Podcasts about coltrane

Coltrane Lord is a Psychedelic Integration Specialist, Artist-Healer, and Foundress of Wonderland Project, a nonprofit organization that connects marginalized women who suffer PTSD due to domestic violence, rape, or sexual exploitation to trauma informed psychedelic plant medicines care and integration.Coltrane is interested in the intersection of spirituality and science, ancient wisdom for modern times, and how our unique perspectives can merge to elevate the soul of humanity & reverence for the planet. More in depth info:wonderlandproject.lovelordcoltrane.com

When blues powerhouse Albert Castiglia crossed paths with Bill Murray, neither could have predicted the musical partnership that would follow. In this captivating conversation with Greg Koch, Castiglia pulls back the curtain on how a Hollywood legend became his unexpected bandmate through a series of serendipitous connections that began with Murray's brother John."If Bill Murray wants to play in your band, you let him in your band," Castiglia remarks with characteristic humor. But beneath the celebrity factor lies a genuine musical connection that has taken them from intimate clubs to prestigious venues like Red Rocks. Far from seeking the spotlight, Murray approaches their collaboration with refreshing humility, insisting on equal billing and content to play percussion while occasionally stepping forward for a song. The audience response has been electric, with fans sometimes appearing in Ghostbusters costumes, moved to tears by Murray's magnetic stage presence.Castiglia's own journey through the blues landscape reveals the persistence required to build a sustainable career. From his early influences (discovering blues through Clapton and Johnny Winter's productions with Muddy Waters) to navigating the catch-22 of needing both a record deal and booking agent simultaneously, he speaks candidly about industry challenges. After cycling through five agencies, finding the right representation finally allowed him to expand from 100 shows annually to between 150-200 performances a year.The conversation touches on deeper themes of artistic growth, with Castiglia recently incorporating Coltrane's "Afro Blue" into his setlists after being inspired by Derek Trucks. He also reflects on lifestyle changes that have sustained his longevity, embracing sobriety after COVID and taking up boxing and Kung Fu to maintain his energy for grueling tour schedules. "I do this for the memories," he explains, capturing the essence of why musicians endure the hardships of the road.Ready to experience a genuine conversation between two musicians who've weathered decades in the business? Subscribe now and join us for more candid talks with roots music's most compelling voices.

Un programa especial dedicado al recientemente fallecido Al Foster, uno de los baterías mas importantes de la historia del jazz. Sus participaciones en innumerables grabaciones hacen dificil una recopilación de sus mejores momentos, así que me he limitado a buscar en mi colección de discos aquellos en los que la participación de Foster ha sido decisiva. En primer lugar no podia faltar su primera sesión de grabación, realizada con el trompetista Blue Mitchell allá por 1964. A partir de ahí, la selección ha sido cronológica pero muy personal. El disco 'Biting The Apple' (1976) de Dexter Gordon, el 'So in love' (1979) de Art Pepper, una joya de Tete Montoliu llamada Wanna Talk About You (1980) o uno de los mejores discos a trio de la historia, el 'Giant Steps' (1982) de Tommy Flanagan. No podía faltar Miles Davis, con un tema extraido de 'Amandla' (1989) donde participó Al, así como el precioso disco de Joanne Brackeen 'Fi fi goes to heaven' (1987) o, para cerrar en alto, el homenaje a Coltrane de McCoy Tyner 'McCoy Tyner Plays John Coltrane - Live at the Village Vanguard' (2001). Todas estas grabaciones tienen un denominador común: la destreza y el swing a las baquetas del gran Al Foster.

The spiritual and the sensual find common cause in the music of Brandee Younger. As the world’s leading improvising harpist, she carries a torch for Alice Coltrane, whose astral meditations continue to light a path. But there’s also a place in Younger’s art for playfulness, even mischief — as she reminds us with Gadabout Season, her third album for Impulse! Records. Before a recent show at Solar Myth, part of Ars Nova Workshop’s 25th anniversary season, Younger sat down with The Late Set for this fun and far-ranging conversation. Weeks later, she’d be named a Doris Duke Artist and play Coltrane’s harp in a tribute at Carnegie Hall — making “New Pinnacle,” the title of a song on the new album, feel like a statement of fact.Support WRTI: https://bit.ly/2yAkaJsSee omnystudio.com/listener for privacy information.

STANDARS SEMANAL.-771.Gee,Baby,Ain´t I Good to You.-VINILOS MITICOS DEL JAZZ.-JOHN COLTRANE - Blue Train.-JAZZACTUALIDAD.-.ANA PEREIRA-BAILA LA LLUVIA Blue Train es un álbum de estudio delsaxofonista y compositor de jazz John Coltrane . Fue lanzado a través de Blue Note Records en enero de 1958. [ 1 ] Es la única sesión de Coltrane como líder para Blue Note. [ 8 ] La grabación tuvo lugar en el estudio de Rudy Van Gelder el 15 de septiembre de 1957. Coltrane compuso cuatro de los cinco temas del disco. Su interpretación exhibe elementos tempranos del estilo característico por el que posteriormente se hizo conocido. Blue Train obtuvo la certificación de oro en ventas de la Asociación de la Industria Discográfica de Estados Unidos (RIAA) en 2001.El álbum se grabó durante la residencia de Coltrane en el Five Spot como miembro del cuarteto Thelonious Monk . El equipo incluye a los compañeros de banda de Coltrane en Miles Davis , Paul Chambers al bajo y Philly Joe Jones a la batería, quienes ya habían trabajado con el pianista Kenny Drew . Tanto el trompetista Lee Morgan como el trombonista Curtis Fuller eran músicos de jazz prometedores, y ambos fueron miembros de Jazz Messengers de Art Blakey en su momento. A diferencia de su anterior sello, Blue Note pagó a los músicos para que ensayaran la música durante un par de días antes de la sesión de grabación. La forma de tocar de Coltrane muestra la evolución hacia lo que se convertiría en su estilo característico. Sus solos son más armónicos o verticales y sus líneas son arpegiadas. Su ritmo a menudo se desmarcaba del tiempo o lo superaba, en lugar de tocar sobre él o por detrás. [ 9 ] Durante una entrevista en 1960, Coltrane describió Blue Train como su álbum favorito hasta ese momento. [ 13 ] El siguiente gran álbum de John Coltrane, Giant Steps , grabado en 1959, abriría nuevos caminos melódicos y armónicos en el jazz, mientras que Blue Train se apega al estilo hard bop de la época. El musicólogo Lewis Porter también ha demostrado una relación armónica entre «Lazy Bird» de Coltrane y « Lady Bird » de Tadd Dameron . [ 14 ] [ 15 ] Mientras estaba en el podcast "Traneumentary" de Joe Vella, Michael Cuscuna , el productor de reediciones de Blue Note , comentó: Estamos escuchando "Blue Train", que para mí es una de las piezas más hermosas de uno de los discos más hermosos que Coltrane grabó en los cincuenta. Es su primera declaración de madurez real, y escribió todos los temas de este álbum menos uno, algo muy poco común en los cincuenta, y cada uno es una joya, en particular el tema principal, "Blue Train". Y aunque es bastante fácil tocar blues, este tiene una cualidad suspendida y evocadora. Ana Pereira presenta su primer trabajo discográfico "Baila la lluvia" (Sedajazz Records), una reinterpretación del bolero desde una perspectiva personal y contemporánea. Acompañada por Isaac Martín (bajo y dirección musical), Daniel Orts (piano) y Tico Porcar (batería), fusiona este género con el jazz y otras músicas, aportando una visión fresca y actual de un género que se convierte así en atemporal. Su voz delicada, elegante y expresiva, y los arreglos sofisticados interpretados por el genial trío que la acompaña, consiguen que el directo sea toda una experiencia íntima y envolvente que transporta al público a través del tiempo en una conexión pasado-presente con la música como compañera de viaje.

A re-release of our 2022 interview with Leo Coltrane. Please check out his newest project here.Leo Coltrane joins Stephanie and Angela to talk about making music, world travel, and counting quiet moments as art: "this too". As a Brooklyn native, born into an artistic family, Leo spent a decade in LA working on many music video sets before returning to New York. To find out more about Leo and his projects please visit leocoltrane.comLeo's song Silence closes this episode.Original Music by: Yah Supreme (Yahya Jeffries-El)

Lekker groovy swingwerk van Wes and Jimmy, een vooruitblik op het concert in Jazzpodium de Tor, een klassieker van Coltrane en een heleboel ander moois in dit tweede uur All That Jazzz @1Twente Radio.

500-ojoje „Kito laiko“ laidoje – rubrika „Kai klasika įkvėpė popmuzikos dainius“, o joje Johano Pachelbelio Kanonas D-dur, virtęs tikra popmuzikos kliše. O taip pat, 60 metų legendinei Johno Coltrane'o dvasinio džiazo siuitai „A Love Supreme“, išleistai 1965-aisiais. Kodėl iki šių dienų tai laikoma vienu svarbiausių muzikos albumų istorijoje?Ved. Domantas Razauskas

Sintonía: "Forty Quarters" (Sulieman) - Art Farmer, Donald Byrd e Idrees Sulieman"Palm Court Alley" (Sulieman), "Who´s Who" (Art Farmer) y "Diffusion of Beauty" (Hod O´Brien), extraídas del álbum "Three Trumpets" (Honey Pie Records1957) de Art Farmer, Donald Byrd e Idrees SuliemanTodas las músicas compuestas e interpretadas por Art Farmer, Donald Byrd e Idrees Sulieman"Dahomey Dance" y "To Her Ladyship" (Bonus track) extraídas del álbum "Olé" (Atlantic, 1961/Waxtime Recors, 2014) de John ColtraneTodas las músicas compuestas e interpretadas por John ColtraneEscuchar audio

STANDAR SEMANAL.-Watermelon Man-VINILOS MITICOS DEL JAZZ.-Gato Barbieri - Caliente!.-JAZZACTUALIDAD..YURI STORIONE-BRISA ANDALUZA “Caliente”, el álbum que recomendamos hoy aquí, refleja con toda la pasión posible, la manera de entender el jazz de este gran músico. La portada del disco ya indica la fuerza del mismo; Gato entre llamas grabando un disco caliente versionando la música de dos colosos de la música: Carlos Santana y Marvin Gaye. Entre los nueve temas del álbum, algunos han quedado para la posteridad como autenticas obras de arte jazzísticas destacando: “Fiesta”; “Detrás de la lluvia”, “Los Desperados” y “Europa” fundamentalmente. Música emocional, a contracorriente del momento histórico cuando se grabó; áspera y dulce al mismo tiempo; seductora y expresiva, latina y europea al mismo tiempo. Así fue Gato y así fue su música. Reproducimos a continuación una historia contada por el añorado y querido maestro Juan Claudio Cifuentes en su obra “El Gran Jazz” Volumen 5. (ediciones del Prado-1995) en relación con el primer encuentro físico entre John Coltrane y Gato Barbieri (Maestro y discípulo) en París. Escribía Cifu:…..”El descubrimiento de la música de John Coltrane a través de los discos tuvo efectos decisivos en la formación de un saxofonista argentino, Leandro “Gato” Barbieri. Poco antes de abandonar Argentina par instalarse en Europa – donde tocaría y grabaría con Don Cherry, convirtiéndose en uno de los abanderados del free jazz-, quiso enviar a Coltrane un regalo por medio de un amigo, para darle las gracias por todo lo que su música le había aportado. Se trataba de un soberbio estuche para saxo tenor, en cuero verde, totalmente hecho a mano, revestido de seda en su interior, con la palabra TRANE grabada en letras de oro sobre la cubierta, ofrecido por Gato y su esposa Michelle. El estuche fue entregado a Coltrane, pero sin conocer en absoluto la identidad del expedidor, pues Barbieri se había contentado con indicar: “De parte de un amigo de Buenos Aires”. Al año siguiente los Barbieri se instalaron en Roma. Cuando se enteraron de que Coltrane iba a tocar en Milán, fueron allí a escucharlo. Al acabar el concierto se acercaron al camerino para conocerle. Allí, en un rincón, vieron el estuche que le habían enviado. “¡Ah! así que sois argentinos”, exclamó Coltrane cuando fueron presentados. Y , señalando con el dedo el famoso estuche, dijo: “Precisamente es un argentino quien me ha hecho el regalo. Lo utilizo siempre”. Cuando Barbieri reveló que él era el argentino en cuestión, Trane le dio las gracias efusivamente. Después, con tanta seriedad como humor, añadió: “¿Crees que podrías enviarme otro para el soprano?”. Desvelando una armoniosa fusión de Flamenco y Jazz Estimados y distinguidos oyentes, bienvenidos a una experiencia musical sin igual que trasciende fronteras, géneros y expectativas. Dentro de los límites de mi última obra musical yace una fusión de Flamenco y Jazz: una simbiosis de dos mundos musicales distintos que convergen para crear algo verdaderamente extraordinario. Prepárense para ser cautivados, embelesados y transportados mientras los invitamos a un viaje a través de los ritmos dinámicos, las melodías conmovedoras y las actuaciones apasionadas que definen nuestro conjunto. Flamenco Jazz: donde la pasión encuentra la innovación Flamenco Jazz es una fusión dinámica de las melodías apasionadas del flamenco y el estilo improvisado del jazz. Este género reúne los ritmos emotivos de los instrumentos tradicionales del flamenco con las complejidades armónicas de los conjuntos de jazz, resultando en una experiencia musical cautivadora. En el Flamenco Jazz, los músicos exploran la interacción entre la expresión apasionada del flamenco y el espíritu improvisado del jazz. Este género trasciende fronteras, uniendo a audiencias de diversos orígenes con sus actuaciones electrizantes e improvisaciones espontáneas. Desde las composiciones innovadoras de Paco de Lucía hasta las exploraciones desafiantes de artistas contemporáneos, el Flamenco Jazz continúa evolucionando, inspirando a músicos y audiencias en todo el mundo. Experimenten la fusión de la pasión y la innovación en el Flamenco Jazz: una celebración del intercambio cultural y la expresión creativa que no conoce límites. Sobre nosotros Nuestra banda es un testimonio del poder de la colaboración, la creatividad y el intercambio cultural. Compuesto por músicos virtuosos procedentes de diversos ámbitos, nos hemos unido bajo una visión común: explorar la intersección del Flamenco y el Jazz, insuflando nueva vida a tradiciones centenarias y forjando conexiones que resuenen en todos los continentes. Con cada miembro aportando una perspectiva y habilidades únicas, nuestro conjunto encarna el espíritu de la innovación y la expresión artística. Agradecimientos Extendemos nuestro más profundo agradecimiento a todos aquellos que han contribuido a la realización de este proyecto: nuestros patrocinadores, colaboradores, seguidores y seres queridos. Su creencia inquebrantable en nuestra visión y su apoyo constante han alimentado nuestro viaje creativo e inspirado a superar los límites de la expresión artística. Especial agradecimiento al Canton Basel-Stadt Basel-Land Jazz Förderung, a Bonnie Nozawa, a Ralf Andreas Thoma y a Ruedi Flückiger por el apoyo para producir este disco. Temas 1. Brisa Andaluza (Bulería) 2. What`s new (Seguriya) 3. Antonia 4. Tientos de la miel 5. Tango de la lluvia 6. A mi madre (Alegría)

Varada Sethu joined Woman's Hour to talk about stepping into the iconic role of the Doctor Who companion. She tells Datshiane Navanagayam how she went from a guest star to landing the role of Belinda Chandra, why this character feels like her most personal yet, and what it means to her to bring cultural authenticity to the Tardis. With a background in science, classical dance, and Star Wars fandom, Varada brings a fresh energy to the Whoniverse.Grace Davidson was a teenager when she was diagnosed with a rare condition that meant she did not have a uterus. But, following a transplant using her sister's donated womb, she gave birth earlier this year to baby Amy. Nuala McGovern speaks to Isabel Quiroga, the surgeon who led the transplant team at the Churchill Hospital in Oxford, and to Lydia Brain, who is currently on the waiting list for a womb transplant.Emily MacGregor is a music historian and trombonist. After the sudden death of her father, a jazz guitarist, she found she wasn't able to bear the sound of music. The very thing that once connected them became a source of pain and silence. In her new book, While the Music Lasts, she explains how she reconnected with her father through the pieces left on his music stand, from tangos to Handel, Cádiz to Coltrane. She joined Nuala to talk about how she learnt to navigate grief and how she discovered the joy of music again.BBC2's Saving Lives in Cardiff is back on our screens from tonight. Based in the largest hospital in Wales, University Hospital in Cardiff, the series highlights the weight of difficult, sometimes life and death decisions surgeons make about who to prioritise next. The first episode follows Dr Indu Deglurkar, a cardiac surgeon, one of only 19 women in this role in the UK. She tells Nuala about the pressures and joys of her job.Have you been watching The White Lotus? The season three finale aired this week and one of the key themes that's had fans talking has been female friendship. It's left us wondering - is three a crowd? In the show the dynamic plays out between a trio of friends Jaclyn, Kate and Laurie, played by Michelle Monaghan, Leslie Bibb and Carrie Coon, who alternate between loving and loathing one another. So can friendships between three people work? TV critic Rachael Sigee and relationships writer at the Independent Olivia Petter joined Nuala McGovern.Presenter: Nuala McGovern Producer: Annette Wells Editor: Sarah Jane Griffiths

A new type of drug for one of the most common types of breast cancer is now going to be available in the NHS in England. In Wales, the drug is approved for use but its funding is still to be decided, and the drug hasn't been approved for use in Scotland and Northern Ireland yet. Some 3,000 women a year could benefit after a clinical trial showed it can slow the progression of the disease. Nuala McGovern discusses how the drug works and who could benefit with Dr Liz O'Riordan, a former breast cancer surgeon who herself has had breast cancer and is currently in remission.Emily MacGregor is a music historian and trombonist. After the sudden death of her father, a jazz guitarist, she found she wasn't able to bear the sound of music. The very thing that once connected them became a source of pain and silence. In her new book, While the Music Lasts, she explains how she reconnected with her father through the pieces left on his music stand, from tangos to Handel, Cádiz to Coltrane. She joins Nuala to talk about how she learnt to navigate grief and how she discovered the joy of music again.Between 2021 and 2022 the number of women having abortions rose by 17%. A recent study in the BMJ reported that, amongst women having abortions, the number of women using hormonal contraception fell from 18.8% in 2018 to 11.3% in 2023. Over the same period, the number of women undergoing abortions who were not using any contraception when they conceived went up by 14%. So are women turning their backs on hormonal contraceptives? Does this change lie with the contraceptives themselves, women's access to contraception or could there be other factors like the increase in the use of fertility apps? Nuala speaks to Dr Paula Briggs, Consultant in Sexual & Reproductive Health, and journalist Barbara Speed.In 2014, the Church of England passed the necessary laws to allow women to become bishops. For some, this was a controversial decision. In an attempt to smooth that change the five guiding principles were introduced which allowed those who felt unable to accept women's ministry to flourish within the church. Now WATCH, Women and the Church, are calling for those provisions to be removed. Nuala speaks to Reverend Martine Oborne, Chair of WATCH, and Dr Ros Clarke, Associate Director of Church Society. Presenter: Nuala McGovern Producer: Emma Pearce

In episode 16, we go deep with Coltrane Lord. Coltrane is a psychedelic integration specialist, artist, and healer. We trace Coltrane's personal journey from trauma to transcendence, her transformative experiences with plant medicines, and the founding of the Wonderland Project, a nonprofit organization that connects marginalized women suffering from PTSD due to domestic violence, rape, and sexual exploitation to trauma-informed psychedelic care. We look at the importance of safe and sacred psychedelic practices, honoring indigenous cultures, and the broader implications for women's healing and empowerment through psychedelics. Coltrane also shares the inspiration behind her Eden Experience, an artistic project aimed at empowering women to reclaim their bodies and heal through creative expression.   Learn More About Coltrane Lord: https://www.lordcoltrane.com/ https://www.wonderlandproject.love/   Connect with Carla:If you're inspired by this episode and want to stay connected, follow Carla and Psychedelic Divas on social media or visit the website to get your Psychedelic Safety Guide Including What to Do When Things Go Wrong: Website: https://psychedelicdivas.com/ Carla's Coaching: https://carladetchon.com/ Instagram: https://www.instagram.com/psychedelicdivas YouTube: https://www.youtube.com/@carladetchon Subscribe & Review: If you enjoyed this episode, please subscribe, rate, and review Psychedelic Divas. Your support helps amplify these important conversations and grow.

This week's episode will have you feeling like a stranger in a strange land when you listen to the best podcast about John Coltrane and the 232nd greatest album of all time, Giant Steps.   Before we get to the music, we'll help you get hella full with some pancake preparation tips straight from a random grocery store clerk. We also enjoy some record store zen featuring new and used albums. Then we provide some travel tips for all of you heading to Ireland and Costa Rica...passport, pants, and electrolytes....you may want to write that down.    Then, at (55:00), we turn this taco truck into a Ferrari and become the best jazz podcast by breaking down John Coltrane's seminal jazz album. We discuss Coltrane's devotion to jazz music, chord changes, and the fastest songs of all time.    Next week's episode is certain to include many previous things when we become the best Tori Amos podcast and cover her debut studio album, Little Earthquakes.

Michelle Coltrane and Maggie LePique discuss her Mother, Alice Coltrane and the year-long celebration currently underway that's being called “The Year of Alice.”This celebration spans 2024-2025 and features previously unreleased music and reissues, brand new community programming, a multimedia museum exhibit, specially curated concerts, newly choreographed ballet works and much more.Jazz musician, composer, bandleader and spiritual and devotional leader, Alice Coltrane was born in Detroit, Michigan in 1937 to Solon and Annie McLeod, the fifth of six children. By the age of nine, she played organ during services at Mount Olive Baptist church.In the early 60's she began playing jazz as a professional in Detroit with her own trio and as a duo with vibist Terry Pollard.Alice Coltrane would go on to collaborate and performed with Kenny Clarke, Kenny Burrell, Ornette Coleman, Pharaoh Sanders, Charlie Haden, Roy Haynes, Jack DeJonette, Carlos Santana and more.Mrs Coltrane's interest in gospel, classical, and jazz music led to the creation of her own innovative style. Her proficiency on keyboard, organ, and harp was remarkable and her artistry matured into amazing arrangements and compositions.Her twenty recordings cover a time span from Monastic Trio (1968) to Translinear Light (2004).Michelle discusses at length one of the events here in Southern California that is part of the Year of Alice.Here in L.A. the exhibition Alice Coltrane, Monument Eternal at the Hammer Museum in Westwood is inspired by the life and legacy of jazz musician, composer and bandleader as well a spiritual and devotional leader, Alice Coltrane.This exhibition is part of a larger initiative called “The Year of Alice," and in partnership with the John & Alice Coltrane Home, Impulse Records, The New York Historical Society, the Detroit Jazz Festival and more.The exhibition presents works by contemporary American artists paired with items Coltrane's personal archive and features a range of mediums including video, performance, and sculpture together with Coltrane's archival hand-written correspondence, unreleased audio recordings, and rarely seen video footage.Upcoming event with Michelle Coltrane:Sai Anantam Devotional EnsemblePresented by CAP UCLA and Hammer MuseumSun, Apr 13, 2025 at 6:30pm The NimoyThe Year of Alice events include:Reissues of Alice Coltrane's albums and previously unreleased musicSpecially curated concerts in cities including New York, Brooklyn, Detroit, and CaliforniaA multimedia museum exhibitNewly choreographed dance worksCommunity programming and an Oral History ProjectDiscussions about Coltrane's life and workPartners in the celebration are:Impulse! RecordsDetroit Jazz FestivalHammer MuseumAlonzo King LINES BalletThe New York Historical SocietyShapeshifter LabLyon & Healey HarpsSource: https://thecoltranehome.org/2024/03/16/let-the-year-of-alice-begin/Source: https://www.alicecoltrane.com/Source: https://hammer.ucla.edu/exhibitions/2025/alice-coltrane-monument-eternalHost Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica stSend us a textSupport the show@profileswithmaggielepique@maggielepique

You might listen to our interviews for big names, fun moments, and inspirational stories…today, it's just about robots beating the crap out of each other. Battlebots builder and engineer, Jonathan Schultz, talks about team Huge. We chat about the work and design of his machine, the ups and downs of battle, and the competition of killing another robot.   We also talk about a super shady tax man Scott visited years ago, and play a game that involves the worst robots in film and television history.  Have a listen!

Nile Rogers of Chic Live on Game Changers With Vicki Abelson This sit-down with my old friend, multiple Grammy Winner, Rock & Roll Hall Inductee, Songwriters Hall of Fame Inductee, composer, producer, arranger, and guitarist, Nile Rogers, is SOLID GOLD… more like triple platinum. Even though we never exchanged more than a few words in the handful of times he graced my jams back in the day, there was always DHM (deep hidden meaning), as there always is with Nile. This day, we got to that and so much more. STORIES! Oh my lord, No one tells ‘em like Nile. Case in point, his tome, Le Freak, may be the greatest memoir I've read. I could not put the thing down. When was the last time I read a book cover to cover in less than 24 hours? A rare score on Amazon these days, Nile's assured he'll be updating and republishing. It's a MUST-read for music fans, flower children, and anyone who loves to sink their teeth into a great story, well-told. Nile covered his very humble early days, his barely older than him mother, the drugs, the bi-coastal extended family, the moves, the schools, early influences from Coltrane to The Beatles, flute to clarinet to guitar… how Bernard Edwards got him to the Hitmaker Strat and chucking, which has become synonymous with Nile's style. We talked the DHM, the breakdown, the Chic magic as well as the music during and since… producing the top of the top for Sister Sledge, Diana Ross, Madonna, David Bowie, Duran Duran, still winning Grammys and kicking it with Daft Punk, Beyonce, and Cold Play, to name but a few, 750 MILLION albums worth. Say what? We got the sweetest stories about Michael Jackson… a funny with Keith Richards, a Grace Jones impression, and a scary story about Nile's coke psychosis leading to him bottoming out and getting clean and sober. 31 years worth and counting… That Nile was able to do all that he's done, and it's Herculean - aside from the massive number of hits, the films he's scored, the shows he's played, there's the We Are Family Foundation, Chairing the Songwriters Hall of Fame, receiving the 2024 World Economic Forum's Crystal Award for his extraordinary efforts to make the world a more peaceful, equal, and inclusive place… Nile is a humanist, a gentle soul with a heart of platinum like the records that line his walls. I've always admired, respected, and adored Nile. After reading Le Freak, and spending this time with him, I cherish him all the more. What a man, what a man, what a mighty fine man! 

Nile Rogers of Chic Live on Game Changers With Vicki Abelson Wednesday, 4/2/25, 11AM PT, 2 PM ET Streamed Live on my Facebook and on my YouTube FB Replay here: https://bit.ly/4cmPP2u YouTube replay here: https://www.youtube.com/watch?v=q875x2lVyLE

durée : 00:59:19 - Cuttin' Out - par : Nathalie Piolé - ⛔️ Ce soir, on arrête les frais ! - réalisé par : Fabien Fleurat

Episode: Artists and Christ followers walk a similar path, as those who discern the truth about the world. The artistic gift of intuitive discernment, of expressing reality with clarity and soul, […] The post “I Practice Scales to Become a Saint” – Coltrane: Christ Followers & Artists first appeared on OnScript.

“I met Miles backstage at the Hollywood Bowl—the last gig he ever played. Miles asked, “Who's that white boy?” I introduced him to Bob Thiel Jr., whose father produced Coltrane. When Miles discovered this, he said, “Well, you can hang,” following this friendly gesture with me walking Miles to his car. I did not know he was dying. I kissed him on both cheeks. And 18 days later, he was gone.”Peter Weller is a renowned theater and Hollywood actor. His performances in films such as RoboCop and Naked Lunch garnered him much critical and commercial success over the years. His television acting and directing credits include Sons of Anarchy, Dexter, and 24. Unbeknownst to most, Weller has spent decades honing his appreciation for the visual and musical arts through his studies of the Renaissance era. Earning a Master's in Roman architecture from Syracuse University before moving on to a PhD in Renaissance Art from UCLA. Dr. Weller has just written a book, Leon Battista Alberti in Exile: Tracing the Path to the First Modern Book on Painting.Weller has also contributed an essay remembering his friend Miles Davis for Jazz and Literature. The book, co-edited by Mia Funk, features many of her interviews and artworks, as well as poetry, art, and essays by our contributors.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I met Miles backstage at the Hollywood Bowl—the last gig he ever played. Miles asked, “Who's that white boy?” I introduced him to Bob Thiel Jr., whose father produced Coltrane. When Miles discovered this, he said, “Well, you can hang,” following this friendly gesture with me walking Miles to his car. I did not know he was dying. I kissed him on both cheeks. And 18 days later, he was gone.”Peter Weller is a renowned theater and Hollywood actor. His performances in films such as RoboCop and Naked Lunch garnered him much critical and commercial success over the years. His television acting and directing credits include Sons of Anarchy, Dexter, and 24. Unbeknownst to most, Weller has spent decades honing his appreciation for the visual and musical arts through his studies of the Renaissance era. Earning a Master's in Roman architecture from Syracuse University before moving on to a PhD in Renaissance Art from UCLA. Dr. Weller has just written a book, Leon Battista Alberti in Exile: Tracing the Path to the First Modern Book on Painting.Weller has also contributed an essay remembering his friend Miles Davis for Jazz and Literature. The book, co-edited by Mia Funk, features many of her interviews and artworks, as well as poetry, art, and essays by our contributors.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I met Miles backstage at the Hollywood Bowl—the last gig he ever played. Miles asked, “Who's that white boy?” I introduced him to Bob Thiel Jr., whose father produced Coltrane. When Miles discovered this, he said, “Well, you can hang,” following this friendly gesture with me walking Miles to his car. I did not know he was dying. I kissed him on both cheeks. And 18 days later, he was gone.”Peter Weller is a renowned theater and Hollywood actor. His performances in films such as RoboCop and Naked Lunch garnered him much critical and commercial success over the years. His television acting and directing credits include Sons of Anarchy, Dexter, and 24. Unbeknownst to most, Weller has spent decades honing his appreciation for the visual and musical arts through his studies of the Renaissance era. Earning a Master's in Roman architecture from Syracuse University before moving on to a PhD in Renaissance Art from UCLA. Dr. Weller has just written a book, Leon Battista Alberti in Exile: Tracing the Path to the First Modern Book on Painting.Weller has also contributed an essay remembering his friend Miles Davis for Jazz and Literature. The book, co-edited by Mia Funk, features many of her interviews and artworks, as well as poetry, art, and essays by our contributors.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I met Miles backstage at the Hollywood Bowl—the last gig he ever played. Miles asked, “Who's that white boy?” I introduced him to Bob Thiel Jr., whose father produced Coltrane. When Miles discovered this, he said, “Well, you can hang,” following this friendly gesture with me walking Miles to his car. I did not know he was dying. I kissed him on both cheeks. And 18 days later, he was gone.”Peter Weller is a renowned theater and Hollywood actor. His performances in films such as RoboCop and Naked Lunch garnered him much critical and commercial success over the years. His television acting and directing credits include Sons of Anarchy, Dexter, and 24. Unbeknownst to most, Weller has spent decades honing his appreciation for the visual and musical arts through his studies of the Renaissance era. Earning a Master's in Roman architecture from Syracuse University before moving on to a PhD in Renaissance Art from UCLA. Dr. Weller has just written a book, Leon Battista Alberti in Exile: Tracing the Path to the First Modern Book on Painting.Weller has also contributed an essay remembering his friend Miles Davis for Jazz and Literature. The book, co-edited by Mia Funk, features many of her interviews and artworks, as well as poetry, art, and essays by our contributors.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I met Miles backstage at the Hollywood Bowl—the last gig he ever played. Miles asked, “Who's that white boy?” I introduced him to Bob Thiel Jr., whose father produced Coltrane. When Miles discovered this, he said, “Well, you can hang,” following this friendly gesture with me walking Miles to his car. I did not know he was dying. I kissed him on both cheeks. And 18 days later, he was gone.”Peter Weller is a renowned theater and Hollywood actor. His performances in films such as RoboCop and Naked Lunch garnered him much critical and commercial success over the years. His television acting and directing credits include Sons of Anarchy, Dexter, and 24. Unbeknownst to most, Weller has spent decades honing his appreciation for the visual and musical arts through his studies of the Renaissance era. Earning a Master's in Roman architecture from Syracuse University before moving on to a PhD in Renaissance Art from UCLA. Dr. Weller has just written a book, Leon Battista Alberti in Exile: Tracing the Path to the First Modern Book on Painting.Weller has also contributed an essay remembering his friend Miles Davis for Jazz and Literature. The book, co-edited by Mia Funk, features many of her interviews and artworks, as well as poetry, art, and essays by our contributors.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Episode: Artists and Christ followers walk a similar path, as those who discern the truth about the world. The artistic gift of intuitive discernment, of expressing reality with clarity and soul, […] The post “I Practice Scales to Become a Saint” – Coltrane: Christ Followers & Artists first appeared on OnScript.

durée : 00:59:17 - Ici la Terre - par : Nathalie Piolé - En plein air. En bleu. Au vert. Ce soir, on célèbre la Terre. - réalisé par : Fabien Fleurat

Have Giant Steps and Meditations scared you away from John Coltrane? Join us on the other side of the Trane tracks with what might be the best trio of albums ever dropped in the same year. We're talking 1963 Coltrane—at his most accessible (dare we say smooth?) yet still cutting straight to the truth. From the GRAMMY hall-of-famer Ballads to his legendary Impulse! sessions with Duke Ellington and Johnny Hartman, enter the perfect gateway into Coltrane's world. We break down his honest melodies, the masterful support from McCoy Tyner, Elvin Jones, Jimmy Garrison (and more), and quibble with certain Rudy Van Gelder… choices… Whether you're Coltrane-curious or already converted, this episode has something special for your ears.Link to Spotify playlistTry OS Membership today! → https://osjazz.link/aboutLooking to drop a question? Want to listen to the audio pod? Look no further!https://youllhearit.com/

durée : 00:59:43 - No quiero bailar - par : Nathalie Piolé - Incroyable mais vrai : ce soir Dizzy Gillespie ne veut pas danser.

South African bassist, composer, and arranger Herbie Tsoaeli is affectionately known, in certain circles, as Malume, a term of respect for older men who serve as elders. In this episode, we discuss his origins and inspiration. He was raised in Cape Town during the 1976 Soweto Uprising and describes the effects of Apartheid on his development. His parents, wanting him to be a doctor, were initially disappointed by his musical path, but he found himself called by legends like Coltrane and Abdullah Ibrahim. He talks in-depth about playing with some of the greatest South African musicians: Bucs Gongco, Winston Mankunku Ngozi, Hugh Masekela, Bheki Mseleku, and many others. Before parting, we discuss his concept of the term "African Time" and its many meanings.. https://herbietsoaeli.com

Sydney is going back home to Rose Bend - pregnant and divorced - hoping to settle back into her roots and find stability in a life she once knew in this small town. Although her relationship with her parents are rocky, after the death of sister many years ago, Sydney wants to raise her baby in a familiar, warm place. But even her ex-husband doesn't make her move easy by threatening to take their baby away by suing for full-custody. But Sydney asks for help from an old friend, Coltrane, who is a lawyer and Mayor of Rose Bend, and is more than willing to help Sydney navigate this impending suit. Even though there's an immediate attraction and intense feelings grow between these two, Cole is haunted with his own past and struggles with falling for Sydney while still in love with his wife, who died during childbirth with their unborn son. Join us as we discuss this contemporary love story about two people finding new beginnings while healing from their pasts. ***We would love and appreciate it if you could subscribe, rate & review! Follow us @ShhhDirtyBooks on FB & IG as well as on our website at ShhhDirtyBooks.com. Thank you for joining us!*** Music by Jim Townsend

Once again, Christian throws himself a birthday party, which is incredibly festive and not at all pathetic. This year, he welcomes the proverbial "cast of thousands", as he's joined by Bladtcast co-founders Will Sterling and Coltrane, the voice of the Bladtcast Fard Muhammad, legal counsel Jason Blair, court stenographer Gene Barretta, Patron Saint of the Bladtcast Matt in KC, the Raging Rhino John Nolan and America's favorite Brooklyn Boy David Brody.

Guitarist John McLaughlin's career has been long and winding. From his early solo records and work with Miles Davis, he possessed a unique approach to the guitar that encompassed jazz and rock vocabulary, played with a biting tone and stellar, virtuosic technique. He's never stopped developing, and we're covering our favorite highlights of McLaughlin's career: his acoustic (and later electric) take on Indian music with Shakti, his more traditional jazz projects, and much more.There are lots of listening highlights in this episode and we've covered as much as we can: Mahavishnu Orchestra's first two records are undisputable; Tony Williams Lifetime's Emergency may be the birth of fusion guitar; McLaughlin's mid-career studies in Indian music are inspiring; his take on Coltrane in an organ-jazz setting is monumental. But we could still cover a whole other episode's worth.Sponsored by PRS Guitars: http://prsguitars.comFollow Nick: https://www.instagram.com/nickmillevoiFollow Jason: https://www.instagram.com/jasonshadrickGet at us: 100guitarists@premierguitar.comCall/Text: 319-423-9734Podcast powered by Sweetwater. Get your podcast set up here! - https://sweetwater.sjv.io/75rE0dSubscribe to the podcast:Spotify: https://open.spotify.com/show/0aXdYIDOmS8KtZaZGNazVb?si=c63d98737a6146afApple: https://podcasts.apple.com/us/podcast/100-guitarists/id1746527331

A few technical difficulties but still strong stuff - Coltrane! Miles! Cannonball!Playlist: John Coltrane - CreationDave McMurray - China cat sunflowerDiane Roblin & Life Force - CadenzaJohn McLaughlin - NostalgiaDavid Zucchi - Hello/GoodbyeCannonball Adderley Quintet - Soul zodiac/Walk tallPaul Hanson and Raze the Maze - QuietMiles Davis - Black Satin

We start in Los Angeles with emerging composter Derrick Skye, whose fascination with the cosmos is woven into his music. When Skye began composing “Prism, Cycles and Leaps,” he watched YouTube videos about Jupiter and was captivated by the way the planet moved at different speeds. As a mixed race person, he resonates with musical traditions from across the globe and blends genres and forms. Music from India, the Balkans and West Africa form the building blocks of Sky's music today. Reporter Clare Wiley tells us about Skye's musical process and what he hopes people will take away from his work. Then, we're traveling up to the Bay Area to meet another California composer. Destiny Muhammad was nine years old when she first saw Harpo Marx playing the harp in an episode of “I Love Lucy.” She immediately knew she wanted to play the mesmerizing instrument. It took over two decades for the Oakland-based artist to start learning how to play the harp, but it set her on a path to pursue her unique “Celtic to Coltrane” genre, as she calls it. Today, Muhammad works as a composer, teacher and performer in the Bay Area, and writes original scores for her group, The Destiny Muhammad Trio. KQED's Bianca Taylor brings us Muhammad's story. Learn more about your ad choices. Visit megaphone.fm/adchoices

Apasionarse por la vida. De eso se trata: el mejor jazz como regalo el primer Músicas Posibles del año. Alone Together Chet Baker Chet (Mono)Rosita Hawkins, Webster Coleman Hawkins Encounters Ben Webster Lush Life Michel Petrucciani The Blue Note AlbumsMy Funny Valentine Miles Davis Quintet Cookin' With The Miles Davis Quintet RVG Remaster 2007These Foolish Things Lester Young Blue Lester: The Immortal Lester YoungAlone Together Kenny Dorham Quiet Kenny RVG Remaster 2006Isfahan Duke Ellington Far East SuiteA Taste of Honey Paul Desmond  The Complete RCA Victor RecordingsIn A Sentimental Mood Sonny Rollins S. Rollins With The Modern Jazz QuartetAfter The Rain Duke Pearson Sweet Honey BeeDidn't Know About You Johnny Hodges & His Orchestra Blues-A-PlentySaturday Afternoon Blues Johnny Hodges & His Orchestra Blues-A-PlentyIn A Sentimental Mood Ellington & Coltrane Impulse! Escuchar audio

Tales from the Green Room hits the road with its debut visit to the iconic Capitol Theater in Port Chester, New York, sitting down backstage with Dark Star Orchestra lead guitarist, Jeff Mattson! Recorded in between DSO's first two shows since the passing of Phil Lesh, Jeff reflects on his memorable interactions with Phil and how the band prepared for these memorable performances at one of his favorite venues. The episode continues with Jeff expressing gratitude and sharing memories about being the first person to publicly play Jerry Garcia's famed Alligator Fender Strat, courtesy of Andy Logan and the Grateful Guitars Foundation. Jeff also muses about the intimacy of playing at Phil's Terrapin Crossroads, his jazz and improvisation influences, the difference between West Coast and East Coast audiences and maintaining musical authenticity while honoring the legacy of The Grateful Dead.The conversation covers Mattson's experiences playing at famous venues, his deep connection to the music of the Grateful Dead, and his memorable interactions with Phil Lesh. Additional topics include the differences between East and West Coast Deadheads, the impact of venue intimacy, and Mattson's reflections on maintaining musical authenticity while honoring the legacy of the Grateful Dead.Quotes From The EpisodeI grew up with improvisation, all the time, hearing it, seeing my father do it, and Miles Davis, Coltrane, playing in the house all the time  growing up, so, it just seemed the most natural thing in the world to improvise. - Jeff MatsonThe thing I always heard was that the East Coast audience were a little more vociferous. And, West Coast audience were a little more chill, like  “we don't get carried away.” I mean, wherever you come from, if you're a deadhead, you love the music. -Jeff MatsonListen Now:

A pianist speaks of his passion for rocket science and his work with NASA, a talented teen violinist plays Beethoven and shares how an accident transformed his musicianship, a young composer shares a piece inspired by the loss of a loved one, and a versatile saxophonist plays Coltrane.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

durée : 00:59:33 - La dernière fois - par : Nathalie Piolé -

This month, Smoke Jazz Club in Manhattan is celebrating its 12th annual Coltrane Festival, in honor of the late great John Coltrane. John's son, saxophonist and composer Ravi Coltrane, is participating in this year's festival December 11-15 with Gadi Lehavi and Elé Salif Howell, and he joins to perform live and preview his residency. The Coltrane Festival runs at Smoke Jazz Club December 11-January 5.

durée : 00:59:41 - Choo Choo - par : Nathalie Piolé -

Pianist/composer McCoy Tyner (born December 11, 1938) was the youngest member of the earth-shattering John Coltrane Quartet and went on to be a major innovator on his instrument, influencing a whole generation of pianists with his rhythmic and harmonically dense approach to the instrument. He has been recognized with an NEA jazz master award and five Grammy awards. His music is as important in many ways as Coltrane's, and his musical vocabulary has touched virtually every musician that's come after him. Enjoying the show? Help keep it going by donating here.

Welcome to the J&J on Jazz Podcast. This podcast was originally released on April 8th, 2022, on the Jeff Antoniuk - Educator YouTube channel. Please subscribe to the YouTube channel and feel free to enjoy the video version as well.FOR ALL INSTRUMENTS!In episode #35, believe it or not, we improvise better when we don't improvise so much. There, we said it. But what in the world does this mean? Coltrane and Miles were improvising, right . . . ? Well, yes and no. "Crafting" a solo is a big part of it. Jump into this video, email us for the pdf, and let's get this sorted out!!Mentioned in this podcast:• www.JazzWire.net - Since we announced JazzWire back in 2017, it has become an incredible Community of hundreds of adult musicians from over 25 different countries around the world. If you are looking for a plan for your practice, regular insights and wisdom on playing jazz, and a huge COMMUNITY of jazz players from around the world, this is the place for you! • J&J on Jazz - Many of the J&J episodes include a PDF (but not all!!). Just write us at J&JonJazz@gmail.com, and we'll offer you the pdf for the episode you're looking for if available (or all PDFs for a small price)! We will also put you on the list to receive each new pdf, weekly.  Amazing practice ideas, every week, for free. What's not to love!?

JAZZ CORNER, lundi et jeudi à 13h et 18h. Chronique animée par Serge Mariani, Louise Hodé ou Géraldine Elbaz : concerts à ne pas manquer, albums à écouter au plus vite et des artistes à découvrir. Cette semaine, Géraldine nous parle du saxophoniste Benjamin Petit. Dire qu'il est question de retrouver les racines festives et populaires du jazz, cela pourrait faire cliché. Mais il n'en est rien avec ce nouvel opus de Benjamin Petit, saxophoniste autodidacte passé par la pop qui assume vouloir parler au grand public au travers de mélodies populaires qui ont marqué son âme d'enfant. Le saxophoniste a découvert Branford Marsalis par le biais de Sting, il s'est ensuite passionné pour Charlie Parker et Coltrane, avant de rouler sa bosse sur des tournées de Michel Jonasz entre 2000 et 2002 en tant que jeune sideman de 22 ans. Son premier album sorti en 2017 (parrainé par la Maison des Artistes d'André Manoukian à Chamonix) empruntait déjà à la tendance jazz-bebop-hard bop au groove léger et entraînant, un style proche de ses deux figures tutélaires, marqueurs des années 1990, Kenny Garrett et Branford Marsalis. Désormais, il prend pour thématique les musiques de films, celles qu'il aime passionnément, et nous livre un magnifique album intitulé "Dear John" sortie en 2022 chez Art District Music. (c) Guillaume SaixHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

We have three great guests on the show this episode. Actor/singer/boxer now bareknuckle fighter, Jesse Pringle joins the show ahead of his BKFC debut in Kansas City. Then we'll all to two gentlemen that will be toeing the line across from each other in the co-main event of BKFC Fight Night: Kansas City. First we'll have Zeb Vincent, followed by his opponent Doug Coltrane. Two exciting fighters from the BKFC middleweight division.

durée : 00:58:49 - Toute une vie - par : Guillaume Loiret - De Mlle McLeod à Swamini, voici le destin d'Alice, enfant du gospel et pianiste de bebop, muse de John Coltrane puis harpiste d'avant-garde. Chamane, et gourou. Tout cela successivement, et simultanément. - réalisation : Thomas Dutter

Some film shoots (like the one for Apocalypse Now) seem to last 12 years, but here's a movie with a production schedule that was DELIBERATELY that long. Although gimmick aside, Boyhood is Richard Linklater's lauded attempt to show the slow growth of a fractured family, with the focus on Ellar Coltrane going from 6 to 18. Linklater's daughter Lorelei plays Coltrane's older sister and their divorced parents are Ethan Hawke & Patricia Arquette. The adults are terrific---Arquette won an Oscar for her work as the put-upon mom who keeps finding romance with bad men---but the kids just aren't the actors that she and Hawke are. In any case, it's fascinating to see this arc in a family's life and the (mostly white) people they meet along the way. Our impressions of the exploits of the Evans clan down in Texas is the 609th chat on the Have You Ever Seen podcast channel, so snap some pictures and see what we thought of Boyhood. Well, Actually: Jean-Pierre Leaud repeatedly played "Antoine Doinel" in Francois Truffaut movies. Also, Mason Senior becomes an "insurance actuary", not an "insurance actuarial". Go bowling with your kids, take them camping and then take them out for Sparkplug Coffee. Or have it sent to your house. And also use our "HYES" promo code to save 20%. The website is "sparkplug.coffee/hyes". You can email us at "haveyoueverseenpodcast@gmail.com". Send us some of your movie thoughts on Twi-X (@moviefiend51 and @bevellisellis) or to Bev on Threads (also @bevellisellis). Check out our show on YouTube. The address in your browser is @hyesellis (or click "Have You Ever Seen" into the YouTube search bar) and don't forget to subscribe to us. Like the show, leave a comment. And also rate and review our 'cast in your app.

The John & Alice Coltrane Home and the Coltrane Family, in partnership with Impulse! Records, Detroit Jazz Festival, Hammer Museum, Alonzo King LINES Ballet, The New York Historical Society, and many more, have declared 2024-2025 to be THE YEAR OF ALICE, celebrating the extensive life work of spiritual leader, composer, and musician Alice Coltrane.In addition to being an iconic and remarkably prolific musician, Mrs. Coltrane was a beloved and wise spiritual leader, a pragmatic person with a keen eye for business, and a deeply giving human, who emphasized the importance of charitable giving, education, and spiritual guidance.My guest today, Michelle Coltrane, is a jazz vocalist and composer. She was born in Paris, France and was raised primarily in Long Island, New York by her mother, musician Alice Coltrane, and her step-father, saxophonist John Coltrane.Michelle has performed and collaborated with artists such as Scott Hiltzik, Shea Welsh, Kenny Kirkland, Jeff Watts, Ronnie Laws, Billy Childs, Jack DeJohnette, Marvin "Smitty" Smith, Reggie Workman, The Gap Band, McCoy Tyner and her brother Ravi Coltrane.Michelle has performed internationally with the Sai Anantam Ashram Singers presenting the music of Alice Coltrane.Her second album, Awakening, was released in 2017 and featured sung versions of her father, John Coltrane's, songs.Michelle of course co-hosted the “Straight No Chaser” radio program with me here on KPFK in Los Angeles and she is chief creative officer of the John Coltrane Home, a non-profit organization.September Events"A Force For Good Day" - A John & Alice Coltrane Home Service Event at the Half Hollow Hills Community Library in Dix Hills, NY. Mark your calendar for this free event, featuring a young persons concert of Long Island student musicians. Saturday, September 14 | 1pm - 4pm.LINES Ballet premiere  - as part of "The Year of Alice," the LINES Ballet will premiere a new work set to Alice Coltrane's transformative music. Thursday, September 26 | 7:30pm.TicketsAlso in September, please check back for more Year Of Alice events at Shapeshifter Plus in Brooklyn. Source: https://www.alicecoltrane.com/Source: https://thecoltranehome.org/Source: https://store.ververecords.com/pages/artist/alice-coltraneHost Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Support the show

A few musical references from last week's Democratic Convention was the inspiration for this episode. VP Kamala Harris invoked the names of Aretha, Miles and Coltrane, and an appearance by Stevie Wonder are relived in this show. Playlist  Artist ~ Name ~ Album Aretha Franklin ~ A Change Is Gonna Come ~ I Never Loved a Man the Way I Love You Miles Davis Quintet ~ Solar ~ Walkin' John Coltrane ~ Giant Steps ~ Giant Steps Stevie Wonder ~ Higher Ground ~ Innervisions Herbie Hancock ~ You've Got It Bad Girl ~ The New Standard SFJAZZ Collective ~ Creepin' ~ Music of Stevie Wonder and New Compositions Jacob Collier ~ Don't You Worry 'Bout a Thing ~ Single George Duke ~ Capricorn ~ Faces In Reflection Frank Zappa & The Mothers of Invention ~ Inca Roads ~ One Size Fits All

John Coltrane – “God breathes through us so completely, so gently we hardly feel it, yet, it is our everything.” / spirituality starts as a vague intuition there's more / Coltrane's symbolism of Divine love in all 12 keys / the greatest secret of the sacred text -  there is a person behind everything and He can be connected to through love / Vishnu as the soul of the universe / the universe manifests as a tree grows from a seed / Brahma meditates and discovers God spread throughout his own body and senses / Little Prahlad drops the universal manual in our laps! SB 7.9.32-38