Podcasts about Mingus

In this episode of the Distance to Empty podcast, hosts Kevin Goldberg and Peter Noyes, along with special guest Joe Corcione, provide an in-depth preview of the Cocodona 250 ultra marathon. They discuss the course layout, share valuable tips for runners, crew, and pacers, and highlight the importance of hydration and preparation for the challenging sections of the race. The conversation covers each segment of the race, emphasizing the mental and physical strategies needed to succeed in this grueling event. In this segment of the conversation, Kevin,20 Peter and Joe Corcione discuss various sections of the Cocodona 250 race, focusing on the challenges and strategies for navigating the course. They delve into the importance of managing sleep, the technical difficulties of the Mingus descent, and the beauty of the Dead Horse to Deer Pass section. The conversation also highlights the new Hangover Trail and the significance of Muns Park as a sleep station, emphasizing the mental and physical endurance required for the race. In this episode, the hosts discuss the challenges and strategies for the Cocodona 250 race, focusing on key sections like Fort Tuttle to Walnut Canyon and the final push to the finish. They explore the mental and physical demands of ultra running, the importance of pacing and support, and the new trail changes for this year's race. The conversation also touches on personal growth through endurance racing and predictions for future events.

durée : 00:59:19 - Ladies First - par : Nathalie Piolé - Où sont les femmes ? Elles sont partout. Dans la soul des années 70, par exemple. Elles s'engagent, demandent du respect, se battent pour leurs droits, dénoncent les injustices. Place aux voix puissantes, dans Banzzaï !

Tonight's Jazz Feature should need no introduction to Jazz people as it is an essential classic and arguably one of bassist/composer Charles Mingus' finest albums. It was done for Columbia Records and it was Mingus' first album for a major label which guaranteed wide distribution and a quality product. It became a best seller for Mingus and Columbia. It was critically acclaimed and literally brought Mingus out of the Jazz underground to the Jazz fore forefront.. It featured Mingus' basic Jazz Workshop quintet augmented by a few Mingus alumni from previous Workshop editions. The regulars were: John Handy on alto and tenor saxophones, Booker Ervin on tenor saxophone, Horace Parlan on piano, Mingus on bass and Dannie Richmond on drums.. The added horns were Shafi Hadi on tenor and alto in an ensemble role, Jimmy Knepper or Willie Dennis on trombone. Mingus had full control of the date and supervised the post production editing and the sequencing of the tunes on the recording. With this album Mingus widened his audience and his musical influence everywhere. Enjoy Mingus Ah Um tonight as our Jazz Feature celebrating Mingus' 103rd Birthday Anniversary tomorrow April 22.

Vu sur Poussières d'étoiles (jazz) : vendredi 18 avril 2025 L'émission de Jean Neveu, le Jazz comme il l'aime et comme il nous le fait aimer : des pionniers aux créateurs actuels. Une émission accessible à tous, sans exclusive. Charles Mingus Devil woman novembre 1961 “Mingus oh yeah” Gitanes Jazz Raymond Fol Echoes of Harlem juin 1975 “Echoes of Harlem” Gitanes Jazz Ella Fitzgerald In […] Cet article provient de Radio AlterNantes FM

Tonight's Jazz Feature is an early version of the Charles Mingus Jazz Workshop recorded on his independent record label: Debut Records. Mingus and drummer Max Roach owned the label during it's short existence (1952 to 1957). Mingus in 1955 had begun a new concept for his bands. No written music. Mingus taught the players from the piano as Mingus was a more than competent pianist. The players memorized the compositions, background riffs and everything without written music and it gave Mingus' bands more what he was aiming for. This band reflects his new concept and hence the name The Charles Mingus Jazz Workshop. This edition was recorded on Sunday evening from 5:50pm to 8:30 pm on December 18,1955 at a small New York club called The Cafe Bohemia.. The band includes George Barrow on tenor saxophone a fine underrated player with a big sound and a cliche-free concept. Eddie Bert, one of the finest trombonists is on the front line. Mal Waldron is on piano, Mingus leads and is on bass and Willie Jones is on drums. The tunes are all arranged by Mingus and with two exceptions the 8 selections are Mingus compositions. This is a fine solid set and is a new beginning for one of the most innovative and creative minds in Jazz music: Charles Mingus.

I've finally broken down and accepted the fact that the only way forward with this project is to humbly ask you for your direct patronage. Kind of. This episode is sponsored by Nikki Dinki's Pre-Crumpled Tissues, Classic and Danish Modern, sold in a stylish 3-pound sack in your choice of pigeon gray, end-of-days black and harrowing phlegm-yellow.   Credits: Produced, written and performed by Scott Pinkmountain   Voices: Tina Karisch – Deutschesprachedinge Lindsay Beamish – just trying to help   Music: Ellington, Mingus, Roach – Caravan Myles Boisen Past - Present - Future – Everything I Have is Yours Herb Alpert and the Tijuana Brass – Spanish Flea Hank Mobley – Dis Dis Katherine Hoover – Winter Spirits for Solo Flute J.J. Johnson – Minor Blues Herb Alpert and the Tijuana Brass – A Walk in the Black Forest Chet Baker – Thank Heaven for Little Girls Gino Robair – Cup #1 and Cup #2 Moon Boots – Hold Me Tight John Coltrane – Crescent David Bowie – Rock and Roll Suicide   Follow us on Bluesky

Renowned archivist & record producer Zev Feldman, "The Jazz Detective", returns to discusses the Record Store Day 2025 releases of lost jazz recordings from Freddie Hubbard, Charlie Mingus, Bill Evans, Patsy Cline & more!  Topics Include: Introduction of Zev Feldman, nicknamed "the jazz detective" Status of finding lost jazz recordings - feeling optimistic Live recordings create a "renaissance" for jazz enthusiasts Concern about aging jazz colleagues with undiscovered tapes Feldman works with multiple record labels simultaneously Record companies are selective about which projects to release Concerns about tariffs affecting vinyl manufacturing costs Vinyl jazz releases often operate on slim profit margins Resonance Records uses Canadian pressing plant Le Vinylist Six Record Store Day releases coming from Feldman Patsy Cline "Imagine That" was most difficult release to assemble Patsy Cline release required coordinating multiple rights holders Country Music Hall of Fame involved in Patsy Cline project Feldman's personal connection to record stores and vinyl collecting Freddie Hubbard "On Fire" recorded at Blue Morocco (1967) Bernard Drayton engineered the Blue Morocco recordings Blue Morocco club owned by Sugar Hill Records founders Kenny Dorham recordings from same Blue Morocco venue Dorham's recordings especially rare and significant to Feldman Dorham was also a writer who contributed to DownBeat magazine Charles Mingus in Argentina - recordings from 1977 concerts Second Argentina concert added due to popular demand Mingus recordings made less than year before his ALS diagnosis Wes Montgomery with Wynton Kelly Trio reissue with new mastering Original Montgomery release now selling for $100+ in stores Time machine question - which historic jazz gig to attend Discussion of legendary venue Slugs and its important shows Feldman's collection of music memorabilia and venue posters Bill Evans live in Finland recordings (1964-1969) Feldman's 13th Bill Evans production with the Evans Estate Finland recordings feature three different Evans trio lineups Record Store Day helping introduce Evans to younger audiences Plans for Record Store Day Black Friday releases Value of releasing previously unheard music versus reissues EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Photo by Jean-Louis Atlan Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

In this episode of Ultra Uncovered, hosts Corinne Shalvoy and Russell Ditsworth welcome Jamil Coury, the visionary behind the Cocodona 250. They discuss Jamil's experiences in ultra running, particularly his participation in the Cocodona 250, the challenges faced during the race, and the exciting changes to the course for the upcoming year. The conversation also touches on the future of ultra running, the increasing competitiveness of the sport, and predictions for the next edition of Cocodona. Jamil shares insights on the evolving landscape of ultra events and the potential for Cocodona to become a lottery entry race due to its growing popularity.Follow Jamil - https://www.instagram.com/jamilcoury/Check out Aravaipa Races - https://www.aravaiparunning.com/Women Can Muscle Tee - https://custom.pressio.com/women_can_movement/shop/products/all?page=1Women Can Race Tank - womencanmovement.com Thx for giving us a rating and review!

durée : 00:59:16 - La bombe - par : Nathalie Piolé -

What does it take to be a part of a successful merger and acquisition in dentistry today? In today's day and age, both practices and M&A departments find themselves at an interesting crossroads. Tune in to the latest episode of The Dental Economist Show as host, Mike Huffarker, welcomes Ryan Mingus, Managing Director of M&A at Tusk Partners, to explore the evolving landscape of dental practice acquisitions. From what it takes for a practice to be attractive to buyers, to navigating the key differences between private equity and strategic buyers, Ryan shares invaluable insights drawn from years of experience in dental M&A. Whether you're a buyer or a seller, this episode provides invaluable insights that will help you plan for a future transition, build a valuable practice and execute a successful M&A for your business!

On this episode of Songs of Our Lives, it's Katy Henriksen! Season three of her excellent podcast, Sound Off, debuts on March 6th, so we talk about what to expect from the upcoming episodes, and the challenges in producing podcasts on your own. Once we get into the music, we talk Thelonius Monk, Etta James, Beirut, Mingus, Tumi Mogorosi, all the incredible versions of “Sometimes I Feel Like A Motherless Child,” and plenty more!Listen to all of Katy's picks HERESound Off PodcastTrillium Salon SeriesLiz Pelly “Mood Machine”Songs of Our Lives is a podcast series hosted by Brad Rose of Foxy Digitalis that explores the music that's made us and left a certain mark. Whether it's a song we associate with our most important moments, something that makes us cry, the things we love that nobody else does, or our favorite lyrics, we all have our own personal soundtrack. Join Foxy Digitalis on Patreon for extra questions and conversation in each episode (+ a whole lot more!)Follow Foxy Digitalis:WebsitePatreonInstagramTwitterBlueskyThe Jewel GardenSong List“My Favorite Things”Mahler's Adagietto (from the 5th Symphony)Charles Mingus “Haitian Fight Song”Nina Simone “Funkier Than a Mosquito's Tweeter”Beirut “Gulag Orkestar”Etta James “I'd Rather Go Blind”Joni Mitchell “A Case of You”Ella Fitzgerald “Summertime”Terry Callier “You Goin' Miss Your Candyman”Thelonious Monk Quartet “Monk's Dream”Tumi Mogorosi “Sometimes I Feel Like A Motherless Child”

durée : 00:59:17 - Ici la Terre - par : Nathalie Piolé - En plein air. En bleu. Au vert. Ce soir, on célèbre la Terre. - réalisé par : Fabien Fleurat

STANDARS SEMANAL-.las cosas ya no son lo que eran.-VINILOS MITICOS DEL JAZZ-J913 - Charles Mingus-1959 Mingus Ah Um.-AZZACTUALIDAD-.JUAN DE DIEGO-GREBALARIAK-AZKEN UDA Mingus Ah Um es un álbum de estudio del músico de jazz estadounidense Charles Mingus que fue lanzado en octubre de 1959 por Columbia Records . [ 1 ] [ 2 ] Fue su primer álbum grabado para Columbia. La portada presenta una pintura de S. Neil Fujita . [ 5 ] El título es una corrupción de una declinación latina imaginaria . Es común que los estudiantes de latín memoricen adjetivos latinos diciendo primero el nominativo masculino (generalmente terminado en " -us "), luego el nominativo femenino (" -a "), y finalmente elnominativo singular neutro (" -um ") [ 6 ] —lo que implica una transformación de su nombre, Mingus, Minga, Mingum . El álbum fue incluido en el Salón de la Fama de los Grammy en 2013. [ 7 ] Ocupó el puesto 380 en los 500 mejores álbumes de todos los tiempos de la Rolling Stone . La Penguin Guide to Jazz on CD llama a este álbum "un homenaje extendido a los antepasados" (y le otorga una de sus raras coronas), [ 8 ] y los antepasados ​​musicales de Mingus aparecen en gran medida en todo el álbum. "Better Git It In Your Soul" está inspirada en el canto gospel y la predicación del tipo que Mingus habría escuchado cuando era niño en Watts, Los Ángeles, California , mientras que " Goodbye Pork Pie Hat " es una referencia (a través de su sombrero favorito) al saxofonista Lester Young (que había muerto poco antes de que se grabara el álbum). El origen y la naturaleza de "Boogie Stop Shuffle" se explican por sí solos: un blues de doce compases con cuatro temas y un acompañamiento de bajo boogie que pasa del tiempo detenido al shuffle y viceversa. "Self-Portrait in Three Colors" fue escrita originalmente para la primera película de John Cassavetes como director, Shadows , pero nunca se usó (por razones presupuestarias). "Open Letter to Duke" es un homenaje a Duke Ellington y se basa en tres de las piezas anteriores de Mingus ("Nouroog", "Duke's Choice" y "Slippers"). "Jelly Roll" es una referencia al pionero del jazz y pianista Jelly Roll Morton y presenta una cita de "Sonnymoon for Two" de Sonny Rollins durante el solo de piano de Horace Parlan . "Bird Calls", en las propias palabras de Mingus, no era una referencia al saxofonista de bebop Charlie "Bird" Parker : "No se suponía que sonara como Charlie Parker. Se suponía que sonara como pájaros, la primera parte". " Fables of Faubus " debe su nombre a Orval E. Faubus (1910-1994), el gobernador de Arkansas, famoso por su postura de 1957 contra la integración de las escuelas de Little Rock, Arkansas , desafiando los fallos de la Corte Suprema de los Estados Unidos (obligando al presidente Eisenhower a enviar a la Guardia Nacional ). Columbia Records se negó a permitir que se incluyera la letra de la canción, [ 9 ] por lo que la canción se grabó como instrumental en el álbum. [ 10 ] [ 11 ] No fue hasta el 20 de octubre de 1960 que la canción se grabó con letra, para el álbum Charles Mingus Presents Charles Mingus , que se lanzó en el sello más independiente Candid . [ 10 ] Debido a problemas contractuales con Columbia, la canción no pudo publicarse como "Fables of Faubus", por lo que la versión de Candid se tituló "Original Faubus Fables". Azken Uda JUAN DE DIEGO-GREBALARIAK CD JAZZ / LATIN-JAZZ ERRABAL JAZZ (GH ER169 02) 8436010309314 Tras la edición de su primer trabajo homónimo en 2021, el trompetista/músico vasco-catalán retoma la senda de su antecesor con este sorprendente "Azken Uda" (El último verano). Un trabajo grabado en los estudios Sol de Sants de Barcelona por Alberto Pérez los días 11 y 12 de octubre, que cuenta además del propio Juan De Diego a la trompeta y flugel, con la colaboración de Toni Saigi al piano, Pere Loewe al contrabajo y Ramon Prats a la batería. Un disco que pone de manifiesto la indiscutible belleza de las composiciones escritas por Juan de Diego a la hora de transitar por la senda del jazz contemporáneo, música efervescente y colorida, con una cierta intencionalidad Be-Bop que desvela un carácter orgánico, flexible y vital a lo largo de sus surcos.

Michael Garza Podcast:https://open.spotify.com/show/6dBGAg9qohEoWba5VMPMP8GamersRevolt:https://www.etsy.com/shop/GamersRevoltContact Us:Garzamedias@gmail.com#shorts #nature #woods #park #walkingGarza Medias: http://garzamedias.comTerp Canndles: https://TerpCanndles.comMint Mobile: http://fbuy.me/t5tLMDiscover it Card: https://refer.discover.com/s/MICHAEL6043675 ($100 Statement Credit)YouTube: https://www.youtube.com/MichaelGarzaShowRumble!: https://rumble.com/MichaelGarzaRobinhood: https://join.robinhood.com/michaeg4251Disclaimer: The content provided in this video is for informational purposes only and should not be construed as financial, legal, or professional advice. The views and opinions expressed in this video are solely those of the creator and do not necessarily reflect the official policy or position of any other individual or organization.While efforts are made to ensure the accuracy and completeness of the information provided, we make no representations or warranties of any kind, express or implied, about the completeness, accuracy, reliability, suitability, or availability with respect to the video or the information, products, services, or related graphics contained in the video for any purpose.Any reliance you place on such information is therefore strictly at your own risk. We encourage you to seek professional advice tailored to your specific circumstances before making any financial or legal decisions.The creator of this video shall not be held responsible for any errors or omissions in the content or for any actions taken based on the information provided in this video. We disclaim all liability for damages of any kind arising out of use, reference to, or reliance on any information contained within this video.By watching this video, you acknowledge and agree to the terms of this disclaimer.Affiliate Disclaimer: Some of the links in the video description may be affiliate links or simply referral links, which means that I earn a small commission if you make a purchase through those links. This commission comes at no additional cost to you.I only recommend products or services that I have personally used and genuinely believe will provide value to my audience. Your support through these affiliate links or referral links helps me continue creating content and providing valuable information.Please note that I am not responsible for the quality, accuracy, or any issues that may arise with the products or services offered by the affiliate partners or referral links. It is your responsibility to conduct your own research and make informed decisions before making any purchases.Thank you for your support!I am an entertainer at heart and an experienced long-term investor. I do not teach day trading or those incorrect short-term investing strategies. I believe that a buy, hold and diversification strategy is the best thing you can do to be a successful long term investor.

Mingus, Monk and Me | hr-Bigband feat. Bill Frisell cond. by Michael Gibbs, 39. Deutsches Jazzfestival Frankfurt, Hessischer Rundfunk, hr-Sendesaal, Oktober 2008 | Er ist einer der musikalisch schillerndsten Gitarristen im zeitgenössischen Jazz. Country, Folk, Blues, Americana, New Yorker Downtown Eruptionen - Bill Frisell hat mit seiner Art Jazz zu spielen keine Berührungsängste. Beim Deutschen Jazzfestival in Frankfurt traf er im Oktober 2008 seinen Studienkollegen vom Berklee College of Music in Boston wieder, Michael Gibbs. Der Wunsch des Orchesterleiters und Arrangeurs, endlich einmal extra für Frisell zu arrangieren: Stücke, die ihm auf den Leib geschrieben sind und ihn als Solisten featuren, wurde auf dem Frankfurter Festival mit "Mingus, Monk & Me" Realität. (Sendung vom 2.2.)

durée : 00:59:41 - Dans les rues désertes - par : Nathalie Piolé -

Read by Jerry Greenburg Production and Sound Design by Kevin Seaman

What a treat!  Listening to live recordings of Charles Mingus through the ears of the great trombonist and musical thinker Craig Harris.  When Craig was coming up in the seventies, he was enthralled with what Mingus was doing; the daring and imagination were unmatched anywhere.  This was a man in his moment.  It's easy to see how this would have a bearing on who Craig Harris was to become.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram at deep_focus_podcast.   Photo credit: Charles_Mingus 1976 Tom Marcello Webster - New York - CC BY-SA 2.0

Kate Molleson explores the life and work of the amazing Bud PowellThis week Kate Molleson explores the life and work of a jazz giant in his centenary year: the amazing Bud Powell, in the company of Powell's biographer Peter Pullman. Focusing on Bud Powell as a performer, prioritising his own compositions but also appreciating the art of improvisation as spontaneous composition.Bud Powell was born in 1924 and grew up in Harlem, against the backdrop of the Harlem Renaissance. He was a gifted pianist from a young age and became a pioneer of bebop. But he was a troubled soul and the great paradox of Bud Powell is how there could be such joy and expression in his music while his life was so painful.Music Featured: Bouncing with Bud (from The Amazing Bud Powell) Oblivion (from The Genius of Bud Powell) Strictly Confidential (from Jazz Giant) Floogie Boo (from Cootie Williams and his Orchestra 1941-1944) Do Some War Work, Baby (from Cootie Williams and his Orchestra 1941-1944) Off Minor (from Bud Powell Trio) Dexter Rides Again (from Dexter Rides Again) Mad Bebop (from JJ Johnson's Jazz Quintet) Buzzy (from Charlie Parker, the Complete Savoy and Dial Master Takes) Bud's Bubble (from Bud Powell Trio) I Should Care (from Bud Powell Trio) Tempus Fugit (from Jazz Giant) Celia (from Jazz Giant) Un Poco Loco (from the Amazing Bud Powell) Over the Rainbow (from the Amazing Bud Powell) A Night in Tunisia (from the Amazing Bud Powell) Dance of the Infidels (from the Amazing Bud Powell) So Sorry Please (from Jazz Giant) Glass Enclosure (from the Amazing Bud Powell, vol 2) Lullaby of Birdland (from Inner Fires) Sure Thing (from Inner Fires) Parisian Thoroughfare (from the Genius of Bud Powell) Polka Dots and Moonbeams (from the Amazing Bud Powell, vol 2) Hallelujah (from Hot House: The Complete Jazz at Massey Hall Recordings) Hot House (from Hot House: The Complete Jazz at Massey Hall Recordings) Willow Grove (from Piano Interpretations by Bud Powell) Nice Work If You Can Get It (from Bud Powell Trio) Elegy (from Blues in the Closet) Blues for Bessie (from Strictly Powell) Ornithology (from the Amazing Bud Powell) Bud on Bach (from the Amazing Bud Powell, vol 3) Buster Rides Again (from the Amazing Bud Powell, vol 4) John's Abbey (from the Amazing Bud Powell, vol 4) Cleopatra's Dream (from The Scene Changes) Getting There (from The Scene Changes) Buttercup (from Bud Powell's Moods) Round Midnight (from Bud Powell: Live at the Blue Note Café Paris 1961) How High the Moon / Ornithology (from Live in Lausanne 1962) Broadway (from Our Man in Paris) I'll Remember April (from Mingus at Antibes) I Can't Get Started (from Bud Powell in Paris) Blues for Bouffemont (from Blues for Bouffemont) All God's Chillun Got Rhythm (from Jazz Giant) Hallucinations (from The Return of Bud Powell) If I Loved You (from The Return of Bud Powell) Thelonius (from A Portrait of Thelonius) Like Someone in Love (from Ups and Downs) Bouncing with Bud (Keith Jarrett/Gary Peacock/Jack DeJohnette, from After the Fall) Dusk in Sandi (Chick Corea, from Remembering Bud Powell) Wail (from the Amazing Bud Powell)Presented by Kate Molleson Produced by Martin Williams for BBC Audio Wales & West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Bud Powell (1924-1966) https://www.bbc.co.uk/programmes/m0024m2z And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

What a treat!  Listening to live recordings of Charles Mingus through the ears of the great trombonist and musical thinker Craig Harris.  When Craig was coming up in the seventies, he was enthralled with what Mingus was doing; the daring and imagination were unmatched anywhere.  This was a man in his moment.  It's easy to see how this would have a bearing on who Craig Harris was to become.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram at deep_focus_podcast.   Photo credit: Charles_Mingus 1976 Tom Marcello Webster - New York - CC BY-SA 2.0

2024年第三辑《扭扭爵士 New Nu-Jazz》来了~ 这一季既有 Nala Sinephro, Sharada Shashidhar 和 Bremer/McCoy 带来静心凝神的旋律，也有 Ezra Collective, berlioz 和 Galliano 呼唤各位闻乐起舞。 更让人高兴的是，11月国内即将迎来多位爵士乐明星的巡演（从没有哪次发 show notes 这么想贴一堆巡演海报的）。当然除了本期节目，你还可以在这份歌单中听到更多在2024年7-9月间发表的新派爵士乐作品。 曲目单： (00:45) Nicole Mitchell & Ballaké Sissoko - Doname (05:27) Kessoncoda - Hammers (08:41) Nala Sinephro - Continuum 8 (13:21) Slowly Rolling Camera - Desert Sun (16:53) ARI TSUGI - Simultaneity (同時性) (22:16) berlioz - ode to rahsaan (25:39) Ezra Collective feat. Olivia Dean - No One's Watching Me (30:44) Nubya Garcia - The Seer (35:39) Sharada Shashidhar - Soft Echoes (40:44) Arun Ramamurthy Trio - Mirrors (46:11) Jaubi - Mingusterstood (Blues for Mingus) (50:38) Emanative - Paradox (55:22) Open Thread - Wish For You (01:00:33) Bremer/McCoy - Higher Road (01:04:53) Accra Quartet - Batobe (They are right) (01:11:06) Galliano - General Rubbish vs The Sportswear Mystics Nubya Garcia 中国巡演： Jaubi 中国巡演： Makaya McCraven 中国巡演： → 选曲/撰稿/配音/制作/包装：方舟 → 主题音乐：Yu Su → 题图版式：六花 → 私信/合作联络： 微博/网易云/小宇宙/汽水儿 @线性方舟 → 《周末变奏》WX听友群敲门群主：aharddaysnight

City Commissioner Mingus Mapps has had a tough time breaking through in the mayors' race, despite being the first candidate to declare last year. But with a good chunk of undecided voters and our new ranked choice voting system, he still has a shot. Today we're continuing our series of conversations with mayoral candidates: host Claudia Meza and executive producer John Notarianni have the latest on Mapps's chances in the race; then we'll revisit a conversation we had with him earlier this summer. Parts of this conversation first aired on June 27, 2024 Become a member of City Cast Portland today! Get all the details and sign up here.  Who would you like to hear on City Cast Portland? Shoot us an email at portland@citycast.fm, or leave us a voicemail at 503-208-5448. Want more Portland news? Then make sure to sign up for our morning newsletter, Hey Portland, and be sure to follow us on Instagram.  Looking to advertise on City Cast Portland? Check out our options for podcast and newsletter ads at citycast.fm/advertise. Learn more about the sponsors of this October 24th episode: Portland Art Museum League of Women Voters Habitat for Humanity MUBI - You can start streaming for 30 DAYS FREE at mubi.com/citycast  Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 01:01:45 - Rêveries Gypsies - par : Nathalie Piolé -

In episode 27, you'll hear about 9 fragrance-free/low-tox vacation rental homes within a 5 hour drive of Dallas-Fort Worth, TX. These homes are located in Carlton Landing and Broken Bow/Hochatown, Oklahoma as well as in Texas, Fredericksburg, Canyon Lake, Granbury Lake, Austin and Mingus. For booking links, visit www.TheLodgeOnTwinkleLane.com/blog and scroll towards the bottom. If you know of fragrance-free vacation rental home in this 5 our DFW radius that I haven't shared &/or you know of a holistic practitioner who would like to provide this information on their own website, please text or call me at 817-395-2512!

Erick Quesada is the Head Baseball Coach at Mingus Union High School in Cottonwood, Arizona. He was one of the 12U USA Baseball National Team Coaches in 2023. Coach Quesada touches on a number of key topics, including his insights on the state of youth baseball, the importance of maintaining high standards in player development, teamwork, discipline, and the critical role coaches play in shaping future generations of our baseball players.

durée : 00:59:14 - Banzzaï du lundi 02 septembre 2024 - par : Nathalie Piolé -

Del disco del guitarrista Marcus Tardelli 'Unha e carne. Marcus Tardelli interpreta Guinga' los instrumentales 'Cheio de dedos', 'Baião de Lacan', 'Igreja da Penha', 'Cine Baronesa' y Dichavado'; del disco 'Dialetto carioca', de Guinga, Paulo Sérgio Santos, Lula Galvão y Jorginho do Trompete, 'Dichavado', 'Mingus samba' y 'Senhorinha'; 'Noturna' y 'Bolero de Satã' del disco de Guinga y Gabriele Mirabassi 'Passos e assovios' y de los discos de Guinga 'Noturno Copacabana' la canción que le da título, de 'Delirio carioca' 'Catavento e girassol', y 'Par constante' en 'Avenida Atlântica' y 'Graffiando o vento'.Escuchar audio

Founder of the Be the Light: Overcoming through Storytelling initiative, Elaine Mingus shares her story of surviving childhood sexual abuse, addiction and self-harm. As a mother of seven children, Elaine and her husband, Noah, homeschool their children as they run CurbVulture, a vintage furniture business in the Austin, Texas area. Elaine serves as Mrs. Austin AMB and uses her storytelling in conjunction with the global non-profit Not On Our Watch which fights online exploitation of children. Elaine uses speaking engagements, podcasts, online trainings and social media to remind people that stories give hope to those listening and gives practical tips on how to communicate effectively both online and offline.

Tonight's Jazz Feature is one of Charles Mingus' masterpieces that was recorded , as were many other iconic Jazz recordings in 1959. It is overlooked sometimes as it was Mingus' second album from that year. He really scored with "Mingus Ah Um" his first for Columbia. Not only did it lift Mingus from the "underground" category but got massive critical acclaim and was Mingus' best selling record. His second, tonight's Jazz Feature was called "Mingus Dynasty" and Mingus was able to augment his regular working band with added musicians to expand the ensembles and enable him to explore more complex writing as well. His working group included Richard Williams on trumpet, Jimmy Knepper on trombone, John Handy on alto saxophone, Booker Ervin on tenor saxophone, Roland Hanna on piano and of course, Dannie Richmond on drums and Mingus on bass. Added on many of the selections in non-soloing roles are Benny Golson on tenor saxophone, Jerome Richardson on baritone saxophone and flute, Teddy Charles on vibes and even two cellos on a couple of selections. This album ranks among Mingus' best and the tunes vary from some Ellington tributes in two tunes to Mingus' original creations ranging from the gospel flavored "Slop" to the formal masterwork "Far Wells, Mill Valley". "Mingus Dynasty" will challenge and inspire you...guaranteed!

In un clip che nei giorni scorsi è diventato virale, Kamala Harris, vicepresidente degli Stati Uniti e con tutta probabilità candidata dei democratici per la Casa Bianca, esce da un negozio di dischi di Washington, e i cronisti che fuori la aspettano le chiedono se vuole far vedere che cosa ha comprato. Lei con tono ironico risponde più o meno: "capite qualcosa di musica?", e poi mostra i vinili che ha acquistato. Il primo è Let My Children Hear Music, album del '72 di Charles Mingus, che Harris mostrandolo definisce "veramente uno dei più grandi performers di sempre". Il secondo album è Everybody Loves The Sunshine di Roy Ayers, l'ultimo infine è Porgy and Bess di Ella Fitzgerald e Louis Armstrong. Nella puntata di Jazz Anthology di questa sera parliamo dell'interesse di Kamala Harris per il jazz e più in generale per la black music, della sicurezza con cui dichiara i propri gusti musicali (il suo entusiasmo per Mingus non è affatto banale), della sua presenza (prima dell'ascesa alla vicepresidenza Usa) nel board di SFJazz, istituzione del jazz di San Francisco, e ascoltiamo quell'album molto particolare di Mingus che è Let My Children Hear Music. N.B.: nei quattro anni di presidenza Trump il jazz era sparito dalla Casa Bianca.

THE HISSING OF SUMMER LAWNS by Joni Mitchell (Asylum, 1975)Hail, hail Joni Mitchell! A survivor with a roller-coaster history of adventures, both artistic and existential. She's still standing, albeit with a cane - (Polio couldn't fell her; an aneurysm? Piffle!)  From folkie goddess who pierced her madrigals through with a brutal, autobiographical honesty, through her jazzbo period where challenging experimentations were offered with Amazonian bravado. After Blue, my favorite Joni record was Mingus, wherein she introduced me to an hitherto unknown (to me) bass maestro by way of a seamless collaboration. She was loved by many, but was impossible to control, so her romantic paths were marked with scorched earth, but the genius gentlemen left behind could only carry the torch in her name through the ensuing decades. The Hissing of Summer Lawns was dissed upon its release, coming, as it did, on the heels of her biggest hit, Court and Spark, but is now recognized as a masterpiece. She's spreading out here, sonically and vocally. Her fascination with jazz voicing, the impressionist lyrics, a Burundi Drumline, tasty samples and loops - it was all ahead of its time. But, then again, so was Joni. 

This month on City Cast Portland, we're interviewing candidates running to be the next mayor of our city. And today on the show, we're talking to our fifth candidate, Commissioner Mingus Mapps. Since joining the Portland City Council in 2020, he's overseen the Portland Bureau of Transportation, the Portland Water Bureau, and the Bureau of Environmental Services. We're talking to him about why he thinks he's fit for the job.  Events: Cathedral Park River Fest Zoo Nights at the Oregon Zoo  Maria Bamford at Helium Comedy Club Become a member of City Cast Portland today! Get all the details and sign up here.  Who would you like to hear on City Cast Portland? Shoot us an email at portland@citycast.fm, or leave us a voicemail at 503-208-5448. Want more Portland news? Then make sure to sign up for our morning newsletter, Hey Portland, and be sure to follow us on Instagram.  Looking to advertise on City Cast Portland? Check out our options for podcast and newsletter ads at citycast.fm/advertise. Learn more about the sponsors of this June 27 episode: Cake Hoopla Babbel Learn more about your ad choices. Visit megaphone.fm/adchoices

Founder of the Be the Light: Overcoming through Storytelling initiative, Elaine Mingus shares her story of surviving childhood sexual abuse, addiction and self-harm. As a mother of seven children, Elaine and her husband, Noah, homeschool their children as they run CurbVulture, a vintage furniture business in the Austin, Texas area. Elaine serves as Mrs. Austin AMB and uses her storytelling in conjunction with the global non-profit Not On Our Watch which fights online exploitation of children. Elaine uses speaking engagements, podcasts, online trainings and social media to remind people that stories give hope to those listening and gives practical tips on how to communicate effectively both online and offline. Elaine's Website: Elaine Mingus – Bringing Light to the Darkness & Setting the Captives Free From James: FREE Passive Income Masterclass (profityourknowledge.com)

Tonight's Jazz Feature is unique even in the varied discography of Charles Mingus. First of all Mingus plays only piano here and chants, sings and delivers verbal encouragement to the soloists. Also the band is built around the amazing talents of Roland Kirk (aka Rahsaan Roland Kirk) who plays his tenor saxophone, manzello (a type of soprano saxophone), his stritch (an elongated alto saxophone), flute and various percussion and sundry instruments like whistles, gongs etc. In the band too is tenor saxophonist Booker Ervin and trombone great Jimmy Knepper, both Mingus favorites. On bass is Doug Watkins and on drums is of course, Dannie Richmond. The music is loose, free and covers all the emotions from humor to anger and is sometimes surrealistic. This band was formed in the Summer of 1961 and marked a switch in style for Mingus but was still reflective of his immense musical personality. This album was recorded for Atlantic Records on November 6, 1961 and issued as "Oh Yeah!". It stands alone and is tonight's Jazz Feature.

A Lightweight Champion, a female politician who challenged the glass ceiling, and an influential jazz musician. Who were they?Today's episode shares three  more mixed-race public figures from history. Coined “The Reading Hour”, listen along as Jolie reads about these dynamic trailblazers.Saoul Paul Mamby (1947–2019) was an American boxer who held the WBC super lightweight title from 1980 to 1982. Born in the South Bronx, New York, to parents of Spanish and Jamaican descent, Mamby converted to Judaism at a young age. He began boxing in 1963, turned professional in 1969, and served in the U.S. Army during the Vietnam War. Mamby's boxing career included notable victories and title defenses, facing opponents like Roberto Durán and Saengsak Muangsurin. He continued fighting into his 50s and attempted a comeback at age 60, becoming one of the oldest boxers to compete in an officially sanctioned bout. Known for his durability, Mamby was stopped only once in 85 professional fights.Mae Street Kidd (1904–1999) was an American businesswoman, civic leader, and politician known for her significant contributions during a time when gender and racial barriers were prominent. Born in Kentucky to an interracial family, she had a distinguished career in public relations and served in the Red Cross during WWII. In politics, she represented Louisville in the Kentucky House of Representatives from 1968 to 1984, advocating for landmark legislation such as the creation of the Kentucky Housing Corporation and the ratification of the Reconstruction Amendments to the U.S. Constitution. Kidd's legacy reflects her resilience and commitment to civil rights.Charles Mingus Jr. (1922–1979) was a multifaceted American jazz musician known for his prowess as an upright bassist, composer, bandleader, and pianist. He was a key figure in jazz history, collaborating with luminaries like Duke Ellington, Charlie Parker, and Max Roach. Mingus' innovative compositions spanned genres from bebop to avant-garde jazz, showcased in albums like "Pithecanthropus Erectus" and "Mingus Ah Um." His music continues to be celebrated, performed by groups like the Mingus Big Band. Mingus' life was marked by his diverse heritage and experiences with racism, shaping his music's themes of injustice and discrimination. He was also known for his tempestuous personality and occasionally violent temper, alongside his brilliance as a musician. Mingus left a lasting legacy in jazz, honored with accolades like induction into the Grammy Hall of Fame and a US postage stamp in his honor.https://en.wikipedia.org/wiki/Saoul_Mambyhttps://en.wikipedia.org/wiki/Mae_Street_Kiddhttps://en.wikipedia.org/wiki/Charles_MingusDOWNLOAD and SUBSCRIBE to Generation Mixed, on Apple, Spotify, IHeart, or Spreaker!FOLLOW US: Instagram: @generationmixedpodcast | https://www.instagram.com/generationmixedpodcast/Tik-Tok: @GenMixedpodcast | https://www.tiktok.com/@genmixedpodcastSubscribe to our newsletter at www.nuwavemedia.orgE-mail us with any questions, comments, or suggestions for future episodes: Generationmixedpodcast@gmail.comWanna be on the show? Text or call 510-852-9550! What it means to be multiracial in America, one story at a time, from the studio to the streets.  –Exciting news! JMarc has partnered with NuWave Community Media, a non-profit promoting digital literacy. Support our cause by donating or volunteering at www.nuwavemedia.org. Explore our diverse podcastsBecome a supporter of this podcast: https://www.spreaker.com/podcast/generation-mixed--5176197/support.

Jackie Myers!Very excited to have met this lovely lady who's a highly educated human being, a professional pianist, a daughter, a sister, a wife, a dog lover, and a fantastic conversationalist.Mrs. Myers stopped by for Episode No. 120, and we talked family, the road, recording, writing, experimenting, gigging, and more.We also talked a little bit about a few of Jackie's favorite albums, and those were these:Ella & Louis (1956), Ella Fitzgerald & Louis ArmstrongMiles Davis' Four & More (1966)Tapestry (1971), Carole KingJoni Mitchell's Mingus (1979)Skol (1979), Oscar Peterson & Stéphane GrappelliSteve Lehman Octet's Travail, Transformation, & Flow (2009)Give Jackie Myers Music a follow on Facebook and/or Instagram. You can find her stuff on Bandcamp or where you stream/download your music, and her Web site is jackiemyersmusic.com.You can catch her live this evening (or Saturday) at Chaz on the Plaza, and be sure to keep your ears peeled for an upcoming studio release. I know it's going to be an exciting listen.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are clips from a Phish tune called, "Magilla," which can be found on the badass record, A Picture of Nectar (1992), c/o Elektra Entertainment.

This is the episode I wish someone had made for me to watch back when I sold my practice to a DSO. My biggest regret from the sale? Trying to go it alone.  Many dental practice owners today feel as overwhelmed by their options as I did back then, and it can be challenging to navigate negotiations to secure a deal that protects your interests. That's why I was so excited to have Ryan Mingus, Managing Director for TUSK Practice Sales, join me on this episode of “The Patient First Podcast.” Ryan shares a mother lode of advice and tips that can help practice owners to get the best deal that supports their future goals and plans. I'm Dr. Bryan Laskin—author, entrepreneur and dentist who has tried (and regretted) selling my practice without understanding all of my options. I hope this interview with Ryan helps dentists today to avoid that mistake! Learn more about how TUSK can help you and schedule a free meeting: TUSKPracticeSales.com 0:00 Meet Ryan Mingus 1:38 Where is this sector headed? 5:00 Is the M&A growth trend for DSOs ending? 6:21 The art of matching buyers and sellers 11:06 How to protect your interests while negotiating 13:32 Navigating the variation in valuation

In this episode — our first-ever "field recording" — we travel up to North London to interview the legendary writer-photographer Val Wilmer. Val takes us back to her earliest musical memories in Streatham, South London, and her immersion in the capital's '60s jazz and blues scenes. We hear about her first pieces for Jazz Journal and her experiences of interviewing (and photographing) the likes of blues singer Jesse Fuller. We also hear about her remarkable DownBeat interview with Jimi Hendrix from early 1968. Val's classic 1977 book As Serious As Your Life — reissued in 2018 — provides the pretext for asking about her passionate championing of the "free jazz" of John Coltrane, Ornette Coleman and others. We focus on her 1966 Melody Maker encounter with the extraordinary Albert Ayler and the unsolved mystery of his death in 1970. A discussion of Val's deep involvement in the women's movement leads us to clips from Ira Robbins 1994 audio interview with the late Lesley ('It's My Party') Gore — and in particular her startling photo-feminist classic 'You Don't Own Me', six decades young this year. Jasper talks us out with his thoughts on Alan Light's 1991 Rolling Stone interview with Queen Latifah. Many thanks to special guest Val Wilmer. As Serious As Your Life is published by Serpent's Tail and available from all good bookshops. Pieces discussed: Jimi Hendrix: An experience, Once Upon A Time In Williamsburg, Ayler: Mystic tenor with a direct hot line to heaven?, Memories of Hoppy: An interview with Val Wilmer, The New Jazz Gets With It (That Means With Contemporary Art), Tempo: Coltrane, Shankar and All That Rock & Roll, Coltrane, Davis, Monk, Mingus, Lesley Gore audio and Queen Latifah's New Gambit.

Tonight's Jazz Feature is a belated tribute to the Birthday of bassist/pianist/composer/iconoclast/ Charles Mingus. Mingus was born on Earth Day, April 22, 1922 in Nogales, Arizona and died in Cuernavaca, Mexico on January 5, 1979 from ALS. This album on tonight's Jazz Feature is his first for Columbia Records and it literally brought Mingus out of the Jazz underground and into the forefront. It was also his best selling album and widened his audience by leaps and bounds. The album is one of the many classics that were recorded in 1959 like "Kind of Blue". "Time Out", "Giant Steps" this is of course "Mingus Ah Um". With his basic Jazz Workshop quintet of 1959 with John Handy on alto and tenor saxophones and clarinet, Booker Ervin on tenor saxophone, Horace Parlan on piano, Dannie Richmond on drums and Charles Mingus on bass that is augmented by three Mingus alumni from previous Jazz Workshops, Jimmy Knepper on some tracks and Willie Dennis on others on trombones and Shafi Hadi as a non-soloing addition on alto and tenor saxophones in the ensembles. The album was done in two sessions, the first on May 5, 1959 and the second on May 12, 1959.Nine compositions in all and presented in the sequence that Mingus wished. Tonight's Jazz Feature: ":Mingus Ah Um"......as Mingus would say "DIG IT".

Michael Cuscuna (1948-2024) spent several decades preserving record label archives and compiling rare recordings, sessions and 'vault material' through Mosaic Records. In theis 2019 interview he discusses this fascinating journey through the vaults of Blue Note, Atlantic, Impulse and more to make this material available to music lovers around the world. Starting his career, joining Atlantic Producer and A&R for Atlantic Records Working with the Atlantic Records tape warehouse Early tape finds – Mingus at Antibes Convincing Ahmet Ertegun to reissue lost material Unissued material lost in a building fire Starting to document and archive Blue Note tapes Joining Blue Note, organizing the archive Finding Alfred Lion's notes and files in Japan Obtaining the Francis Wolff photography negatives Improving the condition of the negatives and imagery Was Alfred aware of the legacy of Blue Note Records? Did Blue Note have the original artwork and cover layouts? Memories of the Blue Note Reissue Series Much of the Blue Note vault materials have been issued Trainwreck sessions that haven't been released Blue Note artwork in the 70s and 80s Listening to hours and hours of outtakes Idea for Mosaic Records boxsets Working with various labels and rights holders for reissues Columbia reissuing Miles Davis Mosaic shift from LP to CD Deciding what's next for Mosaic Records releases Challenges of developing boxsets Most rewarding Mosaic Releases Current pricing of Mosaic Records boxsets Story of the Monk/Coltrane at Carnagie Hall Story of the Charlie Parker / Dean Benedetti tapes Interview wrap up Support this podcast at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

We are heading into familiar territory this week as EarWax revisits the Newport Jazz Festival!Cody and Hilary pick up four years after we last left Newport to tell the tale behind Muddy Waters' incredible live album "At Newport 1960." This record is an absolutely scorching set of blues set against a weekend that was marred by capacity limits, Bermuda shorts-wearing hoodlums, riots, and a Mingus-led rival festival.With tracks written by giants like Willie Dixon and Langston Hughes, "At Newport 1960" is a fascinating look at one of the luminaries of the blues in his prime. Muddy Waters and his band are on absolute fire, and this album beautifully captures what happens when you let the blues cook.Thanks for listening! Check out everything we have going on via the info below: Instagram: @earwaxpod TikTok: @earwaxpod Amoeba on Instagram: @amoebahollywood @amoebasf @amoebaberkeley Questions, Suggestions, Corrections (surely we're perfect): earwaxpodcast@amoeba-music.com Credits:Edited by Claudia Rivera-TinsleyAll transition music written and performed by Spencer Belden"EarWax Main Theme" performed by Spencer Belden feat. David Otis

A gang of carnivorous worms infect the ship with melodies that could drive the crew mad! Mingus is the only one immune, and he has to use his bass and leadership skills to maneuver the ship towards a nearby crew of clapping cleaner shrimp to help break the rhythm. Want more kids podcasts for the whole family? Grown-ups, subscribe to Starglow+ here Learn more about Starglow Media here Follow Starglow on Instagram, Facebook, and YouTube

Pleased to've met Brooke Kakfa as we sat down for Episode No. 111.Brooke is a daughter, a sibling, a friend to many, a lifelong musician, and a member of many bands. Find either her personal or her professional page on Facebook, give her a follow on Instagram, and be sure to check out her primary outfit's Web page, which -- if you happen to be reading this on the day it drops -- includes a Dames of the Dead show tonight at Mike Kelly's Westsider, here in Kansas City, from 7:00-10:00 p.m., CDT.Not to worry, though, if you catch this late; the Dames have a number of gigs listed through early June, the most recently announced being a spot at the one and only Boulevardia on Friday, 6/14, so hats off to them for that.Brooke and I talked a little bit about growing up, family life, education, working in the hospitality industry, and the juggling of roles in the numerous musical outfits in which she either leads or participates.We also talked about a few of her favorite albums (or in some cases, tunes from them) over the years. Those were these:Paul Desmond and Gerry Mulligan's Two of a Mind (1962)The Electrifying Eddie Harris (1968), Eddie HarrisLes McCann and Eddie Harris' Swiss Movement (1969)Europe '72 (1972), Grateful DeadDoc Watson, The Essential Doc Watson (1973)Mingus (1979), Joni MitchellMingus Big Band's Nostalgia in Times Square (1993)Under the Table and Dreaming (1994), Dave Matthews BandMichael Brecker's Two Blocks from the Edge (1998)Wake Up to Find Out: Live at Nassau Coliseum, Uniondale, NY, 3/29/90, (2014), Grateful DeadSo, please check out all things Brooke Kafka online, and make sure to catch one of her live gigs. She is successfully managing a very full plate, and her projects are worth a peek. Thanks, Brooke, for your generous time and energy. The podcast has been made richer by way of your appearance.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are clips from a Daft Punk track called, "Something About Us," which can be found on their 2001 release, Discovery (c/o Warner Music France/ADA France, 2001, Daft Life Ltd.).

Episode #151 Get More Fit with Kathy Murray   Kathy Murray is a certified personal trainer with over thirty years' experience in the fitness industry. She is a graduate of The Ohio State University where she was a member of the 1983 National Cheerleading Championship Team. After college she competed in and won the United States Aerobic Championship in 1986 and spent the year traveling the world as a Fitness Ambassador. Kathy worked as a free-lance educator to teach fitness to European Instructors. While in Munich, she coached the Munich Cowboys (American Football) Cheerleaders to six national titles in cheerleading and was head trainer/translator for the German Gladiators during a pilot TV show for the International Gladiators. I was in Germany where she started Fit Bodies Always an avid cyclist, Kathy dipped her toe into the world of multi-sport in 2000, first competing in duathlons then eventually moving to triathlons. Kathy has owned her personal training business Fit Bodies for 25 years and in 2022 co-authored the Audible book, The Munich Cowboy Cheerleaders based on her time coaching the squad. She lives in Atlanta with her husband Lutalo, dog Mingus and cat Sassy.   We discussed: Coaching teens in Germany for the Munich Cowboys Cheerleaders Preparing for a hip replacement and setting goals Her active online fitness coaching at Fit Bodies How she helps her clients get more fit at any age Learn more at our website: Becoming Elli

Steven Rinella talks with Dan Gates, Connor Smith, Ryan Callaghan, Brody Henderson, Randall Williams, and Phil Taylor.  Topics discussed: When you're ruined for elk hunting at the age of 16; Conner getting the 39th biggest bull elk ever in Montana; the trials and tribulations of Mingus the hound; when you further up the upper limit of what you'll spend on your dog at the vet; a citizen initiative to ban certain kinds of hunting in Colorado and why you need to pay attention to this if you care about hunting, period; activating ballot initiatives vs. entrusting state game biologists to determine how to best handle wildlife; fallacies and lies; naming bucks because you want to get them; hug a hunter; “Save the Hunt”; calling all outdoor recreationists; and more.  Outro song by Kenny Leiser Connect with Steve and MeatEater Steve on Instagram and Twitter MeatEater on Instagram, Facebook, Twitter, and YoutubeSee omnystudio.com/listener for privacy information.

The crew makes a magical new friend after the portal spits their submarine out across the ocean. Mingus must use his sign language skills to befriend the strange creature and escape from the sonic booms of a deep sea drilling rig! Want more kids podcasts for the whole family? Grown-ups, subscribe to Starglow+ here Learn more about Starglow Media here Follow Starglow on Instagram, Facebook, and YouTube

Here at The Late Set, we always turn toward the wisdom of elders. So we couldn't be more excited about our guest this episode: alto saxophonist, composer-bandleader and educator Gary Bartz. We sat down with him in Brooklyn during the recent Winter Jazzfest, and had a fantastic conversation that spans his apprenticeship years (with everyone from Max to Mingus to Miles), his journeyman period (notably at the helm of Ntu Troop), and his master eminence (which predates his welcome induction as a 2024 NEA Jazz Master). The man who gave us “Music is My Sanctuary” is still out along the front line, with insights to share. More to explore:  NEA: Gary Bartz biography NPR: From bebop to hip-hop: Gary Bartz's sax sound shapes many eras KQED: For Jazz Saxophonist Gary Bartz, ‘Music Is My Religion' Support WRTI: https://bit.ly/2yAkaJsSee omnystudio.com/listener for privacy information.

When Elaine Mingus turned her last penny into a symphony of restored vintage furniture, she didn't just carve out a niche; she crafted a tale of transformation that echoes with resilience. On our latest episode of Soul Shine, Elaine joins us, unveiling how her journey from debt to a six-figure empire is a beacon for anyone seeking value in the overlooked corners of life. I, too, peel back layers of my personal evolution, sharing how my dance with grief sharpened my hunger for the simple joys that truly define us, and how these experiences have sculpted my identity.Our conversation takes a deep and intimate turn into the realm of faith, where Elaine lay bare her past afflictions with addiction, and the moment of clarity in a humble church that ultimately guided her to a path of redemption. Through the stories of biblical women like Sarah and Hagar, we draw parallels to our own lives, pondering the complexities of personal triumphs intertwined with divine grace. This episode is a tapestry of gratitude, challenging us to look beyond the surface and appreciate the profound journey that faith invites us to embark upon, even amidst life's fiercest storms.Navigating the murky waters of parenting in today's digital age, we confront the stark realities of generational poverty and the mental health quagmires that social media can present to our children. A sobering narrative of a young girl's troubling online purchase anchors our call to action for parental vigilance. Yet, amidst these trials, we also shine a light on hope—spotlighting a community in Tacoma that offers a haven for young people touched by loss. Join us as we champion the strength of resilience, the power of support, and our shared responsibility in nurturing a legacy of positivity and mental wellness for the generations to come.Support the showIT'S HERE!

Unravel the impact of the Fed and interest rate changes on the healthcare industry in part two  of our fascinating discussion with Ryan Mingus from Tusk Partners. Brace yourself as we demystify how market fluctuations affect deal size and multiples, along with the influence of employment contracts on business owners. Despite the market's unpredictability, we underscore the importance of persisting with opportunities and not falling into the trap of attempting to time it all. Transitioning from the healthcare sector to the dental industry, we put the spotlight on how EBITDA and geography play a pivotal role in determining multiples. Depending on the size of your EBITDA, the range of multiples your business can expect is set. Be aware, though, that once you hit the $5 million mark, the returns start diminishing. Geographic location, too, impacts multiples, with states like Arizona, Texas, and Tennessee emerging as hotspots due to their attractive labor policies and population growth. Lastly, we shed light on the stark contrast in multiples between high-profile cities and mid-tier ones, highlighting the role of population growth in upping a business's value.find out more www.tusk-partners.com If you need help finding the perfect location or your ready to invest in commercial real estate, email us at podcast@leadersre.com. Sign up for a FREE vulnerability analysis and lease renewal services View our library on apple podcasts or REUniversity.org. Connect on Facebook. Commercial Real Estate Secrets is ranked in the top 50 podcasts on real estate

Composer John Williams is the defining sound of Hollywood and, arguably, the most widely listened to composer in the world. Kirk decided he needed some help tackling Williams' towering musical legacy, so he enlisted Australian author and musician Dan Golding as his tour guide through Williams' musical world, with a special focus on his groundbreaking score for 1980's Star Wars: The Empire Strikes Back.REFERENCED ON THIS EPISODE:Dan's book Star Wars After Lucas, his ABC radio show Screen Sounds and his podcast Art of the Score"Liberdade" by Dili Allstars"Celebration" from Push Me Pull You by Dan Golding, 2016The Adventures of Robin Hood score by Erich Wolfgang Korngold, 1938Excerpts from Untitled Goose Game as assembled by Dan Golding"Right Time" by Mighty Diamonds/Sly & Robbie, 1976"Peter Gunn" by Henry Mancini, 1959"1. Mars, the Bringer of War" by Gustov Holst from The Planets, Op. 32 as performed by the London Symphony OrchestraExcerpts from Star Wars: A New Hope, Star Wars: The Empire Strikes Back and Star Wars: The Rise of Skywalker, all by John WilliamsThe "Star Wars Music Minute" podcast episode 22 feat. Dan Golding"Medley: Star Wars" by Meco, 1977Bill Murray singing the Star Wars theme on Saturday Night Live, 1978Excerpts from Jurassic Park  by John WilliamsExcerpts from Merry Melodies/Looney Tunes by Carl Stalling"Flash Gordon" by Queen from Flash Gordon, 1980"The Mandalorian" by Ludwig Göransson from The Mandalorian, 2019"If I Fight, You Fight" from Creed by Ludwig Göransson, 2015Excerpts from the Solo: A Star Wars Story score by John Powell, 2018"Moanin," "Wednesday Night Prayer Meeting," "Open Letter to Duke," "Eh's Flat Ah's Flat Too" from Mingus Ah Um and Blues & Roots, by Charles Mingus, 1959"II B.S." by Charles Mingus from Mingus, Mingus, Mingus, Mingus, Mingus, 1964"Work Song" by Duke Ellington from Black Brown & Beige as recorded by Jazz at Lincoln Center in 2020"The Fablemans" by John Williams from The Fablemans, 2022"Beef Lo Mein" by Caroline Shaw from the Fleishman is in Trouble soundtrack, 2019"Movement II: The Big Show" by Wynton Marsalis and Jazz at Lincoln Center from Symphony No. 4: "The Jungle," 2023----LINKS-----SUPPORT STRONG SONGS!Paypal | Patreon.com/StrongsongsMERCH STOREstore.strongsongspodcast.comSOCIAL MEDIAIG: @Kirk_Hamilton | Threads: @Kirk_HamiltonNEWSLETTERhttps://kirkhamilton.substack.com/subscribeJOIN THE DISCORDhttps://discord.gg/GCvKqAM8SmOUTRO SOLO PLAY-A-LONG:https://soundcloud.com/kirkhamilton/strong-songs-outro-music-no-soloSTRONG SONGS PLAYLISTSSpotify | Apple Music | YouTube Music--------------------SEPTEMBER 2023 WHOLE-NOTE PATRONSBen BarronCatherine WarnerDamon WhiteKaya WoodallDan AustinJay SwartzMiriam JoySEAN D WINNIERushDaniel Hannon-BarryAshley HoagChristopher MillerJamie WhiteChristopher McConnellDavid MascettiJoe LaskaKen HirshJezMelanie AndrichJenness GardnerJeanneret Manning Family FourDave SharpeSami SamhuriJeremy DawsonAccessViolationRyan TorvikElliot Jay O'NeillAndre BremerDave FloreySEPTEMBER 2023 HALF-NOTE PATRONSAbraham BenrubiChristopher BrunoChris KotarbaCallum WebbLynda MacNeilDick MorganBen SteinSusan GreenSean MurphyJake YumatillaAlan BroughRandal VegterGo Birds!Whit SidenerRobert Granatdave malloyNick GallowayHeather Johnsonjohn halpinPeter HardingDavidMeghan O'LearyJohn BaumanDax and Dane HuddlestonMartín SalíasTim HowesStu BakerSteve MartinoDr Arthur A GrayCarolinaGary PierceMatt BaxterGiantPredatoryMolluskLuigi BocciaE Margaret WartonCharles McGeeCatherine ClauseEthan BaumanKenIsWearingAHatJordan BlockAaron WadeJamieDeebsPortland Eye CareCarrie SchneiderRichard SneddonJulian RoleffDoreen CarlsonDavid McDarbyWendy GilchristElliot RosenLisa TurnerPaul WayperBruno GaetaKenneth JungAdam StofskyZak RemerRishi SahayAilie FraserVonRob TsukNATALIE MISTILISJosh SingerPhino DeLeonAmy Lynn ThornsenAdam WKelli BrockingtonVictoria YuBrad Clarkmino caposselaSteve PaquinEmma SklarBernard KhooRobert HeuerMatthew GoldenDavid NoahGeraldine ButlerMadeleine MaderJason PrattAbbie BergDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael BermanOlivia BishopJohn GisselquistLinda DuffyLiz SegerEoin de BurcaKevin PotterM Shane BordersDallas HockleyJason GerryNathan GouwensLauren ReayEric PrestemonCookies250Damian BradyAngela LivingstoneSarah SulanDiane HughesMichael CasnerLowell MeyerStephen TsoneffWenJack SjogrenGeoff GoldenRobyn FraserPascal RuegerRandy SouzaClare HolbertonDiane TurnerTom ColemanMark PerryDhu WikMelEric HelmJonathan DanielsMichael FlahertyJarrod SchindlerCaro Fieldmichael bochnerNaomi WatsonDavid CushmanAlexanderGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudAmanda FurlottiAndrew BakerJules BaileyAndrew FairL.B. MorseBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelNate from KalamazooMelanie StiversRichard TollerAlexander PolsonEarl LozadaJustin McElroyArjun SharmaJames JohnsonKevin MorrellColin Hodo