matt Leon, every Saturday at 5am, 3pm, and 9pm, and Sunday at 3pm and 9pm.

In 1984, Paul Simon was at a professional and personal crossroads. His new marriage was failing and his career was in danger of stalling. He was forty-two, navigating a digital age, searching for inspiration in a scene driven by music videos, synthesizers, and drum machines.Driving around that summer, a bootleg cassette of “township jive”—the street music of South Africa—kept him company. Lent to him by a friend, it reminded Simon of the sound and the joy of the early days of rock and roll. He began to invent his own lyrics to the groove, and became drawn to the idea of recording with the musicians on that tape. But South Africa was in the thrall of a racist apartheid system, and with economic and cultural boycotts in place, such an undertaking was risky. He grew determined to find the right conditions to allow for a collaboration.Simon took a fateful trip to Johannesburg in 1985. It would turn out to be the first step on a musical journey that would lead him to New York, Los Angeles, Louisiana, and London, and eventually to the release of Graceland, a critical and commercial triumph, winning multiple Grammys, selling 16 million records, and spawning a five-year, worldwide tour.Days of Miracle and Wonder: Paul Simon and the Trials and Triumphs of Graceland (Atria Books, 2026) is the first book to tell the full story of Graceland, offering windows into Simon's creative process, the technical innovations that brought his songs to life, the people and places that made the album possible, the forces that helped the album achieve mainstream reach, and the controversies that the music raised—and which remain today. It sheds light on a period when America opened its doors to the sounds and styles of Africa and other faraway lands.This is an informed, heartfelt celebration of Simon's magnum opus, a recording forged in a tense cultural moment, but suffused with hope, change, and a sense of global connection. Ashley Kahn is a Grammy Award–winning music historian, author, and producer. He cowrote Carlos Santana's autobiography The Universal Tone, and has written books on such legendary recordings as Kind of Blue by Miles Davis and A Love Supreme by John Coltrane. He was a member of the Graceland tour production team, and tour manager for Ladysmith Black Mambazo. He teaches at New York University's Clive Davis Institute for Recorded Music. Ashley Kahn's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1984, Paul Simon was at a professional and personal crossroads. His new marriage was failing and his career was in danger of stalling. He was forty-two, navigating a digital age, searching for inspiration in a scene driven by music videos, synthesizers, and drum machines.Driving around that summer, a bootleg cassette of “township jive”—the street music of South Africa—kept him company. Lent to him by a friend, it reminded Simon of the sound and the joy of the early days of rock and roll. He began to invent his own lyrics to the groove, and became drawn to the idea of recording with the musicians on that tape. But South Africa was in the thrall of a racist apartheid system, and with economic and cultural boycotts in place, such an undertaking was risky. He grew determined to find the right conditions to allow for a collaboration.Simon took a fateful trip to Johannesburg in 1985. It would turn out to be the first step on a musical journey that would lead him to New York, Los Angeles, Louisiana, and London, and eventually to the release of Graceland, a critical and commercial triumph, winning multiple Grammys, selling 16 million records, and spawning a five-year, worldwide tour.Days of Miracle and Wonder: Paul Simon and the Trials and Triumphs of Graceland (Atria Books, 2026) is the first book to tell the full story of Graceland, offering windows into Simon's creative process, the technical innovations that brought his songs to life, the people and places that made the album possible, the forces that helped the album achieve mainstream reach, and the controversies that the music raised—and which remain today. It sheds light on a period when America opened its doors to the sounds and styles of Africa and other faraway lands.This is an informed, heartfelt celebration of Simon's magnum opus, a recording forged in a tense cultural moment, but suffused with hope, change, and a sense of global connection. Ashley Kahn is a Grammy Award–winning music historian, author, and producer. He cowrote Carlos Santana's autobiography The Universal Tone, and has written books on such legendary recordings as Kind of Blue by Miles Davis and A Love Supreme by John Coltrane. He was a member of the Graceland tour production team, and tour manager for Ladysmith Black Mambazo. He teaches at New York University's Clive Davis Institute for Recorded Music. Ashley Kahn's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In 1984, Paul Simon was at a professional and personal crossroads. His new marriage was failing and his career was in danger of stalling. He was forty-two, navigating a digital age, searching for inspiration in a scene driven by music videos, synthesizers, and drum machines.Driving around that summer, a bootleg cassette of “township jive”—the street music of South Africa—kept him company. Lent to him by a friend, it reminded Simon of the sound and the joy of the early days of rock and roll. He began to invent his own lyrics to the groove, and became drawn to the idea of recording with the musicians on that tape. But South Africa was in the thrall of a racist apartheid system, and with economic and cultural boycotts in place, such an undertaking was risky. He grew determined to find the right conditions to allow for a collaboration.Simon took a fateful trip to Johannesburg in 1985. It would turn out to be the first step on a musical journey that would lead him to New York, Los Angeles, Louisiana, and London, and eventually to the release of Graceland, a critical and commercial triumph, winning multiple Grammys, selling 16 million records, and spawning a five-year, worldwide tour.Days of Miracle and Wonder: Paul Simon and the Trials and Triumphs of Graceland (Atria Books, 2026) is the first book to tell the full story of Graceland, offering windows into Simon's creative process, the technical innovations that brought his songs to life, the people and places that made the album possible, the forces that helped the album achieve mainstream reach, and the controversies that the music raised—and which remain today. It sheds light on a period when America opened its doors to the sounds and styles of Africa and other faraway lands.This is an informed, heartfelt celebration of Simon's magnum opus, a recording forged in a tense cultural moment, but suffused with hope, change, and a sense of global connection. Ashley Kahn is a Grammy Award–winning music historian, author, and producer. He cowrote Carlos Santana's autobiography The Universal Tone, and has written books on such legendary recordings as Kind of Blue by Miles Davis and A Love Supreme by John Coltrane. He was a member of the Graceland tour production team, and tour manager for Ladysmith Black Mambazo. He teaches at New York University's Clive Davis Institute for Recorded Music. Ashley Kahn's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In 1984, Paul Simon was at a professional and personal crossroads. His new marriage was failing and his career was in danger of stalling. He was forty-two, navigating a digital age, searching for inspiration in a scene driven by music videos, synthesizers, and drum machines.Driving around that summer, a bootleg cassette of “township jive”—the street music of South Africa—kept him company. Lent to him by a friend, it reminded Simon of the sound and the joy of the early days of rock and roll. He began to invent his own lyrics to the groove, and became drawn to the idea of recording with the musicians on that tape. But South Africa was in the thrall of a racist apartheid system, and with economic and cultural boycotts in place, such an undertaking was risky. He grew determined to find the right conditions to allow for a collaboration.Simon took a fateful trip to Johannesburg in 1985. It would turn out to be the first step on a musical journey that would lead him to New York, Los Angeles, Louisiana, and London, and eventually to the release of Graceland, a critical and commercial triumph, winning multiple Grammys, selling 16 million records, and spawning a five-year, worldwide tour.Days of Miracle and Wonder: Paul Simon and the Trials and Triumphs of Graceland (Atria Books, 2026) is the first book to tell the full story of Graceland, offering windows into Simon's creative process, the technical innovations that brought his songs to life, the people and places that made the album possible, the forces that helped the album achieve mainstream reach, and the controversies that the music raised—and which remain today. It sheds light on a period when America opened its doors to the sounds and styles of Africa and other faraway lands.This is an informed, heartfelt celebration of Simon's magnum opus, a recording forged in a tense cultural moment, but suffused with hope, change, and a sense of global connection. Ashley Kahn is a Grammy Award–winning music historian, author, and producer. He cowrote Carlos Santana's autobiography The Universal Tone, and has written books on such legendary recordings as Kind of Blue by Miles Davis and A Love Supreme by John Coltrane. He was a member of the Graceland tour production team, and tour manager for Ladysmith Black Mambazo. He teaches at New York University's Clive Davis Institute for Recorded Music. Ashley Kahn's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Yahya Abdul-Mateen II is nominated for an Emmy for his performance in the Marvel series ‘Wonder Man,' but two weeks after his nomination, Disney announced the series would not return for a second season. But getting laid off is how he found acting in the first place. “I keep on getting laid off and losing jobs. What up that? But you know, every time I do it, it turns into something better,” he tells Tonya Mosley. Also, we'll hear from saxophonist Ravi Coltrane, son of jazz great John Coltrane. This month marks the centennial of his father's birth. He spoke with Terry Gross about this father's legacy. Plus, Ken Tucker reviews a new album by the trio The Womack Sisters, granddaughters of Sam Cooke and nieces of Bobby Womack, and an album from Margaret Glaspy. See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

“Think Out Loud” kicks off a series of monthly conversations with Meg Samples, general manager of member-supported KMHD jazz radio. Each month, we’ll hear about artists to add to your playlist, along with concerts and community events to attend.    In September, that includes the annual Montavilla Jazz Festival. The three-day festival kicks off today and features performances by local artists, with a lineup this year that includes Jessie Marquez. The Portland vocalist joined “Think Out Loud” last month for an interview and studio performance of Cuban filin music.     In honor of the centennial birthday of jazz legend John Coltrane, KMHD presents “A Month Supreme,” a series of events held across Portland celebrating Coltrane’s music, influence, and legacy. Fans of Coltrane’s seminal album “Blue Train” will want to check out a live performance of the entire album on Sep. 16 at the Aladdin Theater featuring Portland saxophonist MAE.SUN and other jazz artists.    KMHD General Manager Meg Samples joins us for more details and music.  

Graceland, by the great Paul Simon, was always a big deal in our house. From the Boy in the Bubble to the Myth of Fingerprints, it was on almost constant repeat, the soundtrack of my childhood. Ashley Kahn's book, Days of Miracle and Wonder, is a thorough, beautifully researched compendium of how the album was made. A real examination of Simon's genius, this book breaks down the album and its effects on the music industry and the world. Join us as we discuss a seminal moment in music history, and a terrific book. Find books mentioned on The Book Case: https://www.goodmorningamerica.com/shop/story/book-case-podcast-reading-list-118433302 Books mentioned on this week's episode: Days of Miracle and Wonder by Ashley Kahn A Love Supreme: The Story of John Coltrane's Signature Album by Ashley Kahn The House that Trane Built: The Story of Impulse Records by Ashley Kahn Kind of Blue: The Making of the Miles Davis Masterpiece by Ashley Kahn Learn more about your ad choices. Visit podcastchoices.com/adchoices

Playlist: Brad Turner - Poco / Jump UpNeil Swainson - Lagrange PointNicola Miller's Living Things - Where's The LineOliver Gannon, Miles Black - I Remember YouRemi Bolduc - Ballade Pour ChantelRosino Serrano Orquesta Moderna - CoalescenciaJohn Coltrane - Seraphic Light

En juillet 1966, John Coltrane a joué au Japon. Soixante ans plus tard, ses fans locaux revivent cette aventure dans des musées vivants de son épopée jazz, appelés "Jazz Kissa". Jérôme Schmidt explore les ombres de cette culture et ravive les passions passées dans son livre "Une prière pour John Coltrane".

Send us Fan MailIn today's episode, I'm chatting with Andre Hardy, a former NFL player turned writer and author of the debut crime novel Tear the City Down. Set in San Diego against the high-stakes world of professional football, the novel draws on Andre's own experiences in the NFL while exploring the darker sides of the sport and the city. We also talk about his path to writing, the role of jazz throughout the Coltrane series, and the experiences that shaped his storytelling.Episode HighlightsAndre's journey from professional football to writing and what led him to put his own NFL experiences on the pageLooking beyond the glitz & glamour of professional football to the physical toll on players, particularly their bodies and brainsExploring the contrasts of San Diego and what lies beneath the beautiful version of the city most people seeWhy Andre believes writing about books challenges us to slow down, think more deeply, and examine what we believeThe influence of John Coltrane & how pairing the novels with Coltrane's music creates a bigger, broader experience for readersAndre's book flight of atmospheric mysteries and thrillers, including stories featuring male protagonists navigating fatherhood and relationships with their daughtersConnect with Andre:InstagramFacebookWebsiteSome links are affiliate links, which are no extra cost to you but do help to support the show.Books and authors mentioned in the episode:Edgar Allen Poe booksThe Blue Flame by George PelecanosRecord Lows by CJ GreenJames McBride booksPercival Everett booksMiddle Passage by Charles JohnsonThe Great Gatsby by F. Scott FitzgeraldDarktown by Thomas MullenGhalen by Walter MosleyBook FlightDevil in a Blue Dress by Walter MosleyPegasus Descending by James Lee BurkeShe Rides Shotgun by Jordan Harper✨ Find Your Next Great Read! We just hit 175 episodes of Bookish Flights, and to celebrate, I created the Bookish Flights Roadmap — a guide to all 175 podcast episodes, sorted by genre to help you find your next great read faster.Explore it here → www.bookishflights.com/read/roadmapSupport the showBe sure to join the Bookish Flights community on social media. Happy listening!InstagramFacebookWebsite

Coltrane was one of the most influential musicians in the history of jazz, from his beautiful ballads, to his more spiritual music, and his role in the forefront of free jazz. September 23 marks 100 years since his birth. We speak with his son Ravi Coltrane, who is a highly regarded tenor saxophonist—the same instrument his father played. Growing up, he was just known as Ravi, "But as soon as I picked up the saxophone I was suddenly John Coltrane's son,” he tells Terry Gross. Ravi edited a new book of photographs of his father.Later we'll hear drummer Elvin Jones describe performing and recording with John Coltrane, in a 1998 interview from our archive.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

https://gofund.me/9ee7bcb33Son of D.C.Voice of the BassCorcoran Holt—bassist, composer, arranger, and educator—is a son of Washington, D.C. who began playing djembe and West African percussion at the age of four with the Wose Dance Company under Baba Aidoo Holmes and Mahiri Fadjimba Keita. At ten, he took up the upright bass with the D.C. Youth Orchestra Program, discovering a family connection to the instrument through his great-grandfather, a bassist who reportedly gave lessons to a young John Coltrane. While studying classical bass at DCYOP, Holt attended the Duke Ellington School of the Arts (1996–2000), working under Carolyn Kellock, Davey Yarborough, the late Keter Betts, and Steve Novasel, and soon began performing widely on the D.C. jazz scene.In this episode we discuss his 2026 sophomore album, Freedom of Art, a deeply personal and expansive statement that explores themes of lineage, fatherhood, identity, community, and spiritual growth. Featuring an all-star ensemble, the project blends original compositions with intimate interludes that incorporate the voices of family, mentors, and lived experience. The album has received critical acclaim, including a 4-star review in DownBeat, and continues to resonate with audiences for its honesty, depth, and musical integrity.https://corcoranholt.com

In seinen nur zehn Jahren als Bandleader stellte John Coltrane ein Werk hin, an dem sich Jazzmusikerinnen und vor allem Saxophonisten auch 100 Jahre nach seiner Geburt noch abarbeiten. Er trieb mit «Giant Steps» den Bebop auf die Spitze, nahm mit «My Favorite Things» seine Erkennungsmelodie auf, schuf mit Duke Ellington oder Sänger Johnny Hartmann Werke von betörender Schönheit und entwickelte dann eine modale Spielweise von verstörender Intensität. Warum dieses Coltrane-Jahrzehnt bis heute eine solche Strahlkraft hat und inwiefern der Mensch und Musiker Coltrane auch für Musiker:innen in den 2020er-Jahren noch Priester und Provokation in einem ist, das diskutiert die Saxophonistin Angelika Niescier in der JazzCollection mit Jodok Hess. Die gespielten Titel: Interpret:in: Titel (Album / Label) Thelonious Monk & John Coltrane: Nutty (Thelonious Monk with John Coltrane / Riverside) John Coltrane: My Favorite Things (My Favorite Things / Atlantic) John Coltrane: Africa / Brass (Africa/Brass / Impulse) John Coltrane: In a Sentimental Mood (Duke Ellington & John Coltrane / Impulse) John Coltrane: Crescent (Crescent / Impulse) John Coltrane: Autumn Serenade (John Coltrane and Johnny Hartmann / Impulse)

Coltrane was one of the most influential musicians in the history of jazz, from his beautiful ballads, to his more spiritual music, and his role in the forefront of free jazz. September 23 marks 100 years since his birth. We speak with his son Ravi Coltrane, who is a highly regarded tenor saxophonist—the same instrument his father played. Growing up, he was just known as Ravi, "But as soon as I picked up the saxophone I was suddenly John Coltrane's son,” he tells Terry Gross. Ravi edited a new book of photographs of his father.Later we'll hear drummer Elvin Jones describe performing and recording with John Coltrane, in a 1998 interview from our archive.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

durée : 00:59:58 - par : Nathalie Piolé -

durée : 00:58:50 - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé. - équipe : Emmanuelle Lacaze, Fabien Fleurat Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Matthew Ingram is author of Retreat: How the Counterculture Invented Wellness. He hosts the Woebot blog. This stimulating conversation, recorded in 2021, explores the very nature of music and covers different music genres including blues, rock, gospel, jazz, new age, and even punk. Some of the many musicians discussed include John Coltrane, Alice Coltrane, Carlos Santana, Paul Horn, the Beatles, the Rolling Stones, Robert Johnson, Enya, Brian Wilson, Allen Ginsberg, Bob Dylan, and Karlheinz Stockhausen. The discussion also includes traditional religious music as well as the many gurus who have influenced different musicians.

Dawoud Bey talks to Ben Luke about his influences—from writers to musicians, and, of course, other artists—and the cultural experiences that have shaped his life and work. Bey, who was born in 1953 in New York, makes photographs and film installations that address the experience of Black people in the US, from the horrors of slavery via racist violence and the Civil Rights era to intimate moments in contemporary life. He began his career as a photographer in the 1970s with the consistent aim to work as an artist rather than a photojournalist. While he was celebrated from the start for his depictions of people and communities, he has always had a particular sensitivity to place, and after several decades in which portraiture and street photography were dominant strains in his practice, his work over the past decade has focused mostly on landscape. But even when they are not physically present, those who have lived in and travelled through the places he depicts are as much part of the photographs' and films' subject as the environments captured by his camera. He has said of recent series, for instance, that he wants to capture the landscape as seen and felt by the enslaved people who moved through it, and a profound sense of empathy underpins all his output. “This notion of the radical Black imaginary,” he explains, “is the foundation or place that my work springs from.” He discusses how his background in jazz and how it has influenced his art-making, his term “subjective opticality” and what it tells us about the camera and the perspective of the photographer, and the importance of photographs as objects. He reflects on the early influence of Roy DeCarava and John Coltrane, who continue to impact his thinking today, his early fascination with Rembrandt, his work with David Hammons and friendship with Torkwase Dyson, how he has responded to Toni Morrison in his recent photographic series, and the ongoing influence of Michael Roemer, the film-maker with whom he studied. Plus, he gives insight into life in the studio and asks our usual questions, including the ultimate: what is art for?Dawoud Bey: Material Histories, Living Landscapes, Art Gallery of Ontario, Toronto, Canada, until 4 July 2027. The exhibition is co-presented by the Toronto Biennial of Art 2026. Hosted on Acast. See acast.com/privacy for more information.

(00:00-11:08) The legend John Coltrane. Unfortunately Mrs. Tim was listening to the last segment. Not what the player was hoping for. Holiday World. Frequent flyer miles at Lion's Choice. Mt. Rushmore of Six Flags rides.(11:15-12:16) Little quickie cause we're low on time.(12:26-13:01) And the winner of the EMOTD is...See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Nice little series win for the Cardinals. That's a Big Boy Series. What do you do with a Thursday off in Chicago? Big weekend at Wrigley. A game over .500 and surging into the longest road trip of the season. Cubs creepin' up on the Brewers. We need more good Stag Podcasts. Abella Danger's got a new podcast. They're madder than hornets in Philadelphia. Bram Stoker or Brent Stover?This isn't what Jackson meant to play. Dreams & Nightmares. Audio of the guys on the Phillies post game show and they're not happy with their club. Former Cardinal Ricky Bottalico sure is worked up as well. And maybe the most fired up is Hunter Brody. Audio of Mr. Brody losing his mind. Shove the dreams UP YOUR ASS. Chairman's out of his 'Turn The Other Cheek Era.' Anuk didn't seem to like NCOTR. Field of Dreams game on Netlfix. What are you not getting here? Self-inventory or touch grass.Free Meek. TMA was on Inside Edition yesterday. Sources at LIV Golf are saying John Rahm is set to leave at the conclusion of the season. Still waiting to hear back from Liam Riley. LIx will be out at Bellerive. Doug hit a drive that caused the police to show up. Iggy's love bracelet.Is End of the Road about a cuck situation? Tim getting cucked by an Ursuline girl and a mixtape involved. Do simps long to be cucks? Martin's on thin ice. Audio of Oli Marmol talking about the win and getting the series victory. Prieto finally got himself a hit. Doug drugged his dog to get it to sleep. Is Baez gonna get the call up? Baez and Navy Caps at Wrigley.Joined by Cardinal broadcaster, Brad Thompson. Talking about the Cards win yesterday and the great at-bat by Herrera that led to the team breaking the game open. Leahy and Pallante have been very impressive. Wanna be playing meaningful baseball down the stretch. Does Brad think we'll be seeing Joshua Baez soon? How excited is Brad Thompson about the navy caps coming back. Is Martin 'King of the Luncheon?'Is Jackson playing break up music today? The business end of a cuckolding. Martin's tone is throwing everybody off. Some news on the Portland Trail Blazers. The 60s-70s St. Louis Hawks uniforms. Do we have a new Smithers?You guys think Willie would come back? The lemur is back. Baseball America has the Cardinals ranked with the 2nd best farm system in baseball. How would Release The Hoosier affect Baseball America's rankings? There was one guy not happy with Doug for his RTH idea. Jose Bautista follows everybody. Chairman is the Man in the Arena. Notes app apologies.Design Aire Heating & Cooling E-Mail of the DayChampion Tim. Seeking Doug Vaughn nirvana. Transcendental motivation. Doug doesn't really get too emotional about much. Come on in and celebrate sociopaths. Don't even think about making table side guac when Doug's around.The legend John Coltrane. Unfortunately Mrs. Tim was listening to the last segment. Not what the player was hoping for. Holiday World. Frequent flyer miles at Lion's Choice. Mt. Rushmore of Six Flags rides.Little quickie cause we're low on time.And the winner of the EMOTD is...See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The personal and professional lives of musicians such as Louis Armstrong, Miles Davis, and John Coltrane cannot be divorced from the struggle for racial equality. Antonio Garcia says they contributed in significant ways to interracial understanding and social progress. Also: The composers of the Civil Rights anthem “Lift Every Voice and Sing” also created musical theater at the turn of the century that transformed the image of African American characters and performers. Paula Marie Seniors looks at the lives of the composers Bob Cole, J. Rosamond Johnson, and James Weldon Johnson, whose work helped break down stereotypical portrayals of black Americans. Later in the show: Newbery Medal-winning children's author Meg Medina talks about the power of writing in Spanglish and relates her own childhood to her book Merci Suárez Changes Gears. Plus: Nishaun Battle talks about the historic “adultification” of young black girls. Her book is Black Girlhood, Punishment and Resistance: Reimagining Justice for Black Girls in Virginia.

Sax player Cannonball Adderley is our featured artist tonight. Recordings with Miles Davis, Milt Jackson, John Coltrane, Bill Evans, and more.

Mike is swamped in Spain (with homework, not water), so Pat does an intermediary episode that is .5 by name, .5 by nature. He takes a look at five box sets in three completely made up categories and when he's done you'll still have time to go out for a nice dinner. John Coltrane - THE COMPLETE 1961 VILLAGE VANGUARD RECORDINGS; Charles Mingus - THE COMPLETE 1970s STUDIO RECORDINGS; Miles Davis - MILES IN FRANCE 1963 & 1964: THE BOOTLEG SERIES VOL. 8; Various Artists: NEWVELLE RECORDS SEASON FOUR: COMPLETE BOX SET; Various Artists: COMPLETE KEYNOTE COLLECTION. 

John Coltrane (born Sept 23, 1926) is easily one of a handful of the most important and influential musicians that jazz has produced. His harmonic and rhythmic innovations have influenced every generation of jazz musicians since he first rose to prominence with the bands of Miles Davis and Thelonius Monk. His own groups stretched the boundaries of modern jazz into free, extended improvisations.    Help sponsor St. Michael's Jazz Fest Donate to the Jazz Legends podcast Contact us at stmichaelsjazzfest@gmail.com

Shelley Hirsch is a formidable extended vocalist long on the global avant garde scene. She is unique in that she combines a riveting gymnastic orality, a very unique dadaistic meta-language with  warm, deep stories emerging from her life, most impressively remembering her early days growing up in East New York, Brooklyn. In spring 2002, my iMMERSE collaborator, bart plantenga, interviewed her for his book, Yodel-Ay-Ee-Oooo: The Secret History of Yodeling Around the World. For bart, Shelley's piece “Haiku Lingo” is proof of yodeling in the modern world, that the yodel is useful in the repertoire of avant garde vocalists. In musical terms, she is able to sing and articulate across the break between head and chest voice. She is NOT a yodeler in the folk sense but is among the finest multi-voiced extended vocalist heirs along with clever abstract vocalists like Cathy Berberian, Joan LaBarbara and Yma Sumac. Leon Thomas, the jazz singer who worked with Pharaoh Sanders and John Coltrane, brought his own abstract yodel to free jazz.  But what makes Shelley different is her fusing of dynamic coloratura with deep, often witty, storytelling that wends it's way through her periodic ululations. Her poetic tales are sometimes reminiscent of Laurie Anderson's stories while bringing much needed humor to the oft self-serious, rarefied world of avant garde music… Shelley and I have often crossed paths over the years. First time was in 2003, when Rhys Chatham and I curated the  New Sounds New York, 3D Morrow Sound Cube artists. Shelley was right there in full musical color with the chilling piece,  Please Stop Scratching that Gash! (2003).  Credits & samples interview: Shelley Hirsch & Charlie Morrow
 excerpts from
"O Little Town of East New York"
• Shelley Hirsch & David Weinstein
High speed story telling cut-up • Shelley  & Joke Lanz 
 Improvised Writing/Voiced • Shelley & Hans Tammen 
Pal Swim Sloterparkbad 2008 • bart plantenga 
Production & montage: bart plantenga
 S02E02 of iMMERSE 2026 This is iMMERSE! episode 2 of season 2, also see #1 Charlemagne Palestine https://www.youtube.com/watch?v=TtLiXvpEqZg&t=16s Photo of Shelley Hirsch courtesy of KAPUT Magazine Welcome to iMMERSE!  

This is part 2 of a 2 part conversation…  In part 2 of a two-part conversation on the Whiskey, Jazz, and Leadership podcast, host Galen Bingham continues with executive search entrepreneur Frank Clark, who explains that strong leaders capture hearts, minds, and imaginations, and that Encore Leadership Advisors stress-tests this “followership” through early interactions and back-channel references to avoid mismatched opportunities. Clark shares that what wasn't “in the brochure” of his current role was hearing many more “no's” in a competitive executive search market, which reinforced the need for relentlessness, immersion, and bringing value in every client interaction. The discussion connects entrepreneurship to John Coltrane's journey, including being misunderstood and operating from a calling, not just a career. Clark also describes his “invisible board of directors”—Reginald Lewis, John H. Johnson, and Bob Johnson—highlighting preparation, work ethic, belief, strategy, and team-building, and closes with advice on core values, mastery, and service. Keep the conversation going inside the Whiskey, Jazz & Leadership VIP Room. For just $4 a month, you'll get video access to every Season 10 conversation, plus exclusive VIP content from every guest since Season 2. Try it free for 7 days and go deeper into the conversations, insights, and perspectives that can help you think differently and make better decisions. Join the VIP Room: Whiskey, Jazz & Leadership VIP Room: https://patreon.com/WhiskeyJazzandLeadership?utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLink

Saxophonist / multi-instrumentalist Eric Dolphy (born June 20, 1928) and trumpeter Booker Little (born April 2, 1938) were frequent collaborators near the end of their all too brief careers. After establishing himself with the Chico Hamilton group, he went on to perform with John Coltrane and Charles Mingus, as well as his own groups and recordings with Oliver Nelson and George Russell. While often considered a member of the jazz avant-garde, he was just stretching the conventions of tonality and rhythm established by the beboppers in novel and unexpected ways. Trumpeter Little played with Max Roach, replacing the great Clifford Brown in that band. He passed away at the age of 23 of uremia, and Dolphy at 36 of complications of undiagnosed diabetes. Help sponsor St. Michael's Jazz Fest Donate to the Jazz Legends podcast Contact us at stmichaelsjazzfest@gmail.com

Soul Rejuvenation every Wednesday 8.00 to 10.00 pm (UK) only on www.soulpower-radio.com PlaylistDonald Byrd -  You And The MusicBrian Jackson - Lady Day & John Coltrane (12 Version) (Ft. Rahsaan Patterson)Ithamara Koorax – Toque De Cuica (reprise de Azymuth)Kyoto Jazz Massive - Get It Together (Samba Fusion Mix)Soulstance - NucleusLeon Ware, Laroye - For The Rainbow (Laroye-s Remix)Detroit Rising feat Kimberly Davis - Good Vibrations (Crackazat Remix)Alex Molinary - Pulse  (Afro Soul)Stacy Kidd - I Love U (Afro Mix)Laroye - Spirit High ( Laroye's Deep Church Mix )Christian Prommer, Crackazat feat Justine Hoerwarth - Tryin' Times (Crackazat Remix)Ottis Blake - Jazz BlissSoulstance - High FiveGodblesscomputers - Jazz CircusDivorce From New York, Sticky Dub, Quiet Dawn - Jazzthetics Max Marinacci ft Franco Marinacci - Smoking Yazz (Late Night Swing mix) [Jazz In Da House]MDA GROOVES - Ipanema Jazz (Sean McCabe Basement Mix)QVLN - Marimbondo (Atjazz Love Soul Remix)Stacy Kidd - I Love The Blow (Ft Tiffany Jenkins) (House 4 Life Mashup Remix)Dennis Ferrer feat. K.T. Brooks & K.T. Brooks - How Do I Let Go (Extended Mix)

Celebrating TWENTY YEARS of podcasting with part 1 of my conversation with Phil Stacey about choosing 10 artists to listen to for the rest of your life if you were stranded on a desert island.  Show notes: Started this show in August 2006! Instead of Desert Island Discs, we each chose 10 artists that we'd be limited to hearing on a desert island Mixing up genres Jay: I ruled out a lot of classic rock acts that I've listened to all my life Limiting artists to music that came out under their name, not in other groups This magical island has killer WiFi Phil's honorable mentions: Bowie, Phish, Ella Fitzgerald, Drive-By Truckers, Tom Petty, Pearl Jam, Billie Holliday, Talking Heads, The Who, Joni Mitchell, Kinks, Pretenders, Nirvana, Sleater-Kinney Jay's HMs: Kinks, Pavement, Pixies, QOTSA, Afghan Whigs, Peter Gabriel, XTC, James Brown, PJ, Spoon, Superchunk, Tragically Hip, Yo La Tengo, Sloan, Elvis Costello Island picks Jay and Phil: Neil Young So much NY material out there Neil has a varied catalog of styles  Phil: The Beatles, naturally Incredibly influential and wide-ranging catalog in a handful of years Jay: Going outside the box with Fugazi Total DIY operation, only charged $5 per concert and album Only played non-traditional venues like school gyms and small clubs Phil: Not a jazz aficionado, but John Coltrane makes the cut Drugs are bad, mmkay? Jay: Drive-By Truckers have close to 30 years of hard-driving rock, alt-country and everything in between Not much in the way of popular attention Phil: He loves the modern jam band stylings of Goose Jay and Phil: The massive legacy of Prince The best Super Bowl halftime performance Prince could do everything well Phil: The Grateful Dead built a huge following under the radar Survived decades of trends and change They're still popular 30 years after they stopped making music Jay: The collected works of Parliament-Funkadelic They were two different bands with a rotating roster that eventually merged Combined rock with funk and soul George Clinton and a cast of thousands Phil: The mighty Led Zeppelin Embraced different sounds There are still Zep albums that are underplayed Jay: Bowie's chameleonic career Is Madonna the most successful female artist of all time? Incredible string of great albums from the '70s to the '80s To be continued Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Jacobo Rivero vuelve a su sección Rutas Sonoras para hablar de los discos 'Sketches of Spain' de Miles Davis y de 'Olé' de John Coltrane. 

La poeta Ava Cívico, que se define como “apoetisa”, visita El Ojo Crítico para presentar Otra vez triste y sin comer, un poemario que explora con una escritura física, intensa e incómoda cuestiones como la identidad, el cuerpo, la salud mental y los trastornos de la conducta alimentaria. En una conversación sobre la ternura, la rabia y el poder de poner palabras al dolor, la autora reflexiona sobre la escritura como espacio de resistencia y vulnerabilidad.Recordamos también a Robin Williams en el que habría sido su 75.º cumpleaños, repasando la trayectoria de uno de los actores más carismáticos y queridos del cine, protagonista de títulos como El club de los poetas muertos, La señora Doubtfire, Jumanji o El indomable Will Hunting.El programa viaja hasta Las Palmas de Gran Canaria, donde el fotógrafo estadounidense Spencer Tunick presenta Gran Spectrum, una nueva instalación de arte participativo basada en una composición humana a gran escala.Además, analizamos las novedades del Estatuto del Artista, que incorpora medidas como la remuneración de los ensayos y los periodos de promoción, la figura del coordinador de intimidad y una nueva regulación de la participación de menores en el ámbito artístico.El teatro nos lleva al Teatre Romea de Barcelona, donde regresa El retrato de Dorian Gray en una nueva adaptación escénica.En la sección de cómic, Javi Alonso recomienda Adorables criaturas, de Damián y Esteban Hernández (Norma Editorial), una historia que transforma la experiencia de la crianza en un relato fantástico para hablar de los miedos, el agotamiento y la empatía hacia la infancia.Y Carlos García Fernández en la sección Triangular nos lleva de viaje a París, New York o Nueva Delhi,  dónde encontraremos a protagonistas como Alice McLeod o John Coltrane.Escuchar audio

This episode of Deep Focus does not have a spoken introduction. It starts immediately after the previous episode ends.     The moment you invoke the name of Alice Coltrane Turiyasangitananda, the widow of John Coltrane, you open a door into other ways of understanding.  She was part of her husband's last working band, but after his death, and for the next 40 years, her music became suffused with her spiritual practice and mystical experiences.  Her conviction was so thorough that some listeners found it alienating, but others were compelled by it.  Although she is no longer with us, her music remains a deep well of discovery.   Pianist Vijay Iyer has explored her music richly.  What has he found in it? What influence has it had on him?  On his music and his life?  Let's listen with him to rare, live recordings of her and find out how and why her work is so fascinating.     Tune in this Monday (6/8) from 6pm to 9pm NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  It will join over 450 promo-free episodes.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, sponsor-free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.   Photo credit: Alice Coltrane Turiyasangitananda, 1972.  No publishing information available.   #WKCR #DeepFocus #VijayIyer #AliceColtrane  # AliceColtraneTuriyasangitananda #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman 

George Washington could have stayed president for a third term, yet in his famous Farewell Address, he wrote that he would “decline being considered." He penned that address by candlelight in 1796, and curator Lisa Kathleen Graddy explains why the brass stand that held those candles is a significant part of American history.Then, Ethel Payne was the first Black American woman to become an international news correspondent. A flowered, wide brim hat made her stand out in a room full of male reporters, and Smithsonian curator Jennifer Sieck shares how this hat represents Payne's legacy.And, few musicians have changed American music quite like John Coltrane did. He pushed jazz in new directions over his short career. Smithsonian curator Krystal Klingenberg talks about a tenor saxophone that Coltrane played in his final years.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

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