Podcasts about coltrane

After WWE made the rather bold decision to split all their good and bad matches from WrestleMania onto separate nights, it felt like there was a bit of course correction happening with Backlash – an event that we both thought was better than expected. Since then, it's been mostly, to quote the great Jim Cornette, the drizzling shits. So rather than spend another episode just complaining about it, we decided to become an active participant and tell you how we would being doing things. So we're fantasy booking the wrestling season following Mania through SummerSlam in this, episode 250, Fantastical Booking!   FULL VIDEO EPISODES! That's right folks, you can see our bright smiling idiotic faces in full color on our YouTube channel. Full episodes available as well as clips.   ...AND ANOTHER THING: The Man They Call Tim suggests listening to Men At Work's 1981 album "Business As Usual" Uncle Todd suggests listening to John Coltrane's 1964 album "Coltrane's Sound"   FOLLOW US ON THE SOCIAL MEDIAS: Facebook - http://facebook.com/freerangeidiocy Instagram - http://instagram.com/freerangeidiocy YouTube - http://youtube.com/@freerangeidiocy

What does it take to go from sneaking into rumba rehearsals as a kid in Santa Clara, Cuba, to becoming arguably the greatest living drummer on earth?Dafnis Prieto is a Grammy Award winner, MacArthur "Genius" Fellow and one of the most gifted drummers alive. On faculty at the Frost School of Music at the University of Miami, he has three self-published books studied worldwide. Host Dana Leong has known him personally since Dana was 15 and Dafnis was 21. This is the conversation we've been waiting 30 years to have.Follow Dafnis: https://www.dafnisonmusic.com | https://linktr.ee/DafnisPrietoListen and watch everywhere:YouTube https://www.youtube.com/@UpgradeMePodSpotify https://open.spotify.com/show/7JPSb9vRaEqHt39hWXBVOYApple https://podcasts.apple.com/us/podcast/upgrademe-with-dana-leong/id1751136432Patreon http://www.patreon.com/UpgradeMePodChapters:0:00 Cold open - "I'm going to become the healthiest person that ever died"2:15 Meet Dafnis Prieto - Grammy winner, MacArthur Genius, arguably the greatest drummer alive5:00 Why he always reminds himself of the reason he chose this life10:20 Inner world vs outer world - separating frustration from purpose14:45 What every world-class performer actually has in common17:00 Born in Santa Clara - only child, divorced parents, a mom who said yes22:30 From guitar to bongos - the House of Culture and a Cuban band26:00 Eight years of classical training - Santa Clara to Havana's National School30:15 The Big Bang - Carlos Masa, Hermeto Pascoal, and Ravi Shankar at 1435:40 First tour at 18 - special school permit, Cuba straight to Paris40:10 Getting paid in Cuba vs Paris - "a big whale and a sardine"44:30 The assembly line story - trains, 30 seconds, and Cuban teamwork51:20 The Village Voice era - how European bookers discovered New York artists55:00 "If Jesus Christ was in Times Square nobody cares" - social media and the fake artist problem1:00:10 Marketing vs selling your soul - the tension every serious artist lives with1:05:30 Why live music still matters - Dana's mom at 80, Taiwan's National Concert Hall1:10:00 Integrity as a total way of being1:15:20 The hidden instruments - classical guitar, flamenco, marimba1:19:45 Why Cuba produces champions - "you do twice the work"1:23:30 The 24/7 conservatory - living inside the National School of Music1:28:00 Getting out of Cuba - exit permits, bureaucracy, and the Stanford invitation1:34:20 Cuba sent one guy - and they sent the right one1:39:10 Cuban culture as the deep root1:43:00 The global political climate and what it means for artists1:47:00 "There is value in the objective but there is potential in the subjective"1:51:00 Pancho Quinto - tradition as a point of departure1:57:00 Learning English in New York - a notebook and self-teaching2:01:00 Mentorship at Frost School - Marcelo Perez, Bob Moses, the drum quartet2:07:00 Why Dafnis doesn't sign up for teaching - but gives it everything2:12:00 The frying pan on the drum kit - carnival, sneaking out, Chinatown2:18:00 Long-term musical relationships - what makes a real band2:23:00 The social media dilemma - practice vs posting2:29:00 Building character before the digital age - Coltrane, Chaplin2:34:00 "Don't wait for anyone to make yourself poor"2:38:00 Final words - if you have a dream, go for itUpgradeMe is hosted by Dana Leong, a 2x Grammy Winning Musician, US Music Ambassador and World Economic Forum Young Global Leader. Sponsored by https://www.TEKTONIKmusic.org (Harmony Heals).

LR Baseball play-by-play broadcaster Max Coltrane joins Justin & Phil

The GURU is back after a few weeks off. There has been some very hard times, but we are getting through this rough stretch. The New York Knicks will play the San Antonio Spurs after a thrilling game seven, ousting the defending World Champs, the Oklahoma City Thunder. The GURU is going with the Spurs in 7. My Vegas Golden Knights are heading back to the Stanley Cup Finals against the Carolina Hurricanes, after shocking the Colorado Avalanche in four straight. The GURU Is going with the VGK in 7. There has been several people that we had to say goodbye to, but the Saxophone genius, one of the last great jazz musicians of our time has left us. Sonny Rollins was no doubt, one of the last greats that made jazz one of the greatest art forms in music history. He was legendary in every sense of the word. When we take a look back and mention the greats, Coltrane, Miles Davis, Charlie Parker, Louis Armstrong, Duke Ellington, Dexter Gordon, Sonny Rollins has to be considered in the top tier of greats. At 95 years old, he was the last of era gone by. This episode is dedicated to him. We will be back next week with Episode 316, enjoy the rest of your Sports Weekend and be safe.

“Everything I do is an offering to God - that's the truth.” - Alice ColtranePart of the Dolls Pod mission statement is to spotlight a remarkable woman each episode. That description certainly applies to this week's subject. First she was Alice McLeod, a single Black woman working on the jazz circuit in New York, Paris, and her home city of Detroit. Then she was Alice Coltrane, John's muse and partner in free jazz exploration. After John passed at the height of the Summer of Love, Alice was called first to India, then California on a spiritual journey; establishing her own ashram as Swamini Turiyasangitananda. Pursuing just one of these life paths would be remarkable. In just 69 years, Alice somehow pursued all three; transcending all limitations placed on her, internal and external. (Episode starts at 5:42)Sources:Andy Beta, “Cosmic Music: The Life, Art, and Transcendence of Alice Coltrane” (2026)Alice Coltrane, “Monument Eternal” (2025 ed.)Franya J. Berkman, “Monument Eternal: The Music of Alice Coltrane” (2010)Chris Devito, “Coltrane on Coltrane: The John Coltrane Interviews” (2010) https://archive.org/details/coltraneoncoltra0000unseLewis Porter, “John Coltrane: His Life and Music” (1998) https://archive.org/details/johncoltranehisl0000port“Alice Coltrane” Black Journal, 1970, via The John & Alice Coltrane Home https://thecoltranehome.org/alice-coltrane-documentary/NPR: Jazz Night in America, “Saint Coltrane: The Church Built on ‘A Love Supreme'” (dir. Lauren Onkey, 2/2/2021) https://www.youtube.com/watch?v=MAgJ-igwuSQ“Eternity's Pillar - Hosted by Alice Coltrane Swamini Turiyasangitananda” via dublab on YouTube https://www.youtube.com/watch?v=E3MkhsePVJEAndy Beta, “Transfiguration and Transcendence: The Music of Alice Coltrane” Pitchfork, 1/12/2017 https://pitchfork.com/features/from-the-pitchfork-review/10009-transfiguration-and-transcendence-the-music-of-alice-coltraneSongs used in this episode:Dizzy Gillespie - “A Night in Tunisia” (1954)Bud Powell - “Groovin' High” (1961)The Premiers - “When You Are In Love” (1957)The Terry Gibbs Quartet featuring Alice McLeod - “Sol Right With Me” (1963)John Coltrane - “Giant Steps” (1960)John Coltrane - “Africa” (1961)Irving Berlin - “Always” (sang by Lewis James) [1925]John Coltrane - “Your Lady” (Live at Birdland) [1964]John Coltrane - “A Love Supreme, Part I: Acknowledgement” (1965)John Coltrane - “My Favorite Things” (Live from the Village Vanguard) [1966]Alice Coltrane - “Ohnedaruth” (1968)Alice Coltrane - “Journey in Satchidananda” (1971)John Coltrane - “Om” (1968)Alice Coltrane - “Ptah, the El-Daoud” (1970)Alice Coltrane - “Shiva Loka” (1971)John Coltrane - “A Love Supreme, Part III: Pursuance” (1965)Alice Coltrane - “Jagadishwar” (1982)Flying Lotus - “Auntie's Harp” (2008)Alice Coltrane - “A Love Supreme” (Live at Jazz Jamboree with Roy Hanes, Reggie Workman, and Ravi Coltrane) [1987]Follow @thedollspod on Instagram to see clips and videos from this episode!

In this Nemesis Season 1 Episode 5 recap and review, we break down the biggest moments from “Business. Never Personal” as Isaiah Stiles becomes emboldened by a major break in the case and strikes at the heart of the Wilder family. Meanwhile, Coltrane begins plotting a dangerous and devious revenge strategy, escalating the conflict to a whole new level.We discuss the major twists, character developments, hidden clues, shocking moments, and what these revelations could mean moving forward in Nemesis.

#TVBreakdown #Nemesis #EntertainmentNews#NETFLIX #courtneykemp In this Nemesis Episode 3 recap and review, we break down the biggest moments as Isaiah Stiles digs deeper into Coltrane's past, uncovering a connection to Lancaster, where he reportedly served time alongside Darren. While Sealey remains unconvinced that Coltrane is their prime suspect, Stiles becomes increasingly certain he has identified the crew's ringleader and races to uncover hard evidence before it's too late.Meanwhile, Charlie warns Ebony to cover her bases, adding more tension and raising the stakes as secrets begin to unravel.We discuss the major twists, character developments, hidden clues, and what these revelations could mean moving forward in Nemesis.

In this Nemesis Episode 4 recap and review, we break down the biggest moments as Coltrane and his crew take on a high-stakes job for a volatile client, putting everyone at risk as tensions continue to rise. Meanwhile, Isaiah Stiles turns up the pressure on a key suspect, determined to get closer to the truth behind the robberies.Elsewhere, Candace leans on Ebony's friendship, adding emotional depth and new complications as loyalties begin to shift.We discuss the major twists, character developments, hidden clues, and what these revelations could mean moving forward in Nemesis.

Ein neuer Blick auf die Mutter aller Städte: Giulia Becker und Chris Sommer in New York City. Ausgerechnet die Drinnies, möchte man meinen. Aber das passt: Die beiden kennen New York City sehr gut, haben dort sogar schon live auf der Bühne gestanden. Im neuen Reisen-Reisen-Podcast-Studio entwickelte sich ein wundervolles, lustiges und auch nachdenkliches Gespräch über einen Ort, der so vieles ist: einerseits eine der Hauptstädte dieser Welt, andererseits gelegen in einem gerade alles andere als einfachen Land. Sollte man derzeit in die USA reisen? Auch darüber sprechen wir mit Giulia und Chris. Und über dieses Kribbeln, diese Sehnsucht, die wir alle vier spüren, wenn wir den Namen dieses Ortes hören. Die Blicke auf Manhattan und Brooklyn, die Fahrten auf den riesigen Brücken. Giulia und Chris berichten zudem von Besuchen in Jazz- und Comedy-Clubs, in Musicals, in Harlem und von diesen krassen Gegensätzen zwischen Arm und Reich, die man einfach nicht übersehen kann. Wir sprechen auch über den neuen Bürgermeister der Stadt, der die Hoffnung eines ganzen Landes ist. New York mit den Drinnies - kommt mit in zwei ganz besondere Folgen.—Höre alle DRINNIES Episoden überall wo es Podcasts gibt! Besuche Giulia und Chris auf Instagram: @giuliabeckerdasoriginal und @chris.sommer

durée : 00:59:59 - par : Nicolas Pommaret - Parution chez Jazz Family de “Miles & John” du saxophoniste et compositeur Jultrane. - réalisation : Emmanuelle Lacaze, Emmanuelle Maurs d'Incamps Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

​​​Continuamos con el relato sobre la vida y milagros musicales del trompetista Chet Baker. A finales de la década de los cincuenta todo se empieza a complicar para este particular músico, sobre todo debido a su pérdida de popularidad y al peligroso incremento en sus adicciones por todo tipo de sustancias. No obstante, mal que bien, continúa con su carrera, tocando en directo siempre que puede y grabando discos a mansalva. En este programa abordamos unos años en los que el jazz volvió a cambiar, con el auge del jazz modal que tanto practicaron Coltrane y Miles, el free de Ornette y la llegada del jazz-rock a finales de la década de los 60, con la correspondiente electrificación de algunos instrumentos. Todo esto cogió a Chet desprevenido pero, aún así, intentó hacer algunos discos basándose en algunas de estas nuevas variantes del jazz, llegando incluso a caer en el Muzak o música de "easy listening", también bastante de moda durante los años 60. Todo esto, y alguna curiosidad más, conforman esta segunda parte del monográfico dedicado a uno de los trompetistas más recordados de la historia del jazz: Chet Baker.

Hoy nos adentramos en las entrañas de Giant Steps, el quinto álbum de estudio de John Coltrane como líder y su debut absoluto para el sello Atlantic Records en 1960. Este disco representa el "paso de gigante" definitivo del saxofonista, alejándose de la sombra de sus maestros para erigir un sistema armónico propio, los célebres "Coltrane Changes". A través de siete piezas originales, Coltrane nos ofrece un laberinto de terceras mayores y tempos frenéticos que, seis décadas después, sigue siendo la prueba de fuego para cualquier músico que aspire a la maestría en el lenguaje del jazz post-bop. Listado de Temas y Compositores Giant Steps – John Coltrane Cousin Mary – John Coltrane Countdown – John Coltrane Spiral – John Coltrane Syeeda's Song Flute – John Coltrane Naima – John Coltrane Mr. P.C. – John Coltrane Listado Completo de Músicos en la Grabación John Coltrane Saxofón Tenor Tommy Flanagan Piano Wynton Kelly Piano Paul Chambers Contrabajo

On a recent wintry afternoon in Manhattan, Stephan Crump was doing what he has done countless times in the city—toting his upright bass, clad in a heavy black bag, along the sidewalk, as if he had a baby that was also a bear.  Finding his car, Crump shimmied the instrument through the minivan's side, climbed into the front seat, exhaled, and then grinned. In less than 24 hours, he would fly to Portland to teach “On Magnetism,” a long-accreting class on connecting more deeply with yourself and others through your instrument, and to play solo at the city's jazz festival. But he knew he first needed to make the 40-minute trek from Brooklyn to Finlay + Gage, the legendary bass shop in Tribeca, to have his bass adjusted, so that he could make that connection himself. The sound post—that stout wooden dowel inside the bass that keeps it from collapsing on itself, and that the French call l'âme, or the soul—wasn't sitting quite right. “It's so personal, elusive, and mysterious. Yes, it's a mechanical thing, but it has so much mojo to it. That's why it's called ‘the soul,'” Crump explained several days later from Portland, noting that the hassle of the errand had been worth it. The bass felt good in his hands again. “It's this combination of sound and feel.” For a quarter-century now, pairing sound and feel have become Crump's ambit and expertise. A bassist and composer, collaborator and bandleader, Crump has become one of New York's most steadfast and experienced instrumentalists. He was the anchor of Vijay Iyer's foundational trio for 20 years, even as he developed a slew of imaginative ensembles of his own—the two-guitar Rosetta Trio, the Borderlands Trio alongside Kris Davis and Eric McPherson, the Secret Keeper duo with Mary Halvorson, just to sample. In all of these contexts, the act of bringing the rest of his life to the bass—the trauma and hope, the frustration and delight—remains Crump's primary motivation. It is, if you will, the soul of his playing. “All art is an expression of the artist's presence in that moment. Musicians need our evolving physical capabilities on the instrument and technical knowledge—how notes interact harmonically and melodically, transcribing our heroes, learning all that,” Crump said. “But in the act of making music, we need to allow that stuff to fall away, to not impose it on the music, to relinquish our defenses. We are sculpting energy as we make music, shaping magnetism.” In some ways, Crump's career is the fulfillment of his father's own youthful ambition. His dad toyed with turning pro as a jazz drummer, but he pursued architecture instead. (That's also how he met Crump's mother, who comes from a long line of French architects.) His devotion to jazz, though, didn't waver, and he would constantly play jazz classics—Monk, Miles, Coltrane, MJQ—in the family's Memphis home. Crump thinks that's where he fell for the bass, especially when the low-end would creep through old wooden walls at night. At his mother's behest, though, Crump's training started with piano, the Suzuki Method leading him through the classics and eventually to his all-time musical hero, Stevie Wonder. But at 13, Crump finally got his first bass, a MapleGlo Rickenbacker 4001 like that of another hero, Yes' Chris Squire. He joined a crackling power trio with his brother, later enlisted in a larger band, and then started his own group; they all gigged hard. Backpacking through Spain by himself after high school, however, he encountered an epiphany by the name of Dave Holland, playing in his mighty and future-facing quartet. The upright bass: That was Crump's future. His first was a dilapidated plywood model, collecting dust in a corner of Amherst College, where he'd in part gone to escape family turmoil down south. He'd intended to study physics and music, but he soon realized that his energy and enthusiasm belonged with the latter. That was helped along by a guitarist pal Crump met during his first few weeks at Amherst. He had connections in the West Village. Crump had the car. (“The bassist,” he half-joked, “always has the car.”) Most every week, they would drive the four hours south, link with high-caliber New York pros they'd hired, play until 2 a.m. or so, and head back to school. “That was really powerful and clarifying. It was thrilling to be 18 and gigging in New York. I got a taste for that level of musicianship, and I was doing more than just cutting it,” he said, smiling. “By the end of my first semester, I knew I was moving to New York as soon as I graduated.” That is precisely what Crump did. He used his paycheck from a month-long, fresh-out-of-college stint with the Tommy Dorsey Orchestra to rent his first Brooklyn apartment in 1994. He dove right in, roving the West Village with his bass, listening, and joining late-night jams that ended with the sun's arrival. He'd seal his shades with tape, sleep, and repeat.  Crump, though, bristled at the scene's pervasive machismo, how some of the city's most vaunted players would put up walls to prevent revealing too much of themselves through their music. That's actually what he craved. Crump found others who shared his ardor, earnestness, and a belief in what jazz could show of and to a person. Those people, like saxophonists Chris Cheek and Miguel Zenón, helped shape his first albums. There was film score work and sessions and stages alongside singer-songwriters. In these concentric creative circles, he met a young singer, Jen Chapin, and fell in love. They got married in September 1999.  After five years, the existence Crump had imagined for himself as a New York musician was happening. “My goal from the start was to come to New York and make a life in music—to make music that I loved, to learn and grow with amazing musicians,” said Crump. “I never set out to be a rock star, a jazz star. I just wanted to make music—real, deep, honest shit, you know?” Actually, Crump flirted with something at least like “jazz stardom” during a 20-year stint in Vijay Iyer's trio. Iyer cold-called Crump soon after moving to New York in 1999, on a friend's recommendation. They spent the next 20 years building the band into one of modern jazz's most successful units. It was a tremendous trip, of course, but it was again clarifying for Crump, revealing the sorts of bands he wanted to build outside of the Iyer orbit. He steadily realized that traditional jazz ensembles were not his preferred vehicle. The bass could get lost, its role restricted. And the power dynamics with such a clear and visible leader created an environment of dominance (again, often masculine) that he hoped to avoid. “Control and bravado keep you from deeper layers of experience and expression,” he said. “When you find yourself with a group of people who are willing to at least attempt ego dissolution and real communion, you have the opportunity for transcendence. You open a portal for each other and the audience—that's a service to society.” Crump has found those connections in so many contexts, emptying his feelings into his diverse ensembles. Rosetta Trio's bittersweet groove, for instance, emerged from little Fender Rhodes fragments he compiled in the months after watching 9/11 unfold with Jen from their Brooklyn roof. Open Wide, his 2002 set of duets with her, are intimate and entangled portraits of marriage's first few difficult, delightful years.  The music of Rhombal—his celebrated quartet with Tyshawn Sorey, Adam O'Farrill, Ellery Eskelin—unfolded after the death of his brother, Patrick, the one who first brought him into a band back in Memphis. And Slow Water, his latest project built with a drum-less sextet of fascinating New York artists, hinges on the Memphis native's experiences with bodies of water around the world, his lifelong love of nature, and his worry about and hope for our collective future.    “The acoustic bass is almost infinite as an instrument, sonically and expressively, but so much of that can get covered up in a traditional ensemble,” he said, turning toward his duos with saxophonist Steve Lehman and guitarist Mary Halvorson. “Those experiences gave me so much more room to explore the terrain of the instrument, its possibilities. That pushes you. It's the kind of scary environment you want to put yourself in.” When Crump talks about and teaches music, he doesn't discuss notes. Or rather, they are only the beginning, the technical basis for something that can and should be something much richer. Notes are vessels that the player then fills with their experiences, their ideas, their emotions, their essence.  These are gestures, at least as he has put it for many years now, the basis of the music he wants to put into and get out of the world. In some significant ways, this echoes his childhood in Memphis, where his Southern grandmother instilled the value of a story well told, and where he worked alongside his uncle building furniture—really, sculptures of wood—that they would sand until the material seemed somehow to shimmer. (Crump's music stand was made by his uncle, Stephen.) It wasn't just an object or a story; it was a piece of work you invested yourself in until it became art. “A note is an abstract notion, meaningless without all of the human, spiritual stuff you can channel into it,” Crump said. “A gesture has the physical element, a sense of offering, a reflection of our presence through each unfolding moment.” 

Episode Notes Baljeet expresses himself musically. Vanessa proves that with great power comes great responsibility. Coltrane is so important. Django plays the electric violin. Everyone develops radiation sickness from handling Pizzazium Infinionite. Truly, a Candace Party for the ages. Email us at: CandacePartyPodcast@gmail.com TikTok: @CandacePartyPodcast https://www.tiktok.com/@candacepartypodcast?is_from_webapp=1&sender_device=pc Instagram: @CandacePartyPod https://www.instagram.com/candacepartypod?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw== Well, back to my closet!

Church Growth; Impact of Relationship, Counselling, Clear Communication, Fellowship, Association as a Lay Pastor.Church growth is not just about numbers — it is built on strong relationships, sound counsel, and spiritual alignment.In this powerful and insightful teaching, Apostle Vincent Loate reveals how meaningful relationships and godly counsel shape the growth, health, and impact of the church. When believers are connected, guided, and aligned, the church becomes a force for transformation.

durée : 01:02:46 - L'histoire de la comédie musicale à travers le prisme du jazz. Entre légèreté et grands standards, retour sur les morceaux qui ont défini le genre, portés par les interprétations d'artistes tels que John Coltrane ou Eartha Kitt. - réalisation : Marjolaine Portier-Kaltenbach, Mathieu Durand, Denis Soula Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

THIS WEEK's BIRDS: John Coltrane w. Quartet; Alberto Favero salutes Coltrane; new music from Pier Bruera Trio; fado from Alberto Alves; from Bolivia: Trio Nanduti; also from Bolivia: Canela Palacios; Doña Onete from Brazil; pianist Marta Sanchez w. Maria Grand; vintage rock/pop from Zimbabwe: Mawonera Superstars, Congolese soukous/rumba from Bozi Boziana & Anti-Choc, as well as Mayaula Mayoni & also M Le Nganshie Strervos Niarcos; new music from Kalia Vandever; new music from Simon Hanes; Daughters of Donbas (fr4om Ukraine); Scandinavian improvisation/experimental jazz from Johnny Wartel w. Henrik Wartel, Matthias Landaeus & Georgia Wartel Collins; bop from Harold Vick; Filipe Zau & Filipe Mukenga (from Angola); Diaba Koîta (from Guinea) & Néné Soumano (From Mali); and yes, as ever.....so much, much, much more.... Catch the BIRDS live on Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI, 88.1 FM Ithaca/ 88.5 FM Odessa;. and WORLDWIDE online via our MUSIC PLAYER at WRFI.ORG. 24/7 via PODBEAN: https://conferenceofthebirds.podbean.com via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLIST at SPINITRON: https://spinitron.com/WRFI/pl/22187400/Conference-of-the-Birds and via the Conference of the Birds page at www.WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks Find WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR   NEW MAILING ADDRESS:  Stephen Cope  @ Conference of the Birds, POBOX 428, Tivoli, NY, 12583, USA. 

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APRIL IS JAZZ APPRECIATION MONTH! This April, we not only celebrate all things Jazz... but we celebrate specifically the centennial of not one but two Icons of Jazz Culture, Miles Davis and John Coltrane. Miles and Coltrane was a combination that just couldn't miss.. I mean they went together like peanut butter and jelly or tickle on a belly, like cheese on grits and like The Beatles had hits. All Young Jazz Lovers know their collective story and history and of course the music, the music, the music... yet never tire of indulging in the magic of their artistry one more once!  This episode of Jazzism (a katzpheno mix) is ALL TRANE... with a bit of Miles on the side. Face it, you cannot have one without the other. I also give a few worthy artists their due as they present the music of John Coltrane in their own unique way. So for you die hard Coltrane fans...this one's for you. Enjoy, Brian "Katzpheno" Phoenix featuring: John Coltrane - Giant Steps (1960) Kurt Elling - Resolution - A Love Supreme pt. 2 (2003) Gary Bartz - Your Lady (2012) Conrad Hervig & Brian Lynch - Lonnie's Lament (2003) John Coltrane - Equinox (1964) Art Farmer - Naima (1983) Giant Step NYC - Impressions (1994) Jack DeJohnette featuring Ravi Coltrane & Matthew Garrison - Alabama (2016) John Coltrane & Johnny Hartman - Autumn Serenade (1963) John Blake & Grover Washington, Jr. - Moments Notice (1992) John Coltrane - Blue Train (1957) Pharoah Sanders - Central Park West (1981)  

Chris flies solo today, without Mitzi on this Monday, but still manages to keep it (mostly) on the sunny side! Today, on National Tartan Day, and the year’s 250th anniversary of our Declaration of Independence, we explore the fascinating history and linkage between our Declaration, and the Scottish Declaration of Arbroath, along with a special bonus surprise anniversary connection of the “Triumphal Entry” of Jesus Christ on Apr 6, 32 AD (10th of Nisan) spoken of in all four Gospels! If the Son therefore shall make you free, ye shall be free indeed. – John 8:36 KJV Triumphal Entry – in all four Gospels! Mat 21:1–11 Mar 11:1–10 Luk 19:28–40 Jhn 12:12–19 From the National Tartan Day Time and Date page: The Scottish Declaration of Independence was signed on April 6, 1320. The American Declaration of Independence was, in fact, modeled on this particular document. Almost half of the signers of the American Declaration of Independence were of Scottish descent. The US Senate Resolution on National Tartan Day was passed on March 20, 1998. From that point onward, National Tartan Day was designated as a day for all Americans, particularly those of Scottish descent, on April 6 each year. From the summary of John King Bellassai’s Two Declarations with a Common Purpose: The Link between 1320 and 1776: Tartan Day in the United States is April 6th, which is also the anniversary of the signing of the 1320 Declaration of Arbroath. The significance of this date is the striking similarities in phrasing and intent between the Declaration of Arbroath and the Declaration of Independence. A key to understanding this link is the fact that the American Revolution came right on the heels of the Scottish Enlightenment. While Scottish immigrants were a small part of the general colonial population, their influence on the worldview held by the educated segment of the colonial population, most notably Thomas Jefferson was very influential. Several other key events including the fact that Jefferson's mother's family were of Scottish decent of one of the signers of the Declaration of Arbroath and his Scottish William & Mary professor William Small, whom Jefferson described as his mentor, most notably also played a role in the creation of the Declaration of Independence. Links Videos / Clips [x] = Played [x] Braveheart Theme with Highland Bagpipes (the way it should have been) [x] @josephtawadros “Thank you for replacing the Ayatollah…” [x] @cheesyandthebears and @troycaylak “America vs. Europe 2” [x] Braveheart – Motivational Speech – Inspirational Speech – William Wallace – HD Quality [x] Declaration of Arbroath [x] The 1320 Scottish Declaration of Arbroath Explained… [x] Braveheart: Scotland is Free (HD CLIP) NAR – The Series An Unholy Alliance With Israel – NAR the Series S01E02 [x] 0:00--7:04 Scottish Guy reads The DECLARATION OF ARBROATH for the first time Scotland's Origin Story – What You Never Realised about The Declaration of Arbroath Walter Williams: Why the Founders Did Not Want a Democracy – YouTube The Rest [x] = Mentioned / Discussed [x] Braveheart – Wikipedia Wars of Scottish Independence – Wikipedia First War of Scottish Independence – Wikipedia [x] Battle of Falkirk – Wikipedia [x] United States Declaration of Independence – Wikipedia [x] Declaration of Arbroath – Wikipedia Magna Carta – Wikipedia S.RES. 155 | Congressional Chronicle | C-SPAN.org Text – S.Res.155 – 105th Congress (1997-1998): A resolution designating April 6 of each year as “National Tartan Day” to recognize the outstanding achievements and contributions made by Scottish Americans to the United States. | Congress.gov | Library of Congress H.RES. 109 | Congressional Chronicle | C-SPAN.org Text – H.Res.109 – 107th Congress (2001-2002): Recognizing the anniversary of the signing of the Declaration of Arbroath and supporting the establishment of a National Tartan Day to recognize the outstanding achievements and contributions made by Scottish Americans to the United States. | Congress.gov | Library of Congress H.RES. 514 | Congressional Chronicle | C-SPAN.org Text – H.Res.514 – 108th Congress (2003-2004): Expressing the sense of the House of Representatives that a day should be established as “National Tartan Day” to recognize the outstanding achievements and contributions made by Scottish Americans to the United States. | Congress.gov | Library of Congress [x] John Adams, letter to William Tudor, Quincy (Jun 1, 1818) When general counsels and deliberations commenced, the objects could be no other than the mutual defence and security of every individual for his life, his liberty, and his property. To suppose them to have surrendered these in any other way than by equal rules and general consent was to suppose them idiots or madmen, whose acts were never binding. To suppose them surprised by fraud, or compelled by force, into any other compact, such fraud and such force could confer no obligation. Every man had a right to trample it under foot whenever he pleased. In short, he asserted these rights to be derived only from nature and the author of nature; that they were inherent, inalienable, and indefeasible by any laws, pacts, contracts, covenants, or stipulations, which man could devise. [x] John Adams, A Dissertation on the Canon and Feudal Law – Teaching American History In a word, let every sluice of knowledge be opened and set a-flowing. The encroachments upon liberty in the reigns of the first James and the first Charles, by turning the general attention of learned men to government, are said to have produced the greatest number of consummate statesmen which has ever been seen in any age or nation. The Brookes, Hampdens, Vanes, Seldens, Miltons, Nedhams, Harringtons, Nevilles, Sidneys, Lockes, are all said to have owed their eminence in political knowledge to the tyrannies of those reigns. The prospect now before us in America, ought in the same manner to engage the attention of every man of learning, to matters of power and of right, that we may be neither led nor driven blindfolded to irretrievable destruction. Nothing less than this seems to have been meditated for us, by somebody or other in Great Britain. There seems to be a direct and formal design on foot, to enslave all America. This, however, must be done by degrees. The first step that is intended, seems to be an entire subversion of the whole system of our fathers, by the introduction of the canon and feudal law into America. The canon and feudal systems, though greatly mutilated in England, are not yet destroyed. Like the temples and palaces in which the great contrivers of them once worshipped and inhabited, they exist in ruins; and much of the domineering spirit of them still remains. The designs and labors of a certain society, to introduce the former of them into America, have been well exposed to the public by a writer of great abilities; and the further attempts to the same purpose, that may be made by that society, or by the ministry or parliament, I leave to the conjectures of the thoughtful. But it seems very manifest from the Stamp Act itself, that a design is formed to strip us in a great measure of the means of knowledge, by loading the press, the colleges, and even an almanac and a newspaper, with restraints and duties; and to introduce the inequalities and dependencies of the feudal system, by taking from the poorer sort of people all their little subsistence, and conferring it on a set of stamp officers, distributors, and their deputies. But I must proceed no further at present. The sequel, whenever I shall find health and leisure to pursue it, will be a “disquisition of the policy of the stamp act.” In the mean time, however, let me add, — These are not the vapors of a melancholy mind, nor the effusions of envy, disappointed ambition, nor of a spirit of opposition to government, but the emanations of a heart that burns for its country's welfare. No one of any feeling, born and educated in this once happy country, can consider the numerous distresses, the gross indignities, the barbarous ignorance, the haughty usurpations, that we have reason to fear are meditating for ourselves, our children, our neighbors, in short, for all our countrymen and all their posterity, without the utmost agonies of heart and many tears. [x] H. L. Mencken – Wikiquote Every normal man must be tempted, at times, to spit upon his hands, hoist the black flag, and begin slitting throats. – Prejudices, First Series (1919) Ch. 6, “The New Poetry Movement” Audience Contributed [x] Magnus Magnusson – Wikipedia [x] Scotland : the story of a nation : Magnusson, Magnus : Free Download, Borrow, and Streaming : Internet Archive On This Day Events April 2026 Calendar of Public Holidays | Office Holidays Holidays and Observances in the United States in 2026 What day is it today? Important events every day ad-free | United States OTD On This Day – What Happened on April 6 Today in History: April 6, United States enters World War I | AP News What Happened on April 6 – On This Day What Happened on April 6 | HISTORY April 6 – Wikipedia What Happened On April 6 In History? 06 | April | 2020 | Executed Today Holidays Easter Monday National Tartan Day12345 Sorry Charlie Day – Fun Holiday Historical Events 2017 – U.S. military launches 59 Tomahawk cruise missiles at an air base in Syria. Russia describes the strikes as an “aggression”, adding they significantly damage US-Russia ties. 2016 – First baby born with DNA from three parents through mitochondrial transfer in Mexico 1994 – Rwandan genocide begins: The assassination of Rwandan President, Juvénal Habyarimana, and Burundian President, Cyprien Ntaryamira, killed when the jet they were riding in was shot down by surface-to-air missiles as it attempted to land in Kigali, Rwanda abruptly ending peace negotiations and sparking the Rwandan Genocide, triggered a mass slaughter of ethnic Tutsis with up to 1 million victims. Those responsible have never been identified. 1980 – Post-it Notes first sold: 3M begins sales of Post-it Notes. The canary yellow sticky pads quickly become one of the best-selling office supply products in history and a ubiquitous staple in schools and offices around the world. 1970 – Sam Sheppard, the inspiration for “The Fugitive,” dies: Sam Sheppard, a doctor convicted of murdering his pregnant wife in a trial that caused a media frenzy in the 1950s, dies of liver failure. After a decade in prison, Sheppard was released following a re-trial. His story is rumored to have loosely inspired the television series and movie The Fugitive. 1968 – Pierre Elliott Trudeau wins the Liberal Party leadership election, and becomes Prime Minister of Canada soon afterward. 1965 – First commercial communications satellite is launched: Intelsat I, also known as Early Bird, facilitated the first live TV broadcast of a spacecraft splashdown when Gemini 6 landed in the Atlantic Ocean. 1954 – Sen. Joseph R. McCarthy, R-Wis., responding to CBS newsman Edward R. Murrow's broadside against him on “See It Now,” claimed in remarks filmed for the program that Murrow had, in the past, “engaged in propaganda for Communist causes.” 1930 – At the end of the Salt March, Gandhi raises a lump of mud and salt and declares, “With this, I am shaking the foundations of the British Empire.” 1929 – Huey P. Long, Governor of Louisiana, is impeached by the Louisiana House of Representatives. 1924 – First successful around-the-world flight begins: A team of aviators begins the first round-the-world flight in history. Four aircraft left Seattle on a westbound route around the globe. 157 days later, two of them reached the same location. 1917 – World War I: The United States entered World War I as the House joined the Senate in approving a declaration of war against Germany that was then signed by President Woodrow Wilson. 1909 – North Pole Expedition: Robert Peary and Matthew Henson allegedly become the first people to reach the North Pole. Peary’s claim has never been verified and is widely contested. The first undisputed journey to the North Pole was the 1948 Soviet Sever-2 expedition. 1896 – First modern Olympic Games are opened in Athens, Greece: 241 athletes from 14 countries took part in the First Olympiad. The event took place over 1500 years after the last ancient Olympic Games, which originated in Olympia in south-western Greece. 1866 – The Grand Army of the Republic, an American patriotic organization composed of Union veterans of the American Civil War, is founded. It lasts until 1956. 1865 – American Civil War: [better known as the War of Eastern European banking aggression] The Battle of Sailor’s Creek: Confederate General Robert E. Lee’s Army of Northern Virginia fights and loses its last major battle while in retreat from Richmond, Virginia, during the Appomattox Campaign. 1862 – American Civil War: [better known as the War of Eastern European banking aggression] The Battle of Shiloh begins: In Tennessee, forces under Union General Ulysses S. Grant meet Confederate troops led by General Albert Sidney Johnston, as Confederate forces launched a surprise attack against Union troops, who beat back the Confederates the following day. 1860 – Mormon LDS cult: The Reorganized Church of Jesus Christ of Latter Day Saints, later renamed Community of Christ, is organized by Joseph Smith III and others at Amboy, Illinois. 1841 – John Tyler inaugurated as 10th U.S. President: John Tyler is sworn in as president. Tyler was elected as William Henry Harrison's vice president earlier in 1841 and was suddenly thrust into the role of president when Harrison died one month into office. He was the first vice president to immediately assume the role of president after a sitting president's untimely exit and set the precedent for succession thereafter. 1830 – Mormon LDS cult: Joseph Smith and others met in Fayette, New York, to form the Church of Christ — now known as The Church of Jesus Christ of Latter-day Saints. 1812 – British forces under the command of the Duke of Wellington assault the fortress of Badajoz. This would be the turning point in the Peninsular War against Napoleon-led France. 1808 – John Jacob Astor incorporates the American Fur Company, that would eventually make him America’s first millionaire. 1800 – The Treaty of Constantinople establishes the Septinsular Republic, the first autonomous Greek state since the Fall of the Byzantine Empire. (Under the Old Style calendar then still in use in the Ottoman Empire, the treaty was signed on 21 March.) 1772 – Beard… Tax…? Empress of Russia Catherine the Great ends the tax on men with beards, enacted by Tsar Peter the Great in 1698 1652 – Cape Colony, the first European settlement in South Africa, is established by the Dutch East India Company under Jan van Riebeeck 1320 – Tartan Day:12345 The Scots reaffirm their independence by signing the Declaration of Arbroath, the Scottish “Declaration of Independence”. The day is increasingly renamed Declaration Day, since 2016, and associated with events commemorating the Declaration of Arbroath and other aspects of Scottish history. Tartan Day has expanded into an entire Tartan Week in New York City and Angus, and into multi-day events in some other locations, including Washington, DC. The name Scotland Week has also been promoted in Scotland. The events typically have parades of pipe bands, Highland dancing, and other Scottish-themed activities. In 1998, the efforts of the coalition and the Caledonian Foundation (led then by JoAnne Phipps), with the legislative sponsorship of Senator Trent Lott, resulted in United States Senate Resolution No. 155 (introduced March 6, 1998) to adopt April 6 as National Tartan Day. The resolution passed March 20, 1998, “to recognize the outstanding achievements and contributions made by Scottish Americans to the United States”; it also referred to the predominance of Scots among the Founding Fathers of the United States and claimed that the American Declaration of Independence was “modelled on” the Scottish Declaration of Arbroath. The now quasi-official National Tartan Day was held annually thereafter; The Washington Times reported in 2000 on the event, by which time it was already growing into a three-day affair in Washington, DC. Births 1976 – Candace Cameron Bure, American actress (50) 1969 – Paul Rudd, American actor (57) 1964 – Tim Walz, American politician, Governor of Minnesota & vice presidential candidate (62) 1952 – Marilu Henner, Greek-Polish American actress and author (74) 1942 – Barry Levinson, American actor, director, producer, and screenwriter (84) 1937 – Merle Haggard, American singer-songwriter and guitarist (died 2016) 1937 – Billy Dee Williams, American actor, singer, and writer (89) 1931 – Ram Dass (Richard Alpert), American theosophist, cult leader (died 2019) 1671 – Jean-Baptiste Rousseau, French poet and playwright (died 1741) 1135 – Maimonides, Jewish philosopher, Torah scholar, physician and astronomer (March 30 also proposed, died 1204) Deaths 1992 – Isaac Asimov, American science fiction writer (born 1920) 1971 – Igor Stravinsky, Russian-American pianist, composer, and conductor (born 1882) 1528 – Albrecht Dürer, German painter, engraver, and mathematician (born 1471) 1520 – Raphael, Italian painter and architect (born 1483) 1199 – Lionheart Richard, The Stranger King: Richard I of England, King of England, also known as Richard the Lionheart. Richard the Lionheart, Robin Hood's king is considered one of the great English monarchs. Yet he cost his country a fortune and barely lived there. (born 1157) 2014 – Mickey Rooney, American soldier, actor, and dancer (born 1920) 2014 – Massimo Tamburini, Italian motorcycle designer, co-founded Bimota (born 1943) 2015 – James Best, American actor, director, and screenwriter, best known as the bumbling Sheriff Rosco P. Coltrane in the action comedy series The Dukes of Hazzard, which originally aired on CBS from 1979 to 1985. (born 1926) 2015 – Ray Charles – the other Ray Charles, American singer-songwriter and conductor (born 1918) 2017 – Don Rickles, American actor and comedian (born 1926) 2025 – Jay North, American actor best known for his role as the good-natured but mischievous Dennis Mitchell on the CBS situation comedy Dennis the Menace (1959–1963), based on the comic strip created by Hank Ketcham. (born 1951) Wikipedia Contributors. “Tartan Day.” Wikipedia, Wikimedia Foundation, 3 Apr. 2026, en.wikipedia.org/wiki/Tartan_Day. Accessed 5 Apr. 2026. ↩↩ “National Tartan Day 2026 in the United States.” Timeanddate.com, 2026, www.timeanddate.com/holidays/us/national-tartan-day. Accessed 5 Apr. 2026. ↩↩ “History of National Tartan Day”. NationalCapitalTartanDay.com. National Capital Tartan Day Committee. 2023. Retrieved July 31, 2023. ↩↩ “National Tartan Day” (PDF). Congressional Record – Senate. United States Senate. March 20, 1998. p. S2373. Archived from the original on January 8, 2022. Retrieved July 31, 2023 – via Library of Congress. ↩↩ Bellassai, John. Two Declarations with a Common Purpose: The Link between 1320 and 1776. Mar. 2022. Archived at National Capital Tartan Day, Issue Papers. www.nationalcapitaltartanday.com/issue-papers/. Accessed 5 Apr. 2026. ↩↩

durée : 00:59:28 - par : Nathalie Piolé -

durée : 00:59:52 - Old Black Magic - par : Nathalie Piolé -

In this episode of Backstage Bay Area, host Steve Roby interviews Dr. Eddie Henderson — a trumpet master, bandleader, and one of the few remaining links to Miles Davis's world. Born in San Francisco, Henderson's musical career started at 17 when Miles Davis stayed at his parents' house (his stepfather was Miles' doctor), introduced him to the legendary quintet, and ignited a lifelong love for jazz.Henderson shares remarkable personal stories: witnessing the Kind of Blue repertoire live with Coltrane, Cannonball Adderley, and Philly Joe Jones; receiving direct advice from Miles to "get your own sound"; and the unforgettable moment he silenced Miles by dropping the name Freddie Webster. He also opens up about his time with Herbie Hancock's Mwandishi band, his years playing alongside Art Blakey, and his current role as a trumpet instructor at Oberlin Conservatory.The conversation looks ahead to Eddie's upcoming performance at SF Jazz's Miles Davis Centennial Tribute at Miner Auditorium in San Francisco on March 21, where he'll lead a group performing the complete ‘Kind of Blue' album alongside drummer Lenny White and saxophonist Javon Jackson — both of whom have their own deep connections to Miles.Topics covered:Meeting Miles Davis at age 17 and seeing the first live performance of the Kind of Blue repertoireWhy Miles' music has endured — from modal jazz to Bitches Brew to hip hopMiles' philosophy: playing music vs. playing the instrumentThe famous "Freddie Webster" exchange and what it taught Henderson about finding your own voiceMiles as housemate, mentor, and comedianPerforming alongside Lenny White (Bitches Brew) and Javon Jackson at the SF Jazz tributeTeaching jazz at Oberlin and passing down the wisdom of MilesLinks & Info:SF Jazz Miles Davis Tribute — Saturday, March 21st, Miner Auditorium, San FranciscoTickets: sfjazz.org (shows nearly sold out at time of recording)Backstage Bay Area is your inside look at the Bay Area jazz scene. Subscribe and leave us a review if you enjoyed this episode.

2026 marks the 100th anniversary of the birth of John Coltrane, one of the most influential musicians in jazz history. Join guest host Rodney Stepp as we celebrate Coltrane's centennial by exploring his connections to Indiana Avenue.

2026 marks the 100th anniversary of the birth of John Coltrane, one of the most influential musicians in jazz history. Join guest host Rodney Stepp as we celebrate Coltrane's centennial by exploring his connections to Indiana Avenue. Indianapolis musicians were part of Coltrane's story from the very beginning. Coltrane credited the Naptown bandleader Joe Webb with providing one of his first professional gigs. Coltrane himself appeared on the Avenue at least twice during his career, including a week-long residency at the Chateau de Count & Eve. Join us for music exploring Coltrane's work with Naptown musicians including Joe Mitchell, Freddie Hubbard, J.J. Johnson, Ray Appleton, and Buddy Montgomery.

Coltrane Curtis, founder and CEO of Team Epiphany, joins Bilal Little to discuss how his agency evolved from pioneering influencer marketing to actively shaping culture for major brands. He explains how deep consumer understanding, aspirational storytelling, and authentic trust drive real impact in today's fragmented marketing landscape. Curtis highlights how Team Epiphany positions brands within culture through meaningful experiences and early insight into subcultures.

On this episode, Marc talks to Andy Beta, author of "Cosmic Music: The Life, Art, and Transcendence of Alice Coltrane," published in March of 2026. It's a thorough and insightful biography of the musician and her various lives as a prodigious young student, a seasoned jazz player, a wife and mother tightly bonded to her husband John Coltrane, and a swami who reached spiritual heights as a teacher and leader. Andy charts all of these versions of Coltrane while also providing close readings of her many amazing recordings.As he writes, "Even five years ago, it seemed unlikely that Journey in Satchidananda and the music of Alice Coltrane could ever be acknowledged or accepted by a wider audience...Yet I'm reluctant to classify Alice Coltrane as an example of a beloved artist going from obscurity to belated discovery. The stars are always above us, but the conditions on Earth must be right in order to fully glimpse their splendor. In that sense, Alice's "Cosmic Music" was always there, waiting for that moment when a new generation would be ready to hear its message."You can buy "Cosmic Music" here.We hope you enjoy Marc's conversation with Andy Beta!

https://www.johncoltrane.com/John Coltrane departed this mortal plane more than fifty years ago; today he remains among us, more alive than ever. His sound continues to grab the ears of an ever-widening circle of fans. His legend is stone solid: planted firmly in our culture as that of any 20th century musical giant. His saxophone sound—brooding, searching, dark—is still one of the most recognizable in modern jazz. His influence stretches over styles and genres, and transcends cultural boundaries. The modern ideal of music serving a deeply spiritual, connective purpose? A defining facet of John Coltrane.To Coltrane, a musician was a message-giver; making music was an endeavor tied to a larger, greater good. “I humbly asked to be given the means and privilege to make others happy through music,” Coltrane wrote in 1964 in a letter to his listeners, telling of a prayer to God. In 1966, less than a year before his death, he stated:“I know that there are bad forces, forces that bring suffering to others and misery to the world. I want to be the opposite force. I want to be the force which is truly for good.”Jazz journalist Nat Hentoff, who interviewed and championed Coltrane, praised him more soberly. “By the time A Love Supreme hit, Trane struck such a spiritual chord in so many listeners that people started to think of him as being beyond human. I think that's unfair. He was just a human being like you and me -- but he was willing to practice more, to do all the things that somebody has to do to excel. The real value in what John Coltrane did was that what he accomplished, he did as a human.”

A late-period Coltrane freak-out tops the bill this week!Playlist: John Coltrane - My favourite thingsJeff Lofton - The rhythmGordon Grdina Quartet - P.B.S.Hugo Blouin - Le baril geantJerry Granelli Trio - Solaria

The Pitt Season 2, Episode 7 keeps the emotional pressure high. A.Ron vows to treat Dr. Santos with empathy and officially retire the nickname “Coltrane” for Dr. Langdon. Meanwhile, Jim simply cannot stop predicting Dr. Robbie's imminent demise. The guys break down another hour that makes compassion complicated. Send us feedback at thepitt@baldmove.com. Hospital Cyberattack "Baby Jane Doe" Hey there!  Check out https://support.baldmove.com/ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts, for just $5 a month! Join the Club! Join the discussion:  Email | Discord | Reddit Follow us: Twitch | YouTube | Twitter  |  Instagram  |  Facebook Leave Us A Review on Apple Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

Toby Manning joins the Coming From Left Field Podcast to discuss his book, “Mixing Pop and Politics: A Marxist History of Popular Music,” a sweeping, theory-driven history of commercial popular music from the 1950s to today. Dr. Manning traces how popular music doesn't float above politics but is shaped by – and responds to – capitalism, class struggle, race, empire, and changing economic regimes from Fordism/New Deal social democracy to neoliberalism and austerity. Rather than a narrow history of “protest songs,” he reads big-selling hits and major genres (rock and roll, Motown, soul, reggae, punk, post-punk, hip-hop, grunge, electronic dance music, contemporary pop) as expressions of dominant ideology, resistance, and contradiction inside a profit-driven culture industry. Drawing on Marxist concepts such as alienation, ideology, and dialectics, he shows how music both reflects the world and helps people imagine alternatives. Toby Manning is a British writer, journalist, critic, and educator based in London. He describes himself as a “professional music geek.” Dr. Manning was born and grew up in North Wales and lived in various parts of the UK before settling in London. He holds a PhD in English and Creative Writing from The Open University, completed in 2015, and much of his later work has developed from his doctoral research. He has written for major UK music and cultural publications such as NME, Q, Mojo, The Word, The Guardian, The Quietus , New Statesman, Red Pepper, and The Big Issue. He has also contributed to journals and essay collections, including work on The Velvet Underground and Talking Heads.   Resources: Order the book: https://www.amazon.com/Mixing-Pop-Politics-Marxist-History/dp/1913462676  Twitter/X: @TobyManning Facebook: https://www.facebook.com/TobyLManning/ Spotify Playlists: https://open.spotify.com/playlist/6SzgjiHOtNowpny0zqkixQ?si=a0f8a7ad38f642a2 https://open.spotify.com/playlist/7As7CSf79iXtQ6p8SCNODL?si=e2bebc6ec514442d https://open.spotify.com/playlist/0mki0qN9TeIxiTn8kfZH1Z?si=923e5c9ee6154dc7   Greg's Blog: http://zzs-blg.blogspot.com/ Greg's Article on Coltrane: https://mltoday.com/coltrane-s-revolutionary-musical-journey/ Pat's Substack: https://patcummings.substack.com/   mixingpopandpolitics#marxisthistoryofpopularmusic#tobymanning#popmusicandcapitalism#marxismandmusic#historyofrockandroll#punkandpolitics#hiphopandclass#popularmusicideology#fordismandculture#neoliberalismandmusic#protestmusic#musicandsocialchange#musicandalienation#politicalmusichistory#PatCummings#PatrickCummings#GregGodels#ZZBlog#ComingFromLeftField#ComingFromLeftFieldPodcast#zzblog#mltoday

Christian continues the annual tradition of throwing himself a birthday party -- and this one is a milestone, as he celebrates 50 years with the OG Bladtcast crew of Agent Starling, Coltrance and Liev!

durée : 00:59:46 - All I Need - par : Nathalie Piolé -

Happy New Year! We're back to share our favorite albums of 2025! We have a collective pick and it shouldn't come as a surprise. Getting Killed by Geese has made most of lists and we concur. Song: Geese - “Au pays du cocaine”Grabbing the number 2 spot on Jay & Nick's list was Everything Must Go by Goose. It still does nothing for Greg. His number two pick was Never Enough by Turnstile.Song: Goose - “Give It Time”Jay's third pick was Sam Fender's People Watching, Nick chose MEGAGONG by DOOM GONG, and Greg chose Private Music by Deftones.Songs:Sam Fender - “People Watching”DOOM GONG - "Never Crossed My Mind"Then Greg remembers the late Brigitte Bardot and tells us about his Christmas night listening to Coltrane's last recorded performance.Songs:Serge Gainsbourg - “Bonnie & Clyde”John Coltrane - “My Favorite Things (The Olatunji Concert)”

A Sunday morning sermon by Pastor Brett Deal.Years ago, I heard Duke Ellington's Heaven for the first time, and it rocked my world. In middle school I'd stumbled across Ellington (a jazz album misplaced among the blues records), and since then I began to collect his compositions. I thought I knew his sound until Heaven. His soft recognizable piano playing is accented by a crisp soprano voice praying “Heaven come by,” sonically climbing up to the note. I sat there, enraptured by the song. The closest to that yearning for God's eternal presence was listening to Coltrane's Love Supreme a few years later. That was until last week.At an evening of jazz arranged by Taylor Barnett, where Steve Wilson and Daniel Clarke improvised Heaven, I found myself swept up again. All the fundamentals were there, but their interpretation made the song new, fresh, like a thunderbolt of worship. It wasn't just a saxophone and a piano. It was a testimony.Together, exploring the book of Revelation, we've sung the songs of eternity. We've exalted the Lamb of God who was slain for all nations (Revelation 7.9-12). We've praised the Lamb of God because we've been ransomed by His blood to bear prophetic witness to all nations (5.9-14; 11.3-13). Now in Revelation 12, we've reached the apocalyptic tipping point—Revelation's core—the place of worship where all time converges before God's throne. All of Scripture—from Genesis to Revelation— has been telling this one grand story, but now, in worship, we rejoice God's victory won over all time—past, present and future. “Now the salvation and the power and the kingdom of our God and the authority of his Christ have come, for the accuser of our brothers has been thrown down, who accuses [God's people] day and night before our God,” (12.10b). That's heaven, the eternal presence of God among His people, and looking and longing for that day we sing, “Heaven, my dream / Heaven, divine / Heaven supreme / Heaven come by.” 

durée : 01:00:02 - Who can I Turn to ? - par : Nathalie Piolé -

Tell Us How You Really FeelThe needle drops and the room changes—horns breathe, drums loosen, and a sampler starts talking back. We dive into the living thread between jazz and beat culture, from Congo Square and brass bands to dusty chops, off-grid drums, and the global scenes building tomorrow's standards today. The journey moves through the roots—rebellion, soul, spiritual release—into the eras of big band glory, commercial decline, and the underground that kept the flame alive until hip-hop cracked open the vault and let the swing back out.We explore how producers like DJ Premier, Pete Rock, J Dilla, Madlib, and Nujabes reintroduced jazz aesthetics to a new generation, turning horn riffs, Rhodes chords, and brushed cymbals into modern language. Along the way, we spotlight the cities and crews shaping the current wave: London's Yussef Dayes, Kamaal Williams, and Shabaka Hutchings; LA's Kamasi Washington and Terrace Martin; global innovators from Italy, Austria, Japan, and beyond. Labels and collectives like Jazz Is Dead bridge elders and explorers, proving the tradition evolves best when it's shared.Between records, we trade stories and facts that link technique to technology—Miles facing the band for deeper communication, Coltrane's relentless practice, Raymond Scott's early electronic machines, and how big band sessions birthed mic placement and room capture approaches that shaped modern studios and DAWs. Herbie Hancock reminds us that jazz is conversation: musicians, audience, and energy in constant exchange. Beat culture carries that forward—looping, bending, and improvising with machines as instruments. Ride with us, discover new artists and essential beat tapes, and feel the continuity: jazz never died; it reincarnated in the pads.If you felt the groove, subscribe, rate, and share with a friend. Drop a comment with your favorite jazz-sampled track and hit our Linktree to buy a tee shirt or buy us a coffee. Let's keep the lineage loud. Support the showEdited, Mixed and Mastered by GldnmndPodcast Website Link: The Rec Show PodcastSubscribe to Our YouTube Channel: Press Here

At the edge of the Canadian wilderness, where fog-drenched asphalt disappears into endless forest, the night shift is supposed to be silent. Uneventful. Predictable. But tonight, a lone border officer discovers that some travelers don't arrive by road…and some questions shouldn't be asked. In this eerie, slow-burn mystery from author Robert J. Bradshaw, a quiet outpost becomes the stage for something far stranger than contraband or suspicious paperwork. Reality bends, the familiar grows untrustworthy, and one man's routine shift spirals into a chilling encounter with the impossible. With Drew Blood guiding you through the darkness with his trademark grit and wit, this episode will leave you watching the shadows of the highway a little differently—and wondering what might be standing just beyond the reach of your headlights. To watch the podcast on YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bit.ly/ChillingEntertainmentYT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Don't forget to subscribe to the podcast for free wherever you're listening or by using this link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/DrewBlood⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you like the show, telling a friend about it would be amazing! You can text, email, Tweet, or send this link to a friend: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/DrewBlood⁠⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Saxophonist & composer John O'Gallagher joins Pablo Held to talk about sound and projection on the alto saxophone, his PhD research on late-period Coltrane, and how pitch-class set theory shapes his music. Other topics include stories behind the making of his new album ‘Ancestral’, playing together at Pablo’s ‘Alice Coltrane Tribute’ concert in Cologne, recording on Joe Henderson's big band album, memories of Andrew Hill, and much more.

durée : 00:59:34 - Banzzaï du vendredi 21 novembre 2025 - Miracles ! - rediffusion - par : Nathalie Piolé -

We are California dreamin' on this episode until Philip's ideal world is shattered by some devastating breaking news. Was it merely a mirage?

In this episode of the Smarter Not Harder Podcast, Coltrane Lord joins Boomer Anderson for a soul-expanding and deeply vulnerable conversation about psychedelic healing, feminine trauma, and what it means to reclaim sovereignty in the body through ancient rituals and sacred plant medicines. From MDMA therapy to ayahuasca in the Amazon, Coltrane's story is one of radical transformation, and a call to honor indigenous wisdom and women's healing in the modern psychedelic movement. Join us as we delve into: Why trauma lives in the body — and how to truly release it The difference between talk therapy and somatic psychedelic healing The importance of indigenous reciprocity in plant medicine work How the Wonderland Project serves women survivors with sacred medicine care This episode is for you if: You've tried therapy but still feel stuck in trauma cycles You're curious about psychedelics, but care about ethics and integration You want to support women's healing, sovereignty, and inner freedom You're ready to shift from coping to actual transformation You can also find this episode on…YouTube: https://youtu.be/w2-0Ker1vQQ Find more from Coltrane Lord:Website: https://lordcoltrane.com Wonderland Project: https://wonderlandproject.love Instagram: https://instagram.com/lordcoltrane Find more from Smarter Not Harder:Website: https://troscriptions.com/pages/podcast Instagram: https://instagram.com/troscriptions HOMeHOPe Symposium: https://homehope.org/homehope-symposium Get 10% Off your purchase of the Metabolomics Module by using PODCAST10 at https://www.homehope.org Get 10% Off your Troscriptions purchase by using POD10 at https://www.troscriptions.com Get daily content from the hosts of Smarter Not Harder by following @troscriptions on Instagram.

John Coltrane's A Love Supreme: Some call it the greatest album of the 20th century. Others say it isn't even Coltrane's best album ... of 1965. No matter where you think it sits in the jazz music canon, Coltrane's love letter to God is a masterpiece. We break it down track-by-track, chord-by-chord to uncover what makes this album such a rewarding listen from front to back.This week marks 99 years since Coltrane's birth. In his honor, we look back at this episode from 2024, where we listen deeply to what just may be Coltrane's magnum opus.Looking for more Coltrane? Here are 6 Songs To Turn Coltrane Curious Into Coltrane Converted: https://youtu.be/aSdNNTmL7YkStart your free Open Studio trial for ALLLLL your jazz lesson needs: https://osjazz.link/yhi 

In this episode, we sit down with Montana Mule Woman, Jessy Coltrane, for a wide-ranging and uplifting conversation you won't want to miss. From the antics of ferrets to the art of starting young colts, all the way to staying safe while riding and packing in grizzly bear country — Jessy brings her trademark positivity and depth of experience to it all.Jessy is an incredible horsewoman, mule trainer, and all-around outdoorswoman, and her can-do attitude is absolutely contagious. This is a heartfelt discussion about life, mules, and finding joy in the journey.

Brandee Younger is a groundbreaking harpist who has redefined the instrument's place in contemporary music. Younger will perform at Indy Jazz Fest on September 17.  A classically trained musician, Younger has cultivated a unique sound that fuses her classical training with elements of jazz, R&B, and hip-hop. Younger has collaborated with a wide range of artists including Pharoah Sanders, Ravi Coltrane, Common, John Legend, Kanye West, Meshell Ndegeocello and many others. In 2021, Younger released “Somewhere Different” on the historic Impulse! label, earning a Grammy nomination for Best Instrumental Composition — the first Black woman ever recognized in that category. Her 2023 album “Brand New Life” celebrated the legacy of harp pioneer Dorothy Ashby and won the 2024 NAACP Image Award for Outstanding Jazz Album. Throughout her career, Younger has worked to promote and celebrate the work of jazz musician Alice Coltrane and on her new album “Gadabout Season” Younger is performing on Coltrane's harp. Listen to Younger's interview with WFYI's Kyle Long this week on Cultural Manifesto.

There is no more important relationship in this era of music than that of Miles Davis and John Coltrane; two masters ever-present in the musical and cultural landscape. Someday My Prince Will Come marks the last time Coltrane and Davis played together, and it couldn't be more perfect.We dive into how their partnership played out on stage and in the recording studio over the years, and how their dynamic on Someday My Prince Will Come marks a handoff from '50s jazz to the rock and roll sound of the '60s, with Coltrane leading the way.And Miles Davis, even more so than a masterful trumpet player or composer, was a tastemaker. From the musicians he picked, to the chord changes, to his choice of album art, we explore how this record brings it all together in one phenomenal package.

As most of you know, our Patreon audience has the INSIDE access to the KF Show. The year 2025 will be an important one for Patreon specifically and if you'd consider jumping up to the $5 level it would sure help. The $10 level will remain and we now have a brand new $20 level as well! All members who join at that level will receive a sticker swag pack in the mail, you'll be IMMEDIATELY entered in the monthly prize grab, and you'll receive a phone call from one (or all) of us to chat up whatever you want for 30 minutes! Thank you SO MUCH to those of you who have joined in for the extra content that is only for Patreon supporters. To get in on the action and support the show with a minor financial contribution just click the link below to sign up. Join up via Patreon at patreon.com/KFSHOW ======================================== Presented with Holley - Back for 2025! Phase 3 of Kibbe and Friends is officially here, and Holley is back for more fun, foolishness, and flying orange Chargers! Once again we're proud to be associated with the historic name that has made cars fast for years and years, and their innovations continue forward (as always)! Make sure that you visit Holley.com to place your speed parts orders - and THANK THEM for continuing on as the Title Sponsor of the KF Show! ======================================== Ron Francis Wiring Brings you the Celebrity Automotive Birthday! https://www.ronfrancis.com ======================================== Dallas Kibbe Racing Update! To follow Dallas Kibbe Racing you can watch his stats and other racing information here. Check it out! https://www.facebook.com/DallasKibbeRacing https://www.instagram.com/dallaskibbe_13/ https://www.tiktok.com/@dallaskibbe_13 MyRacePass.com/drivers/178661. ======================================== Dukes Review: For the record, we chose this episode because Corndog wants to pile on that CEO and that HR lady that have made infidelity the most popular public shaming event since the invention of the internet Meme. We also learn that the P in Rosco P Coltraine stands for Pervis. This episode starts with an upside down smashed GL….and just gets better. Rosco p Coltrane gets the CEO Treatment by a well built mail order bride, and it's the oldest trick in the book: young woman with a husband and crony convince a Sheriff to get him out of the way so Boss Hogg can be conveniently robbed while everyone is attending a wedding. In the midst we see the General get totalled, untotalled, retotalled, untotaled, and then retotaled again (only to then be replaced by a horse). The sloppiness of automotive continuity in this episode is awful, and that's what makes it so right - plus the stunts are off the chart. Oh, and the saying The Lord Helps Those That Help Themselves…..that's not actually in the Bible. Might be in the US Constitution though. Or possibly National Treasure. Rating: 10 (of 10) Corndogs ======================================== National Parts Depot Presents: Bernie on the News! https://www.npdlink.com. The post K&F Show #335: Getting a Win for Your Bro; Public Infidelity Dukes Review: S3E08 “Mrs Rosco P Coltrane” first appeared on The Muscle Car Place.

HUGE Summer Sale! Get 50% off all annual plans at Open Studio and take your playing to the next level: https://link.youllhearit.com/summer John Coltrane's Giant Steps isn't just a jazz classic — it's a rite of passage. Peter Martin and Adam Maness dig into what makes the album so technically punishing and emotionally electrifying. From the iconic solo on the title track to the symmetrical harmonies, the lightning-fast chord changes, the fiery swing of Cousin Mary, and the full-throttle chaos of Countdown, they unpack the brilliance, the feel, and the mythology. Whether you've studied this album or are hearing it with fresh ears, you'll come away understanding Coltrane — and Giant Steps — like never before.You'll hear:- Adam's deep dive into Coltrane's use of symmetrical harmony and lightning fast chord changes — and why it still stumps players today- A glimpse into Coltrane's early years with Miles Davis and Dizzy Gillespie- The truth about Tommy Flanagan's controversial solo — was he lost or just playing it cool?- How Giant Steps became the tune every jazz musician has to face- Apex moments, desert island tracks, and a spirited debate: is Giant Steps better than Kind of Blue?

What can the music of John Coltrane tell us about the relationship of  art to God, and of our own work in general to God? We can all learn quite a lot from Coltrane, actually. And what we can see in his approach to his music applies not just to musicians and artists, but to us all. In this open forum, 1) Tim Keller shares two things we can learn from Coltrane, 2) John Patitucci, a jazz bassist and composer, discusses Coltrane's music, and 3) Keller and Patitucci hold a question-and-answer time with their audience. This talk was given by Dr. Timothy Keller at Redeemer Presbyterian Church on April 9, 2007. Series: Redeemer Open Forums. Scripture: Ecclesiastes 2:17-26. Today's podcast is brought to you by Gospel in Life, the site for all sermons, books, study guides and resources from Timothy Keller and Redeemer Presbyterian Church. If you've enjoyed listening to this podcast and would like to support the ongoing efforts of this ministry, you can do so by visiting https://gospelinlife.com/give and making a one-time or recurring donation.

When blues powerhouse Albert Castiglia crossed paths with Bill Murray, neither could have predicted the musical partnership that would follow. In this captivating conversation with Greg Koch, Castiglia pulls back the curtain on how a Hollywood legend became his unexpected bandmate through a series of serendipitous connections that began with Murray's brother John."If Bill Murray wants to play in your band, you let him in your band," Castiglia remarks with characteristic humor. But beneath the celebrity factor lies a genuine musical connection that has taken them from intimate clubs to prestigious venues like Red Rocks. Far from seeking the spotlight, Murray approaches their collaboration with refreshing humility, insisting on equal billing and content to play percussion while occasionally stepping forward for a song. The audience response has been electric, with fans sometimes appearing in Ghostbusters costumes, moved to tears by Murray's magnetic stage presence.Castiglia's own journey through the blues landscape reveals the persistence required to build a sustainable career. From his early influences (discovering blues through Clapton and Johnny Winter's productions with Muddy Waters) to navigating the catch-22 of needing both a record deal and booking agent simultaneously, he speaks candidly about industry challenges. After cycling through five agencies, finding the right representation finally allowed him to expand from 100 shows annually to between 150-200 performances a year.The conversation touches on deeper themes of artistic growth, with Castiglia recently incorporating Coltrane's "Afro Blue" into his setlists after being inspired by Derek Trucks. He also reflects on lifestyle changes that have sustained his longevity, embracing sobriety after COVID and taking up boxing and Kung Fu to maintain his energy for grueling tour schedules. "I do this for the memories," he explains, capturing the essence of why musicians endure the hardships of the road.Ready to experience a genuine conversation between two musicians who've weathered decades in the business? Subscribe now and join us for more candid talks with roots music's most compelling voices.