Podcasts about german wikipedia

Sie war Fürstin aus dem mächtigen Hause Habsburg, das seit dem Mittelalter zahlreiche europäische Herrscher*innen hervor gebracht hat, z.B. alle Kaiser des Heiligen Römischen Reiches (deutscher Nation) bis 1806. Darunter Maria Theresia.Sie war 1740 bis zu ihrem Tod Erzherzogin von Österreich und Königin u.a. von Ungarn (mitKroatien) und Böhmen.Sie war die Gewinnerin des österreichischen Erbfolgekriegs: Bis 1748 konnte sich Maria Theresia im Frieden von Aachen als rechtmäßige Erbin des 1740 verstorbenen Karl VI. durchsetzen, wobei sie trotzdem einige Ländereien wie Schlesien verlor sowie die Herzogtümer Parma und Piacenza.Maria Theresia ist besonders bekannt für politische und gesellschaftliche Reformen, die aus heutiger Sicht sehr modern anmuten, darunter eine größere Bedeutung für Bildung in der Gesellschaft. Damit wurde Maria Theresia eine prägende Figur des aufgeklärten Absolutismus.Mehr zu ihr in dieser Episode.Photo Credits: wiki commons, Deutsch: Maria Theresia von Österreich-Este, Lithographie von Franz Eybl nach einem Gemälde von Moritz Daffinger, 1845Date1845SourceEigenes Foto einer Originallithographie der ÖNB (Wien) Author: Franz Eybl  (1806–1880)  Foto Peter Geymayer at German Wikipedia.Redaktionelle Unterstützung: Daniel Jacob Mehr zu uns unter: https://linktr.ee/starkefrauen****************WERBUNG: Unser Podcast wird freundlicherweise unterstützt von CLARK, dem digitalen Versicherungsmanager. Versichert euch jetzt "up" mit der kostenlosen CLARK-App und erfahrt alle Infos zum Shopping-Gutschein mit dem Code “STARKEFRAUEN“ hier: https://www.clark.de/landing/social/starke-frauen/ Möchtest Du Cathrin oder Kim auf einen Kaffee einladen und dafür die Episoden werbefrei hören? Dann klicke auf den folgenden Link: https://plus.acast.com/s/starke-frauen. Hosted on Acast. See acast.com/privacy for more information.

German circus performer Otto Witte went to his death-bed claiming he had been crowned King of Albania on 13th August, 1913 for a five-day reign which culminated with him being chased out of the country as an imposter.Generally believed to have been a fantasist who invented the story, Witte was humoured by the German authorities in his life-time, and his tombstone in Hamburg bears the inscription, ‘former King of Albania'.In this episode, Rebecca, Olly and Arion explore the phenomenon of the German ‘originale'; uncover the legend of ‘Sausage Hans' and ‘the slag monkey'; and reveal who inspired the story of Baron Munchausen… Further Reading:• ‘The Man Who Was King' (TIME, 1958): http://content.time.com/time/subscriber/article/0,33009,868723,00.html• ‘The legend of Otto Witte, the impostor King of Albania' (The Balkanista, 2018): http://thebalkanista.com/2018/10/04/the-legend-of-otto-witte-the-impostor-king-of-albania/• An enterprising man acts out the works of the Cologne 'originales' on German Wikipedia: https://de.wikipedia.org/wiki/K%C3%B6lsche_OriginaleFor bonus material and to support the show, visit Patreon.com/RetrospectorsWe'll be back on Monday! Follow us wherever you get your podcasts: podfollow.com/RetrospectorsThe Retrospectors are Olly Mann, Rebecca Messina & Arion McNicoll, with Matt Hill.Theme Music: Pass The Peas. Announcer: Bob Ravelli. Graphic Design: Terry Saunders. Edit Producer: Emma Corsham.Copyright: Rethink Audio / Olly Mann 2021.  See acast.com/privacy for privacy and opt-out information.

The Turkish Wikipedia editor and Wikimedia StewardHakanIST talks with the German Wikipedia editor Sebastian Wallroth at the annual Wikipedia conference Wikimania 2019 in Stockholm, Sweden about his motivation to spend his time for Wikipedia, the blocking of Wikipedia in Turkey and the fight against vandalism in the Japanese Wiktionary.

The Catalan Wikipedia editor Francesc from Valencia and the German Wikipedia editor Sebastian Wallroth from Berlin talk about among other things the Catalan Wikipedia, the Catalan Language, Amical Wikimedia, the Wikipedia:Voice intro project by Pigsonthewing, and the annual Wikipedia conference Wikimania.

AfroCROWD Manager Sherry Antoine from New York City talked with the German Wikipedia editor Sebastian Wallroth at WikiConference North America 2018 in Columbus, Ohio.

An interview with writer, producer, director and actress Marianne Hettinger. Marianne Hettinger has always been fascinated by movement, absurdity and complexities of human relationships. This was already apparent in her first short film, "Shenanigans Point" in 2001. Budget: $6.95. She sees Woody Allen, Mike Leigh and Pedro Almodovar as her greatest inspirations. German press: Die Welt online, click Wikipedia and German Wikipedia for more info. Having come to New York alone as a teenager from a small town in Germany, she has found her own unique style. "I thrive in adversity. If people say I can't do something, I will use it as fuel to ignite my dream", she said after she won "Best Director" at the Detroit Independent Film Festival 2010 with her first feature "Mango Tango". Born and raised in Augsburg, Germany and then Leitershofen, a suburb with a population of only 2000, Marianne Hettinger saw the movie "An American in Paris" for the first time at age 5. This was the birth of her dream to come to USA to dance and act like Gene Kelly. it would take her 7 hours roundtrip to get to the closest dance studio in Munich by bicycle, tramway, train and subway. But that didn’t stop her. From "American in Paris" to "German in New York", Marianne arrived as a nineteen year old alone in Manhattan with only $800 in her pocket, not knowing anybody. Soon she was accepted by the prestigious National Shakespeare Conservatory on a scholarship to study acting and directing. Simultaneously she studied dance on scholarships at the Alvin Ailey School, Steps on Broadway, the Martha Graham School and the Merce Cunningham Dance Company. At age 20 she wrote, directed and acted in her first play "Heaven & Earth" at the Cubiculo Theatre in Manhattan. Because of her femme fatale figure she appeared as a model in "Sports Illustrated", Elle, Men’s Health, Harper’s Bazaar, Self and on national TV. Marianne eventually turned down an exclusive modeling contract with the famous ELITE MODEL MANAGEMENT because of her passion for acting and dancing. The versatile actor has been featured in over 50 features, independent films and television shows and commercials. She’s worked with such acclaimed directors as Tim Robbins, Frank Oz, Michael Apted, James Toback and Warren Leight and was a member of the "A THEATRE CO" theatre company founded by Thomas Everett Scott. As an A-list dancer she’s brought down the house on Broadway in "Latin Rhythms" with Chita Rivera, in a duet with Antonio Banderas on the Late Show with David Letterman and as a solo guest artist with many national and international symphony orchestras and as a US and Canadian Ballroom Champion (American Rhythm and Theatre Arts). Combining her talents, Marianne came full circle in 2009 when she wrote, directed, produced and acted in her first feature film MANGO TANGO that won her "BEST DIRECTOR" at the DETROIT INDEPENDENT FILM FESTIVAL as well as the "JURY PRIZE FOR BEST FEATURE" at the VENTURA FILM FESTIVAL and "MOST POPULAR FILM" at the "FUENF SEEN FILM FESTIVAL" in Germany. Marianne Hettinger makes New York City her home, a place that feeds her creativity. With her projects she entertains and touches people's hearts in her own unique way.

"Lightning is Bitcoin", says René Pickhardt a mathematician, data scientist and contributor to the Lightning Network. We talk about the evolution, goals and possible roadblocks of the Lightning Network and how it will bring massive utility to the Bitcoin Blockchain. René Pickhardt is also the author of the German Wikipedia article about the Lightning Network and he is creating an educational book about Lightning. ---------- more: https://bitcoinundco.com/en/lightning-network-rene-pickhardt ---------- Special offers for my listeners from my sponsors: Card Wallet - the safest cold storage solution. No software needed. Order now and get 20% off! (time-limited) https://www.cardwallet.com/anita ---------- Follow: Subscribe to Anita's mailing list: https://anitaposch.com/newsletter/ | Twitter: https://twitter.com/anitaposch/ | LinkedIn: https://www.linkedin.com/in/anitaposch/ | YouTube: http://www.youtube.com/c/AnitaPosch ---------- Send a voice message to Anita: https://www.speakpipe.com/anitaposch ---------- German Podcast: https://bitcoinundco.com/de/ ---------- Donate: Do you like what you hear? If yes, then please support my podcast. Every donation is used to produce episodes, finance travel costs and make the show better. PayPal https://paypal.me/AnitaPosch | BTC https://tallyco.in/AnitaPosch/ | Lightning https://tippin.me/@anitaposch

These are some of the best comments from Basic Income, Not Basic Jobs: Against Hijacking Utopia. I’m sorry I still haven’t gotten a chance to read everything that people have written about it (in particular I need to look more into Scott Sumner’s take). Sorry to anyone with good comments I left out. Aevylmar corrects my claim that Milton Friedman supported a basic income: Technically speaking, what Milton Friedman advocated was a negative income tax, which (he thought, and I think) would be much more efficient than basic income – I don’t remember if these are his arguments, but the arguments I know for it are that the IRS can administer it with the resources it has without you needing a new bureaucracy, it doesn’t have the same distortionary effects that lump sum payment + percentage tax does, and it’s probably easier to pass through congress, since it looks as though it costs less and doesn’t have the words ‘increasing taxes’ in it. And Virbie further explains the differences between UBI and negative income tax: The main difference is that discussing it in terms of NIT neatly skips over a lot of the objections that people raise to flat UBIs that are abstractly and mathematically (but not logistically or politically) trivial. Many of these focus on how to get to the new policy position from where we are now. For example, people ask both about how a flat UBI would be funded and why rich people should receive a UBI. Given that the tax load to fund a basic income plan would likely fall on the upper percentiles or deciles, a flat UBI + an increase in marginal tax rates works out to a lump sum tax cut for high-earners and a marginal tax increase. Adding negative tax brackets at the bottom of the existing system and modifying top marginal rates is a simpler way to handle this and extends gracefully from the current system instead of having to work awkwardly alongside it. In the example above, the NIT approach has the logistical advantage of the bureaucracy and systems we already have handling it more easily. And the political advantage of the net cost of the basic income guarantee looking far smaller than for flat UBI, since we’re not including the lump sum payments to upper-income people (that are more than offset by their marginal tax increases). There’s some further debate on the (mostly trivial) advantages of NIT or UBI over the other in the rest of the thread. Tentor describes Germany’s experience with a basic-jobs-like program: We had/have a similar thing to basic jobs in Germany and it worked about as well as you would expect. Companies could hire workers for 1€/hour and the state would pay social security on top of that. The idea was that long-term unemployed people would find their way back to employment this way, but companies just replaced them with new 1€-workers when their contract was over and reduced fully-paid employment because duh! Plus people on social security can be forced to take jobs or education. As a result a lot of our homeless are depressed people who stopped responding to social security demands because that’s what caused their depression. (Links are to German Wikipedia, maybe Google translate helps) Another German reader adds: I agree that it doesn’t work as expected in Germany, but I think it it important to point out that not everyone is allowed is to hire workers for 1€. The work has to be neutral to the competition and in the public interest. So people are hired at a lot of public institutions (e.g. schools, universities, cleaning up the city). Additionally these jobs improved the unemployment statistics at a low cost for the government, as people who are working in these jobs count as employed although most of these jobs are only part time jobs.

Filmmaker and director Marianne Hettinger has always been fascinated by movement, dance, and the absurdity and complexities in human relationships. She sees Woody Allen, Mike Leigh and Pedro Almodovar as her greatest inspirations. German press: Die Welt online, click German Wikipedia for more info. Having come to New York alone as a teenager from a small town in Germany, she has found her own unique style. "I thrive in adversity. If people say I can't do something, I will use it as fuel to ignite my dream", she said after she won "Best Director" at the Detroit Independent Film Festival 2010 with her first feature. Born and raised in Augsburg, Germany and then Leitershofen, a suburb with a population of only 2000, Marianne Hettinger saw the movie "An American in Paris" for the first time at age 5. This was the birth of her dream to come to USA to dance and act like Gene Kelly. it would take her 7 hours roundtrip to get to the closest dance studio by bicycle, tramway, train and subway. But that didn't stop her. From "American in Paris" to "German in New York", Marianne arrived as a nineteen year old alone in Manhattan with only $800 in her pocket, not knowing anybody. Soon she was accepted by the prestigious National Shakespeare Conservatory on a scholarship to study acting and directing. Simultaneously she studied dance on scholarships at the Alvin Ailey School, Steps on Broadway, the Martha Graham School and the Merce Cunningham Dance Company.