Podcasts about Pharoah Sanders

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**It's The Jazz2Go Show Replay On traxfm.org. Jazz2Go Presented Contemporary/Be Bop/Samba/Neo/Soulful Jazz Trax From Conrad Herwig Ft Michel Camilo, Moe Koffman, Pharoah Sanders, Orquesta Todos Estrelles, Fumio Itabashi, Tommaso Cappellato & Astral Travel, Cesar, Steven Kroon, Shokazulu, Vital Circuit, Baden Powell & Márcia Ft Os Originais do Samba, Kyoto Jazz Massive Ft Vanessa, Amanda Whiting & More #originalpirates #JazzMusic #jazzfunk #jazzclub #jazzdance #neojazz #sambajazz #bebop #bossanova Catch Jazz2Go Every Monday From 7PM UK Time Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

Master drummer Eric McPherson sits down with Pablo Held to discuss his idea of flow on the drums, lessons learned from jazz legends Jackie McLean, Andrew Hill & Pharoah Sanders, his relationship to bassists Ben Street & John Hebert and memorable moments in the studio / on the road. ___ • Support ‘Pablo Held Investigates' … Continue reading Eric McPherson

For this months episode we head back to 1971 for a batch of epicly long prog epics, peppered with the occasional bit of folk rock, powerpop, metal, jazz, and afrobeat. Our longest playlist yet, and lots of fun along the way! We've each chosen our 10 favourite songs of the year and sent them over to Colin's wife Helen, who put the playlists together and distributed them so we were each given a playlist of the 20 songs from the other two hosts, along with our own 10. We then ranked the playlists in order of preference and sent them back to Helen, who totalled up the points and worked out the order.She also joined us on the episode to read out the countdown, which we found out as we recorded so all reactions are genuine.Now, admittedly, in parts we're a little bit brutal to some of the songs in the list as we're three separate people with differing music tastes, but please remember that to be in this episode at all the songs have to have been in one of our top 10's of that year.Bands featured in this episode include (In alphabetical order, no spoilers here!) - Badfinger, The Beach Boys, Black Sabbath, David Bowie, Can, Caravan, Neil Diamond, Nick Drake, Emerson, Lake & Palmer, Flower Travelin' Band, The Flying Burrito Brothers, Focus, Hampton Grease Band, Jimi Hendrix, The Hollies, Billy Joel, King Crimson, Mahavishnu Orchestra, Nazz, Harry Nilsson, The Norman Haines Band, Osibisa, Pink FLoyd, The Rolling Stones, Pharoah Sanders, Nancy Sinatra & Lee Hazlewood, Stephen Stills, Traffic, Van Der Graaf Generator & The WhoFind all songs in alphabetical order here - https://open.spotify.com/playlist/36GaQbyuHTepSEAQkXubCN?si=24673026411f4e51Find our We Dig Music Pollwinners Party playlist (featuring all of the winning songs up until now) here - https://open.spotify.com/playlist/45zfDHo8zm6VqrvoEQSt3z?si=Ivt0oMj6SmitimvumYfFrQIf you want to listen to megalength playlists of all the songs we've individually picked since we started doing best of the year episodes (which need updating but I plan on doing them over the next few months or so), you can listen to Colin's here – https://open.spotify.com/playlist/5x3Vy5Jry2IxG9JNOtabRT?si=HhcVKRCtRhWCK1KucyrDdgIan's here - https://open.spotify.com/playlist/2H0hnxe6WX50QNQdlfRH5T?si=XmEjnRqISNqDwi30p1uLqAand Tracey's here - https://open.spotify.com/playlist/2p3K0n8dKhjHb2nKBSYnKi?si=7a-cyDvSSuugdV1m5md9NwThe playlist of 20 songs from the other two hosts was scored as usual, our favourite song got 20 points, counting down incrementally to our least favourite which got 1 point. The scoring of our own list of 10 is now slightly more complicated in order to give a truer level of points to our own favourites. So rather than them only being able to score as many points as our 10th favourite in the other list, the points in our own list were distributed as follows -1st place - 20 points2nd place - 18 points3rd place – 16 points4th place – 14 points5th place – 12 points6th place – 9 points7th place – 7 points8th place – 5 points9th place – 3 points10th place -1 pointHosts - Ian Clarke, Colin Jackson-Brown & Tracey BGuest starring Helen Jackson-Brown.Playlist compiling/distributing – Helen Jackson-BrownRecorded/Edited/Mixed/Original Music by Colin Jackson-Brown for We Dig PodcastsThanks to Peter Latimer for help with the scoring system.Part of the We Dig Podcasts network along with Free With This Months Issue & Pick A Disc.Bluesky - https://bsky.app/profile/wedigmusic.bsky.socialInstagram - https://www.instagram.com/wedigmusicpcast/Facebook - https://www.facebook.com/wedigpusicpcast/Find our other episodes & podcasts at www.wedigpodcasts.com 

“Art is a thing people forget they need until they need it” - yasiin beyFeaturing, in order of appearance: Questlove, Michelle Wolf, Niko Is, Narcy, Radio Rahim, Roc Marciano and Black Thought Contains audio clips featuring Prince and Chuck Berry and unreleased music from Black Star, as well as John Coltrane and Pharoah SandersRecorded in Ohio, Summer 2020 and Spring 2021Executive Produced by Talib Kweli, yasiin bey, Dave Chappelle, Noah Gersh, Jamie Schefman, Nick Panama, Kenzi Wilbur, and Miles HodgesProduced by Noah Gersh and Jamie Schefman for SALTProduction Manager: Liz LeMayRecording Engineer: Federico LopezRecording Engineer: Adrián Bruque for NPNDAssistant Editor: Noah Kowalski Additional Score by Jasper van Dijk Senior Sound Designer: Russell TopalTranscription Supervisor: Sam BeasleyMixer: Jordan GalvanPodcast Artwork: Rachel EckStill Photography: Mathieu BittonThe Midnight Miracle is a Luminary Original Podcast in partnership with Pilot Boy Productions and SALT.Special thanks to Paul Adongo, Cipriano Beredo, Elaine Chappelle, Ivy Davy, Rikki Hughes, Kyle Ranson-Walsh, Sina Sadighi, Mark Silverstein, and Carla Sims.Photography made available courtesy of Pilot Boy Productions, Inc. Copyright © 2021 by Pilot Boy Productions, Inc., all rights reserved.Author-read book passages from Vibrate Higher, by Talib Kweli (available at KweliClub.com, Audible.com, or other booksellers)

Love is in the air! Love is everywhere! With a throwback to a Pharoah Sanders classic and an array of lovesick songs in the third hour, this week's AM counts as a semi-Valentines episode for those who celebrate such things—and also includes plenty of new ambient, electronic and spiritual jazz selections for those who don't. Hope you enjoy it.Playlist: Nico Georis - Who Knows the PathI Am Robot and Proud - Lines in a GridTest Card - There are years in OctoberKhotin - DwellberryMark McGuire - South For The WinterMatthew Cardinal - Lover's Loop 1Yu Su, featuring Michelle Helene Mackenzie - Little Birds, MoonbathN Nao - FleuronKaitlyn Aurealia Smith - Into Your EyesBuildings and Food - StreetlightsFLOCKS - Now TransientHeal Mura - Thong LenJairus Sharif - MawuJOYFULTALK - Blissed For a MinuteOrganic Pulse Ensemble - Rings on the SurfaceBrown Spirits - Winter SolsticePharoah Sanders - Love is Everywhere - Live in Paris (1975)The Natural Yogurt Band, The Oracle - MessagesFlying Lotus - Let Me Cook (Instrumental)Yuma Abe - That Feels GoodJonah Yano - Romance ESLSUUNS - Peace and LoveRobert Wyatt - LoveExtra Happy Ghost!!! - True Love Leaves No TracesANOHNI and the Johnsons - I'm in LoveKris Ellestad - The Book of LoveEric Chenaux - Love Don't ChangeThe Fireman - Is This Love?Gorky's Zygotic Mynci - Easy LoveAir - LoveEconomics - neon loveCircle Research - Look of LoveBADBADNOTGOOD - Fall In LoveD'Angelo and the Vanguard - Really LoveKeiichi Suzuki, Hirokazu Tanaka, Hiroshi Kanazu and Toshiyuki Ueno - You've Come Far NESMort Garson - Concerto for Philodendron & PothosMort Garson - PlantasiaMort Garson - Symphony for a Spider PlantMort Garson - Baby's Tears BluesMort Garson - Ode to an African VioletMichael Boddicker - End Credits Theme

Segunda y última parte del monográfico dedicado al gran Ornette Coleman, uno de los puntales del free jazz. En esta ocasión retomamos el programa tras la temporal retirada de Ornette de la vida pública, en 1962, algo cansado por trato recibido por managers y promotores, así como por la incomprensión hacia su música Tras su retorno un par de años después, analizamos discos tan interesantes como el "Chappaqua Suite" (1965), compuesto para una banda sonora que finalmente no fue o la incorporación a su banda como batería de su hijo Denardo, con solo diez años de edad, en el disco "The Empty Foxole" (1966). También descubriremos la participación en sus discos de otros saxofonistas tan míticos como Dewey Redman o Pharoah Sanders o sus experimentos con la música clásica y las orquestas sinfónicas en obras como "Skies of America" (1972). Llegamos también a sus primeras incursiones en el jazz eléctrico, con discos como "Science Fiction" (1971), que desembocaron en una electrificación más intensa tras la creación del grupo Prime Time, en discos como "Dancing in your head" (1977), "Body Meta"(1978) o "Of human feelings..." (1979). Acabamos con otro de sus grandes discos, ya metidos en la década de los 80, "In all languages" (1987) donde alterna su cuarteto clásico con su banda eléctrica. En definitiva, hemos dado un paseo por las etapas más rompedoras de este genio del jazz, que espero animen a los oyentes a rescatar su discografía posterior, también bastante interesante.

JOEL FRAHM TRIO “LUMINATION” New York, May 9, 2023The nurse is in, Loomie nation, Vesper flightsJoel Frahm (ts) Dan Loomis (b) Ernesto Cervini (d) ALICE COLTRANE “A MONASTIC TRIO” New York, January 29, 1968Gospel trane, I want to see you, Oceanic beloved (1)Alice Coltrane (p,harp) Jimmy Garrison (b) Rashied Ali (d) Pharoah Sanders (bells) BEN WENDEL “UNDERSTORY: LIVE AT THE VILLAGE VANGUARD” New York, November 4-6, 2022Proof, Jean & RenataBen Wendel (saxes,effects) Gerald Clayton (p) Linda May Han Oh (b,vcl) Obed Calvaire (d) Continue reading Puro Jazz 20 de diciembre, 2024 at PuroJazz.

JOEL FRAHM TRIO “LUMINATION” New York, May 9, 2023The nurse is in, Loomie nation, Vesper flightsJoel Frahm (ts) Dan Loomis (b) Ernesto Cervini (d) ALICE COLTRANE “A MONASTIC TRIO” New York, January 29, 1968Gospel trane, I want to see you, Oceanic beloved (1)Alice Coltrane (p,harp) Jimmy Garrison (b) Rashied Ali (d) Pharoah Sanders (bells) BEN WENDEL “UNDERSTORY: LIVE AT THE VILLAGE VANGUARD” New York, November 4-6, 2022Proof, Jean & RenataBen Wendel (saxes,effects) Gerald Clayton (p) Linda May Han Oh (b,vcl) Obed Calvaire (d) Continue reading Puro Jazz 20 de diciembre, 2024 at PuroJazz.

ORNETTE COLEMAN “THE SHAPE OF JAZZ TO COME” Hollywood, CA, May 22, 1959Lonely womanDon Cherry (cnt) Ornette Coleman (as) Charlie Haden (b) Billy Higgins (d) JOHN COLTRANE “ASCENSION” Englewood Cliffs, N.J., June 28, 1965Ascension (Edition I – Part 1)Freddie Hubbard, Dewey Johnson (tp) John Tchicai, Marion Brown (as) John Coltrane, Pharoah Sanders, Archie Shepp (ts) McCoy Tyner (p) Jimmy Garrison, Art Davis (b) Elvin Jones (d) CECIL TAYLOR “UNIT STRUCTURE” Englewood Cliffs, N.J., May 19, 1966StepsEddie Gale (tp-1) Jimmy Lyons (as-2) Makanda Ken McIntyre (as-3,oboe-4,b-cl-5) Cecil Taylor (p,bells-4) Henry Grimes, Alan Silva (b) Andrew Cyrille (d) ALBERT AYLER TRIO “SPIRITUAL UNITY” New York, July 10, 1964Ghosts (first variation)Albert Ayler (ts) Gary Peacock (b) Sunny Murray (d) PETER BROTZMANN OCTET “MACHINE GUN” Bremen, May, 1968Music for Han Bennink IPeter Brotzmann (ts,bar) Willem Breuker (ts,b-cl) Evan Parker (ts) Fred Van Hove (p) Peter Kowald, Buschi Niebergall (b) Han Bennink (d) Sven-Ake Johansson (d,perc) Continue reading Puro Jazz 16 de diciembre, 2024 at PuroJazz.

ORNETTE COLEMAN “THE SHAPE OF JAZZ TO COME” Hollywood, CA, May 22, 1959Lonely womanDon Cherry (cnt) Ornette Coleman (as) Charlie Haden (b) Billy Higgins (d) JOHN COLTRANE “ASCENSION” Englewood Cliffs, N.J., June 28, 1965Ascension (Edition I – Part 1)Freddie Hubbard, Dewey Johnson (tp) John Tchicai, Marion Brown (as) John Coltrane, Pharoah Sanders, Archie Shepp (ts) McCoy Tyner (p) Jimmy Garrison, Art Davis (b) Elvin Jones (d) CECIL TAYLOR “UNIT STRUCTURE” Englewood Cliffs, N.J., May 19, 1966StepsEddie Gale (tp-1) Jimmy Lyons (as-2) Makanda Ken McIntyre (as-3,oboe-4,b-cl-5) Cecil Taylor (p,bells-4) Henry Grimes, Alan Silva (b) Andrew Cyrille (d) ALBERT AYLER TRIO “SPIRITUAL UNITY” New York, July 10, 1964Ghosts (first variation)Albert Ayler (ts) Gary Peacock (b) Sunny Murray (d) PETER BROTZMANN OCTET “MACHINE GUN” Bremen, May, 1968Music for Han Bennink IPeter Brotzmann (ts,bar) Willem Breuker (ts,b-cl) Evan Parker (ts) Fred Van Hove (p) Peter Kowald, Buschi Niebergall (b) Han Bennink (d) Sven-Ake Johansson (d,perc) Continue reading Puro Jazz 16 de diciembre, 2024 at PuroJazz.

It's The Jazz2Go Show Replay On traxfm.org. Jazz2Go Presented Some Classic & Contemporary/Neo Jazz/Samba/ Be Bop/ Jazz Crackers From George Cables, Chris Hinze & The Chris Hinze Combination, Egba, Bobbi Humphrey, Nat Adderley, Agua Bella, Fabiano Orchestra, Terumasa Hino, Pharoah Sanders, Gerardo Frisina, Two Banks Of Four, Hugo Fatturuso, Jon Hendricks, Eddie Palmieri & More #originalpirates #JazzMusic #jazzfunk #jazzclub #jazzdance #neojazz #sambajazz #bebop Catch Jazz2Go Every Monday From 7PM UK Time Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm

durée : 00:59:04 - Un ange passe - par : Nathalie Piolé -

Ben Makinen is an award-winning filmmaker, music producer, composer, and percussionist with over 40 years of experience in film, television, theater, and music production. A voting member of the Recording Academy (GRAMMYS), he is known for his compelling documentaries that explore the rich interplay between music and culture. Ben has produced two acclaimed music documentaries, JazzTown and Who Killed Jazz, while his latest film, Echoes of Tradition, which delves into the Native American influences on the birth of jazz, has secured national distribution with PBS for 2025. His works are self-distributed through his company, Bmakin Film, with JazzTown available on platforms like AppleTV, Amazon Prime, Google Play, Vudu, and Rocky Mountain PBS. Currently, Ben is in post-production on We Are Here: Women In Jazz, a documentary that addresses the challenges women face in male-dominated industries, featuring internationally acclaimed recording artists (The Manhattan Transfer, Veronica Swift, Ingrid Jensen, Erena Terakubo, Endea Owens…) His collaborative spirit has led him to work with 11x Grammy-nominated Native American musician R. Carlos Nakai, who served as both producer and cultural advisor for Echoes of Tradition. Beginning his professional journey as a drummer in 1980, Ben's early influences include jazz legends Billy Wallace (pianist with Max Roach) and Joe Bonner (pianist with Pharoah Sanders). Since 1990, he has worked as a music producer and composer, and in 2001, he founded Bmakin Film, focusing on diverse projects, including music videos, experimental films, narrative works, and documentaries. Throughout his career, he has produced and performed on over 50 albums across genres, from jazz and blues to pop, rock, electronica, new age, and opera. Passionate about teaching and mentoring, Ben founded the International Modern Film Alliance (IMFA) in 2020 to promote storytelling through the integration of music and film. He leads workshops for children and young adults in Bali, Indonesia, sharing his love for jazz and cinema. Additionally, he is organizing Bali's first AI International Film Festival, set to launch in 2025.

Sunday Sanctuary has teamed up with the Makers and Mystics podcast to bring you this episode on reclaiming wonder! Stephen Roach from Makers & Mystics is Petra's guest on this episode of Sunday Sanctuary as they explore the different ways that noticing the small wonders of the world can re-open, restore and change lives. Petra and Stephen look at finding wonder largely through the lens of creativity, but no matter how creative you're feeling today, this episode is a calm, wonder-chasing sanctuary for you.  For those of you who want to delve deeper into Petra and Stephen's conversation, an extended cut will appear in the Makers & Mystics podcast feed on November 13th. For any Mystics & Makers listeners who have come to Sunday Sanctuary, kia ora/hello! It's great to have you here. Haere mai! (Welcome/Come along!) Sacred texts: 'The mystery of tea' scene from the film After Yang (a great film, especially for fans of cosy sci-fi which looks at themes of memory and family) 'The Summer Day' poem by Mary Oliver (read by Mary Oliver at The 92nd St Y) Music: Weird Little Birthday Girl by Happyness (played during intro) Stromy by Gabor Szabo (played to end the first part of Stephen's conversation) Red Lit Room by Holly Arrowsmith Space is the Place by Ezra Collective (played during Community Life) The Sea Has Spoken by Songs of Water (This is Stephen's band! Played during the contemplative moment) Summer's End by Julie Byrne (played during communion) Movement 6 and Movement 7 by Floating Points, Pharoah Sanders and the London Symphony Orchestra Slider (Lorenzo Saxophone Dub) by This Is The Kit (played at the end of Stephen's conversation) Vanity by Mica Levi (played during the benediction)

Here's another Ph.D. topic for you: Miles Davis vs. Ornette Coleman. Both blazingly original innovators lived most of their lives in Manhattan and they were roughly contemporaries (Miles was 4 years older) so they drew from the same talent pool to make up their bands.  But across 30+ years of simultaneous bandleading and the hiring of dozens and dozens of sidemen, how many can you think of who toured and recorded extensively with both?  We've got one for you: tabla player Badal Roy.     And Badal Roy did so much more than play with those two giants!  His bubbling groove and enormous sonic textures can be heard on albums by everyone from Yoko Ono to Richie Havens, John McLaughlin to Pharoah Sanders, not to mention half a dozen albums under his own leadership.  He died in 2022.   But if you talk to those who knew him, they all speak of a singular warmth, humanity, and unabashed joy.  Maybe that, more than the pure musicianship, is what caught the ear of Miles and Ornette in the first place.     Few know this better than guitarist Ken Wessel. Wessel toured and recorded with Badal Roy in Ornette's band for 13 years, and the two worked on a number of their own projects together.  Wessel will be celebrating Badal Roy in this week's Ragas Live Festival in Brooklyn.     Deep Focus host Mitch Goldman is delighted to welcome Ken Wessel to the WKCR studios this Monday (10/14) from 6pm to 9pm NYC time.  It's on WKCR 89.9FM, WKCR-HD or wkcr.org.  Or join us next week when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram at deep_focus_podcast.   Photo credit: source unknown.   #WKCR #JazzAlternatives #DeepFocus #KenWessel #BadalRoy  #MitchGoldman #JazzInterview #JazzPodcast #JazzRadio #OrnetteColeman #MilesDavis

Here's another Ph.D. topic for you: Miles Davis vs. Ornette Coleman. Both blazingly original innovators lived most of their lives in Manhattan and they were roughly contemporaries (Miles was 4 years older) so they drew from the same talent pool to make up their bands.  But across 30+ years of simultaneous bandleading and the hiring of dozens and dozens of sidemen, how many can you think of who toured and recorded extensively with both?  We've got one for you: tabla player Badal Roy.     And Badal Roy did so much more than play with those two giants!  His bubbling groove and enormous sonic textures can be heard on albums by everyone from Yoko Ono to Richie Havens, John McLaughlin to Pharoah Sanders, not to mention half a dozen albums under his own leadership.  He died in 2022.   But if you talk to those who knew him, they all speak of a singular warmth, humanity, and unabashed joy.  Maybe that, more than the pure musicianship, is what caught the ear of Miles and Ornette in the first place.     Few know this better than guitarist Ken Wessel. Wessel toured and recorded with Badal Roy in Ornette's band for 13 years, and the two worked on a number of their own projects together.  Wessel will be celebrating Badal Roy in this week's Ragas Live Festival in Brooklyn.     Deep Focus host Mitch Goldman is delighted to welcome Ken Wessel to the WKCR studios this Monday (10/14) from 6pm to 9pm NYC time.  It's on WKCR 89.9FM, WKCR-HD or wkcr.org.  Or join us next week when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram at deep_focus_podcast.   Photo credit: source unknown.   #WKCR #JazzAlternatives #DeepFocus #KenWessel #BadalRoy  #MitchGoldman #JazzInterview #JazzPodcast #JazzRadio #OrnetteColeman 

The sonically innovative harpist, Brandee Younger, is revolutionizing harp for the digital era. Over the past fifteen years, she has worked relentlessly to stretch boundaries and limitations for harpists.  In 2022, she made history by becoming the first Black woman to be nominated for a Grammy® Award for Best Instrumental Composition. That same year, she was also nominated for an NAACP Image Award and later, the winner of the 2024 NAACP Image Award in the category of Outstanding Jazz Album for her latest album Brand New Life.  Ever-expanding as an artist, she has worked with cultural icons including Common, Lauryn Hill, John Legend, Pharoah Sanders and Christian McBride.   Her original composition “Hortense” was featured in the Netflix Concert-Documentary, Beyoncé: Homecoming and in 2019, Brandee was selected to perform her original music as a featured performer for Quincy Jones and Steve McQueens' “Soundtrack of America”.  Brandee is often noted for standing on the shoulders of the very women who ushered in the harp as a clear and distinct voice in jazz & popular styles - particularly Detroit natives Dorothy Ashby & Alice Coltrane.  Her new album, Brand New Life, builds on her already rich oeuvre, and cements the harp's place in pop culture.  As the title of the album suggests, Brand New Life is about forging new paths–artistic, personal, political, and spiritual.  Younger's music is imbued with a sense of purpose and respect of legacy, creating a larger platform for the harp to reach newer and wider audiences than ever before.  In addition to teaching at Steinhardt, Younger holds leadership positions as a board member of The Coltrane Home and New Music USA.Maggie speaks with Brandee at the 67 Monterey Jazz Festival about her band and her association with Alice Coltrane and  The Year of Alice.“No harpist thus far has been more capable of combining all of the modern harp traditions — from Salzedo, through Dorothy Ashby, through Alice Coltrane — with such strength, grace and commitment.” -  The New York TimesFollow: @harpistaSource: https://brandeeyounger.com/Source:https://steinhardt.nyu.edu/people/brandee-youngerSource: https://thecoltranehome.org/2024/03/16/let-the-year-of-alice-begin/Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Send us a textSupport the show@profileswithmaggielepique@maggielepique

Here's another Ph.D. topic for you: Miles Davis vs. Ornette Coleman. Both blazingly original innovators lived most of their lives in Manhattan and they were roughly contemporaries (Miles was 4 years older) so they drew from the same talent pool to make up their bands.  But across 30+ years of simultaneous bandleading and the hiring of dozens and dozens of sidemen, how many can you think of who toured and recorded extensively with both?  We've got one for you: tabla player Badal Roy.     And Badal Roy did so much more than play with those two giants!  His bubbling groove and enormous sonic textures can be heard on albums by everyone from Yoko Ono to Richie Havens, John McLaughlin to Pharoah Sanders, not to mention half a dozen albums under his own leadership.  He died in 2022.   But if you talk to those who knew him, they all speak of a singular warmth, humanity, and unabashed joy.  Maybe that, more than the pure musicianship, is what caught the ear of Miles and Ornette in the first place.     Few know this better than guitarist Ken Wessel. Wessel toured and recorded with Badal Roy in Ornette's band for 13 years, and the two worked on a number of their own projects together.  Wessel will be celebrating Badal Roy in this week's Ragas Live Festival in Brooklyn.     Deep Focus host Mitch Goldman is delighted to welcome Ken Wessel to the WKCR studios this Monday (10/14) from 6pm to 9pm NYC time.  It's on WKCR 89.9FM, WKCR-HD or wkcr.org.  Or join us next week when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram at deep_focus_podcast.   Photo credit: source unknown.   #WKCR #JazzAlternatives #DeepFocus #KenWessel #BadalRoy  #MitchGoldman #JazzInterview #JazzPodcast #JazzRadio

This week, we've got perfect selections for your soul, including classics from legends like Curtis Mayfield, Pharoah Sanders, Terry Callier, and more.We're also excited to showcase fresh sounds from East Coast Love Affair, Bantunm, Robert Glasper, Céu, Leon Bridges, and Sam Redmore.For more info and tracklisting, visit: thefaceradio.com/the-rendezvous/.Tune into new broadcasts of The Rendezvous, LIVE, Sunday from 2 - 4 PM EST / 7 - 9 PM GMT on The Face Radio and Totally Wired Radio.Dig this show? Please consider supporting The Face Radio: support.thefaceradio.com.Connect: https://linktr.ee/kurtispowers Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

durée : 00:59:22 - Naviguer - par : Nathalie Piolé - ⛵️ Ce soir, puisque l'univers nous sourit, nous partons sur l'eau, à la découverte de mondes nouveaux. - réalisé par : Fabien Fleurat

Peace. Freedom. Self-discovery. These are the underlying themes of Nafs at Peace. Without a single word spoken on the album, it's remarkably self-assured and self-evident in its truths. Created by Pakistani improvisational jazz outfit Jaubi, Nafs at Peace is one of the year's most revelatory releases. Weaving together the threads of Hindustani classical music, hip-hop beats and spiritual jazz, the group has made a record as funky as it is healing. The connections between the ecstatic jazz of Alice Coltrane or Pharoah Sanders are less evident in the notes played, as Jaubi based these songs around specific melodic, raga structures, but in the intent. These are musicians lost in their instruments or—at its most ascendent, one with the notes themselves. Nafs at Peace is nothing short of a joy, and we chatted with guitarist Ali Baqar about the album.

This week, a musical homage to one of the UK's most exciting young festivals. Bringing heaps of Jazz, Reggae, Soulful House and Afrobeat from around the world. Celebrating the festival where the young newcomers to Jazz from Tomorrow's Warriors share the same line up as legends like Johnny Clarke, Loose Ends, Andre 3000 and in previous years Azymuth, Pharoah Sanders and Mos Def. The London Hippy plays records mainly from this year's performers however drops in a couple acts he's seen previously at this wonderful festival largely programmed by Radio 6 Host Gilles Peterson. For more info and tracklisting, visit: https://thefaceradio.com/the-london-hippyTune into new broadcasts of The London Hippy, Thursdays from 2 – 4 PM EST / 7 - 9 PM GMT.//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Alvester Garnett Interview Alvester Garnett is a top-tier jazz drummer, celebrated for his swing, passion, and professionalism. His career began in Richmond, Virginia, where early influences included Ellis Marsalis and the jazz program at Virginia Commonwealth University. After moving to New York, Garnett quickly made a name for himself, working with legends like Betty Carter and Abbey Lincoln. He was the only drummer from the Thelonious Monk competition invited to Betty's Jazz Ahead program, which launched his career. Garnett has since collaborated with notable artists such as Pharoah Sanders, Dee Dee Bridgewater, and Benny Golson. He also became the regular drummer for violinist Regina Carter, who later became his wife. In September, Garnett will lead his band, The Artworks Ensemble, at the Central Jersey Jazz Festival in Somerville, NJ. The performance will feature original compositions and include special guest trombonist Papo Vázquez, alongside Bruce Williams, Charlie Sigler, Brandon McCune, and Santi Debriano. This performance highlights Garnett's ongoing commitment to jazz and his ability to blend leadership with collaboration. Alvester Garnett will lead his band, The Artworks Ensemble, at the Central Jersey Jazz Festival on September 15th in Somerville, NJ. The performance will feature original compositions and include special guest trombonist Papo Vázquez, alongside Bruce Williams, Charlie Sigler, Brandon McCune, and Santi Debriano. https://centraljerseyjazzfestival.com/

Evil Genius Chronicles Podcast for July 21 2024 - Manic Depressives with Big Dreams and Poor Execution Download audio On this show, I play a song from Pharoah Sanders; I have really been enjoying several local venues; selling grampa's house is getting real; we play a new round of...

Cindy Blackman Santana is originally from Ohio, came to the East Coast to study at Berklee and at the Hartt School of Music, moved to New York in the late '80s and has played and recorded with a ton of people across the spectrum of jazz and rock ever since. She's made a slew of albums under her own name, including some featuring saxophonist and longtime friend of Burning Ambulance JD Allen; she toured off and on with Pharoah Sanders; she was the drummer for Spectrum Road, a tribute to Tony Williams Lifetime that featured guitarist Vernon Reid, who's also been on this podcast, plus keyboardist John Medeski, and bassist Jack Bruce. And she's probably best known to a lot of people for being Lenny Kravitz's touring drummer for many, many years, but what some people may not know is that she did not play drums on his records — he plays drums on his records. So part of our interview gets into the question of how you make music your own when you're playing someone else's parts.We also talk about her time working with Pharoah Sanders, and recording with Joe Henderson; we talk about her admiration for Tony Williams, and she gives her analysis of the changes in his style over the course of his career and how those manifested in the changes to his kit; we talk about how to lock in with a bassist, the difference in mindset between playing jazz and rock, and much more. This was a really interesting conversation. Unfortunately, it was cut short. Around 45 minutes in, my internet cut out and took our Zoom call with it. So you'll hear a sudden fade right as we start talking about the 2019 Santana album Africa Speaks, on which Cindy Blackman Santana plays. So what I've done is gone back into my archives and pulled up an interview I did with Carlos Santana when that record came out, and we talk about it, and also about her contributions to the band's music and his feelings about playing with her. I think it's a valuable addendum to this conversation, and I hope you enjoy the whole episode. Thanks as always for listening.

Welcome to Faust Forward If you're a sonic adventurer and like exploring sounds at the outer reaches of the barely understood noise-o-sphere then there might....just might.... be something here for you.... Playlist:  Intro: Als das Kind Kind war (Excerpt: Wings of Desire) Barry Adamson – Cut to Black Faust – Play 2 Augustus Pablo – East of The River Nile Scott Walker & Sun O))) – Brando David Sylvian & Ryuichi Sakamoto – Bamboo Music Julian Cope – Psychedelic Odin HIGH RISE – Induced Depression Roger Smalley – Piano Sonata #29 (John White) Aphex Twin – No.1 Cluster & Eno – Wehrmut Michael Rother – Feuerland Sugar Candy Mountain – Windows Mammut - Þau Svaefa The Fall – The Man Whose Head Expanded Bicep – Glue Richard Dawson & Circle – Pitcher Moondog – From One to Nine Moondog – Symphonique #3 (Ode to Venus) Warrington-Runcorn New Town Development Plan – Cul-de-Sac Floating Points, Pharoah Sanders & The London Symphony Orchestra – Promises: Movement 6

Graham Haynes, the Bahia, Brazil-based composer, cornetist, and bandleader, “expands and confounds what we understand as jazz and electronic music.” His work grows out of a keen sense of New York's many histories of music and musical movement, (Graham Haynes' Instagram.) Haynes has played with jazz luminaries like Vijay Iyer, the late Pharoah Sanders, and of course his own dad, the famed drummer Roy Haynes. But he has always been interested in other styles – electronic music, hip hop, traditional music from other parts of the world, and contemporary classical music. Haynes, along with New York-based multi-instrumentalist Lucie Vitkova, do some improvisations involving cornet, electronics, accordion, synthesizer and more, in-studio. Set list: 1. Improvisation 1 2. Improvisation with hichiriki / cornet

In this Episode, Liz and Elias talk with Remy from Northwest Youth Services about how our work is uniquely situated in Bellingham, and how creative expression can lead to self actualization in the movement. Music from the episode:Movement 6 by Pharoah Sanders and Floating Points Support the Show.

Kenny Garrett has been playing for more than 40 years. Originally from Detroit, he joined the Duke Ellington Orchestra in the late 70s, when it was being run by Ellington's son Mercer. He also played with Art Blakey and the Jazz Messengers, and with Donald Byrd, Woody Shaw, and Freddie Hubbard. He was a member of a young lions group put together by Blue Note Records in the 80s called Out Of The Blue that also included the late drummer Ralph Peterson, and he was already recording as a leader when he was invited to join Miles Davis's band in 1987. He played on the album Amandla, and was part of the Davis band all the way until the end of Miles's life in 1991. Miles Davis even made a very rare guest appearance on one of Garrett's albums, Prisoner Of Love, from 1989.Kenny Garrett's discography as a leader has taken him in a lot of really interesting directions. His 1995 album Triology, with Brian Blade on drums and either Charnett Moffett or Kiyoshi Kitagawa on bass, is a really intense, high-energy record that kind of marries bebop language to post-Ornette Coleman freedom, but the real key to the whole thing is the way he executes these really complex melodies on tunes like John Coltrane's "Giant Steps," Wynton Marsalis's "Delfeayo's Dilemma," and Mulgrew Miller's "Pressing The Issue." It's a tremendous showcase for his technical command of the saxophone. But the album that first got me interested in his work was Beyond The Wall, a 2006 release that was a collaboration with Pharoah Sanders that also featured Mulgrew Miller on piano, Bobby Hutcherson on vibes, Robert Hurst on bass, Brian Blade on drums, and on some tracks there were strings and harp and Chinese instruments and a six-member vocal ensemble. It's not spiritual jazz in the way that term is used now, and it's not world music, it's entirely its own thing, and it's particularly fascinating because you might not think of Kenny Garrett and Pharoah Sanders having that much in common, artistically speaking, but they really did. They also recorded a live album together that came out in 2008. Garrett talks about Pharoah a lot in the interview you're about to hear.And Kenny Garrett's latest album is going to surprise a lot of people. It's called Who Killed AI, and it's a collaboration with Svoy, an electronic music producer. Garrett plays alto and soprano sax on it, and all the rest of the music is made with synths and programmed drums. Even the horns are multi-tracked and fed through effects at times. It's structured as kind of a suite — the first track is called “Ascendence,” and there are also pieces called “Transcendence,” “Divergence” and “Convergence.” But there's also a really beautiful version of “My Funny Valentine,” which lays the ballad melody over these kind of shimmering keyboard sounds and a hard drum 'n' bass beat. It's not at all what I was expecting when I was told that there was a new Kenny Garrett album on the way.I'm really glad I had the chance to talk to Kenny Garrett. We discussed his history with Miles Davis and with Woody Shaw, his early musical upbringing, his work with Pharoah Sanders, his approach to synthesizing genres and musics from around the world, and much more. I think you're going to enjoy this conversation.

durée : 00:58:31 - Banzzaï du mardi 12 mars 2024 - par : Nathalie Piolé -

BETTY CARTER IT'S NOT ABOUT THE MELODY New York, 1992In the still of the night (1,4,8)Betty Carter (vcl) acc by Craig Handy (ts-10) Cyrus Chestnut (p-1) Mulgrew Miller (p-2) John Hicks (p-3) Ari Rowland (b-4) Christian McBride (b-5) Walter Booker (b-6) Clarence Penn (d-7) Lewis Nash (d-8) Jeff “Tain” Watts (d-9) JANE IRA BLOOM MIGHTY LIGHTS New York, November 17-18, 1982I got rhythm but no melodyJane Ira Bloom (sop) Fred Hersch (p-1) Charlie Haden (b) Ed Blackwell (d) GERI ALLEN IN THE YEAR OF THE DRAGON New York, March, 1989Oblivion, The InvisibleGeri Allen (p) Charlie Haden (b) Paul Motian (d) Juan Lazaro Mendolas (bamboo-fl-1) REGINA CARTER MOTOR CITY MOMENTS New York, April 19, 20, 21 & 25, 2000Don't git sassyMarcus Belgrave (tp) James Carter (b-cl,ts) Werner “Vana” Gierig (p) Regina Carter (vln) Darryl Hall (b) Alvester Garnett (d) ALICE COLTRANE PTAH, THE EL DAOUD Dix Hills, New York, January 26, 1970Mantra (1)Pharoah Sanders (ts-1,alto fl-2,bells) Joe Henderson (ts,fl) Alice Coltrane (p,harp-3) Ron Carter (b) Ben Riley (d) Chuck Stewart (bells) CARLA BLEY THE LOST CHORDS Live, Europe, October, 2003Tropical depressionAndy Sheppard (sop,ts) Carla Bley (p) Steve Swallow (el-b) Billy Drummond (d) MARIA SCHNEIDER CONCERT IN THE GARDEN New York, March 8-11, 2004Danca illusoria (1,2)Tony Kadleck, Greg Gisbert, Laurie Frink, Ingrid Jensen (tp,flhrn) Keith O'Quinn, Rock Ciccarone, Larry Farrell (tb) Pete McGuinness (tb-1) George Flynn (b-tb,contrabass-tb) Tim Ries (as,sop,cl,fl,alto-fl,b-fl) Charles Pillow (as,sop,cl,fl,alto-fl,oboe,eng-hrn) Rich Perry (ts,fl) Donny McCaslin (ts,sop,cl,fl) Andy Middleton (ts-2) Scott Robinson (bar,fl,cl,b-cl,contrabass-cl) Gary Versace (accor-3) Frank Kimbrough (p) Ben Monder (g) Jay Anderson (b) Clarence Penn (d) Jeff Ballard, Gonzalo Grau (cajon-4) Luciana Souza (vcl,pandeiro-5) Maria Schneider (comp,arr,dir) Continue reading Puro Jazz 07 marzo 2024 at PuroJazz.

Jah Wobble - aka John Wardle - wrote ‘Dark Luminosity: Memoirs of a Geezer' in 2009. It's just been reworked, expanded and republished and it's well worth reading, full of detail about growing up in the East End, unexploded bombs, pickling factories, grim schooldays, record shops and clubs, the bands he saw and his arrival at Kingsway College where he met John Lydon and Sid Vicious and became a cornerstone of the punk rock inner circle. And then two challenging years as the bassist of Public Image Ltd, the time he worked as a train driver and ticket collector for London Transport, a series of collaborations – Brian Eno, Baaba Maal, Holger Czukay, Sinead O'Connor, Chaka Demus – and some bold and original solo albums (you'll enjoy Island Records' reaction when he pitches an album based on the poems of William Blake). Among this podcast's highlights … … the Kafkaesque world of working for the London Underground in the days when you could “punch an area manager and not get sacked”. … why great rhythm sections are like great football players. … his dad, an El-Alamein survivor, on seeing Mick Jagger on Top of the Pops: “the Rolling Stones should be used for mine clearance.” … Public Image Ltd – “three of the weirdest people you could ever meet”, the band that kept their cash in a shoebox. … “you can't go through life as a tourist”. … the secret of the perfect bass sound. … watching the first Sex Pistols' rehearsal. … seeing Bob Marley & the Wailers at the Lyceum. … the record that reversed his dislike of the Beatles. … why working with Pharoah Sanders was the highlight of his musical life. … his 2023 album, ‘The Bus Routes of South London'. … Jim Reeves, Burl Ives and further sounds of the family homestead. ... and a powerful aversion to hippies. Order John's memoir here …https://www.amazon.co.uk/Dark-Luminosity-Memoirs-Geezer-expanded/dp/0571375359Subscribe to Word In Your Ear on Patreon for early - and ad-free - access to all of our content, plus a whole load more: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Jah Wobble - aka John Wardle - wrote ‘Dark Luminosity: Memoirs of a Geezer' in 2009. It's just been reworked, expanded and republished and it's well worth reading, full of detail about growing up in the East End, unexploded bombs, pickling factories, grim schooldays, record shops and clubs, the bands he saw and his arrival at Kingsway College where he met John Lydon and Sid Vicious and became a cornerstone of the punk rock inner circle. And then two challenging years as the bassist of Public Image Ltd, the time he worked as a train driver and ticket collector for London Transport, a series of collaborations – Brian Eno, Baaba Maal, Holger Czukay, Sinead O'Connor, Chaka Demus – and some bold and original solo albums (you'll enjoy Island Records' reaction when he pitches an album based on the poems of William Blake). Among this podcast's highlights … … the Kafkaesque world of working for the London Underground in the days when you could “punch an area manager and not get sacked”. … why great rhythm sections are like great football players. … his dad, an El-Alamein survivor, on seeing Mick Jagger on Top of the Pops: “the Rolling Stones should be used for mine clearance.” … Public Image Ltd – “three of the weirdest people you could ever meet”, the band that kept their cash in a shoebox. … “you can't go through life as a tourist”. … the secret of the perfect bass sound. … watching the first Sex Pistols' rehearsal. … seeing Bob Marley & the Wailers at the Lyceum. … the record that reversed his dislike of the Beatles. … why working with Pharoah Sanders was the highlight of his musical life. … his 2023 album, ‘The Bus Routes of South London'. … Jim Reeves, Burl Ives and further sounds of the family homestead. ... and a powerful aversion to hippies. Order John's memoir here …https://www.amazon.co.uk/Dark-Luminosity-Memoirs-Geezer-expanded/dp/0571375359Subscribe to Word In Your Ear on Patreon for early - and ad-free - access to all of our content, plus a whole load more: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Jah Wobble - aka John Wardle - wrote ‘Dark Luminosity: Memoirs of a Geezer' in 2009. It's just been reworked, expanded and republished and it's well worth reading, full of detail about growing up in the East End, unexploded bombs, pickling factories, grim schooldays, record shops and clubs, the bands he saw and his arrival at Kingsway College where he met John Lydon and Sid Vicious and became a cornerstone of the punk rock inner circle. And then two challenging years as the bassist of Public Image Ltd, the time he worked as a train driver and ticket collector for London Transport, a series of collaborations – Brian Eno, Baaba Maal, Holger Czukay, Sinead O'Connor, Chaka Demus – and some bold and original solo albums (you'll enjoy Island Records' reaction when he pitches an album based on the poems of William Blake). Among this podcast's highlights … … the Kafkaesque world of working for the London Underground in the days when you could “punch an area manager and not get sacked”. … why great rhythm sections are like great football players. … his dad, an El-Alamein survivor, on seeing Mick Jagger on Top of the Pops: “the Rolling Stones should be used for mine clearance.” … Public Image Ltd – “three of the weirdest people you could ever meet”, the band that kept their cash in a shoebox. … “you can't go through life as a tourist”. … the secret of the perfect bass sound. … watching the first Sex Pistols' rehearsal. … seeing Bob Marley & the Wailers at the Lyceum. … the record that reversed his dislike of the Beatles. … why working with Pharoah Sanders was the highlight of his musical life. … his 2023 album, ‘The Bus Routes of South London'. … Jim Reeves, Burl Ives and further sounds of the family homestead. ... and a powerful aversion to hippies. Order John's memoir here …https://www.amazon.co.uk/Dark-Luminosity-Memoirs-Geezer-expanded/dp/0571375359Subscribe to Word In Your Ear on Patreon for early - and ad-free - access to all of our content, plus a whole load more: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

This week's edition of Cultural Manifesto is all about making a comeback. We'll join the legendary Indianapolis jazz trombonist Phil Ranelin at the Chatterbox for his first gig after suffering from a debilitating stroke in 2021. Ranelin is best known for his work with the Tribe, a Detroit-based collective of avant-garde jazz musicians and activists. Ranelin has performed and recorded with artists including Wes Montgomery, Freddie Hubbard, Pharoah Sanders, Red Hot Chili Peppers, and more.  Plus, listen to an interview with Indiana reggae music pioneers Keith Baptiste, Tim Johnson, and John Loflin of Reggaenomix. Reggaenomix has reunited for the first time in over 25 years. Their music mixes Jamaican rhythms with socially conscious lyrics. We'll discuss their 1990 song “Who Killed Michael Taylor?”, written about a 16 year old Indianapolis resident who was found dead in police custody in 1987. We'll also listen to the band's new single “I'm Not Against the Police (I'm Against Police Brutality.)

This week's edition of Cultural Manifesto is all about making a comeback. We'll join the legendary Indianapolis jazz trombonist Phil Ranelin at the Chatterbox for his first gig after suffering from a debilitating stroke in 2021. Ranelin is best known for his work with the Tribe, a Detroit-based collective of avant-garde jazz musicians and activists. Ranelin has performed and recorded with artists including Wes Montgomery, Freddie Hubbard, Pharoah Sanders, Red Hot Chili Peppers, and more.  Plus, listen to an interview with Indiana reggae music pioneers Keith Baptiste, Tim Johnson, and John Loflin of Reggaenomix. Reggaenomix has reunited for the first time in over 25 years. Their music mixes Jamaican rhythms with socially conscious lyrics. We'll discuss their 1990 song “Who Killed Michael Taylor?”, written about a 16 year old Indianapolis resident who was found dead in police custody in 1987. We'll also listen to the band's new single “I'm Not Against the Police (I'm Against Police Brutality.)

REBECCA COUPE FRANKS “SUIT OF ARMOR” New York, February 2, 3 & 4, 1991I'm beginning to see the light, Lydia, Afternoon in ParisRebecca Coupe Franks (tp,flhrn) Joe Henderson (ts) Kenny Barron (p) Leni Stern (g) Buster Williams (b) Ben Riley (d) Carolyn Brandy (perc) IDRIS MUHAMMAD “KABSHA” Englewood, N.J., September 12, 1980Kabsha (1), I want to talk about you (2), GCCG blues (1,2)George Coleman (ts-1) Pharoah Sanders (ts-2) Ray Drummond (b) Idris Muhammad (d) TONY LAKATOS “STANDARD TIME” c. Continue reading Puro Jazz 02 febrero 2024 at PuroJazz.

Paz, concordia, entendimiento y amor en el mundo. Feliz Navidad. Stillness of the Holy Place Akira Kosemura In the dark woodsWhere life comes and returns Akira Kosemura SEASONSWhite Christmas Chilly Gonzales A very chilly ChristmasMov 7 Floating Points, Pharoah Sanders y London Symphony Orchestra PromisesLulajze Jezuniu (Polish Carol) Metheny y Anna María Jopek Upojenie Christmas George Winston, Meryl StreepThe Velveteen Rabbit Se Amanha Fosse Domingo Camané y Mário Laginha Aquí Está-se SossegadoWhite flowers take their bath MerediElur amá (Madre Nieve) Idoia Asurmendi, Juan Luis Zabala, Joserra SemperenaInverno Franco Battiato Inneres Auge Ao romper da Aurora Céu Um gosto de solAlvorecer Anna Setton Onde mora meu coraçao Pennies from heaven Frank Sinatra Sinatra/Basie Escuchar audio

This mixtape is a showcase of Jazz Gospel - guiding us to the light to spirituality, featuring the new André 3000, which is transcendental in all its glory. The Outkast artist is surely on a mission from God. Featuring Alice Coltrane, Don Cherry, Sun Ra & His Arkestra, Pharoah Sanders, Nina Simone, Idris Ackamoor, The Pyramids and more. Welcome to the 4th Dimension. Tune into new broadcasts of Matt Pape Mixtape, Friday from 12 - 1 AM EST / 5 - 6 AM GMTFor more info visit: https://thefaceradio.com/matt-pape-mixtape///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Support Night Clerk Radio on PatreonThe community members on our Patreon Discord are constantly posting suggestions and recommendations for great albums of all genres. We've gotten into the habit of digging through them every six months or so and seeing what's there. We cover everything from vaporwave to dark ambient to hip hop to jazz.We aren't able to talk about everything, so check the wall of links below, organized by Discord channel. Enjoy!#vaporwaveSPEZ068 - Dnevna televizija / Д​н​е​в​н​а т​е​л​е​в​и​з​и​ј​а by SEM-TVBarbershop Simulator™ by slowerpace 音楽Cyanotype by CyanBlueＤ​Ｒ​Ｅ​Ａ​Ｍ​Ｓ Ｕ​Ｎ​Ｌ​Ｉ​Ｍ​Ｉ​Ｔ​Ｅ​Ｄ by 夢達無制限LAST WAVE OUT by EPPSSONNTHROUGH THE FOG AND THE DRIFTWOOD by §E▲ ▓F D▓G§YEARS OF FAILURE by HATENAArcade Girl EP by Crystal EternalThe Darkness in Her Eyes by Notorious Secret転移 by victory over deathVirtuality by Sierra On-linePhysical Death VIP Membership (death cycle) - 死​亡​循​環 by b e g o t t e n 自杀Grid Of Reality by Infinity Frequencies x Sangamt h e s o n y p l a y s t a t i o n 1 ソ​​​ニ​​​ー by V/ALiminal Spaces by HantasiThe Mall of Our Lord by

C'est le mercredi aléatoire en grand forme !TRACKLISTMase ft. Busta Rhymes - N****Z Wanna ActCaroline Polachek - Dang L'Rain - Pet Rock yaeji - easy breezyLe disque de 19h22 (envoyez votre proposition, un morceau aux couleurs Nova Club, à @davidblot sur Instagram!) :Stevie Wonder - Superstition (Todd Terje Edit)Eddy Mitchell - Superstition Guy Cabay - A m'vwèzèneJamila Woods - Bugs Cleo Sol - Reason The Natives - You YouSheila & B Devotion - Your Love Is Good Sheila & B. Devotion - Spacer Pharoah Sanders - You've Got to Have FreedomBrent Faiyaz - Missin OutYaya Bey - the evidence Sistre Sledge - He's The Greatest DancerCali Cartier, baby izo & Dylan Brady - TREMIDOWham! - Blue (Armed with Love)Dion - Two Ton Feather Dion & The Belmonts - A Teenager In LoveLos Macs - El evangelio de la gente sola Dusty Springfield - The Look of Love Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Kurtis is back with some autumn cheer! This week, we're celebrating the music of Pharoah Sanders, Fela Kuti, and Rudolph Isley. Plus, we're bringing you fresh sounds from Liverpool's Indie/Soul band, Casino, and Dee C. Lee.Our spotlight shines on the latest album, 'Me Chama De Gato Que Eu Sou Sua,' by Ana Frango Elétrico. It's a new release you won't want to miss. So, join us as we explore the melodies and the rhythms.For more info and tracklisting, visit: https://thefaceradio.com/the-rendezvous.Tune into new broadcasts of The Rendezvous, LIVE, Sunday from 2 - 4 PM EST / 7 - 9 PM GMT on The Face Radio and Totally Wired Radio.Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com.https://linktr.ee/kurtispowers Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

durée : 00:59:17 - Pharoah Sanders - par : Alex Dutilh - Avec l'approbation de Pharoah Sanders, avant sa disparition, le label Luaka Bop réédite la version remasterisée de “Pharoah”, enregistrement phare du légendaire saxophoniste, datant de 1977. Et la complète d'un second album live inédit de la même année : “Harvest Time”.

This week on the show, we're joined by Sam Shepherd, AKA Floating Points. His discography is full of beautiful and strange electronic music—bubbling Buchalas, skittering beats, washes of synthesized sound, and even moody, spacious post-rock. But underneath it all, his love of jazz is clear. In 2021, he teamed with an actual jazz legend: the late Pharoah Sanders, as well as the London Symphony Orchestra for Promises, a single 46-minute composition broken into nine movements.  Though the artists were separated by decades in age, their approach is simpatico. Just as Shepherd has moved between genres and styles, so did Pharoah. His early work with John and Alice Coltrane established him as a dynamic, sometimes frighteningly intense sideman, and his first run of records, including 1969's Karma, featuring “The Creator Has a Master Plan,” helped set the stage for what we now call “spiritual jazz.”  But Sanders, who passed away in 2022 at the age of 81, cared very little about what genre you filed his records under. “I just play whatever I feel like playing,” he told The New Yorker. Sanders stayed restless and creative—listen to his playing on Sonny Sharrock's masterful Ask the Ages or his works with Bill Laswell, and you'll hear what we mean. In 1977, he waded into deeply personal waters with the self-titled Pharoah, which will be reissued by Luaka Bop on September 15th. Exploring new age adjacent sounds, funk, and passionate ballads, it's a radical departure from his early work, but perfectly in keeping with Sanders' unpredictable ethos.  Likewise, Promises is hardly the “back to basics” late career album you might expect an 80-year-old artist to make. It's its own thing, a meditative sojourn that relies on silence as much as sound. And next week, on September 20th, Floating Points will be joined by past Transmissions guest Shabaka Hutchings, as well as Caribou, Four Tet, the Sun Ra Arkestra, and others for the first-ever staging of Promises live at the Hollywood Bowl. Ahead of that show, Shepherd joined us from his studio to discuss his his years collecting records, making Promises—and we even got him to reveal Pharoah's favorite place to eat in LA.  Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts, like Drifter's Sympathy, with Emil Amos of Grails, Om, Holy Sons, who will be our guest next week on Transmissions. And of course No Way Out: An Oral History of Sunburned Hand of the Man, curated and produced by J Kelly Davis and presented by Aquarium Drunkard and Talkhouse. Back soon. Next week on the show, Jarvis Taveniere of Woods.

We had the pleasure of interviewing Gareth Donkin over Zoom video!Described as a “soul savant” in a Billboard feature out this week, London-based singer-songwriter and producer Gareth Donkin has released his debut album Welcome Home via drink sum wtr, a new label formed by A&R Nigil Mack in partnership with Secretly Group, as a part of the newly minted All Flowers Group. Across 10 shimmering tracks that mine classic influences ranging from R&B and yacht rock to funk, pop and more, Donkin has crafted an insightful coming-of-age self-portrait. In that Billboard feature, the 23-year-old recently spoke about the making of Welcome Home and his musical journey to date. Fans can listen to the new album digitally and on vinyl via Bandcamp.To date, Welcome Home has already garnered praise from Wonderland, FLOOD Magazine, Our Culture Magazine, The Luna Collective, Lucid Monday, KCRW and BBC Radio 6, along with support from Spotify's New Music Friday, Fresh Finds R&B and POLLEN playlists, plus more. Written and recorded in a series of bedroom studios in England and France, Donkin's self-produced debut LP showcases his stunning mix of instrumental virtuosity and emotional intuition, blending highly sophisticated melodic and harmonic craftsmanship with deeply moving lyrical explorations of longing, desire, and determination.The songs here draw on R&B/soul (“Whenever,” “Tell Me Something,” “Nothing We Can't Get Through”), funk (“Something Different”), yacht rock (“Falling For You”), hip-hop, jazz, and even bossa nova, hinting at times to everything from Michael Jackson and Bill Evans to George Benson and Jamiroquai. For more insight into Donkin's inspirational palette, fans can check out his hand-curated “lifted” Spotify playlist, which features eclectic musical references such as The Isley Brothers, Bill Withers, Genesis, Erykah Badu, Pharoah Sanders, TOTO, and more.Donkin's performances on Welcome Home find him layering up instrument after instrument in the best one-man-band tradition of Prince or Stevie Wonder. The end result is a moving work that's equal parts brain and brawn, a masterful debut from a young artist discovering himself — and his sound — one song at a time.Born with perfect pitch, Gareth Donkin was already fanatically obsessed with both jazz piano and drums before he turned 12. By the time he headed to the Leeds Conservatoire to pursue a degree in music production, he was already writing and recording his own material at home. Donkin's first single, “Catharsis,” has racked up more than 1,000,000 streams to date on Spotify, and a series of subsequent releases found similarly organic success including this spring's groovy, synth-filled “GEEK OUT!" (ft. quickly, quickly and The Breathing Experiment).We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #GarethDonkin #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4972373/advertisement

Lonnie Liston Smith is a jazz legend. He's a pianist and keyboard player. He's worked with Pharoah Sanders, Miles Davis and Marvin Gaye. Smith is a master of the Fender Rhodes – the electric piano that helped define a movement in music that eventually became known as Cosmic Jazz. Smith joins us to talk about his first record in 25 years, and his humble beginnings. Plus, Smith's records have been sampled a lot in hip-hop and electronic music. He'll talk about the records that caught him most by surprise.

DeRay, Myles, and Kaya  cover the underreported news of the week— including non-profit hospitals exploit poor patients, the working class Black men who pioneered emergency medicine and the life and legacy of Pharoah Sanders. DeRay interviews Jelani Anglin and Kim Belizaire about their 24/7 emergency arrest hotline, Good Call NYC. News:Kaya https://www.nytimes.com/2022/09/24/business/nonprofit-hospitals-poor-patients.htmlMyles https://pitchfork.com/thepitch/pharoah-sanders-obituary/DeRay https://time.com/6215072/first-paramedics-black-men-history/https://www.npr.org/2022/09/20/1124008613/how-working-class-black-men-in-pittsburgh-pioneered-emergency-medicine