Podcast appearances and mentions of pedro almodovar

We sit down with Jim Miller (The New School) to discuss Pedro Almodovar's challenging film TALK TO HER. We consider the juxtaposition of beauty and horror, the duality of subjects and objects, the blurry lines around the moral, ballet, and friendship. Check out Jim's book on Almodovar!Reach out to us on BlueSky and the web!Email us at cowspod@gmail.com!Buy a Cows shirt or bag at Threadless!

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Tout sur ma mère, Todo sobre mi Madre, est un film du réalisateur espagnol sorti en 1999. Cʹest un film qui parle des mères, des pères, de lʹenfantement, des origines, de transplantations, de cœur, de familles élargies. 13e film de Pedro Almodovar, à la maturité sereine, Tout sur ma mère raconte lʹhistoire de Manuela. Celle-ci travaille dans un service de greffes. Elle un fils de 17 ans, Estéban, quʹelle a eu avec Lola, un travesti disparu à la naissance de lʹenfant. Manuela allait parler à Estéban de son père quand une voiture le tue à la sortie dʹune représentation théâtrale dʹun Tramway nommé Désir. Atterrée, elle accompagne le cœur de son fils qui sauvera une autre vie et renoue avec Lola. Mélodrame au féminin, Tout sur ma mère prend en charge des destins émouvants dans foisonnement de personnages. Ça rit, ça pleure, ça hurle. Les actrices, surtout, portent lʹunivers dʹAlmodovar à bout de larmes. Au Festival de Cannes en 1999, alors quʹil est le grand favori et quʹon lui promet la Palme dʹor, Tout sur ma mère reçoit le Prix de la mise en scène. Il est aussi couronné de lʹOscar et du César du Meilleur film étranger et 7 Goya. La critique aime ce film de la maturité, loin des explosions de folie de Femmes au bord de la crise de nerf. Et le public, principalement féminin, est conquis. Aujourdʹhui dans Travelling, cʹest dans lʹunivers de Pedro Almodovar que nous pénétrons, son univers colorés, ses obsessions. Nous allons parler de ce réalisateur, de la Movida, ce mouvement artistique qui a secoué Madrid, de la maman de Pedro Almodovar, de ses actrices. Ne tardons plus, il ne nous reste plus quʹà compiler tout ça et à suivre un réalisateur espagnol qui a su imprimer sa marque dans le cinéma contemporain. REFERENCES Pedro Almodovar, Lʹinsolent de la Mancha, https://www.rts.ch/play/tv/doc-portrait/video/pedro-almodovar-linsolent-de-la-mancha?urn=urn:rts:video:14028313 Lalanne, Jean-Marc, La nouvelle Eve, Cahiers du cinéma no 535 Almodovar en deux ou trois choses https://www.arte.tv/fr/videos/060738-257-A/pedro-almodovar-et-deux-ou-trois-autres-choses-blow-up/ Almodovar en 6 minutes https://www.arte.tv/fr/videos/065424-045-A/blow-up-pedro-almodovar-en-6-minutes/ Almodovar à Barcelone https://www.arte.tv/fr/videos/111198-001-A/pedro-almodovar-tout-sur-barcelone/ Un doc sur Almodovar : Lʹinsolent de la Mancha https://www.rts.ch/play/tv/doc-portrait/video/pedro-almodovar-linsolent-de-la-mancha?urn=urn:rts:video:14028313

durée : 00:59:20 - Année du Brésil (2/3) : Caetano Veloso, cinéphile et compositeur - par : Thierry Jousse - Pour ce deuxième Ciné Tempo brésilien, nous suivons les aventures cinématographiques et musicales d'un grand musicien et chanteur brésilien, Caetano Veloso qu'on retrouvera, notamment, chez Pedro Almodovar, Wong Kar-wai ou Carlos Diegues…

Host Stevie V takes Diego to see his favorite musical "Sunset Blvd" on Broadway ahead of TONY nominations Canada's Drag Race Winner Venus gives a formal public apology to Puerto Vallarta and the community Pedro Almodovar has a message for President Trump Drag Queen Kochina Rude is teaching us all how to use Narcan to save lives including CPR... Terrance Howard is back with more homophobia about not playing Marvin Gaye because he was gay? Gay Australian MP Stephen Bates is using Grindr and OF to get PrEP for all free! Should your bottoms be struggling? We share who our favorite adult performer was growing up... Advice: Should this couple stay together when one moves away and is enjoying new life? Thirst Trap: Who took the best photo of the week? Support TAGS and get extra special perks! New Bonus Episode for 2025 out now! Patreon.com/tagspodcast Grab a tier or get our Free Tier and get Behind the Scenes content plus you can now purchase individual content! Follow Stevie V on IG: @iam_stevev Follow Stevie V on Bluesky: @tagspodcast  Follow Kodi's Life Coaching on IG: @kmdcoaching Follow Kodi Maurice Doggette on IG: @mistahmaurice Wanna drop a weekly or one time tip to TAGSPODCAST - Show your love for the show and support TAGS! Visit our website: tagspodcast.com Needs some advice for a sex or relationship conundrum? Ask TAGS! DM US ON IG or https://www.talkaboutgaysex.com/contact Follow Of a Certain Age on IG: @ofacertainagepod

And now for something completely different... featuring one of past guests & fellow authors Ace Atkins, Megan Abbott, & William Boyle's dearest friends. The first half of this week's episode with Oxford, Mississippi based ADVENTURE TIME & SPONGEBOB SQUAREPANTS screenwriter, voice actor, & author Jack Pendarvis is a freewheeling anything goes conversation about writing, shovels, William Faulkner cosplay, hitchhiking with butter knives, Saint Augustine, showers, & anything else that popped into our heads. Taking a look at two films about the creative process in the more classically Watch With Jen formatted second half of this discussion, we investigate two of Jack's favorite movies in director Anthony Mann's classic musical biopic THE GLENN MILLER STORY & one of Pedro Almodovar's greatest masterworks, PAIN AND GLORY. This season, I'm aiming to sprinkle in some more casual conversations with artists of all backgrounds into our traditional friendly analytic approach because right now, it feels like we're all so isolated, stressed, & wary that I'm hoping these occasional offbeat episodes might spark a little joy, discovery, & creativity for you along the way as well.Originally Posted on Patreon (4/7/25) here: https://www.patreon.com/posts/126066237Shop Watch With Jen logo Merchandise in Logo Designer Kate Gabrielle's Threadless ShopDonate to the Pod via Ko-fi Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive

¿Qué vínculos hay entre el cine y la cocina? ¿Cómo surge el documental de "Mugaritz"? ¿Qué tiene de especial el cine de terror? ¿Es "La Isla de las Tentaciones" una comedia o una película de terror? ¿Qué actores o actrices son los más foodies? Hablamos con el director Paco Plaza ("REC", "Verónica", "Quien a hierro mata", "La abuela"...) sobre su carrera y sus vínculos con la cocina y la gastronomía a través del documental "Mugaritz, sin pan ni postre" Javi y Adri nos hablan, con la aparición estelar de Ramón, del 100 aniversario de Sal Costa Rocío nos habla de cuatro películas que le han gustado últimamente y las marida con cuatro vinos Rosa nos habla del gazpacho a través de la mítica escena de "Mujeres al borde de un ataque de nervios" de Pedro Almodovar y Ramón nos habla del menú de los Oscars, de los spaghetti westerns y de Bud Spencer.

Do you know how much of A Real Pain it is to keep the years straight with us straddling three different global release windows? We do! We got Caught by the Tides and are a little late with this one but nevertheless, join our Conclave for the fifth (!) time as we huddle around the Ghostlight to talk about the films of the last year! We cover award-winning films (Anora, The Brutalist, No Other Land), notable blockbusters (Dune: Part Two, Wicked), blitz through some honorable Challengers to our top picks, and then Look Back on our personal top fives. You know podcast favorite Luca Guadagnino is going to feature in Wilson's favorite films… but how Queer will it be?? If you're A Different Man, you'll have different faves, so enter our Red Rooms and tell us your favorite 2024 films on our FREE patreon, discord server, and our socials @ www.deepcutpod.comLinks:Ben's 2024 ListEli's 2024 ListWilson's 2024 ListTimestamps:(00:00:00) Intro(00:03:21) 2024 in general(00:17:06) Obligatory mentions(00:17:28) Anora (dir. Sean Baker)(00:22:55) Conclave (dir. Edward Berger)(00:25:14) The Brutalist (dir. Brady Corbet)(00:33:53) Nickel Boys (dir. Ramell Ross)(00:36:53) Hit Man (dir. Richard Linklater)(00:39:45) All We Imagine as Light (dir. Payal Kapadia)(00:43:02) Flow (dir. Gints Zilbalodis) (00:46:14) Emilia Perez (dir. Jacques Audiard)(00:50:29) Sing Sing (dir. Greg Kwedar)(00:52:01) The Substance (dir. Coralie Fargeat)(00:55:26) Wicked (dir. Jon M. Chu)(00:59:09) Deep Cut Coverage of 2024(00:59:20) All Shall Be Well (dir. Ray Yeung)(01:00:19) The People's Joker (dir. Vera Drew)(01:02:37) Happyend (dir. Neo Sora)(01:05:13) Deep Cut Upkeeps of 2024(01:08:55) Honorable mentions(01:08:57) Megalopolis (dir. Francis Ford Coppola)(01:12:43) Trap (dir. M. Night Shyamalan)(01:14:13) An Unfinished Film (dir. Lou Ye)(01:14:26) The Monk and the Gun (dir. Pawo Choyning Dorji)(01:16:02) Hard Truths (dir. Mike Leigh)(01:17:41) Not Friends (dir. Atta Hemwadee)(01:19:08) Fly Me to the Moon (dir. Sasha Chuk)(01:20:38) Black Box Diaries (dir. Shiori Ito)(01:24:06) A Traveler's Needs / By the Stream (dir. Hong Sang-soo)(01:25:56) Look Back (dir. Kiyotaka Oshiyama)(01:27:34) The Room Next Door (dir. Pedro Almodovar)(01:30:10) Didi (dir. Sean Wang)(01:31:22) Last Summer (dir. Catherine Breillat)(01:32:33) Hundreds of Beavers (dir. Mike Cheslik)(01:33:43) The Diarrhea Brothers Save the Day (dir. Joel Haver)(01:35:09) Rap World (dir. Conner O'Malley)(01:37:11) Janet Planet (dir. Annie Baker)(01:38:43) Ben's #5(01:41:06) SKIP ELI'S BIT!!(01:42:19) Wilson's #5(01:46:33) Eli's #5(01:50:14) Ben's #4(01:52:54) Wilson's #4(02:00:50) Eli's #4(02:01:47) Ben's #3(02:03:16) Wilson's #3(02:08:22) Eli's #3(02:12:30) Ben and Wilson's #2(02:23:46) Eli's #2(02:27:19) Ben's #1(02:31:50) Wilson's #1(02:38:39) Eli and ???'s #1(02:43:34) Upcoming from Deep Cut(02:46:32) Outro

Hello everyone and welcome to an all new episode of Some Like It Scott! This episode rounds out the last movie review before the two Scotts finalize their Top 10 lists for 2024, and it is a review of the Spanish auteur, Pedro Almodovar's, first feature film in the English language: THE ROOM NEXT DOOR. After discussing Tilda Swinton's and Julianne Moore's performances, whether Almodovar's writing and style translate seamlessly to the English languages, and the rather dour themes of the film, the co-hosts turn their attention to give another outdated awards update regarding this year's guild nominees, as well as discuss the news that Greta Gerwig's upcoming Narnia film with Netflix will be receiving a theatrical release in IMAX theaters. See time codes below:   4:21 - THE ROOM NEXT DOOR review 50:53 - Awards update 1:06:49 - Greta Gerwig's Narnia movie to get an IMAX theatrical release   Next time: Top 10 Movies of 2024   Patreon: www.patreon.com/MediaPlugPods

L'équipe de PopCorn Salé vous retrouve pour un épisode de rattrapage des sorties les plus marquantes de cet hiver, avec un certain focus, il faut bien l'admettre sur l'amour (mimi), la vieillesse et la mort (moins mimi). Au programme, des films éclectiques et émouvants donc : The Brutalist, de Brady Corbet, ou comment couler du béton sur vos traumas ; L'Amour au présent, de John Crawley : pourquoi c'est périlleux de faire du développement personnel sur un cancer ; Captain America : Brave New Word, de Julius Onah, avec Harrison Ford qui décidément devrait prendre acte de son âge et arrêter de se choisir des rôles d'action ; Wicked, de Jon M. Chu, la comédie musicale qu'il vous faut pour tenir dans la grisaille de l'hiver avant le début du printemps ; La Chambre d'à côté, de Pedro Almodovar, pour analyser son passage à la langue anglaise, sans Penelope Cruz mais toujours avec du vert et du rouge ; Mon Gâteau préféré, de Maryam Moghadam et Behtash Sanaeeha, comédie romantique de petits vieux dissidents du système iranien qui saura réchauffer votre cœur et le détruire en même temps.On n'a pas pu parler de toutes les comédies romantiquessorties cet hiver, mais si vous en cherchez une à visionner pour un petit film doudou, Pourquoi Jane Austen a gâché ma vie et Bridget Jones : folle de lui sont de super options !Bonne écoute, on a hâte de vous croiser dans les salles de cinéma.Présentation : JulietteChroniqueur.euse.s : Pauline, Arthur & Julien

Erin and Paul wade through a pile of awards-season contenders and also-rans, including Brady Corbet's THE BRUTALIST, RaMell Ross' NICKEL BOYS, Pedro Almodovar's THE ROOM NEXT DOOR and Gia Coppola's THE LAST SHOWGIRL. Plus: a bunch of SNL documentaries, a classic David Fincher exercise in Nordic noir, and the Errol Morris doc FAST, CHEAP & OUT OF CONTROL.

Pedro Almodovar está em modo full Hollywood. Esperemos que não seja para durar.

What does it take to turn a life of addiction and struggle into one of wisdom, compassion, and fulfillment? In this episode, Peter shares his extraordinary journey from the depths of heroin addiction in the 1960s counterculture to finding peace and purpose as a Zen Buddhist priest. Through his story, we explore the profound teachings of interconnectedness, the balance between individuality and the larger universe, and the transformative power of self-awareness. Peter's raw honesty and profound insights will inspire you to reflect on your own path and the narratives you may be living by. We also dive deep into the practical side of Zen—meditation techniques that anyone can try, the beauty of embracing impermanence, and how love and compassion can dissolve the boundaries we think separate us. Have you ever wondered if happiness is less about seeking and more about letting go? Or how understanding paradoxes can reveal your true nature? This conversation offers timeless wisdom for anyone seeking clarity, fulfillment, and a deeper connection to life. Don't miss this heartfelt and eye-opening discussion! Ways to Connect with Peter Coyote: https://petercoyote.com/ https://petercoyote.com/zen-in-the-vernacular/ About Peter Coyote: PETER COYOTE has performed as an actor in over 160 films for theaters and TV. His work includes some of the world's most distinguished filmmakers, including: Barry Levinson, Roman Polanski, Pedro Almodovar, Steven Spielberg, Martin Ritt, Steven Soderberg, Sidney Pollack and Jean Paul Rappeneau. He is a double Emmy-Award winning narrator of over 150 documentary films, including Ken Burns, National Parks, Prohibition, The West, the Dust Bowl,The Roosevelts , for which he received his second Emmy in 2015. Recently he has done Vietnam, The History of Country Music and a six hour series on Ernest Hemingway for Mr. Burns.  Mr. Coyote's memoir of the 1960's counter-culture Sleeping Where I Fall which received universally excellent reviews, and has been in continuous print since 1999. His second book, The Rainman's Third Cure: An Irregular Education, about mentors and the search for wisdom, was nominated as one of the top five non-fiction books published in California in 2015. Last year he published The Tongue of a Crow, his first book of poems, and The Lone Ranger and Tonto Meet the Buddha, about his workshops with masks and improv exercise to induce altered states. Hie newest book, Zen in the Vernacular will be released in early 2020 by Inner Traditions Press. Mr. Coyote is also an ordained Zen Buddhist priest and “transmitted” teacher, which means that he is free from his teacher's authority and can ordain his own priests.

durée : 00:51:41 - Le Masque et la Plume - par : Rebecca Manzoni - Les critiques du Masque & la plume sont allés voir "La chambre d'à côté" de Pedro Almodovar, "Babygirl" d'Halina Reijn, "Les feux sauvages" de Jia Zhang Khe, "Le Quatrième mur" de David Oelhoffen et "Je suis toujours là" de Walter Salles. Quel est leur verdict ? - invités : Xavier Leherpeur, Florence COLOMBANI, Pierre Murat, Ariane Allard - Xavier Leherpeur : Chroniqueur et critique de cinéma (7e Obsession), Florence Colombani : Journaliste et critique cinéma (Le Point), Pierre Murat : Rédacteur en chef adjoint de Télérama, Ariane Allard : Critique de cinéma (Causette) - réalisé par : Guillaume Girault

durée : 00:07:23 - "La chambre d'à côté" de Pedro Almodovar

durée : 00:48:17 - Le Masque et la Plume - par : Rebecca Manzoni - Les critiques du Masque & la plume sont allés voir "La chambre d'à côté" de Pedro Almodovar, "Babygirl" d'Halina Reijn, "Les feux sauvages" de Jia Zhang Khe, "Le Quatrième mur" de David Oelhoffen et "Je suis toujours là" de Walter Salles. Quel est leur verdict ? - invités : Xavier Leherpeur, Florence COLOMBANI, Pierre Murat, Ariane Allard - Xavier Leherpeur : Chroniqueur et critique de cinéma (7e Obsession), Florence Colombani : Journaliste et critique cinéma (Le Point), Pierre Murat : Rédacteur en chef adjoint de Télérama, Ariane Allard : Critique de cinéma (Causette) - réalisé par : Guillaume Girault

Ce soir, Yves le cinéphile nous fait part de son coup de cœur pour le dernier film de Pedro Almodovar, "La chambre d'à côté". Chaque soir, en direct, Caroline Dublanche accueille les auditeurs pour 2h30 d'échanges et de confidences. Pour participer, contactez l'émission au 09 69 39 10 11 (prix d'un appel local) ou sur parlonsnous@rtl.fr

Chaque jour, deux chroniqueurs présentent les infos indispensables à connaître en matière de culture : les dernières actus musique, les sorties littéraires ou cinéma, les nouvelles pièces de théâtre et les séries à ne pas manquer… C'est ici !

Seyir Terası'nın ikinci bölümünde; İspanyol sinemasının en meşhur yönetmenlerinden Pedro Almodovar'ın filmlerindeki anne karakterlerinin izi sürülüyor.  Almodovar'ın ilk dönem filmlerinden 1984 tarihli  Bunu Hak Edecek Ne Yaptım? (Que He Hecho Yo Para Merecer Esto), Bergman'ın Güz Sonatı'na saygı duruşu niteliğinde Yüksek Topuklar (Tacones Lejones), dünya çapında büyük ses getiren ödül avcısı Annem Hakkında Her Şey (Todo Sobre Mi Madre), favori aktrisi Penelope Cruz'la unutulmaz işbirliği Dönüş (Volver) ve son dönem işleri; Acı ve Zafer (Dolor Y Gloria), Julietta, The Room Next Door'la beraber yaklaşık 45 yıla yayılan filmografisindeki anne karakterleri incelendi.  Azra Çelenk ve Ozan Özkan'ın hazırlayıp sunduğu ve sinema sohbetlerini dinlemeyi sevenlerin tam da aradığı içerik Seyir Terası'nın ikinci bölümü yayında! #pedroalmodovar #film #sinema

Erik Childress and Steve Prokopy are back to start 2025 with reviews…of a lot of 2024 movies. Albeit ones opening wider across the country now. But there are also some brand new releases including documentaries on a film that never was (George A. Romero's Resident Evil) and the songwriter who never wins an Oscar (Diane Warren: Relentless). Then a family is trapped amidst a pole reversal (Survive) and Adrien Brody tries to build a life in America (The Brutalist). Robbie Williams gets the musical biopic treatment as a chimpanzee (Better Man) while Julianne Moore & Tilda Swinton face a tough life together in Pedro Almodovar's latest (The Room Next Door). Pamela Anderson finds herself aging out in Vegas (The Last Showgirl) and Marianne Jean-Baptiste gives one of the year's best performances in the new film from Mike Leigh (Hard Truths). Finally, Gerard Butler returns as Big Nick to get the mastermind robber he lost the first time (Den of Thieves : Pantera).   0:00 - Intro 1:41 - George A. Romero's Resident Evil 9:35 - Diane Warren: Relentless 18:26 - Survive 24:29 – The Brutalist 40:50 - Better Man 57:19 – The Room Next Door 1:06:20 – The Last Showgirl 1:20:06 - Hard Truths 1:28:18 - Den of Thieves 2: Pantera 1:44:45 - Outro

Film critic Emma Jones tells us why Nicole Kidman's latest role – as an executive who embarks on an affair with her intern – is perhaps more shocking for a Hollywood audience than a European one. Her performance in "Babygirl" won Kidman the best actress prize at the Venice Film Festival; we discuss some of the film's taboos and standout moments. We also go through some of the big winners at this year's Golden Globes, including French auteur Jacques Audiard for "Emilia Perez" and Demi Moore for "The Substance". Emma tells us why Adrien Brody and Brazilian actress Fernanda Torres could be well placed to pick up Oscars, in addition to the acting prizes they won this week. Plus we take a look at Pedro Almodovar's touching study of friendship and mortality, as Tilda Swinton and Julianne Moore shine in "The Room Next Door".

Comment a-t-il convié Tilda Swinton et Julianne Moore pour son premier long-métrage en anglais ? Quel joli retour effectue Florence Pugh dans « We live in time (L'amour au présent) » ? Quelles leçons tirer du palmarès des Golden Globes ? Les découvertes musicales : -Vampire Weekend – Classical -Blossoms – You to me are everything -Amyl & the Sniffers – Jerkin' -Trent Reznor, Ross Atticus – Yeah (X10) Merci pour votre écoute La semaine des 5 Heures, c'est également en direct tous les jours de la semaine de 19h à 20h00 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de La semaine des 5 Heures avec les choix musicaux de Rudy dans leur intégralité sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/1451 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

07 26-12-24 LHDW Cine: 'El jurado número 2', la última película de Clint Eastwood a debate, ¿!Que tal es la peli?. Pedro Almodovar y el daño al cine español

This week we're excited to present a conversation from the 62nd New York Film Festival with author Sigrid Nunez. With her novels The Friend (winner of the 2018 National Book Award for Fiction) and What Are You Going Through, New York–based author Sigrid Nunez has supplied the extraordinarily rich source material for not one, but two films in the NYFF62 lineup: Scott McGehee and David Siegel's Spotlight standout The Friend, starring Naomi Watts as a writer mourning the complicated loss of a beloved mentor; and Pedro Almodóvar's Centerpiece selection The Room Next Door, which follows another writer (Julianne Moore) as she reconnects with a friend from her past (Tilda Swinton) who approaches her with an unusual request. We were honored to welcome Nunez for a special conversation about her prismatic literary meditations on grief, friendship, and the passage of time; the experience of seeing her creative work adapted into other mediums; and cinema's alchemical capacity to both translate and transform a novel's meaning. This conversation was moderated by A.O. Scott, critic at large for The New York Times Book Review. A New York Times Critic's Pick, Pedro Almodovar's The Room Next Door is now playing at FLC. Get tickets at filmlinc.org/room NYFF Free Talks are presented by HBO.

Despite ongoing concern about teen internet use, young people are online as much as ever. A new Pew survey of nearly 1,400 teens found surprising results across gender, racial, and political lines. Spanish director Pedro Almodovar’s latest film is “The Room Next Door” — a former war correspondent has terminal cancer, makes a plan to kill herself, and asks her old friend to help.  Film critic Alonso Duralde recommends holiday movies: “See You Next Christmas,” “Better Watch Out, “1985,” and “Christmas, Again.”

Costus fueron Enrique Naya y Juan Carrero. Se conocieron en la Escuela de Artes y Oficios de Cádiz en el curso 1974/75 , se enamoraron paseando por la Caleta , se inspiraron en la Inmaculada de Murillo del Oratorio San Felipe Neri y convirtieron su corta vida profesional en la mayor producción de arte pop de los ochenta. Sus producciones están muy por encima de lo que se vino a llamar 'movida madrileña', pero su protagonismo en los primeros años de la nueva ola fue queriendo, o no, muy importante. Lo fue por su casa, la Casa Costus en la calla de La Palma, 14, 1º A. Allí vivía la pareja y trabajaba, pero a la vez se convierte en lugar de paso de otros artistas, músicos y cineastas como Tino Casal, Olvido Gara, Carlos Berlanga, Pablo Pérez Mínguez, Ana Curra, Pedro Almodovar, Fabio De Miguel, Bernanrdo Bonezzi o Tesa Arranz entre otros. La marca Costus es un mote que les puso Fabio porque pintaban tan minuciosamente que parecían costureras.  Del entorno Costus surgieron canciones, obras de arte y películas. Todos confluían en una mesa camilla y en una juerga continua que comenzaba a las ocho de la tarde y acababa de madrugada. Allí rodó su primera película Pedro Almodóvar "Pepi, Luci ,Bom y otras chicas del montón". Durante un año era habitual ver al director manchego rodando, a los Costus pintando y al resto viviendo la noche. Pero aquello fue insostenible para los dos artistas que poco a poco se dieron cuenta de que su casa no había sido bien entendida y terminaron por cerrarla. Primero se fueron a casa de su amigo Pablo Pérez Mínguez con quien empiezan a preparar su gran obra "el valle de los caídos" y luego se van seis meses a México con el tío de Juan Costus, el escultor Luis Sanguino. Buscaban internacionalizar su obra que ya se movía en España por las galerías, pero , más allá de algunas influencias pictóricas, tuvieron que salir huyendo del país azteca tras liarse Enrique Naya con el hijo de un narco. Fueron amenazados de muerte y Luis Sanguino movió sus influencias con el gobierno mexicano para sacarlos del país en un día junto a a toda su obra. Se establecieron en el Puerto de Santa María (Cádiz) donde acabaron la serie de "el valle de los caídos" y empezaron otra dedicada a Andalucía hasta que Enrique enferma por el VIH. Deciden trasladarse a Sitges (Barcelona) por una mejor atención médica y también para abrir nuevos horizontes artísticos. Allí tristemente son noticia primero porque su casero les cambió la cerradura, no quería un enfermo de SIDA en su casa. Lo denunciaron y ganaron el juicio. Y luego por la muerte primero de Enrique Naya en el hospital de Badalona (mayo,1989)  y Juan Carrero que se suicida un mes después en Sitges. Ahí acaba una gran historia de amor de dos artistas que a sus 35 y 34 años habían acumulado una gran producción artística. Y solo estaban en su primera etapa artística. Se fueron muy jóvenes, pero se les considera los Wharhol españoles.  Han participado en este viaje Ricardo Carrero, hermano de Juan Costus y autor de 'Juan, Enrique y yo': mis costus', Julio Pérez Manzanares, historiador del arte y autor de 'Costus: you are star', Tesa Arranz, miembro del grupo Zombies, artista y compañera de piso de los Costus, Ana Curra, miembro de Pegamoides y Parálisis Permanente , y musa de Costus, Pedro Espinosa de Radio Cádiz, Tere Truchado como productora y Pepe Rubio en guion.

Vor 35 begann eine der erfolgreichsten Fernseh-Serien. Seither sind wir dabei, wenn Homer, Marge, Lisa, Bart und Maggie durch ihren Alltag stolpern. Außerdem würdigen wir die große Schauspielerin Marisa Paredes, bekannt aus vielen Filmen von Pedro Almodovar. Sie ist im Alter von 78 Jahren gestorben.

Nothing brings a child and mother closer than listening to Cinema To The Letter together! Actually, maybe mom doesn't need to listen with you. Regardless, it's time to hear Thomas, Bryan special guest Manish Mathur of Bollywood Drafts discuss the I for Indie film for this Criterion-themed season All About My Mother! Together, our trio answers the crucial questions. What makes the films of Pedro Almodovar so special? How can female representation be complex compared to Strong Female Character™ archetypes? Why are the vibes at a sex worker fire pit so immaculate? Well, look both ways before crossing the street before you listen to find out! Join our Patreon for $1 for monthly bonus episodes and the chance to vote for new podcasts at patreon.com/cinema2letter! Follow us @cinema2letter on socials! Artwork by Michelle Kyle! Music by Burial Grid! We're a proud member of the TalkFilmSociety podcast network!

Nothing brings a child and mother closer than listen to Cinema To The Letter together! Actually, maybe mom doesn't need to listen with you. Regardless, it's time to hear Thomas, Bryan special guest Manish Mathur of Bollywood Drafts discuss the I for Indie film for this Criterion themed season All About My Mother! Together, our trio answers the crucial questions. What makes the films of Pedro Almodovar so special? How can female representation be complex compared to Strong Female Character™ archetypes? Why are the vibes at a sex worker fire pit so immaculate? Well, look both ways before crossing the street before you listen to find out! Join our Patreon for $1 for monthly bonus episodes and the chance to vote for new podcasts at patreon.com/cinema2letter! Follow us @cinema2letter on socials! Artwork by Michelle Kyle! Music by Burial Grid! We're a proud member of the TalkFilmSociety podcast network! 

¿Cómo se pasa de ser uno de los actores más conocidos de la televisión española a sumiller? ¿Tiene la filosofía mucho que ver con el mundo del vino? ¿Cuales son las mejores series y películas sobre el mundo del vino? Hablamos con David Janer, actor y sumiller, sobre su relación con el vino y el cine, sobre sus filósofos vitamina y sobre cómo se gestiona la fama cuando eres el superhéroe más famoso de España: "Águila Roja" ⚔️ Javi recomienda películas y series sobre el mundo del vino Rosa nos trae unos rollitos primavera de su película favorita sobre comida: "Comer, beber, amar" y Ramón nos habla de "Gran reserva", nos trae un poco de salseo con los divorcios de Johnny Depp / Amber Heard y Brad Pitt / Angelina Jolie, que están más relacionados con el vino de los que nos parece, y nos habla de la vida vitivinícola de Pedro Almodovar.

Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more Get Peter's new book  Zen in the Vernacular Things As It Is PETER COYOTE began his film career at 39, after living nearly a dozen years in the counter-culture during the 1960s and 70s. Since then, he has performed as an actor for some of the world's most distinguished filmmakers, including: Barry Levinson, Roman Polanski, Pedro Almodovar, Steven Spielberg, Walter Hill, Martin Ritt, Steven Soderberg, Diane Kurys, Sidney Pollack and Jean Paul Rappeneau. To date he has made over 150 films.   In 2006 he had a major role in three televison series: The Inside on Fox-TV, the 4400 on USA Channel and played the Vice-President to Geena Davis's President on Commander in Chief for ABC-TV until the show's end. In 2011 he starred as the District Attorney in the new version of Law and Order – LA. In 2000 year he was the on-camera announcer of the Academy Awards Ceremony, taking the heavy-lifting off co-host Billy Crystal's shoulders for the detailed announcements and data which played live to an estimated one billion listeners. In 2007 he was prominently featured as an old boxing promoter in Rod Lurie's “Resurrecting the Champ” with Samuel. L. Jackson and Josh Hartnett, and also as Sally Field's disreputable writing teacher on the television series, “Brothers and Sisters.” He recently completed a six hour series called The Disappearance which aired last year. Most recently, he played Robert Mueller to Jeff Daniel's Jim Comey, and Brendan Gleeson's Donald Trump. The series is called The Comey Rule and will be released this year on SHOWTIME.   Mr. Coyote has written a memoir of his counter-culture years called Sleeping Where I Fall which received universally excellent reviews, appeared on three best-seller lists and sold five printings in hardback after being released by Counterpoint Press in 1999, it was re-released in November of 2010 and has been in continuous release ever since. It is currently in use as a source text for Sixties Studies in a number of universities including Harvard where he was invited to teach “The Theater of Protest” last year.. An early chapter from that book, “Carla's Story, won the 1993/94 Pushcart Prize for Excellence in non-fiction. His new book, The Rainman's Third Cure, released in April, 2015 is a study of mentors and the search for wisdom and he is currently readying a new book for publication in 2021-(TITLE) The I Behind the Mask: The Lone Ranger and Tonto meet the Buddha.   Mr. Coyote is well-known for his narration work, and has voiced 150 documentaries and TV specials, including the nine-hour PBS Special, The West. In 1992 he won an EMMY as the “Host” for a nine-hour series, called, The Pacific Century which also won the prestigious duPont-Columbia Award for Excellence in Broadcast Journalism. In 2010 he recorded the12 hour series on The National Parks for Ken Burns and has recently completed the voice-work on Mr. Burns most recent series—a 16 hour special on The History of Country Music. He won a second Emmy for his narration on The Roosevelts, and has also done Prohibition, The Dust Bowl, and an 18 Hour series on Vietnam with Ken Burns. Mr Coyote and Mr Burns just completed a long series on Ernest Hemingway.   In 2011 he was ordained as a Zen Buddhist priest and in 2015 received “transmission” from his teacher, making him an independent Zen teacher. He makes his home on a farm in Northern California, and considers working on his 1952 Dodge Power-Wagon his longest lasting addiction. He has 40 fruit trees and loves to make jam and walk with his two dogs. Join us Thursday's at 8EST for our Weekly Happy Hour Hangout! The Stand Up Community Chat is always active with other Stand Up Subscribers on the Discord Platform.   Join us Thursday's at 8EST for our Weekly Happy Hour Hangout!  Pete on Threads Pete on Tik Tok Pete on YouTube  Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll  Follow and Support Pete Coe Buy Ava's Art  Hire DJ Monzyk to build your website or help you with Marketing

On Truth & Movies this week there are three very different new releases being discussed. First up, Tom Hardy returns for Venom : The Last Dance. We then talk all things Pedro Almodovar's The Room Next Door and Mati Diop's Dahomey.Joining host Leila Latif are LWLies Editor David Jenkins and film critic Rôgan Graham.Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, talking to some of the most exciting filmmakers, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comTwitter and Instagram: @LWLiesProduced by TCO Hosted on Acast. See acast.com/privacy for more information.

Join Daron this week as he sits down to talk film with the brilliant and talented Actor-Director-Producer, Sarah Demeestere. Sarah is a dynamic French-American actor, creative producer. She is also the founder and creative producer at LuxidProds, where she is the showrunner for *The Chin Show*, a quirky children's program that aims to empower young viewers to think critically. Currently, Sarah can currently be seen in Pedro Almodovar's latest film The Room Next Door, alongside Julianne Moore and Tilda Swinton. Be sure to follow Sarah on Instagram: @sarah4cinema | @thechinshow --- Support this podcast: https://podcasters.spotify.com/pod/show/conversationswithdaron/support

This week, Simon and Mark interrupt Ben Wheatley's breakfast (sadly not Wheaties) to about his new comedy horror miniseries ‘Generation Z', which sees an army truck crash outside a care home, infecting the residents and leaving four teenage friends to deal with the deadly consequences. Mark also weighs in on the show, as well as giving his take on ‘Emilia Pérez', Jacques Audiard's musical-comedy, which looks set to be an Awards contender, and sees a Mexican lawyer offered an unusual job to help a notorious cartel boss retire and transition into living as a woman; ‘The Room Next Door', Spanish auteur Pedro Almodovar's full-length English-language debut following Tilda Swinton as a dying journalist trying to reconnect with her best friend; and ‘Venom: The Last Dance', the third instalment in the Tom Hardy-starring superhero franchise, which sees Eddie Brock and the symbiote Venom go on the run when they are hunted by both of their worlds. Another tasty week of cinematic nourishment at The Take! Plus, get your tickets to our Live Christmas Spectacular here: https://www.fane.co.uk/kermode-and-mayo Timecodes (relevant only for the Vanguard - who are also ad-free!): Emilia Pérez Review: 08:31 Ben Wheatley Interview: 29:42 Generation Z Review: 44:58 The Room Next Door Review: 50:50 Venom: The Last Dance Review: 56:47 You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-day money-back guarantee! A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts To advertise on this show contact: podcastadsales@sonymusic.com And to find out more about Sony's new show Origins with Cush Jumbo, click here Learn more about your ad choices. Visit podcastchoices.com/adchoices

The acclaimed Spanish auteur Pedro Almodovor talks about this new film The Room Next Door, which won the top prize at the Venice Film Festival the Golden Lion and stars Tilda Swinton as a woman dying of cancer who enlists her friend Julianne Moore to help her end her life at a time of her choosing.The Bloomsbury Group of writers and thinkers that included the likes of Virginia Woolf, Clive Bell and John Maynard Keynes has enduring appeal, so as a new exhibition at the MK Gallery in Milton Keynes opens to explore the life and legacy of Vanessa Bell, Virginia's sister, her granddaughter the writer Virginia Nicholson and the show's curator Anthony Spira talk about what made this circle of lovers and friends so unique.Playwright Richard Bean had a smash in the West End with his smash hit farce One Man, Two Guvnors, starring James Corden. Now he talks about his new play Reykjavik which is now on at the Hampstead Theatre and explores the British fishing trawler industry, which like coal, was once a mass employer of men and had a terrible safety record. Presenter: Samira Ahmed Producer: Ruth Watts

La Semana Internacional de Cine de Valladolid (Seminci), da su pistoletazo de salida con la película Polvo Serán de Carlos Marqués-Marcet, con él y su protagonista Alfredo Castro charlamos de esta historia de amor incondicional que nos invita a un viaje emocional sobre la decisión de morir a través del drama, la comedia y la música.Dos nombres propios nos visitan, el director del certamen José Luis Cienfuegos que nos avanza las novedades de una edición en la que se van a poder ver más de 200 títulos y El actual director de la Academia de Cinematografía de España, Fernando Méndez-Leite, espiga de Honor junto a la guionista y directora de cine y televisión, Patricia Ferreira, que la recibe a título póstumo.A la cartelera llega una de las películas más esperadas, "La habitación de al lado", el primer trabajo en inglés de Pedro Almodovar, León de Oro en la pasada edición del festival de Venecia. Con Tilda Swinton y Julianne Moore protagonistas de la cinta compartimos micrófono y reflexionamos sobre los temas principales, la muerte, la eutanasia y las relaciones de amistad.Otra de las películas que vamos a poder ver en el certamen es Verano en diciembre, una comedia familiar,con un elenco importante, muy coral de Carolina África, con ella y una de las protagonistas Beatriz Grimaldos charlamos.Rodrigo Sorogoyen, Paula Fabra y Sara Cano también pasan por De película, con ellos hablamos de su última serie Los años nuevos, la relación íntima de una pareja a lo largo de 10 Nocheviejas.Todo esto además de las secciones habituales.Escuchar audio

You may know Brian Jordan Alvarez from the killer horror film M3GAN or from his web series The Gay and Wondrous Life of Caleb Gallo. Most recently, Brian created and stars in the FX comedy series English Teacher, a refreshingly hilarious original that follows a high school teacher navigating personal and professional life in Texas. It's critically acclaimed and canonically GAY! This week, Brian schools us on the series AND talks about the work of filmmakers that inspire him, including Pedro Almodóvar's  ALL ABOUT MY MOTHER.  Plus, one deep cut of Brian's viral internet spiritualist, the one and only Marnie T. Then Jordan has one quick thing about Timo Tjahjanto's  newest action film The Shadow Strays. It's out today on Netflix!***With Jordan Crucchiola and Brian Jordan Alvarez.

To call Parish Malfitano's sophomore feature, Salt Along the Tongue, a straight up horror film feels like a disservice to the experience of watching this magnificent melodrama-adjacent film. Yes, there are most certainly horrific elements - blood features heavily throughout the film, upsetting tales about the symbiotic relationship between wasps and figs are told, bodies float in the air in unsettling ways, boils and scars emerge in haunting ways on the legs of characters, and of course, the thematic backbone of Italian witches that feature within the film - but Salt Along the Tongue instead feels more like a familial, motherly drama in the vein of Pedro Almodovar's work.Yet, even calling Salt Along the Tongue an homage to Alomdovar feels like it's doing a disservice to Parish's work here. This is, much like his first film, a distinct work syphoned from the mind of Parish Malfitano, and in the realm of Australian cinema, that is a blessing.Salt Along the Tongue follows Laneikka Denne's Mattia, a teen girl who struggles to find her place in the world being bullied at school and simply unable to be herself. It's a reality that's thrown into further turmoil when her mother unexpectedly dies, with Mattia having to move to live with her aunt, Carol (Dina Panozzo), who also happens to be her mothers identical twin. Yet, Carol is distinctly different than Matthia's mother, with her aunt having an exuberant personality that, when married with her complicated relationship with alcohol and the cooking show she records with her coven of friends, causes Matthia's life to shift in ways she doesn't know how to fully navigate.This is just the surface of what Parish is working with in Salt Along the Tongue, a film that features an almost completely women led cast, and acts as an ode to mothers and the hardships that men have put upon them in the world. Shot with a stunning colour palette that plays out at times like an aurora gracing through the sky, and at others like a freshly slaughtered chicken, blood dripping everywhere, Salt Along the Tongue is a film full of supreme confidence, driven by a vision to explore Parish's Italian heritage in an Australian setting.The co-lead of the film, Laneikka Denne, wisely said on Letterboxd that this does not feel like it was made in Australia in all the right ways, and they are completely right. There's a brilliance at work here that feels diametrically opposed to the projects that funding bodies in Australia are supporting. Parish is not working alone in this capacity, with filmmakers like Alice Maio Mackay and Alina Lodkina each exploring personal narratives within Australian cinema, and in doing so, these filmmakers are shifting what Australian cinema is.That notion of Australian cinema, as always, is embedded in my conversations with filmmakers, and the following discussion with Parish, recorded ahead of the films launch at SXSW Sydney on 18 & 19 October, explores his relationship with Australian cinema, his drive to tell stories that he wants to see on screen, and his journey through the creative process of making Salt Along the Tongue. While this conversation goes for fifty minutes, I feel like we barely scratched the surface of what's at play within this vividly realised and sensorially invigorating film.So, with that said, if you're in Sydney, head along and see the film on 18 or 19 October. It looks like the 18th is sold out, so jump on board for the 19th if you can. Make sure to seek out Parish's previous film, Bloodshot Heart, which is available on demand. And if you want to find out more about Parish's work head over to ParishMalfitano.com. Hosted on Acast. See acast.com/privacy for more information.

To call Parish Malfitano's sophomore feature, Salt Along the Tongue, a straight up horror film feels like a disservice to the experience of watching this magnificent melodrama-adjacent film. Yes, there are most certainly horrific elements - blood features heavily throughout the film, upsetting tales about the symbiotic relationship between wasps and figs are told, bodies float in the air in unsettling ways, boils and scars emerge in haunting ways on the legs of characters, and of course, the thematic backbone of Italian witches that feature within the film - but Salt Along the Tongue instead feels more like a familial, motherly drama in the vein of Pedro Almodovar's work.Yet, even calling Salt Along the Tongue an homage to Alomdovar feels like it's doing a disservice to Parish's work here. This is, much like his first film, a distinct work syphoned from the mind of Parish Malfitano, and in the realm of Australian cinema, that is a blessing.Salt Along the Tongue follows Laneikka Denne's Mattia, a teen girl who struggles to find her place in the world being bullied at school and simply unable to be herself. It's a reality that's thrown into further turmoil when her mother unexpectedly dies, with Mattia having to move to live with her aunt, Carol (Dina Panozzo), who also happens to be her mothers identical twin. Yet, Carol is distinctly different than Matthia's mother, with her aunt having an exuberant personality that, when married with her complicated relationship with alcohol and the cooking show she records with her coven of friends, causes Matthia's life to shift in ways she doesn't know how to fully navigate.This is just the surface of what Parish is working with in Salt Along the Tongue, a film that features an almost completely women led cast, and acts as an ode to mothers and the hardships that men have put upon them in the world. Shot with a stunning colour palette that plays out at times like an aurora gracing through the sky, and at others like a freshly slaughtered chicken, blood dripping everywhere, Salt Along the Tongue is a film full of supreme confidence, driven by a vision to explore Parish's Italian heritage in an Australian setting.The co-lead of the film, Laneikka Denne, wisely said on Letterboxd that this does not feel like it was made in Australia in all the right ways, and they are completely right. There's a brilliance at work here that feels diametrically opposed to the projects that funding bodies in Australia are supporting. Parish is not working alone in this capacity, with filmmakers like Alice Maio Mackay and Alina Lodkina each exploring personal narratives within Australian cinema, and in doing so, these filmmakers are shifting what Australian cinema is.That notion of Australian cinema, as always, is embedded in my conversations with filmmakers, and the following discussion with Parish, recorded ahead of the films launch at SXSW Sydney on 18 & 19 October, explores his relationship with Australian cinema, his drive to tell stories that he wants to see on screen, and his journey through the creative process of making Salt Along the Tongue. While this conversation goes for fifty minutes, I feel like we barely scratched the surface of what's at play within this vividly realised and sensorially invigorating film.So, with that said, if you're in Sydney, head along and see the film on 18 or 19 October. It looks like the 18th is sold out, so jump on board for the 19th if you can. Make sure to seek out Parish's previous film, Bloodshot Heart, which is available on demand. And if you want to find out more about Parish's work head over to ParishMalfitano.com. Hosted on Acast. See acast.com/privacy for more information.

Erik Childress spent six days at this year's Toronto Film Festival and is here to dish on a bunch of the films he saw. They include the latest works from Francis Ford Coppola, Pedro Almodovar, Ron Howard and Sean Baker. Films about the aging plight of women in entertainment with Demi Moore, Elisabeth Moss and Pamela Anderson run the gamut from great to dismal. The Vatican and religion have their share of bad guys too. Erik splits his votes on a pair of relationship dramas as well as films about Press Your Luck and Saturday Night Live. Nicole Kidman and Amy Adams handle their unsatisfying home lives in wildly different manners. Plus, the latest Stephen King adaptation from Mike Flanagan wins both the festival's Audience Award as well as Erik's heart. All this and more on a recap of this year's fest. 0:00 - Intro 2:21 – The Luckiest Man In America 8:09 - The Substance 15:24 - The Last Showgirl 19:28 - The Life of Chuck 25:28 - We Live in Time 28:22 - Anora 34:06 - Eden 38:41 - Nightbitch 44:36 - Shell 46:54 - Conclave 50:22 - All of You 53:35 - Heretic 1:00:16 - Friendship 1:02:51 - The Room Next Door 1:05:01 - Relay 1:09:18 - The Assessment 1:13:53 - Saturday Night 1:22:02 - Megalopolis 1:29:20 - Babygirl 1:33:38 - Riff Raff 1:37:05 - Outro

All episodes are made available to Patreon subscribers, the most vioiently anti-Canadian and finestkind of all audiences, one week before their general release. Support our Patreon: www.patreon.com/thepinksmoke John Cribbs & Christopher Funderburg return to the Queen City for our 20th trip to the Toronto International Film Festival to watch all the best in the current world of le cinema. With a line-up brimming (filled to the brim) with possibility, we talk our must-see films, wildcards, and the ones we're dreading. Included in this year's slate are new works by Mike Leigh, Kiyoshi Kurosawa, Timo Tjahjanto, Pedro Almodovar, David Cronenberg, Thomas Vinterberg and more …choosing which titles among the 300+ entries to see is going to take guts. And brains. And human decency.  We introduce both the Possibility-o-meter and the Donnybrook-o-meter. Get psyched! Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on X: twitter.com/thepinksmoke Christopher Funderburg on X: twitter.com/cfunderburg John Cribbs on X: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas”

The critically acclaimed Spanish director Pedro Almodovar's new movie The Room Next Door, starring Julianne Moore and Tilda Swinton, received a 17 minute standing ovation after its premiere at the Venice Film Festival yesterday. But, why are standing ovations at film festivals so long? And do the people doing all this clapping not get tired!? Joining guest host Tom Dunne to discuss is Film Critic Brian Lloyd.Image: @RaminSetoodeh on X

Richard, David and Rebecca discuss the newly-announced Telluride lineup and offer some pro tips for making the most of film festivals. For this month's final Director Discussion, the hosts discuss Pedro Almodovar, whose upcoming film The Room Next Door premieres at Venice next week.

Zoë Kravitz makes her directorial debut with the new suspense thriller BLINK TWICE starring Channing Tatum, Naomi Ackie, & Alia Shawkat. Our hosts share a review & then discuss two trailers for big films from two big directors (Pedro Almodovar & Francis Ford Coppola).Recommendation included in this episode: The Princess BrideFootcandle Film Society and Film FestivalSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Third Part in our Mask of the Doctor Trilogy We finish our trilogy on masks of doctors (although that comes into question by the end of the episode) by starting with comparing our podcast to FRIENDS or SEINFELD and every other podcast is the 9:30 sitcom that everyone hate watched until ER started. In some regard THE DARK KNIGHT RISES is seen as maybe the misfire of Christopher Nolan's Batman trilogy... although that is not backed up financially or critically. It's just a vibe! And that's also the answer by the end of the episode in how this film stands alongside the works of Stanley Kubrick and Pedro Almodovar. Enjoy it! All of it! Catchup on last year's Movie Book Club from Quentin Tarantino's CINEMA SPECULATION! Follow along at our Patreon page as once a month (although sometimes more) we read AND watch films from 1999 for BEST MOVIE YEAR EVER by Brian Raftery! Threads/Twitter/Instagram/Facebook: @trilogyintheory Letterboxd: @projectingfilm & @webistrying Artwork by: @nasketchs Find out more at https://trilogyintheory.pinecast.co This podcast is powered by Pinecast.

This week Murtada interviews writer and director Fawzia Mirza about The Queen of My Dreams. Mirza discusses her film, a mother/ daughter drama inspired by both Bollywood musicals and Mirza's own life as a queer Pakistani Muslim, and how she wanted to make a hopeful narrative and how she collaborated with her actors to ground its fantastical elements in reality. Before that Izzy and murtada discuss the fall film festival announcements and which films they are excited to see (Lady Gaga! Pedro Almodovar! Amy Adams!).Follow the show on Twitter and Instagram: @IMPictureShow.To hear more from Izzy and Murtada check them out on social media: Izzy (Twitter: @bkrewind, IG: @bk_rewind); Murtada (Twitter: @ME_Says, IG: murtada_e).See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It's never a bad episode when we discuss more Pedro Almodovar films! Thank You ALL for Helping Support Us! Visit Our Website

Join Host Steve Heilig as we bring back author, actor, and local celebrity Peter Coyote to The New School. They talk about Peter's recent books—Zen in the Vernacular: Things As It Is, and Tongue of A Crow—and ramble across many other topics. Peter Coyote Peter has written five books including the international bestseller Sleeping Where I Fall and_The Rainman's Third Cure: An Irregular Education,_ which reached second on the Marin County bestseller list. His third book, entitled The Lone Ranger and Tonto Meet the Buddha, outlines a long-standing series of classes he runs using acting, improvisation and masks to induce temporary ego-free states and is based on Peter's work as a Zen Buddhist student of more than 40 years. As an actor, he has performed for some of the world's most distinguished filmmakers, including Barry Levinson, Roman Polanski, Pedro Almodovar, Steven Spielberg, Martin Ritt, Steven Soderberg, Sidney Pollack and Jean Paul Rappeneau. He was the co-host of the Academy Award show with Billy Crystal in 2020. He is a double Emmy-Award winning narrator of more than 160 documentary films, including Ken Burns acclaimed The Roosevelts, for which he received his second Emmy nomination in July 2015. Steve Heilig Steve is director of Public Health and Education for the San Francisco Medical Society and the Collaborative for Health and Environment at Commonweal, co-editor of the Cambridge Quarterly of Healthcare Ethics, and a clinical ethicist at California Pacific Medical Center in San Francisco. He is also a trained hospice worker and former volunteer and director of the Zen Hospice Project. A longtime book critic for the San Francisco Chronicle and other publications, he has authored more than 400 pieces on a wide range of medical, public health, ecological, literary, and other topics. #petercoyote #coyote #commonweal #newschoolcommonweal #conversationsthatmatter #tongueofacrow #poetry #zen #buddhism

Will watching all of Pedro Almodovar's movies in one month make you more or less neurotic? Hard-hitting journalists Antonia Cereijido and Fernanda Echávarri decided to find out. Along the way they glean life lessons about moms, absurdity, and friendship. They even get guidance from the iconic Spanish director himself.This episode originally aired in 2017.

With one extremely emotive stroke of the metaphorical podcast baton, we complete the magnum opus that is Best Picture Oscar Nominees 2023!  Is Bradley Cooper's Leonard Bernstein too big to fit on the small screens at Netflix? Find out in our MAESTRO discussion, for which we're joined by Vanity Fair's chief critic, Richard Lawson. Then, a fun movie quiz about composer biopics (well, it's fun for some of us!).What's GoodAlonso - Tracy Chapman & Luke Combs singing Fast Car at the GrammysDrea - Tracy Chapman singing Stand By Me on LettermanRichard - Australian SurvivorIfy - Levels Nigerian Cuisine in St. LouisITIDICAmerica Ferrera Sets Her Directorial DebutUniversal Studios Florida Reveals More Plans for “Epic Universe” Theme ParkPedro Almodovar's Next Film Will Be His First English Language FeatureStaff PicksDrea - AmélieAlonso - Thirty Two Short Films About Glenn GouldRichard - Death TrapIfy - The Hangover Follow us on BlueSky, Twitter, Facebook, or InstagramWithDrea ClarkAlonso DuraldeIfy NwadiweProduced by Marissa FlaxbartSr. Producer Laura Swisher