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13 episodes with harold land
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2 episodes with harold land
2 episodes with harold land
2 episodes with harold land
6 episodes with harold land
6 episodes with harold land
At Mike's suggestion, today's podcast explores the truncated career of hard bop trumpeter Carmell Jones. We listen to four albums featuring the little-known musician and talk about the arc of his career, his work with running buddy Harold Land, and why he could'a been a hard-bop contender given the right circumstances. Carmell Jones – BUSINESS MEETIN'; JAY HAWK TALK; Charles McPherson – BEBOP REVISITED!; Harold Land – JAZZ IMPRESSIONS OF FOLK MUSIC.
THE JAZZ AT LINCOLN CENTER ORCHESTRA WITH WYNTON MARSALIS “THE MUSIC OF MAX ROACH” Jazz at Lincoln Center, New York, January 19 & 20, 2024The drum also waltzes, Lonesome lover, Driva' man FLORIAN ARBENZ “THE ALPINE SESSION : ARBENZ VS ARBENZ MEETS RON CARTER” Switzerland, March, 2024It don't mean a thing, Evolution, Old shamanMichael Arbenz (p) Ron Carter (b) Florian Arbenz (d) HAROLD LAND QUINTET “THE FOX” Los Angeles, August, 1959The fox, One downDupree Bolton (tp) Harold Land (ts) Elmo Hope (p) Herbie Lewis (b) Frank Butler (d) Continue reading Puro Jazz 31 de marzo, 2025 at PuroJazz.
THE JAZZ AT LINCOLN CENTER ORCHESTRA WITH WYNTON MARSALIS “THE MUSIC OF MAX ROACH” Jazz at Lincoln Center, New York, January 19 & 20, 2024The drum also waltzes, Lonesome lover, Driva' man FLORIAN ARBENZ “THE ALPINE SESSION : ARBENZ VS ARBENZ MEETS RON CARTER” Switzerland, March, 2024It don't mean a thing, Evolution, Old shamanMichael Arbenz (p) Ron Carter (b) Florian Arbenz (d) HAROLD LAND QUINTET “THE FOX” Los Angeles, August, 1959The fox, One downDupree Bolton (tp) Harold Land (ts) Elmo Hope (p) Herbie Lewis (b) Frank Butler (d) Continue reading Puro Jazz 31 de marzo, 2025 at PuroJazz.
CAL TJADER GÓZAME ! PERO YA… San Francisco, CA, June, 1980Shoshana, Bye bye blues, Roger's sambaRoger Glenn (fl,perc) Cal Tjader (vib) Mark Levine (p,el-p) Mundell Lowe (g) Robb Fisher (b) Vince Lateano (d,timb) Poncho Sanchez (timb,bgo,cga,perc) SONNY CRISS THIS IS CRISS ! Englewood Cliffs, NJ, October 21, 1966Steve's blues, Skylark, Love for saleSonny Criss (as) Walter Davis, Jr. (p) Paul Chambers (b) Alan Dawson (d) CLIFFORD BROWN / MAX ROACH QUINTET STUDY IN BROWN New York, February 23, 24, 1955Cherokee, Swingin', George's Dilemma, Take The A TrainClifford Brown (tp) Harold Land (ts) Richie Powell (p,arr) George Morrow (b) Max Roach (d) Continue reading Puro Jazz 10 de febrero, 2025 at PuroJazz.
CAL TJADER GÓZAME ! PERO YA… San Francisco, CA, June, 1980Shoshana, Bye bye blues, Roger's sambaRoger Glenn (fl,perc) Cal Tjader (vib) Mark Levine (p,el-p) Mundell Lowe (g) Robb Fisher (b) Vince Lateano (d,timb) Poncho Sanchez (timb,bgo,cga,perc) SONNY CRISS THIS IS CRISS ! Englewood Cliffs, NJ, October 21, 1966Steve's blues, Skylark, Love for saleSonny Criss (as) Walter Davis, Jr. (p) Paul Chambers (b) Alan Dawson (d) CLIFFORD BROWN / MAX ROACH QUINTET STUDY IN BROWN New York, February 23, 24, 1955Cherokee, Swingin', George's Dilemma, Take The A TrainClifford Brown (tp) Harold Land (ts) Richie Powell (p,arr) George Morrow (b) Max Roach (d) Continue reading Puro Jazz 10 de febrero, 2025 at PuroJazz.
HAROLD LAND QUINTET “THE FOX” Los Angeles, August, 1959The fox, Mirror-mind rose, Sims a-plentyDupree Bolton (tp) Harold Land (ts) Elmo Hope (p) Herbie Lewis (b) Frank Butler (d) BOBBY HUTCHERSON “STICK-UP” Englewood Cliffs, N.J, July 14, 19668/4 beat, Black circle, Una Muy BonitaJoe Henderson (ts) Bobby Hutcherson (vib) McCoy Tyner (p) Herbie Lewis (b) Billy Higgins (d) STEVE WILSON “SIT BACK, RELAX & UNWIND” c. Continue reading Puro Jazz 31 de enero, 2025 at PuroJazz.
HAROLD LAND QUINTET “THE FOX” Los Angeles, August, 1959The fox, Mirror-mind rose, Sims a-plentyDupree Bolton (tp) Harold Land (ts) Elmo Hope (p) Herbie Lewis (b) Frank Butler (d) BOBBY HUTCHERSON “STICK-UP” Englewood Cliffs, N.J, July 14, 19668/4 beat, Black circle, Una Muy BonitaJoe Henderson (ts) Bobby Hutcherson (vib) McCoy Tyner (p) Herbie Lewis (b) Billy Higgins (d) STEVE WILSON “SIT BACK, RELAX & UNWIND” c. Continue reading Puro Jazz 31 de enero, 2025 at PuroJazz.
In onda Gigi Longo. Musiche: Tony Coe con Ali Farka Touré, Harold Land, George Duke, Ziad Rahbani, Bennie Maupin, Lonnie Liston Smith & The Cosmic Echoes, Hiroshi Suzuki, Julian Priester & Pepo Mtoto.
Tonight's Jazz Feature is a pivotal album by Sonny Rollins called "Worktime". Sonny had just emerged from a year of renewal and rehab and was clean an healthy and just hired as the tenor saxophonist in the famous Max Roach/Clifford Brown Quintet replacing Harold Land, the original saxophonist who had left. This was Sonny's first recording under his own name since his rehab and he is at maximum strength. This album represents his first step to greatness and as it is the 69th anniversary of the date this evening I thought it appropriate to present it again as our Jazz Feature. Sonny is on tenor saxophone with Ray Bryant on piano. Miles Davis recommended Ray to Sonny to do this date. George Morrow is on bass and he was with The Max/Clifford band and Sonny's new boss, drum master Max Roach. The album has five tracks, three are well chosen standards not normally heard in a Jazz context plus Billy Strayhorn's "Raincheck" and Sonny's "Paradox". One fine anniversary...enjoy "Worktime".
En este episodio de La Montaña Rusa, hemos escuchado a Alex Hitchcock; Nikolaj Hess; Harold Land; Sasha Berliner; Marta Sánchez; The Bad Plus; Fabiano do Nascimento, Sam Gendel. Seguir leyendo La Montaña Rusa. Episodio 40.2024. en La Montaña Rusa Radio Jazz.
HAROLD LAND THE FOX Los Angeles, August, 1959The fox, Mirror-mind rose, One second, pleaseDupree Bolton (tp) Harold Land (ts) Elmo Hope (p) Herbie Lewis (b) Frank Butler (d) VÁZQUEZ / MENARES / RECABARREN FAMILIA 2Brooklyn NY, 7 de junio, 2023Terra, Aninovo, Después de todoYago Vázquez (p) Pablo Menares (b) Rodrigo Recabarren (d) AARON DIEHL SPACE TIME CONTINUUM New York, August 26 & 27, 2014Uranus, The steadfast titan (1), Kat's dance (3)Aaron Diehl (p) David Wong (b) Quincy Davis (d) Joe Temperly (bar-1) Benny Golson (ts-2) Stephen Riley (ts-3) Charenee Wade (vcl) Continue reading Puro Jazz 18 de Julio 2024 at PuroJazz.
HAROLD LAND THE FOX Los Angeles, August, 1959The fox, Mirror-mind rose, One second, pleaseDupree Bolton (tp) Harold Land (ts) Elmo Hope (p) Herbie Lewis (b) Frank Butler (d) VÁZQUEZ / MENARES / RECABARREN FAMILIA 2Brooklyn NY, 7 de junio, 2023Terra, Aninovo, Después de todoYago Vázquez (p) Pablo Menares (b) Rodrigo Recabarren (d) AARON DIEHL SPACE TIME CONTINUUM New York, August 26 & 27, 2014Uranus, The steadfast titan (1), Kat's dance (3)Aaron Diehl (p) David Wong (b) Quincy Davis (d) Joe Temperly (bar-1) Benny Golson (ts-2) Stephen Riley (ts-3) Charenee Wade (vcl) Continue reading Puro Jazz 18 de Julio 2024 at PuroJazz.
CITR's 24 Hours of Radio Art in a snack sized format. Dark Ambient. Drone. Field Recordings. Noise. Sound Art. Or something. This evening's broadcast features PHILIP SULIDAE, boycalledcrow, FRANCE JOBIN, HAROLD LAND, JAH CUZZI, and P/O MASSACRE.
New releases and re-releases to remember Harold Land open this episode which then continues with a tribute to Paul Auster, a writer admired by many musicians who wrote music with him, for him, to accompany some of his writings, or inspired by him. The playlist also features Lily White; Harold Land; Nathalie Loriers; John Lurie National Orchestra; Medeski, Martin & Wood; Lisa Mezzacappa; Tobias Meinhart; Jeff Gardner; Sébastien Ammann, Soraya Berent; Michael Mantler Paul Auster, Robert Wyatt, Susi Hildegaard Detailed playlist at https://spinitron.com/RFB/pl/18973930/Mondo-Jazz [up to "Further On Up the Road"]. Photo credit: Ulf Andersen
STANDAR SEMANAL.-Scrapple from the Apple.-JAZZANIVERSARIO.-Harold Land.-Hear Ye!.-JAZZACTUALIDAD.-SWING TON NI SONG-NO HAY DOS SWING TRES
THE VINCE GUARALDI “JAZZ IMPRESSIONS OF BLACK ORPHEUS” San Francisco, CA, November 1961 & February 1962Samba de Orfeu, Manha de carnaval, Since I fell for youVince Guaraldi (p) Monty Budwig (b) Colin Bailey (d) BARNEY KESSEL “LET'S COOK !” Los Angeles, November 11, 1957Time remembered, Just in timeVictor Feldman (vib) Hampton Hawes (p) Barney Kessel (g) Leroy Vinnegar (b) Shelly Manne (d) Los Angeles, August 6, 1957 Tiger ragFrank Rosolino (tb) Ben Webster (ts) Jimmy Rowles (p) Barney Kessel (g) Leroy Vinnegar (b) Shelly Manne (d) CURTIS COUNCE “LANDSLIDE” Los Angeles, October 8, 1956Landslide, Time after time, MiaJack Sheldon (tp) Harold Land (ts) Carl Perkins (p) Curtis Counce (b) Frank Butler (d) Continue reading Puro Jazz 06 febrero 2024 at PuroJazz.
THE VINCE GUARALDI “JAZZ IMPRESSIONS OF BLACK ORPHEUS” San Francisco, CA, November 1961 & February 1962Samba de Orfeu, Manha de carnaval, Since I fell for youVince Guaraldi (p) Monty Budwig (b) Colin Bailey (d) BARNEY KESSEL “LET'S COOK !” Los Angeles, November 11, 1957Time remembered, Just in timeVictor Feldman (vib) Hampton Hawes (p) Barney Kessel (g) Leroy Vinnegar (b) Shelly Manne (d) Los Angeles, August 6, 1957 Tiger ragFrank Rosolino (tb) Ben Webster (ts) Jimmy Rowles (p) Barney Kessel (g) Leroy Vinnegar (b) Shelly Manne (d) CURTIS COUNCE “LANDSLIDE” Los Angeles, October 8, 1956Landslide, Time after time, MiaJack Sheldon (tp) Harold Land (ts) Carl Perkins (p) Curtis Counce (b) Frank Butler (d) Continue reading Puro Jazz 06 febrero 2024 at PuroJazz.
En esta Wurli os ponemos tras el calendario de publicaciones de la nueva colección de reediciones que Craft Recordings ha preparado para este año. Algunas de las legendarias sesiones de Contemporary Records van a ir llegando mes a mes y el listado de álbumes quita el hipo. Disfrutad del sabor más intenso del west coast jazz con músicos como Art Pepper, Harold Land, Ben Webster o Shelly Manne, entre otros. Este programa, como siempre, está dedicado especialmente a: Mechimariani, L Ibiricu Traba, Nachoigs, David, Alfonso Ladrón, Yago Llopis, Nacho Ruíz, Javier Carmona, Ana López, El Carabasser, Raúl Espinosa, La Última Frontera Radio, Gustavo, Ruth, Toñi, Cristina Pariente, Carmen Neke, Manuel García, Rebeca Tatiana, Michel y nuestro queridos anónimos. Gracias por apoyar el proyecto y seguir dándonos las herramientas para que CDS crezca a diario. Apoya este proyecto desde 1,49€ al mes. Tan solo tienes que pulsar el botón azul que tienes en la cabecera de este canal Gracias infinitas ya que tu aportación nos permite mejorar cada programa.
Tonight's Jazz Feature is an obscure by excellent album by a group of fine players based in Los Angeles. The leader is the great Harold Land on tenor saxophone along with a fine lesser known trumpeter named Martin Banks. Amos trice is on piano, Clarence Jones on bass and Leon Pettis on drums. Save for Land, none of these players are well known but their music is world class. The album was recorded in 1960 and not ever issued until 1980, undeservedly delayed. The tunes are by Land(2) Amos Trice(1), Martin Banks(1) and one by original producer, writer Leonard Feather plus a well chosen ballad standard. The album is entitled "Take Aim" and it aims to please those who love real Jazz. It's tonight's Jazz Feature.
Abrimos entrega 47.2023 con nuestra portada, el nuevo trabajo del guitarrista Dominic Miller, Vagabond, publicado este 2023 para ECM. Tuvimos también nuestra ración cuasi semanal zorniana con más Bagatelles, esta vez las del 2021 y para cerrar esa edición, el volumen 8 con el John Medeski Trio. Nuestro Clásico de la Semana fue el saxofonista Harold Land, tenor y compositor no tan conocido como otros de sus coetáneos pero que merece mucho más atención. Seguir leyendo La Montaña Rusa 47.2023. Dominic Miller. John Zorn with John Medeski Trio. Harold Land. Kjetil Mulelid Trio. Mauricio Rodríguez. Arooj Aftab, Vijay Iyer, Shahzad Ismaily. en La Montaña Rusa Radio Jazz.
En este número, Dominic Miller. John Zorn with John Medeski Trio. Harold Land. Kjetil Mulelid Trio. Mauricio Rodríguez. Arooj Aftab, Vijay Iyer, Shahzad Ismaily
THE CURTIS COUNCE GROUP – YOU GET MORE BOUNCE WITH CURTIS COUNCE – Los Angeles 1956 – 57 Too close for comfort, Mean to me, Big foot Jack Sheldon (tp) Harold Land (ts) Carl Perkins (p) Curtis Counce (b) Frank Butler (d) STEVE DAVIS – STEVE DAVIS MEETS HANK JONES, VOLUME 1 – 2008 New York? Isn't It Romantic, But Beautiful, We'll Be Together Again Steve Davis (tb) Hank Jones (p) Peter Washington (b) TEODROSS AVERY – HARLEM STORIES : THE MUSIC OF THELONIOUS MONK – Brooklyn, NY, January 14, 2020 Monk's dream (1), Ruby, my dear (1), Pannonica (2) Teodross Avery (ts) Anthony Wonsey (p-1) D.D. Continue reading Puro Jazz 23 noviembre 2023 at PuroJazz.
This episode features the West Coast jazz scene of the 1950's. In particular, the music of Hampton Hawes and Harold Land. It also has a track from Sonny Rollins with a west coast rhythm section. We round out the program with Petrucciani, Miles and JMac. Playlist Artist ~ Name ~ Album Hampton Hawes Trio ~ The Champ ~ On Contemporary: Hampton Hawes Hampton Hawes ~ I Love You ~ On Contemporary: Hampton Hawes Harold Land ~ Delirium ~ Harold In The Land Of Jazz Harold Land ~ Grooveyard ~ Harold In The Land Of Jazz Sonny Rollins ~ You ~ Sonny Rollins and the Contemporary Leaders Michel Petrucciani ~ Limbo ~ Power of Three Miles Davis ~ Eighty-One ~ E.S.P. Jackie McLean ~ Confirmation ~ 4, 5 and 6
Tonight`s Jazz Feature is a kind of meeting between east and west. The leader is the great tenor saxophonist Harold Land and he is paired with trumpeter Joe Gordon who had moved to Los Angeles from Boston and guitarist Wes Montgomery who was living for a time in San Francisco. Those three made up the western contingent. The eastern group consists of Barry Harris on piano, Sam Jones on bass and Louis Hayes on drums who all were Cannonball Adderley`s rhythm section and one of the best. This adds up to a solid straight-ahead Jazz record date. It was recorded at The Jazz Workshop, San Francisco`s leading Jazz club on a night when it was closed, The venue was chosen for it`s good acoustics. The album consists of 3 new Harold Land tunes, Wes Montgomery`s famous `West Coast Blues` (the title track) a ballad by Billie Holiday called `Don`t Explain` and a Charlie Parker tune. All in all a good record date with lots of inspired moments. All recorded in May of 1960 and tonight`s Jazz Feature.
A cura di Gigi Longo. Musiche: Norman Harris, Harold Land, Prophecy, Gerald Cleaver, Chocolate Syrup, The Grand Jury, Makaya McCraven, Andy Bey, Sun Ra Arkestra, Slickaphonics, Jimetta Rose and the Voices of Creation.
This week on The Sound Kitchen you'll hear the answer to the question about the CFDT trade union and Macron's pension reform. You'll meet Paul Myers – who is our new “Listeners Corner” host - and get happy with Ollia Horton's “Happy Moment”. All that, and the new quiz question, too, so click on the “Play” button above and enjoy! Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday – here on our website, or wherever you get your podcasts. You'll hear the winner's names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week.Erwan and I are busy cooking up special shows with your musical requests, so get them in! Send your musical requests to thesoundkitchen@rfi.fr Tell us why you like the piece of music, too – it makes it more interesting for us all!Be sure you check out our wonderful podcasts!In addition to the breaking news articles on our site, with in-depth analysis of current affairs in France and across the globe, we have several podcasts which will leave you hungry for more.There's Paris Perspective, Spotlight on France, and of course, The Sound Kitchen. We have an award-winning bilingual series – an old-time radio show, with actors (!) to help you learn French, called Les voisins du 12 bis. And there is the excellent International Report, too.As you see, sound is still quite present in the RFI English service. Keep checking our website for updates on the latest from our staff of journalists. You never know what we'll surprise you with!To listen to our podcasts from your PC, go to our website; you'll see “Podcasts” at the top of the page. You can either listen directly or subscribe and receive them directly on your mobile phone.To listen to our podcasts from your mobile phone, slide through the tabs just under the lead article (the first tab is “Headline News”) until you see “Podcasts”, and choose your show. Teachers, take note! I save postcards and stamps from all over the world to send to you for your students. If you would like stamps and postcards for your students, just write and let me know. The address is english.service@rfi.fr If you would like to donate stamps and postcards, feel free! Our address is listed below. Another idea for your students: Br. Gerald Muller, my beloved music teacher from St Edward's University in Austin, Texas, has been writing books for young adults in his retirement – and they are free! There is a volume of biographies of painters and musicians called Gentle Giants, and an excellent biography of Dr Martin Luther King, Jr, too. They are also a good way to help you improve your English - that's how I worked on my French, reading books which were meant for young readers – and I guarantee you, it's a good method for improving your language skills. To get Br. Gerald's free books, click here.Independent RFI English Clubs: Be sure to always include Audrey Iattoni (audrey.iattoni@rfi.fr) from our Listener Relations department in all your RFI Club correspondence. Remember to copy me (thesoundkitchen@rfi.fr) when you write to her so that I know what is going on, too. N.B.: You do not need to send her your quiz answers! Email overload!And don't forget, there is a Facebook page just for you, the independent RFI English Clubs. Only members of RFI English Clubs can belong to this group page, so when you apply to join, be sure you include the name of your RFI Club and your membership number. Everyone can look at it, but only members of the group can post on it. If you haven't yet asked to join the group, and you are a member of an independent, officially recognized RFI English club, go to the Facebook link above, and fill out the questionnaire !!!!! (if you do not answer the questions, I click “decline”).There's a Facebook page for members of the general RFI Listeners Club too. Just click on the link and fill out the questionnaire, and you can connect with your fellow Club members around the world. Be sure you include your RFI Listeners Club membership number (most of them begin with an A, followed by a number) in the questionnaire, or I will have to click “Decline”, which I don't like to do!This week's quiz: On 15 April, I asked you a question about an article by RFI English journalist Amanda Morrow: “French unions rally protesters after pension reform talks end in failure”. You were to tell us what Cyril Chabanier, the leader of the moderate CFTC union, had to say about the reform.The answer is, as Amanda wrote: “They” (meaning all of France's trade unions) “had been pushing for the complete withdrawal of the reform bill, which Cyril Chabanier, leader of the CFTC union said was "unfair and brutal". In addition to the quiz question, there was the bonus question, suggested by Father Steven Wara from Bamenda, Cameroon: “Do you have a religious faith? What inspires you to adhere to and stay with it?”The winners are: Shahanaj Parvin, who's the president of the Nilshagor RFI Fan Club in Nilphamari, Bangladesh. Shahanaj is also the winner of this week's bonus question. Congratulations, Shahanaj!Also on the list of lucky winners this week are Asifa Shaheen, who's a member of the RFI Listeners Club in Sheikhupura City, Pakistan, and RFI Listeners Club members Karuna Kanta Pal from West Bengal, India; Ekena Begum from Odisha, India, and Mogire Machuki from Kissi, Kenya. Congratulations winners!Here's the music you heard on this week's programme: The “Spanish Dance No. 1” from Manuel de Falla's opera La Vida Breve, performed by Itzhak Perlman and Samuel Sanders; “Cha-cha-cha No. 2” by Xavier Cugat, performed by Cugat and his orchestra; “The Flight of the Bumblebee” by Nicolai Rimsky-Korsakov; “The Cakewalk” from Children's Corner by Claude Debussy, performed by the composer; “Happy” by Pharrell Williams, and “Let's Call This” by Thelonius Monk, performed by Monk, Joe Gordon, and Harold Land.Do you have a musical request? Send it to thesoundkitchen@rfi.fr This week's question ... you must listen to the show to participate. After you've listened to the show, re-read our article “France to ban all far-right extremist demonstrations” to help you with the answer.You have until 12 June to enter this week's quiz; the winners will be announced on the 17 June podcast. When you enter, be sure you send your postal address with your answer, and if you have one, your RFI Listeners Club membership number.Send your answers to:english.service@rfi.frorSusan OwensbyRFI – The Sound Kitchen80, rue Camille Desmoulins92130 Issy-les-MoulineauxFranceorBy text … You can also send your quiz answers to The Sound Kitchen mobile phone. Dial your country's international access code, or “ + ”, then 33 6 31 12 96 82. Don't forget to include your mailing address in your text – and if you have one, your RFI Listeners Club membership number.To find out how you can win a special Sound Kitchen prize, click here.To find out how you can become a member of the RFI Listeners Club, or form your own official RFI Club, click here.
“THE TUESDAY TAPES”MARTEDÌ 24 GENNAIO 2023https://thetuesdaytapes.tumblr.com1) LADYTRON > City of Angels2) BILEO > You Can Win3) THE BEAT > Too Nice to Talk to4) MARINE > Marenas Bop5) EN ATTENDANT ANA > Same Old Story6) BELLE AND SEBASTIAN > So in the Moment7) GLYDERS > High Time8) JOHN CALE > Noise of You9) JOHN CALE feat. WEYES BLOOD > Story of Blood10) KILYNN LUNSFORD > North Sea Shrimps11) BOBBY HUTCHERSON & HAROLD LAND > Goin' Down South12) BUDDHA STICK > Traction13) PSYCHEMAGIK > Valley of Paradise (Time & Space Machine mix)
Tonight's show is the 600th episode of Jazz After Dark! We'll hear selections from 1934 – 1969: Benny Carter, Sidney Bechet with Noble Sissle, Lena Horne, Stan Kenton and His Orchestra, Helen Carr, Gerry Mulligan, and Harold Land. Also: Ella Fitzgerald live from Copenhagen in 1959, in a newly released recording, and then Russ Freeman, Earl "Fatha" Hines, Count Basie & His Orchestra, Paul Desmond, and Ben Webster.
This week on The Sound Kitchen, you'll hear a replay of a show aired on 15 August 2020, featuring musical favourites from RFI English journalists Angela Diffley and Paul Meyers. Just click on the “Audio” button above and enjoy! Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday. You'll hear the winner's names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week. Send me your music requests! I'll make programs of your favorite music when I can't be in the kitchen to cook up something new for you … write to me at thesoundkitchen@rfi.fr This week's quiz: The Sound Kitchen is taking a short break. The quiz will be back on 27 August. Here's the music you heard on this week's program: “Let's Call This” by Thelonious Monk, performed by the Thelonious Monk Quartet with Joe Gordon and Harold Land, performed Live at the Blackhawk in 1960; “Both Sides Now” written and performed by Joni Mitchell, and “Both Sides Now” in an arrangement by Vince Mendoza of Claude Debussy's “Clouds”, sung by Joni Mitchell.
Back by popular demand! This week on The Sound Kitchen, you'll hear a replay of a special treat: RFI English journalist Paul Myers and former RFI English journalist Angela Diffley share their musical favourites with you. Just click on the “Audio” arrow above and enjoy! Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday – here on our website, or wherever you get your podcasts. You'll hear the winner's names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week. Send me your music requests! I'll make programs of your favorite music when I can't be in the kitchen to cook up something new for you … write to me at thesoundkitchen@rfi.fr This week's quiz: The Sound Kitchen is taking a short break. The quiz will be back on 30 April. Here's the music you heard on this week's program: “Let's Call This” by Thelonious Monk, performed by the Thelonious Monk Quartet with Joe Gordon and Harold Land – performed Live at the Blackhawk in 1960; “Both Sides Now” written and performed by Joni Mitchell, and “Both Sides Now” in an arrangement by Vince Mendoza of Claude Debussy's “Clouds”, sung by Joni Mitchell. Don't forget - it's ePOP time! Planète Radio is an RFI department that reaches out to remote populations around the world. For the fourth consecutive year, Planète Radio is holding a video competition on environmental issues. The theme of this year's competition is “Show how they feel”: You are to create a 3-minute video about climate change, the environment, pollution - told by the people it affects. Here's what Planète Radio says about the competition: “Environmental deterioration, climate change, pollution, everybody's talking about it. But amid articles, figures, and expert reports, what do we really know about the feelings of the people already impacted? The video clips produced by the ePOP community in more than 50 countries allow us to hear from those who never ask for anything yet have seen it all - those who are already living with these changes that deteriorate their quality of life.” Your project can be intergenerational: Get together with your grandfather, your aunt, someone older in your community and ask them how they feel about what is happening to their surroundings or to the place where they grew up. Your project can also be about how you, or people your age, feel about climate change, given that your future will be affected by this phenomenon. Gather the words of those around you who are confronting the environmental crisis in their daily lives, investing, researching, and questioning the urgency of deploying solutions to face it. Prizes for this year's competition include equipment grants from 1,000 to 4,500 euros, as well as ePOP promotion kits and other goodies. For competition guidelines and more information about the four different categories you can enter, click here. You can also write to us at english.service@rfi.fr if you need more help. We're very proud that the winner in the ePOP 2020 RFI Club category went to an English language club – Adita Prithika's RFI Agnichiragu Phoenix Club in Tamil Nadu, India. Here's Adita's award-winning video. Please note that you do not have to be a member of an RFI English Club to enter. Everyone is welcome! The deadline for entries is 1 May, so get to work!
This remarkable album is The Jazz Show's further tribute to Black History Month. It is reflective of the changing social mores of African-Americans during a volatile period of American History. It was recorded in 1969 and the climate in the USA was shaken by the assassinations of President John Kennedy and later his brother Bobby, Malcolm X and Dr. Martin Luther King coupled with the Vietnam War. The basic band here included Bobby Hutcherson on vibes and his co-leader, tenor saxophonist Harold Land.. Two fine pianists split the chores here, Kenny Barron and Stanley Cowell,. The bassist is Herbie Lewis and the drummer , Joe Chambers. Augmenting the group is Wally Richardson on guitar, and Candido Camero on congas. A four voice female choir is added and importantly the magnificent voice of one of the great soul and r&b singers, Gene McDaniels. McDaniels also co-wrote several songs on the set. The album reflects the times and is a powerful document the title is "Now!". It's tonight's Jazz Feature.
STANDAR SEMANAL.-Scrapple from the Apple.-JAZZANIVERSARIO.-Harold Land.-Hear Ye!.-JAZZACTUALIDAD.-TUMBAMDO A MONK-NADIE CONOCES ESTE MISTERIO.- STANDAR SEMANAL.-Scrapple from the Apple.-JAZZANIVERSARIO.-Harold Land.-Hear Ye!.-JAZZACTUALIDAD.-TUMBAMDO A MONK-NADIE CONOCES ESTE MISTERIO
STANDAR SEMANAL.-Scrapple from the Apple.-JAZZANIVERSARIO.-Harold Land.-Hear Ye!.-JAZZACTUALIDAD.-TUMBAMDO A MONK-NADIE CONOCES ESTE MISTERIO
Another episode featuring the West Coast jazz scene. Classics from Harold Land, Wes and Nat "King" Cole start the set. Then we time travel to today's scene featuring Chris Hollyday, Andrew Renfroe. We finish with a Boston icon who recently moved out west, Jason Palmer. Playlist Artist ~ Name ~ Album Harold Land Sextet ~ Terrain ~ West Coast Blues! Harold Land Sextet ~ West Coast Blues ~ West Coast Blues! Wes Montgomery ~ Bumpin' On Sunset ~ Tequila Nat "King" Cole ~ Straighten Up and Fly Right ~ The Classic Singles Christopher Hollyday ~ Kiss Me Right ~ Dialogue Andrew Renfroe ~ 1998 ~ Run in the Storm Jason Palmer ~ A Lady and Gentleman in Black ~ The Concert: 12 Musings for Isabella Jason Palmer ~ At Ease ~ At Wally's, Vol. 1
Let's first say our farewell to B3 master Dr. Lonnie Smith. We segway to a couple Hendrix covers. We have new music from Metheny and Sung. You'll find San Diego pianist Kornhauser and West Coast classic jazz from Shorty Rogers and Harold Land. Playlist Artist ~ Name ~ Album Dr. Lonnie Smith ~ Freedom Jazz Dance ~ Jungle Soul Lonnie Smith Trio ~ Voodoo Chile ~ Purple Haze - Tribute to Jimi Hendrix Rob Garcia 4 ~ Little Wing ~ The Passion of Color Pat Metheny ~ Bright Size Life ~ Side-Eye NYC (V1.IV) Ed Kornhauser ~ The Shuffler ~ The Short Years Helen Sung ~ Kaleidoscope ~ Quartet + (with Harlem Quartet) Shorty Rogers and His Giants ~ Not Really the Blues ~ Atlantic Jazz: West Coast Harold Land Quintet & Red Mitchell ~ Triplin' Awhile ~ Atlantic Jazz: West Coast
Todos los caminos llevan a Bach y la número 25 de sus Variaciones Goldberg llega al nuevo trabajo del trío del polaco Marcin Wasilewski. Con más de un cuarto de siglo de historia, el pianista continúa haciendo camino junto a Slawomir Kurkiewicz (contrabajo) y Michal Miskiewicz (batería). El trío, que fue base rítmica de los proyectos del trompetista Tomasz Stanko, grabó "En attendant" en el mismo mes en que lo hizo con el saxofonista Joe Lovano. Inéditos hasta la fecha, el tiempo de "London Calling", con Fernando Ortiz de Urbina, nos propone dos discos recién editados: "Westward bound!" incluye grabaciones en Seattle entre 1962 y 1965 del saxofonista Harold Land. Por su parte, "Metaphysics" se convierte en el segundo trabajo publicado en toda la historia del pianista Hasaan Ibn Ali. La sesión se registró en 1965. De interés sobre este y otros pianistas, este artículo de Matthew Shipp: https://nmbx.newmusicusa.org/black-mystery-school-pianists/ "desde mi cadiera", Jesús Moreno nos lleva a Sevilla para indagar en las libérrimas propuestas de un colectivo del que surgen grupos como el Sputnik Trio o el Cuarteto Fuerte. Marco Serrato y Borja Díaz, miembros del primero, publicaron "Arconte" a dúo. Serrato firma además "Tiento madera" con el guitarrista Raúl Cantizano. Toda la información y derechos: http://www.elclubdejazz.com
This fortnight's spectacular focuses on two very different sets of music - two albums by modern jazz violinists and the two best-known recordings featuring elusive trumpeter Dupree Bolton (they are just about the ONLY recordings featuring him - stay tuned for the details). Pop matters range from St. Vincent to Sparks to Sade - and that's some ranging. Ali Bello – INHERITANCE; Tomoko Omura – BRANCHES VOL 2; Harold Land – THE FOX; Curtis Amy – KATANGA!
Harold Land was one of the leading tenor saxophonists in Jazz but he is often overlooked as he wasn't based in New York City. His sound is very distinctive with a dry unsentimental quality yet there is warmth and intensity too. This album is a series of broadcasts with three different ensembles led by Harold Land done at what was Seattle's leading Jazz club: The Penthouse. The first group is Harold Land on tenor saxophone with Carmell Jones on trumpet, Buddy Montgomery on piano, Monk Montgomery on bass and Jimmy Lovelace on drums. The second band is Harold leading Hampton Hawes on piano, Monk Montgomery on bass and Mel Lee on drums. The third is the Harold Land/Monk Montgomery Quartet with John Houston on piano and the incredible Philly Joe Jones on drums. This album of previously unissued performances will add much to the legacy of Harold Land and will become a prized possession by Jazz fans everywhere. Thanks to Cory Weeds and Zev Feldman for making "Westward Bound" available.
The cover story on guitarist Julian Lage in the July issue of DownBeat reminded us of a duo with Julian Lage and saxophonist Ben Roseth playing at Egan's in Ballard in 2008. Both were in their early 20s at the time, but were already making waves. We recorded the duo and share some music from that night on this week's episode. Also on this week's show, trumpeter Jay Thomas, saxophonist Harold Land's Quartet with Russ Freeman on piano at The Penthouse in Seattle in 1964, Vancouver singer Dee Daniels, a bi-coastal project with trumpeters Ray Vega and Thomas Marriott, Portland singer Rebecca Kilgore and others. Jazz Northwest is recorded and produced by host Jim Wilke and airs Sundays at 2 p.m. Listeners may also subscribe to the podcast at KNKX, NPR, Apple, or Google.
On Episode 4 of FUTURISTICA RADIO, "Jazz Cosmos - Phase One," Host and DJ Simon S delivers some deep spaced-out jazz featuring vintage selections from Harold Land, Art Blakey, Charles McPhearson, Nathan Davis Quartet and more, live and direct from Futuristica HQ. Subscribe and listen to FUTURISTICA RADIO with host and selector SIMON S on Apple podcasts, check out all episodes on Mixcloud, your favorite podcast platform, or live & direct on jasoncharles.net Podcast Network Music Channel. Each month, host and DJ Simon S journeys through his extensive vinyl selection to create a blend of jazz, soul, hiphop & electronica from across the generations…from Madlib to Coltrane, and Gangstarr to Alfa Mist and everything in between. For more information about Futuristica Music and Simon S, and all the latest Futuristica releases, go to www.futuristicamusic.bandcamp.com See omnystudio.com/listener for privacy information.
This week's Jazz Northwest includes a range of artists in both historical and recent recordings. Included is more music from the legendary "Jazz From The Penthouse" series featuring Harold Land leading a quartet with Hampton Hawes on piano. Ernestine Anderson, Jay Thomas, Walt Wagner, and contemporary groups Duende Libre and Xavier Lecouturier are also included. Jazz Northwest is recorded and produced by host Jim Wilke and airs Sundays at 2 p.m. Listeners may also subscribe to the podcast at KNKX, NPR, Apple, or Google.
Jazz Northwest features jazz artists from around the Pacific Northwest, this week including Seattle, Portland, Vancouver and Spokane. We'll also feature another track from the historic live broadcasts "Jazz From The Penthouse" from a new album featuring Harold Land on three different occasions at the Seattle club in the 60s. Also on this week's show are Anton Schwartz, Dave Peterson, Diane Schuur, Randy Porter & Nancy King, Randy Halberstadt, Steve Kaldestadt and the Whitworth Jazz Ensemble from Spokane. Jazz Northwest airs every Sunday at 2 PM Pacific on 88.5, KNKX, and streams online at knkx.org. After broadcast each show is archived and may be streamed on demand at jazznw.org, or listeners may subscribe to the podcast. Host and producer for the show is Jim Wilke, who produced the original live broadcasts from The Penthouse.
This week on Jazz Northwest, you can hear a sample of saxophonist Harold Land appearances at The Penthouse, part of the legendary series of live broadcasts from the Seattle jazz club. Sourced from airchecks in 1962, 1964 and 1965 and not heard since, the album will be released on a vinyl, two LP set on Record Store Day, June 12, and on CD on June 18. Both packages will include extensive notes about the musicians, the club and the live broadcasts produced and mixed by Jim Wilke. These exciting, hard-hitting performances refute the image of West Coast cool. This premiere will be heard exclusively on today’s episode of Jazz Northwest.
JIMMY WOODS – CONFLICT – Los Angeles, March 25 & 26, 1963 Conflict, Coming home, Aim Carmell Jones (tp) Jimmy Woods (as) Harold Land (ts) Andrew Hill (p) George Tucker (b) Elvin Jones (d) PRINCE LASHA FIREBIRDS VOL 2 – Live At Berkeley Jazz Festival Berkeley, CA, May, 1974 Trackin’ train [Search for tomorrow] […]
El otro ingrediente del núcleo duro del hardbop es el quinteto de Clifford Brown (tp) y Max Roach (bateria). Recordamos en primera instancia al malogrado Fats Navarro, crisol de razas nacido en Florida, muerto a los 25 años, quien poseía un sonido cálido espectacular. Clifford Brown (1930-1956) logra maravillas de tono, articulación, improvisación y composición. Lo llama Max Roach (1924-2017) para formar un quinteto de muy corta vida, pero clave en el jazz. Con Ritchie Powell (pn) George Morrow (bajo), Harold Land y luego Sonny Rollins (tsax). Max Roach junto on Kenny Clarke y Philly Joe Jones revolucionaron el rol de la bateria en el bop. Escuchemos composiciones de Clifford y de otros, grandes standards del jazz moderno: Sandu, Joy Spring, Dahoud, Delilah, Jordu. Y las baladas!! Clifford con cuerdas. Un accidente de tránsito nos priva de Ritchie Powell (hermano de Bud) y de Clifford antes de sus 26 años.
GERALD WILSON YOU BETTER BELIEVE IT – Los Angeles, September 9, 1961 Blues for Yna Yna Ray Triscari, Jimmy Zito, John Audino, Carmell Jones (tp) Bob Edmondson, Lester Robertson, John “Streamline” Ewing (tb) Ken Shroyer (b-tb) Buddy Collette (cl,as,fl) Harry Klee (as) Harold Land, Teddy Edwards (ts) Jack Nimitz (bar) Richard “Groove” Holmes (org) Jimmy […]
My guest today is a torch bearer of melodic improvisation. A master of melodies, chromatic modal patterns of improvisation that open space for drummers like Eddie Marshall and Joe Chambers who say "Hello to the Wind." My guest came of age under the iron man sweetheart Eric Dolphy when he went by the more formal Robert. But his endearing nature, positive path of constant creation created love amongst his bandmates so soon he was known as Bobby. His impact on the east coast jazz scene was heavy. He showed up and Rudy Van Gelders studio with Bob Cranshaw and Al Harewood playing solos on Grant Green records that my generation perseveration over. The crisp Angular feeling of the music from hard bop to post bop with a mix of avant garde more rhythm based solos. More rooted in the blues. The music was evolving organically and my guest was a Sage and spirit to many young jazz fanatics like Jack Fulks and session drummer Jim Keltner who would sit in the front row of some swampy bar to watch my guest and Charles Lloyd give literal interpretations of themselves with a little Milt Jackson and Jimmy Lunceford mixed in. My show is about lineage. Tracing the roots of music on this continent to its origins. The birthplace of modern jazz is The Americas and it spread out to the west coast to clubs like The Keystone Korner where my other guest found a home for himself nestled in between a police station and the Inflated Tear of "Change" sung so poignantly by Eugene McDaniels in the opening clip. My guests humbleness and groundedness is what makes him a transcendent figure much like my other guest who played keyboards for awhile and than became an impresario running the most elastic, flexible, swinging jazz club in the Bay Area. It was the greatest because he diversified the music, it felt like a home with the cornbread and the continual appearances from my guest and Harold Land, Sonship Woody Theus Woody Shaw and thousands of other Eulipian characters. Both my guests have a deep affection for one another and it runs decades deep as they have taken the roller coaster of life which they are still on. Keeping the world safe for bebop, re-bop and all other contiguous orbital love Bobby Hutcherson and Todd Barkan, welcome to the JFS. --- Support this podcast: https://anchor.fm/jake-feinberg/support
Ed Greene is an American drummer and session musician. ****Listen to this episode and subscribe! www.richredmond.com/listen The Rich Redmond Show is sponsored by The School of Rock Nashville and Franklin! https://locations.schoolofrock.com/nashville https://locations.schoolofrock.com/franklin MAn early recording in 1971 has him as a member of the Donald Byrd Group, together with Thurman Green, Harold Land, Bobby Hutcherson, Joe Sample, and Wilton Felder. Greene has also recorded with Barry White, The Carpenters, The Osmonds, Jeff Beck, Dizzy Gillespie, Steely Dan, Sparks, Hall & Oates and Leo Sayer, among others. At the beginning of his career, Greene was Barry White's drummer, and he played on many of White's biggest hits, although White continuously refused to put his players' names on his albums. A few things that came up: -Voicing drum parts -Roller skating music -Alfonze Keltner -Rock the boat same beat -Similar to Run to the Hills -Race relations better now or then? _____________________________ The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 25 of which have been #1 hits! Rich can also be seen in several films and TV shows and has also written an Amazon Best-Selling book, "CRASH! Course for Success: 5 Ways to Supercharge Your Personal and Professional Life" currently available at: https://www.amazon.com/CRASH-Course-Success-Supercharge-Professional/dp/B07YTCG5DS/ref=sr_1_1?keywords=crash+redmond&qid=1576602865&sr=8-1 One Book: Three Ways to consume....Physical (delivered to your front door, Digital (download to your kindle, ipad or e-reader), or Audio (read to you by me on your device...on the go)! Follow Rich: @richredmond www.richredmond.com Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur. Follow Jim: @jimmccarthy www.jimmccarthyvoiceovers.com s
CLIFFORD BROWN /MAX ROACH – STUDY IN BROWN – New York, February 23 & 24, 1955 Cherokee, Land’s end, Sandu Clifford Brown (tp) Harold Land (ts) Richie Powell (p,arr) George Morrow (b) Max Roach (d) JOE HENDERSON – THE STATE OF THE...
We are given native gifts whether we chose to access them or not. If we access these gifts then it comes down to doing the right thing, timing and some old fashioned good luck. My guest was one of the artists that put me on this path of interviewing musicians in the business of melodic invention. He started in upstate NY where he had the perfect balance of mathematics and love attending ESM and backing up Billy Holiday and Roy Eldridge. Stints in New Orleans was followed by a move to the left coast as he honed his chops with a west coast Titan in Harold Land and Leon Pettis and Donald Bailey and became a fixture in the percolating west coast scene where the clubs were flourishing and improvisational music was listened too. He came from a brotherhood of musicians that craved an original sound, original rhythms and original music. My guest came from the school of Bird, Dizzy, Duke....swing the band and adapt...to electric instrumentation which my guest did with ease as he played the slick sly funky fender Rhodes with Gene Cherrico and Dick Birk, Sam Most and Don Alias. Somehow he also found time to play with Elvis for 3 years. Right place and the right time with the right stuff Frank Strazzeri welcome to the JFS --- Support this podcast: https://anchor.fm/jake-feinberg/support
Today, in part 2 of 5 of the series, Who Should I Study With, in Music School, I'm chatting with Rob Kassinger.Rob is a bassist in the Chicago Symphony Orchestra and Professor of Double Bass at DePaul University School of Music. In the jazz world, Rob has also performed with Wynton Marsalis, Branford Marsalis, Kenny Burrell, the Woody Herman band, Conte Candoli, Charlie Rouse, Teddy Edwards, Harold Land, and Bobby Lewis.Rob is also a world-class bass guitarist. In today's discussion, we speak about:•Rob's background•what to for in a teacher•common audition mistakes, and much more.Enjoy this conversation with Rob Kassinger. Links:listen to Rob perform.Rob at DePaul UniversityRob at the Chicago Symphony Orchestra Connect with The Scholarship Roadmap:WebsiteApple PodcastsInstagramFacebookYouTubeBook a Call Theme Music:‘Elegua' from Axiom Asunder by The Majestic Jazz OrchestraComposed by Buzz Jones.
My guest today has been a band leader for over 60 years. He made his name playing the vibes which is this hosts favorite instrument. It's a percussion instrument with a warm sound and can be played in a trio setting the way Red Norvo did with Tal Farlow and Mingus or in a Quintet setting like Cal Tjader did with Armando Peraza, Al mcKibbon and Dick Birk. It fits into all types of musical settings and it was popularized by my guest by his virtuosic approach and an ability to create an output within the big band ensemble. My guest today is a lover of people. He has an insatiable desire to play music you can tap your foot to. That's what Jack Kleinsinger told me about my guest. He's played on the east coast and west during the heyday of bebop and swing. His peers include Bill Holman and Chet Baker, Jimmy Rowles and Ray Brown, Milt Jackson and Harold Land. These cats had to sing for their supper because if they didn't sing there would be nothing left to eat. My guest was a relentless entertainer and musician. He created a following through his gesticulations and banter along with a Jitterbug Waltz when music was made for dancing. His collaborations with Steve Allen and Star Time increased his name recognition in the often obscure world of improvisational swing or melodic invention. He continues to be a link in the chain For younger musicians who are searching for something to say. There are no more live clubs on every corner of urban America, there are no longer 1 month residencies at the London House or Howard Rumsey's Lighthouse or Lord Chumleys and the barriers and stratification that have been put up in music hurt the ability for experimentation and chance taking because mega money has superseded quality art, pacification rules the day as opposed to the visceral culture that was visible on Market Street in Chicago or Harlem. Ultimately the ego has superseded the music in that individuals now project their own monster chops at the expense of the accompanists, the listening and the love. This is why lessons in life from the old guard are key. It's why my guests son plays with venerable grey beards Ron Carter, Kenny Barron and Ron McClure......time for some good vibes. Terry Gibbs welcome to the JFS. --- Support this podcast: https://anchor.fm/jake-feinberg/support
When the spirits call they do so with the understanding that I understand that I am merely part of the wave of history and that if I am to do a decent job covering ethnomusicology in the states then it my job to push that boulder up the hill a little bit at a time until the next cat comes around to push it a little bit more. I get to realizing that the real authenticity of my show is interviewing the guys who play for a tree of genies high above the clouds dropping radiant acoustic bombs at a black union house on a Sunday afternoon in Buffalo, NY with Wade Legey playing round midnight or the great drummer Frankie Dunlop scouting talent for the Aquarians. Interviewing cats who fed off of a lifetime of Tony Williams and Art Blakey press roles and interwove their apparatus into an amalgamation of African rhythm and European swing.....melodic invention. My guest is in the same master bass discussion as The Skipper Henry Franklin, Cecil McBee, Stafford James, Gene Perla Jamie Myritt, Earl May, Herbie Lewis and John Heard. He has sought out different kinds of players because diversity in music and flow is that much more interesting. Be it Ohio, Pennsylvania, or the lower east side with Beaver Harris and Eddie Harris and Joe Chambers these brothers came of age at a time when there was no jazz curriculums in the schools.....if there were they were being made up by the students who were incorporating their sights and sounds from the bandstand, going five to a car and crisis crossing the country with the likes of McCoy Tyner Gary Bartz, Neal Creque ,Shelly Manne, Harold Land keeping time and the pocket but also advocating for odd time and songs of his fathers. My guest knows his people and their music traditions. He remains steadfast in his approach to creationism believing that you create your own legacy....and that's the trick no matter how many different ways your name is has was will be spelled... Juini Booth welcome to the JFS --- Support this podcast: https://anchor.fm/jake-feinberg/support
Sonship "Woody Theus" His spirit superseded his own being. An individual steeped in scripture and creative energy. The two worked hand and hand. He would allow the light of his god to shine through him when he played. He was a audacious performer, what with the knee high boots, multi-colored drum kit and masked marvel eye wear. He was not shy about his outward appearance and felt it was a necessary part of his transcendent spirit. Sonship didn't party or chase woman like his cadre. He was apt to meditate and gain strength through self-reflection. This is the great spirit forging music with religion. The ability to ask his god objectively about the volume of his drums and whether he should turn them down because another great warrior told him to do that. "I'll have to prey on it and let you know," he would say. He was not one to feign ignorance or display passive aggressive tendencies. He played from his guts with a swing more roll than rock. He did not adjust the volume on his drums. Sonship came of age when the likes of Harold Land, Charles Lloyd, Woody Shaw and others who had made names for themselves and were trying to open up opportunities for a younger generation of musicians who would further push music forward. The problem occurred when the industry yielded to loud FM caliber music that forced jazz to get louder and play in less intimate settings. The new generation of Faddis, Theus and Nash did not have the leadership to bridge the gap. The record companies shrank as did people's attention spans. Mental music became obsolete and the quintet and quartet became more of a liability when you could hire one guy to spin records. Sonships true greatness for this journalist lies in the fact that his spirit is inside me. His unique personality and perspective has galvanized my own consciousness shift. Be yourself, be passionate about what you do, believe in your own god and live in the moment. Everyday I look at Finger Rock and thank Sonship for the journey that I am on. Not a journey he put me on but one that he continues to strike with the delicate balance of nature and nurture. He is now a cosmic dweller but his presence is inside myself. I hope that through this article it will help others galvanize their own passions and be unafraid to express them without any hang ups. Be yourself, be accountable and prey on it. --- Support this podcast: https://anchor.fm/jake-feinberg/support
Those Southern Knights..... Stix Hooper, Wilton Felder, Wayne Henderson, Texas Southern University, Chicago Blues, Hugh Masekela, Harold Land, Bobby Hutcherson, Practicing The Jake Feinberg Show --- Support this podcast: https://anchor.fm/jake-feinberg/support
I sit here today in BBS totally humbled. Humbled by the fact that my searching for authenticity has led me to an iconic figure. I really am awed by the fact that my guest was submerged in one of the greatest regional music scenes in our countries history. The Bay Area - the intermeshing of the ethnic fabric that is/should be this country. This is something I have covered relentlessly on this program but to hear someone speak of it so eloquently is a treat. Sonic Wizardry was abound with the likes of Herbie Hancock, George Duke and my guest. A cat who went from a Rhodes to a Moog back to the isotopic fender with Bobby Hutchersons vibes providing the Sun for the World. He has become a change agent, knowing that by activating your true nature will lead to unforeseen highs of enlightenment. He knows that if the water sits things don't grow, you have to turn the water because its easy going downstream but harder heading up. My guest is a transcending spirit who like Sonship will be forever creating. Be it with Michael Shrieve or Harold Land or Hadley Caliman. The re-release of Worlds Around The Sun again affirms my beliefs in art advocacy, having the creative ability in conjunction with others of like mind to push the boundaries of mortality. Beginning to fuse the line with immortal but being humbled time and again when they flub a note in the late set at the Keystone Korner or can't keep their ego in check and realizing they have been on this path and they have put their dreams into action and they reinforce that dreams do come true. --- Support this podcast: https://anchor.fm/jake-feinberg/support
Legendary producer talks about his musical relationships with Harold Land, Cannonball and Gerald Wiggins, how omnivorous reading led to his genius concept albums and his father’s fight for workers rights --- Support this podcast: https://anchor.fm/jake-feinberg/support
We're stoked to welcome back Jaimie Branch to The Major Scale. Rising talents like her are the lifeblood of new music, the road ahead, and even for shows like ours. She continues carving out her sound of dark hued melodic free jazz with Bird Dogs of Paradise, the follow up to Fly Or Die. Now she takes the mic with a blues shout that has a message and musical urgency that hasn't been heard since the likes of Abbey Lincoln, and Andy Bey. Raise a fist, nod your head. Ever notice how the year 1959 had such an abundance of classics? Not just big hits, but landmark works of art that took American music to the next level. Much has been said about the big five from ‘59: Kind of Blue by Miles Davis, Giant Steps by John Coltrane, Mingus Ah Hum by Charles Mingus, The Shape of Jazz to Come by Ornette Coleman, and Take Five by Dave Brubeck. We're going to survey some of the other amazing releases from this magical year, including Yusef Lateef, Dinah Washington, Chico Hamilton, Bill Evans, Harold Land, Oliver Nelson, Cannonball Adderley, and more. ABOUT THE MAJOR SCALE: Your attention please to a new program that celebrates and takes a fresh and bold look at the great American art form- JAZZ!!! The Major Scale is the title, the motto and the mission are, Jazz- past, present, future, and everything in between. A lot of focus will be on new and fresh sounds, deep cuts, closer looks at underrated artists, taking a different look at some of the titans of the genre, and getting the two cents worth from a number of surprise guests and sources. The Major Scale can boast amongst it's guests- legends like Herbie Hancock, Tom Scott, and Ahmad Jamal. The up and coming and the underrated-Kamasi Washington, Mia Doi Todd, Michael Blake. Fresh perspectives and commentary from the likes of Rock legend Al Kooper, who weighed in on the gospel. From The New Yorker, Amanda Petrusich expounds on her article about the movement to rename the Williamsburg Bridge in honor of Sonny Rollins. We explore the Soul-Jazz experiments of the Rascals. Grace Kelly from The Late Show with Stephen Colbert talks about her pop-up/flash mob concerts. Plus Thundercat, Henry Mancini, Ghostface Killah, Jaimie Branch, Nels Cline, Badbadnotgood, Cecil Taylor, and more get pick up on the Major Scale radar. Produced in Central Florida, this program seeks to become one of the defining voices of this Native American art form, and everything else that finds itself under it's umbrella. Think about programming and content found on the likes of World Cafe, Philadelphia, PA. Tiny Desk from Washington D.C., and KEXP Live from Seattle, WA. and that's what the Major Scale strives to do. For the curious, and lovers of music who like the details in between. ABOUT KYLE EAGLE (Host): Kyle Eagle has been a contributing writer and producer for the NPR-WBGO, WUCF, WPRK, Wax Poetics, The Orlando Weekly, Artbourne, and The Fiscal Times, as well as several music and film releases- Light in the Attic's documentary "This Is Gary McFarland", and an upcoming film on composer Jack Nietzsche. Recordings- Call Me-Jack Wilson, Live at the Penthouse, Grachan Moncur III, Chico Hamilton, and Andy Bey. ABOUT CHRIS BARANYI (Producer): Chris Baranyi is a sound engineer and music producer. He splits his time between designing AV systems for theme parks and recording music. Chris has worked with many Orlando area musicians with backgrounds in jazz, fusion, hip-hop, funk, new age, and classical. Some of which have been featured on NPR's Echoes. His passion includes jazz, vintage microphones, and hot sauce.
Playlist: Hampton Hawes, featuring Harold Land, Scott Lafaro & Frank Butler - For RealAimee-Jo Benoit - One More ColourArt Hirahara - G-YokosoRachel Therrien - PigalleTony Allen + Hugh Masekela - Slow BonesNina Simone - Alone Again NaturallyErnesto Cervini, featuring Nir Felder - Softly, As in a Morning Sunrisedumama + kechou - umziIngrid Jensen & Steve Treseler - Old Time (Live)Allison Miller's Boom Tic Boom - Congratulations and CondolencesBeat Bronco Organ Trio - Beat BroncoShabaka & The Ancestors - The Coming of the Strange OnesHannah Williams & The Affirmations - 50 Foot Woman
One of the world's finest trombonists was the late Frank Rosolino. He was a mainstay in Stan Kenton's best bands of the 1950's and later became in integral part of the Los Angeles Jazz scene. Our Jazz Feature album was Rosolino's favorite but although recorded in Dec. 1958, for a variety of unknown reasons never came out until 1986. Many years after Rosolino's death in 1978.Frank picked the great Harold Land as his front line partner on tenor saxophone. Victor Feldman plays piano and Leroy Vinnegar plays bass and the swinging Stan Levey is on drums. The tunes are a mix of known standards arranged by Rosolino and two Rosolino originals. One by Feldman and one by Levey make up the rest. The date is a solid classic and really reflects and changes the idea that so called "West Coast Jazz" is dry and bloodless.....this album burns and swings like any date made in New York. "Free For All" is tonight's Jazz Feature.
15e et dernière émission de la 45e session... Cette semaine, jazz spirituel, jazz modal, jazz moderne et électro-jazz! En musique: Roy Haynes ; Idris Muhammad sur la compilation Spiritual Jazz 10: Prestige (Jazzman, 2019, enr. 1961-73); Harold Land sur l'album A New Shade of Blue (Mainstream, 1971); Azar Lawrence sur l'album Summer Solstice (Prestige, 1975); Sefi Zisling sur l'album Expanse (Tru Toughts, 2019); Junius Paul sur l'album Ism (International Anthem, 2019); Jamael Dean sur l'album Black Space Tapes (Stone Throw, 2019)...
15e et dernière émission de la 45e session... Cette semaine, jazz spirituel, jazz modal, jazz moderne et électro-jazz! En musique: Roy Hayes ; Idris Muhammad sur la compilation Spiritual Jazz 10: Prestige (Jazzman, 2019, enr. 1961-73); Harold Land sur l'album A New Shade of Blue (Mainstream, 1971); Azar Lawrence sur l'album Summer Solstice (Prestige, 1975); Sefi Zisling sur l'album Expanse (Tru Toughts, 2019); Junius Paul sur l'album Ism (International Anthem, 2019); Jamael Dean sur l'album Black Space Tapes (Stone Throw, 2019)...
This is the last trumpeter in our Jazz Features spotlighting unheralded trumpeters for November. Carmell Jones was from Kansas City, Kansas but became a a major trumpet voice on his horn when he moved to Los Angeles in 1960. He recorded his first albums there and worked with Harold Land, Curtis Amy and the big band of Gerald Wilson and others before moving to New York in 1964 to join Horace Silver's revamped Quintet. Carmell was on pianist Silver's famous date called "Song For My Father" In 1966 he moved to Europe and was there until 1980 then he returned home to Kansas and taught and played locally before his death at age 60. in 1996. Tonight's Jazz Feature is his fine only date for Prestige in 1965. Carmell picked a great band with Jimmy Heath on tenor saxophone and Barry Harris on piano adding much energy to the proceedings. George Tucker on bass and Roger Humphries on drums drive the music along in swinging fashion. Carmell's main influence was Clifford Brown and with his warm full sound and abundant technique Carmell reflects that wonderful influence by being Carmell! Check out "Jay Hawk Talk" tonight!
This is the third Jazz Feature on underrated and under recorded trumpeters. Boston born Joe Gordon started young and worked with Georgie Auld, locals Charlie Mariano, Jaki Byard and toured with Lionel Hampton. He was also first call when Charlie Parker played in Boston. Gordon moved to New York in 1954 and worked and recorded with Art Blakey and joined Dizzy Gillespie's big band and toured the Middle East and recorded with Dizzy. He also played with pianist Horace Silver then seemed to disappear. He emerged in L.A. in 1959 and became first call Jazz trumpeter and worked with Harold Land, Wes Montgomery and recorded with Thelonious Monk. Joe's real fame came when he joined drummer Shelly Mann'e Quintet and toured Europe and recorded many albums. Shelly's Quintet was one of the great groups in Jazz history. Tonight's album was done in 1961 and was only Joe's second under his name however it not only featured his crackling and fiery trumpet but 8 of his compositions He appears here with alto saxophonist Jimmy Woods making his recording debut. Dick Whittington is on piano, Jimmy Bond on bass and the swingin' Milt Turner on drums. "Lookin' Good!" was Joe's last recording as he died in a house fire in November of 1963 at age 35. Check out Joe Gordon tonight, you'll be glad you did!
9e émission de la 36e session... Cette semaine, pas mal juste du vieux groove en hard-bop, funk, jazz modal, spirituel et free ! En musique: Harold Land sur l'album West Coast Blues! (Jazzland, 1960); Gene Russell sur l'album New Direction (Black Jazz, 1971); Maceo Parker sur l'album Life on Planet Groove (Minor Music, 1992); Dadisi Komolafe sur l'album Hassan's Walk (Nimbus West, 1983); David S. Ware Trio sur l'album Live in New York, 2010 (AUM Fidelity, 2017)...
9e émission de la 36e session... Cette semaine, pas mal juste du vieux groove en hard-bop, funk, jazz modal, spirituel et free ! En musique: Harold Land sur l'album West Coast Blues! (Jazzland, 1960); Gene Russell sur l'album New Direction (Black Jazz, 1971); Maceo Parker sur l'album Life on Planet Groove (Minor Music, 1992); Dadisi Komolafe sur l'album Hassan's Walk (Nimbus West, 1983); David S. Ware Trio sur l'album Live in New York, 2010 (AUM Fidelity, 2017)...
Mike and Pat catch up on a couple of quartets missed on the fourth anniversary show and a couple more poll winners from 2015. Their pledge - this year we make up our own stinkin' list of 2016 releases to cover (by stealing from other lists, naturally). Tom Harrell – FIRST IMPRESSIONS; Henry Threadgill – IN FOR A PENNY, IN FOR A POUND; Harold Land – PROMISED LAND; Plotz – EXTRAORDINARY RENDITIONS.
This band was a mix of two generations of players. Tenor saxophonist Harold Land was one of the leading tenor saxophonists on the scene and had rose to fame in the early 50s. Vibist Bobby Hutcherson was about a dozen years younger than Land and came up in the turbulent 60s and established himself as the leading post-Milt Jackson vibist who was capable of playing in "straight-ahead" contexts and "avant-guard" settings. They formed a band and were able to use various rhythm sections over the four or so years they performed together. They recorded for various labels but their most significant dates were for Blue Note and this date in particular is really one of their high points. The date is called "Total Eclipse" and features an ace rhythm section with Chick Corea on piano, Reggie Johnson on bass and Joe Chambers on drums. Of the five tunes, four are by Bobby Hutcherson and one is by Chick Corea. This music is timeless and in reality a modern day classic.
Programa monográfico dedicado al saxo tenor americano Harold Land (1928-2001) con grabaciones del año 1958.Escuchar audio
Dwight Trible joins us to talk about his latest project: Cosmic and his concert Sunday, Nov. 4, 2012, 7 PM at Yoshi's in SF. Dwight Trible is a singer who combines the best of vocal virtuosity with musicianship and improvisational skills to the delight of audiences and musicians alike. In addition to performing with his own group, the Dwight Trible Ensemble, Dwight is the vocalist with the Pharaoh Sanders Quartet and is also the vocal director for the Horace Tapscott Pan Afrikan Peoples' Arkestra. Not a newcomer to the music scene, Dwight has worked with such notables as Oscar Brown Jr., Charles Lloyd, Billy Childs, Kenny Burrell, Kenny Garrett, Steve Turre, Harold Land, Harry Belafonte, Della Reese and Norman Conners, John Beasley, Patrice Rushen, Babatunde Lea, Ernie Watts, Kahlil El Zabar, as well as contemporary soul artist like LA Reid and DJ Rogers. Dwight's collaborations with Horace Tapscott, Billy Higgins, Kamau Daaood and others have produced some of the finest musical moments in Los Angeles in recent years - and his best is yet to come! Like his mentors, Dwight is not content to use his music just to entertain people, although he is quite a dynamic performer. He uses his music to bring people together, to bridge the gap between the races, and to heal the human heart. He has received numerous awards for his humanitarian efforts: http://www.dwighttrible.com/ We rebroadcast an interview with Michele Rosewoman, pianist, composer, bandleader, who is in town to celebrate the life and legacy of Ed Kelly, who is honored tonight at the Oakland Public Conservatory, 1616 Franklin Street, Oakland, CA, 7-9 PM: http://www.reverbnation.com/michelerosewoman
At age nineteen Ndugu had performed and recorded with such greats as Miles Davis, Freedie Hubbard, Joe Henderson, Eddie Harris, Harold Land and Bobby Hutcherson. Ndugu has worked on several Grammy nominated albums and has numerous production and co- production credits. Ndugu Chancler is known not only as a world-class drummer and percussionist, but also a producer, composer, clinician and teacher. A three-time Grammy nominee, he has to his credit an extensive list of performances, recordings, original compositions and productions. As a studio musician, he has performed and recorded with Miles Davis, Herbie Hancock, George Duke, Patrice Rushen, Hubert Laws, The Crusaders, Frank Sinatra, Weather Report, Lionel Richie, Kenny Rogers, Thelonious Monk and John Lee Hooker. He was the drummer on the biggest selling pop album by Michael Jackson, Thriller, providing the beat on “Billie Jean.” As a producer and songwriter, he has written hits for The Dazz Band and George Duke, and produced for Flora Purim, Bill Summers, Toki and his own solo recordings. He has co-produced recordings for Santana, The Crusaders, George Duke, Tina Turner, Joe Sample, Wilton Felder and The Meeting, the group he co-leads with Patrice Rushen and Ernie Watts.
Tonight's Jazz feature is a wonderful recording that was meant for private use. It was recorded by Dave Quarin, a great Vancouver saxophonist who also ran one of Vancouver's finest Jazz clubs: The Cellar. The original Cellar was in existence from 1955 to 1963 and run as a co-operative venture by musicians and artists. The staff was volunteer and only the musicians were paid. Local players were featured and at times the club brought in name players. Such was the case with our Jazz Feature. The great tenor saxophonist, Harold Land took over a wonderful band that had just backed up Sonny Rollins for two weeks in San Francisco and brought them to Vancouver in November 1958. The music was some of the best Jazz that I ever heard as I was there in Nov. 1958....I had just moved to Vancouver and was still in High School but I witnessed the music for three of the four nights they were here. The music was a powerful and distant memory until the tapes of several tunes made the rounds of musicians and eventually ended up at Lonehill Records where all the tunes were collated on a single 80 minute CD with some of the profits of the sales going to the Harold Land Estate. The music is powerful and strong and all of these men are at their creative peak: Harold Land, the leader on tenor saxophone, the legendary Elmo Hope on piano, Scott LaFaro on bass, who eventually made history with Bill Evans and the fine dynamic drumming of Lennie McBrowne complete this incredible quartet. Only two long tunes will make up a complete set: the standard, 'Just Friends' and the Charlie Parker blues called 'Big Foot' plus a short version of the band's theme, Dameron's 'The Scene is Clean'. Powerful music from a legendary band at a now legendary club.
This morning we will have a tribute to William B. Lawsha "Prince Lasha," September 10, 1929 to December 12, 2008. Prince Lasha was born in 1929 in Fort Worth, Texas and went to school with Ornette Coleman. In1947, the two of them started playing saxophone in a school band (which also produced great musicians like Charles Moffett and King Curtis). They worked with Harold Land and Red Connors before going their separate ways. He lived in New York, Oakland, Germany, Italy, and France where he had the honor, he says, of playing with many great musicians such as Sonny Simmons who worked with Prince for six years; Eric Dolphy, John Coltrane, and Sonny Rollins recorded together—in fact he wrote “Music Matador that Eric Dolphy made famous. Wanda's Picks concludes with an excerpt of Matador (from …A True Story). When he made his transition last month, Prince was working on releasing a new CD on his label Birdseye Records, called “Baritone Madness.” I hope we'll see this CD in the near future. It features Woody Shaw, Ron Carter, Odean Pope and Eddie Gale. Prince Lasha Jr. said there's another release coming out in a few weeks and he'll tell us about it this morning. Perhaps I can get the producer, Prince Jr., to come on the air to talk about the project. We will be joined this special 1 1/2 hour tribute by Prince's friends and family, including Odean Pope, Eddie Gale, Sonny Simmons, Chuck Fishman, Oluyemi Thomas, Destiny Muhammad, Leon Williams, Anthony Foster, and sons: Anthony, William and Prince. Wanda's Picks concludes with an interview with Kelly Whalen, co-director of Tulia, TX, a film about a small town's search for justice in the midst of blatant police misconduct in an attempt to rid the town of drug trafficking. The ITVS film is premiering at the San Francisco Main Library, 100 Larkin Street, near Civic Center BART. Lanier Pruitt, our beloved friend and colleague died suddenly. His funeral is today, Friday, Jan. 23, 12 Noon, at Cooper Mortuary, 1580 Fruitvale
Bassist Curtis Counce was one of the first African-American musicians to be part of what was called in the 1950's "West Coast Jazz".....as part of the scene in Los Angeles, Counce worked with Shorty Rogers, Jimmy Giuffre and was for a couple of years a member of Stan Kenton's band. Counce died in 1963 at the young age of 37 of a heart attack but will be remembered for forming and recording with this band called "The Curtis Counce Group" The great Harold Land was featured on tenor saxophone, Jack Sheldon on trumpet with some of his best work, the legendary Carl Perkins, who also died young in 1958, on piano and the incredible Frank Butler on drums. They recorded during their time from late 1956 to April 1958, a whole series of albums for the Contemporary label. Their sound was not the cool "West Coast Jazz" style but "New York tough". One great band that made Jazz history.
Monk's quartet with Charlie Rouse on tenor saxophone and John Ore on bass and new drummer Billy Higgins plus two great West Coast based horn players:Harold Land on tenor saxophone and Joe Gordon on trumpet add to the ensemble. Monk himself is in relaxed and inspired form on this live date recorded at the legendary "Blackhawk" in San Francisco.
This week’s Contrabass Conversations episode features an interview with and music from Chicago Symphony bassist Rob Kassinger. Rob’s musical interests span many genres and include both the electric bass and the double bass. You will learn about Rob’s early years on the bass and how working in jazz and rock settings led to an interest in orchestral double bass playing in this fascinating interview. This episode also features Rob playing the first movement of the Breval Sonata in a live performance, and it includes a track from NYCO, a rock band that Rob was a member of for several years. You will be hearing People We Knew from their recent album “Two". You can purchase “Two" by following this link. Enjoy! About Rob: Robert Kassinger was appointed to the Chicago Symphony Orchestra in 1993. Prior to Chicago, Rob performed as assistant principal bass with the Colorado Symphony and also played with the New Orleans Symphony. In addition to his busy schedule with the Orchestra, Rob is an active chamber musician. He performs with the Revolution Ensemble, the Orion Ensemble, Fulcrum Point, Ars Viva, Music of the Baroque, the Callisto Ensemble, MusicNOW, and broadcasts on WFMT and WTTW. Most recently he has been a featured guest with Yo-Yo Ma’s Silk Road Ensemble, and has performed Schubert’s Trout Quintet with Daniel Barenboim. In July 2006, Rob served as double bass professor at the Canton International Summer Music Academy, led by Charles Dutoit. Rob grew up in a family of musicians in Boulder, Colorado. He began his bass studies with Frank Carroll at the University of Colorado. In 1985 he moved to New York to study with Homer Mensch at the Manhattan School of Music, where he received his bachelor of music degree. Rob then pursued his master’s degree at the Juilliard School, continuing his studies with Mr. Mensch. He later went on to study with Bruce Bransby at Indiana University. Some of his most influential experiences as a student were his two years as principal bass of the New York String Orchestra Seminar, conducted by Alexander Schneider, and the two summers he spent as a fellowship student at the Aspen Music Festival, studying with Stuart Sankey and Bruce Bransby. In 1989 Rob was the winner of the Aspen Double Bass Competition. Rob’s experience as a jazz performer dates back to his early teens, working in the house rhythm section at the infamous Denver jazz club El Chapultapec, and over the years he has performed with Wynton Marsalis, Branford Marsalis, Kenny Burrell, the Woody Herman band, Conte Candoli, Charlie Rouse, Teddy Edwards, Harold Land, Red Holloway, Charles Brown, Art Lande, Richard Stoltzman, Gary Burton, Alex Acuna, Laurence Hobgood, and Bobby Lewis. In 1998 and 2000, Rob toured India with the Chicago Jazz Express, and he can be heard on their recordings Voyage to India and The Rhythm Section. He also appears on Bobby Lewis’ latest CD, Just Havin’ Some Fun. In addition, Rob is featured on Daniel Barenboim’s Brazilian Rhapsody on the Teldec label, and Kabbalah Blues/Quantum Funk by the Revolution Ensemble. Rob’s latest project has given him a chance to spend more time with the bass guitar. His alternative rock group NYCO has released its debut album Two, available through nycomusic.com and at Itunes.com. Rob is professor of double bass at DePaul University. He is also in demand as a coach and master clinician, serving in this capacity for the Chicago Youth Symphony Orchestras, the Juilliard School, and the Mannes School of Music. In the summers of 1999 through 2002, it was Rob’s honor to teach at the West-Eastern Divan, a ground-breaking workshop that brings young musicians from Israel and various Arab countries together to study orchestral music with Daniel Barenboim, Yo-Yo Ma, and members of the CSO, Berlin Philharmonic, and Staatskapelle Berlin.
Troisième de la sixième session. Cette semaine, ça groove avec l'album entier Radiale (paru en 2004) de Zu & Spaceways Incorporated. Ensuite, pièces de The Harold Land & Blue Mitchell Quintet et du Dave Holland Quintet... Lecture de la semaine: Un peu de Nietzsche avec des aphorismes de Humain, trop Humain.
Troisième de la sixième session. Cette semaine, ça groove avec l'album entier Radiale (paru en 2004) de Zu & Spaceways Incorporated. Ensuite, pièces de The Harold Land & Blue Mitchell Quintet et du Dave Holland Quintet... Lecture de la semaine: Un peu de Nietzsche avec des aphorismes de Humain, trop Humain.
A rare albums for Blue Note only issued in Japan is a minor classic by Bobby Hutcherson with some tracks augmented by a horn section that includes the great Harold Land on tenor saxophone and flute and other tracks with a quartet with Bobby on vibes and marimba with piano,bass and drums.
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